1 00:00:00,760 --> 00:00:03,040 Speaker 1: Powered by the Myart Radio app. 2 00:00:03,160 --> 00:00:06,480 Speaker 2: From ninety six air VM to where you're listening today 3 00:00:06,840 --> 00:00:10,400 Speaker 2: This is Clearsy and Lisa's podcast. Coming up on the 4 00:00:10,400 --> 00:00:14,040 Speaker 2: podcast today talking about the Rolling Stones, trading cards coming 5 00:00:14,080 --> 00:00:15,160 Speaker 2: no Bubblegum. 6 00:00:14,720 --> 00:00:16,680 Speaker 1: Though not longer. My birthday. We took calls on the 7 00:00:16,680 --> 00:00:18,279 Speaker 1: weird stuff You've seen in the middle of the night. 8 00:00:18,600 --> 00:00:22,279 Speaker 2: Wa Muso Wayne Green and his documentary Green The Fight 9 00:00:22,320 --> 00:00:22,960 Speaker 2: for Rock and Roll. 10 00:00:23,000 --> 00:00:25,320 Speaker 1: He joins us and ben O'shet reviews the new Blake 11 00:00:25,400 --> 00:00:29,600 Speaker 1: Lively movie. It ends with us the Sure Report on 12 00:00:29,880 --> 00:00:35,960 Speaker 1: ninety six AIRVM. 13 00:00:33,400 --> 00:00:35,760 Speaker 2: Almost two and a half years after his death while 14 00:00:35,760 --> 00:00:38,960 Speaker 2: on touring Columbia, Foo Fighter's drama Taylor Hawkins cause of 15 00:00:39,000 --> 00:00:40,200 Speaker 2: death has been confirmed. 16 00:00:40,479 --> 00:00:42,040 Speaker 3: It has taken a while due. 17 00:00:41,880 --> 00:00:44,040 Speaker 2: To the Attorney General of Columbia having to wait on 18 00:00:44,120 --> 00:00:50,480 Speaker 2: toxicology report results. Officially, Taylor Hawkins died from a cardiovascular collapse. 19 00:00:51,200 --> 00:00:54,320 Speaker 2: They've also ruled his heart was a factor. We're already 20 00:00:54,320 --> 00:00:57,680 Speaker 2: discovered that his heart was twice the size of what's 21 00:00:57,720 --> 00:01:01,720 Speaker 2: considered normal. Make of that, what's your world? And sadly, 22 00:01:01,760 --> 00:01:03,840 Speaker 2: the fact that he had ten different substances in his 23 00:01:03,920 --> 00:01:07,000 Speaker 2: system the day he died. Surely wouldn't have helped. What 24 00:01:07,120 --> 00:01:10,520 Speaker 2: a surprise that Taylor Hawkins had a huge. 25 00:01:10,200 --> 00:01:12,560 Speaker 1: Heart, massive heart man, and what a talent. 26 00:01:12,959 --> 00:01:15,840 Speaker 2: Jack Black has addressed the future of Tenacious D one 27 00:01:15,880 --> 00:01:19,080 Speaker 2: month after bandmate Kyle Gas made a controversial remark about 28 00:01:19,120 --> 00:01:21,520 Speaker 2: the assassination attempt on Donald Trump, but all happened here 29 00:01:21,520 --> 00:01:24,119 Speaker 2: in Australia. They were on stage in Sydney when Gas 30 00:01:24,120 --> 00:01:27,000 Speaker 2: said his birthday wish was don't miss next time, causing 31 00:01:27,160 --> 00:01:30,480 Speaker 2: swift backlash. Jack immediately canceled the rest of the tour 32 00:01:30,560 --> 00:01:33,399 Speaker 2: and they went home, clearly on the outs with each other. Now, 33 00:01:33,520 --> 00:01:36,000 Speaker 2: Jack says he and Gas are still friends and we'll 34 00:01:36,000 --> 00:01:37,119 Speaker 2: be back when it feels right. 35 00:01:37,240 --> 00:01:38,920 Speaker 3: He said, we need to take a break, but we 36 00:01:39,040 --> 00:01:40,840 Speaker 3: will be back. Journeys. 37 00:01:40,920 --> 00:01:46,440 Speaker 2: Jonathan Cain is suing bandmatee Neil Seon again again just 38 00:01:46,640 --> 00:01:50,000 Speaker 2: days into their tour with def Leppard, this time the tour, 39 00:01:50,120 --> 00:01:52,600 Speaker 2: arguing over business decisions made by Sean. 40 00:01:52,720 --> 00:01:54,600 Speaker 3: I'm pretty sure this is the same argument. 41 00:01:54,920 --> 00:01:58,240 Speaker 2: They each owned fifty percent of Journey's Freedom twenty twenty company, 42 00:01:58,240 --> 00:02:01,640 Speaker 2: but Cain wants a third party involved to oversee sean spending. 43 00:02:02,360 --> 00:02:05,800 Speaker 2: Despite the lawsuit, they're continuing the tour it's not awkward 44 00:02:05,800 --> 00:02:06,120 Speaker 2: at all. 45 00:02:06,520 --> 00:02:07,440 Speaker 1: There are different green rooms. 46 00:02:07,480 --> 00:02:09,960 Speaker 3: I take you a complete unknown. 47 00:02:10,160 --> 00:02:14,440 Speaker 2: The upcoming Bob Dylan biopic starring Timothy Chlamy as Dylan 48 00:02:14,600 --> 00:02:16,680 Speaker 2: just got a release date. It's coming out on Christmas 49 00:02:16,720 --> 00:02:19,280 Speaker 2: Day and Clersey, have I got. 50 00:02:19,080 --> 00:02:20,000 Speaker 3: Some news for you. 51 00:02:20,400 --> 00:02:21,000 Speaker 1: I'm ready for it. 52 00:02:21,200 --> 00:02:25,440 Speaker 2: The Rolling Stones have teamed up with collectible card company 53 00:02:25,680 --> 00:02:29,320 Speaker 2: Panini America to release a set of trading cards. No 54 00:02:29,520 --> 00:02:33,400 Speaker 2: bubblegum though, out of that stinky flat bubblegum, just the 55 00:02:33,440 --> 00:02:37,000 Speaker 2: trading cars. The cards cover the band's more than sixty years, 56 00:02:37,080 --> 00:02:40,200 Speaker 2: highlighting their music and record setting tours with like Conic 57 00:02:40,280 --> 00:02:44,160 Speaker 2: Stones artwork. The especially the Special Prism Collection, is a 58 00:02:44,200 --> 00:02:47,120 Speaker 2: one hundred card based set to get you going. Okay, 59 00:02:47,360 --> 00:02:49,799 Speaker 2: You'll find them at Paniniamerica dot net. 60 00:02:50,040 --> 00:02:51,840 Speaker 1: Okay, well, there was ten months and three weeks to 61 00:02:51,919 --> 00:02:52,440 Speaker 1: my birthday. 62 00:02:53,040 --> 00:02:57,880 Speaker 2: Could imagine the playground. I've got a giant lips and 63 00:02:57,919 --> 00:03:02,000 Speaker 2: tongue to start me up. I've got a six lips 64 00:03:02,000 --> 00:03:02,520 Speaker 2: and tons. 65 00:03:02,760 --> 00:03:03,320 Speaker 3: What have you got? 66 00:03:03,400 --> 00:03:09,160 Speaker 1: I've got one of mixed girlfriends. She's nineteen. I love that. 67 00:03:09,440 --> 00:03:10,320 Speaker 1: I love that. 68 00:03:10,360 --> 00:03:12,680 Speaker 3: It's a set of Itselfeah. 69 00:03:11,960 --> 00:03:15,359 Speaker 1: And there's a big set and you want to play 70 00:03:15,360 --> 00:03:18,840 Speaker 1: fifty two pick up and there's no bubblegum because if. 71 00:03:18,720 --> 00:03:20,720 Speaker 3: You do pick up of his girlfriends. 72 00:03:20,360 --> 00:03:22,799 Speaker 1: Exactly well he picked them all up. And if you're 73 00:03:22,880 --> 00:03:24,799 Speaker 1: eighty two or any one like me, you don't want 74 00:03:24,800 --> 00:03:25,560 Speaker 1: to be a bubble. 75 00:03:25,320 --> 00:03:28,160 Speaker 3: Gum with dangerous one pick up. Now, any one pack's impressive. 76 00:03:28,280 --> 00:03:30,400 Speaker 1: That's not bad, is it? Now? I have mentioned this 77 00:03:30,440 --> 00:03:32,360 Speaker 1: to you, Lise, that as I left work this morning, 78 00:03:32,360 --> 00:03:34,840 Speaker 1: I saw a mystery light. I'm thinking, it's not a 79 00:03:34,840 --> 00:03:37,360 Speaker 1: falling star. It's not a space ship or anything or 80 00:03:37,400 --> 00:03:39,320 Speaker 1: a satellite. Was it in the sky, No, it was 81 00:03:39,520 --> 00:03:41,960 Speaker 1: It was ahead of me. I see this light swirling 82 00:03:41,960 --> 00:03:44,360 Speaker 1: around a waiting highway. No, it was actually on South 83 00:03:44,400 --> 00:03:46,760 Speaker 1: Terrace and Soy and I'm thinking it's very early. It's 84 00:03:46,800 --> 00:03:48,480 Speaker 1: just not the four and I'm driving on going. It 85 00:03:48,480 --> 00:03:50,920 Speaker 1: looks like there's a light on the road, but in motion. 86 00:03:51,000 --> 00:03:52,520 Speaker 1: That was moving And as I got closer, I thought, 87 00:03:52,560 --> 00:03:54,360 Speaker 1: but he'd be careful. Not sure what it is. As 88 00:03:54,360 --> 00:03:56,880 Speaker 1: I got closer, I realized it was someone with a 89 00:03:56,920 --> 00:03:59,480 Speaker 1: helmet on. I like a white helmet with a miner's 90 00:03:59,520 --> 00:04:00,000 Speaker 1: light at the front. 91 00:04:00,200 --> 00:04:01,280 Speaker 3: Oh yeah, yeah yeah. 92 00:04:01,320 --> 00:04:04,480 Speaker 1: And whether it was roller skates or blades. There was 93 00:04:04,520 --> 00:04:06,920 Speaker 1: a person skating around on the street doing figure rates 94 00:04:07,960 --> 00:04:11,120 Speaker 1: big time, and I'm going, okay, okay, I realized this. 95 00:04:11,160 --> 00:04:13,760 Speaker 1: I got close pretty it was a gentleman. It was 96 00:04:13,760 --> 00:04:15,600 Speaker 1: a man. I'm not sure if he was doing turvil 97 00:04:15,680 --> 00:04:17,720 Speaker 1: or dan though, but there was some fine work going on. 98 00:04:18,560 --> 00:04:21,839 Speaker 1: We should play bialleero now. But I just went I 99 00:04:21,880 --> 00:04:25,120 Speaker 1: looked down. There was four fifteen, four fifteen. I was 100 00:04:25,240 --> 00:04:28,320 Speaker 1: skating and well, it's August. It's not that cold right now, 101 00:04:28,320 --> 00:04:31,840 Speaker 1: but it's winter really yeah, And I went, that's interesting. 102 00:04:32,080 --> 00:04:33,520 Speaker 1: And I was thinking there must be some other people 103 00:04:33,560 --> 00:04:34,760 Speaker 1: see some other interesting stuff. 104 00:04:34,760 --> 00:04:37,240 Speaker 2: Oh in the middle of it ceases to amaze me, 105 00:04:37,360 --> 00:04:40,080 Speaker 2: some of the things that we see driving in at 106 00:04:40,120 --> 00:04:42,120 Speaker 2: that time of the morning. I didn't think I told 107 00:04:42,120 --> 00:04:45,719 Speaker 2: you the other day. It was just a week before last. 108 00:04:45,720 --> 00:04:49,719 Speaker 2: I think I often see things, particularly around Wellington Street. 109 00:04:49,800 --> 00:04:52,960 Speaker 2: And as I turned into Bennett Street, yes, also four am. 110 00:04:53,400 --> 00:04:57,120 Speaker 2: And the other day there was a gentleman doing aerobics 111 00:04:57,839 --> 00:05:00,360 Speaker 2: in the middle of Bennett Street. Oh okay, I had 112 00:05:00,400 --> 00:05:04,840 Speaker 2: to swerve around his star jump start a little yeah, star, 113 00:05:05,680 --> 00:05:06,960 Speaker 2: And I just thought. 114 00:05:06,880 --> 00:05:11,159 Speaker 3: Jeez, the things, yes, sir, things you things, Yes, see things. 115 00:05:11,200 --> 00:05:14,599 Speaker 1: You hear people are exercising. Oh yeah, no, yeah, I 116 00:05:14,600 --> 00:05:16,760 Speaker 1: mean we're getting used to seeing people rifle through bins 117 00:05:16,800 --> 00:05:19,479 Speaker 1: on people are getting cans and bottles for ten on them. 118 00:05:19,480 --> 00:05:21,800 Speaker 3: That's nothing any well, that's being industrious. 119 00:05:21,800 --> 00:05:23,680 Speaker 1: I think that's great daily week, that's admirable. 120 00:05:23,720 --> 00:05:27,120 Speaker 2: But yeah, in the middle of Bennett Street, not even 121 00:05:27,120 --> 00:05:27,880 Speaker 2: on the footpath. 122 00:05:29,240 --> 00:05:34,239 Speaker 3: Yeah, you see regular was for thirteen, for thirteen, yeah, mine. 123 00:05:34,080 --> 00:05:36,400 Speaker 1: Was for seventeen. Actually, yeah, it is kipe. Is that 124 00:05:36,480 --> 00:05:38,680 Speaker 1: when it's that time in the morning, like very odd? 125 00:05:38,880 --> 00:05:41,200 Speaker 1: At four twenty last year when I said to you 126 00:05:41,360 --> 00:05:43,520 Speaker 1: the dude on the Canning Highway was completely naked. 127 00:05:43,600 --> 00:05:45,599 Speaker 3: Yeah, that's that's a good one. I've yet to see 128 00:05:45,600 --> 00:05:46,080 Speaker 3: a nude. 129 00:05:46,240 --> 00:05:51,039 Speaker 1: Yeah. He was wearing a scarf and even funny things 130 00:05:51,360 --> 00:05:52,359 Speaker 1: scarf as well. 131 00:05:52,320 --> 00:05:55,520 Speaker 3: Something around your neck or a hat and you're naked. 132 00:05:55,880 --> 00:05:57,720 Speaker 3: That's even funny. Completely naked. 133 00:05:57,760 --> 00:06:00,559 Speaker 1: Harder to work out what was going on. I'm thinking 134 00:06:00,760 --> 00:06:03,440 Speaker 1: to a scarf on, he's oh, he's got very tight 135 00:06:03,480 --> 00:06:05,800 Speaker 1: clothes on. He's got nothing on. Naked as a j 136 00:06:05,960 --> 00:06:08,400 Speaker 1: bird right there. So we thought we'd open up the 137 00:06:08,440 --> 00:06:10,599 Speaker 1: phones and the text line the things you've seen that 138 00:06:10,680 --> 00:06:12,480 Speaker 1: make you go what in the middle of the night. 139 00:06:12,480 --> 00:06:15,240 Speaker 2: Drivers running red lights? Says Mark and Jandercott. We do 140 00:06:15,320 --> 00:06:19,039 Speaker 2: see a fair bit of that. David from Gosnell said 141 00:06:19,040 --> 00:06:20,960 Speaker 2: he was going to work about three am ten years 142 00:06:21,000 --> 00:06:22,719 Speaker 2: ago and there was a guy going for a morning 143 00:06:22,920 --> 00:06:28,640 Speaker 2: run butt naked, butt naked. And Joe in Hamilton Hill 144 00:06:28,960 --> 00:06:31,560 Speaker 2: saw a woman dressed in pj's riding a pushbike down 145 00:06:31,600 --> 00:06:34,760 Speaker 2: Carrington Road in Frio at four point thirty am with 146 00:06:34,839 --> 00:06:36,520 Speaker 2: a big teddy bear in the front basket. 147 00:06:36,520 --> 00:06:38,240 Speaker 1: Oh there you go, I might have won it the 148 00:06:38,320 --> 00:06:40,320 Speaker 1: Royal Show. That's hilarious. 149 00:06:40,560 --> 00:06:43,440 Speaker 2: Claire and Willerton saw a naked girl on Barrick Street 150 00:06:43,760 --> 00:06:44,760 Speaker 2: at five in the morning. 151 00:06:44,880 --> 00:06:47,240 Speaker 1: Oh okay, is that when people start going Actually I 152 00:06:47,240 --> 00:06:48,960 Speaker 1: think I. I came into work and said where it was? 153 00:06:49,000 --> 00:06:51,039 Speaker 1: Someone said in the office said where was that? Again? 154 00:06:52,120 --> 00:06:55,360 Speaker 1: Said get another looked? 155 00:06:53,760 --> 00:06:56,000 Speaker 3: What's tree? 156 00:06:56,120 --> 00:06:56,360 Speaker 4: Was it? 157 00:06:56,839 --> 00:06:58,080 Speaker 1: Rolling Stone? Can everyone else? 158 00:06:58,560 --> 00:06:59,560 Speaker 5: Good morning? Hello? 159 00:06:59,640 --> 00:07:00,080 Speaker 1: What did you do? 160 00:07:00,080 --> 00:07:00,520 Speaker 4: You say? Right? 161 00:07:00,520 --> 00:07:00,799 Speaker 6: Else? 162 00:07:01,400 --> 00:07:05,000 Speaker 5: Interesting? Rolling Stone with all the trees, it's always interesting. 163 00:07:05,560 --> 00:07:08,120 Speaker 5: So one night we heard a lot of noise outside 164 00:07:08,800 --> 00:07:11,960 Speaker 5: and I went out with our torches and shone it 165 00:07:12,400 --> 00:07:16,119 Speaker 5: on the trees and there were two posts, some male 166 00:07:16,240 --> 00:07:20,240 Speaker 5: possums going at each other to get to a female 167 00:07:20,480 --> 00:07:25,040 Speaker 5: and with last huge screeching noises, et cetera. And they 168 00:07:25,040 --> 00:07:28,440 Speaker 5: were definitely not stirred by their heads about about by 169 00:07:28,480 --> 00:07:29,240 Speaker 5: our tortures. 170 00:07:30,320 --> 00:07:31,840 Speaker 1: What an interesting went on? 171 00:07:32,600 --> 00:07:38,720 Speaker 2: Yes, so noisy in Melbourne that we had boots on 172 00:07:38,840 --> 00:07:41,800 Speaker 2: Doc Martin's well reallyous. 173 00:07:41,880 --> 00:07:44,080 Speaker 5: Yeah, we had been in the roof, but we made 174 00:07:44,080 --> 00:07:44,680 Speaker 5: a plan there. 175 00:07:45,040 --> 00:07:48,560 Speaker 1: Yeah, noisy scrapping for the woman's heart. 176 00:07:53,080 --> 00:07:58,840 Speaker 2: Interesting, thank you nature. I know someone who sent us 177 00:07:58,840 --> 00:08:02,080 Speaker 2: a text but you didn't leave name was. But this 178 00:08:02,120 --> 00:08:04,440 Speaker 2: person says was walking home from a friend's house one 179 00:08:04,520 --> 00:08:14,080 Speaker 2: night around three am and Malolou and someone dressed as Bigfoot. 180 00:08:11,360 --> 00:08:13,880 Speaker 3: Right out in front of us and ran down the street. 181 00:08:14,000 --> 00:08:16,200 Speaker 1: Sure it wasn't gobbled dog bigger than that. 182 00:08:16,600 --> 00:08:20,040 Speaker 3: That's funny. That's a cheap way home from a fatcy dress. 183 00:08:20,120 --> 00:08:23,600 Speaker 1: Maybe yeah, well so it might just be for thrills. 184 00:08:24,440 --> 00:08:26,280 Speaker 1: Owen Zen, how you are. 185 00:08:27,680 --> 00:08:31,120 Speaker 6: Seen a number of quite a number of years ago, 186 00:08:32,000 --> 00:08:34,560 Speaker 6: my family and I used to live opposite the ABC 187 00:08:34,800 --> 00:08:39,400 Speaker 6: Radio transmission center that's located between Belcatta and Hamersley. Yes, 188 00:08:40,320 --> 00:08:42,800 Speaker 6: we used to look across into the bush block the 189 00:08:42,840 --> 00:08:45,120 Speaker 6: middle of the night. It was a particular stormy nights, 190 00:08:45,120 --> 00:08:47,480 Speaker 6: thunderstorm night. The middle of the night, I woke up 191 00:08:47,520 --> 00:08:50,440 Speaker 6: and could hear the sound of horses hoods, and I thought, 192 00:08:50,440 --> 00:08:52,720 Speaker 6: that's strange. We don't have horses in the middle of 193 00:08:52,720 --> 00:08:54,200 Speaker 6: the city. So I've got up to have a look. 194 00:08:54,800 --> 00:08:55,000 Speaker 4: Now. 195 00:08:55,040 --> 00:08:57,720 Speaker 6: I don't know whether you guys know this the ABC 196 00:08:57,840 --> 00:09:00,880 Speaker 6: Transmission center, but it has one particularly very tall tower 197 00:09:01,360 --> 00:09:04,800 Speaker 6: has guy wires holding it up. There are a number 198 00:09:04,800 --> 00:09:10,760 Speaker 6: of joiners in those wires, and the joiners were flashing lights, 199 00:09:11,400 --> 00:09:13,640 Speaker 6: and that each time the lights came on, you could 200 00:09:13,679 --> 00:09:16,199 Speaker 6: hear this sound like horseshoes, which is the ship. 201 00:09:16,360 --> 00:09:17,199 Speaker 7: I was so impressed. 202 00:09:17,200 --> 00:09:18,520 Speaker 4: I work my wife up to have a look. 203 00:09:18,720 --> 00:09:21,360 Speaker 6: We just assume the electricity in the air from the 204 00:09:22,000 --> 00:09:25,560 Speaker 6: thunderstorm that was making these and it was only the 205 00:09:25,640 --> 00:09:27,920 Speaker 6: joiners and the guy wires that were flashing. It was, 206 00:09:28,920 --> 00:09:31,920 Speaker 6: as I said to the lady earlier, even now talking 207 00:09:31,920 --> 00:09:33,160 Speaker 6: about I get goosebumps. 208 00:09:33,200 --> 00:09:36,160 Speaker 3: Yeah that's freaky. 209 00:09:37,040 --> 00:09:38,680 Speaker 4: Oh yeah, it was very freaky. 210 00:09:38,920 --> 00:09:40,839 Speaker 6: And I never bothered to ask what it was. 211 00:09:40,840 --> 00:09:43,440 Speaker 4: Or anything like that, and never heard about it. But 212 00:09:43,480 --> 00:09:46,120 Speaker 4: that was just our assumption because it was a thunderstorm. 213 00:09:46,600 --> 00:09:48,720 Speaker 1: Ghost rider in the night, yes, like the ghost of 214 00:09:49,080 --> 00:10:02,400 Speaker 1: Hammersley pasted. Yeah, it's especially when you don't have an 215 00:10:02,400 --> 00:10:05,760 Speaker 1: actual answer and so your mind just wonders. 216 00:10:05,520 --> 00:10:09,000 Speaker 2: And storms make everything, of course weirder. We are talking 217 00:10:09,000 --> 00:10:10,640 Speaker 2: about the weird stuff that you've seen in the middle 218 00:10:10,679 --> 00:10:13,640 Speaker 2: of the night. Thanks Alfhia Hillaries. We'll keep that one 219 00:10:13,679 --> 00:10:14,000 Speaker 2: just for us. 220 00:10:14,040 --> 00:10:16,439 Speaker 1: Yeah, thanks, Elfie did make us laugh, entertained the whole 221 00:10:16,480 --> 00:10:18,360 Speaker 1: office for all four of us. 222 00:10:18,440 --> 00:10:21,440 Speaker 2: David in the asher, What the weird stuff have you 223 00:10:21,440 --> 00:10:22,480 Speaker 2: seen in the middle of the night? 224 00:10:22,800 --> 00:10:26,360 Speaker 7: Oh, look, I get around. I see a lot of 225 00:10:26,360 --> 00:10:27,960 Speaker 7: things on the road, but I've got to say the 226 00:10:28,000 --> 00:10:33,320 Speaker 7: most impressive or funny thing that I see is people 227 00:10:33,480 --> 00:10:39,160 Speaker 7: shaving or eating cereal or breeding magazine. 228 00:10:40,040 --> 00:10:42,560 Speaker 6: I really don't understand how no one's been killed yet, 229 00:10:42,760 --> 00:10:46,040 Speaker 6: but it is funny to watch someone get the electric 230 00:10:46,080 --> 00:10:47,800 Speaker 6: shap out instead of lights or as. 231 00:10:47,640 --> 00:10:48,439 Speaker 7: They're driving along. 232 00:10:48,679 --> 00:10:49,360 Speaker 1: Ye give it you. 233 00:10:49,679 --> 00:10:51,880 Speaker 4: Well. I don't know how good a job they're doing, 234 00:10:52,000 --> 00:10:52,800 Speaker 4: but at. 235 00:10:52,760 --> 00:10:56,760 Speaker 3: Least yeah, yes, I never seen. 236 00:10:58,880 --> 00:11:04,960 Speaker 2: Thanks David, go by falling then Gara, Hello morning. 237 00:11:05,080 --> 00:11:06,880 Speaker 6: How is you said? 238 00:11:08,000 --> 00:11:11,840 Speaker 7: People going through bins taking the ten cent refundibles out 239 00:11:11,880 --> 00:11:16,160 Speaker 7: the bottles, and it's it is getting earlier and earlier, 240 00:11:16,240 --> 00:11:18,280 Speaker 7: like they try to beat each other to the like 241 00:11:18,360 --> 00:11:21,160 Speaker 7: the multi units that are like full one hundred bins 242 00:11:21,200 --> 00:11:23,320 Speaker 7: in a row. So he'll try and beat him, and 243 00:11:23,360 --> 00:11:26,080 Speaker 7: he'll beat him and he'll beat him. And it's getting 244 00:11:26,160 --> 00:11:27,960 Speaker 7: like three in the morning, and a lot of people 245 00:11:27,960 --> 00:11:30,960 Speaker 7: are getting like the sick and tired of being woken 246 00:11:31,040 --> 00:11:31,400 Speaker 7: up and that. 247 00:11:31,559 --> 00:11:34,920 Speaker 2: Yeah, around this is a very hard topic on my 248 00:11:34,960 --> 00:11:35,680 Speaker 2: community face. 249 00:11:35,800 --> 00:11:39,160 Speaker 1: Yeah, I bet it is. It can is allowed to. 250 00:11:39,280 --> 00:11:41,280 Speaker 1: Aren't they falling? And there's glass bottles as well? 251 00:11:41,520 --> 00:11:44,600 Speaker 7: Oh yeah, absolutely, and people with dogs and that too, 252 00:11:44,720 --> 00:11:46,840 Speaker 7: you know, they may setting them off, and as well 253 00:11:46,880 --> 00:11:47,800 Speaker 7: as people with kids. 254 00:11:47,920 --> 00:11:48,240 Speaker 3: Yeah. 255 00:11:48,360 --> 00:11:50,280 Speaker 7: I was talking to the ranger the other day. He 256 00:11:50,400 --> 00:11:53,440 Speaker 7: was saying, they'll probably end up stop letting people bring 257 00:11:53,480 --> 00:11:56,160 Speaker 7: that many in at once to the collection centers without 258 00:11:58,000 --> 00:11:59,400 Speaker 7: think or something to stop it. 259 00:11:59,559 --> 00:12:03,240 Speaker 2: Yeah, Oh, don't bother going through your mind. 260 00:12:03,280 --> 00:12:05,560 Speaker 3: It's only wine bottles and they don't take. 261 00:12:06,080 --> 00:12:06,840 Speaker 1: Ten cents for those. 262 00:12:08,160 --> 00:12:08,360 Speaker 4: Yeah. 263 00:12:08,960 --> 00:12:12,239 Speaker 1: I have seen people, Paul. 264 00:12:12,360 --> 00:12:14,720 Speaker 3: You don't, no, I mean, I'd make a buck leor two. 265 00:12:16,120 --> 00:12:17,160 Speaker 3: I am surprised. 266 00:12:17,280 --> 00:12:19,520 Speaker 1: I think it's because it's it's because they think that 267 00:12:19,559 --> 00:12:21,199 Speaker 1: you're going to recycle those anyway, whereas you might be 268 00:12:21,240 --> 00:12:23,360 Speaker 1: having a drink out. So that's why those ones don't. 269 00:12:24,200 --> 00:12:26,240 Speaker 3: I don't know, but it seems strange. 270 00:12:26,280 --> 00:12:28,400 Speaker 1: There are people going through the drive through places taking 271 00:12:28,440 --> 00:12:30,880 Speaker 1: their cans and bottles in walking into those places now, 272 00:12:31,120 --> 00:12:32,600 Speaker 1: so it's it's pretty common. 273 00:12:32,760 --> 00:12:35,000 Speaker 7: Oh yeah, I see the whole cars, like the whole 274 00:12:35,080 --> 00:12:37,040 Speaker 7: car packed passenger seat back. 275 00:12:40,000 --> 00:12:43,160 Speaker 1: Road one, people queuing up, standing up the little business. 276 00:12:43,240 --> 00:12:47,400 Speaker 1: Thanks Paul, Thanks mate. I have no problem with people 277 00:12:47,520 --> 00:12:50,479 Speaker 1: using the system and getting their ten cents and being industrials. 278 00:12:50,520 --> 00:12:52,480 Speaker 1: But three in the morning waking run up. 279 00:12:52,559 --> 00:12:54,280 Speaker 2: Yeah, and I'm not a fan of people going through 280 00:12:54,280 --> 00:12:58,040 Speaker 2: my bin. I don't care. And there's the people argue over. 281 00:12:58,120 --> 00:12:59,120 Speaker 3: Once it's on the booge. 282 00:12:59,160 --> 00:13:02,360 Speaker 2: It's not you're no, it's my rubbish, and I'd like 283 00:13:02,400 --> 00:13:04,319 Speaker 2: it to keep it, keep it to myself. 284 00:13:04,360 --> 00:13:06,600 Speaker 1: What's in there going through your rubbish? You'd like me 285 00:13:06,640 --> 00:13:07,000 Speaker 1: to stop? 286 00:13:07,520 --> 00:13:14,119 Speaker 2: Yes, you don't need to know how many empty tim tab. 287 00:13:15,520 --> 00:13:17,360 Speaker 1: Isn't a batter than things I've learned from your receipts? 288 00:13:17,840 --> 00:13:21,240 Speaker 1: Are a spy? 289 00:13:21,280 --> 00:13:23,320 Speaker 3: I shred I've got a shredder. 290 00:13:23,440 --> 00:13:24,720 Speaker 1: Are you going to be shredding? 291 00:13:24,760 --> 00:13:24,960 Speaker 5: More? 292 00:13:25,440 --> 00:13:28,960 Speaker 3: More more Lisa more podcasts Soon. 293 00:13:30,840 --> 00:13:33,880 Speaker 2: A biotech company in the US is working on a 294 00:13:33,960 --> 00:13:38,800 Speaker 2: pill to make dogs live longer, and they're having success 295 00:13:39,000 --> 00:13:41,600 Speaker 2: with it in clinical trials. Now, these are one of 296 00:13:41,640 --> 00:13:44,680 Speaker 2: these smart people groups in San Francisco. 297 00:13:44,960 --> 00:13:45,360 Speaker 1: Love goats. 298 00:13:45,520 --> 00:13:49,280 Speaker 2: Yeah, the company is called Loyal. Its founder and CEO, 299 00:13:49,520 --> 00:13:54,320 Speaker 2: Selene Halua, is a dog lover who studied neuroscience and 300 00:13:54,440 --> 00:13:59,800 Speaker 2: nanobiotechnology and was intrigued by the discrepancy in life expectancy 301 00:13:59,840 --> 00:14:02,439 Speaker 2: but between big and little dogs. For example, a Chola 302 00:14:02,559 --> 00:14:05,200 Speaker 2: might live sixteen to eighteen years, while a Great Dane 303 00:14:05,240 --> 00:14:08,080 Speaker 2: might only live six to eight. Loyal's theory is that 304 00:14:08,120 --> 00:14:11,479 Speaker 2: the short lifespan of big dogs is like an accelerated 305 00:14:11,520 --> 00:14:16,720 Speaker 2: aging disorder, an unintended consequence of historical inbreeding for size 306 00:14:16,720 --> 00:14:20,640 Speaker 2: and behavior traits. I've always thought it was a bit 307 00:14:20,680 --> 00:14:23,080 Speaker 2: of a dodgy road to go down a lot of 308 00:14:23,080 --> 00:14:26,840 Speaker 2: the inbred. I mean, look what they've done to French bulldogs. 309 00:14:27,080 --> 00:14:29,520 Speaker 2: They look entirely different to what they used to look like. 310 00:14:29,800 --> 00:14:32,440 Speaker 2: And have you ever heard a French bulld I could 311 00:14:32,520 --> 00:14:35,920 Speaker 2: hear one living next door to me breathing from you know, 312 00:14:37,040 --> 00:14:40,080 Speaker 2: three miles away, trying to trying to breathe. So anyway, 313 00:14:40,080 --> 00:14:43,960 Speaker 2: they've developed a drug called LOI one that reduces the 314 00:14:44,000 --> 00:14:48,040 Speaker 2: insulin like growth factor, a biomarker hormone that drives cell 315 00:14:48,080 --> 00:14:51,440 Speaker 2: growth and is key to regulating the aging process. The 316 00:14:51,520 --> 00:14:53,920 Speaker 2: hope is it will turn down this process to a 317 00:14:53,960 --> 00:14:57,320 Speaker 2: more sustainable rate, so big dogs can have more healthy years. 318 00:14:57,520 --> 00:15:00,960 Speaker 2: The injectable medication would be given by vet every three 319 00:15:00,960 --> 00:15:03,560 Speaker 2: to six months, starting at age seven. And don't worry, Izggy, 320 00:15:03,560 --> 00:15:06,760 Speaker 2: they haven't forgotten the smaller dogs. Clinical trials are now 321 00:15:06,840 --> 00:15:09,880 Speaker 2: underway for Loi II, a pill that aims to improve 322 00:15:09,960 --> 00:15:14,680 Speaker 2: metabolic fitness for dogs of nelly all sizes. Early results 323 00:15:14,840 --> 00:15:18,680 Speaker 2: have been so promising that the FDA, America's Food and 324 00:15:18,720 --> 00:15:23,640 Speaker 2: Drug Administration said the data provided a reasonable expectation of effectiveness, 325 00:15:23,840 --> 00:15:26,920 Speaker 2: meeting one of the requirements for conditional approval. They say 326 00:15:26,960 --> 00:15:29,640 Speaker 2: they still have to evaluate safety and manufacturing data, but 327 00:15:29,680 --> 00:15:32,880 Speaker 2: once these additional standards have been met, Loyal will be 328 00:15:32,920 --> 00:15:35,520 Speaker 2: able to market it. So it's a little way off, 329 00:15:35,920 --> 00:15:38,680 Speaker 2: but it is happening. The day is coming when we 330 00:15:38,760 --> 00:15:43,320 Speaker 2: may well be able to considerably extend our little furry friends' lives. 331 00:15:43,360 --> 00:15:46,240 Speaker 1: Beautiful. Yeah, that's so very, very promising. 332 00:15:46,560 --> 00:15:48,720 Speaker 2: Wayne Green is a rock singer who's teated on the 333 00:15:48,720 --> 00:15:51,360 Speaker 2: brink of fame, not once, but three times. And as 334 00:15:51,360 --> 00:15:54,320 Speaker 2: he turns seventy, he's embarking on a project that represents 335 00:15:54,360 --> 00:15:58,160 Speaker 2: the pinnacle of his life's work and he's joining us. Now. 336 00:15:58,360 --> 00:15:59,680 Speaker 3: Good morning, Wayne. 337 00:16:01,400 --> 00:16:02,080 Speaker 4: Good morning mate. 338 00:16:02,320 --> 00:16:03,680 Speaker 1: Yeah, we very well. 339 00:16:04,000 --> 00:16:08,640 Speaker 3: So tell us about the documentary The Foot for Rock 340 00:16:08,720 --> 00:16:09,160 Speaker 3: and Roll. 341 00:16:10,360 --> 00:16:11,840 Speaker 4: Do you want to know what it's aboad or. 342 00:16:12,320 --> 00:16:15,040 Speaker 2: Tell us how it came about making it? 343 00:16:15,560 --> 00:16:18,600 Speaker 4: Yeah, I've got to call out of the Blue from 344 00:16:19,160 --> 00:16:20,000 Speaker 4: Greg Garbolini. 345 00:16:20,080 --> 00:16:21,200 Speaker 1: His name was Yes and. 346 00:16:22,680 --> 00:16:24,680 Speaker 4: Yeah, and he said he had a really good friend 347 00:16:24,680 --> 00:16:27,040 Speaker 4: who was a fan of mine and wanted to make 348 00:16:27,040 --> 00:16:29,840 Speaker 4: a doc gay and I thought he was kidding. Yeah, 349 00:16:29,880 --> 00:16:32,880 Speaker 4: so I checked it all out. Ian Harley's name was 350 00:16:33,680 --> 00:16:39,160 Speaker 4: from Halo Records, Halo Films, and he was thinking about 351 00:16:39,160 --> 00:16:43,360 Speaker 4: it right. So it's come on from there, right out 352 00:16:43,360 --> 00:16:47,800 Speaker 4: of the blue, and we spent about eighteen months, ton 353 00:16:47,920 --> 00:16:48,240 Speaker 4: I think. 354 00:16:48,400 --> 00:16:50,320 Speaker 1: Yeah, Ian loves a good story and he loves putting 355 00:16:50,320 --> 00:16:52,000 Speaker 1: it on the on the screen, especially there at the 356 00:16:52,000 --> 00:16:52,800 Speaker 1: backlob Unreal. 357 00:16:53,840 --> 00:16:56,520 Speaker 4: Yeah. Yeah, they're great people there, Dog and the guy 358 00:16:56,520 --> 00:16:58,960 Speaker 4: who did it, Luk's a really lovely blake turn put 359 00:16:58,960 --> 00:16:59,840 Speaker 4: a lot of time into it. 360 00:17:01,440 --> 00:17:05,679 Speaker 2: So yeah, we've just done a great series on our 361 00:17:05,720 --> 00:17:09,000 Speaker 2: show about the Perth. You know, live music scene in 362 00:17:09,040 --> 00:17:12,600 Speaker 2: the pubs back in the eighties. You had some time 363 00:17:12,680 --> 00:17:14,720 Speaker 2: in the pubs back in the eighties. Tell us about 364 00:17:15,320 --> 00:17:17,240 Speaker 2: playing with the Boys for example. 365 00:17:18,560 --> 00:17:20,639 Speaker 4: Oh yeah, I was in the Boys. I was in 366 00:17:20,680 --> 00:17:25,040 Speaker 4: the Fantoms as well in late seventies, early eighties. I won. 367 00:17:25,080 --> 00:17:28,080 Speaker 4: There was just so much work. It was an incredible 368 00:17:28,400 --> 00:17:33,640 Speaker 4: the series you've been doing beautiful by thank you. It's yeah, 369 00:17:33,720 --> 00:17:35,920 Speaker 4: it's good to document all that stuff. Someone's got to 370 00:17:35,960 --> 00:17:40,240 Speaker 4: do it. Yeah, so really vibrant days. I was in 371 00:17:40,280 --> 00:17:44,080 Speaker 4: the Boys. I did an album with them, yep, threw 372 00:17:44,160 --> 00:17:48,399 Speaker 4: it over Earth with them, and that's about ninety percent. 373 00:17:48,520 --> 00:17:49,440 Speaker 4: Let's work now, I reckon. 374 00:17:49,920 --> 00:17:50,720 Speaker 1: Yeah great? 375 00:17:50,760 --> 00:17:51,080 Speaker 3: Is it true? 376 00:17:51,119 --> 00:17:53,159 Speaker 1: You guys did over three hundred gigs One Green and 377 00:17:53,160 --> 00:17:54,639 Speaker 1: the Phantom, So I was three undred gigs in that 378 00:17:54,640 --> 00:17:56,080 Speaker 1: first year and that's phenomenal. 379 00:17:56,960 --> 00:18:02,720 Speaker 4: It's outrageous, isn't it. There's three even wow wow. Yeah, 380 00:18:02,880 --> 00:18:05,240 Speaker 4: and that's that's fall gigs. Nomber this two or three 381 00:18:05,280 --> 00:18:06,200 Speaker 4: bands from at a time. 382 00:18:06,400 --> 00:18:06,600 Speaker 7: Yeah. 383 00:18:07,119 --> 00:18:14,520 Speaker 1: That would places like Cabaage hotel shows. Yeah, yeah, I. 384 00:18:14,640 --> 00:18:16,639 Speaker 4: Discover was like on the Church on a Sunday for 385 00:18:16,680 --> 00:18:20,960 Speaker 4: a lot of Peoples. Yeah, it was really wild. Was 386 00:18:22,000 --> 00:18:30,080 Speaker 4: the City Hotel CEB the White Scenes Yeah, Andernando's Nightclub. Yes, 387 00:18:30,480 --> 00:18:34,600 Speaker 4: they were all the sort of rock venues. Yeah, but 388 00:18:35,200 --> 00:18:38,320 Speaker 4: I really miss it, to be honest, I'm glad I'm 389 00:18:38,320 --> 00:18:39,680 Speaker 4: not a young blake getting into it now. 390 00:18:40,480 --> 00:18:42,240 Speaker 3: It's very different, different. 391 00:18:43,320 --> 00:18:47,280 Speaker 4: Yeah, it's a whole new scene speaking yeah. 392 00:18:47,240 --> 00:18:53,480 Speaker 2: Sorry, yeah, speaking of touring, Uh, you toured with the Kings. 393 00:18:54,720 --> 00:18:55,280 Speaker 4: Yeah, I did. 394 00:18:55,400 --> 00:18:57,680 Speaker 3: It was my ideal of incredible. 395 00:18:58,800 --> 00:19:01,680 Speaker 4: It was fantastic. I say, it was the first time 396 00:19:01,720 --> 00:19:07,760 Speaker 4: I've ever stayed in my four star hotels. Yeah. No, 397 00:19:07,760 --> 00:19:09,239 Speaker 4: they were really good to us, so I've just good 398 00:19:09,280 --> 00:19:12,800 Speaker 4: accommodation and they were one of my favorite bands ever 399 00:19:12,960 --> 00:19:14,240 Speaker 4: and it was part of the deal for me to 400 00:19:14,320 --> 00:19:15,800 Speaker 4: join the Boys. That was kind of the swep. 401 00:19:16,400 --> 00:19:20,040 Speaker 1: Oh gotcha? Yeah you didn't, you know, like, let write 402 00:19:20,080 --> 00:19:22,560 Speaker 1: Davies down, throw any any TV's out the window of 403 00:19:22,560 --> 00:19:23,399 Speaker 1: the pool, did you, mate? 404 00:19:24,240 --> 00:19:27,120 Speaker 4: No? No, no, we actually we behaved ourselves really well. 405 00:19:27,280 --> 00:19:30,680 Speaker 4: I've done that and yeah, I've never been at a 406 00:19:30,880 --> 00:19:33,879 Speaker 4: check and a record of bruins. I've done a lot 407 00:19:33,880 --> 00:19:34,879 Speaker 4: of other nasty things. 408 00:19:35,240 --> 00:19:38,360 Speaker 1: You haven't been that, Joe Walsh mote. 409 00:19:38,560 --> 00:19:41,040 Speaker 4: No, no, no, yea only by accident. 410 00:19:41,960 --> 00:19:44,320 Speaker 2: Yeah, nice one dives into swimming pools from the top 411 00:19:44,359 --> 00:19:45,760 Speaker 2: of a roof anywhere. 412 00:19:46,280 --> 00:19:52,920 Speaker 4: No, no, no, I don't value fine Yeah enough the 413 00:19:53,040 --> 00:19:53,879 Speaker 4: slope as well. 414 00:19:54,160 --> 00:19:56,760 Speaker 1: Yeah, And I want to talk about the music business 415 00:19:56,760 --> 00:19:58,920 Speaker 1: and money. Unless you're making it big, you're not making 416 00:19:58,960 --> 00:20:01,359 Speaker 1: big money, is it. You've made more money from gardening 417 00:20:01,440 --> 00:20:04,680 Speaker 1: than than than rock and roll. 418 00:20:04,440 --> 00:20:08,120 Speaker 4: A lot more. Yeah, and I haven't done gardening all 419 00:20:08,160 --> 00:20:11,280 Speaker 4: that long. Yeah, it never made a millionaire of that, 420 00:20:11,320 --> 00:20:15,679 Speaker 4: but the money was awful. The other bands around the 421 00:20:15,680 --> 00:20:19,840 Speaker 4: eighties and that they actually opened it up to the 422 00:20:19,840 --> 00:20:22,560 Speaker 4: bigger venues and I think it only had two dollar 423 00:20:22,600 --> 00:20:25,439 Speaker 4: door charges for thanks like the frames that could pull 424 00:20:25,480 --> 00:20:30,560 Speaker 4: a thousand people. Yeah, yeah, Baker pre yeah, and the 425 00:20:30,640 --> 00:20:32,240 Speaker 4: rock bands were on a bit of a lower scar, 426 00:20:32,400 --> 00:20:32,919 Speaker 4: I'm afraid. 427 00:20:33,560 --> 00:20:35,480 Speaker 1: But it's a problem you've got. You've got people who've 428 00:20:35,480 --> 00:20:37,119 Speaker 1: been on stage and the roadies and the sound and 429 00:20:37,160 --> 00:20:38,679 Speaker 1: lights of people who haven't got much super You know, 430 00:20:38,720 --> 00:20:41,040 Speaker 1: it is an issue, isn't it. 431 00:20:41,040 --> 00:20:46,120 Speaker 4: It really is. There's a I don't know who, there's 432 00:20:46,160 --> 00:20:51,159 Speaker 4: a really good mob that's looking after people now about it. 433 00:20:51,160 --> 00:20:52,520 Speaker 1: There is, Yeah, in the music industry. 434 00:20:52,800 --> 00:20:56,879 Speaker 4: Absolutely, that's the Yeah. Yeah, there's a lot of cases though, 435 00:20:58,400 --> 00:21:00,560 Speaker 4: I've got mates now that you know on they last 436 00:21:00,560 --> 00:21:03,320 Speaker 4: the legs of them and they're all baggered and with 437 00:21:03,520 --> 00:21:06,359 Speaker 4: no backup. At least I've got mates from the PASA, 438 00:21:06,840 --> 00:21:07,320 Speaker 4: which is good. 439 00:21:08,359 --> 00:21:11,359 Speaker 2: The blur for the the blur for the doco talks about, 440 00:21:11,440 --> 00:21:13,360 Speaker 2: you know, being on the brink of fame three times, 441 00:21:14,320 --> 00:21:16,280 Speaker 2: and all of that will be explained in the documentary. 442 00:21:16,280 --> 00:21:21,840 Speaker 2: But I'm curious about the nineties when you went to Nashville. 443 00:21:22,240 --> 00:21:26,160 Speaker 2: What is it true that in Nashville, absolutely everybody you're 444 00:21:26,160 --> 00:21:29,600 Speaker 2: come into contact with, what's to play your song, here's 445 00:21:29,600 --> 00:21:32,000 Speaker 2: your coffee, and I've got something to play for you. 446 00:21:32,200 --> 00:21:39,480 Speaker 4: Yeah. They the blood on petrol for serving that, almost 447 00:21:39,520 --> 00:21:42,920 Speaker 4: every every person. And I really loved Australians at the time, 448 00:21:42,920 --> 00:21:44,000 Speaker 4: which was great for mate. 449 00:21:44,080 --> 00:21:45,440 Speaker 1: All right, that's cool. 450 00:21:45,560 --> 00:21:50,480 Speaker 4: Yeah, when they came out by accident again, I was 451 00:21:50,600 --> 00:21:52,800 Speaker 4: sick of music, so I went busting in King's Cross 452 00:21:52,800 --> 00:21:56,040 Speaker 4: with a motormite all right, Yeah, And I learned to 453 00:21:56,040 --> 00:22:00,720 Speaker 4: play guitars and I did a few little recordings and 454 00:22:00,760 --> 00:22:04,040 Speaker 4: that over there and send it over here, and my 455 00:22:04,119 --> 00:22:07,879 Speaker 4: brother who managed the frames, showed the same one. It's 456 00:22:07,920 --> 00:22:10,720 Speaker 4: a long story, but anyway, own the dufinancial over the 457 00:22:10,760 --> 00:22:11,359 Speaker 4: movie again. 458 00:22:11,880 --> 00:22:15,600 Speaker 1: How incredible. Yeah, And like all movies, sometimes the funding 459 00:22:15,640 --> 00:22:17,640 Speaker 1: issue gets in the way and things can fall out. 460 00:22:17,680 --> 00:22:21,080 Speaker 4: That's what happened. Yeah, that's what happens to a year exactly. Mate. Yeah, 461 00:22:21,880 --> 00:22:24,560 Speaker 4: I wish I'm shortening my answers. 462 00:22:24,200 --> 00:22:30,919 Speaker 2: For where people might be able to find out a 463 00:22:30,960 --> 00:22:33,040 Speaker 2: bit more. Actually, as you're doing a Q and A, 464 00:22:33,359 --> 00:22:37,600 Speaker 2: I believe and a special performance at the what are 465 00:22:37,600 --> 00:22:39,760 Speaker 2: the screenings at Luna this weekend? 466 00:22:40,080 --> 00:22:40,439 Speaker 1: Brilliant? 467 00:22:40,880 --> 00:22:45,040 Speaker 2: Both both Okay, Friday and Saturday special screenings of Green 468 00:22:45,080 --> 00:22:46,960 Speaker 2: the Fight for Rock and Roll at Luna. 469 00:22:47,840 --> 00:22:49,640 Speaker 3: Chance to have a chat there. 470 00:22:50,760 --> 00:22:54,000 Speaker 4: Yeah, sure, the Q and A with Luke Luke the 471 00:22:54,040 --> 00:22:57,520 Speaker 4: director as well. Okay, and I get to play. Actually, 472 00:22:57,520 --> 00:22:59,760 Speaker 4: the Q and A is being run by the lead, 473 00:22:59,840 --> 00:23:03,280 Speaker 4: says my partner. This great This time I asked her 474 00:23:03,320 --> 00:23:07,240 Speaker 4: because Bob Gordon had to drop out, right, so she 475 00:23:07,359 --> 00:23:08,440 Speaker 4: might get a bid date from me. 476 00:23:09,119 --> 00:23:11,600 Speaker 1: Yeah, you'll be right, mate. That's what you do, go 477 00:23:11,720 --> 00:23:14,000 Speaker 1: to answers you can allow out there. 478 00:23:14,280 --> 00:23:18,760 Speaker 4: Yeah, yeah, I'll do that. I'll do that. It's more 479 00:23:19,200 --> 00:23:22,159 Speaker 4: than anyway. 480 00:23:22,600 --> 00:23:24,560 Speaker 1: Really look forward to seeing your mate, Dan. Thanks for 481 00:23:24,600 --> 00:23:25,720 Speaker 1: the music, Ny over the years. 482 00:23:25,880 --> 00:23:29,399 Speaker 4: Yes, thank you you guys. Thanks Wayne, keep up with 483 00:23:29,480 --> 00:23:29,920 Speaker 4: good work. 484 00:23:30,440 --> 00:23:32,960 Speaker 2: The Fight for Rock and Roll is on a Luna 485 00:23:33,000 --> 00:23:35,520 Speaker 2: this Friday and Saturday with a special performance and a 486 00:23:35,600 --> 00:23:36,480 Speaker 2: Q and A Wayne. 487 00:23:36,520 --> 00:23:37,399 Speaker 3: Thanks for joining us. 488 00:23:38,040 --> 00:23:40,600 Speaker 4: Thanks, Thanks, say More. 489 00:23:40,440 --> 00:23:46,960 Speaker 3: Clezy More, Lisa More Podcasts soon. Great to flick with 490 00:23:47,040 --> 00:23:50,399 Speaker 3: ben o'she Hello, good morning you guys. 491 00:23:50,520 --> 00:23:54,560 Speaker 8: I am great here to talk about a movie that, look, 492 00:23:54,560 --> 00:23:57,920 Speaker 8: it's going to be something on everybody's lips at the moment. 493 00:23:58,000 --> 00:24:02,400 Speaker 8: It ends with us the new Blake Lively movie. Now 494 00:24:02,400 --> 00:24:04,680 Speaker 8: it's based on like it's really a classic kind of 495 00:24:04,720 --> 00:24:08,439 Speaker 8: airport novel, which sounds like sounds like a criticism because 496 00:24:08,440 --> 00:24:13,160 Speaker 8: it is by Colleen Hoover. It's a New York Times bestseller. 497 00:24:13,280 --> 00:24:14,600 Speaker 8: Least you've read it. 498 00:24:14,680 --> 00:24:17,720 Speaker 3: I've read it. I didn't love it, but it's. 499 00:24:17,560 --> 00:24:18,040 Speaker 5: Not my. 500 00:24:19,600 --> 00:24:19,800 Speaker 3: Tea. 501 00:24:20,000 --> 00:24:21,280 Speaker 1: Welew it in by best selling. 502 00:24:21,440 --> 00:24:23,879 Speaker 2: I was, I was helut it in by the words 503 00:24:24,000 --> 00:24:25,720 Speaker 2: New York Times and best seller. 504 00:24:25,840 --> 00:24:27,840 Speaker 8: It does feel like these days they slapped it on 505 00:24:27,960 --> 00:24:35,560 Speaker 8: just about every book. Yeah, you know, long is the 506 00:24:35,600 --> 00:24:39,080 Speaker 8: list anyway, So it's in the same category as you know, 507 00:24:39,200 --> 00:24:43,320 Speaker 8: You're You're Gone Girls, Your girl on the Train, where 508 00:24:43,359 --> 00:24:46,280 Speaker 8: the craw Dads sing like I loved all those Yeah, 509 00:24:46,359 --> 00:24:48,920 Speaker 8: those books I would say are better. This is more 510 00:24:48,960 --> 00:24:52,000 Speaker 8: of like a romance, like a romance novel. Like it's 511 00:24:52,000 --> 00:24:55,760 Speaker 8: maybe a slightly elevated Mills and Boone kind of thing. Anyway, 512 00:24:55,800 --> 00:24:58,760 Speaker 8: so they've turned it into a movie now starring Blake Lively. 513 00:24:58,800 --> 00:25:00,800 Speaker 8: It's a sort of book where you know, her character 514 00:25:00,840 --> 00:25:03,800 Speaker 8: is called Lily Blossom Bloom and wait for it, she 515 00:25:03,960 --> 00:25:07,479 Speaker 8: owns a Floris's shot and the blokes, and the blokes 516 00:25:07,520 --> 00:25:11,280 Speaker 8: have names like in probable names like Ryle Kink and 517 00:25:11,440 --> 00:25:14,439 Speaker 8: Atlas Courage and as of course there's a sort of 518 00:25:14,840 --> 00:25:19,120 Speaker 8: a love triangle going on. But at its core it's 519 00:25:19,200 --> 00:25:23,520 Speaker 8: really an examination of domestic violence, which is a very 520 00:25:23,600 --> 00:25:26,840 Speaker 8: weighty topic. And so you know, you could make the 521 00:25:26,960 --> 00:25:30,520 Speaker 8: argument that is that the sort of theme that's best 522 00:25:30,600 --> 00:25:32,960 Speaker 8: explored by a glossy romance. 523 00:25:33,840 --> 00:25:34,560 Speaker 3: Probably not. 524 00:25:34,640 --> 00:25:39,040 Speaker 8: It probably romanticizes something that's very serious and in real 525 00:25:39,080 --> 00:25:42,040 Speaker 8: life is ugly and terrifying and grim and hopeless and not, 526 00:25:42,400 --> 00:25:43,919 Speaker 8: you know, the sort of thing where you make a 527 00:25:43,960 --> 00:25:47,000 Speaker 8: movie and every shot is this beautiful shot of Boston 528 00:25:47,040 --> 00:25:49,680 Speaker 8: in autumn with the leaves changing color and the sun 529 00:25:49,800 --> 00:25:53,600 Speaker 8: setting and everything looks amazing, and so it's been directed 530 00:25:53,600 --> 00:25:56,240 Speaker 8: by Justin Baldoni, who people might remember from the TV 531 00:25:56,280 --> 00:25:59,600 Speaker 8: show Jane the Virgin. He's also he also plays Ryle 532 00:25:59,720 --> 00:26:04,200 Speaker 8: kink Hate, this charming neurosurgeon that Blake Lively's character meets. 533 00:26:04,720 --> 00:26:06,320 Speaker 3: Because of course he's a neurosearcher. 534 00:26:06,440 --> 00:26:07,320 Speaker 1: He's a neurosearcher. 535 00:26:07,840 --> 00:26:10,520 Speaker 8: And then they sort of strike up at romance, and 536 00:26:10,840 --> 00:26:13,040 Speaker 8: all the way through she has these flashbacks to her 537 00:26:13,119 --> 00:26:17,000 Speaker 8: first love, Atlas, who was a kid who was a 538 00:26:17,000 --> 00:26:20,359 Speaker 8: homeless boy who lived in this abandoned the sky across 539 00:26:20,440 --> 00:26:23,199 Speaker 8: the road from her childhood home, and they sort of, 540 00:26:23,280 --> 00:26:25,040 Speaker 8: you know, sort of fall in love and all the 541 00:26:25,080 --> 00:26:28,040 Speaker 8: rest of it. And then years later she bumps into 542 00:26:28,119 --> 00:26:31,560 Speaker 8: him because he owns a restaurant in Boston. So, you know, 543 00:26:31,640 --> 00:26:34,639 Speaker 8: as her relationship with the doctor unfolds, there are may 544 00:26:34,640 --> 00:26:37,920 Speaker 8: be some moments where there are these incidents around the house, 545 00:26:38,000 --> 00:26:40,359 Speaker 8: like he burns a for tata in the oven and 546 00:26:40,400 --> 00:26:42,920 Speaker 8: he reaches into grab out the pan, burns his hand 547 00:26:42,960 --> 00:26:45,040 Speaker 8: and he sort of pulls his hand back and gives 548 00:26:45,080 --> 00:26:48,760 Speaker 8: her a whack in the face seemingly accidentally. When they 549 00:26:48,800 --> 00:26:51,240 Speaker 8: go into Atlas's restaurant, he sees that she's got a 550 00:26:51,240 --> 00:26:53,199 Speaker 8: bit of a shiner and is like, oh, hang on 551 00:26:53,240 --> 00:26:55,679 Speaker 8: a minute, is it maybe more to this story? Was 552 00:26:55,680 --> 00:27:00,119 Speaker 8: it an accident? He gets very protective of her, the 553 00:27:00,160 --> 00:27:03,600 Speaker 8: doctor finds out, gets a bit jealous about this Atlas guy, 554 00:27:04,359 --> 00:27:07,240 Speaker 8: and so it unfolds from there and eventually you kind 555 00:27:07,280 --> 00:27:11,560 Speaker 8: of have to decide whether these incidents are just harmless 556 00:27:11,600 --> 00:27:16,600 Speaker 8: accidents or whether Ryle Kincaid is actually an abuser, and 557 00:27:16,640 --> 00:27:18,359 Speaker 8: then she has to make a call on whether she 558 00:27:18,440 --> 00:27:22,600 Speaker 8: stays with him or not. So there's some good stuff 559 00:27:22,680 --> 00:27:25,639 Speaker 8: to examine in a film like this, but it just 560 00:27:25,680 --> 00:27:29,320 Speaker 8: doesn't do it. And the book spends a lot more time, 561 00:27:29,480 --> 00:27:33,240 Speaker 8: I guess, focused on the abuse and what Lily, the 562 00:27:33,359 --> 00:27:35,879 Speaker 8: character of Lily has to go through and as a 563 00:27:35,920 --> 00:27:39,600 Speaker 8: survivor of this type of stuff and eventually getting to 564 00:27:39,680 --> 00:27:43,520 Speaker 8: the point where she leaves him. The film doesn't really 565 00:27:43,560 --> 00:27:44,360 Speaker 8: address it at all. 566 00:27:44,400 --> 00:27:47,800 Speaker 3: It's because she's seen her parents go through. 567 00:27:48,760 --> 00:27:50,800 Speaker 8: She's seen her parents, her mum was a victim of 568 00:27:50,800 --> 00:27:53,800 Speaker 8: her father's abuse in her childhood, and so there's this 569 00:27:53,880 --> 00:27:55,800 Speaker 8: cycle of abuse and the whole it's end with us. 570 00:27:55,800 --> 00:27:57,879 Speaker 8: It's a sort of film where there's a title drop, 571 00:27:57,960 --> 00:28:00,760 Speaker 8: you know, the most egregious title drop where where Blake 572 00:28:00,800 --> 00:28:03,439 Speaker 8: Lively is like it ends with us and it's one 573 00:28:03,480 --> 00:28:05,200 Speaker 8: of the last things. It's one of the last things 574 00:28:05,240 --> 00:28:07,480 Speaker 8: the film leaves you with, and you just go, oh 575 00:28:07,560 --> 00:28:11,600 Speaker 8: my gosh, this is just so cheesy. And you know, like, 576 00:28:12,119 --> 00:28:14,680 Speaker 8: over the years, there's been some incredible movies about this topic, 577 00:28:14,720 --> 00:28:17,560 Speaker 8: you know, like going all the way back to Sleeping, 578 00:28:17,600 --> 00:28:21,080 Speaker 8: Sleeping with the Enemy with Julia Roberts once We're Warriors, 579 00:28:21,160 --> 00:28:23,879 Speaker 8: even a film like Tanya with Margot Robbie where she 580 00:28:24,840 --> 00:28:28,200 Speaker 8: you know, she played Tanya Harding, the ice skater that 581 00:28:28,359 --> 00:28:31,080 Speaker 8: tackles domestic abuse in a way that is much more 582 00:28:31,080 --> 00:28:32,080 Speaker 8: gritty and realistic. 583 00:28:33,119 --> 00:28:37,640 Speaker 3: You know, yeah, it's you can't turn it into a Roman, can't. 584 00:28:38,520 --> 00:28:39,840 Speaker 1: Sorry, just really can't. 585 00:28:40,240 --> 00:28:41,240 Speaker 3: The Neurosurgeon. 586 00:28:41,440 --> 00:28:44,440 Speaker 8: Yes, all the performances are terrible, except for Blake Lively. 587 00:28:44,600 --> 00:28:48,360 Speaker 8: She's fantastic. And look, if you read the book, you 588 00:28:48,400 --> 00:28:51,520 Speaker 8: go along and watch it, you probably enjoy it. There's 589 00:28:51,720 --> 00:28:56,320 Speaker 8: a weird Ellen DeGeneres in the book. She's kind of 590 00:28:56,360 --> 00:28:58,720 Speaker 8: like the character writes a journal to Ellen de Generes 591 00:28:59,040 --> 00:29:02,840 Speaker 8: and the Ellen DeGeneres keeps swimming from finding Nemo is 592 00:29:02,880 --> 00:29:05,720 Speaker 8: a line that keeps repeated through the book. Thankfully that's 593 00:29:05,760 --> 00:29:08,080 Speaker 8: not in the film, So there's there's a bit that's 594 00:29:08,120 --> 00:29:10,800 Speaker 8: been cut out. Some of it benefits the film, but 595 00:29:10,880 --> 00:29:12,840 Speaker 8: a lot of it actually doesn't. It makes all the 596 00:29:12,920 --> 00:29:14,040 Speaker 8: characters really superficial. 597 00:29:14,120 --> 00:29:16,400 Speaker 2: I'm glad that you because I always thought it just 598 00:29:16,480 --> 00:29:18,160 Speaker 2: handled the topic weird. 599 00:29:18,480 --> 00:29:21,040 Speaker 1: Yeah, it does sound like a strange way of yeah, yeah, 600 00:29:21,160 --> 00:29:22,200 Speaker 1: touching on that. 601 00:29:22,520 --> 00:29:24,800 Speaker 8: So if you're looking for anything that really change your 602 00:29:24,840 --> 00:29:26,960 Speaker 8: understanding of what it's like to be a survivor in 603 00:29:26,960 --> 00:29:28,480 Speaker 8: these horrible situations, this is not it. 604 00:29:28,600 --> 00:29:29,200 Speaker 1: Stay away from it. 605 00:29:29,400 --> 00:29:32,200 Speaker 8: It's kind of like a romantic fantasy that really downplays 606 00:29:32,200 --> 00:29:32,800 Speaker 8: the seriousness. 607 00:29:33,520 --> 00:29:36,000 Speaker 3: Yes, so what are you giving it? 608 00:29:36,040 --> 00:29:36,200 Speaker 4: Two? 609 00:29:36,520 --> 00:29:41,440 Speaker 8: Two stars? And both for both for both for Blake Lively, 610 00:29:41,480 --> 00:29:45,240 Speaker 8: who's fantastic. If you know, yeah, give it a miss. 611 00:29:45,440 --> 00:29:47,600 Speaker 8: Maybe don't bother with the sequel. It starts with oh, 612 00:29:47,720 --> 00:29:50,320 Speaker 8: you don't even get I pray that that never happens. 613 00:29:50,520 --> 00:29:52,000 Speaker 1: But as you touched on Ben before, we went to 614 00:29:52,040 --> 00:29:54,240 Speaker 1: where if people go and she gets bums on seats, 615 00:29:54,280 --> 00:29:55,840 Speaker 1: then she and husband Ryan. 616 00:29:55,960 --> 00:29:58,840 Speaker 8: They both he's got Deadpool at the movies, She's got 617 00:29:58,840 --> 00:30:00,560 Speaker 8: this could be it could be the new Abenheimer. 618 00:30:01,120 --> 00:30:03,240 Speaker 2: I think to be Babenheimer, one of the movies needs 619 00:30:03,280 --> 00:30:04,720 Speaker 2: to be Oppenheimer. 620 00:30:06,680 --> 00:30:07,600 Speaker 3: Or on that caliber. 621 00:30:09,040 --> 00:30:13,720 Speaker 1: Thank you, guys, Crazy and Lisa ninety six, a m