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Speaker 1: So Lise, Yes, Clazy.

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Speaker 2: When I was ripping open the envelope and I said,

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Speaker 2: you read it because I didn't know what it was

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Speaker 2: and I was starting the time for five minutes, What

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Speaker 2: were you thinking?

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Speaker 3: I was thinking, Okay, yeah, me too.

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Speaker 1: No, I want to listen to I have a listen

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Speaker 1: to this.

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Speaker 3: An envelope contains the music topic to discuss.

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Speaker 2: This five minutes on the clock to film and there's

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Speaker 2: no times of pred This is banter with Clezy and Lisa.

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Speaker 1: Are you ready? Les, Yeah, I'm going to get my

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Speaker 1: little timer here? It is? Can you read it for me?

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Speaker 1: The Clash, the Clash, five minutes on the Clash? What

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Speaker 1: a bed?

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Speaker 3: Should I stay or should I go?

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Speaker 2: Now? You should stay because we can talk about together

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Speaker 2: because we both love the Clash.

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Speaker 3: I love that song so much.

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Speaker 1: It is a beauty, isn't it.

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Speaker 3: Yeah? Combat rum Yeah, I mean rock the Kasbar obviously.

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Speaker 1: Yeah, it's a ripper.

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Speaker 2: That was a really that was sort of like a

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Speaker 2: really commercial hit for a punk band here.

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Speaker 3: Yeah, yeah, but should I stay? I should have go?

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Speaker 3: Oh they used to do things to me, still does actually?

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Speaker 1: Yeah. Yeah.

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Speaker 2: If you think about the players, the members of the band,

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Speaker 2: who we you know, have done so much and we've

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Speaker 2: lost we've lost a lost straumma of course. But Mick

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Speaker 2: Jones was one of those blokes who went on to

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Speaker 2: Big Audio Dynamite, a real innovator and a guy with

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Speaker 2: They all had this great punk kind of attitude to things,

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Speaker 2: so they didn't They wanted to songs like no, you're right,

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Speaker 2: so they wanted to, you know, make a standard.

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Speaker 1: The lyrics meant something.

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Speaker 4: I feel like they were proper you know punks that

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Speaker 4: the emphasis wasn't on the just the looking like punks

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Speaker 4: and actions like punks.

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Speaker 3: That the emphasis was on.

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Speaker 1: The music, the musicianship.

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Speaker 3: But they definitely were punk Clash and the Jam.

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Speaker 2: They were your bands, yeah, because you had the pistols

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Speaker 2: who made so much, got so much attention. But the

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Speaker 2: musicianship was noticeable when you had Sid rolled up and

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Speaker 2: he couldn't play at all.

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Speaker 3: Sid was Sid couldn't play an instrument, and I mean,

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Speaker 3: we're not doing the sex pistols.

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Speaker 1: But yeah, of course it's.

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Speaker 3: Taken that turn.

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Speaker 4: Sid could not play an instrument and he was only

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Speaker 4: in the band for about seven or eight months.

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Speaker 1: It will just give you the His.

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Speaker 4: Legacy would think that he was the lead of the

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Speaker 4: Sex Pistols for twelve years. Yeah, they were only around

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Speaker 4: for about two Yeah, the bad the whole band. Interesting time,

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Speaker 4: but then very interesting Harleigh into the likes of Joe.

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Speaker 1: Strama, Joe Strauma.

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Speaker 2: You know there's a there's a documentary out there about

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Speaker 2: Joe Strummers Live, which documents very similar to Daydream and

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Speaker 2: Bowie One, because it's not just a really straightforward, a

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Speaker 2: question an interview type situation with various.

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Speaker 3: I can't quite I can't think of the name of it.

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Speaker 3: I can see the cover of the TV, I can't.

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Speaker 2: Think of a couple of months ago. But it's actually

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Speaker 2: quite creative the way they've done it. It's it's got

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Speaker 2: a lot more to it than just the basic interviews

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Speaker 2: and stuff.

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Speaker 4: Yeah, so I can't as much as I like I said,

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Speaker 4: I love the songs that I know, I don't know

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Speaker 4: a lot about the clash.

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Speaker 1: Yeah.

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Speaker 2: I wish I'd gotten to see them live, just to

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Speaker 2: hear that, because they they had so many blends going

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Speaker 2: in because at times they almost they could sound a

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Speaker 2: bit reggae, they could sound a bit scar but at

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Speaker 2: the end of the day it was fairly commercial punk

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Speaker 2: to a large degree as far as the singles that

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Speaker 2: made the charts.

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Speaker 4: Yeah, if they've been around in the nineties, they would

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Speaker 4: have had a Blue versus Oasis type.

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Speaker 3: Of thing going on with them and the jam.

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Speaker 4: Yeah, you know not they probably wouldn't have, but the

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Speaker 4: media would have been posed on them.

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Speaker 2: And we had, you know, the great personalities in the band,

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Speaker 2: and we've lost you know, just drummer. Of course, as

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Speaker 2: we mentioned, Nick Jones continues on who always looked like

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Speaker 2: the He always looked like he was sort of a

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Speaker 2: bit sick. He was one of the pale, little sporting

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Speaker 2: kind of pas.

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Speaker 1: As well.

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Speaker 3: But he has a very interesting voice which comes through.

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Speaker 1: In big audio, big audio dynamite.

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Speaker 4: There are some amazing songs, So the Clash gave rise

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Speaker 4: to that. Yeah, do you have a favorite Clash song?

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Speaker 2: Look, I think some of the We played a couple

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Speaker 2: on the radio in recent times, and the commercial hits

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Speaker 2: I always loved, and I think Sure to Stay or

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Speaker 2: Should I Go is probably my favorite Clash song of

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Speaker 2: all time. There have been been a few gems over

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Speaker 2: the years.

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Speaker 4: There is one that we played recently was and I said, gosh,

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Speaker 4: we don't play the train.

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Speaker 1: To Train training that one.

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Speaker 4: Yeah, not the last trade to Clarkson, no or to Clarksville.

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Speaker 4: CLARKSVILLEA what was it called anyway, it's not it's not

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Speaker 4: rock the kasbar.

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Speaker 2: You had to admire a drummer whose name everyone calls

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Speaker 2: him Topper Top of Hidden. He was the drummer in

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Speaker 2: the clash, White Topper. I'm not really sure. Maybe you

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Speaker 2: wouldn't call your kid Topper by choice, would you?

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Speaker 1: It was a nickname.

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Speaker 3: Maybe he had always tried to top your stories. Oh yeah,

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Speaker 3: the story his was bigger.

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Speaker 1: Maybe they had he was a one upper.

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Speaker 3: He was a Topper.

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Speaker 2: Clash fans were rigging maybe and maybe I should stop talking.

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Speaker 2: Yeah maybe maybe advisable really loyal fans who would follow

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Speaker 2: them everywhere for sure, especially across the UK. But they

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Speaker 2: actually broke through in America too, which for punk bands

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Speaker 2: was the real English.

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Speaker 4: It's unusual because I got some traction there. Yeah, like

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Speaker 4: Australian bands. A lot of English bands that were you know,

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Speaker 4: big rock were.

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Speaker 3: Who that were?

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Speaker 2: Or the new romantic spanage to do that because spand

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Speaker 2: Out and even more so Durand and maybe a really

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Speaker 2: noads into America.

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Speaker 1: But quite often bands would they go.

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Speaker 3: On college campus. Seen, they loved those guys.

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Speaker 2: Yeah, yeah, yeah, because especially if you're slightly alternative. And

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Speaker 2: of course when you're talking about a band like the

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Speaker 2: Class they were, they fitted the bill beautifully because the

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Speaker 2: college kids love that kind of stuff.

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Speaker 4: I's got the feeling the members of the clash for

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Speaker 4: those kind of people that didn't suffer fools, no doubt, so.

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Speaker 3: It would what would they would have been one of.

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Speaker 1: Those falls The time is over.

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Speaker 2: Good on your Class, Bloody six FM, Clezi and Lisa