1 00:00:00,440 --> 00:00:02,800 Speaker 1: What a great title for a show for Fringe. Dan 2 00:00:02,880 --> 00:00:05,920 Speaker 1: Lee's The Vinyl Countdown is on at the Pleasure Garden 3 00:00:05,960 --> 00:00:09,160 Speaker 1: in Northbridge from tomorrow until January thirty. First tickets through 4 00:00:09,200 --> 00:00:11,760 Speaker 1: fringe world dot com Dot you Dan, welcome, but good 5 00:00:11,760 --> 00:00:12,119 Speaker 1: to see you. 6 00:00:12,160 --> 00:00:13,240 Speaker 2: Hello, hey morning. 7 00:00:13,520 --> 00:00:17,239 Speaker 3: It is a great title for a show, The Vinyl Countdown. 8 00:00:17,640 --> 00:00:21,479 Speaker 3: It has I believe you're recreating vinyl album covers that 9 00:00:21,520 --> 00:00:22,919 Speaker 3: you've found in op shops. 10 00:00:23,360 --> 00:00:24,320 Speaker 4: Yeah, what does that mean? 11 00:00:24,400 --> 00:00:25,919 Speaker 2: Recreating the album covers? 12 00:00:26,160 --> 00:00:28,319 Speaker 5: Well, I take the characters on the top, on the 13 00:00:28,320 --> 00:00:31,320 Speaker 5: front of the covers. Yeah, I dressed like them, put 14 00:00:31,320 --> 00:00:34,760 Speaker 5: the right wig on, and then I recreate them in 15 00:00:34,800 --> 00:00:37,800 Speaker 5: my how I imagine them? Oh okay, because I don't 16 00:00:37,840 --> 00:00:39,360 Speaker 5: Actually I'm not familiar with that. 17 00:00:39,560 --> 00:00:42,479 Speaker 3: So not like some of some of those Beatles albums 18 00:00:42,479 --> 00:00:45,520 Speaker 3: that had about, you know, seventy five things happening. 19 00:00:45,640 --> 00:00:47,120 Speaker 1: That could be difficult when they cover that one. 20 00:00:47,240 --> 00:00:49,240 Speaker 4: Yeah, that would be difficult. They give it a go, 21 00:00:49,320 --> 00:00:51,320 Speaker 4: I'll give it a go, give it a crack, yeah, 22 00:00:51,360 --> 00:00:51,640 Speaker 4: why not? 23 00:00:52,320 --> 00:00:54,600 Speaker 1: Yeah, there's been some odd titles. Mate, how do you 24 00:00:54,640 --> 00:00:57,000 Speaker 1: go with the purchasing of these records? Because there was 25 00:00:57,040 --> 00:00:58,880 Speaker 1: a point in time when vinyl prices went up, and 26 00:00:58,880 --> 00:01:00,840 Speaker 1: all of a sudden, even you're good semi stores, the 27 00:01:00,840 --> 00:01:03,480 Speaker 1: price of vinyl went up, even if it was the yeah. 28 00:01:03,400 --> 00:01:06,280 Speaker 5: Well wow vinylist still is quite expensive if you actually 29 00:01:06,319 --> 00:01:07,240 Speaker 5: want artists that. 30 00:01:07,160 --> 00:01:08,360 Speaker 4: Are well regarded. 31 00:01:09,920 --> 00:01:12,160 Speaker 5: Whereas I'm looking at the stuff that people have forgotten. 32 00:01:12,200 --> 00:01:14,640 Speaker 5: It's kind of the graveyard, the vinyl graveyard to that 33 00:01:14,680 --> 00:01:17,240 Speaker 5: little box at the back of the op shop, and 34 00:01:17,280 --> 00:01:18,720 Speaker 5: it's the same in the UK, we have exactly the 35 00:01:18,720 --> 00:01:21,200 Speaker 5: same thing. Something there's a box full of vinyl and 36 00:01:21,240 --> 00:01:23,080 Speaker 5: if you have a look in there, there's often probably 37 00:01:23,120 --> 00:01:25,479 Speaker 5: nothing that you probably want to buy. And I'm looking 38 00:01:25,520 --> 00:01:29,039 Speaker 5: for something, yeah that I've never heard of. Yeah, that 39 00:01:29,080 --> 00:01:30,400 Speaker 5: there's something I can use for my show. 40 00:01:30,560 --> 00:01:32,280 Speaker 1: Yeah, So glad I'm not the only ner at the 41 00:01:32,280 --> 00:01:33,479 Speaker 1: back of the shop going through that box. 42 00:01:33,560 --> 00:01:33,720 Speaker 2: Yeah. 43 00:01:33,720 --> 00:01:35,560 Speaker 4: I mean it's great, it's great fun, you know. 44 00:01:35,640 --> 00:01:37,840 Speaker 5: And I do actually collect vinyl as well, like you know, 45 00:01:38,319 --> 00:01:39,000 Speaker 5: decent stuff. 46 00:01:39,080 --> 00:01:40,440 Speaker 4: Yeah, views, ago love. 47 00:01:40,520 --> 00:01:43,760 Speaker 3: Yeah, I have seen some hilarious album covers if my 48 00:01:43,880 --> 00:01:46,200 Speaker 3: time is there, right, is there a genre that you 49 00:01:46,480 --> 00:01:47,680 Speaker 3: just know is. 50 00:01:47,680 --> 00:01:51,840 Speaker 2: Going to have a great album cover to recreate? Maybe 51 00:01:51,880 --> 00:01:53,520 Speaker 2: it's folk maybe. 52 00:01:53,400 --> 00:01:54,400 Speaker 4: Yeah, folks pretty good. 53 00:01:54,600 --> 00:01:56,480 Speaker 5: Yeah, I mean I think it's more there's a period, 54 00:01:56,560 --> 00:01:59,760 Speaker 5: like I think the nineteen seventies is a period. It's 55 00:01:59,760 --> 00:02:01,680 Speaker 5: the but when obviously they did it, they would do 56 00:02:01,720 --> 00:02:03,720 Speaker 5: a photo shoot and then they just had to go 57 00:02:03,800 --> 00:02:06,680 Speaker 5: with whatever they got. They probably had about three shots 58 00:02:06,680 --> 00:02:10,679 Speaker 5: that okay, we'll use that one, you know, Whereas now 59 00:02:10,760 --> 00:02:12,960 Speaker 5: we have time to look over the shots and get 60 00:02:12,960 --> 00:02:15,639 Speaker 5: the perfect So I think there's a there's an element 61 00:02:15,639 --> 00:02:17,840 Speaker 5: of that because it's often it's how their faces are 62 00:02:18,280 --> 00:02:18,880 Speaker 5: kind of caught. 63 00:02:19,120 --> 00:02:22,359 Speaker 1: Yeah, and often the velvet suit with a body shirt 64 00:02:22,400 --> 00:02:23,320 Speaker 1: with the red stebber column. 65 00:02:24,520 --> 00:02:25,720 Speaker 4: Yeah, the seventies clothes. 66 00:02:26,080 --> 00:02:27,840 Speaker 3: Have you had a chance yet to have a bit 67 00:02:27,880 --> 00:02:30,000 Speaker 3: of a scout around perths? 68 00:02:30,280 --> 00:02:33,120 Speaker 4: I have, I've had one, and I will be checking 69 00:02:33,120 --> 00:02:33,639 Speaker 4: them all out. 70 00:02:34,080 --> 00:02:35,919 Speaker 1: You need to. Yeah, there are so many too, so 71 00:02:35,960 --> 00:02:37,440 Speaker 1: many options, I know, and. 72 00:02:37,400 --> 00:02:39,440 Speaker 5: I'll probably try and incorporate one in the show at 73 00:02:39,480 --> 00:02:40,840 Speaker 5: some point for sure. 74 00:02:41,080 --> 00:02:41,280 Speaker 4: Yeah. 75 00:02:41,320 --> 00:02:42,920 Speaker 1: Oh that's good. You make the reference point of the 76 00:02:43,000 --> 00:02:46,120 Speaker 1: local wherever you were, Yeah, exactly wherever. 77 00:02:46,160 --> 00:02:48,040 Speaker 4: Yeah, I'm always introducing a new one and. 78 00:02:48,080 --> 00:02:50,880 Speaker 1: Yeah, keeping you a fresh yeah yeah, yeah, yeah, I 79 00:02:50,880 --> 00:02:52,560 Speaker 1: love the sound of that. How about the title? Did 80 00:02:52,560 --> 00:02:53,480 Speaker 1: it take you long to come up with that? 81 00:02:53,520 --> 00:02:56,000 Speaker 4: Because that's it's a vital countdown. How did I come 82 00:02:56,040 --> 00:02:58,760 Speaker 4: up with that? I don't know, I don't Yeah, it 83 00:02:58,840 --> 00:03:01,760 Speaker 4: just came to me at some point. Yeah, yeah, yeah, Yeah, that's. 84 00:03:01,639 --> 00:03:02,760 Speaker 2: A class that's a great title. 85 00:03:02,880 --> 00:03:04,320 Speaker 4: That's a great song and a great title. 86 00:03:04,480 --> 00:03:06,080 Speaker 1: And yeah, he's the song. 87 00:03:06,280 --> 00:03:09,280 Speaker 3: It's a perfect title for what you do in the show. 88 00:03:09,360 --> 00:03:12,160 Speaker 3: Now you have another fringe show as well once this 89 00:03:12,200 --> 00:03:14,840 Speaker 3: one wraps up. It's going to start on February First Court. 90 00:03:15,080 --> 00:03:18,160 Speaker 3: It's another great title. Full Full Britannia. 91 00:03:18,320 --> 00:03:20,840 Speaker 4: Yeah, Britannia. 92 00:03:20,919 --> 00:03:23,000 Speaker 2: What can you tell us about Full Britannia. 93 00:03:23,120 --> 00:03:26,799 Speaker 5: Well, Full Britannia is a duo double acts, okay, sort 94 00:03:26,800 --> 00:03:29,960 Speaker 5: of in the tradition sort of British double act comedy 95 00:03:30,080 --> 00:03:31,280 Speaker 5: sort of, but fresh and new. 96 00:03:31,360 --> 00:03:34,360 Speaker 2: And they are the masters of the double ag Yeah. 97 00:03:34,800 --> 00:03:37,360 Speaker 5: And it's and we're sort of lampooning the upper class 98 00:03:37,480 --> 00:03:39,360 Speaker 5: British upper class establishment. 99 00:03:39,640 --> 00:03:39,839 Speaker 2: Yeah. 100 00:03:40,200 --> 00:03:43,680 Speaker 5: Yeah, so we're making we're making making fun of them, yeah, 101 00:03:43,720 --> 00:03:46,800 Speaker 5: and playing them, playing them, because there's. 102 00:03:46,600 --> 00:03:51,720 Speaker 2: No country in the world really that does establishment. 103 00:03:52,960 --> 00:03:57,320 Speaker 3: The class you accepted as different system as. 104 00:03:57,160 --> 00:03:58,160 Speaker 2: The UK is there. 105 00:03:58,200 --> 00:04:01,160 Speaker 4: Yeah, it's a big the last bastion really, you know. 106 00:04:01,760 --> 00:04:04,360 Speaker 5: Yeah, I think class is still really like prominent in 107 00:04:04,400 --> 00:04:08,320 Speaker 5: the UK. We still have that kind of yes, yeah, yeah, yeah, yeah. 108 00:04:08,360 --> 00:04:10,440 Speaker 1: Do you have to hang out with old boys at 109 00:04:10,640 --> 00:04:12,280 Speaker 1: lords with the Lord's membership because we have. 110 00:04:12,320 --> 00:04:13,080 Speaker 4: To hang out with them. 111 00:04:13,520 --> 00:04:15,240 Speaker 5: You don't get to hang out with them unfortunately. We're 112 00:04:15,240 --> 00:04:17,520 Speaker 5: not in those circles. We love to be in those circles. 113 00:04:17,520 --> 00:04:18,400 Speaker 5: That's where the power is. 114 00:04:18,400 --> 00:04:19,560 Speaker 1: I love the Lord's membership. 115 00:04:19,880 --> 00:04:22,240 Speaker 4: Yeah they do, yeah they do. Yeah yeah yeah yeah 116 00:04:22,320 --> 00:04:23,080 Speaker 4: yeah yes. 117 00:04:24,600 --> 00:04:27,040 Speaker 2: Speaking of you know, British double acts. So you were talking, 118 00:04:27,080 --> 00:04:27,320 Speaker 2: what's you. 119 00:04:27,320 --> 00:04:29,640 Speaker 4: Who's your favorite my favorite double act? 120 00:04:29,839 --> 00:04:30,000 Speaker 3: Oh? 121 00:04:30,400 --> 00:04:33,239 Speaker 5: British double Yeah, there's so I mean, there's so many. 122 00:04:33,320 --> 00:04:35,159 Speaker 5: I mean well, I mean. 123 00:04:35,240 --> 00:04:38,120 Speaker 4: I mean the thing is is nowadays the double act 124 00:04:38,200 --> 00:04:41,960 Speaker 4: is not really kind of a big thing. Yeah, change, 125 00:04:43,040 --> 00:04:44,200 Speaker 4: even though even though there are. 126 00:04:44,120 --> 00:04:46,480 Speaker 5: Acts fairly recently like the Mighty Bush were kind of 127 00:04:46,520 --> 00:04:48,040 Speaker 5: a double act if you're familiar with them. 128 00:04:48,440 --> 00:04:51,039 Speaker 2: Yeah, that's no, isn't it. 129 00:04:51,160 --> 00:04:54,600 Speaker 5: Yeah Yeah yeah, yeah yeah, I really I really like them. 130 00:04:54,600 --> 00:04:58,960 Speaker 5: But the classics, I guess there's morem and wise people to. 131 00:05:01,800 --> 00:05:05,600 Speaker 4: L Yeah, but. 132 00:05:05,560 --> 00:05:07,159 Speaker 5: All of this is so long ago, isn't it. It's 133 00:05:07,279 --> 00:05:10,880 Speaker 5: true there's no like contemporary double act. Well, we are 134 00:05:10,920 --> 00:05:13,040 Speaker 5: that come and see the show. 135 00:05:13,120 --> 00:05:17,719 Speaker 3: Now you're talking, well, that's Full Britannia with Neil Frost. 136 00:05:17,800 --> 00:05:20,359 Speaker 3: That's from February the first, but first up at the 137 00:05:20,360 --> 00:05:22,839 Speaker 3: Pleasure Garden from tomorrow until January thirty. 138 00:05:22,839 --> 00:05:25,000 Speaker 2: First is the Vinyl Countdown. 139 00:05:25,520 --> 00:05:28,320 Speaker 3: I think that's a fascinating concept and I can't wait 140 00:05:28,360 --> 00:05:30,280 Speaker 3: to see you do a bit of a Polka album 141 00:05:30,480 --> 00:05:33,279 Speaker 3: Polker great. 142 00:05:33,520 --> 00:05:36,040 Speaker 1: Sure have some great cover some great gospel covers too. 143 00:05:36,160 --> 00:05:38,120 Speaker 4: Yeah, yeah, well I'll be looking I'll be looking out 144 00:05:38,120 --> 00:05:38,440 Speaker 4: for them. 145 00:05:39,440 --> 00:05:41,040 Speaker 2: Thank you for having me, Thank you Dan, thanks for 146 00:05:41,040 --> 00:05:41,400 Speaker 2: coming in.