WEBVTT - REPETE: Ben Lomas And E.T. 

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<v Speaker 1>Hey there, this is a bonus episode of You Ain't

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<v Speaker 1>Seen Nothing Yet. I know there are parts of the

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<v Speaker 1>world and indeed Australia, in particularly my home state Victoria,

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<v Speaker 1>that are in lockdown again, so we wanted to hopefully

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<v Speaker 1>give a little bit of cheer with a fantastic episode

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<v Speaker 1>of You Ain't Seen Nothing Yet. There is a warning

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<v Speaker 1>there is some Saudi language and some sexual references in

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<v Speaker 1>this episode as we drift off our favorite extra terrestrial

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<v Speaker 1>and move into some police academy territory. You'll understand when

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<v Speaker 1>you listen to it. Enjoy Welcome to You Ain't Seen

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<v Speaker 1>Nothing Yet? The Movie podcast, where we check the movie

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<v Speaker 1>lovers about classic or beloved movies. They haven't quite got

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<v Speaker 1>around a scene until now. In today's guest comedian Ben Lomas,

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<v Speaker 1>I will have my venues this life for the next.

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<v Speaker 2>They life is lack a box at Choco. Let's haven't

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<v Speaker 2>right now You seen nothing?

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<v Speaker 1>Ben Lomass is a joy of a human being, a

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<v Speaker 1>big hearted bloke with an even bigger heart. A stand

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<v Speaker 1>up comedian. We often get compared to be honest, I'm

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<v Speaker 1>told where our voices are strikingly similar. I can't tell.

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<v Speaker 1>Maybe you can let me know. I've known Ben for

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<v Speaker 1>quite a few years, having bumped into him on the

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<v Speaker 1>stand up scene and doing the podcast rounds. He's also

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<v Speaker 1>one of the best warm up guys in the business

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<v Speaker 1>and he always has the projects crowd up and about.

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<v Speaker 1>He also is a very own successful podcast called fit

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<v Speaker 1>Bet with Derek dry Singer about their amazing weight loss

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<v Speaker 1>over the last year or so. And the podcast itself

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<v Speaker 1>is like Ben. It's hilarious, generous, and surprisingly emotional at times.

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<v Speaker 1>I love that ben Cho's ET. It's one of my favorites,

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<v Speaker 1>and there's great real living Steven Spielbert's classic Through Fresh Eyes.

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<v Speaker 3>Hi, I'm Ben Lomas. My favorite films in order, go

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<v Speaker 3>ace Ventura already that Blues Brothers. We're on a mission

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<v Speaker 3>from God and Police Academy one, okay, Mahony. Till this date,

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<v Speaker 3>I am yet to see ET.

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<v Speaker 1>Do I really need to give a synopsis for ET.

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<v Speaker 1>A space full of aliens arrive on Earth, but we

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<v Speaker 1>only give a shit about one of them. Et is

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<v Speaker 1>discovered in the cornfields and befriended by Henry Thomass Elliott,

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<v Speaker 1>who now with the occasional help of Drew Barrymore and

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<v Speaker 1>his brother Mike have to keep the authorities from getting

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<v Speaker 1>their dirty mits on our extraterrestrial. John Williams score is

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<v Speaker 1>as iconic it's almost anything in this movie, which may

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<v Speaker 1>just be the Great Steven Spielberg's most perfect film ever. Okay, Ben,

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<v Speaker 1>before we get to et, welcome, take a podcast to

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<v Speaker 1>you ain't seen nothing yet. We'd like to invite movie

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<v Speaker 1>fans movie buffs. I didn't know three of your favorite

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<v Speaker 1>films included a Ventura. You know, as a comedian, I

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<v Speaker 1>can see how that slips through. Where does the Police Academy?

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<v Speaker 1>How does that slip in? Is that genuinely one of

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<v Speaker 1>your favorite films? Or is that is that Blues Brothers obviously?

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<v Speaker 1>I mean that's great, that's awesome. How does Police Academy

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<v Speaker 1>and Steve Guttenberg's fine working that find it's way in

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<v Speaker 1>your top three?

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<v Speaker 3>So when I was a kid, I grew up in

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<v Speaker 3>North Carl and there are only two video stores. There's

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<v Speaker 3>one Movie Land in Brunswick, and there was one art house,

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<v Speaker 3>one on Rapdown Street called Wrapdown Rhythms. And the only

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<v Speaker 3>video that I was able to borrow that wasn't R

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<v Speaker 3>rated was Police Academy one, And that was the only

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<v Speaker 3>one available, and I think I reckon. They laughed at

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<v Speaker 3>us because I would hire it every time we'd go

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<v Speaker 3>to the because there's nothing else there. There's like some

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<v Speaker 3>art house from like you know art house film from Sweden.

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<v Speaker 3>And then I just became I just fell in love

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<v Speaker 3>because I knew every scene. Mahoney was my best mate.

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<v Speaker 3>High Tower Shocks, the whole gang was. That was my first,

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<v Speaker 3>like besides the Goodies, that was my first foray into

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<v Speaker 3>into like comedy films. Police You can't even it was

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<v Speaker 3>number one and I didn't know anything else. When when

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<v Speaker 3>two came out, I knew there was a second one.

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<v Speaker 3>I remember it was like the happiest day of my life.

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<v Speaker 1>Did you become obsessed as a result with a The

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<v Speaker 1>Police b sound effects out of the human mouth?

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<v Speaker 3>Yes?

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<v Speaker 1>Or be blowjobs from Turns?

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<v Speaker 3>Yep? That well, I didn't understand what that was till

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<v Speaker 3>the fiftie time. I didn't understand. I was like, is

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<v Speaker 3>she punching in there? Like I had no idea. I

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<v Speaker 3>had no idea for those here.

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<v Speaker 4>I think you'll find the presentation interesting as well as

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<v Speaker 4>very very stimulating.

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<v Speaker 1>Could we have the lads turned down?

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<v Speaker 5>So?

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<v Speaker 1>Yeah, so this is around the time of pork Is

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<v Speaker 1>and this is not how I thought the ET episode

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<v Speaker 1>would would start to be honest, So we'll get back

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<v Speaker 1>to our favorable extra terrestrial or extra testicle as we

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<v Speaker 1>used to laugh and joke back in the day. But

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<v Speaker 1>so around Porky is Zappt was another one that was

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<v Speaker 1>a big one in my house because that featured some

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<v Speaker 1>boobs as well, Scott Bayo and Williams yep, some fine

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<v Speaker 1>work later teamed up in Charles in Charge.

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<v Speaker 3>The other one in that era I remember was weekend

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<v Speaker 3>of Bernie's Yes Yeah, which is also like it was

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<v Speaker 3>that era of those like they just started pumping them

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<v Speaker 3>out like Fletch Fletch leave. The was a little bit.

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<v Speaker 1>Later, but well, the idea of going to the video

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<v Speaker 1>store is so foreign now, the idea that the whole

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<v Speaker 1>trip to the video store are browsing. Sometimes you would

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<v Speaker 1>know exactly the video that you wanted, but often there's

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<v Speaker 1>a bit of browser because sometimes you wouldn't just come

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<v Speaker 1>back with one, you'd come back with seven five six

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<v Speaker 1>seven exactly what a deal. You can't walk past that,

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<v Speaker 1>So you know, you take out, you take a chance

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<v Speaker 1>on a couple of films. I reckon there's films like

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<v Speaker 1>probably Mask with Eric Stoles as Rocky Dennis, and I

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<v Speaker 1>wouldn't have seen if I wasn't browsing through a video store.

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<v Speaker 1>There's one called one eight two that I saw that

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<v Speaker 1>I quite liked. But then and then you had.

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<v Speaker 3>Took a pun on Turner and Hooch Turner and.

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<v Speaker 1>Well took a pun on the Tom hanks film.

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<v Speaker 3>Well, all I do was Academy. Yeah, this Tom Hanksky.

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<v Speaker 3>Can you do no noises out of his mouth? No,

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<v Speaker 3>he can't. Not interested.

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<v Speaker 1>I remember hearing about Revenge of the Nerds.

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<v Speaker 3>Hey gaes.

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<v Speaker 1>Wondering Joint, And this is literally before I knew what

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<v Speaker 1>the term nerd even meant. I actually thought it was

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<v Speaker 1>a horror film. My my friend across the road said, oh,

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<v Speaker 1>I want to see Revenge of the Nerds, and I

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<v Speaker 1>was like, oh, I sound scary.

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<v Speaker 3>Well, I remember I didn't like that, And I remember

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<v Speaker 3>as a kid the reason why I didn't like it.

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<v Speaker 3>I was like too much overacting, Like I didn't believe

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<v Speaker 3>the characters like police Academy. You know there's a guy

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<v Speaker 3>who can convinced everyone that there's a chopper Land. How

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<v Speaker 3>could you not believe Booger no, Yeah, I couldn't believe it.

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<v Speaker 3>I just didn't. I never warned those films like no,

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<v Speaker 3>it's one two third.

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<v Speaker 1>Oh, I think there's like a serven. Yeah, yeah, they

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<v Speaker 1>really went for it. Just before you move on. Michael

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<v Speaker 1>Winslow is an interesting character who plays what's his character

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<v Speaker 1>name in Jones Jones? Yeah, so he have you ever?

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<v Speaker 1>Have you met him?

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<v Speaker 3>Or yes? I have.

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<v Speaker 1>He will not put the sound effects away. No, he

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<v Speaker 1>won't even when you almost had to say okay. I've

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<v Speaker 1>interviewed him on television on the project and it's like, okay,

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<v Speaker 1>you can you can stop that. It's almost like it's okay.

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<v Speaker 1>It's almost like you need that good will hunting moment

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<v Speaker 1>where you're going to it's it's not your fault, it's okay.

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<v Speaker 1>We're just asking you about how you start. You don't

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<v Speaker 1>need to land a helicopter in this answer.

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<v Speaker 3>But it reminds me of that. You know, there's comics

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<v Speaker 3>who like backstage just keep doing gear like they're still

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<v Speaker 3>in that rhythm of when they come on stage that's

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<v Speaker 3>still and you go, mate, you're upstage, you can just

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<v Speaker 3>talk like a normal person. I was backstage with him

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<v Speaker 3>once at a company club. And I was like, Wow,

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<v Speaker 3>I get to meet him. I'm going to get a photo.

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<v Speaker 3>And the same thing is I went to go to

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<v Speaker 3>the bathroom and he made the noise of me. I

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<v Speaker 3>loved it, but then I thought it was so weird,

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<v Speaker 3>Like have you been doing this last thirty years every day,

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<v Speaker 3>just making noises with stuff that already has noise.

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<v Speaker 1>There needs to be an intervention. There needs to be

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<v Speaker 1>a Michael Winslow intervention. Let's put Michael Winslow and the

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<v Speaker 1>crew of the Police Academy aside, because there's another eighties

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<v Speaker 1>film we want to discuss today. How has it taken

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<v Speaker 1>you this long to see et?

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<v Speaker 3>Wow? Some think it's pretty easy. There's only Police Academy that.

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<v Speaker 1>I mean, now that I know it's your favorite films,

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<v Speaker 1>I'm not surprised it was weird.

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<v Speaker 3>It never like I remember kids talking about it at school.

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<v Speaker 3>I remember people going to the movies. I didn't go

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<v Speaker 3>to the movie as much as a kid, like, so

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<v Speaker 3>did you grow up? So? I grew up in one

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<v Speaker 3>of the toughest neighborhoods at North Carlton, Batman was just

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<v Speaker 3>Italian families and my parents have a local business, so

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<v Speaker 3>they were the local physiotherapist. Now there's like a thousand

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<v Speaker 3>of them, but they were the local physios there, and

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<v Speaker 3>so we just because if you run your own business,

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<v Speaker 3>family business, there's not much time to go to the movies,

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<v Speaker 3>Like even the weekends, it was time to either you know,

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<v Speaker 3>fix something out in the house or we just didn't go.

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<v Speaker 3>Like I'm trying to remember the movies I went to.

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<v Speaker 3>I think I went to Toy Story, the Robin Williams one,

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<v Speaker 3>But then I went with my grandparents. Like so I

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<v Speaker 3>actually only associated going to the movies with my grandparents

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<v Speaker 3>rather than my parents because they were just so busy,

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<v Speaker 3>so we never came et, never.

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<v Speaker 1>Appeared like how old are you?

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<v Speaker 3>Because it's so I'm thirty nine.

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<v Speaker 1>You're thirty nine. So yeah, this was I think eighty two. Yeah,

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<v Speaker 1>so you would I was two too, Yeah, okay, and.

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<v Speaker 3>Then so but then it wasn't until like I was

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<v Speaker 3>six or seven. Everyone would talk about it, yeah, and

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<v Speaker 3>I'd be like, oh, I don't get it. You know,

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<v Speaker 3>does does the alien make noises out of its mouth?

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<v Speaker 1>You know?

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<v Speaker 3>Is it friends with high Tower? Like I'm not interested,

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<v Speaker 3>Like I think largely I just wasn't interested. But also

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<v Speaker 3>I remember seeing images of Et as a kid, and

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<v Speaker 3>I just didn't like it. It made me feel uncomfortable. I

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<v Speaker 3>couldn't put it in context. It reminded me a little

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<v Speaker 3>bit of the Bookworm. Do you remember the Bookworm? There was

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<v Speaker 3>a kids thing that taught kids how to read. Anyway,

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<v Speaker 3>it kind of looks like ET, and I never liked

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<v Speaker 3>that thing.

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<v Speaker 1>It's really interesting. So I've got three boys, and I

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<v Speaker 1>showed Lee and my oldest, he's he's about ten seventeen

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<v Speaker 1>or he has turned seventeen, and he I showed him

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<v Speaker 1>Et when he was about four, and I kind of thought,

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<v Speaker 1>this is fine. It's it's kind of a kids film.

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<v Speaker 1>It's everyone loves Et. And it freaked him out for

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<v Speaker 1>so long up until the point, like we could not

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<v Speaker 1>say his name. If you saw him like in the

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<v Speaker 1>image in the street, he would like freak out. I

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<v Speaker 1>think the thing with Et is, this is my theory

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<v Speaker 1>that because for a portion of the film when he

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<v Speaker 1>Elliott brings him home, he's in the closet in Elliott's

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<v Speaker 1>literally he's not doesn't come out of the closet, but

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<v Speaker 1>he's he's literally in a closet, and he like that's

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<v Speaker 1>whenever you whenever every most kids have like a closet

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<v Speaker 1>in their bedroom, like a wardrobe or a closet, and

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<v Speaker 1>I always thinking, one, what's in that closet? Because they opened,

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<v Speaker 1>the doors are open. It's probably better to have them

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<v Speaker 1>open than.

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<v Speaker 3>Closed, yeah, because then your imagination doesn't.

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<v Speaker 1>Go like, yeah, wild, So I think he imagined may

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<v Speaker 1>have been in his closet.

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<v Speaker 3>Well, it's it's funny because the closet is the moment

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<v Speaker 3>in the film when I started watching it that I

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<v Speaker 3>started to realize that I was watching it in adult mode,

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<v Speaker 3>because as soon as the closet appears in the film,

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<v Speaker 3>I'm like, what kid has a walk in water? Like?

0:12:10.400 --> 0:12:13.120
<v Speaker 3>This thing is huge, Like I've got one coming in

0:12:13.160 --> 0:12:15.720
<v Speaker 3>my house. And there's like another room in Mike's rooms

0:12:15.720 --> 0:12:18.200
<v Speaker 3>on the other side, and then and then Elliott's rooms

0:12:18.200 --> 0:12:21.280
<v Speaker 3>on that side, and this is this gigantic walking like water.

0:12:21.480 --> 0:12:23.360
<v Speaker 1>I'm surprised that's the first thing you picked up because

0:12:23.400 --> 0:12:26.040
<v Speaker 1>the opening sequence is, of course the spaceship landing and

0:12:26.200 --> 0:12:29.800
<v Speaker 1>the ets kind of about et gets left behind. But

0:12:29.840 --> 0:12:34.679
<v Speaker 1>then you go to Elliott's home and his brother who oh,

0:12:34.720 --> 0:12:40.480
<v Speaker 1>it assumes probably fifteen Mike Young fifteen, fourteen, yeah, fourteen, yeah,

0:12:40.520 --> 0:12:43.840
<v Speaker 1>man's smoking at the smoking Yeah.

0:12:43.520 --> 0:12:45.640
<v Speaker 3>But is he smoking or you just see the ash tray.

0:12:46.040 --> 0:12:47.960
<v Speaker 1>You don't see them smoke, but you see the smoke

0:12:48.000 --> 0:12:50.760
<v Speaker 1>from the extra So unless it's the mum's smoke, But

0:12:50.800 --> 0:12:52.480
<v Speaker 1>why is it on the kids table?

0:12:52.559 --> 0:12:54.760
<v Speaker 3>Because at first I might these kids seem a little

0:12:54.760 --> 0:12:57.160
<v Speaker 3>bit too young to be smoking and playing poker.

0:12:58.800 --> 0:12:59.080
<v Speaker 1>Like that.

0:12:59.240 --> 0:13:00.480
<v Speaker 3>Just that blow me away.

0:13:00.520 --> 0:13:02.040
<v Speaker 1>And then then the mum hits one of the other

0:13:02.120 --> 0:13:04.679
<v Speaker 1>kids around over the head because you know when they

0:13:04.679 --> 0:13:06.320
<v Speaker 1>come up and they dropped the pizza and they yeah,

0:13:06.320 --> 0:13:08.200
<v Speaker 1>the CVTs and he's not there.

0:13:08.320 --> 0:13:12.200
<v Speaker 3>Or I thought the mum was dating one of the boys.

0:13:12.360 --> 0:13:14.880
<v Speaker 3>I was like, wow, there's a really weird dynamic here.

0:13:15.160 --> 0:13:16.760
<v Speaker 3>But what I want to add is, even when you

0:13:16.800 --> 0:13:20.120
<v Speaker 3>get to that scene, because I've got young kids, so

0:13:21.000 --> 0:13:24.880
<v Speaker 3>I realized that this is the first film I've watched

0:13:24.880 --> 0:13:28.600
<v Speaker 3>by myself from start to finish since my firstborn five

0:13:28.679 --> 0:13:29.120
<v Speaker 3>years ago.

0:13:29.280 --> 0:13:31.960
<v Speaker 1>Oh wow. So that's the gift of the podcast.

0:13:32.880 --> 0:13:36.160
<v Speaker 3>This because the first opening scene, I haven't had to

0:13:36.200 --> 0:13:37.920
<v Speaker 3>sit down and watch a film because the first open

0:13:37.920 --> 0:13:41.520
<v Speaker 3>to me, I'm like, okay, there's the spaceship, he's running around.

0:13:41.720 --> 0:13:43.240
<v Speaker 3>Oh can we hurry this up?

0:13:43.840 --> 0:13:47.840
<v Speaker 1>Well, That's really interesting because I when I watch older

0:13:47.880 --> 0:13:50.760
<v Speaker 1>films now, and I'm sure he's probably happening, you know,

0:13:50.800 --> 0:13:53.640
<v Speaker 1>to a lot of people, they feel slow. I watched

0:13:53.880 --> 0:13:56.559
<v Speaker 1>a couple of years ago, watched the Conversation, and that

0:13:56.600 --> 0:13:59.760
<v Speaker 1>felt like forever to start. I watched a cot where

0:13:59.800 --> 0:14:03.200
<v Speaker 1>car range for a Christopher Pine He's going to watch

0:14:03.240 --> 0:14:05.080
<v Speaker 1>a cocker Grange forest and I watched that and that

0:14:05.160 --> 0:14:08.480
<v Speaker 1>felt slow, you know, for for quite a while, and

0:14:08.520 --> 0:14:10.280
<v Speaker 1>then it kind of paces up. You go, Okay, this

0:14:10.320 --> 0:14:12.680
<v Speaker 1>is why it's a classic. But I love I think

0:14:13.080 --> 0:14:15.439
<v Speaker 1>Et is one of these films that I really think

0:14:16.280 --> 0:14:19.360
<v Speaker 1>holds up really well even Today's Pace Him because that

0:14:19.400 --> 0:14:23.920
<v Speaker 1>first sequence it makes you lean in you are it's

0:14:24.080 --> 0:14:26.080
<v Speaker 1>because you're trying to get a glimpse of what these

0:14:26.120 --> 0:14:29.240
<v Speaker 1>creatures are. They ain't quite reveal Et. You never really

0:14:29.280 --> 0:14:31.760
<v Speaker 1>see Et until Eliot discovers him in the cornfield with

0:14:31.800 --> 0:14:32.200
<v Speaker 1>a torch.

0:14:32.320 --> 0:14:34.440
<v Speaker 3>Yeah. Well see this is this is This is what

0:14:34.720 --> 0:14:36.760
<v Speaker 3>I love as well because in that opening scene where

0:14:36.800 --> 0:14:41.360
<v Speaker 3>it's because then afterwards the film picks up, pays like

0:14:41.400 --> 0:14:43.760
<v Speaker 3>there's no tomorrow. Yeah yeah, so this is what through

0:14:43.800 --> 0:14:46.400
<v Speaker 3>me because I'm like, come on, let's go where's the alien?

0:14:46.440 --> 0:14:48.720
<v Speaker 3>Show me? And then but also there's still I was

0:14:48.760 --> 0:14:50.840
<v Speaker 3>in the parent mode, so I couldn't let go because

0:14:51.160 --> 0:14:54.040
<v Speaker 3>I'm like, okay, I get it. In the suburbs, where

0:14:54.080 --> 0:14:58.440
<v Speaker 3>did this corn field come from? I was questioning it,

0:14:58.520 --> 0:15:00.520
<v Speaker 3>like where are they on the side, because I check,

0:15:00.520 --> 0:15:02.080
<v Speaker 3>they're at the end of the court ball and there's

0:15:02.080 --> 0:15:04.400
<v Speaker 3>no cornfield. And then out of know where there's cornfield.

0:15:05.040 --> 0:15:07.080
<v Speaker 1>Yeah, yeah, yeah, well it's it's a suburb on the

0:15:07.160 --> 0:15:11.520
<v Speaker 1>edge of town. It's Springsteen territory perhaps in Los Angeles.

0:15:12.440 --> 0:15:15.240
<v Speaker 1>But yeah, you're right, because it's an opening sequence, which

0:15:15.280 --> 0:15:18.080
<v Speaker 1>I think is great. And Spielberg re released it with

0:15:18.120 --> 0:15:21.720
<v Speaker 1>some alterations little bit of a George Lucas in two

0:15:21.760 --> 0:15:25.640
<v Speaker 1>thousand and two for the twentieth anniversary. Because the first

0:15:26.000 --> 0:15:28.400
<v Speaker 1>I'm not sure which version you watched, if it was

0:15:28.480 --> 0:15:32.680
<v Speaker 1>the the original one, I gave you one on DVD,

0:15:33.440 --> 0:15:35.560
<v Speaker 1>and then you realize you have a DVD player.

0:15:37.480 --> 0:15:39.280
<v Speaker 3>Because the first time I trying to watch it, I

0:15:39.320 --> 0:15:40.840
<v Speaker 3>was like, oh, I sat down. I was like, oh,

0:15:40.800 --> 0:15:43.520
<v Speaker 3>I got my cup of tea, here we go. I

0:15:43.560 --> 0:15:44.640
<v Speaker 3>don't have a DVD fight.

0:15:46.080 --> 0:15:48.680
<v Speaker 1>Now people have like vinyl record players in the houses,

0:15:48.680 --> 0:15:52.200
<v Speaker 1>but no DVD players. We're in a weird situation. But so, okay,

0:15:52.200 --> 0:15:54.640
<v Speaker 1>do you remember when the later on the film, when

0:15:54.680 --> 0:15:57.400
<v Speaker 1>the ET takes off over the over the cops when

0:15:57.400 --> 0:15:59.480
<v Speaker 1>they're waiting, are they holding guns or are they holding

0:15:59.560 --> 0:16:01.880
<v Speaker 1>walking to he said, you notice walky talkies? Okay, so

0:16:01.960 --> 0:16:05.720
<v Speaker 1>you saw the two thousand and two version and it's

0:16:05.760 --> 0:16:07.880
<v Speaker 1>really great. Like Spielberg I think did a good job

0:16:07.920 --> 0:16:08.200
<v Speaker 1>of not.

0:16:08.520 --> 0:16:10.480
<v Speaker 3>I'm surprised I remember that. Yeah.

0:16:10.560 --> 0:16:15.200
<v Speaker 1>Well yeah, well it's because he felt later on because

0:16:15.200 --> 0:16:17.280
<v Speaker 1>he'd had kids a few years after and he said

0:16:17.560 --> 0:16:19.720
<v Speaker 1>he got serious backguns and he's like, I don't want

0:16:19.800 --> 0:16:21.840
<v Speaker 1>guns in the in the movie, So he took the

0:16:21.840 --> 0:16:24.720
<v Speaker 1>guns out, replace them with walky talkies. Still get the

0:16:24.760 --> 0:16:29.000
<v Speaker 1>kids smoking, and ET still gets on the cans.

0:16:30.840 --> 0:16:32.960
<v Speaker 3>That's another one where I had I had a parent

0:16:33.040 --> 0:16:36.280
<v Speaker 3>moment and where you know, where he's drunk at school

0:16:36.560 --> 0:16:38.920
<v Speaker 3>and then she calls up and you know, it's like,

0:16:38.920 --> 0:16:41.440
<v Speaker 3>oh this is this doesn't sound like Elliott and he's

0:16:41.440 --> 0:16:43.880
<v Speaker 3>been drinking and then she sayes the empty beer cans.

0:16:44.560 --> 0:16:48.840
<v Speaker 3>That's it comes home like, No, I didn't tell him

0:16:48.840 --> 0:16:52.600
<v Speaker 3>if you're not grounded or anything to pick you up.

0:16:52.640 --> 0:16:54.800
<v Speaker 3>I couldn't believe it. I was like, where's the aftermath

0:16:54.840 --> 0:16:55.040
<v Speaker 3>of this?

0:16:55.240 --> 0:16:57.880
<v Speaker 1>Elliott when he gets drunk in class because he's feeling

0:16:57.880 --> 0:17:00.480
<v Speaker 1>the effects. I assume everyone who's listening to this, you

0:17:00.480 --> 0:17:03.640
<v Speaker 1>should watch the film and then listen to this. But

0:17:03.680 --> 0:17:05.720
<v Speaker 1>when he's feeling the effects of ET because he's basically

0:17:05.760 --> 0:17:07.879
<v Speaker 1>feeling whatever very t feels and he looks behind at

0:17:07.920 --> 0:17:10.160
<v Speaker 1>that young girl is it was very close to being

0:17:10.200 --> 0:17:10.520
<v Speaker 1>me too.

0:17:11.840 --> 0:17:14.399
<v Speaker 3>It was just but that was it. I realized at

0:17:14.400 --> 0:17:16.400
<v Speaker 3>that moment that so many turns around. He goes, he said,

0:17:16.400 --> 0:17:18.440
<v Speaker 3>he goes, how you said that? Look how you doing.

0:17:18.880 --> 0:17:20.280
<v Speaker 3>I was like, that's some good acting.

0:17:20.520 --> 0:17:23.080
<v Speaker 1>Oh okay, well let's yeah, we need a chat about

0:17:23.080 --> 0:17:27.160
<v Speaker 1>Henry Thomas. Yeah, that's one of the best young actor

0:17:27.240 --> 0:17:29.200
<v Speaker 1>performances I've seen. It's Hayley Joel Osman.

0:17:29.359 --> 0:17:32.240
<v Speaker 3>Yeah, that and with Drew Barrymore, those two together, like

0:17:32.359 --> 0:17:34.520
<v Speaker 3>Drew Barrymore like right at the last scenere's another one

0:17:34.520 --> 0:17:37.320
<v Speaker 3>where she's like, you know, they're going off to the

0:17:37.359 --> 0:17:41.160
<v Speaker 3>playground to this where the spaceship is and she's fighting

0:17:41.160 --> 0:17:43.480
<v Speaker 3>to put it. She's acting like like a perfect two

0:17:43.560 --> 0:17:44.120
<v Speaker 3>year old.

0:17:43.960 --> 0:17:48.960
<v Speaker 1>Would so Spielberg, which you know, let's you can judge

0:17:48.960 --> 0:17:51.960
<v Speaker 1>you more you like. He basically created an atmosphere because

0:17:52.000 --> 0:17:56.120
<v Speaker 1>the et is basically a combination of robotics, and when

0:17:56.119 --> 0:17:58.440
<v Speaker 1>you're se him walking, there's actually was an actor who

0:17:58.600 --> 0:18:00.320
<v Speaker 1>was a ten year old actor who was born with

0:18:00.320 --> 0:18:03.320
<v Speaker 1>that legs, who actually was inside the suit when you

0:18:03.359 --> 0:18:04.840
<v Speaker 1>see him walking around.

0:18:04.880 --> 0:18:05.120
<v Speaker 3>Yeah.

0:18:05.440 --> 0:18:07.720
<v Speaker 1>Yeah, he tried to hide that as much as they can.

0:18:07.760 --> 0:18:11.240
<v Speaker 1>So he actually had convinced them, particularly I think Drew

0:18:11.240 --> 0:18:17.000
<v Speaker 1>Barrymore playing Gerdy, that he was real. And so when

0:18:17.080 --> 0:18:20.320
<v Speaker 1>he's dying and they kind of I think Drew Berry

0:18:20.320 --> 0:18:21.959
<v Speaker 1>Moore has said that she kind of knew that he

0:18:22.040 --> 0:18:24.800
<v Speaker 1>wasn't real, but then Spielberg said, no, this is he's

0:18:24.880 --> 0:18:27.720
<v Speaker 1>real and he's going to die like he's a puppet,

0:18:27.840 --> 0:18:28.800
<v Speaker 1>but he's going to die.

0:18:29.119 --> 0:18:32.359
<v Speaker 3>Now we are jumping around a bit with the film. Yeah,

0:18:32.400 --> 0:18:36.240
<v Speaker 3>so just back on Henry. How old is he when

0:18:36.440 --> 0:18:37.200
<v Speaker 3>that was filmed?

0:18:37.680 --> 0:18:42.199
<v Speaker 1>I don't know. I don't know, but I'll tell you

0:18:42.240 --> 0:18:45.119
<v Speaker 1>this on YouTube. In fact, we might even play a

0:18:45.400 --> 0:18:48.679
<v Speaker 1>bit of it now on YouTube. His audition because they

0:18:48.680 --> 0:18:53.640
<v Speaker 1>could not find Elliott for years. And then Cissy Spacek's husband,

0:18:54.000 --> 0:18:55.760
<v Speaker 1>who must be a producer of something, had worked with

0:18:55.840 --> 0:18:57.920
<v Speaker 1>Henry Thomas in another film. He said, you should have

0:18:57.960 --> 0:18:59.879
<v Speaker 1>a look at this kid. He brings him in and

0:19:00.160 --> 0:19:02.240
<v Speaker 1>they get him to improvise a scene as one of

0:19:02.240 --> 0:19:04.600
<v Speaker 1>the producers basically pretending to be a US agent saying

0:19:04.600 --> 0:19:08.200
<v Speaker 1>we need to take your friend your at away and

0:19:08.320 --> 0:19:11.320
<v Speaker 1>you just have to convince him not to and the

0:19:11.400 --> 0:19:16.160
<v Speaker 1>performance is extraordinary. Uh, and we'll have to listen to it. Now,

0:19:16.600 --> 0:19:17.520
<v Speaker 1>there's a knock on your door.

0:19:17.600 --> 0:19:19.480
<v Speaker 4>A man comes to a grown man and that whole brother,

0:19:20.760 --> 0:19:25.359
<v Speaker 4>and he's from NASA, you know, the National Aeronautics Space Administration,

0:19:26.040 --> 0:19:27.119
<v Speaker 4>and he has found out.

0:19:27.000 --> 0:19:29.159
<v Speaker 5>That you have a creature. He doesn't know exactly what

0:19:29.280 --> 0:19:29.880
<v Speaker 5>he has thought.

0:19:29.960 --> 0:19:32.879
<v Speaker 4>You have a creature in your closet, a creature that

0:19:32.920 --> 0:19:35.640
<v Speaker 4>he's been looking for for a long time. And you've

0:19:35.640 --> 0:19:37.280
<v Speaker 4>had this stitching over three or four whiks. You become

0:19:37.280 --> 0:19:38.920
<v Speaker 4>best friends with it. He wants to take the creature

0:19:38.960 --> 0:19:41.119
<v Speaker 4>of where, and he's come with a search warrant, and

0:19:41.119 --> 0:19:42.800
<v Speaker 4>he's come with permission to take the creature of where.

0:19:43.280 --> 0:19:44.159
<v Speaker 4>And you're not going to let it.

0:19:45.160 --> 0:19:50.479
<v Speaker 6>Okay, now, young man, I understand that you have an

0:19:50.520 --> 0:19:51.880
<v Speaker 6>alien somewhere in this house.

0:19:51.960 --> 0:19:57.600
<v Speaker 5>Is that true? Well? Is it true. Is there an

0:19:57.640 --> 0:19:58.560
<v Speaker 5>alien in this house?

0:19:59.160 --> 0:20:01.520
<v Speaker 3>Yes, Well, as you.

0:20:01.560 --> 0:20:02.760
<v Speaker 5>Know, I am from the government.

0:20:02.920 --> 0:20:06.320
<v Speaker 6>I'm part of the United States government, and I am

0:20:06.320 --> 0:20:08.480
<v Speaker 6>empowered to take that alien with me.

0:20:09.080 --> 0:20:11.119
<v Speaker 7>But you can't take him away. He's mine.

0:20:11.920 --> 0:20:15.359
<v Speaker 6>Well, but the government is bigger than you are, Elliott,

0:20:15.960 --> 0:20:18.719
<v Speaker 6>and I really I have all the authority to take him,

0:20:18.760 --> 0:20:22.640
<v Speaker 6>and I gotta tell you I'm gonna take him.

0:20:22.760 --> 0:20:23.680
<v Speaker 7>You can't take.

0:20:23.560 --> 0:20:28.760
<v Speaker 6>Him, Well, I'm afraid I have to Son.

0:20:29.200 --> 0:20:32.359
<v Speaker 7>You can't take him away mine, but it's.

0:20:32.240 --> 0:20:34.679
<v Speaker 5>Not my choice. The President asked me to come here

0:20:34.720 --> 0:20:35.359
<v Speaker 5>and to get him.

0:20:35.560 --> 0:20:39.720
<v Speaker 8>Don't killing the President's my best friend, and you can't

0:20:39.720 --> 0:20:40.439
<v Speaker 8>get you away.

0:20:41.480 --> 0:20:45.359
<v Speaker 6>Well, it's real possible, Elliott. You'll come back and you

0:20:45.440 --> 0:20:47.640
<v Speaker 6>can have him again. But we just want to talk

0:20:47.680 --> 0:20:49.680
<v Speaker 6>to him and see where it came from, and try

0:20:49.720 --> 0:20:51.720
<v Speaker 6>to find out about other planets.

0:20:52.160 --> 0:20:54.520
<v Speaker 5>And he probably is the key to a lot of

0:20:54.560 --> 0:20:55.600
<v Speaker 5>things that we have to know.

0:20:56.440 --> 0:20:58.679
<v Speaker 7>But how do I know you're going to bring him back?

0:20:59.600 --> 0:21:02.560
<v Speaker 5>Well, afraid side, I can't guarantee you.

0:21:03.560 --> 0:21:05.080
<v Speaker 7>I think he's afraid of you.

0:21:06.960 --> 0:21:09.840
<v Speaker 5>That may be true, but the government tells me what

0:21:09.960 --> 0:21:12.040
<v Speaker 5>to do. I just follow their orders.

0:21:12.920 --> 0:21:15.199
<v Speaker 8>Well, he's mine, and then he lives with me. He

0:21:15.480 --> 0:21:18.960
<v Speaker 8>likes me, and he wants to stay here. He likes

0:21:19.000 --> 0:21:19.360
<v Speaker 8>it here.

0:21:20.160 --> 0:21:22.960
<v Speaker 5>Well, we wouldn't hurt him or anything. All I want

0:21:22.960 --> 0:21:23.320
<v Speaker 5>to do is.

0:21:23.320 --> 0:21:24.120
<v Speaker 6>Talk to him.

0:21:24.240 --> 0:21:26.119
<v Speaker 7>But I don't want you to take him away.

0:21:28.119 --> 0:21:29.960
<v Speaker 6>You know, I've had to talk to your mom about it,

0:21:30.080 --> 0:21:33.360
<v Speaker 6>and she knows that the government has the right.

0:21:33.240 --> 0:21:33.720
<v Speaker 3>To do it.

0:21:35.560 --> 0:21:36.840
<v Speaker 7>And who told you all this?

0:21:38.000 --> 0:21:41.800
<v Speaker 5>Well, we learned about it. We know that he's somewhere

0:21:41.800 --> 0:21:44.600
<v Speaker 5>around here. I mean, I do have a search one.

0:21:44.640 --> 0:21:47.760
<v Speaker 5>I could look around the house. Tell me to keep doing.

0:21:49.440 --> 0:21:54.280
<v Speaker 6>Right. Well, I'll tell you what, if you let me

0:21:54.320 --> 0:21:57.280
<v Speaker 6>talk to him for five minutes, I'll tell my boss.

0:21:56.960 --> 0:21:57.760
<v Speaker 8>That you can keep it.

0:21:59.000 --> 0:22:00.840
<v Speaker 6>Would that be okay with you? If I could just

0:22:00.840 --> 0:22:03.920
<v Speaker 6>talk for five minutes, would you feel better?

0:22:03.960 --> 0:22:04.120
<v Speaker 7>Then?

0:22:05.119 --> 0:22:06.600
<v Speaker 5>Would you be happy? If you could keep me?

0:22:06.720 --> 0:22:09.600
<v Speaker 6>Well, I had to talk for five minutes. That might

0:22:09.640 --> 0:22:12.480
<v Speaker 6>make your hold anyhow might make your whole life?

0:22:12.520 --> 0:22:15.840
<v Speaker 5>Huh? Then you be your friend forever and I wouldn't

0:22:15.880 --> 0:22:20.920
<v Speaker 5>take them away? Okay, Okay, you got the job?

0:22:21.880 --> 0:22:24.880
<v Speaker 3>How that is phenomenal?

0:22:25.359 --> 0:22:29.520
<v Speaker 1>Now as we speak. Right now, I'm auditioning a few

0:22:29.600 --> 0:22:32.200
<v Speaker 1>kids a very different ages for for how to say married.

0:22:32.880 --> 0:22:35.240
<v Speaker 1>And I look at them and I kind of before

0:22:35.240 --> 0:22:37.480
<v Speaker 1>they even start them, like, I like, I'm feeling for them,

0:22:37.480 --> 0:22:39.639
<v Speaker 1>and I'm like, how brave are you just to do this?

0:22:39.760 --> 0:22:42.240
<v Speaker 1>And like they're yeah, they're kids of different talents and

0:22:42.440 --> 0:22:44.800
<v Speaker 1>all that. If in at that age to go in

0:22:44.840 --> 0:22:47.120
<v Speaker 1>there and listening, to be taking direction and.

0:22:47.080 --> 0:22:49.119
<v Speaker 3>Then to be so in the moment to them be

0:22:49.160 --> 0:22:51.920
<v Speaker 3>able to cry and it's improvising.

0:22:52.359 --> 0:22:56.879
<v Speaker 1>He's out improvising the producer, the producer. One that's going on.

0:22:56.920 --> 0:22:57.960
<v Speaker 1>Bloody hell yea.

0:22:59.400 --> 0:23:03.280
<v Speaker 3>That is. And what's really interesting is I did cry

0:23:03.600 --> 0:23:06.560
<v Speaker 3>in the movie, and I wasn't expecting to. But what

0:23:06.680 --> 0:23:09.080
<v Speaker 3>was really interesting is I was crying at that bit

0:23:09.119 --> 0:23:11.479
<v Speaker 3>where they're both on the table where they don't take

0:23:11.560 --> 0:23:14.000
<v Speaker 3>him away. It's like pretty much in that scene. But

0:23:14.040 --> 0:23:16.400
<v Speaker 3>the reason is, I'm curious if I would have cried

0:23:16.440 --> 0:23:18.920
<v Speaker 3>if I was little, because I just see my son

0:23:20.040 --> 0:23:22.320
<v Speaker 3>and I see how he gets so attached to his

0:23:22.520 --> 0:23:24.880
<v Speaker 3>toys that I just see my son talking and how

0:23:25.240 --> 0:23:28.159
<v Speaker 3>heartbreaking it is when your child is doing it. That

0:23:28.359 --> 0:23:31.000
<v Speaker 3>I started crying because I can imagine my son Teo

0:23:31.119 --> 0:23:34.320
<v Speaker 3>being so attached to this, to this creature that has

0:23:34.320 --> 0:23:36.399
<v Speaker 3>shown him so much love and that you know, his

0:23:36.480 --> 0:23:41.520
<v Speaker 3>dad's in Mexico or wherever. Val but that is I

0:23:41.600 --> 0:23:44.359
<v Speaker 3>can't get over that. If that's the audition. Yeah, he

0:23:44.400 --> 0:23:46.120
<v Speaker 3>did get the job. He got the job there and.

0:23:46.080 --> 0:23:48.879
<v Speaker 1>Then absolutely it was phenomenal. What I loved about the film.

0:23:48.880 --> 0:23:52.400
<v Speaker 1>He could have easily have been just about Elliott and Et,

0:23:52.600 --> 0:23:56.600
<v Speaker 1>but I do love how they included Mike and Gertie,

0:23:56.640 --> 0:24:00.439
<v Speaker 1>Like they all do a really nice and satisfying Like

0:24:00.480 --> 0:24:02.879
<v Speaker 1>there's a great scene, you know where Mike, you know,

0:24:02.960 --> 0:24:05.439
<v Speaker 1>like he's you know, he's got a smart you know,

0:24:05.440 --> 0:24:06.800
<v Speaker 1>he's a bit of a smart ass, and he's got

0:24:06.840 --> 0:24:08.480
<v Speaker 1>you know, the little shit of her little brother. You

0:24:08.520 --> 0:24:10.480
<v Speaker 1>know that he's setting out to get the pizza and

0:24:10.520 --> 0:24:12.879
<v Speaker 1>you know, not really treating with that much respect. And

0:24:12.920 --> 0:24:14.800
<v Speaker 1>then he realizes that Et is real and he's been

0:24:14.840 --> 0:24:17.040
<v Speaker 1>telling the truth and that's the way. He goes to

0:24:17.040 --> 0:24:19.399
<v Speaker 1>school and his mate's still giving Elliot shit. He doesn't

0:24:19.400 --> 0:24:21.480
<v Speaker 1>say anything, but he's on the bus, yeah, and he's

0:24:21.480 --> 0:24:23.760
<v Speaker 1>seeing everyone's like there's crazy is going on. He's just

0:24:23.800 --> 0:24:27.280
<v Speaker 1>like you can see the change in him. And Gertie

0:24:27.520 --> 0:24:29.480
<v Speaker 1>has her own kind of stuff going on, and you know,

0:24:29.600 --> 0:24:31.679
<v Speaker 1>she kind of connects with Et and she teaches him

0:24:31.680 --> 0:24:33.560
<v Speaker 1>how to talk, and the whole phone home.

0:24:34.080 --> 0:24:35.760
<v Speaker 7>You want to cast somebody.

0:24:36.400 --> 0:24:38.040
<v Speaker 3>I didn't think, like when I was watching the film,

0:24:38.040 --> 0:24:39.720
<v Speaker 3>I didn't think Mike would find out till Ages and

0:24:39.720 --> 0:24:41.000
<v Speaker 3>then before you know it, all three of them are

0:24:41.040 --> 0:24:43.080
<v Speaker 3>found out within the first twenty minutes. I was like,

0:24:43.560 --> 0:24:45.800
<v Speaker 3>I didn't know that was part of the film, because

0:24:46.160 --> 0:24:48.119
<v Speaker 3>the thing with like such a big hit like that,

0:24:48.200 --> 0:24:50.560
<v Speaker 3>if you haven't seen it, you've seen all the images

0:24:50.640 --> 0:24:53.680
<v Speaker 3>like what the bike's going over through over the moon,

0:24:53.880 --> 0:24:55.879
<v Speaker 3>Like I didn't know when I knew that was coming.

0:24:56.000 --> 0:24:58.080
<v Speaker 1>I wanted to ask you, what were your impressions and

0:24:58.680 --> 0:25:01.000
<v Speaker 1>images and scenes that you kind of knew of the film?

0:25:01.280 --> 0:25:06.040
<v Speaker 3>So Et itself always just looked like, I know, this

0:25:06.080 --> 0:25:08.920
<v Speaker 3>sounds weird. It just always looked like a coffee table

0:25:08.960 --> 0:25:13.320
<v Speaker 3>with eyes, like I had this kind of coffee table,

0:25:13.400 --> 0:25:15.439
<v Speaker 3>are you out look, I've got European parents, we got

0:25:15.880 --> 0:25:18.280
<v Speaker 3>some weird furniture at home, okay, But he just he

0:25:18.400 --> 0:25:20.439
<v Speaker 3>just looked like a coffee like we'd sort of like

0:25:20.600 --> 0:25:24.480
<v Speaker 3>side table of a couch. I never, I never, I

0:25:24.560 --> 0:25:27.280
<v Speaker 3>never really like that. I just never believed, right, but

0:25:27.359 --> 0:25:30.640
<v Speaker 3>in the image of kids on a bike flying over

0:25:30.680 --> 0:25:32.879
<v Speaker 3>through that. So the silhouette, right, I think that was

0:25:32.920 --> 0:25:35.159
<v Speaker 3>the first till the wee I'd ever seen, and so

0:25:35.440 --> 0:25:37.919
<v Speaker 3>I always wanted to know that would be cool like

0:25:38.080 --> 0:25:40.159
<v Speaker 3>that that component. I was like, Oh, that's going to

0:25:40.200 --> 0:25:42.840
<v Speaker 3>be amazing, like like when I see that, I can

0:25:42.920 --> 0:25:44.920
<v Speaker 3>imagine that. And then and the other one, the other

0:25:45.000 --> 0:25:47.760
<v Speaker 3>scene which maybe I knew it was coming when they

0:25:47.760 --> 0:25:49.399
<v Speaker 3>were riding at the end, because I was just like, oh,

0:25:49.400 --> 0:25:51.840
<v Speaker 3>when are they going to all do it together? Because

0:25:52.000 --> 0:25:54.800
<v Speaker 3>the first time he flies, it comes, it comes out

0:25:54.840 --> 0:25:57.600
<v Speaker 3>of nowhere, Like that's the other thing. I had a

0:25:57.600 --> 0:25:59.119
<v Speaker 3>feeling that it was going to build up to that.

0:25:59.600 --> 0:26:02.359
<v Speaker 1>No, and even in that scene, it happens quite quickly.

0:26:02.560 --> 0:26:05.080
<v Speaker 1>I think nowadays you'd they'd be riding for like a

0:26:05.160 --> 0:26:07.560
<v Speaker 1>minute or so they'd really build up that kind of tension.

0:26:07.560 --> 0:26:09.680
<v Speaker 1>But like they ride for a few seconds and it's

0:26:09.720 --> 0:26:11.679
<v Speaker 1>like et and it's.

0:26:11.560 --> 0:26:15.560
<v Speaker 3>Really funny because all those BMEX scenes are amazing. It's

0:26:15.600 --> 0:26:17.960
<v Speaker 3>the only time I stopped and rewinded the film, like

0:26:18.040 --> 0:26:20.119
<v Speaker 3>I was like, I won't let it go. But because

0:26:20.160 --> 0:26:23.400
<v Speaker 3>I was convinced towards the end that they didn't fast forward,

0:26:23.400 --> 0:26:25.000
<v Speaker 3>because I was like, I don't remember being able to

0:26:25.080 --> 0:26:28.880
<v Speaker 3>ride a bike that quick, Like I wanted to check

0:26:28.920 --> 0:26:31.639
<v Speaker 3>that it wasn't sped up, because they like it is

0:26:31.680 --> 0:26:34.080
<v Speaker 3>some of the most amazing riding I've ever seen. Like

0:26:34.160 --> 0:26:36.479
<v Speaker 3>I noticed like Bmex bandits and all that kind of stuff,

0:26:36.600 --> 0:26:38.320
<v Speaker 3>but this one was just like it was, Yeah, I

0:26:38.400 --> 0:26:39.320
<v Speaker 3>got the r a.

0:26:39.320 --> 0:26:42.000
<v Speaker 1>For Aulet's yeah, the way that the way they're synchronized,

0:26:42.280 --> 0:26:44.320
<v Speaker 1>and the moon scene is kind of like, you know

0:26:44.320 --> 0:26:46.600
<v Speaker 1>when he finds in the moon in the background, it

0:26:46.640 --> 0:26:49.280
<v Speaker 1>was almost the image to the artwork they for the film.

0:26:49.480 --> 0:26:50.159
<v Speaker 1>So you cried.

0:26:50.600 --> 0:26:53.919
<v Speaker 3>I did cry, And it wasn't where I expected. I

0:26:53.960 --> 0:26:56.199
<v Speaker 3>was assuming at the ending because I knew that I

0:26:56.320 --> 0:26:57.840
<v Speaker 3>kind of knew what the ending was going to be

0:26:58.119 --> 0:27:01.360
<v Speaker 3>like that he eventually goes home. I'd grasp that bit.

0:27:01.440 --> 0:27:04.679
<v Speaker 3>But it's just when they turn the house into like

0:27:04.760 --> 0:27:08.760
<v Speaker 3>some lab slash hospital with again that I love that

0:27:08.800 --> 0:27:11.840
<v Speaker 3>where they there's a great scene because there are I

0:27:11.840 --> 0:27:13.240
<v Speaker 3>want to watch it again and look for all the

0:27:13.240 --> 0:27:17.840
<v Speaker 3>floors because there are quite a few. But but there's

0:27:17.880 --> 0:27:20.440
<v Speaker 3>a scene where I think the whole house is kind

0:27:20.440 --> 0:27:24.320
<v Speaker 3>of like glad wrapped to protect everyone, and then there's

0:27:24.400 --> 0:27:25.800
<v Speaker 3>like and I just want to check it and there's

0:27:25.840 --> 0:27:27.679
<v Speaker 3>that big funnel, so that a big thing where they

0:27:27.720 --> 0:27:29.879
<v Speaker 3>all climbed through, but I swear to god, someone's just

0:27:29.920 --> 0:27:34.439
<v Speaker 3>walking through the front door in the back. There was

0:27:34.480 --> 0:27:37.960
<v Speaker 3>in that scene where they're all and it's funny because

0:27:37.960 --> 0:27:40.800
<v Speaker 3>I reckon with those films and ones I don't let

0:27:40.880 --> 0:27:44.520
<v Speaker 3>go of. Once Et appeared and the family dynamic was there,

0:27:44.720 --> 0:27:47.359
<v Speaker 3>I was lost in the film. But then also it

0:27:47.400 --> 0:27:49.920
<v Speaker 3>was the trigger of because my mum has been quite

0:27:49.960 --> 0:27:52.360
<v Speaker 3>ill and I've gone through that whole hospital thing where

0:27:52.359 --> 0:27:55.080
<v Speaker 3>you see someone you love, and because you're so attached

0:27:55.119 --> 0:27:57.680
<v Speaker 3>to Elliott, and because I see my son in it,

0:27:57.680 --> 0:28:00.879
<v Speaker 3>it came all flooding in because the pain of losing

0:28:00.880 --> 0:28:03.560
<v Speaker 3>something you care about, yeah, you kind of associated with

0:28:03.600 --> 0:28:06.040
<v Speaker 3>your family member, in this case my mum. But then

0:28:06.040 --> 0:28:08.560
<v Speaker 3>I'm also seeing my son. So I took a fighter

0:28:08.600 --> 0:28:10.639
<v Speaker 3>and said it to my partner and she goes you.

0:28:10.800 --> 0:28:13.720
<v Speaker 3>I was balling. I was balling because I was like,

0:28:13.920 --> 0:28:16.879
<v Speaker 3>even though I knew that it had a good ending,

0:28:17.000 --> 0:28:19.920
<v Speaker 3>I was like, you can't take him away. He's dying

0:28:20.000 --> 0:28:21.560
<v Speaker 3>and now the kids and it was really funny. I

0:28:21.600 --> 0:28:23.600
<v Speaker 3>was surprised. I was like, yeah, the kid is getting better.

0:28:23.720 --> 0:28:27.359
<v Speaker 3>It I mean what's the poet. Yeah, like it's really

0:28:27.400 --> 0:28:29.720
<v Speaker 3>hard because I was like, you know, Eliot is getting better,

0:28:29.760 --> 0:28:30.960
<v Speaker 3>but then ET's dying.

0:28:31.240 --> 0:28:34.240
<v Speaker 1>Yeah, it's it's and it's yes, Spielberger said, it's his

0:28:34.359 --> 0:28:37.480
<v Speaker 1>most personal film, and it's it's hard. I mean, it's

0:28:37.520 --> 0:28:40.400
<v Speaker 1>probably his best film. I mean, She is absolute masterpiece.

0:28:40.440 --> 0:28:43.280
<v Speaker 1>But but this is an absolute gem. It's really a

0:28:43.280 --> 0:28:47.160
<v Speaker 1>personal film because he was his parents, his parents were divorced.

0:28:47.160 --> 0:28:49.840
<v Speaker 1>Now he done it undaws before this, I think close

0:28:50.000 --> 0:28:53.480
<v Speaker 1>gown as he's done before this. This started as a

0:28:53.960 --> 0:28:56.600
<v Speaker 1>he had an idea that there's gonna be some aliens

0:28:56.680 --> 0:28:59.720
<v Speaker 1>terrorizing a family, and then he wanted that he wanted

0:28:59.840 --> 0:29:01.720
<v Speaker 1>to make a more personal film and a more family

0:29:01.680 --> 0:29:05.680
<v Speaker 1>orientated film, so that idea became Poltergeist and then he

0:29:05.760 --> 0:29:09.480
<v Speaker 1>and he made and it was written by Melissa Matheson,

0:29:09.520 --> 0:29:12.800
<v Speaker 1>who this is. I mean, this this is where Spielberg,

0:29:12.920 --> 0:29:16.240
<v Speaker 1>you know, genus just gets stuff done. Obviously, well actually,

0:29:16.280 --> 0:29:18.200
<v Speaker 1>well not all geniuses do. Some genius is you know,

0:29:18.280 --> 0:29:20.760
<v Speaker 1>they they had that one thing and that's they're a genius.

0:29:20.760 --> 0:29:24.920
<v Speaker 1>But Spielberg was like making Raiders of the Lost Arc

0:29:25.560 --> 0:29:29.440
<v Speaker 1>and developing this basically at the same time with Melissa Matheson,

0:29:29.480 --> 0:29:31.440
<v Speaker 1>Melissa Matheson who went on and had a couple of

0:29:31.480 --> 0:29:35.120
<v Speaker 1>kids with Harrison Ford. She I think she, I think

0:29:35.120 --> 0:29:37.320
<v Speaker 1>she won the Oscar for this. This film did not win.

0:29:37.360 --> 0:29:38.800
<v Speaker 1>The Oscar was beat by Gandhi.

0:29:40.240 --> 0:29:43.640
<v Speaker 3>Really what did he do?

0:29:43.760 --> 0:29:46.080
<v Speaker 1>Nothing? I didn't even know how to use the phone?

0:29:48.040 --> 0:29:52.040
<v Speaker 1>So and was it Richard Attenborough or and he even

0:29:52.080 --> 0:29:54.800
<v Speaker 1>said that this ET deserved the win, like it was

0:29:54.800 --> 0:29:58.760
<v Speaker 1>a better film than the one, the one I made, but.

0:29:57.880 --> 0:30:01.400
<v Speaker 3>Also like like because because after I finished watching it,

0:30:01.480 --> 0:30:03.400
<v Speaker 3>I was like, I was trying to think like I

0:30:03.960 --> 0:30:06.280
<v Speaker 3>was attached to ET, but I was surprised. I was

0:30:06.320 --> 0:30:10.200
<v Speaker 3>attached more to Elliott's relationship with ET than ET itself.

0:30:10.480 --> 0:30:12.840
<v Speaker 3>But then that's kind of a blessing disguise, because if

0:30:12.880 --> 0:30:16.080
<v Speaker 3>ET did more and was more animated, then you'd probably

0:30:16.160 --> 0:30:20.080
<v Speaker 3>lose the performance from Henry playing Ali. Yeah, because it's

0:30:20.160 --> 0:30:21.960
<v Speaker 3>just that connection where he wants to build and he's

0:30:22.000 --> 0:30:25.080
<v Speaker 3>teaching him things and and the globe and the whole

0:30:25.120 --> 0:30:26.560
<v Speaker 3>time I was thinking, I was like, Wow, they've got

0:30:26.600 --> 0:30:28.200
<v Speaker 3>to show him all this stuff, when now, if you

0:30:28.200 --> 0:30:30.120
<v Speaker 3>made that film, you just show it all on the tablet.

0:30:31.800 --> 0:30:35.680
<v Speaker 1>Well, it's it's it's really funny because Et. I like

0:30:35.720 --> 0:30:38.000
<v Speaker 1>the way they reveal Et because Et, it's at the start,

0:30:38.080 --> 0:30:40.440
<v Speaker 1>is kind of scary, even though you still might find

0:30:40.480 --> 0:30:42.840
<v Speaker 1>him a bit scary, and I said, my son certainly did.

0:30:43.120 --> 0:30:44.960
<v Speaker 1>But the idea is that he kind of get glimpses

0:30:44.960 --> 0:30:47.120
<v Speaker 1>of him. He's scary, even the noises he's making, and

0:30:47.240 --> 0:30:50.840
<v Speaker 1>it's it's quite like a deep kind of growl. And

0:30:51.200 --> 0:30:52.440
<v Speaker 1>then you learn to love him.

0:30:52.560 --> 0:30:54.400
<v Speaker 3>But he comes in different shapes and forms.

0:30:54.640 --> 0:30:57.160
<v Speaker 1>Well, yes, because he and he has the neck that

0:30:57.240 --> 0:31:00.520
<v Speaker 1>kind of you know, the glow of the heart. It's

0:31:00.520 --> 0:31:02.640
<v Speaker 1>a great nice moment.

0:31:02.840 --> 0:31:05.720
<v Speaker 3>That's that's really nice because I mean as simple as that,

0:31:05.720 --> 0:31:09.280
<v Speaker 3>that like that sort of just showing that imagery. It

0:31:09.400 --> 0:31:12.040
<v Speaker 3>really because I didn't know that was coming and I

0:31:12.080 --> 0:31:14.280
<v Speaker 3>forgot about that. So that's how good the film is

0:31:14.280 --> 0:31:17.520
<v Speaker 3>that even as an adult, I was fooled. Towards the ends,

0:31:17.560 --> 0:31:19.880
<v Speaker 3>I'm like, oh, this sucks, Like why is he in

0:31:19.920 --> 0:31:23.720
<v Speaker 3>an eski? I was like this is no good. And

0:31:23.760 --> 0:31:25.240
<v Speaker 3>then when his heart keicks in, I was like, oh,

0:31:25.240 --> 0:31:28.280
<v Speaker 3>he is alive. And then but then I kept because allways,

0:31:28.280 --> 0:31:29.760
<v Speaker 3>like you tried o the question, I was like, do

0:31:29.800 --> 0:31:32.400
<v Speaker 3>you do that? On purpose, because I feel like, how

0:31:32.440 --> 0:31:34.640
<v Speaker 3>did he end up in the drain? Do you know how?

0:31:34.640 --> 0:31:34.760
<v Speaker 6>They?

0:31:34.920 --> 0:31:37.680
<v Speaker 3>They they can you explain that? Because they I was like,

0:31:37.680 --> 0:31:40.640
<v Speaker 3>here we go, he's calling home, They said, up the gadgets,

0:31:41.280 --> 0:31:45.000
<v Speaker 3>Elliott's seeking. He falls asleep and then he just disappears

0:31:45.040 --> 0:31:46.880
<v Speaker 3>and it's next to next to a drain, like did

0:31:46.880 --> 0:31:47.840
<v Speaker 3>he go on another bender?

0:31:48.520 --> 0:31:52.320
<v Speaker 1>He got in the cans again? If you live where

0:31:52.320 --> 0:31:53.920
<v Speaker 1>I live, if you do it down the local aquidut,

0:31:53.960 --> 0:31:58.560
<v Speaker 1>you'll always find you cans down there. No, well, I

0:31:58.640 --> 0:32:02.560
<v Speaker 1>mean this, it's funny some people and we when I'm

0:32:02.600 --> 0:32:07.720
<v Speaker 1>writing scripts, it's often often a discussions. You'll have what's

0:32:07.760 --> 0:32:10.680
<v Speaker 1>allowed to happen off camera? And what can what do

0:32:10.720 --> 0:32:13.880
<v Speaker 1>we need to see? And some people and producers and

0:32:13.920 --> 0:32:17.560
<v Speaker 1>directors and other writers are really finicky about needing to

0:32:17.600 --> 0:32:21.800
<v Speaker 1>know the details of what happens. And sometimes they're absolutely

0:32:21.920 --> 0:32:25.360
<v Speaker 1>right something like that. My mind just goes, well, he

0:32:25.520 --> 0:32:28.640
<v Speaker 1>just went exploring because he's an alien from you know, yeah,

0:32:28.720 --> 0:32:30.440
<v Speaker 1>well out of space and he's on Earth and he

0:32:30.560 --> 0:32:32.480
<v Speaker 1>just went to explore it, and we really need to

0:32:32.520 --> 0:32:33.280
<v Speaker 1>know what happened.

0:32:34.400 --> 0:32:36.640
<v Speaker 3>And maybe and maybe that's the psychology of out today

0:32:36.680 --> 0:32:40.680
<v Speaker 3>that like maybe thinking, hey, you got to get home.

0:32:40.840 --> 0:32:44.000
<v Speaker 3>How do you get home? Well, that's your clear focus. Okay,

0:32:44.360 --> 0:32:47.840
<v Speaker 3>you are stuck in another country, whereas you find your

0:32:47.880 --> 0:32:49.959
<v Speaker 3>embassy and you make that call and you get out

0:32:49.960 --> 0:32:51.959
<v Speaker 3>of that country. With him, I was like, what are

0:32:51.960 --> 0:32:55.040
<v Speaker 3>you doing? What are you doing next to a creek fishing?

0:32:55.080 --> 0:32:56.400
<v Speaker 3>Halfway through I tried to.

0:32:56.360 --> 0:32:58.760
<v Speaker 1>Ma guy for himself. Here, you fine with the speak

0:32:58.840 --> 0:33:00.920
<v Speaker 1>and spell and you know the blade?

0:33:01.160 --> 0:33:04.600
<v Speaker 3>Yeah, so that, like I thought, yeah, like I questioned it.

0:33:04.600 --> 0:33:06.640
<v Speaker 3>But then already even if you question it for a

0:33:06.680 --> 0:33:09.800
<v Speaker 3>split second, you are lost to oh no, he's sick,

0:33:10.360 --> 0:33:13.000
<v Speaker 3>and then and then and then oh that's another one.

0:33:13.480 --> 0:33:16.680
<v Speaker 3>The like is it a montage with the with the

0:33:16.720 --> 0:33:20.240
<v Speaker 3>with the astronauts, So you know there's that scene where

0:33:20.240 --> 0:33:22.960
<v Speaker 3>all the astronauts appear. Are they real people.

0:33:22.760 --> 0:33:26.480
<v Speaker 1>Or is that a no? They're they're they're they're they're real.

0:33:26.600 --> 0:33:29.720
<v Speaker 1>They're they're real people. I'm not sure why. I think

0:33:29.720 --> 0:33:32.240
<v Speaker 1>there sposed to be like hazmat suits are okay, but

0:33:32.360 --> 0:33:35.400
<v Speaker 1>basically but they were astronauts.

0:33:35.480 --> 0:33:37.560
<v Speaker 3>Yeah, okay, which because I thought there was they had.

0:33:37.520 --> 0:33:39.760
<v Speaker 1>That written on there, so there they are.

0:33:40.040 --> 0:33:42.640
<v Speaker 3>Because I thought that was a dream sequence, right, So

0:33:42.680 --> 0:33:44.920
<v Speaker 3>when that happened. I was like, oh, no, he's dreaming,

0:33:45.120 --> 0:33:47.120
<v Speaker 3>it's not happening. I was like, no, it is happening,

0:33:47.600 --> 0:33:48.160
<v Speaker 3>happening now.

0:33:48.280 --> 0:33:52.280
<v Speaker 1>Like but but even within that scene, and I'm really

0:33:52.280 --> 0:33:56.280
<v Speaker 1>in script because we are literally like finishing scripts for say,

0:33:56.280 --> 0:33:58.760
<v Speaker 1>married so, but there's a bit where she she goes

0:33:58.800 --> 0:34:01.320
<v Speaker 1>to the door and a daughter's a national let's call

0:34:01.360 --> 0:34:03.280
<v Speaker 1>them a national even though they're not national. There's a

0:34:03.320 --> 0:34:06.480
<v Speaker 1>nationnaut there screen. They run back the other way through

0:34:06.520 --> 0:34:09.600
<v Speaker 1>the kitchen, there's another astronaut, and then they it looks

0:34:09.600 --> 0:34:11.560
<v Speaker 1>like the astronauts almost got them, almost like got their

0:34:11.560 --> 0:34:13.480
<v Speaker 1>hands on it. And then the next scene they're just

0:34:13.640 --> 0:34:16.920
<v Speaker 1>running through the loundes room and the astronauts are a

0:34:16.920 --> 0:34:21.600
<v Speaker 1>fairway behind. It's like that doesn't quite add up, but

0:34:21.640 --> 0:34:24.080
<v Speaker 1>it doesn't bother me. I'm just thinking it more from

0:34:24.080 --> 0:34:25.480
<v Speaker 1>a you know details.

0:34:25.600 --> 0:34:28.600
<v Speaker 3>It doesn't help that the astronauts are moving like zombies.

0:34:28.760 --> 0:34:33.680
<v Speaker 3>They really slowly, like there's a monsters from amount of space.

0:34:33.840 --> 0:34:36.520
<v Speaker 1>What I do love about Spielberg is his ability to

0:34:36.760 --> 0:34:41.239
<v Speaker 1>kind of like, no, it's a movie, so it's about entertainment.

0:34:41.480 --> 0:34:44.440
<v Speaker 1>Like that shot of the the next shot is like

0:34:44.440 --> 0:34:46.960
<v Speaker 1>like six astronauts walking along the street kind of coming

0:34:47.040 --> 0:34:49.800
<v Speaker 1>up over the horizon of the road, and it's brilliant

0:34:49.800 --> 0:34:52.480
<v Speaker 1>and it's nobody who's walking like that? Where are they

0:34:52.480 --> 0:34:55.920
<v Speaker 1>coming from? Yeah, nobody ever walks in a road like that,

0:34:56.040 --> 0:34:56.440
<v Speaker 1>you know.

0:34:56.400 --> 0:34:58.840
<v Speaker 3>And also like it's the team And I love that

0:34:58.880 --> 0:35:01.080
<v Speaker 3>because I questioned through it throughout the start. It is

0:35:01.120 --> 0:35:03.719
<v Speaker 3>like the shot of the keys, the keys of the

0:35:03.760 --> 0:35:05.160
<v Speaker 3>guy to start because.

0:35:05.440 --> 0:35:08.920
<v Speaker 1>These characters called keys. Yeah yeah, yeah, they got keys. Yeah.

0:35:08.960 --> 0:35:13.239
<v Speaker 1>Well he's the actual character's name, but it's who what

0:35:13.360 --> 0:35:15.719
<v Speaker 1>is credited as who?

0:35:15.760 --> 0:35:17.040
<v Speaker 3>Then I love it. At the end of the film,

0:35:17.040 --> 0:35:19.319
<v Speaker 3>you're like, you're like I love it because you go

0:35:19.360 --> 0:35:21.800
<v Speaker 3>from who's this guy? Because I think is it a cowboy?

0:35:22.040 --> 0:35:26.280
<v Speaker 3>Like is it a cowboy hunting aliens? Like is he official?

0:35:26.400 --> 0:35:28.520
<v Speaker 3>Is he not? And then everyone else is hanging around him.

0:35:28.520 --> 0:35:30.480
<v Speaker 3>It just seems like like a group of guys from

0:35:30.480 --> 0:35:32.400
<v Speaker 3>the pub where let's go get some aliens.

0:35:33.239 --> 0:35:35.120
<v Speaker 1>Well, it's really funny because you're in the first scene

0:35:35.120 --> 0:35:37.360
<v Speaker 1>whether it especially takes off and there's like six or

0:35:37.400 --> 0:35:41.000
<v Speaker 1>seven again kind of FBI agents who who kind of

0:35:41.040 --> 0:35:42.919
<v Speaker 1>run with their torches and stuff. They're all that silly

0:35:42.960 --> 0:35:44.800
<v Speaker 1>weather because you don't see an adult's face until the

0:35:44.880 --> 0:35:48.440
<v Speaker 1>mum and they Yeah, they keep adults kind of away until.

0:35:48.160 --> 0:35:50.120
<v Speaker 3>They really need stroke of genius.

0:35:50.160 --> 0:35:52.560
<v Speaker 1>It's brilliant, it's so good. But they're all like the

0:35:52.600 --> 0:35:56.480
<v Speaker 1>same shape, the same size, same light. It's that was

0:35:56.520 --> 0:35:58.640
<v Speaker 1>kind of weird. Do you ever feel like you're watching

0:35:58.680 --> 0:35:59.400
<v Speaker 1>Stranger Things?

0:36:00.040 --> 0:36:01.799
<v Speaker 3>Haven't seen it? And this is and this is and

0:36:01.920 --> 0:36:04.200
<v Speaker 3>I and I and I've been holding off because I

0:36:04.280 --> 0:36:07.400
<v Speaker 3>wanted to see Et before Stranger Things. So I've actually

0:36:07.400 --> 0:36:09.800
<v Speaker 3>been holding off because everyone's been talking about it, and

0:36:09.880 --> 0:36:12.520
<v Speaker 3>I didn't want that to claud my judgment of ET

0:36:12.719 --> 0:36:14.600
<v Speaker 3>and I reckon I'd probably even look at it differently

0:36:14.680 --> 0:36:16.839
<v Speaker 3>or go, oh, maybe it's not as good as Stranger Things.

0:36:16.840 --> 0:36:18.600
<v Speaker 3>That's what I was. I just wanted to see it

0:36:18.640 --> 0:36:21.640
<v Speaker 3>it's entire and then just go, Okay, that's the film.

0:36:21.640 --> 0:36:22.640
<v Speaker 1>I thin he's the right way to do it, because

0:36:22.680 --> 0:36:24.480
<v Speaker 1>now you can just enjoy Stranger Things. No, yeah, it's

0:36:24.480 --> 0:36:27.440
<v Speaker 1>a homage to ET and Spilberd.

0:36:27.480 --> 0:36:29.600
<v Speaker 3>Then I love it with keys because at the end

0:36:29.880 --> 0:36:32.880
<v Speaker 3>I'm like, and again again you can you come back

0:36:32.920 --> 0:36:36.000
<v Speaker 3>to script mode. But right then you're like, oh, Keith,

0:36:36.280 --> 0:36:42.160
<v Speaker 3>he's hooking up with them. I was like, I mean,

0:36:42.200 --> 0:36:44.360
<v Speaker 3>where's this? Like even then he doesn't weird. Look, I

0:36:44.400 --> 0:36:47.120
<v Speaker 3>was like, I mean, after everything's gone, I mean, what

0:36:47.239 --> 0:36:48.680
<v Speaker 3>a story to start a relationship.

0:36:48.719 --> 0:36:50.480
<v Speaker 1>But it's funny to say that. I didn't think of

0:36:50.520 --> 0:36:53.000
<v Speaker 1>it quite in the same way. But I did think

0:36:53.160 --> 0:36:57.480
<v Speaker 1>that he is almost a father figure that Elliott kind

0:36:57.480 --> 0:36:59.680
<v Speaker 1>of needs it, you know, like because his dad's you know,

0:37:00.040 --> 0:37:04.040
<v Speaker 1>he's in Mexico or wherever he is. And yeah, he is,

0:37:04.400 --> 0:37:06.279
<v Speaker 1>you know, he's he's a good guy.

0:37:06.840 --> 0:37:08.799
<v Speaker 3>Yeah. Yeah, And then and like you don't know he's

0:37:08.800 --> 0:37:10.960
<v Speaker 3>a good guy. And even then you think he's tricking

0:37:11.000 --> 0:37:13.480
<v Speaker 3>him at the start, going hey, I've been looking for

0:37:13.520 --> 0:37:15.319
<v Speaker 3>someone like this since I was a ten year old boy,

0:37:15.520 --> 0:37:18.399
<v Speaker 3>Like you can't, I've still I didn't believe it. Yeah,

0:37:18.600 --> 0:37:20.279
<v Speaker 3>and then right at the end where he's like, oh no,

0:37:20.480 --> 0:37:22.200
<v Speaker 3>like you know, I want to be here. This is

0:37:22.239 --> 0:37:26.879
<v Speaker 3>what I still didn't understand what he's ranking was because like,

0:37:27.080 --> 0:37:28.520
<v Speaker 3>like a little bit of me is like everyone's going

0:37:28.600 --> 0:37:30.879
<v Speaker 3>to jump to do and he's like he's got free rage.

0:37:30.920 --> 0:37:33.040
<v Speaker 3>I was like, is he the CEO of NASA or

0:37:33.120 --> 0:37:35.760
<v Speaker 3>like yeah, you know he was chasing them at the start.

0:37:36.040 --> 0:37:37.000
<v Speaker 3>Is this a hobby of.

0:37:37.480 --> 0:37:42.680
<v Speaker 1>One of those keys for yeah, really like who's getting

0:37:42.680 --> 0:37:44.920
<v Speaker 1>around with that many keys if you are in a

0:37:44.960 --> 0:37:46.759
<v Speaker 1>position of power.

0:37:46.719 --> 0:37:50.439
<v Speaker 3>And keys with a little leather patch behind it. Also

0:37:51.080 --> 0:37:53.040
<v Speaker 3>because I had, like I said, of keys with like

0:37:53.120 --> 0:37:55.160
<v Speaker 3>you can flip them over like a pocket knife, which

0:37:55.840 --> 0:37:57.600
<v Speaker 3>it was like this, you know every second person in

0:37:57.600 --> 0:38:00.239
<v Speaker 3>Brunswick has one. And then I was like in his

0:38:00.320 --> 0:38:03.920
<v Speaker 3>keys And then I was like and once you get

0:38:03.920 --> 0:38:05.880
<v Speaker 3>out of film made, I was like, I'll tell you what,

0:38:05.920 --> 0:38:07.520
<v Speaker 3>there's a lot of shut of the keys, Like this

0:38:08.200 --> 0:38:09.839
<v Speaker 3>is going to have to be something down the track

0:38:10.480 --> 0:38:12.600
<v Speaker 3>like yeah, it was like, there's more keys, there's more

0:38:13.080 --> 0:38:13.520
<v Speaker 3>more keys.

0:38:13.600 --> 0:38:16.360
<v Speaker 1>Yeah, what does it open make the keys of the spaceship?

0:38:16.480 --> 0:38:19.279
<v Speaker 1>Getting back to the writing, Melissa Matheson wrote that that

0:38:19.640 --> 0:38:22.360
<v Speaker 1>the shooting script was basically the first draft that she wrote.

0:38:22.960 --> 0:38:27.600
<v Speaker 1>What which that makes you a little bit sick, doesn't it?

0:38:27.600 --> 0:38:28.920
<v Speaker 1>It makes it sicken and it gives you little bit

0:38:28.920 --> 0:38:30.200
<v Speaker 1>of weird home.

0:38:30.320 --> 0:38:31.920
<v Speaker 3>But then is it is it one of those things

0:38:31.920 --> 0:38:34.080
<v Speaker 3>where and I've been reading a couple of books on writing,

0:38:34.160 --> 0:38:37.000
<v Speaker 3>is it one of those things where everything you wrote

0:38:37.400 --> 0:38:40.960
<v Speaker 3>leading up to that led to that moment that day

0:38:41.120 --> 0:38:43.520
<v Speaker 3>where you sat down and it was just there and

0:38:43.560 --> 0:38:44.600
<v Speaker 3>it was going to come out well.

0:38:44.640 --> 0:38:47.319
<v Speaker 1>I think the way she wrote it was she would

0:38:47.360 --> 0:38:50.120
<v Speaker 1>write for she would work with Spielberg. They would like

0:38:50.160 --> 0:38:52.279
<v Speaker 1>brainstorm and come and get and then she would write

0:38:52.320 --> 0:38:54.960
<v Speaker 1>for three weeks and then have another three weeks of

0:38:55.000 --> 0:38:57.440
<v Speaker 1>work with Spielberg, write for another three weeks, which actually

0:38:57.480 --> 0:38:59.719
<v Speaker 1>sounds like a great way to work because you are

0:38:59.760 --> 0:39:03.120
<v Speaker 1>working with obviously the man himself, and then you're basically

0:39:03.160 --> 0:39:06.560
<v Speaker 1>blocking out scenes and you're kind of working out you're

0:39:06.640 --> 0:39:09.640
<v Speaker 1>breaking them down, and then you just go and write

0:39:09.640 --> 0:39:12.320
<v Speaker 1>the scenes and once you've once you've done that grand

0:39:12.360 --> 0:39:14.879
<v Speaker 1>work of this is a scene breakdown. This is what's

0:39:14.880 --> 0:39:16.880
<v Speaker 1>going to happen if you get those right, the dialogue

0:39:17.200 --> 0:39:18.960
<v Speaker 1>and you know, and the rest of it's kind of easy,

0:39:19.239 --> 0:39:19.400
<v Speaker 1>you know.

0:39:19.560 --> 0:39:21.960
<v Speaker 3>Yeah, And how much I assume because he was so

0:39:22.040 --> 0:39:24.520
<v Speaker 3>good at improv in there, like, did they let him

0:39:24.520 --> 0:39:28.879
<v Speaker 3>do much improv on set? Because I assume back then,

0:39:29.040 --> 0:39:32.040
<v Speaker 3>like as much as time frames are I mean, when

0:39:32.080 --> 0:39:34.920
<v Speaker 3>they spend half the time with mechanical problems with that

0:39:34.920 --> 0:39:38.040
<v Speaker 3>that thing, rather than having time to improve, Like.

0:39:38.120 --> 0:39:40.680
<v Speaker 1>I don't know much about Henry Thomas's improv I've heard

0:39:40.920 --> 0:39:44.319
<v Speaker 1>Drew barrymore improvd a little bit, yeah, quite a bit.

0:39:44.320 --> 0:39:46.000
<v Speaker 1>I think there's a famous one where she says, you

0:39:46.120 --> 0:39:50.520
<v Speaker 1>gotta be kidding me. That was she just improvised, Yeah,

0:39:50.760 --> 0:39:54.520
<v Speaker 1>because she got the role because she rolled up as

0:39:54.520 --> 0:39:57.760
<v Speaker 1>an eight year old or so younger, probably younger imagine

0:39:58.200 --> 0:40:02.000
<v Speaker 1>what would you maybe five, and she was she was

0:40:02.040 --> 0:40:05.480
<v Speaker 1>telling Spielberg that she was in a punk band and

0:40:05.560 --> 0:40:07.880
<v Speaker 1>she just played like Madison Square Garden the night before

0:40:07.920 --> 0:40:11.839
<v Speaker 1>and it was sold out, and I think Spielberg watching

0:40:11.840 --> 0:40:13.600
<v Speaker 1>going to be where Spielberg said, I could actually use

0:40:13.600 --> 0:40:17.560
<v Speaker 1>her imagination in this, like you may even bring something.

0:40:17.600 --> 0:40:20.279
<v Speaker 1>Not only is she, you know, great lectress, but she

0:40:20.280 --> 0:40:22.200
<v Speaker 1>could actually even help with this story.

0:40:22.320 --> 0:40:24.440
<v Speaker 3>It's just and I was saying that to my partner.

0:40:24.560 --> 0:40:26.719
<v Speaker 3>It was the one scene that blew me away. It

0:40:26.840 --> 0:40:28.879
<v Speaker 3>is all the cute scenes, but the one scene is

0:40:28.920 --> 0:40:31.480
<v Speaker 3>her in the car on the way there, where you know,

0:40:31.520 --> 0:40:34.279
<v Speaker 3>and your kid is just clamoring all over you and

0:40:34.320 --> 0:40:36.839
<v Speaker 3>you just want to just shut up and be able

0:40:36.840 --> 0:40:39.400
<v Speaker 3>to talk to the adult. It's like in that scene,

0:40:39.400 --> 0:40:41.799
<v Speaker 3>I was like, you are the mom. You are the mom.

0:40:41.960 --> 0:40:45.279
<v Speaker 3>Like the chemistry that's so simple. But I was just

0:40:45.320 --> 0:40:48.279
<v Speaker 3>like that is amazing, Like it's actually beyond acting. It

0:40:48.360 --> 0:40:51.239
<v Speaker 3>is you are playing like it's make believe and it's

0:40:51.239 --> 0:40:51.759
<v Speaker 3>become real.

0:40:51.960 --> 0:40:57.640
<v Speaker 1>Yeah, it's I feel like ET could be the most

0:40:58.000 --> 0:41:01.800
<v Speaker 1>like magical film, so like the perfect balance yeah, of

0:41:01.960 --> 0:41:04.920
<v Speaker 1>feeling like it's real, and I think it holds up

0:41:05.440 --> 0:41:08.320
<v Speaker 1>really well. Like I was watching it this morning, I

0:41:08.320 --> 0:41:10.160
<v Speaker 1>gave it a quick another you know, I flicked through

0:41:10.160 --> 0:41:11.680
<v Speaker 1>a little bit. But I'm not sure if you can

0:41:11.719 --> 0:41:15.760
<v Speaker 1>make films that are set in contemporary times of kids

0:41:16.280 --> 0:41:20.640
<v Speaker 1>cheekly evading the police on bmx's or you know, yeah whatever,

0:41:20.880 --> 0:41:22.960
<v Speaker 1>but the popular mode of transport would be today. I mean,

0:41:22.960 --> 0:41:25.680
<v Speaker 1>I know, you do it differently and all of that.

0:41:25.760 --> 0:41:28.520
<v Speaker 1>So there's a kind of innocence to the film.

0:41:28.719 --> 0:41:31.399
<v Speaker 3>But also when looking through the lens of nostalgia as well,

0:41:31.719 --> 0:41:34.680
<v Speaker 3>which I think, you know, whether films can be made

0:41:34.880 --> 0:41:38.359
<v Speaker 3>nowadays that in you know, thirty forty years time, that

0:41:38.360 --> 0:41:41.399
<v Speaker 3>they'll be able to do the same because everything has changed. Yeah,

0:41:41.440 --> 0:41:44.000
<v Speaker 3>so it's just you get lost into that world. That's

0:41:44.040 --> 0:41:46.960
<v Speaker 3>what I enjoyed. It was like ordering pizza with a

0:41:47.040 --> 0:41:50.799
<v Speaker 3>landline that is so long, that can stretch so far.

0:41:51.080 --> 0:41:53.920
<v Speaker 3>It just brought back such beautiful memories. I was like

0:41:54.239 --> 0:41:56.719
<v Speaker 3>it's knocking stuff off the table. I did that as

0:41:56.760 --> 0:41:59.440
<v Speaker 3>a kid, Like yeah, little things like that, or just

0:41:59.480 --> 0:42:03.040
<v Speaker 3>like the cars themselves, like I feel like I got

0:42:03.080 --> 0:42:06.440
<v Speaker 3>lost and they because it moves so beautifully and the

0:42:06.480 --> 0:42:10.719
<v Speaker 3>pace of the film is so good that I don't know.

0:42:10.719 --> 0:42:11.920
<v Speaker 3>There was a moment where I was like I was

0:42:11.920 --> 0:42:13.840
<v Speaker 3>lost in that world again, and I just don't know

0:42:13.880 --> 0:42:18.319
<v Speaker 3>if films because we produced so many more and and

0:42:18.440 --> 0:42:20.560
<v Speaker 3>you know, and because you know, you know, with technology,

0:42:20.600 --> 0:42:23.040
<v Speaker 3>it's moving so quickly, Like I'm just thinking, will my

0:42:23.280 --> 0:42:25.840
<v Speaker 3>daughter have that? Like so, my daughter saw her first

0:42:25.880 --> 0:42:30.960
<v Speaker 3>movie she's five, Toy Story. Of course, now it was

0:42:31.000 --> 0:42:32.839
<v Speaker 3>a great choice, but it was the same thing where

0:42:32.840 --> 0:42:33.839
<v Speaker 3>I was like, you know, we were trying to pick

0:42:33.920 --> 0:42:35.600
<v Speaker 3>out what film to do it, and I was going

0:42:35.680 --> 0:42:37.799
<v Speaker 3>to watch this with her with ET, and I'm glad

0:42:37.800 --> 0:42:40.279
<v Speaker 3>I didn't because she got scared of Toy Story the

0:42:40.320 --> 0:42:42.000
<v Speaker 3>first one. I was like, what is she going to

0:42:42.080 --> 0:42:44.839
<v Speaker 3>be like this with ET? But it's those things where

0:42:44.840 --> 0:42:46.080
<v Speaker 3>I was like, I want to look at my favorite

0:42:46.160 --> 0:42:48.960
<v Speaker 3>kids films and and you know this ET is one

0:42:49.000 --> 0:42:51.160
<v Speaker 3>of them now and a little part of me after

0:42:51.200 --> 0:42:52.800
<v Speaker 3>watching it, I was like, oh, it's a bit sad

0:42:53.080 --> 0:42:55.520
<v Speaker 3>I didn't watch it as a kid, Yeah, because I

0:42:55.680 --> 0:42:58.000
<v Speaker 3>really enjoyed it as an adult. What I would have

0:42:58.000 --> 0:42:59.439
<v Speaker 3>been blown away as a kid.

0:42:59.760 --> 0:43:02.520
<v Speaker 1>I remember seeing it at the at the movies we

0:43:02.520 --> 0:43:05.120
<v Speaker 1>went into the city. I remember for two reasons, one

0:43:05.160 --> 0:43:07.400
<v Speaker 1>because of the film and just crying my eyes out,

0:43:07.920 --> 0:43:11.800
<v Speaker 1>but before we went to see it, and I remember

0:43:11.840 --> 0:43:13.120
<v Speaker 1>this for years, and I think I only just worked

0:43:13.120 --> 0:43:16.400
<v Speaker 1>through that recently. I kind of spun around. It was

0:43:16.440 --> 0:43:21.320
<v Speaker 1>my mom, my brother, sisters, and that's another family friend.

0:43:21.840 --> 0:43:23.839
<v Speaker 1>And I spun around this on the spot, just kind

0:43:23.840 --> 0:43:26.920
<v Speaker 1>of spun around and I started spinning. My mom was gone,

0:43:27.960 --> 0:43:30.880
<v Speaker 1>and I was like, it took me a couple of minutes.

0:43:31.280 --> 0:43:32.600
<v Speaker 1>In my mind, it took me a couple of minutes

0:43:32.600 --> 0:43:34.800
<v Speaker 1>to work out where they were, and I was, you know,

0:43:34.840 --> 0:43:36.399
<v Speaker 1>I was lost. I remember I always had to see

0:43:36.440 --> 0:43:37.960
<v Speaker 1>how I got lost before I went. I sawry T

0:43:38.320 --> 0:43:39.640
<v Speaker 1>and I think what had happened. I just spun around,

0:43:39.680 --> 0:43:41.360
<v Speaker 1>but I didn't quite make it the three sixty I

0:43:41.400 --> 0:43:44.840
<v Speaker 1>decided I did. I did like a one eighty, and

0:43:44.880 --> 0:43:49.720
<v Speaker 1>I just Mom was behind me. I it was probably

0:43:49.920 --> 0:43:51.960
<v Speaker 1>it was probably thirty seconds where Mom didn't even know that.

0:43:52.040 --> 0:43:56.600
<v Speaker 1>I thought I was lost. But I remember being already

0:43:56.640 --> 0:43:58.920
<v Speaker 1>a little bit on edge when I saw the film

0:43:59.080 --> 0:44:02.440
<v Speaker 1>and then I and I just I, yeah, lost it.

0:44:03.239 --> 0:44:04.080
<v Speaker 1>I cried behard.

0:44:04.440 --> 0:44:08.640
<v Speaker 3>But it's really interesting because, like I remember seeing Rob

0:44:08.680 --> 0:44:11.000
<v Speaker 3>Williams Toy Story with my grandparents.

0:44:10.400 --> 0:44:11.560
<v Speaker 1>So, which is when we used that.

0:44:11.680 --> 0:44:13.680
<v Speaker 3>So that's the one way he's worse than a toy.

0:44:13.520 --> 0:44:16.160
<v Speaker 1>Factory, right, is it's just called toy.

0:44:16.280 --> 0:44:18.480
<v Speaker 3>It's just called toy, Okay, so it's just got toy.

0:44:18.680 --> 0:44:21.120
<v Speaker 3>But I remember my grandparents told me that, and then

0:44:21.239 --> 0:44:23.520
<v Speaker 3>my grandfather Imil was quite moved. It was quite It's

0:44:23.560 --> 0:44:26.560
<v Speaker 3>got a bit of a dark but I remember watching it.

0:44:26.640 --> 0:44:31.239
<v Speaker 3>And then we turn around and my grandma Grandpa's disappeared, right,

0:44:31.640 --> 0:44:33.160
<v Speaker 3>and he's like, he just left the cinema?

0:44:33.239 --> 0:44:33.959
<v Speaker 1>Did he spin around?

0:44:36.280 --> 0:44:39.800
<v Speaker 3>This is so funny. We walk out, Grandma is just yelling,

0:44:40.200 --> 0:44:43.360
<v Speaker 3>can't find him anywhere, and then his she visually comes

0:44:43.360 --> 0:44:46.360
<v Speaker 3>out of another cinema, which was that that movie with

0:44:46.480 --> 0:44:55.480
<v Speaker 3>Jeremy Iron's Damages, that sexda. I just remember just going

0:44:55.560 --> 0:44:57.560
<v Speaker 3>because he walked down with the potion next to it,

0:44:57.640 --> 0:45:01.240
<v Speaker 3>with his hers straddling him and they're having sex pitch.

0:45:01.120 --> 0:45:09.239
<v Speaker 1>A tent was he My dad went like we're on

0:45:09.520 --> 0:45:13.120
<v Speaker 1>very few, very few interstate trips. But he went to

0:45:13.640 --> 0:45:17.319
<v Speaker 1>occasionally he would go to Canberra and he he said,

0:45:17.480 --> 0:45:18.879
<v Speaker 1>ye had a night off, so he went and saw

0:45:19.680 --> 0:45:22.200
<v Speaker 1>a movie. And he went and saw a crash like

0:45:22.520 --> 0:45:24.200
<v Speaker 1>the idea of my David seen movie by himself. I

0:45:24.360 --> 0:45:25.840
<v Speaker 1>it would be the only time I could ever imagine.

0:45:25.840 --> 0:45:28.000
<v Speaker 1>But he went to the David Cronaber Crash. He got

0:45:28.080 --> 0:45:31.640
<v Speaker 1>like an erotic people were turned on by buying car accidents. Yeah,

0:45:31.840 --> 0:45:35.920
<v Speaker 1>the car crash is a fertilizing rather than a destructive event,

0:45:36.960 --> 0:45:42.239
<v Speaker 1>a liberation of sexual energy. And he said, I didn't

0:45:42.280 --> 0:45:45.560
<v Speaker 1>like it at all. But I'm like, surely when you

0:45:45.600 --> 0:45:48.880
<v Speaker 1>looked up which movie to see, it would have explained

0:45:48.880 --> 0:45:51.839
<v Speaker 1>that to some degree that it was an erotic kind

0:45:51.880 --> 0:45:53.000
<v Speaker 1>of movie.

0:45:53.280 --> 0:45:55.920
<v Speaker 3>It's funny you bring that movie out because when I

0:45:55.960 --> 0:45:58.800
<v Speaker 3>was a kid, I when we go to the video stores,

0:45:58.800 --> 0:46:03.160
<v Speaker 3>I would just be looking for a nudity and look

0:46:03.160 --> 0:46:05.200
<v Speaker 3>at the title. That is all I would look at.

0:46:05.280 --> 0:46:07.520
<v Speaker 3>And I remember I was able to get Crash and

0:46:07.600 --> 0:46:09.200
<v Speaker 3>slip it in there, and that was the first time

0:46:09.200 --> 0:46:11.280
<v Speaker 3>I was like, oh, this is gonna be a good movie.

0:46:12.960 --> 0:46:16.399
<v Speaker 3>And I was like, I'm not enjoying this. There's nothing

0:46:16.480 --> 0:46:18.960
<v Speaker 3>about this that you know, he's they're making love next

0:46:19.000 --> 0:46:21.600
<v Speaker 3>to a car while she's stroking the scars.

0:46:21.680 --> 0:46:25.080
<v Speaker 1>Don't find car accidents sexy at all, they would have thought,

0:46:25.320 --> 0:46:28.200
<v Speaker 1>So can you understand? And you get I feel it.

0:46:28.239 --> 0:46:30.080
<v Speaker 1>I feel like maybe answered. Do you feel that you

0:46:30.120 --> 0:46:33.040
<v Speaker 1>can understand why this is considered the classic movie?

0:46:33.239 --> 0:46:38.520
<v Speaker 3>Yes, totally, because well it's uh, well I can. At first,

0:46:38.560 --> 0:46:40.200
<v Speaker 3>because I did the same thing. I looked at a

0:46:40.239 --> 0:46:42.480
<v Speaker 3>little bit this morning. I looked at a cover of

0:46:42.480 --> 0:46:45.360
<v Speaker 3>my favorite scenes. And then the fact that and that

0:46:45.440 --> 0:46:47.160
<v Speaker 3>sort of hit me. The fact that I already had

0:46:47.239 --> 0:46:50.640
<v Speaker 3>favorite scenes from a movie I just watched made me

0:46:50.680 --> 0:46:53.719
<v Speaker 3>realize this is good. And then and then that and

0:46:53.880 --> 0:46:56.520
<v Speaker 3>I was never bought for a movie that was that old,

0:46:56.560 --> 0:46:58.200
<v Speaker 3>and I was, you know, invested, because I was looking

0:46:58.200 --> 0:46:59.800
<v Speaker 3>forward to talking about a movie because it's been a

0:46:59.840 --> 0:47:02.000
<v Speaker 3>while since I've done that. But the fact that I

0:47:02.200 --> 0:47:05.960
<v Speaker 3>cried like that's I was not expecting that. And I

0:47:06.000 --> 0:47:07.600
<v Speaker 3>wasn't going in there going this is going to be

0:47:07.640 --> 0:47:09.399
<v Speaker 3>a tear jeker. I was actually just trying to find

0:47:09.440 --> 0:47:10.879
<v Speaker 3>two hours in a day to be able to watch

0:47:10.920 --> 0:47:13.319
<v Speaker 3>a movie. Yeah, that's pretty and then to be able

0:47:13.320 --> 0:47:15.479
<v Speaker 3>to sit back and then get lost and get lost

0:47:15.520 --> 0:47:18.520
<v Speaker 3>into the fantasy of it, like you know. And there

0:47:18.560 --> 0:47:20.640
<v Speaker 3>were moments where I'd slip in and out because there'd

0:47:20.640 --> 0:47:22.399
<v Speaker 3>be moments I'd been watching this going God, I wish

0:47:22.400 --> 0:47:27.160
<v Speaker 3>I could buy a house that big, to just going wow,

0:47:27.480 --> 0:47:30.160
<v Speaker 3>it's amazing. Those you know, little balls of played are

0:47:30.200 --> 0:47:32.839
<v Speaker 3>in the air spinning around, going what a great way

0:47:32.880 --> 0:47:37.000
<v Speaker 3>to explain where you're from, Like just all those tiny

0:47:37.160 --> 0:47:40.120
<v Speaker 3>little things. Like I loved it so much. It was

0:47:40.160 --> 0:47:43.279
<v Speaker 3>a laugh out loud moment. And I'd already seen the

0:47:43.320 --> 0:47:47.000
<v Speaker 3>imagery before, but when Et stressed up, man, that's funny.

0:47:47.040 --> 0:47:48.120
<v Speaker 1>Oh, it's really funny.

0:47:48.160 --> 0:47:50.160
<v Speaker 3>It's so funny because my daughter has done it with

0:47:50.200 --> 0:47:52.480
<v Speaker 3>every doll, she's done it with a little brother, and

0:47:52.560 --> 0:47:54.359
<v Speaker 3>I was just like, of course you would do that

0:47:54.400 --> 0:47:55.040
<v Speaker 3>with an alien.

0:47:55.320 --> 0:47:57.439
<v Speaker 1>And it was really one of the changes I made

0:47:57.480 --> 0:48:00.560
<v Speaker 1>in two thousand and two the version was to just

0:48:00.760 --> 0:48:05.560
<v Speaker 1>change ET's the eyes because and this is like this

0:48:05.600 --> 0:48:09.160
<v Speaker 1>goes to show that Spielberry wasn't looking at completely like

0:48:09.440 --> 0:48:11.360
<v Speaker 1>he said, nothing's wrong with this film. There are just

0:48:11.400 --> 0:48:14.600
<v Speaker 1>a few things that if I had an extra hour

0:48:14.640 --> 0:48:17.279
<v Speaker 1>and a day here or the extra hours or the technology,

0:48:17.360 --> 0:48:19.200
<v Speaker 1>I would have done it like this, and he just

0:48:19.320 --> 0:48:21.239
<v Speaker 1>he gives in two thousand and the two version, which

0:48:21.239 --> 0:48:23.759
<v Speaker 1>I really like. He gives Et a slightly more embarrassed

0:48:23.800 --> 0:48:26.560
<v Speaker 1>look and that's all. And that's all this is. Yeah,

0:48:27.320 --> 0:48:30.160
<v Speaker 1>it's a really nice it's a really nice touch.

0:48:30.760 --> 0:48:33.600
<v Speaker 3>And also the other touch I really like, is he

0:48:34.719 --> 0:48:36.839
<v Speaker 3>the genius he is? And I don't think I've ever

0:48:37.000 --> 0:48:39.879
<v Speaker 3>spoken about that about the Spielberg. I've never been I've

0:48:39.920 --> 0:48:41.719
<v Speaker 3>never gone out going, Oh, he's made this film, I'm

0:48:41.719 --> 0:48:43.879
<v Speaker 3>going to go see it. I've never really no, because

0:48:43.880 --> 0:48:46.000
<v Speaker 3>if I was thinking about this as well, when you

0:48:46.000 --> 0:48:47.239
<v Speaker 3>ask me to do that, I was like, as a kid,

0:48:47.280 --> 0:48:49.680
<v Speaker 3>I was trying to remember all the films I went

0:48:49.760 --> 0:48:51.920
<v Speaker 3>to like and I was more at TV like I

0:48:51.960 --> 0:48:54.520
<v Speaker 3>Great with Faulty Towers and all the classic comedies that

0:48:55.280 --> 0:48:57.520
<v Speaker 3>any movie I went to see the cinema was it comedy?

0:48:57.840 --> 0:49:00.239
<v Speaker 3>Like people go like, what's one of the favorite movies

0:49:00.280 --> 0:49:02.360
<v Speaker 3>I'd ever seen a cinema? Mine was what about Bob?

0:49:04.320 --> 0:49:07.440
<v Speaker 1>Nothing of that, There's nothing Murray Bill Murray Murray or

0:49:07.480 --> 0:49:07.920
<v Speaker 1>the other.

0:49:07.760 --> 0:49:12.240
<v Speaker 3>One with that was that the one with Chunk Candy

0:49:13.440 --> 0:49:16.839
<v Speaker 3>Catton Ball. There is another one, like like I love

0:49:16.920 --> 0:49:19.799
<v Speaker 3>those classic once. I never went to see the Beg

0:49:20.000 --> 0:49:21.640
<v Speaker 3>like I'd see a couple of the Bee hitters, But

0:49:21.719 --> 0:49:25.520
<v Speaker 3>with this one, I was like the use of light

0:49:27.120 --> 0:49:30.600
<v Speaker 3>in the room in Elliott's room is just that for me,

0:49:30.680 --> 0:49:32.560
<v Speaker 3>it was just like, you know, not to go all

0:49:32.840 --> 0:49:34.480
<v Speaker 3>you know technical on it. I was like every time

0:49:34.520 --> 0:49:36.719
<v Speaker 3>I was in there, I was in his room, like

0:49:36.800 --> 0:49:40.000
<v Speaker 3>I felt like I was sitting in there sharing the

0:49:40.000 --> 0:49:42.000
<v Speaker 3>moment with him. And that's when I was like, now

0:49:42.000 --> 0:49:44.880
<v Speaker 3>you've got the closet. Like for me, that was the

0:49:44.920 --> 0:49:47.480
<v Speaker 3>real big selling a point. That's why I think when

0:49:47.640 --> 0:49:50.360
<v Speaker 3>the whole house changes and it turns to a hospital's

0:49:50.360 --> 0:49:52.040
<v Speaker 3>like how dare you do this to his house? Like

0:49:52.520 --> 0:49:54.799
<v Speaker 3>I even felt that. I was like, you can't do that.

0:49:54.840 --> 0:49:57.680
<v Speaker 3>This is this is where ET's first place was on Earth,

0:49:57.760 --> 0:49:59.000
<v Speaker 3>like leave him alone.

0:49:59.080 --> 0:50:02.680
<v Speaker 1>Well, that came from the idea that they couldn't find

0:50:02.680 --> 0:50:05.520
<v Speaker 1>I think a hospital too, because I think it was

0:50:05.560 --> 0:50:06.960
<v Speaker 1>written that they were going to move them off to

0:50:06.960 --> 0:50:09.719
<v Speaker 1>a hospital. They couldn't find a place to shoot, And

0:50:09.800 --> 0:50:12.879
<v Speaker 1>I think Spielberg was flying into La and saw these

0:50:13.360 --> 0:50:15.320
<v Speaker 1>a bunch of houses being renovated and had those sheets

0:50:15.360 --> 0:50:17.600
<v Speaker 1>on them. Okay, that's what. Yeah, it's like a makeshift.

0:50:17.960 --> 0:50:21.840
<v Speaker 1>They basically come out. So again that's talking about.

0:50:21.680 --> 0:50:24.759
<v Speaker 3>Being able to just make a movie on the run,

0:50:24.960 --> 0:50:26.799
<v Speaker 3>like you know what it's like making television and you

0:50:26.840 --> 0:50:29.480
<v Speaker 3>have to make those decisions. But nowadays, you know, you know,

0:50:29.680 --> 0:50:31.279
<v Speaker 3>you know, and I work forbid in television. You know,

0:50:31.560 --> 0:50:34.360
<v Speaker 3>the scripts, the production, the money's already signed off. There's

0:50:34.520 --> 0:50:37.360
<v Speaker 3>very little to move. Yeah, But as you're developing it

0:50:37.400 --> 0:50:39.360
<v Speaker 3>and you be able to change it like that before

0:50:39.440 --> 0:50:40.240
<v Speaker 3>you get.

0:50:40.600 --> 0:50:43.000
<v Speaker 1>Very rarely though, when you are giving boundaries and they

0:50:43.040 --> 0:50:45.040
<v Speaker 1>might be budgetary or they might be you know, we

0:50:45.080 --> 0:50:47.520
<v Speaker 1>can't find the location, you come up with a better

0:50:48.680 --> 0:50:51.560
<v Speaker 1>way of doing it. Yeah, So it happens more often

0:50:51.600 --> 0:50:51.879
<v Speaker 1>than that.

0:50:51.840 --> 0:50:53.800
<v Speaker 3>And it becomes exciting because it's a problem to fix

0:50:53.960 --> 0:50:57.000
<v Speaker 3>creatively that you're already creating. Yeah, but then it's a

0:50:57.000 --> 0:50:59.080
<v Speaker 3>problem that you're fixed in that same mindset and.

0:50:59.080 --> 0:51:02.120
<v Speaker 1>You realize what's inant to actually to this scene. A

0:51:02.160 --> 0:51:04.880
<v Speaker 1>lot of people have this image of Bilberg having this

0:51:05.080 --> 0:51:07.880
<v Speaker 1>kind of idealic kind of view of suburbia, but it's

0:51:07.920 --> 0:51:11.359
<v Speaker 1>actually reasonably bleaks. I'm not sure if the blea's wrong way,

0:51:11.400 --> 0:51:13.960
<v Speaker 1>but it's kind of realistic, Like the house isn't it's

0:51:14.000 --> 0:51:16.160
<v Speaker 1>not like a beautiful house. It's like a nice house,

0:51:16.160 --> 0:51:19.080
<v Speaker 1>but the drinking soft drink, smoke. It's a messy house.

0:51:19.120 --> 0:51:20.120
<v Speaker 1>There's broken toys.

0:51:20.160 --> 0:51:23.680
<v Speaker 3>Yeah it felt real. Yeah, yeah, real in the sense.

0:51:23.440 --> 0:51:25.680
<v Speaker 1>That it's a broken home, you know, as a family

0:51:25.719 --> 0:51:26.640
<v Speaker 1>set up goes.

0:51:26.520 --> 0:51:29.200
<v Speaker 3>Because I think I like that sense of suburbia. I've

0:51:29.200 --> 0:51:30.840
<v Speaker 3>always grown up in a city, but I had that

0:51:30.880 --> 0:51:32.680
<v Speaker 3>sense of community. I had friends across the road would

0:51:32.680 --> 0:51:34.640
<v Speaker 3>all get together and go to the local park, and

0:51:34.719 --> 0:51:36.919
<v Speaker 3>I feel like that's what I want from my kids

0:51:36.920 --> 0:51:39.400
<v Speaker 3>as well, like we've got family next door. But it's

0:51:39.440 --> 0:51:41.759
<v Speaker 3>that thing where people are moving around so much, like

0:51:42.040 --> 0:51:44.320
<v Speaker 3>so much more that you kind of lose that sense

0:51:44.360 --> 0:51:47.160
<v Speaker 3>of community. And then when you see a court bowl

0:51:47.239 --> 0:51:49.960
<v Speaker 3>and everyone around it, like people know each other, the

0:51:50.080 --> 0:51:53.680
<v Speaker 3>kids like I kind of again, I feel like that

0:51:53.680 --> 0:51:56.080
<v Speaker 3>that was also nostalgic as well, Like I know it

0:51:56.160 --> 0:51:58.480
<v Speaker 3>still happens and that, but I feel like that happens

0:51:58.560 --> 0:52:00.359
<v Speaker 3>less and less and so in the film, I kind

0:52:00.360 --> 0:52:02.400
<v Speaker 3>of like it that everyone knew each other and everyone

0:52:02.840 --> 0:52:05.000
<v Speaker 3>right at the end when the when, and I love

0:52:05.080 --> 0:52:07.200
<v Speaker 3>the symmetery where you know the guys and the bikes

0:52:07.200 --> 0:52:10.920
<v Speaker 3>who are teasing him but they're here to help. Yeah,

0:52:11.680 --> 0:52:14.440
<v Speaker 3>they're back, you know. And then just the shot, I

0:52:14.480 --> 0:52:15.840
<v Speaker 3>was like, I loved it as I was like the

0:52:15.920 --> 0:52:18.600
<v Speaker 3>shot is like you know, like, yeah, he goes, puts

0:52:18.600 --> 0:52:21.640
<v Speaker 3>the headphones back on, head birds. He said, the Bella clava.

0:52:21.880 --> 0:52:24.680
<v Speaker 1>There's bella clava and there's like ann for doora but

0:52:24.719 --> 0:52:26.840
<v Speaker 1>one of those old old star kind of racing caps on.

0:52:26.880 --> 0:52:30.400
<v Speaker 1>My granddad used to wear one of these through.

0:52:30.239 --> 0:52:33.759
<v Speaker 3>Me and I was like, okay, they help, No, they're

0:52:33.760 --> 0:52:34.600
<v Speaker 3>gonna rob a back.

0:52:35.480 --> 0:52:37.719
<v Speaker 1>Did you like some of the Star Wars references as

0:52:37.760 --> 0:52:39.640
<v Speaker 1>a couple in there? There's you a Star Wars fan.

0:52:40.080 --> 0:52:41.879
<v Speaker 3>I wouldn't say I'm a huge Star Wars fan. I've

0:52:41.880 --> 0:52:43.000
<v Speaker 3>watched I've watched them.

0:52:43.120 --> 0:52:46.960
<v Speaker 1>But you saw Yoda, Yeah, yeah, Halloween and the Halloween

0:52:46.960 --> 0:52:48.799
<v Speaker 1>that was I thought that was a nice bit and

0:52:48.880 --> 0:52:52.200
<v Speaker 1>also very figure the figurines, the figurines as well, which

0:52:52.280 --> 0:52:55.000
<v Speaker 1>he starts playing with the figurines to show him. I

0:52:55.000 --> 0:52:56.799
<v Speaker 1>thought it would have been nice though as a Star

0:52:56.840 --> 0:52:59.200
<v Speaker 1>Wars fan, because he gets squeido and then he gets

0:52:59.239 --> 0:53:03.399
<v Speaker 1>hammer hair and if you like the Cantaeen creatures from

0:53:03.440 --> 0:53:05.160
<v Speaker 1>Star wars. But if he and then he has a

0:53:05.200 --> 0:53:09.399
<v Speaker 1>little gun battle between Grido and Hammed, surely you put

0:53:09.400 --> 0:53:12.560
<v Speaker 1>Han in there. He put Han Solo in there, which

0:53:12.560 --> 0:53:14.160
<v Speaker 1>is also Harrison for reference.

0:53:14.480 --> 0:53:17.480
<v Speaker 3>A genius, but he wouldn't have done it is if

0:53:17.520 --> 0:53:19.880
<v Speaker 3>the guy delivering the pizza was Han Solo.

0:53:20.320 --> 0:53:24.120
<v Speaker 1>Well, funny enough, Harrison Ford had a scene in the

0:53:24.160 --> 0:53:26.840
<v Speaker 1>film after Elliott gets drunk in class. He goes to

0:53:26.880 --> 0:53:28.600
<v Speaker 1>the principal's office and Harrison Ford is going to be

0:53:28.640 --> 0:53:32.719
<v Speaker 1>the principal telling him and he and Elliott levitates about it.

0:53:32.840 --> 0:53:34.360
<v Speaker 1>He's got his back. Never you were never going to

0:53:34.360 --> 0:53:37.839
<v Speaker 1>see Harrison Ford's face. They shot it, they didn't put

0:53:37.840 --> 0:53:40.040
<v Speaker 1>it in, and he levitates as Harrison was kind of

0:53:40.040 --> 0:53:42.719
<v Speaker 1>looking at the window talking to him about responsibility and

0:53:42.719 --> 0:53:45.080
<v Speaker 1>stuff like that. But the Spielberg thought would be too

0:53:45.120 --> 0:53:47.239
<v Speaker 1>distracting and took it out. It was going to put

0:53:47.239 --> 0:53:48.680
<v Speaker 1>it back in the two thousand and two version, but

0:53:48.760 --> 0:53:52.120
<v Speaker 1>this thought again, this film's perfect. Doesn't need extra scenes.

0:53:52.440 --> 0:53:54.600
<v Speaker 6>I wouldn't lie to your son, see your own away,

0:53:54.680 --> 0:54:00.239
<v Speaker 6>your own best friend or your own worst enemy's thing.

0:54:00.320 --> 0:54:02.279
<v Speaker 3>Like I'm always curious now after watching it, like what

0:54:02.440 --> 0:54:05.640
<v Speaker 3>are the deleted scenes? Like like other I assume there's

0:54:05.680 --> 0:54:07.680
<v Speaker 3>a lot of them. It's a film. They always shoot

0:54:07.680 --> 0:54:10.279
<v Speaker 3>too much. But it's like what could you have left in?

0:54:10.440 --> 0:54:13.200
<v Speaker 3>What did you leave out? Because otherwise, yeah, as it

0:54:13.239 --> 0:54:15.600
<v Speaker 3>flows like there was a bit where because you get

0:54:15.640 --> 0:54:17.560
<v Speaker 3>sucked in at the start and then the pace picks up.

0:54:17.800 --> 0:54:19.640
<v Speaker 3>I had to get used to the pace, like and

0:54:19.680 --> 0:54:22.040
<v Speaker 3>I'm watching kids shows like I should be used to

0:54:22.080 --> 0:54:23.959
<v Speaker 3>the pace. But even then I was like, I've gotta

0:54:23.960 --> 0:54:26.080
<v Speaker 3>I've got to stay up, like where are we now? Okay,

0:54:26.200 --> 0:54:28.200
<v Speaker 3>you know we're in the forest. You know. Now he's

0:54:28.360 --> 0:54:30.839
<v Speaker 3>making the equipment like you know, now he's phoning home.

0:54:30.920 --> 0:54:33.960
<v Speaker 3>Oh that's the other one I have for my whole life.

0:54:34.480 --> 0:54:37.520
<v Speaker 3>E T Phone Home. I have heard, I have comedians

0:54:37.640 --> 0:54:41.600
<v Speaker 3>reference it. I've heard it everywhere, and it wasn't until

0:54:41.600 --> 0:54:45.000
<v Speaker 3>I actually saw it in its entirety where they're explaining

0:54:45.080 --> 0:54:46.560
<v Speaker 3>him how to say ET phone home.

0:54:47.120 --> 0:54:49.680
<v Speaker 1>Yeah, they really, they really do bang the idea of

0:54:49.719 --> 0:54:51.240
<v Speaker 1>phoning home home home.

0:54:51.200 --> 0:54:53.279
<v Speaker 3>Yeah, home. And then and whether if you were to

0:54:53.600 --> 0:54:57.680
<v Speaker 3>put your child like you know, say, you know, when

0:54:57.800 --> 0:54:59.840
<v Speaker 3>Minka turns eight years old, I'll stick with the go

0:55:00.080 --> 0:55:00.879
<v Speaker 3>you need to watch ET.

0:55:01.120 --> 0:55:04.560
<v Speaker 1>I don't say what age one of those what age.

0:55:03.960 --> 0:55:07.320
<v Speaker 3>I reckon eight just now, because I mean, I reckon

0:55:07.400 --> 0:55:09.720
<v Speaker 3>more than ever. We do wrap our kids in cotton

0:55:09.760 --> 0:55:12.799
<v Speaker 3>ball like like, you know, they like the fact that

0:55:13.080 --> 0:55:15.680
<v Speaker 3>Minka was scared at Toy Story. Oh my god. Our

0:55:15.800 --> 0:55:17.920
<v Speaker 3>childcare they had a movie night. They'd rat it to you.

0:55:17.920 --> 0:55:21.600
<v Speaker 3>I've never seen most kids scream and cry. It was

0:55:21.680 --> 0:55:23.480
<v Speaker 3>just it was everyone like even and they're like, yeah,

0:55:23.520 --> 0:55:27.400
<v Speaker 3>we've made a mistake because at the start, it's my

0:55:27.680 --> 0:55:29.959
<v Speaker 3>mincer was boiling. Other kid just ran out around straight

0:55:30.000 --> 0:55:32.480
<v Speaker 3>into a door like it was it was Mayhem, like

0:55:32.520 --> 0:55:34.920
<v Speaker 3>it was Mayhem. And then it's like, okay, well you

0:55:35.040 --> 0:55:37.759
<v Speaker 3>kind of have to introduce those films, and but I

0:55:37.800 --> 0:55:40.600
<v Speaker 3>reckon It's it's a really good one. I reckon. I

0:55:40.640 --> 0:55:43.279
<v Speaker 3>reckon Minka because both my kids are quite empathetic. So

0:55:43.360 --> 0:55:47.080
<v Speaker 3>I'm I'm I'm really they've got you know, my partner's German.

0:55:47.120 --> 0:55:48.839
<v Speaker 3>Not to say she's not empathetic, but I'm a very

0:55:48.920 --> 0:55:52.000
<v Speaker 3>sensitive and emotional guy German.

0:55:53.400 --> 0:55:55.240
<v Speaker 1>I mean, if you if you weren't going you weren't

0:55:55.280 --> 0:55:57.719
<v Speaker 1>going there. Why I mention it because.

0:55:57.440 --> 0:56:04.520
<v Speaker 3>It's stereotype, that's true, but it's it's where it's like

0:56:05.680 --> 0:56:08.480
<v Speaker 3>they just cry easily. They just they feel other people's feelings.

0:56:08.520 --> 0:56:11.720
<v Speaker 3>And I think especially with film and televisions, even simile

0:56:11.760 --> 0:56:14.680
<v Speaker 3>television shows like Bluey, they're obsessed with at the moment

0:56:15.000 --> 0:56:17.839
<v Speaker 3>something goes wrong, no cry, like especially my son, Like

0:56:18.200 --> 0:56:20.279
<v Speaker 3>so with that film, and I feel like I want

0:56:20.280 --> 0:56:22.920
<v Speaker 3>to get them ready and there's okay to cry and

0:56:23.040 --> 0:56:25.200
<v Speaker 3>enjoy it because if I if I'm crying as an

0:56:25.200 --> 0:56:29.120
<v Speaker 3>adult knowing what's going to happen, if they're watching it

0:56:29.120 --> 0:56:31.400
<v Speaker 3>at the same time as a kid. And that's the

0:56:31.400 --> 0:56:34.239
<v Speaker 3>other thing, the phone home bit, It's like will that

0:56:34.280 --> 0:56:37.879
<v Speaker 3>translate with them? Because with technology, you just go, We'll

0:56:37.920 --> 0:56:40.680
<v Speaker 3>just get your phone out, Yeah, get your phone out.

0:56:40.800 --> 0:56:43.719
<v Speaker 3>The satellite's in there. Yeah, Like why wouldn't you Well,

0:56:43.880 --> 0:56:44.319
<v Speaker 3>I think it.

0:56:44.320 --> 0:56:49.320
<v Speaker 1>Still will because I mean, certainly the Australia's MBN wouldn't

0:56:49.320 --> 0:56:52.520
<v Speaker 1>cover a phone call from a phone or any kind

0:56:52.560 --> 0:56:56.799
<v Speaker 1>of communication between Australia and wherever ET's planet is. But

0:56:56.880 --> 0:57:00.880
<v Speaker 1>it's still the idea that you need to have coverage, Yeah,

0:57:00.960 --> 0:57:02.560
<v Speaker 1>Sue ET's home planet.

0:57:02.640 --> 0:57:05.719
<v Speaker 3>Yeah yeah yeah. And also and then understanding like when

0:57:05.719 --> 0:57:07.800
<v Speaker 3>I was watching it as well, it's like it was

0:57:07.840 --> 0:57:09.480
<v Speaker 3>part of me. I was like, but how far is it?

0:57:10.239 --> 0:57:11.320
<v Speaker 3>How far is your home?

0:57:11.520 --> 0:57:11.600
<v Speaker 7>Like?

0:57:11.800 --> 0:57:12.520
<v Speaker 3>Are they watching?

0:57:12.600 --> 0:57:12.680
<v Speaker 6>Like?

0:57:12.719 --> 0:57:15.600
<v Speaker 3>It was nice to have those questions go and again again.

0:57:15.719 --> 0:57:18.200
<v Speaker 3>It shows the side of a good film. Is I

0:57:18.240 --> 0:57:21.440
<v Speaker 3>know what the ending? I just knew because of I

0:57:21.440 --> 0:57:23.680
<v Speaker 3>know what the ending was going to be, Yet I

0:57:23.800 --> 0:57:26.600
<v Speaker 3>was still sucked in to the emotion of losing et.

0:57:27.000 --> 0:57:30.400
<v Speaker 1>Yeah, have you become more emotional? I feel like this

0:57:30.480 --> 0:57:34.560
<v Speaker 1>is a thing that's developing. Are you becoming more emotional

0:57:34.720 --> 0:57:37.320
<v Speaker 1>watching movies post kids like that you've had kids?

0:57:37.640 --> 0:57:39.200
<v Speaker 3>It is phenomenal?

0:57:39.280 --> 0:57:41.600
<v Speaker 1>Yeah, isn't it is?

0:57:41.680 --> 0:57:45.360
<v Speaker 3>It is bizarre And I think I have cried more

0:57:46.080 --> 0:57:49.240
<v Speaker 3>in the last especially even with my son, with the

0:57:49.240 --> 0:57:52.080
<v Speaker 3>second one, I've cried more in the last three years

0:57:52.080 --> 0:57:55.120
<v Speaker 3>than I have I reckon the rest of my life.

0:57:55.160 --> 0:57:56.960
<v Speaker 1>What's the film that you've cried in that you're a

0:57:56.960 --> 0:57:58.080
<v Speaker 1>little bit embarrassed about.

0:57:58.320 --> 0:58:00.720
<v Speaker 3>Well, the last time I cried with watching it was

0:58:00.800 --> 0:58:05.200
<v Speaker 3>it was just a television series and the kid goes missing.

0:58:06.880 --> 0:58:09.440
<v Speaker 3>And as soon as the kid goes missing, it wasn't

0:58:09.480 --> 0:58:11.240
<v Speaker 3>a build up to it. I was like, what do

0:58:11.240 --> 0:58:13.480
<v Speaker 3>you mean? The kid's missus? Like, I can't. There's is

0:58:13.480 --> 0:58:16.400
<v Speaker 3>a scene when the door opened, there's no kid in there,

0:58:16.560 --> 0:58:20.600
<v Speaker 3>and bang I was. I was just couldn't stop crying,

0:58:20.840 --> 0:58:23.040
<v Speaker 3>like and it's like and we're halfway in, like we

0:58:23.040 --> 0:58:24.600
<v Speaker 3>haven't even we don't even know what's having the start.

0:58:24.800 --> 0:58:26.640
<v Speaker 3>I'm just crying because I was just like I think

0:58:26.680 --> 0:58:29.160
<v Speaker 3>about this, like, you know, I make them. I make

0:58:29.200 --> 0:58:31.840
<v Speaker 3>them recite the telephone number every second day so they

0:58:31.880 --> 0:58:35.200
<v Speaker 3>remember our mobile telephone numbers in case that happened. Yeah,

0:58:36.080 --> 0:58:37.680
<v Speaker 3>And it's not that I think about it, but it's

0:58:37.720 --> 0:58:41.360
<v Speaker 3>just like as soon as something with a kid, yeah

0:58:41.440 --> 0:58:43.640
<v Speaker 3>it is, I am just I am just crying, and

0:58:43.680 --> 0:58:46.440
<v Speaker 3>then you'll love this, Pete And it's just like you go, yes,

0:58:46.640 --> 0:58:49.320
<v Speaker 3>kids up, you know you've created them. But then it's

0:58:49.360 --> 0:58:50.840
<v Speaker 3>only having a couple of days ago. I was like,

0:58:51.240 --> 0:58:53.600
<v Speaker 3>I do cry a lot and I love it. And

0:58:53.600 --> 0:58:57.040
<v Speaker 3>my kids are open about their emotions. And our daycare

0:58:57.960 --> 0:58:59.680
<v Speaker 3>provided comes up, he goes, hey, can we just have

0:58:59.720 --> 0:59:03.880
<v Speaker 3>a word with you. It's about mateo and we're like, oh,

0:59:03.880 --> 0:59:06.720
<v Speaker 3>there's everything. It's like, no, no, it's it's it's beautiful.

0:59:06.840 --> 0:59:10.160
<v Speaker 3>But we were having some quiet time and we were

0:59:10.160 --> 0:59:14.240
<v Speaker 3>playing some meditation music and they all lie back and

0:59:14.280 --> 0:59:16.360
<v Speaker 3>they just focus on their breathing I was like, yes,

0:59:16.440 --> 0:59:20.000
<v Speaker 3>we are from Brunswick. I was like, of course you

0:59:20.080 --> 0:59:22.000
<v Speaker 3>do this and you do yoga everything, and they said,

0:59:22.040 --> 0:59:23.600
<v Speaker 3>she goes, but we were looking and they were all

0:59:23.640 --> 0:59:25.640
<v Speaker 3>just looking up and they were thinking about stuff. And

0:59:25.640 --> 0:59:29.760
<v Speaker 3>she looks across to Mateo tears quiet, just tears rolling

0:59:29.800 --> 0:59:34.400
<v Speaker 3>down the side, just just crying but silently. She just

0:59:34.440 --> 0:59:37.440
<v Speaker 3>goes up to him and she's like, are you okay,

0:59:38.000 --> 0:59:41.160
<v Speaker 3>And he goes, I'm really I'm really upset, but I

0:59:41.200 --> 0:59:43.920
<v Speaker 3>don't know why. It could be the music. I'm okay.

0:59:45.560 --> 0:59:48.120
<v Speaker 3>I was like, oh my god, like you are just

0:59:48.160 --> 0:59:50.520
<v Speaker 3>about to turn three, and that you can listen to

0:59:50.560 --> 0:59:53.360
<v Speaker 3>something and be moved and let the tears come out,

0:59:53.360 --> 0:59:55.760
<v Speaker 3>but you don't know why, but you're not scared of it.

0:59:55.880 --> 0:59:58.760
<v Speaker 3>I was like, if you are, Like, I just couldn't

0:59:58.800 --> 1:00:02.080
<v Speaker 3>believe that that was. It's like because as a kid,

1:00:02.440 --> 1:00:07.200
<v Speaker 3>I struggled crying ntil I was eighteen, Like, I struggled

1:00:07.200 --> 1:00:09.440
<v Speaker 3>so hard because we migrated from Holland and when we

1:00:09.520 --> 1:00:11.840
<v Speaker 3>left I don't remember that, but I remember, like, I

1:00:11.840 --> 1:00:14.160
<v Speaker 3>don't remember everyone crying, but everyone cried at the airport.

1:00:14.440 --> 1:00:17.560
<v Speaker 3>So when we migrated to Australia, I was three three

1:00:17.840 --> 1:00:20.160
<v Speaker 3>so two and a half three, So for me, it

1:00:20.160 --> 1:00:22.160
<v Speaker 3>wasn't until pretty much I was eighteen. I could cry

1:00:22.240 --> 1:00:24.760
<v Speaker 3>the only time even then when we left Holland, I

1:00:24.800 --> 1:00:26.600
<v Speaker 3>wanted to cry, but I couldn't. I throw up on

1:00:26.640 --> 1:00:28.919
<v Speaker 3>the plane. It was bizarre. I just it was such

1:00:28.960 --> 1:00:30.560
<v Speaker 3>a I think it was quite traumatic, but I never

1:00:30.680 --> 1:00:32.680
<v Speaker 3>knew how to deal with it that I was so young.

1:00:32.840 --> 1:00:34.320
<v Speaker 3>So when they told me that story a couple of

1:00:34.400 --> 1:00:38.360
<v Speaker 3>days ago about how that my son already with something

1:00:38.360 --> 1:00:40.600
<v Speaker 3>that I struggled with, and it took me so long

1:00:40.640 --> 1:00:42.480
<v Speaker 3>to be able to let out that he can openly

1:00:42.520 --> 1:00:46.000
<v Speaker 3>be that emotional and you know, not happily, not to

1:00:46.080 --> 1:00:48.320
<v Speaker 3>his detriment. Like yo, I wanted to be able to

1:00:48.320 --> 1:00:50.480
<v Speaker 3>hold down a relationship in the future and not cry

1:00:50.520 --> 1:00:55.480
<v Speaker 3>after sex every time. But I was just like wow,

1:00:55.680 --> 1:00:56.080
<v Speaker 3>Like I.

1:00:56.080 --> 1:01:16.080
<v Speaker 1>Was, why is that guy crying at the lectern? Sorry

1:01:16.080 --> 1:01:16.920
<v Speaker 1>I brought in the moment.

1:01:17.040 --> 1:01:24.440
<v Speaker 3>Why is it so much spitt us? Look at this

1:01:24.560 --> 1:01:27.240
<v Speaker 3>slide for a moment without comment.

1:01:27.920 --> 1:01:29.640
<v Speaker 1>I think it speaks for itself.

1:01:31.440 --> 1:01:34.160
<v Speaker 3>So yeah, so I'm looking forward because that's the thing.

1:01:34.600 --> 1:01:36.400
<v Speaker 3>It's a great website I forgot what it is call

1:01:36.440 --> 1:01:38.480
<v Speaker 3>where you can actually look up the title of the

1:01:38.560 --> 1:01:41.200
<v Speaker 3>movie for kids, and it gives you, Yeah, it gives

1:01:41.240 --> 1:01:45.120
<v Speaker 3>you marking and what bits to look out for, and

1:01:45.240 --> 1:01:48.120
<v Speaker 3>it does make you realize that a lot of movies

1:01:48.760 --> 1:01:51.800
<v Speaker 3>fully dated and there are references that you need to

1:01:51.880 --> 1:01:53.960
<v Speaker 3>explain that we had to get the new versions of

1:01:53.960 --> 1:01:55.480
<v Speaker 3>The Magic Faraway Tree.

1:01:55.320 --> 1:02:02.840
<v Speaker 9>Recently because there's characters You're like, WHOA, come on to

1:02:02.840 --> 1:02:06.160
<v Speaker 9>eat a light and come on in rate it in.

1:02:06.600 --> 1:02:09.560
<v Speaker 3>So I'm looking forward to, you know, because ET is

1:02:09.600 --> 1:02:11.760
<v Speaker 3>another one, and there's a couple of other kid movies

1:02:11.760 --> 1:02:14.560
<v Speaker 3>that I haven't seen, but now after seeing AT, I mean,

1:02:14.680 --> 1:02:16.800
<v Speaker 3>holds up, we are there any others? There? Any other

1:02:16.840 --> 1:02:17.480
<v Speaker 3>big ones?

1:02:18.440 --> 1:02:24.560
<v Speaker 1>I say, I think AT is is, like I think, clearly,

1:02:24.600 --> 1:02:27.480
<v Speaker 1>I'm going to say clearly the best because it works

1:02:27.520 --> 1:02:30.160
<v Speaker 1>on both levels quite clearly. You have watched it, and

1:02:30.200 --> 1:02:32.840
<v Speaker 1>what you said before, I think is worth this going

1:02:32.880 --> 1:02:35.000
<v Speaker 1>over again, Like you watched it in a period where

1:02:35.040 --> 1:02:37.520
<v Speaker 1>you just were trying to, you know, squeeze your shoehorn

1:02:37.600 --> 1:02:40.640
<v Speaker 1>it into your day to do this podcast, and which

1:02:40.640 --> 1:02:43.240
<v Speaker 1>I'm very grateful for. But I know it's like watching

1:02:43.240 --> 1:02:45.400
<v Speaker 1>those and under those conditions, when you you're watching out

1:02:45.440 --> 1:02:49.920
<v Speaker 1>of a sense of duty, and that emotionally got to

1:02:50.000 --> 1:02:53.000
<v Speaker 1>you that you actually end up blubbering. You took a photo.

1:02:53.080 --> 1:02:54.640
<v Speaker 1>We would love to get that photo up on the

1:02:54.960 --> 1:03:01.600
<v Speaker 1>socials and that's like, that's incredible.

1:03:01.920 --> 1:03:05.160
<v Speaker 3>Yeah, And I know and it really because in the

1:03:05.240 --> 1:03:07.919
<v Speaker 3>end I was like I thought, yeah, if I'm comfortable enough,

1:03:07.920 --> 1:03:09.200
<v Speaker 3>but it was just like you know that thing where

1:03:09.200 --> 1:03:11.640
<v Speaker 3>I was like, you're running around kids, and and also

1:03:11.720 --> 1:03:13.720
<v Speaker 3>I really wanted to watch it at night, but as

1:03:14.040 --> 1:03:15.600
<v Speaker 3>we work every.

1:03:15.400 --> 1:03:17.840
<v Speaker 1>Night, absolutely some of the picks up films are up

1:03:18.000 --> 1:03:18.920
<v Speaker 1>is incredible.

1:03:19.200 --> 1:03:19.360
<v Speaker 5>Yeah.

1:03:19.960 --> 1:03:23.040
<v Speaker 1>And the opening sequence to that is that will that

1:03:23.120 --> 1:03:25.200
<v Speaker 1>has you in tears. Yea to begin me as the

1:03:25.280 --> 1:03:27.160
<v Speaker 1>starting point yeah for that movie. Then it kind of

1:03:27.160 --> 1:03:28.919
<v Speaker 1>works in reverse where you kind of makes you feel

1:03:28.960 --> 1:03:30.480
<v Speaker 1>better by the end.

1:03:30.480 --> 1:03:32.280
<v Speaker 3>Because I did. I did cry when I watched Up

1:03:32.320 --> 1:03:34.720
<v Speaker 3>and that's that sequence. But then it's amazing where your

1:03:34.760 --> 1:03:36.760
<v Speaker 3>mind goes, because when I watched that, I was like, oh,

1:03:36.880 --> 1:03:41.200
<v Speaker 3>this is so much better than Roger Rappers. I was

1:03:41.280 --> 1:03:44.760
<v Speaker 3>just watched I know where I went there, and I

1:03:44.760 --> 1:03:46.000
<v Speaker 3>was like, this is just so much better.

1:03:46.200 --> 1:03:51.240
<v Speaker 2>I'm not bad, I'm just strong that way.

1:03:49.960 --> 1:03:55.400
<v Speaker 3>Well done. It's just so weird where your mind goes.

1:03:56.080 --> 1:03:58.400
<v Speaker 1>Well man, Thank you so much for it, first of

1:03:58.400 --> 1:04:02.400
<v Speaker 1>all watching et for us where you ain't seen nothing yet,

1:04:02.720 --> 1:04:04.880
<v Speaker 1>and for coming in and being so open and honest.

1:04:05.760 --> 1:04:08.040
<v Speaker 3>Yeah, I wasn't expecting that, Pete. Thanks for having me.

1:04:08.120 --> 1:04:10.600
<v Speaker 3>It was I actually did not know where this was

1:04:10.640 --> 1:04:11.120
<v Speaker 3>gonna go.

1:04:11.320 --> 1:04:14.280
<v Speaker 1>And because yea, we are recording this before we release them,

1:04:14.320 --> 1:04:16.600
<v Speaker 1>so you haven't yeh, haven't even had to listen to

1:04:16.640 --> 1:04:17.840
<v Speaker 1>episodes as a reference.

1:04:18.000 --> 1:04:20.280
<v Speaker 3>Yeah, but it's also that same thing where it's like,

1:04:20.880 --> 1:04:23.680
<v Speaker 3>it's great and it's the one thing I've forgotten about film,

1:04:23.840 --> 1:04:25.960
<v Speaker 3>and it's really like, I think I'm gonna go book

1:04:26.000 --> 1:04:28.240
<v Speaker 3>a movie night a day night with my partner because

1:04:28.280 --> 1:04:30.280
<v Speaker 3>when you get it's the one time where you can

1:04:30.320 --> 1:04:33.120
<v Speaker 3>generally escape and people always want to escape, but also

1:04:33.240 --> 1:04:35.520
<v Speaker 3>be able to get in touch with feelings that you

1:04:36.040 --> 1:04:38.280
<v Speaker 3>don't get to and crying is one. It's like you

1:04:38.280 --> 1:04:40.880
<v Speaker 3>said it before, crying in cinema is great and that's

1:04:40.880 --> 1:04:43.600
<v Speaker 3>what it's there for sometimes, and as a parent, you know,

1:04:43.720 --> 1:04:45.000
<v Speaker 3>you can cry at the end of the day after

1:04:45.080 --> 1:04:47.320
<v Speaker 3>hard day when you're both absolutely naked and you miss

1:04:47.320 --> 1:04:49.680
<v Speaker 3>each other and you know and you just want do

1:04:49.720 --> 1:04:51.320
<v Speaker 3>you want to have that moment when you were twenties

1:04:51.360 --> 1:04:53.560
<v Speaker 3>and you were going to the cinema. But yeah, it's like,

1:04:53.680 --> 1:04:56.439
<v Speaker 3>I think it's just a reminder because that yeah, et

1:04:56.760 --> 1:04:59.000
<v Speaker 3>was great and I cried, but now I'm kind of

1:04:59.040 --> 1:05:00.040
<v Speaker 3>excited to.

1:04:59.760 --> 1:05:03.600
<v Speaker 1>Cry more, cry more. Yeah. Well, Mask is one that

1:05:03.640 --> 1:05:06.040
<v Speaker 1>I remember at around the same time. Eric Daltz shir

1:05:07.040 --> 1:05:09.760
<v Speaker 1>plays his mum. You know the basic story, dude, so

1:05:09.800 --> 1:05:13.360
<v Speaker 1>he's got a certain disfigurement and and it's just kid

1:05:13.400 --> 1:05:19.800
<v Speaker 1>having a No, don't get the two films confused. Alright,

1:05:20.080 --> 1:05:24.360
<v Speaker 1>I'm not sure why thought he was so sad. Yeah, no,

1:05:24.520 --> 1:05:27.120
<v Speaker 1>thank you so much, mate, and maybe we can find

1:05:27.120 --> 1:05:28.640
<v Speaker 1>another film for you to watch. And yeah, come on

1:05:29.040 --> 1:05:30.520
<v Speaker 1>another time. But thanks for joining us.

1:05:30.560 --> 1:05:32.280
<v Speaker 3>Awesome. You Ain't Seeing Nothing.

1:05:35.200 --> 1:05:37.360
<v Speaker 1>Hope you enjoyed that bonus episode of You Ain't Seen

1:05:37.400 --> 1:05:40.040
<v Speaker 1>Nothing Yet with my great mate Ben low Mass. Check

1:05:40.040 --> 1:05:42.200
<v Speaker 1>out the fit bet podcast he does with another great

1:05:42.200 --> 1:05:44.880
<v Speaker 1>made of mind Derek dry Singer. They are fantastic comics

1:05:45.040 --> 1:05:49.240
<v Speaker 1>and it's a delightful podcast. I've even guested on myself.

1:05:49.640 --> 1:05:53.680
<v Speaker 1>Thanks to Castaway Studios for all your podcast needs, Derek

1:05:53.760 --> 1:05:58.840
<v Speaker 1>Mayer is Amanda c also the Boys Jimmy and Tom

1:05:58.920 --> 1:06:04.440
<v Speaker 1>at Circus Trees for your boutique podcast, film, TV commercials,

1:06:04.720 --> 1:06:07.520
<v Speaker 1>short film, whatever sized film you've got. If you need

1:06:07.560 --> 1:06:11.440
<v Speaker 1>a boutique sound, those are the guys you want to

1:06:11.480 --> 1:06:14.080
<v Speaker 1>be talking to. Jimmy is the voice of life in Lockdown.

1:06:14.120 --> 1:06:17.120
<v Speaker 1>By the way, get on board damnabes, dot com, dot

1:06:17.160 --> 1:06:19.600
<v Speaker 1>a you. Thanks to those guys for your ongoing support.

1:06:19.680 --> 1:06:22.400
<v Speaker 1>I appreciate it. Next episode only a few days away.

1:06:22.600 --> 1:06:26.560
<v Speaker 1>It is the amazing Ronnie Chang. We talk made Manhattan

1:06:26.560 --> 1:06:29.080
<v Speaker 1>which you'd never seen, and talk a lot about crazy

1:06:29.160 --> 1:06:31.880
<v Speaker 1>rich Asians as well to ripping episode. Of course, we

1:06:32.080 --> 1:06:35.880
<v Speaker 1>encourage you to like and comment and subscribe to the podcast.

1:06:36.200 --> 1:06:38.960
<v Speaker 1>Tell your friends. Word of mouth is still a powerful thing.

1:06:39.480 --> 1:06:41.640
<v Speaker 1>We're loving the response we're getting for this. I hope

1:06:41.680 --> 1:06:54.200
<v Speaker 1>you enjoyed today's bonus episode. See you next time. And

1:06:54.400 --> 1:06:58.320
<v Speaker 1>so we leave old Pete see man Sol And to

1:06:58.400 --> 1:07:00.920
<v Speaker 1>our friends of the radio audience, we've been a pleasant

1:07:01.560 --> 1:07:07.240
<v Speaker 1>good night. I hope this was as much fun for

1:07:07.280 --> 1:07:08.760
<v Speaker 1>you as it was for me.