1 00:00:00,360 --> 00:00:03,440 Speaker 1: Winner of Best Debut Album at the nineteen eighty four 2 00:00:03,480 --> 00:00:04,440 Speaker 1: Countdown Awards. 3 00:00:04,480 --> 00:00:06,440 Speaker 2: Stone Age Romeos. 4 00:00:06,160 --> 00:00:10,879 Speaker 1: Is a classic, and the Hoodi Gurus are performing in 5 00:00:10,920 --> 00:00:13,600 Speaker 1: its entirety later this year at the Asta Theater because 6 00:00:13,600 --> 00:00:16,279 Speaker 1: it is turning forty and Dave Faulkner's with us. 7 00:00:16,320 --> 00:00:18,119 Speaker 2: Now, Good morning, day. 8 00:00:17,680 --> 00:00:20,000 Speaker 3: Dave Lisa, how are you clearly? Good night? 9 00:00:20,040 --> 00:00:20,840 Speaker 4: I'm good to talk to you. 10 00:00:21,200 --> 00:00:22,640 Speaker 2: Wow, forty is hey? 11 00:00:22,960 --> 00:00:26,480 Speaker 1: December thirteenth show is sold out, so an added show 12 00:00:26,520 --> 00:00:27,480 Speaker 1: on December twelve. 13 00:00:27,560 --> 00:00:30,840 Speaker 2: Now it justs to show how popular the and was. 14 00:00:31,120 --> 00:00:34,880 Speaker 3: And also there's going to be another show added on Fridays. 15 00:00:34,920 --> 00:00:35,400 Speaker 2: Awesome. 16 00:00:36,320 --> 00:00:38,280 Speaker 3: Yeah, so the second shows that be sold out as well, 17 00:00:38,360 --> 00:00:42,280 Speaker 3: so don age weekend real, yes, jeez, we're going to 18 00:00:42,280 --> 00:00:43,080 Speaker 3: do a residency. 19 00:00:43,320 --> 00:00:46,760 Speaker 2: Yeah oh yeah. I love this. 20 00:00:46,800 --> 00:00:49,440 Speaker 4: When you you groovy guys are sitting in the studio 21 00:00:49,479 --> 00:00:51,680 Speaker 4: there with producer Alan Thorn. All those years ago, were 22 00:00:51,680 --> 00:00:54,160 Speaker 4: you and Brad and James and Clyde thinking we've got 23 00:00:54,160 --> 00:00:55,280 Speaker 4: a hit record here. 24 00:00:56,160 --> 00:00:58,360 Speaker 3: No, far from it. We just made a record purely 25 00:00:58,360 --> 00:01:01,520 Speaker 3: to amuse ourselves and having We're having fun. You like 26 00:01:01,560 --> 00:01:04,880 Speaker 3: kids in a candy shop kitchen sink sound we could 27 00:01:04,920 --> 00:01:08,400 Speaker 3: think of and overdubs of harmonies and percussion and what 28 00:01:08,959 --> 00:01:11,560 Speaker 3: have you? Just just having the time of our lives. 29 00:01:12,120 --> 00:01:14,120 Speaker 1: I think you were enjoying yourself when you were, you know, 30 00:01:14,160 --> 00:01:16,560 Speaker 1: thinking about the title and the album cover and so on. 31 00:01:16,600 --> 00:01:19,160 Speaker 1: The title, of course, is taken from a Three Stooges 32 00:01:19,200 --> 00:01:22,720 Speaker 1: short film. The album color is a very one million 33 00:01:22,800 --> 00:01:24,920 Speaker 1: years b C. But tell me what is this I 34 00:01:25,000 --> 00:01:28,120 Speaker 1: hear about Green Acres influencing the album. 35 00:01:28,560 --> 00:01:32,039 Speaker 3: Well, we we're very fans of like the sitcoms, especially 36 00:01:32,080 --> 00:01:34,160 Speaker 3: about Back Then. We're writing a lot of songs inspired 37 00:01:34,160 --> 00:01:36,840 Speaker 3: by that. And there's you know, the song inspired by 38 00:01:36,880 --> 00:01:41,360 Speaker 3: Get Smart, for example, in the Echo Chamber inspired by 39 00:01:41,360 --> 00:01:43,399 Speaker 3: the Groovy Guru. Of course, you know we got the 40 00:01:43,400 --> 00:01:47,039 Speaker 3: guru part of that. Basically, we dedicate the album to 41 00:01:47,080 --> 00:01:48,480 Speaker 3: a bunch of different people and one of them was 42 00:01:48,560 --> 00:01:53,080 Speaker 3: Arnold Zipfel. That picked from Green Back Kids was. 43 00:01:53,080 --> 00:01:54,680 Speaker 4: The Place to Be with Greenacres. 44 00:01:55,440 --> 00:01:59,520 Speaker 3: I love Greenacres. The spin off for the Beverly Hill 45 00:01:59,840 --> 00:02:00,520 Speaker 3: was can Better. 46 00:02:00,560 --> 00:02:05,080 Speaker 1: I think yeah, I think I can still sing every. 47 00:02:05,880 --> 00:02:06,840 Speaker 2: Come on, I'm not a singer. 48 00:02:08,680 --> 00:02:11,320 Speaker 3: Goodbye My Wife's, Goodbye City Live. 49 00:02:13,440 --> 00:02:13,680 Speaker 2: You have. 50 00:02:14,120 --> 00:02:15,840 Speaker 4: I'm sure we've touched on this before, but that We 51 00:02:15,919 --> 00:02:18,160 Speaker 4: loved that album cover, but it wasn't used everywhere, right, 52 00:02:19,360 --> 00:02:20,200 Speaker 4: no America. 53 00:02:19,919 --> 00:02:21,120 Speaker 3: Could They changed it because I thought it was a 54 00:02:21,160 --> 00:02:23,320 Speaker 3: bit ugly and kind of a bit you know, garish. 55 00:02:23,480 --> 00:02:24,000 Speaker 2: They didn't get it. 56 00:02:24,160 --> 00:02:26,760 Speaker 3: They put this took this really nice kind of you know, 57 00:02:26,840 --> 00:02:30,680 Speaker 3: eighties style pastel thing with crayon dinosaurs on the front. 58 00:02:30,760 --> 00:02:33,720 Speaker 3: Was really loudy. But and at the end of the 59 00:02:33,720 --> 00:02:36,080 Speaker 3: tour is very funny, like we kept two of the 60 00:02:36,160 --> 00:02:38,760 Speaker 3: US and that year with that album, and all the 61 00:02:38,800 --> 00:02:40,960 Speaker 3: fans were buying the import copy from Australia because they 62 00:02:40,960 --> 00:02:43,040 Speaker 3: preferred the cover and also the song order. They changed 63 00:02:43,040 --> 00:02:45,040 Speaker 3: the order of the songs as well. They really by 64 00:02:45,080 --> 00:02:46,560 Speaker 3: the end of Yeah, so by the end of the 65 00:02:46,600 --> 00:02:49,320 Speaker 3: tool we mostly signed Australian import copies and the record 66 00:02:49,360 --> 00:02:52,160 Speaker 3: company said it was well, we don't think the cover 67 00:02:52,360 --> 00:02:55,919 Speaker 3: changed the sales at all, And so the obvious retort 68 00:02:55,960 --> 00:02:57,280 Speaker 3: to that is, then why the hell did you do 69 00:02:57,320 --> 00:02:58,800 Speaker 3: it and take the sales? 70 00:02:58,919 --> 00:03:01,160 Speaker 4: Yeah, don't confuse them with logic. 71 00:03:02,320 --> 00:03:04,079 Speaker 2: Great, I mean so many great songs. 72 00:03:04,120 --> 00:03:07,639 Speaker 1: We just played Tojo which is ripper Leilani my Girl, 73 00:03:07,960 --> 00:03:11,679 Speaker 1: I was a Kamakazi Parla Zanbar I Want You Back 74 00:03:12,040 --> 00:03:15,040 Speaker 1: was huge, huge hit off the album, and one would 75 00:03:15,080 --> 00:03:18,280 Speaker 1: probably think it was about some kind of broken relationship. 76 00:03:18,320 --> 00:03:20,560 Speaker 2: But was it about a former band member leaving the group? 77 00:03:21,320 --> 00:03:22,440 Speaker 3: You Have was sort of a little bit of a 78 00:03:22,480 --> 00:03:26,040 Speaker 3: sneaky you diget our old founding member Rod. He formed 79 00:03:26,080 --> 00:03:29,680 Speaker 3: it with me and Kimball. Yeah, Kimball left. Kimball left 80 00:03:29,960 --> 00:03:33,119 Speaker 3: to follow his film career, and he's done it ever since. 81 00:03:33,200 --> 00:03:36,240 Speaker 3: But Rod wanted to lead his own band. Hit done 82 00:03:36,280 --> 00:03:37,720 Speaker 3: it a few times in the past. By the way, 83 00:03:37,760 --> 00:03:39,400 Speaker 3: he left a sign us the same way as well, 84 00:03:40,520 --> 00:03:42,760 Speaker 3: so he had form in that regard. But but you know, 85 00:03:42,960 --> 00:03:44,200 Speaker 3: I just wrote the song as a bit of a 86 00:03:44,920 --> 00:03:47,000 Speaker 3: you might be sorry one day, you'll wish you were 87 00:03:47,040 --> 00:03:49,760 Speaker 3: back with us, you know, at the same time as 88 00:03:49,800 --> 00:03:52,680 Speaker 3: a love song. It's kind of funny because in a way, 89 00:03:52,760 --> 00:03:55,200 Speaker 3: the person sings a little bit sad that you think 90 00:03:55,240 --> 00:03:57,080 Speaker 3: because they're kind of wishing the person would change their 91 00:03:57,120 --> 00:03:57,960 Speaker 3: mind to come back to them. 92 00:04:00,120 --> 00:04:02,120 Speaker 4: Songwriter has a band. But as a songwriter, when you 93 00:04:02,200 --> 00:04:03,880 Speaker 4: hear like a band like you or my covering your 94 00:04:03,960 --> 00:04:06,160 Speaker 4: songs over the years and many many bright times, people 95 00:04:06,200 --> 00:04:08,400 Speaker 4: have played cover versions of your stuff, the songs of 96 00:04:08,440 --> 00:04:10,640 Speaker 4: such go quality must make you feel great about someone 97 00:04:10,800 --> 00:04:13,840 Speaker 4: also playing with those playing those live on stage. 98 00:04:14,560 --> 00:04:17,200 Speaker 3: Absolutely. I mean, you know, we like the feeling of 99 00:04:17,400 --> 00:04:20,640 Speaker 3: music being continuum, and you know, the music influence influenced us. 100 00:04:20,760 --> 00:04:23,200 Speaker 3: We're passing on to the next lot of people as 101 00:04:23,240 --> 00:04:25,920 Speaker 3: well and keeping that same spirit of live. So anyone 102 00:04:26,000 --> 00:04:28,000 Speaker 3: that plays our songs or the songs that influence us, 103 00:04:28,040 --> 00:04:29,000 Speaker 3: we're excited. 104 00:04:29,360 --> 00:04:31,760 Speaker 1: Is tojo the song that audiences lose their mind over 105 00:04:31,839 --> 00:04:32,920 Speaker 1: most when you're doing it live. 106 00:04:34,960 --> 00:04:39,560 Speaker 3: It is one that keeps being like yelled out at me. Yeah, 107 00:04:41,120 --> 00:04:44,760 Speaker 3: so yes, it's got a weird you know following. I 108 00:04:44,760 --> 00:04:46,680 Speaker 3: don't know why that song is clicked so much. I 109 00:04:46,720 --> 00:04:49,440 Speaker 3: mean the one song, the one song. My father liked 110 00:04:49,440 --> 00:04:52,440 Speaker 3: that every song. He hated rock and roller. He liked 111 00:04:52,480 --> 00:04:54,480 Speaker 3: the subject matter because he was a World war that's right. 112 00:04:54,640 --> 00:04:58,159 Speaker 2: Yeah, yeah, you know, I'll be in good company because yeah. 113 00:04:58,720 --> 00:05:00,560 Speaker 4: Japanese's got the paper in New Guinea, though they didn't 114 00:05:00,560 --> 00:05:02,240 Speaker 4: make it all the way, that's right. 115 00:05:02,279 --> 00:05:06,960 Speaker 3: But also the songs about cyclone Tracy In my brother 116 00:05:07,080 --> 00:05:08,320 Speaker 3: was living there at the time, so I kind of 117 00:05:08,360 --> 00:05:09,240 Speaker 3: remembered that very well. 118 00:05:09,640 --> 00:05:13,720 Speaker 4: Yeah, Santa didn't make it to day. We said, I 119 00:05:13,800 --> 00:05:15,320 Speaker 4: may tell you've got a lot of playing in a 120 00:05:15,360 --> 00:05:16,960 Speaker 4: lot of recording to do over the next few years. 121 00:05:17,000 --> 00:05:18,920 Speaker 4: But in the future, I mean we're talking about the 122 00:05:18,960 --> 00:05:20,960 Speaker 4: past here, but in the future, is there any chance 123 00:05:21,040 --> 00:05:23,080 Speaker 4: of a who do Hologram? Could you be on stage 124 00:05:23,160 --> 00:05:25,200 Speaker 4: kiss style in the future? Kiss an Abba. 125 00:05:26,080 --> 00:05:30,920 Speaker 3: Some people might prefer that we should do some you know, 126 00:05:31,080 --> 00:05:33,080 Speaker 3: some photoshop magic and you know, get rid of the 127 00:05:33,080 --> 00:05:36,080 Speaker 3: wrinkles like they did with Abra. I'm sure, yeah, Younger. 128 00:05:35,880 --> 00:05:38,000 Speaker 4: Soels it's work working the long hair. 129 00:05:38,200 --> 00:05:42,039 Speaker 3: Love it, that's right, Absolutely, it lives again. 130 00:05:42,360 --> 00:05:45,400 Speaker 1: So, as we said, the show will be stone Ae 131 00:05:45,480 --> 00:05:47,920 Speaker 1: Romeos in its entirety, but I believe some other hits 132 00:05:47,960 --> 00:05:48,280 Speaker 1: as well. 133 00:05:49,080 --> 00:05:51,080 Speaker 3: Yeah, we're going to do a very long show. It's 134 00:05:51,080 --> 00:05:52,800 Speaker 3: going to so we've got room for everything that night. 135 00:05:52,839 --> 00:05:54,280 Speaker 3: We're not going to just do that one album, but 136 00:05:54,320 --> 00:05:55,880 Speaker 3: that's where the show is going to start, the whole 137 00:05:55,920 --> 00:05:56,600 Speaker 3: Suner's Romeo. 138 00:05:57,520 --> 00:05:59,400 Speaker 2: You're great, Yeah, all the way through. 139 00:05:59,440 --> 00:05:59,840 Speaker 3: I love it. 140 00:06:01,040 --> 00:06:03,240 Speaker 4: You can't have a gig without anything from Mars as well. 141 00:06:03,320 --> 00:06:05,200 Speaker 3: Last night two thirds, Oh of course, I mean that's 142 00:06:05,200 --> 00:06:06,640 Speaker 3: actually gonna be the first song we do as a 143 00:06:06,680 --> 00:06:09,680 Speaker 3: next song. Yeah, we're not going to do it continuously 144 00:06:09,800 --> 00:06:13,200 Speaker 3: in chronological order, but there's going to be a bittersweet. 145 00:06:13,200 --> 00:06:16,200 Speaker 3: I think it'll be the next thing to go roo. Yeah. 146 00:06:16,880 --> 00:06:20,360 Speaker 1: Well, the Festival of stone Age Romeos is in December 147 00:06:20,520 --> 00:06:22,600 Speaker 1: at the ASTA. Another show has just been added and 148 00:06:22,640 --> 00:06:24,479 Speaker 1: the tickets are available through ticke Tech. 149 00:06:24,800 --> 00:06:26,679 Speaker 2: We can't wait, Dave. Thanks guys,