WEBVTT - Kyle Sandilands: Australian Idol - Judge

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week that line and welcome

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<v Speaker 1>TV Reload listeners. My name is Benjamin Norris and this

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<v Speaker 1>the biggest names in television. I want to thank you

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<v Speaker 1>This episode, I was lucky enough to get the King

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<v Speaker 1>of Radio, Kyle Sandylanz to join me and talk about

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<v Speaker 1>the reboot of Australian Idol. Kyle Sanderlanz is an Australian

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<v Speaker 1>radio host and television personality. You would know him from

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<v Speaker 1>the popular radio show The Kyle and Jackie Oh Show

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<v Speaker 1>on Kiss FM. He has also hosted countless TV shows,

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<v Speaker 1>but nothing as iconic as his turn on Australian Idol.

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<v Speaker 1>Kyle is a polarizing character, and that's not a negative.

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<v Speaker 1>I love him for his brutal honesty and his sense

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<v Speaker 1>of humor, and it's interesting to hear him talk about

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<v Speaker 1>the version he created from the original series, which finished

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<v Speaker 1>fourteen years ago.

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<v Speaker 2>I was sort of playing a role almost back in

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<v Speaker 2>the old day, still me but this time around, I

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<v Speaker 2>just feel a lot more comfortable.

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<v Speaker 1>We will find out what he will bring to the

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<v Speaker 1>return of Idol and what advice he has for the

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<v Speaker 1>young contestants.

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<v Speaker 2>I just think these kids they need as much advice

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<v Speaker 2>and guid's as possible, and then it's up to them

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<v Speaker 2>to pick it up and run with the ball.

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<v Speaker 1>I will also ask about his current relationship with former

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<v Speaker 1>hosts Dicko and Mark holden Well.

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<v Speaker 3>I thought Mark was dead, but apparently he's still alive.

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<v Speaker 1>We will talk about those former judges and if they

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<v Speaker 1>were actually asked to return.

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<v Speaker 2>I think they came to me first. If I'd have

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<v Speaker 2>said no, they might have gone to Marsha and then

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<v Speaker 2>down the line. Down the line.

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<v Speaker 1>This year, Australian Idol is back, and we will find

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<v Speaker 1>out what Kyle thought of the new set of judges,

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<v Speaker 1>including Harry Connick JUNR Like.

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<v Speaker 2>Harry doesn't like me very much, but that's a bit prickly,

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<v Speaker 2>but that's okay, but he's definitely worth his while.

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<v Speaker 1>We will also get some exclusive stories from Kyle Sanderlance

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<v Speaker 1>and I feel like this chat is the perfect way

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<v Speaker 1>to kick off the reboot of Australian Idol, which debuts

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<v Speaker 1>on Channel ten this Monday, the thirtieth of January. However,

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<v Speaker 1>we really should bring Kyle into the podcast. He's in

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<v Speaker 1>the car and on the fly, but sometimes that's the

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<v Speaker 1>best way to chat with him. So guys, I hope

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<v Speaker 1>you enjoyed this episode. I promise you it's going to

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<v Speaker 1>be a wild ride. Hi, Kyle, I'm so happy to

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<v Speaker 1>have you on the podcast having a chat right now.

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<v Speaker 2>You've got the driving in the traffic, but that's all

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<v Speaker 2>technology is like.

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<v Speaker 3>Good to see you.

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<v Speaker 1>Well, I get to talk to you about Australian Idol

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<v Speaker 1>and I am loving this show. I was thrilled to

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<v Speaker 1>see that you came back for the format. Not only

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<v Speaker 1>was show a favorite of mine, but I thought that

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<v Speaker 1>you were super entertaining when you joined the original.

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<v Speaker 3>Oh thank you mate.

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<v Speaker 2>Well, you know, to tell you the truth, I was

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<v Speaker 2>so nervous because I used to watch the show and

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<v Speaker 2>then when Dicko left. Remember Dicko left because he thought

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<v Speaker 2>he could do any show, and he was like he

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<v Speaker 2>was bigger than everything, and off he went to do

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<v Speaker 2>some dud some cooking show that failed. Anyway. He eventually

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<v Speaker 2>came back. But when I first went there and sat

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<v Speaker 2>in the chair, you know they brought me in. I

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<v Speaker 2>knew for a couple of reasons, because I was a

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<v Speaker 2>bit lippy like Dinko was, and also that I came

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<v Speaker 2>from a different angle from the commercial side of the

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<v Speaker 2>music business, where we're pushing the music out on the

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<v Speaker 2>radio or Channel V or MTV or.

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<v Speaker 3>Whatever it was of the day.

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<v Speaker 2>But I was very nervous and I was sort of

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<v Speaker 2>playing a role almost back in the old day, still me,

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<v Speaker 2>but this time around, I just feel a lot more

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<v Speaker 2>comfortable and pretty much charged.

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<v Speaker 3>So it's fun, it's relaxing.

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<v Speaker 1>Interestingly enough, you know, Dicko left to go and do Survivor,

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<v Speaker 1>and then now you're up against Survivor, so like this

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<v Speaker 1>is very serendipitous.

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<v Speaker 2>Well, Jackie, who I worked with on the radio, sheesus

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<v Speaker 2>of hands. So I said, what are you going to

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<v Speaker 2>be doing?

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<v Speaker 3>Because you know, we.

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<v Speaker 2>All love a bit of maths and we all love

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<v Speaker 2>Survivor And now Idol's back, and I was like, where's

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<v Speaker 2>your where are you going? I'm one hundred percent she

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<v Speaker 2>wants the nostalgia of Idol like she misses, she misses it.

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<v Speaker 1>Did you ever think that you would come back and

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<v Speaker 1>do this show again? I mean, you know there was

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<v Speaker 1>There's been fourteen years since we last saw it. Did

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<v Speaker 1>you ever think you'd come back and do it again?

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<v Speaker 3>Well, after I got fired, I thought, that's it to

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<v Speaker 3>me and I loved that show.

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<v Speaker 2>I was spewing. I went on to do X Factor

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<v Speaker 2>in Australia's Got Talent and stuff like that, but they

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<v Speaker 2>were never the same as Idol. Like Idols the Juggernau.

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<v Speaker 2>Idol is the big one that's world makes worldwide stars

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<v Speaker 2>like and so I tried to sort of patch the

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<v Speaker 2>wound of that firing, you know, by doing the other shows,

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<v Speaker 2>but it was never the same. And I've done a

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<v Speaker 2>few TV shows since over the years, but nothing gave

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<v Speaker 2>me the same sort of scratch that that thing did.

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<v Speaker 2>So when Channel seven came knocking and they were like,

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<v Speaker 2>what are we going to do to get back on TV?

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<v Speaker 2>And I was like, oh god, I'm being romance here.

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<v Speaker 2>I don't really want I said nothing. I'd do idol.

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<v Speaker 2>That's about it. That's all we're here to talk about.

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<v Speaker 1>So there was a few non negotiables for me as

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<v Speaker 1>an audience, and I'm pleased to say that the format.

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<v Speaker 4>Is very true to the original.

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<v Speaker 1>Did you offer any notes before coming back when they

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<v Speaker 1>were willing you to come back and do the show.

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<v Speaker 2>There was a few things that were a bit disappointing

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<v Speaker 2>the first round because when you do it year after year,

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<v Speaker 2>you know, they could never sing an original song or

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<v Speaker 2>there was no accompaniment.

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<v Speaker 3>There was no piano or guitar or anything.

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<v Speaker 2>And you know, some some people need that bit of magic,

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<v Speaker 2>you know, to show their true skill. So there was that,

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<v Speaker 2>and there was like even in my mind when I

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<v Speaker 2>was first auditioning, I was like, if you ain't Britney Spears,

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<v Speaker 2>I wasn't interested, you know, But music, the artists themselves

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<v Speaker 2>have evolved and like you can be anyone in any shape, size,

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<v Speaker 2>any age, which is their new thing, and be super

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<v Speaker 2>successful so I think we've all grown up as listeners

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<v Speaker 2>and purchases of music, and also me on the panel,

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<v Speaker 2>I'm looking for something different. I'm looking for someone who

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<v Speaker 2>can sustain this has career, not just you know, has

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<v Speaker 2>a one trick pony song that they can, you know,

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<v Speaker 2>sound good at.

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<v Speaker 3>You've got to look a little bit deeper than just

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<v Speaker 3>what they show you.

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<v Speaker 1>Well, I love how honest you while with these contestants

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<v Speaker 1>on the show. I mean that was what I was

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<v Speaker 1>nervous about. I was like, twenty twenty three, we all

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<v Speaker 1>have to be so careful about what we say to people. However,

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<v Speaker 1>you give them some really great tough love on this show,

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<v Speaker 1>which is what you need if you're going to survive

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<v Speaker 1>in this industry. But I've always wanted to know where

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<v Speaker 1>did you learn that tough love from?

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<v Speaker 2>And honestly, I was just I was just a hustler

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<v Speaker 2>as a kid because I was sort of on my

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<v Speaker 2>own early and it was like make or break, and

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<v Speaker 2>you know, I felt every mistake. If I made a mistake,

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<v Speaker 2>I didn't eat, or I didn't have anywhere to live,

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<v Speaker 2>or I didn't have anywhere to sleep.

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<v Speaker 3>So I just learned.

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<v Speaker 2>Early and I knew that you can't treat everyone exactly

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<v Speaker 2>the same. You know, some people you can wrestle with,

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<v Speaker 2>and some people will never be able to be wrestled with.

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<v Speaker 2>They can only respond through them through a hug. So

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<v Speaker 2>you're almost going to be a chameleon. You can't just

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<v Speaker 2>be the same harsh person over and over, because what

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<v Speaker 2>you want is your message to connect with the person,

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<v Speaker 2>or your advice to sink in, whether they use it

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<v Speaker 2>or not. Like you know, I've had a lot of

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<v Speaker 2>advice from a lot of different people. Some I take

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<v Speaker 2>it in, I inhale it and other stuff and think, ah,

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<v Speaker 2>that might work for you, but that's not really for me.

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<v Speaker 2>So I just think these kids they need as much

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<v Speaker 2>advice and guidance as possible and then it's up to

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<v Speaker 2>them to pick it up and run with the ball.

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<v Speaker 1>Yeah, well you need to have that thicker skin. I mean,

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<v Speaker 1>it's one of the one of those industries where it's

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<v Speaker 1>basically impossible. And if they're going to be on television

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<v Speaker 1>and getting the critiques from the people on Twitter and

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<v Speaker 1>on Instagram, you know they've got they've got to know.

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<v Speaker 2>It's no good because some of these people can they

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<v Speaker 2>can be absolutely crushed by one person saying some horrible

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<v Speaker 2>comment online. I was like, you know, I told a

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<v Speaker 2>few of them, you know, name someone that you think

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<v Speaker 2>everyone would love, and they were like, oh, you know, Jesus,

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<v Speaker 2>Ronald McDonald and Beyonce. Everyone loves them, no one would

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<v Speaker 2>hate them. And then I showed them They've got actual,

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<v Speaker 2>dedicated websites of hate out there floating around online too, Jesus,

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<v Speaker 2>Beyonce and Ronald McDonald. So I was like, there is

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<v Speaker 2>no one immune from someone, not like. All you can

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<v Speaker 2>do is do your best, stand by who you are

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<v Speaker 2>and what you believe in, and put your best foot

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<v Speaker 2>forward and then be prepared to take the negatives with

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<v Speaker 2>the positives.

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<v Speaker 1>I think if you're on television or if you're in

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<v Speaker 1>the media, what people need to realize is that there's

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<v Speaker 1>as many people out there that loves you that hates you,

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<v Speaker 1>because if you have that currency that resonates with an audience,

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<v Speaker 1>you are polarizing, you are engaging people fascinated, and there's

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<v Speaker 1>going to be two sides of that coin, always.

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<v Speaker 2>Exactly exactly, and you actually need to have both to

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<v Speaker 2>be big enough to be successful and make an earning

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<v Speaker 2>and living out of this. You know, you can only

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<v Speaker 2>I said, there's three groups of people. People who love you,

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<v Speaker 2>people who hate you, and people who could care less.

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<v Speaker 3>And don't even know your existence.

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<v Speaker 2>Service Only the people that like you and hope to take,

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<v Speaker 2>you know, from the people who don't know anything about you,

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<v Speaker 2>hope to take a bit from them and add it

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<v Speaker 2>into your love pile. But a lot of people waste

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<v Speaker 2>time dealing with all the hate and blah blah blah

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<v Speaker 2>blah blah. And that's ridiculous because it's a waste of

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<v Speaker 2>your life trying to get people who hate you to

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<v Speaker 2>like you and ignoring people who actually.

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<v Speaker 3>Like you for what you do.

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<v Speaker 2>A lot of people spend more time worried about, oh,

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<v Speaker 2>why does that person not like me? You know, and

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<v Speaker 2>then ignore all the people that are giving them positive

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<v Speaker 2>comments online. They just never respond, but they are obsessed

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<v Speaker 2>on the people that hate them. I think, get over it.

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<v Speaker 2>It's bullshit. No one's always going to love.

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<v Speaker 4>You, I know. And that's the thing. You're a good

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<v Speaker 4>person to talk to about that.

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<v Speaker 1>And you've definitely had to see a lot of negative

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<v Speaker 1>comments out there and choose what to connect to.

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<v Speaker 3>But I'm quite right, some they're right.

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<v Speaker 2>Sometimes I have done stupid things said stupid things, done

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<v Speaker 2>stupid things. But when you're on here every day of

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<v Speaker 2>your life for decade after decade, everyone's band is fucked

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<v Speaker 2>up and say something stupid or do something dumb.

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<v Speaker 4>Have you changed over the years, Like, how have you

0:09:39.480 --> 0:09:42.439
<v Speaker 4>changed since the first time, say, Australian Idol was on television.

0:09:43.440 --> 0:09:45.800
<v Speaker 3>I think that I have mature ed.

0:09:46.440 --> 0:09:49.920
<v Speaker 2>And back when I was first doing the auditions, I

0:09:49.960 --> 0:09:52.800
<v Speaker 2>think I was still trying to make it forwards my

0:09:52.840 --> 0:09:56.960
<v Speaker 2>own path, so I was like bulldozing myself forward, and

0:09:57.000 --> 0:09:59.360
<v Speaker 2>I think I'm going to do this regardless whether I

0:09:59.360 --> 0:10:01.400
<v Speaker 2>think it's good or not, because I think it will work.

0:10:01.720 --> 0:10:04.199
<v Speaker 2>But now I think I'm more comfortable and more sort

0:10:04.240 --> 0:10:07.520
<v Speaker 2>of settled in my own my own business, my own life.

0:10:07.640 --> 0:10:10.079
<v Speaker 2>I don't really I'm not out hustling anymore. I can

0:10:10.080 --> 0:10:12.800
<v Speaker 2>pick and choose what I do, which is lucky, but

0:10:12.840 --> 0:10:14.440
<v Speaker 2>it takes a lot of luck to do that. But

0:10:14.679 --> 0:10:16.600
<v Speaker 2>I feel that I've maybe I've softened, and maybe I'm

0:10:16.760 --> 0:10:19.839
<v Speaker 2>maybe a bit more empathetic because I was pretty cut

0:10:19.880 --> 0:10:22.040
<v Speaker 2>and dry, black or white before and now I try

0:10:22.080 --> 0:10:24.880
<v Speaker 2>and see then that comes with experience, Like because I've

0:10:24.920 --> 0:10:29.200
<v Speaker 2>been consulting the record companies, internationally for decades, so I

0:10:29.320 --> 0:10:31.720
<v Speaker 2>know more and I know a bit more about artists.

0:10:31.720 --> 0:10:34.040
<v Speaker 2>And every artist is such a soft little flower, no

0:10:34.080 --> 0:10:36.080
<v Speaker 2>matter whether they're you know, the big rock stars or not.

0:10:36.120 --> 0:10:38.319
<v Speaker 2>They're all crying and they don't know what what's song

0:10:38.400 --> 0:10:40.320
<v Speaker 2>to pick, and it's a lot of stress. It's hard

0:10:40.320 --> 0:10:43.240
<v Speaker 2>to actually sustain being in the business than it is

0:10:43.240 --> 0:10:45.160
<v Speaker 2>to actually get a record deal in the first place.

0:10:45.160 --> 0:10:46.839
<v Speaker 3>A lot of people think, oh, the hardest thing that

0:10:47.000 --> 0:10:48.679
<v Speaker 3>is get a deal. That's easy.

0:10:49.160 --> 0:10:52.560
<v Speaker 2>Staying decade after decade after decade, making money, that's the

0:10:52.640 --> 0:10:54.880
<v Speaker 2>tough part, and only the best can do that.

0:10:55.080 --> 0:10:55.800
<v Speaker 4>It's interesting, you know.

0:10:55.800 --> 0:10:56.959
<v Speaker 1>I know a lot of people that work in the

0:10:57.040 --> 0:10:59.400
<v Speaker 1>entertainment business and people often say, what are they really

0:10:59.440 --> 0:11:02.079
<v Speaker 1>like in real life? And I quite often think to myself,

0:11:02.320 --> 0:11:03.040
<v Speaker 1>they're depressed.

0:11:04.040 --> 0:11:07.000
<v Speaker 3>Ah, well, you know what, have a look at comedians

0:11:07.040 --> 0:11:09.680
<v Speaker 3>like this is what surprised me. Even just comedians.

0:11:09.720 --> 0:11:12.600
<v Speaker 5>You think, oh, my god, they'd be starting I imagine living,

0:11:13.000 --> 0:11:14.360
<v Speaker 5>being married to that person whatever.

0:11:14.760 --> 0:11:18.000
<v Speaker 2>And then when I've met nearly every comedian, they're like you,

0:11:18.280 --> 0:11:21.720
<v Speaker 2>and you think, I suppose that's their work is being funny,

0:11:21.760 --> 0:11:24.120
<v Speaker 2>and ah, this is loud and carrying on of course

0:11:24.160 --> 0:11:27.040
<v Speaker 2>that they're just normal people. I think people just get

0:11:27.120 --> 0:11:29.840
<v Speaker 2>a thought of what people are like. And it's the

0:11:29.840 --> 0:11:32.920
<v Speaker 2>same that happens with artists. You know, even see movie

0:11:32.920 --> 0:11:36.880
<v Speaker 2>stars getting abused by fans for a past they played

0:11:36.920 --> 0:11:37.400
<v Speaker 2>and I'm like.

0:11:37.320 --> 0:11:39.240
<v Speaker 3>Oh, that must be just the weirdos doing that.

0:11:39.360 --> 0:11:41.840
<v Speaker 2>But there's a lot of people out there, and these

0:11:41.840 --> 0:11:44.800
<v Speaker 2>different artists in different ways have impacts on people's lives,

0:11:45.160 --> 0:11:47.920
<v Speaker 2>and you know they carry that around like a wait

0:11:48.080 --> 0:11:50.120
<v Speaker 2>and I'm like, oh, I just go write another song,

0:11:50.559 --> 0:11:51.120
<v Speaker 2>have a little bit.

0:11:51.800 --> 0:11:53.560
<v Speaker 1>Do you think that they made the right choice of

0:11:53.600 --> 0:11:56.439
<v Speaker 1>not returning people like Dick Oh and Mark because everyone's like, oh,

0:11:56.440 --> 0:11:58.920
<v Speaker 1>they're going to bring back everyone, and they've brought back you,

0:11:59.040 --> 0:12:01.440
<v Speaker 1>which is I think a very smart move. You're just

0:12:01.480 --> 0:12:04.360
<v Speaker 1>as relevant today as you were back then, even more so.

0:12:04.920 --> 0:12:08.320
<v Speaker 1>But then you know you are losing two familiar faces

0:12:08.320 --> 0:12:09.960
<v Speaker 1>that were synonymous with the brand.

0:12:10.280 --> 0:12:10.559
<v Speaker 3>Yeah.

0:12:10.640 --> 0:12:13.720
<v Speaker 2>Well I thought Mark was dead, but apparently he's still alive.

0:12:14.800 --> 0:12:17.040
<v Speaker 2>So I've rung him since because I told Marsha he

0:12:17.120 --> 0:12:18.560
<v Speaker 2>was dead. She went, no, he'sn't easy.

0:12:18.800 --> 0:12:21.000
<v Speaker 3>He's dead, is he? And I said maybe?

0:12:21.040 --> 0:12:22.439
<v Speaker 5>And then we rang him and he was like hello Mark,

0:12:22.720 --> 0:12:24.800
<v Speaker 5>and I was like, oh, he's alive. We had a laugh,

0:12:24.880 --> 0:12:27.640
<v Speaker 5>and Marter's like, you're horrible. You still got that poison

0:12:28.280 --> 0:12:31.199
<v Speaker 5>blah blah blah. So she's hilarious. I was like, I

0:12:31.240 --> 0:12:32.400
<v Speaker 5>don't know, because I asked that too.

0:12:32.440 --> 0:12:34.720
<v Speaker 2>When they first said hey, we're doing this, I said

0:12:34.720 --> 0:12:36.600
<v Speaker 2>what about the other judges and they said no, like

0:12:37.000 --> 0:12:39.280
<v Speaker 2>you know, we're thinking. I think they came to me first.

0:12:39.320 --> 0:12:41.040
<v Speaker 2>If I'd have said no, they might have gone to

0:12:41.160 --> 0:12:44.080
<v Speaker 2>Marsha and then down the line, down the line. And

0:12:44.120 --> 0:12:47.040
<v Speaker 2>Marsha does come back to the top fifty, which is fabulous,

0:12:47.080 --> 0:12:48.679
<v Speaker 2>and I have a great time with her because her

0:12:48.720 --> 0:12:51.560
<v Speaker 2>and I get on very well. Yeah you know, yeah,

0:12:51.760 --> 0:12:54.760
<v Speaker 2>like it could have been reborn with all the original judges.

0:12:54.920 --> 0:12:57.319
<v Speaker 2>I just think that, you know, someone news producing it,

0:12:57.360 --> 0:12:59.000
<v Speaker 2>so they probably want to put a different spin on it.

0:12:59.120 --> 0:13:03.440
<v Speaker 2>And I'm glad because the girls, Meghan and Amy fantastic.

0:13:03.720 --> 0:13:05.719
<v Speaker 2>I like him, I love them both and Harry, and

0:13:05.760 --> 0:13:07.719
<v Speaker 2>I like Harry doesn't like me very much, but that's

0:13:07.720 --> 0:13:10.480
<v Speaker 2>a bit prickly, but that's okay. But he's definitely worth

0:13:10.520 --> 0:13:12.760
<v Speaker 2>his while and he's got the chops to be there,

0:13:12.800 --> 0:13:16.720
<v Speaker 2>and I've learned stuff from him just with his judging.

0:13:16.840 --> 0:13:19.280
<v Speaker 2>So it's good TV with him, but you know, he

0:13:19.320 --> 0:13:21.200
<v Speaker 2>doesn't have to lick my ass for him to be there,

0:13:22.400 --> 0:13:22.840
<v Speaker 2>thank god.

0:13:24.120 --> 0:13:24.320
<v Speaker 3>You know.

0:13:24.360 --> 0:13:27.440
<v Speaker 1>What was a really funny story was that when Meghan

0:13:27.520 --> 0:13:30.000
<v Speaker 1>and Harry arrived in Perth, I think that's what they

0:13:30.040 --> 0:13:33.600
<v Speaker 1>first flew into. Someone at the airline reported that Meghan

0:13:33.640 --> 0:13:36.600
<v Speaker 1>and Harry had arrived in Perth, and the confusion was

0:13:36.640 --> 0:13:40.840
<v Speaker 1>that it was the royals, you know, and ah, all

0:13:40.880 --> 0:13:43.599
<v Speaker 1>of these paparazzi turned up at Perth airport thinking that

0:13:43.679 --> 0:13:44.680
<v Speaker 1>we're going to get a photo.

0:13:44.480 --> 0:13:48.480
<v Speaker 2>Who disappointed from thousands of dollars of photos to twenty

0:13:48.480 --> 0:13:50.920
<v Speaker 2>dollars a photo me But.

0:13:50.840 --> 0:13:52.360
<v Speaker 1>Did any of that happen? Did you put two and

0:13:52.360 --> 0:13:53.720
<v Speaker 1>two together? And was there any jokes?

0:13:53.760 --> 0:13:54.160
<v Speaker 4>One?

0:13:54.679 --> 0:13:57.400
<v Speaker 2>I did that at one stage, I'm not sure where

0:13:57.400 --> 0:14:00.000
<v Speaker 2>we were that someone bought me like a little plastic

0:14:00.080 --> 0:14:02.240
<v Speaker 2>crown and a little cheap cape and I threw it

0:14:02.280 --> 0:14:03.360
<v Speaker 2>on and said, oh, we've got.

0:14:03.200 --> 0:14:05.200
<v Speaker 3>Our own Meghan and Harry here And they were like.

0:14:05.080 --> 0:14:07.679
<v Speaker 2>Oh, because that was right around all that. They were

0:14:07.720 --> 0:14:10.120
<v Speaker 2>really on the press when we were filming the auditions.

0:14:10.160 --> 0:14:12.280
<v Speaker 2>They were in the press all the time. But yeah,

0:14:12.559 --> 0:14:15.160
<v Speaker 2>very different ow Meghan and Harry are very different than those.

0:14:15.000 --> 0:14:17.719
<v Speaker 1>Two, very different. And then Amy Shark. I thought she

0:14:17.840 --> 0:14:20.000
<v Speaker 1>was a really interesting choice. I'm a huge fan of

0:14:20.040 --> 0:14:23.400
<v Speaker 1>her music. I've actually interviewed her a few times on radio,

0:14:23.680 --> 0:14:26.520
<v Speaker 1>and I found her to be so what's the word

0:14:26.560 --> 0:14:29.120
<v Speaker 1>for it, Like, there's just she's just who she is,

0:14:29.320 --> 0:14:31.000
<v Speaker 1>you know. And sometimes yes.

0:14:30.880 --> 0:14:33.520
<v Speaker 3>She's not at all putting on any show.

0:14:33.680 --> 0:14:36.640
<v Speaker 2>You know, she is right there on the panel exactly

0:14:36.640 --> 0:14:38.880
<v Speaker 2>the same as she is, you know, if she's if

0:14:38.880 --> 0:14:40.800
<v Speaker 2>she's just sitting in a restaurant having a chat with here,

0:14:40.840 --> 0:14:43.600
<v Speaker 2>which is really refreshing. And Amy said to me, like,

0:14:44.040 --> 0:14:45.800
<v Speaker 2>I don't even feel like I should be here. I said,

0:14:45.840 --> 0:14:48.720
<v Speaker 2>that'd be ridiculous. But you've done it the hard way.

0:14:48.840 --> 0:14:51.600
<v Speaker 2>You've done the van tours through the States to all

0:14:51.600 --> 0:14:55.560
<v Speaker 2>the little pubs. You've really done this the traditional way,

0:14:55.960 --> 0:14:58.240
<v Speaker 2>and that's invaluable, and that you won eight Arias, and

0:14:58.320 --> 0:14:59.680
<v Speaker 2>like you'd deserved to be here.

0:15:00.160 --> 0:15:01.960
<v Speaker 3>Kill it up and up straight and start.

0:15:02.240 --> 0:15:04.480
<v Speaker 1>I think what's interesting about this format is that they're

0:15:04.560 --> 0:15:06.800
<v Speaker 1>leaving stuff in that I thought would get cut away,

0:15:06.960 --> 0:15:08.840
<v Speaker 1>that people would be nervous to see on television. And

0:15:08.880 --> 0:15:11.960
<v Speaker 1>Amy had a real conversation, has a real conversation the

0:15:11.960 --> 0:15:15.960
<v Speaker 1>first week with an artist who sounds amazing, he is phenomenal,

0:15:16.160 --> 0:15:17.880
<v Speaker 1>and she says, do you want to be here?

0:15:18.000 --> 0:15:20.240
<v Speaker 4>Like do you want to win Australian Idol? Because she

0:15:20.480 --> 0:15:20.960
<v Speaker 4>was worried.

0:15:21.160 --> 0:15:23.840
<v Speaker 1>We'd all seen headlines from Matt Corby saying, you know,

0:15:23.920 --> 0:15:25.840
<v Speaker 1>idle ruined his life and he needed therapy and he

0:15:25.880 --> 0:15:27.880
<v Speaker 1>found Jesus all the rest of it. But she was

0:15:28.440 --> 0:15:30.920
<v Speaker 1>honest with this person and I thought that was fucking

0:15:31.000 --> 0:15:32.320
<v Speaker 1>great television.

0:15:32.600 --> 0:15:34.800
<v Speaker 3>Yeah, it is. And that is what she brings to

0:15:34.840 --> 0:15:37.720
<v Speaker 3>the table. She's been there, She's felt the pain, she's

0:15:37.720 --> 0:15:40.880
<v Speaker 3>felt the rejection. She knows the negative and the positive.

0:15:41.160 --> 0:15:44.040
<v Speaker 3>And I think a lot of young eys just see,

0:15:44.280 --> 0:15:48.040
<v Speaker 3>you know, the dream. They don't realize that there's some

0:15:48.160 --> 0:15:51.320
<v Speaker 3>uggliness that comes with this, like every job, but it's

0:15:51.360 --> 0:15:54.440
<v Speaker 3>a bit on steroids because you know, people think they

0:15:54.520 --> 0:15:57.600
<v Speaker 3>know you and they start commenting and you know, and

0:15:58.000 --> 0:16:00.520
<v Speaker 3>the narrative can be completely off how you are.

0:16:00.760 --> 0:16:03.960
<v Speaker 2>And I think that she's experienced that and she's got

0:16:03.960 --> 0:16:06.520
<v Speaker 2>through it very well. And everyone loves Amy. Who doesn't

0:16:06.560 --> 0:16:08.520
<v Speaker 2>have Amy Shark, you know, from Triple J to the

0:16:08.520 --> 0:16:11.720
<v Speaker 2>biggest pop station. They're all playing her shit, so she's

0:16:11.880 --> 0:16:14.480
<v Speaker 2>invaluable and just she's lovely that she is who she

0:16:14.640 --> 0:16:15.560
<v Speaker 2>is twenty four to seven.

0:16:15.800 --> 0:16:17.880
<v Speaker 1>I think the reason why this show, though, works is

0:16:17.920 --> 0:16:19.960
<v Speaker 1>because we are getting to see the warts at all.

0:16:20.000 --> 0:16:22.120
<v Speaker 1>We are seeing the diluted. We are seeing the best

0:16:22.120 --> 0:16:24.640
<v Speaker 1>singers in the country, and we all have this thing

0:16:24.680 --> 0:16:27.440
<v Speaker 1>inside of ourselves that thinks we can sing. I mean,

0:16:27.480 --> 0:16:28.120
<v Speaker 1>I can't sing.

0:16:28.200 --> 0:16:29.560
<v Speaker 4>I'd love to. I think that would be.

0:16:29.680 --> 0:16:31.160
<v Speaker 3>I'd be I'd love to be.

0:16:31.960 --> 0:16:34.800
<v Speaker 2>I wouldn't want to be over your bloody Freddie Mercury,

0:16:34.800 --> 0:16:35.880
<v Speaker 2>who wouldn't want to be that?

0:16:36.000 --> 0:16:37.440
<v Speaker 3>Like, you know, you'd.

0:16:37.160 --> 0:16:39.880
<v Speaker 1>Probably be dead by now if you were singing like that,

0:16:40.040 --> 0:16:42.760
<v Speaker 1>I think that you would have finished it like.

0:16:44.440 --> 0:16:46.000
<v Speaker 4>You would have been in the twenty seven class.

0:16:46.240 --> 0:16:48.480
<v Speaker 3>I'd be in the ground dead for at least ten years.

0:16:49.360 --> 0:16:51.280
<v Speaker 1>But I think that's the commodity of ivital. I think

0:16:51.320 --> 0:16:53.400
<v Speaker 1>that we can watch people. We all think we can sing,

0:16:53.440 --> 0:16:54.600
<v Speaker 1>we all think we can get up there and we

0:16:54.600 --> 0:16:57.200
<v Speaker 1>can do it, and we can't. And this show's happy

0:16:57.240 --> 0:16:59.560
<v Speaker 1>to show that. Like The Voice and other shows, they're

0:16:59.600 --> 0:17:01.440
<v Speaker 1>only showing the best of the best, and they're all

0:17:01.520 --> 0:17:03.760
<v Speaker 1>highly edited. And I think even some of the voices

0:17:03.800 --> 0:17:06.280
<v Speaker 1>have been stylized or put an auto tune through it.

0:17:06.480 --> 0:17:09.600
<v Speaker 2>Where this I wouldn't be surprised what guy has done

0:17:09.640 --> 0:17:11.000
<v Speaker 2>to make tell anything can be.

0:17:11.000 --> 0:17:11.640
<v Speaker 3>But this is raw.

0:17:11.880 --> 0:17:13.879
<v Speaker 2>And the good thing is we have pianos and we

0:17:13.920 --> 0:17:16.800
<v Speaker 2>have guitars on standby if that's what someone needs.

0:17:17.080 --> 0:17:20.439
<v Speaker 3>So it made it easier to audition, to show your best.

0:17:20.560 --> 0:17:22.560
<v Speaker 2>But even on your like even some of these people

0:17:22.600 --> 0:17:24.200
<v Speaker 2>that a proper singers can have.

0:17:24.200 --> 0:17:27.159
<v Speaker 3>A bad, bad day and a bad audition. You know,

0:17:27.359 --> 0:17:28.760
<v Speaker 3>it's just the lack of the drawer.

0:17:28.800 --> 0:17:30.439
<v Speaker 2>And as you said, it is just like it is

0:17:30.440 --> 0:17:32.040
<v Speaker 2>in everyday life show bus stuff.

0:17:32.080 --> 0:17:34.359
<v Speaker 1>I have to say before you go as well, congratulations

0:17:34.359 --> 0:17:36.399
<v Speaker 1>on your radio show. You know, I've been in your

0:17:36.440 --> 0:17:38.960
<v Speaker 1>audience for as long as you've been in the media,

0:17:39.080 --> 0:17:41.679
<v Speaker 1>and you've always been someone I've looked up to. And

0:17:41.760 --> 0:17:44.600
<v Speaker 1>I think that I think this show like even moving

0:17:44.720 --> 0:17:49.560
<v Speaker 1>radio stations and making the contents as rich and as

0:17:49.600 --> 0:17:51.639
<v Speaker 1>interactive as you guys have both been able to do

0:17:51.720 --> 0:17:54.240
<v Speaker 1>for such a long time. It's interesting to me though,

0:17:54.400 --> 0:17:57.200
<v Speaker 1>that you know the format of you two actually getting

0:17:57.200 --> 0:18:01.080
<v Speaker 1>along and being friends and having great chmistry and doing

0:18:01.080 --> 0:18:03.160
<v Speaker 1>what you want to do is still not being done

0:18:03.200 --> 0:18:05.640
<v Speaker 1>by any other radio show. I feel in the country,

0:18:05.640 --> 0:18:07.600
<v Speaker 1>they're quick to play like comedians.

0:18:08.480 --> 0:18:11.800
<v Speaker 6>Yeah, they still got this mentality of we need that

0:18:11.800 --> 0:18:15.560
<v Speaker 6>that reality show, but you don't like I'm not against

0:18:15.560 --> 0:18:17.199
<v Speaker 6>the reality show of people getting on like I know

0:18:17.240 --> 0:18:19.960
<v Speaker 6>there was a lot of people bit like anyone with

0:18:19.960 --> 0:18:20.920
<v Speaker 6>a profile is good.

0:18:21.040 --> 0:18:24.280
<v Speaker 2>But the friendship and the chemistry is the part that

0:18:24.440 --> 0:18:27.240
<v Speaker 2>is hard, and sometimes you can't do that on a

0:18:27.680 --> 0:18:30.399
<v Speaker 2>chart like it's It's just lucky that JACKI and I

0:18:30.480 --> 0:18:32.679
<v Speaker 2>be became very friendly and I was a fan of

0:18:32.680 --> 0:18:35.119
<v Speaker 2>hers bride a starting with her, so I knew all

0:18:35.119 --> 0:18:36.919
<v Speaker 2>about her and she just knew I was some clown

0:18:36.960 --> 0:18:39.639
<v Speaker 2>from Brisbane dressed in Colorado that didn't know any of

0:18:39.640 --> 0:18:42.400
<v Speaker 2>the current songs on the Hot thirty. But the friendship

0:18:42.480 --> 0:18:44.480
<v Speaker 2>is important and that is the main key to the

0:18:44.520 --> 0:18:45.600
<v Speaker 2>success over the years.

0:18:45.640 --> 0:18:48.399
<v Speaker 1>I feel absolutely you know I would listen to your show.

0:18:48.680 --> 0:18:51.200
<v Speaker 1>I was working for a Southern Cross Hysteria breakfast show

0:18:51.240 --> 0:18:53.760
<v Speaker 1>for three years in Queensland and I would leave the

0:18:53.800 --> 0:18:55.720
<v Speaker 1>show in the in the morning after I'd do it. It

0:18:55.720 --> 0:18:57.639
<v Speaker 1>was four and a half hours. We did it based

0:18:57.680 --> 0:19:00.000
<v Speaker 1>five days a week. Even you know, you know OB's

0:19:00.080 --> 0:19:03.080
<v Speaker 1>on a fucking Sunday. Yeah, I would leave the show

0:19:03.160 --> 0:19:07.000
<v Speaker 1>and listen to your whole show in the podcast format

0:19:07.000 --> 0:19:09.400
<v Speaker 1>when i'd leave, and then in the afternoon, I'd get

0:19:09.400 --> 0:19:11.560
<v Speaker 1>a phone call from the PD or the CD or whatever,

0:19:11.760 --> 0:19:13.080
<v Speaker 1>and they would tell me all the things that I

0:19:13.119 --> 0:19:15.480
<v Speaker 1>did wrong on the show. And the funny thing was

0:19:15.560 --> 0:19:17.560
<v Speaker 1>all the things they told me not to do, you

0:19:17.680 --> 0:19:19.440
<v Speaker 1>both did every day.

0:19:19.760 --> 0:19:22.960
<v Speaker 2>It's ridiculous because they're like, and then I know that

0:19:23.080 --> 0:19:25.960
<v Speaker 2>that's sort of I did exactly the same, made like

0:19:26.040 --> 0:19:29.320
<v Speaker 2>I just balked against I was rolling the dice. Really

0:19:29.400 --> 0:19:31.639
<v Speaker 2>when like when the program directors would scream at me

0:19:31.720 --> 0:19:33.880
<v Speaker 2>every day, you don't do this, you only talk about

0:19:33.920 --> 0:19:36.159
<v Speaker 2>one thing at a time. You don't say that, you

0:19:36.520 --> 0:19:38.320
<v Speaker 2>start that, you get the news on the hour, and

0:19:38.359 --> 0:19:41.639
<v Speaker 2>I just went, I think that's really that important. So

0:19:42.440 --> 0:19:44.879
<v Speaker 2>I gambled it. I could have screwed this whole thing up,

0:19:44.880 --> 0:19:46.239
<v Speaker 2>but luckily worked out.

0:19:46.280 --> 0:19:46.560
<v Speaker 3>Well.

0:19:46.680 --> 0:19:49.320
<v Speaker 1>Well, you defy all of the people in that industry

0:19:49.480 --> 0:19:52.040
<v Speaker 1>and then still manage to get the ratings. It's just

0:19:52.880 --> 0:19:55.720
<v Speaker 1>the mind boggles that they haven't looked at that recipe

0:19:56.000 --> 0:19:58.800
<v Speaker 1>and have been able to replicate it in some way

0:19:59.040 --> 0:20:01.600
<v Speaker 1>like no one's come close. So is there anyone that

0:20:01.640 --> 0:20:04.119
<v Speaker 1>you think though that could ever Is there anyone in

0:20:04.160 --> 0:20:06.560
<v Speaker 1>your mind that you think, hopefully they don't think of

0:20:06.600 --> 0:20:09.159
<v Speaker 1>this person doing breakfast radio and going up against me.

0:20:11.640 --> 0:20:13.920
<v Speaker 2>There's no one that I'm really worried about. There's some

0:20:14.000 --> 0:20:16.960
<v Speaker 2>young people out there that I think have the ability

0:20:16.960 --> 0:20:22.159
<v Speaker 2>and the showmanship to turn themselves into something. There's no

0:20:22.160 --> 0:20:24.040
<v Speaker 2>one out there that I think, Oh, I'm glad they

0:20:24.080 --> 0:20:27.239
<v Speaker 2>haven't got that person. I feel like if they we're

0:20:27.280 --> 0:20:29.440
<v Speaker 2>confident with their own shit. But they've got the great

0:20:29.640 --> 0:20:32.680
<v Speaker 2>talent out there. But I don't think our listeners would

0:20:32.720 --> 0:20:36.520
<v Speaker 2>ever leave unless something, you know, catastrophic happens.

0:20:36.920 --> 0:20:38.800
<v Speaker 1>I've listened to I mean, I've listened to you guys

0:20:38.840 --> 0:20:40.680
<v Speaker 1>for so many years. And Howard Stern I was listening

0:20:40.760 --> 0:20:43.600
<v Speaker 1>to from a teenager. I think I was fourteen listening

0:20:43.640 --> 0:20:46.720
<v Speaker 1>to that show us to download it like people downloaded

0:20:46.800 --> 0:20:50.120
<v Speaker 1>music on nap staff Like, I've just been obsessed with radio.

0:20:49.920 --> 0:20:51.240
<v Speaker 4>My whole my whole life.

0:20:51.400 --> 0:20:54.359
<v Speaker 1>And you know, he's very similar and it is quite

0:20:54.359 --> 0:20:57.520
<v Speaker 1>similar to your style at times, but you know, he

0:20:57.560 --> 0:20:59.840
<v Speaker 1>also has that unbelievable cut through. I think of that

0:21:00.119 --> 0:21:02.600
<v Speaker 1>Chatfield had a relationship like a best friend kind of

0:21:02.600 --> 0:21:04.719
<v Speaker 1>that relationship that you have with Jackie.

0:21:04.960 --> 0:21:06.919
<v Speaker 2>I think Abby is great, by the way, Like I

0:21:06.920 --> 0:21:08.800
<v Speaker 2>think a lot of people have been trying to stir

0:21:08.960 --> 0:21:11.520
<v Speaker 2>up something between Abby and I think even Abby's trying

0:21:11.520 --> 0:21:13.080
<v Speaker 2>to stir sit up every now and then for me.

0:21:13.040 --> 0:21:13.399
<v Speaker 3>To buy it.

0:21:13.600 --> 0:21:17.080
<v Speaker 2>But I actually think she's actually got something. She just

0:21:17.119 --> 0:21:19.639
<v Speaker 2>needs to just calm the farm every now and then.

0:21:19.680 --> 0:21:22.800
<v Speaker 2>You don't have to fly the flag at every single

0:21:22.840 --> 0:21:23.760
<v Speaker 2>thing that shows up.

0:21:23.760 --> 0:21:25.159
<v Speaker 3>But I remember what that was like.

0:21:25.240 --> 0:21:27.280
<v Speaker 2>I was that age, and I was that hungry and

0:21:27.280 --> 0:21:30.399
<v Speaker 2>that opinionated, and fuck what everyone else thinks, and you

0:21:30.440 --> 0:21:32.639
<v Speaker 2>know I know better than everyone else. So I get

0:21:32.800 --> 0:21:35.480
<v Speaker 2>I get her thing, and she could that she could

0:21:35.480 --> 0:21:39.480
<v Speaker 2>turn to something given the rights environment, and it's a

0:21:39.520 --> 0:21:42.200
<v Speaker 2>survival thing for you know, some of these young especially

0:21:42.200 --> 0:21:45.240
<v Speaker 2>these young out there influences not just Abs, but you

0:21:45.280 --> 0:21:48.080
<v Speaker 2>know we've got you know, Laura and Brittany, and we've

0:21:48.080 --> 0:21:50.840
<v Speaker 2>got like there's many many young powerful women out there

0:21:50.880 --> 0:21:53.719
<v Speaker 2>chatting and saying their peace, which is great. It's just

0:21:54.119 --> 0:21:56.480
<v Speaker 2>this business is you can be there one minute, and

0:21:56.560 --> 0:21:58.920
<v Speaker 2>you can be you can you can shoot yourself in

0:21:58.960 --> 0:22:01.520
<v Speaker 2>the foot the next Many bullet holes in my own feet.

0:22:01.760 --> 0:22:05.160
<v Speaker 2>So it's just balancing and then realizing you don't have

0:22:05.240 --> 0:22:08.280
<v Speaker 2>to be juggling every ball that's been thrown out there,

0:22:08.280 --> 0:22:10.040
<v Speaker 2>you know, especially if you want to do it for

0:22:10.040 --> 0:22:12.399
<v Speaker 2>a long long time, because it's good, good money.

0:22:12.400 --> 0:22:14.880
<v Speaker 3>If you do it well, you can you can make.

0:22:14.720 --> 0:22:16.439
<v Speaker 2>A lot of You can make more money than their

0:22:16.520 --> 0:22:18.720
<v Speaker 2>brain shurgeon doing this shit and you're just talking shit.

0:22:19.000 --> 0:22:20.200
<v Speaker 3>Got to be the right ingredients.

0:22:20.359 --> 0:22:23.359
<v Speaker 1>It's still very hard. I saw Karl Stepanovic last week

0:22:23.680 --> 0:22:25.800
<v Speaker 1>at an event and I was chatting to him. You know,

0:22:25.840 --> 0:22:28.159
<v Speaker 1>there was a lot of media speculation about, you know,

0:22:28.240 --> 0:22:30.480
<v Speaker 1>him being in this fight with you know, I'm gay,

0:22:30.560 --> 0:22:32.280
<v Speaker 1>so sports not interesting to me.

0:22:32.400 --> 0:22:34.879
<v Speaker 4>So some some cricketer Sky is that guy's name, just

0:22:34.920 --> 0:22:36.679
<v Speaker 4>for the clarky there you go.

0:22:36.880 --> 0:22:39.520
<v Speaker 1>And I just was like I just said to him,

0:22:39.520 --> 0:22:43.119
<v Speaker 1>I was like, people like you for being real and

0:22:43.160 --> 0:22:45.240
<v Speaker 1>they don't mind you being a little bit rough and

0:22:45.280 --> 0:22:47.560
<v Speaker 1>involved in this sort of stuff. It's not ideal, but

0:22:47.640 --> 0:22:50.119
<v Speaker 1>I think it shows us that you are a real person,

0:22:50.480 --> 0:22:53.439
<v Speaker 1>and that's totally that's great for us to see. I

0:22:53.440 --> 0:22:55.320
<v Speaker 1>don't think it is something for him to be that,

0:22:55.680 --> 0:22:57.720
<v Speaker 1>you know, worried about no.

0:22:57.320 --> 0:22:59.399
<v Speaker 2>No, I just I just think everyone involved in that

0:22:59.440 --> 0:23:02.840
<v Speaker 2>situation and was you know, like there's friends, there's girlfriends,

0:23:02.880 --> 0:23:06.240
<v Speaker 2>as wives, as sisters, there's like long life friendships, you know,

0:23:06.400 --> 0:23:09.119
<v Speaker 2>like no one like it's like you know that party

0:23:09.119 --> 0:23:11.400
<v Speaker 2>we've all been to, where we've all done someone's been

0:23:11.520 --> 0:23:12.120
<v Speaker 2>like this.

0:23:12.119 --> 0:23:14.439
<v Speaker 3>This just happens to be out in the press. And

0:23:14.680 --> 0:23:15.520
<v Speaker 3>I made it quite clear.

0:23:15.560 --> 0:23:18.199
<v Speaker 2>I said, imagine the worst fight you've ever had with

0:23:18.359 --> 0:23:20.240
<v Speaker 2>any of your friends or your partner being filmed and

0:23:20.320 --> 0:23:23.520
<v Speaker 2>put in the newspaper. We'd all die horrible. No one

0:23:23.520 --> 0:23:25.880
<v Speaker 2>wants that. So it's just like, I think everyone knew

0:23:25.920 --> 0:23:28.600
<v Speaker 2>it was an ugly situation, and everyone's just happy that

0:23:28.640 --> 0:23:31.640
<v Speaker 2>it's sort of peetered out and dribbled off and everyone's

0:23:31.680 --> 0:23:33.480
<v Speaker 2>got their own opinions. It'll be just one of those

0:23:33.480 --> 0:23:35.480
<v Speaker 2>things we barely remember down the track.

0:23:35.680 --> 0:23:36.680
<v Speaker 4>It's relatable content.

0:23:37.040 --> 0:23:38.320
<v Speaker 1>Again, you know, I don't think it's going to be

0:23:38.400 --> 0:23:40.480
<v Speaker 1>damaging for him because we've all been as you said,

0:23:40.520 --> 0:23:42.200
<v Speaker 1>we've all been in those situations.

0:23:42.440 --> 0:23:44.399
<v Speaker 4>You know, I'm going to let you go. I just

0:23:44.400 --> 0:23:45.520
<v Speaker 4>want to say thank you for coming on.

0:23:45.720 --> 0:23:48.320
<v Speaker 1>Something I ask everyone who joins the podcast is this

0:23:48.440 --> 0:23:51.320
<v Speaker 1>last question, which is what is something from behind the scenes,

0:23:51.600 --> 0:23:53.639
<v Speaker 1>something that we won't see, kind of like a behind

0:23:53.680 --> 0:23:56.680
<v Speaker 1>the scenes secret from filming Australian idol.

0:23:56.480 --> 0:24:01.800
<v Speaker 3>Behind the scenes secrets. There's no this isn't a secret.

0:24:01.920 --> 0:24:05.359
<v Speaker 2>But like and when we were in Perth, because I

0:24:05.359 --> 0:24:06.840
<v Speaker 2>had to get up and do the radio show at

0:24:06.880 --> 0:24:10.280
<v Speaker 2>three am live back to Sydney at six, I insisted

0:24:10.280 --> 0:24:13.280
<v Speaker 2>on getting the presidential suite with a wrap around balcony.

0:24:13.520 --> 0:24:15.320
<v Speaker 2>And then I said to Amy, said to me at

0:24:15.320 --> 0:24:17.160
<v Speaker 2>some stage and where all the judges were together.

0:24:17.280 --> 0:24:19.439
<v Speaker 3>She goes, how are you finding it having to go

0:24:19.520 --> 0:24:21.959
<v Speaker 3>all the way downstairs and outside the smoke And I went,

0:24:22.040 --> 0:24:24.320
<v Speaker 3>I'm just smoking on the balcony. And they all gave

0:24:24.359 --> 0:24:26.119
<v Speaker 3>each other that. They all gave each other.

0:24:26.000 --> 0:24:30.320
<v Speaker 2>The grace team side eye what. She goes, what balcony?

0:24:30.400 --> 0:24:31.240
<v Speaker 2>We didn't have balconies.

0:24:31.240 --> 0:24:35.640
<v Speaker 3>I was ah, and then ah, that could cast some ship.

0:24:35.840 --> 0:24:40.840
<v Speaker 2>Oh well yeah, so I'm doing two jobs at once,

0:24:40.920 --> 0:24:43.040
<v Speaker 2>so you know. And I asked for things they may

0:24:43.080 --> 0:24:45.280
<v Speaker 2>not ask. They might be happy with the standard threat.

0:24:45.840 --> 0:24:48.600
<v Speaker 4>She's probably in a box. She's at a cardboard box downstairs.

0:24:48.960 --> 0:24:50.639
<v Speaker 3>But none of them had balcony. It's only me. There

0:24:50.720 --> 0:24:52.640
<v Speaker 3>was only one doing with the balcony and I had

0:24:52.640 --> 0:24:54.040
<v Speaker 3>it first and best dressed.

0:24:54.400 --> 0:24:55.920
<v Speaker 4>Have you signed on for more seasons?

0:24:55.920 --> 0:24:56.159
<v Speaker 1>Do you know?

0:24:56.200 --> 0:24:57.920
<v Speaker 4>If you have, you got like a three year deal,

0:24:57.960 --> 0:24:58.680
<v Speaker 4>are going to be doing.

0:24:59.080 --> 0:25:03.399
<v Speaker 2>And there's there's years of options, but you know this

0:25:03.440 --> 0:25:06.320
<v Speaker 2>one has to work, no doubt. You know that'll figure

0:25:06.320 --> 0:25:08.360
<v Speaker 2>it out. But they can say no and I can

0:25:08.400 --> 0:25:10.840
<v Speaker 2>say no in any stage. But if it works then

0:25:10.880 --> 0:25:12.440
<v Speaker 2>and I loved doing it. It was it was a

0:25:12.480 --> 0:25:15.280
<v Speaker 2>real pleasure this year. I hope you know it runs

0:25:15.280 --> 0:25:16.200
<v Speaker 2>from other ten years.

0:25:16.640 --> 0:25:19.040
<v Speaker 1>Absolutely, I really do as well. I think it will.

0:25:19.240 --> 0:25:21.680
<v Speaker 1>It's I mean, I was so nervous about this coming back.

0:25:21.720 --> 0:25:24.439
<v Speaker 1>We saw other very tried and tested shows to be

0:25:24.480 --> 0:25:27.440
<v Speaker 1>brought back that have not done well, and this has

0:25:27.480 --> 0:25:30.480
<v Speaker 1>stayed very true to its ingredients. And I think audiences

0:25:30.480 --> 0:25:32.560
<v Speaker 1>are going to love it. When the live episode starts,

0:25:32.600 --> 0:25:34.720
<v Speaker 1>I guarantee you you're going to bust a million.

0:25:34.880 --> 0:25:38.280
<v Speaker 2>So I hope that because there's different TV because people

0:25:38.280 --> 0:25:40.720
<v Speaker 2>watch it live then they recorded and other Fox must

0:25:40.720 --> 0:25:41.400
<v Speaker 2>want to record everything.

0:25:41.520 --> 0:25:43.679
<v Speaker 3>Fox help, so go on to the days you have

0:25:43.720 --> 0:25:45.440
<v Speaker 3>to rush home and watch it live.

0:25:45.480 --> 0:25:47.000
<v Speaker 2>But this is the sort of show you want to

0:25:47.040 --> 0:25:49.920
<v Speaker 2>watch live because people are talking on social media about it.

0:25:49.920 --> 0:25:50.960
<v Speaker 3>It's sort of like if you.

0:25:50.960 --> 0:25:54.480
<v Speaker 2>Record it, you know, record maps and there survivor, because

0:25:54.520 --> 0:25:56.639
<v Speaker 2>you don't have to be live watching that, but you

0:25:56.640 --> 0:25:57.960
<v Speaker 2>want to be involved.

0:25:57.520 --> 0:25:58.240
<v Speaker 3>When it happens.

0:25:58.800 --> 0:26:02.320
<v Speaker 4>It's a sense time sensitive that he called.

0:26:02.080 --> 0:26:05.520
<v Speaker 2>The others wats mine lit.

0:26:06.000 --> 0:26:08.640
<v Speaker 1>I just want to say thank you both, Bruno as well,

0:26:08.680 --> 0:26:10.280
<v Speaker 1>who's there. I just want to say thank you for

0:26:10.320 --> 0:26:12.679
<v Speaker 1>coming and having this time. It's very generous of the

0:26:12.680 --> 0:26:13.119
<v Speaker 1>two of you.

0:26:13.240 --> 0:26:13.640
<v Speaker 4>Bruno.

0:26:13.680 --> 0:26:15.080
<v Speaker 1>I have to tell you, I was at a shop

0:26:15.200 --> 0:26:17.600
<v Speaker 1>the other day and people came up to me and

0:26:17.640 --> 0:26:21.000
<v Speaker 1>were like, I saw you on this internet show a

0:26:21.000 --> 0:26:23.840
<v Speaker 1>couple of years ago, and they were like, what's Bruno

0:26:24.000 --> 0:26:24.560
<v Speaker 1>really like?

0:26:24.800 --> 0:26:25.919
<v Speaker 4>And they were obsessed with you.

0:26:25.960 --> 0:26:27.720
<v Speaker 1>I think you were on like an episode a week

0:26:27.760 --> 0:26:30.240
<v Speaker 1>on that, but the people are still out there talking

0:26:30.280 --> 0:26:30.639
<v Speaker 1>about it.

0:26:30.760 --> 0:26:33.119
<v Speaker 2>I can tell you what he's like. He's a freaking lunatic.

0:26:33.240 --> 0:26:37.879
<v Speaker 2>He's exactly what you see. Look at what he's wearing.

0:26:37.960 --> 0:26:40.959
<v Speaker 2>This is this is my representative list shorts.

0:26:41.119 --> 0:26:42.240
<v Speaker 3>I think these are underpants.

0:26:42.240 --> 0:26:43.119
<v Speaker 4>They're underpants.

0:26:43.520 --> 0:26:46.440
<v Speaker 3>They're underpants. That was very good for me. He can

0:26:46.440 --> 0:26:47.480
<v Speaker 3>wear whatever he wants.

0:26:48.680 --> 0:26:51.600
<v Speaker 1>Well, seriously, it was such an honor and so amazing

0:26:51.640 --> 0:26:52.919
<v Speaker 1>to be able to have this chat with you. Good

0:26:53.000 --> 0:26:55.800
<v Speaker 1>luck with Australian Idol and good luck with the radio show.

0:26:55.920 --> 0:26:57.360
<v Speaker 1>You know, I don't think you need it, but I'll

0:26:57.400 --> 0:26:58.200
<v Speaker 1>be in your audience.

0:26:58.440 --> 0:27:00.879
<v Speaker 3>Thank you so I appreciate that. I'll look forward to

0:27:00.880 --> 0:27:01.480
<v Speaker 3>talk to me again