1 00:00:00,280 --> 00:00:04,120 Speaker 1: It's a special Will and Woody podcast Mini Woods an 2 00:00:04,200 --> 00:00:06,760 Speaker 1: actor who didn't blink for eight years? 3 00:00:06,920 --> 00:00:08,520 Speaker 2: Yes a line? 4 00:00:08,560 --> 00:00:10,760 Speaker 3: Well, no, it's a genuine headline, my friend. It is 5 00:00:10,760 --> 00:00:12,760 Speaker 3: hot on the goss today. But before I get to 6 00:00:12,840 --> 00:00:15,520 Speaker 3: who that actor was and why they tried not to blink, 7 00:00:16,200 --> 00:00:18,080 Speaker 3: thirteen one oh sixty five is our number. 8 00:00:18,480 --> 00:00:22,360 Speaker 4: Have you ever put your body on the line for 9 00:00:22,440 --> 00:00:24,520 Speaker 4: the job and then. 10 00:00:24,400 --> 00:00:26,639 Speaker 1: A come a lot? 11 00:00:27,360 --> 00:00:31,800 Speaker 3: So you sacrificed your body in any way for your job? 12 00:00:31,920 --> 00:00:33,400 Speaker 4: For your job? Yeah? 13 00:00:33,440 --> 00:00:35,560 Speaker 3: Okay, And the reason we're talking about that is because 14 00:00:35,560 --> 00:00:37,000 Speaker 3: that is exactly. 15 00:00:37,320 --> 00:00:41,400 Speaker 4: What Michael Caine. Michael came, Michael Kate, Michael. 16 00:00:42,520 --> 00:00:46,960 Speaker 3: He's the actor who spent eight years trying not to blink. 17 00:00:47,800 --> 00:00:48,880 Speaker 4: He read in an acting book. 18 00:00:48,920 --> 00:00:52,880 Speaker 1: Can you say that Michael Kaine was eight year trying 19 00:00:53,360 --> 00:00:54,000 Speaker 1: not to blink? 20 00:00:55,720 --> 00:00:56,760 Speaker 4: You know who's really good out of that? 21 00:00:56,840 --> 00:00:58,680 Speaker 3: I was going to play some Michael Kaine, but you know, 22 00:00:58,760 --> 00:01:02,600 Speaker 3: it's way more fun playing Rob Brydon as an English 23 00:01:02,600 --> 00:01:05,520 Speaker 3: comedian doing impersonations of Michael Caine. 24 00:01:06,120 --> 00:01:12,760 Speaker 1: I can't go fast because Michael Caine talks very very slowly. 25 00:01:13,120 --> 00:01:15,520 Speaker 2: It's not quite nasal enough the way you're doing it. 26 00:01:15,560 --> 00:01:18,080 Speaker 2: All right, you're not doing it the way he speaks. 27 00:01:18,400 --> 00:01:19,640 Speaker 2: She was only six step. 28 00:01:19,680 --> 00:01:22,039 Speaker 5: You're only supposed to blow the bloody. 29 00:01:21,720 --> 00:01:27,880 Speaker 1: Does blow the bluddyte and the other art there. 30 00:01:28,640 --> 00:01:32,520 Speaker 3: Yeah, anyway, both great impersonations. But yeah, again, Michael Caine 31 00:01:32,560 --> 00:01:35,919 Speaker 3: was of the view that if he could control his eyes, 32 00:01:36,520 --> 00:01:39,080 Speaker 3: if he didn't have to blink on screen, he would 33 00:01:39,160 --> 00:01:42,560 Speaker 3: be far more engaging when he was acting. So if 34 00:01:42,600 --> 00:01:48,320 Speaker 3: you actually watch any Michael Caine movie, he never blinks ever. 35 00:01:48,480 --> 00:01:49,320 Speaker 4: He never blinks. 36 00:01:49,400 --> 00:01:52,120 Speaker 3: He never blinks, and he's got the nickname on set 37 00:01:52,200 --> 00:01:53,400 Speaker 3: of snake eyes. 38 00:01:54,080 --> 00:01:55,320 Speaker 2: Really that's actually a thing. 39 00:01:55,360 --> 00:01:57,880 Speaker 3: Yeah, that is actually a thing because he never ever 40 00:01:57,920 --> 00:01:59,960 Speaker 3: blinks when he is on screen. 41 00:02:00,200 --> 00:02:01,800 Speaker 1: Saw a child with a ruby. 42 00:02:01,640 --> 00:02:04,040 Speaker 3: So again, so again, that is a huge sacrifice. He 43 00:02:04,080 --> 00:02:06,520 Speaker 3: has put his eyes on the line, effectively cut. 44 00:02:06,320 --> 00:02:09,360 Speaker 1: Off my ruby, my batman bit. I'm not happy about that, sorry. 45 00:02:09,160 --> 00:02:13,040 Speaker 2: Going a child with a ruby de size of a tangode. 46 00:02:12,639 --> 00:02:13,400 Speaker 4: Definitely worth it. 47 00:02:13,919 --> 00:02:16,160 Speaker 3: So so, yeah, he's put his body on the line 48 00:02:16,480 --> 00:02:18,200 Speaker 3: for the job. I know you've put your body on 49 00:02:18,200 --> 00:02:21,720 Speaker 3: the line for the job before. You once copped a 50 00:02:21,919 --> 00:02:24,840 Speaker 3: hit in the face with a fish from a UFC 51 00:02:25,000 --> 00:02:26,000 Speaker 3: fighter f. 52 00:02:28,080 --> 00:02:28,680 Speaker 2: True story. 53 00:02:28,680 --> 00:02:29,519 Speaker 4: Everyone I did. 54 00:02:29,600 --> 00:02:30,760 Speaker 2: I don't know why we did it. 55 00:02:31,240 --> 00:02:32,000 Speaker 4: I can't remember. 56 00:02:32,400 --> 00:02:34,720 Speaker 2: My producer was a meglo maniac. 57 00:02:34,760 --> 00:02:38,839 Speaker 4: You hated me. Ah, that's the reason anyway. So you've 58 00:02:38,840 --> 00:02:43,640 Speaker 4: done it. I've done it. I've done it so many times. 59 00:02:44,639 --> 00:02:47,079 Speaker 3: I've done it so many times that there isn't enough 60 00:02:47,080 --> 00:02:48,480 Speaker 3: time in this spot for me to go through it. 61 00:02:48,520 --> 00:02:51,880 Speaker 3: I'll play my sacrificial acts after the song. But again, 62 00:02:51,919 --> 00:02:53,720 Speaker 3: for you guys out there, thirty one or six fives 63 00:02:53,760 --> 00:02:55,880 Speaker 3: the number. Have you put your body on the line 64 00:02:56,600 --> 00:02:57,920 Speaker 3: for the job, for the job? 65 00:02:58,400 --> 00:03:02,359 Speaker 2: Yeah, you once sweat. I am in great, wide infested 66 00:03:02,400 --> 00:03:03,200 Speaker 2: waters for the job. 67 00:03:03,280 --> 00:03:05,079 Speaker 4: I've got a lot of examples. We'll talk about mine 68 00:03:05,120 --> 00:03:05,400 Speaker 4: up now. 69 00:03:05,440 --> 00:03:07,200 Speaker 2: That you put your body on the line there. Yeah, 70 00:03:07,200 --> 00:03:09,240 Speaker 2: almost appreciated that you were naked as well. It was 71 00:03:09,280 --> 00:03:10,200 Speaker 2: totally warm. 72 00:03:11,120 --> 00:03:14,440 Speaker 1: I hear Woods, I hear hear a bit of a 73 00:03:14,480 --> 00:03:17,120 Speaker 1: package of some of your worst work, very short, which 74 00:03:17,160 --> 00:03:17,960 Speaker 1: I'm looking forward to. 75 00:03:18,200 --> 00:03:20,359 Speaker 4: I wasn't gonna call it my worst work. 76 00:03:21,680 --> 00:03:22,680 Speaker 2: That was my worst word. 77 00:03:23,840 --> 00:03:25,640 Speaker 3: No, it's me putting my body on the line for 78 00:03:25,680 --> 00:03:28,519 Speaker 3: the show, which is actually quite quite impressive in something 79 00:03:28,560 --> 00:03:32,160 Speaker 3: toof thy cap to if you are wearing one. But 80 00:03:32,200 --> 00:03:33,560 Speaker 3: the reason I'm going to play. That is because we 81 00:03:33,600 --> 00:03:35,560 Speaker 3: are taking your calls now. And if you have put 82 00:03:35,600 --> 00:03:37,000 Speaker 3: your body on the line for the. 83 00:03:37,040 --> 00:03:40,520 Speaker 4: Job and then here comes a. 84 00:03:41,720 --> 00:03:45,640 Speaker 3: Rayah, we're talking about it because Michael Kaine doesn't blink 85 00:03:45,680 --> 00:03:48,840 Speaker 3: on screen every single movie he's been in. If you're 86 00:03:48,840 --> 00:03:51,160 Speaker 3: watching Michael Kaine movie this weekend, if you happen to 87 00:03:51,200 --> 00:03:54,320 Speaker 3: stumble across one, he will never blink on camera because 88 00:03:54,320 --> 00:03:55,840 Speaker 3: you're more engaging when you don't blink. 89 00:03:56,160 --> 00:03:57,400 Speaker 4: Do you know how painful that would be? 90 00:03:58,160 --> 00:04:01,240 Speaker 2: Yeah? Yeah, I was gonna how is that putting your body? 91 00:04:01,240 --> 00:04:04,920 Speaker 2: I mean, I don't meant to stinging? Hold your eyes 92 00:04:04,960 --> 00:04:08,600 Speaker 2: open now, this is a very audible bit. 93 00:04:08,680 --> 00:04:12,080 Speaker 4: No, no, but wait for it. Sting stinging yet. 94 00:04:12,000 --> 00:04:16,000 Speaker 3: Yeah it's not there, ah, stingy for me. 95 00:04:19,320 --> 00:04:21,440 Speaker 4: You're trying to do a whole scene with that blinket. 96 00:04:21,480 --> 00:04:23,400 Speaker 2: Let's just get get the wet. 97 00:04:23,600 --> 00:04:29,640 Speaker 4: I prefer to have the wind. This was a new Victoria. 98 00:04:29,720 --> 00:04:31,919 Speaker 4: This was your gardener that put their body on the line. 99 00:04:32,880 --> 00:04:36,599 Speaker 5: Yes, that's correct what they do. So they were washing 100 00:04:36,600 --> 00:04:39,599 Speaker 5: out the bottom of the lawn after they'd finished the lord, 101 00:04:39,640 --> 00:04:41,839 Speaker 5: and they chopped the tip of their finger off. 102 00:04:41,920 --> 00:04:46,039 Speaker 1: Oh and now you know what you meant to do 103 00:04:46,120 --> 00:04:48,280 Speaker 1: in that scenario, you meant to put your finger in 104 00:04:48,360 --> 00:04:49,119 Speaker 1: a bag of ice. 105 00:04:49,600 --> 00:04:53,280 Speaker 5: Yes, we were pretty quick thinking about that. So we 106 00:04:53,400 --> 00:04:56,159 Speaker 5: heard the hollering from outside, and that was my handy 107 00:04:56,240 --> 00:04:58,680 Speaker 5: job to find his finger in the cut grass. 108 00:05:00,080 --> 00:05:01,359 Speaker 4: Did you get it back on? Did you get it 109 00:05:01,360 --> 00:05:02,279 Speaker 4: back on? Yeah? 110 00:05:02,360 --> 00:05:04,080 Speaker 5: Yeah they did. They managed to get. 111 00:05:03,920 --> 00:05:06,640 Speaker 4: It back on a story. 112 00:05:07,080 --> 00:05:09,000 Speaker 1: It almost feels like something you want to try out, 113 00:05:09,040 --> 00:05:09,480 Speaker 1: doesn't it? 114 00:05:09,520 --> 00:05:10,360 Speaker 2: Like it seems. 115 00:05:11,920 --> 00:05:14,000 Speaker 1: Because my mom, You know, my mum works in hands, 116 00:05:14,279 --> 00:05:15,800 Speaker 1: so she used to do it all the time. So 117 00:05:15,839 --> 00:05:17,680 Speaker 1: people would call her and they trop a finger off 118 00:05:17,680 --> 00:05:18,880 Speaker 1: and she'd be like, right, put it in a bag 119 00:05:18,880 --> 00:05:21,080 Speaker 1: with ice driving in. And then it sounds like, you know, 120 00:05:21,160 --> 00:05:23,080 Speaker 1: it's almost just like pulling out a tooth. 121 00:05:23,120 --> 00:05:25,320 Speaker 4: To a radio bit next week, trop me finger off? 122 00:05:25,760 --> 00:05:27,200 Speaker 2: Oh you're volunteering your finger. 123 00:05:27,240 --> 00:05:28,719 Speaker 4: I thought it might have to rock off or something. 124 00:05:28,760 --> 00:05:30,600 Speaker 4: That'd be a good bit, man, I'd love to do that. 125 00:05:31,200 --> 00:05:33,240 Speaker 4: Write that down for a brainstorm it that that could 126 00:05:33,240 --> 00:05:34,160 Speaker 4: be a good bit next week? 127 00:05:34,360 --> 00:05:34,840 Speaker 2: What's that? 128 00:05:35,200 --> 00:05:38,240 Speaker 4: Trop me finger off? And then we put him back 129 00:05:38,279 --> 00:05:40,279 Speaker 4: and then can we get him back together again? You 130 00:05:40,440 --> 00:05:41,520 Speaker 4: like a humpty dumpty song. 131 00:05:41,680 --> 00:05:42,240 Speaker 2: I don't mind it? 132 00:05:42,320 --> 00:05:43,880 Speaker 4: And we put him back together. 133 00:05:44,040 --> 00:05:44,960 Speaker 2: That's definitely not. 134 00:05:48,440 --> 00:05:55,880 Speaker 1: Grammy put him back together again. Not We just go 135 00:05:55,920 --> 00:05:58,719 Speaker 1: for a different thing so we can just steadily dismember you. 136 00:05:58,839 --> 00:06:01,520 Speaker 2: So like first first weeks of finger get me pinking, 137 00:06:01,520 --> 00:06:03,400 Speaker 2: and then we're like, can we take his nose off? 138 00:06:03,480 --> 00:06:06,960 Speaker 2: Oh no, you know, we need a god damn chainsaw. 139 00:06:07,000 --> 00:06:10,039 Speaker 1: Anyway, let's go to Chris. 140 00:06:11,880 --> 00:06:13,920 Speaker 4: Chris, it was a bit of a whack. 141 00:06:14,000 --> 00:06:17,400 Speaker 3: Remember, Chris, you put your body on the line regularly, 142 00:06:17,800 --> 00:06:18,800 Speaker 3: regularly for the job. 143 00:06:18,880 --> 00:06:23,039 Speaker 4: Chris, Yeah, mate, So well not anymore. 144 00:06:23,080 --> 00:06:25,000 Speaker 2: But I am a snake handler at the moment. 145 00:06:25,200 --> 00:06:27,120 Speaker 5: But I used to be a professional adventurer. 146 00:06:27,560 --> 00:06:33,200 Speaker 2: A professional adventurer, yes, does that involved? So I'm actually 147 00:06:33,200 --> 00:06:36,040 Speaker 2: the first person in history to ascend. 148 00:06:35,720 --> 00:06:36,400 Speaker 3: The Murray River. 149 00:06:36,520 --> 00:06:39,240 Speaker 2: So kayak against the flow for six months? 150 00:06:39,279 --> 00:06:41,520 Speaker 4: Bloody hell? Wow? So when did you put your body 151 00:06:41,520 --> 00:06:42,600 Speaker 4: on the line though, Chris? 152 00:06:43,520 --> 00:06:44,279 Speaker 2: So two and a. 153 00:06:44,240 --> 00:06:47,600 Speaker 5: Half thousand kilometers forty seven degree heat down. 154 00:06:47,760 --> 00:06:49,440 Speaker 2: This isn't just a chance for you to tell us 155 00:06:49,440 --> 00:06:52,560 Speaker 2: what happened, Chris. We're looking for like, did you fighter? 156 00:06:52,640 --> 00:06:54,279 Speaker 2: Did you fight a crocodile on the river? 157 00:06:55,400 --> 00:06:58,599 Speaker 1: I did twenty six snake rescue, spent three days with 158 00:06:58,640 --> 00:06:59,840 Speaker 1: an Eastern brown snake in my. 159 00:07:01,480 --> 00:07:04,680 Speaker 5: Up in hospital halfway through with mercury poisoning. 160 00:07:04,800 --> 00:07:05,200 Speaker 4: Geez. 161 00:07:06,400 --> 00:07:09,039 Speaker 1: But I suppose the question is is he putting his 162 00:07:09,120 --> 00:07:12,000 Speaker 1: body on the line or is or is that the job? 163 00:07:12,560 --> 00:07:15,040 Speaker 2: Do you know what I mean? I'm put my body 164 00:07:15,080 --> 00:07:16,320 Speaker 2: on the line for the job. 165 00:07:16,920 --> 00:07:18,320 Speaker 4: To topic, that's a topic. 166 00:07:19,160 --> 00:07:22,120 Speaker 2: I feel like it was the job though. No, No, 167 00:07:22,200 --> 00:07:23,680 Speaker 2: I mean you're putting your body on if. 168 00:07:23,600 --> 00:07:27,280 Speaker 1: Your job, if your job is swimming with sharks, you 169 00:07:27,320 --> 00:07:28,840 Speaker 1: can't say I put your body on the line for 170 00:07:28,920 --> 00:07:30,400 Speaker 1: the job because that is the job. 171 00:07:30,560 --> 00:07:32,320 Speaker 4: Yeah, but I mean, who cares, mate, It's a good story. 172 00:07:34,040 --> 00:07:35,720 Speaker 1: Chris has just leveraged that as a way for him 173 00:07:35,720 --> 00:07:37,119 Speaker 1: to call up and say that he was the first 174 00:07:37,120 --> 00:07:39,080 Speaker 1: manager to paddle against the flow on the. 175 00:07:39,080 --> 00:07:40,520 Speaker 4: Merry rivers off to the big phone. 176 00:07:40,680 --> 00:07:42,840 Speaker 2: We'll come in, Bunny good on him anyway. 177 00:07:42,880 --> 00:07:43,760 Speaker 4: Before the end of the day. 178 00:07:43,800 --> 00:07:45,080 Speaker 2: I mean, there's a fit. We all were a bit 179 00:07:45,120 --> 00:07:46,240 Speaker 2: pissed off about that, weren't we. 180 00:07:46,440 --> 00:07:48,400 Speaker 4: You're the only person who was pissed off. I don't 181 00:07:48,400 --> 00:07:50,400 Speaker 4: know why we're going to go to traffic. 182 00:07:50,480 --> 00:07:53,440 Speaker 3: But before before we do go to traffic, here is 183 00:07:53,520 --> 00:07:56,559 Speaker 3: a montage that Team Mail audio producer has put together 184 00:07:56,560 --> 00:07:58,480 Speaker 3: of me putting my body on the line. 185 00:07:58,840 --> 00:08:02,040 Speaker 4: Who has chili? One of us is dipped in ice. 186 00:08:08,280 --> 00:08:10,960 Speaker 1: You're gonna hum a jingle of what he doesn't guess 187 00:08:11,000 --> 00:08:14,239 Speaker 1: the jingle He has to brand himself with a foot. 188 00:08:16,160 --> 00:08:18,240 Speaker 4: I'm now strapped to a birth simulator. 189 00:08:18,440 --> 00:08:27,280 Speaker 3: Effectively, it simulates the contractions that you get during pregnancy. 190 00:08:28,080 --> 00:08:28,840 Speaker 2: Let's play wax it. 191 00:08:28,920 --> 00:08:31,640 Speaker 1: You just have to suggest a person and would say 192 00:08:31,640 --> 00:08:34,280 Speaker 1: whether or not anything's through and Madame Dussord's wax museum. 193 00:08:34,280 --> 00:08:39,920 Speaker 2: If he gets it wrong, hair on machine goes wow, 194 00:08:40,880 --> 00:08:42,240 Speaker 2: you actually have hurt yourself. 195 00:08:42,240 --> 00:08:44,800 Speaker 1: A lot for this show is that there's more you 196 00:08:44,840 --> 00:08:47,120 Speaker 1: haven't poundled up straight up the Murray River and slip 197 00:08:47,160 --> 00:08:53,160 Speaker 1: in the tent with the Brown Snakes for three days. 198 00:08:51,880 --> 00:08:54,199 Speaker 2: Of the Boys on the Full Show podcast. 199 00:08:54,679 --> 00:08:55,560 Speaker 4: You know you want to