1 00:00:00,480 --> 00:00:03,760 Speaker 1: We can catch an audience with David Wolliums at the 2 00:00:03,800 --> 00:00:08,560 Speaker 1: Riverside Theater Saturday, October twelve. Tickets are available through Ticke Tech. 3 00:00:09,160 --> 00:00:11,960 Speaker 1: David Williams is with us now. Good morning, David, welcome, 4 00:00:12,080 --> 00:00:14,760 Speaker 1: good morning, Thank you for having me, Thank you for 5 00:00:14,800 --> 00:00:18,240 Speaker 1: being with us. An audience with David Walliams. Tell us 6 00:00:18,239 --> 00:00:20,040 Speaker 1: how this works. Will we get a bit of a 7 00:00:20,079 --> 00:00:24,160 Speaker 1: peek behind the curtains. There will be some storytelling, yes, I. 8 00:00:24,120 --> 00:00:26,240 Speaker 2: Mean it's a Q and A show. 9 00:00:26,560 --> 00:00:28,960 Speaker 3: The audience will have a chance to ask me anything 10 00:00:29,200 --> 00:00:33,239 Speaker 3: they want in the second half. But it's basically the 11 00:00:33,280 --> 00:00:36,040 Speaker 3: story of my life in terms of funny stories and 12 00:00:36,080 --> 00:00:38,640 Speaker 3: then tell us money funny stories as I possibly can 13 00:00:39,320 --> 00:00:42,240 Speaker 3: talk through lots of clips no one's ever seen talk 14 00:00:42,240 --> 00:00:45,480 Speaker 3: about the Little Britain characters, comply with Me characters time 15 00:00:45,520 --> 00:00:49,159 Speaker 3: on talent shows, and what I want it to be 16 00:00:49,320 --> 00:00:53,280 Speaker 3: is as sort of rioteously entertaining couple of hours and 17 00:00:54,280 --> 00:00:56,720 Speaker 3: also for people to get a chance, you know, to 18 00:00:56,760 --> 00:00:58,920 Speaker 3: get to know me a little bit better. I'm you know, 19 00:00:58,960 --> 00:01:04,280 Speaker 3: it's not going to be like depressing. I think just 20 00:01:04,280 --> 00:01:05,840 Speaker 3: just you know, because I think people want to come 21 00:01:05,880 --> 00:01:07,520 Speaker 3: away with a little bit of sense of who you 22 00:01:07,560 --> 00:01:10,920 Speaker 3: are as well. And as a special surprise, I'm going 23 00:01:10,959 --> 00:01:12,120 Speaker 3: to be performing as one of. 24 00:01:12,120 --> 00:01:13,319 Speaker 2: The Little Britain characters. 25 00:01:15,040 --> 00:01:19,760 Speaker 3: Can't say which one, okay, because it is the prize too, 26 00:01:20,040 --> 00:01:20,640 Speaker 3: don't want to blow it. 27 00:01:20,680 --> 00:01:24,440 Speaker 2: Has a surprise one of the ones that hasn't been canceled. 28 00:01:25,959 --> 00:01:32,640 Speaker 4: One you can find one you can that's hilarious. 29 00:01:33,080 --> 00:01:35,520 Speaker 5: The fans of Little Britain they like Harry are they 30 00:01:35,560 --> 00:01:38,120 Speaker 5: Harry Potter esk in the way how much they they 31 00:01:38,240 --> 00:01:40,720 Speaker 5: love and obsess over things, because they're the ones you'll 32 00:01:40,800 --> 00:01:42,039 Speaker 5: be asking your questions, David. 33 00:01:42,400 --> 00:01:44,479 Speaker 3: Well, there's not as many as there are Harry Potter 34 00:01:44,640 --> 00:01:50,880 Speaker 3: that sadly Little Britain World at Universal Studios in Florida. 35 00:01:50,960 --> 00:01:54,080 Speaker 3: But yeah, I mean the thing is you often notice 36 00:01:54,200 --> 00:01:56,680 Speaker 3: is that people know the show better than you do, 37 00:01:56,920 --> 00:01:59,840 Speaker 3: even though me and Matt wrote the whole thing. But 38 00:02:00,080 --> 00:02:02,880 Speaker 3: on everything obviously we don't watch it, you know, all 39 00:02:02,960 --> 00:02:04,880 Speaker 3: the time. We don't have any occasion to watch it. 40 00:02:04,960 --> 00:02:08,200 Speaker 3: Because the thing is, I kind of think people often saying, oh, 41 00:02:08,280 --> 00:02:09,839 Speaker 3: do you watch your old stuff? And you think, well, 42 00:02:10,240 --> 00:02:13,600 Speaker 3: either you're sat at home on your own watching yourself 43 00:02:13,680 --> 00:02:17,960 Speaker 3: on television, which means you're really bonkers or you invite 44 00:02:18,000 --> 00:02:21,120 Speaker 3: people over and then say let's watch me on TV, 45 00:02:23,120 --> 00:02:25,959 Speaker 3: like quite crazy things to do. So but me and 46 00:02:26,080 --> 00:02:28,600 Speaker 3: Matt were like posting because it was actually twenty years 47 00:02:28,639 --> 00:02:31,440 Speaker 3: of Britain and we were sort of posting some sketches 48 00:02:31,480 --> 00:02:33,520 Speaker 3: from the first series online and we had to look 49 00:02:33,560 --> 00:02:36,160 Speaker 3: through it and I was like, you know, it's different 50 00:02:36,200 --> 00:02:38,920 Speaker 3: because obviously we're in you know, there's a comedy bun thing, 51 00:02:39,000 --> 00:02:42,000 Speaker 3: but also we've all got like certain happy memories of 52 00:02:42,080 --> 00:02:44,720 Speaker 3: the night we were, you know, recording this in front 53 00:02:44,720 --> 00:02:47,840 Speaker 3: of an audience, our mum's being there, whatever it was, 54 00:02:48,280 --> 00:02:52,800 Speaker 3: and so it was quite emotional actually, and I was proud, 55 00:02:52,840 --> 00:02:53,400 Speaker 3: you know, I was. 56 00:02:53,880 --> 00:02:55,400 Speaker 2: We were watching it again and I was thinking, yeah, 57 00:02:55,440 --> 00:02:56,959 Speaker 2: this is actually pretty funny it. 58 00:02:57,560 --> 00:03:00,960 Speaker 3: We were proud of it, and it was enjoyable seeing 59 00:03:01,040 --> 00:03:04,160 Speaker 3: the reaction again because there isn't anything quite like. 60 00:03:04,280 --> 00:03:10,280 Speaker 2: That on TV anymore. Very much become a bit more split, 61 00:03:10,440 --> 00:03:10,679 Speaker 2: isn't it. 62 00:03:10,800 --> 00:03:13,400 Speaker 3: You've got you've got stand up, and that stand up 63 00:03:13,600 --> 00:03:16,639 Speaker 3: is very big, and there's panel shows and things, but 64 00:03:16,760 --> 00:03:19,680 Speaker 3: there's not many kind of people doing characters anymore. 65 00:03:19,840 --> 00:03:21,320 Speaker 4: I'm not surprised to be too scared. 66 00:03:23,240 --> 00:03:25,880 Speaker 2: Yeah, well you need to be pretty fearless. 67 00:03:26,000 --> 00:03:29,079 Speaker 3: I think you do even just feel this, as in, 68 00:03:29,360 --> 00:03:32,519 Speaker 3: you know that it's it's scary to even try to 69 00:03:32,600 --> 00:03:35,200 Speaker 3: make people. I think if you're fearful, it's one of 70 00:03:35,320 --> 00:03:37,680 Speaker 3: those things. I mean a lot of things, but I 71 00:03:37,760 --> 00:03:39,480 Speaker 3: mean you have to go on stage and try me 72 00:03:39,680 --> 00:03:42,200 Speaker 3: for laugh. So if you're full of fear, it would 73 00:03:42,240 --> 00:03:42,840 Speaker 3: be impossible. 74 00:03:43,360 --> 00:03:46,040 Speaker 1: I've never read a Harry Potter book, but I don't 75 00:03:46,080 --> 00:03:48,160 Speaker 1: think I ever missed an episode of Little Britain. 76 00:03:48,280 --> 00:03:48,840 Speaker 4: I have sheared. 77 00:03:49,720 --> 00:03:52,880 Speaker 1: I like you, I mean, come on, it was a 78 00:03:53,120 --> 00:03:58,120 Speaker 1: moment in time of just I shed so many tears 79 00:03:58,360 --> 00:04:01,800 Speaker 1: laughing at this show. And you talk about you've got 80 00:04:01,880 --> 00:04:04,520 Speaker 1: to be fearless. Now, don't you think it's a shame 81 00:04:04,760 --> 00:04:08,840 Speaker 1: that the idea of making people laugh comes with you know, 82 00:04:08,960 --> 00:04:10,000 Speaker 1: you scared. 83 00:04:09,680 --> 00:04:10,840 Speaker 3: To do it. Yeah? 84 00:04:10,920 --> 00:04:14,680 Speaker 2: Well, interestingly, I saw an interview with John Clees and he. 85 00:04:14,840 --> 00:04:18,400 Speaker 4: Said classic example. Yeah yeah, yeah, but he said interest 86 00:04:18,440 --> 00:04:18,560 Speaker 4: in that. 87 00:04:18,640 --> 00:04:22,600 Speaker 3: He said that people are very literal minded, and I 88 00:04:22,680 --> 00:04:24,720 Speaker 3: mean people who sort of don't like comedy very much. 89 00:04:24,760 --> 00:04:27,640 Speaker 3: We're literal minded, and I think they don't maybe understand 90 00:04:27,680 --> 00:04:31,520 Speaker 3: that it's just playful. I mean, there's a moment in 91 00:04:31,600 --> 00:04:36,240 Speaker 3: forty towers where a bazz or faulty because Manuel can't 92 00:04:36,320 --> 00:04:40,119 Speaker 3: understand English, well something, he attacks Manuel with a spoon 93 00:04:40,200 --> 00:04:40,840 Speaker 3: and hits him. 94 00:04:40,760 --> 00:04:45,320 Speaker 2: Over the head. So now it was real as if 95 00:04:45,400 --> 00:04:46,839 Speaker 2: you have someone, you. 96 00:04:46,880 --> 00:04:50,160 Speaker 3: Know, an immigrant working in your hotel, and because they 97 00:04:50,200 --> 00:04:52,600 Speaker 3: didn't speak English you attack them with the spoon, it 98 00:04:52,640 --> 00:04:53,839 Speaker 3: wouldn't be funny. 99 00:04:54,040 --> 00:04:56,560 Speaker 2: But it is funny in the context of the show. 100 00:04:56,720 --> 00:04:59,400 Speaker 3: So I kind of think we've maybe got a little 101 00:04:59,440 --> 00:05:03,000 Speaker 3: bit confus used about what's real and what's not we're playing, 102 00:05:03,440 --> 00:05:06,520 Speaker 3: you know. I mean, he makes a lot of bad 103 00:05:06,560 --> 00:05:08,800 Speaker 3: taste jokes, and he says, well, there's a difference between 104 00:05:09,040 --> 00:05:11,000 Speaker 3: the thing you might make a joke about, which is 105 00:05:11,080 --> 00:05:14,800 Speaker 3: like horrible, you know, if it's something really dark, and 106 00:05:15,279 --> 00:05:16,360 Speaker 3: the joke, And I think. 107 00:05:16,400 --> 00:05:18,960 Speaker 2: Yeah, and the sort of that you tend to share 108 00:05:19,000 --> 00:05:21,440 Speaker 2: with people, you know, like your close friends. 109 00:05:21,800 --> 00:05:23,840 Speaker 3: Maybe it's some what but you know, it used to 110 00:05:23,880 --> 00:05:26,400 Speaker 3: be jokes you tell down the pub often used to 111 00:05:26,440 --> 00:05:27,600 Speaker 3: be quite bad taste. 112 00:05:27,640 --> 00:05:31,000 Speaker 2: But well that's fine. It's a show. 113 00:05:33,520 --> 00:05:36,280 Speaker 3: Also, I think something set out to shock and offend, 114 00:05:36,440 --> 00:05:39,600 Speaker 3: and I think, well, again, that's it's quite fun, isn't it. 115 00:05:39,640 --> 00:05:42,200 Speaker 2: Do you know the photographer Robert Maple thought the name. 116 00:05:42,240 --> 00:05:44,120 Speaker 4: Yes, absolutely, yeah, he took. 117 00:05:44,000 --> 00:05:49,640 Speaker 3: These very extreme, actual photographs. Now some people say, I 118 00:05:49,839 --> 00:05:51,080 Speaker 3: like it, but I wouldn't take. 119 00:05:50,960 --> 00:05:55,080 Speaker 4: My mum, that's it. You don't have to go, you don't. 120 00:05:55,160 --> 00:05:58,520 Speaker 3: I mean, yeah, So I think we need to sort 121 00:05:58,560 --> 00:06:00,800 Speaker 3: of Probably there's going to be a bit more a 122 00:06:00,920 --> 00:06:02,000 Speaker 3: sort of rebalance with. 123 00:06:07,040 --> 00:06:07,480 Speaker 2: Lockdown. 124 00:06:07,680 --> 00:06:11,840 Speaker 3: I think lockdown made people quite crazy, all looking at 125 00:06:11,920 --> 00:06:17,120 Speaker 3: our phones all the time and isolated and getting kind 126 00:06:17,160 --> 00:06:20,360 Speaker 3: of very agitated by everything we saw. And I look 127 00:06:20,400 --> 00:06:22,520 Speaker 3: at the world now and it does seem quite different. 128 00:06:22,600 --> 00:06:25,280 Speaker 2: People. It's very polarized now, isn't it. 129 00:06:25,360 --> 00:06:29,760 Speaker 3: You get the people people can't find middle ground, you know, 130 00:06:30,320 --> 00:06:33,280 Speaker 3: once dialogue it's like everything is just spinery, isn't it. 131 00:06:33,320 --> 00:06:37,000 Speaker 3: You force something or against something and shouting each other 132 00:06:37,080 --> 00:06:39,760 Speaker 3: whole time, and it feels like people's moods. 133 00:06:41,040 --> 00:06:42,119 Speaker 2: In a sort of bad place. 134 00:06:43,040 --> 00:06:45,080 Speaker 5: We talked about that lot and in comments we're seeing 135 00:06:45,120 --> 00:06:47,840 Speaker 5: on social media now, and it's even people, even people 136 00:06:47,880 --> 00:06:50,560 Speaker 5: doing good things, it gets slammed really quite quickly, and then. 137 00:06:52,000 --> 00:06:53,279 Speaker 4: Weird. Yeah, it's weird. 138 00:06:53,400 --> 00:06:56,479 Speaker 2: And I think probably the anonymity of being online. 139 00:06:56,279 --> 00:06:59,280 Speaker 6: Yeah, yeah, it's awful, A bit like I thought it 140 00:06:59,360 --> 00:07:02,920 Speaker 6: was a bit like you know when people drive really irresponsibly, 141 00:07:03,320 --> 00:07:05,320 Speaker 6: like you know, you're seeing the road or something and 142 00:07:05,400 --> 00:07:08,080 Speaker 6: you can see someone like speeding up, you know, coming 143 00:07:08,120 --> 00:07:08,520 Speaker 6: towards you. 144 00:07:08,760 --> 00:07:10,520 Speaker 3: I think social media's a bit like that, isn't it. 145 00:07:10,560 --> 00:07:12,840 Speaker 3: Because you've got the bubble of the car, you do 146 00:07:13,080 --> 00:07:17,160 Speaker 3: something that you never actually did and encourage it is 147 00:07:17,280 --> 00:07:22,280 Speaker 3: like you wouldn't actually run at someone, would you know, Well, 148 00:07:22,360 --> 00:07:23,000 Speaker 3: they'll run. 149 00:07:22,920 --> 00:07:26,680 Speaker 4: Out of my way, you know. Yeah, And. 150 00:07:28,760 --> 00:07:30,560 Speaker 3: With social media you're sort of just there in your 151 00:07:30,600 --> 00:07:32,840 Speaker 3: little bubble and you can kind of write whatever you 152 00:07:32,960 --> 00:07:34,720 Speaker 3: want and it's never going to come back. 153 00:07:34,680 --> 00:07:37,000 Speaker 4: To you social media as a car crash. It's a 154 00:07:37,080 --> 00:07:39,480 Speaker 4: great analogy. Bubble. 155 00:07:40,160 --> 00:07:43,440 Speaker 2: Wouldn't say it to someone in real life? No, then 156 00:07:43,640 --> 00:07:45,040 Speaker 2: probably you shouldn't write it. 157 00:07:45,480 --> 00:07:48,440 Speaker 1: Yeah, you've sold more than thirty seven million children's books? 158 00:07:49,040 --> 00:07:49,440 Speaker 3: How many? 159 00:07:49,920 --> 00:07:51,440 Speaker 4: Thirty seven million? 160 00:07:52,880 --> 00:07:58,560 Speaker 2: Fifty seven million? Last time I was sorry that people 161 00:07:59,240 --> 00:08:01,800 Speaker 2: don't make the copies back to the shop. 162 00:08:02,600 --> 00:08:09,760 Speaker 4: What do you know that I don't I'm sorry? Twenty 163 00:08:09,800 --> 00:08:13,840 Speaker 4: million photo copied. Yeah, that was a specsaver. 164 00:08:15,000 --> 00:08:18,760 Speaker 2: You know, one person who bought all fifty seven million copies? 165 00:08:21,160 --> 00:08:22,800 Speaker 4: Was it relative? It was a relative wasn't it. 166 00:08:23,880 --> 00:08:29,560 Speaker 2: Yeah, it was my mom. It's nice. It's nice. I 167 00:08:29,640 --> 00:08:31,920 Speaker 2: can tell that many books. It's nice. 168 00:08:33,400 --> 00:08:33,679 Speaker 3: For it. 169 00:08:34,000 --> 00:08:35,400 Speaker 2: I mean, I happily got more. 170 00:08:37,040 --> 00:08:39,360 Speaker 1: Did just have that rapport with kids that they just 171 00:08:39,600 --> 00:08:43,439 Speaker 1: drawn to you do? You know, in general, not just 172 00:08:43,640 --> 00:08:44,240 Speaker 1: in the books. 173 00:08:44,600 --> 00:08:45,640 Speaker 2: Well, I sort of. 174 00:08:46,000 --> 00:08:49,360 Speaker 3: I mean, I've got eleven year old son, and I've 175 00:08:49,400 --> 00:08:52,839 Speaker 3: got nephews who were twelve and I was seventeen and 176 00:08:52,880 --> 00:08:55,800 Speaker 3: stuff like that. So you know, I feel like I'm 177 00:08:56,000 --> 00:08:59,719 Speaker 3: kind of no how to sort of entertain kids. And 178 00:09:00,040 --> 00:09:02,839 Speaker 3: and obviously writing books makes you someone. 179 00:09:02,679 --> 00:09:03,640 Speaker 2: That they'd like to meet. 180 00:09:04,000 --> 00:09:07,080 Speaker 3: And so I always try, and and I'm doing signings 181 00:09:07,160 --> 00:09:09,920 Speaker 3: or something, always try and have some proper communication and 182 00:09:10,040 --> 00:09:12,800 Speaker 3: make them laugh a little bit or or something, you know, 183 00:09:13,040 --> 00:09:17,160 Speaker 3: because interestingly, I sometimes can see out the corner of 184 00:09:17,240 --> 00:09:18,719 Speaker 3: my eye someone's waiting. 185 00:09:18,520 --> 00:09:19,599 Speaker 2: To sort of say hello to me. 186 00:09:19,720 --> 00:09:22,480 Speaker 3: You know, maybe I'm someone and you can see someone's 187 00:09:22,520 --> 00:09:25,320 Speaker 3: recommends me. And it's weird how sort of nervous people are. 188 00:09:25,559 --> 00:09:28,160 Speaker 3: And I think, and especially children, because they don't really know. 189 00:09:28,520 --> 00:09:31,840 Speaker 3: They think it might go like that, and of course 190 00:09:31,880 --> 00:09:35,200 Speaker 3: you're not doing it. And so yeah, just to try 191 00:09:35,280 --> 00:09:37,679 Speaker 3: and make it funny and lie is that. I mean, 192 00:09:37,920 --> 00:09:40,120 Speaker 3: you can say the same thing to everybody. I always say, 193 00:09:40,320 --> 00:09:43,040 Speaker 3: you know, yes, it's a pound per photo or something 194 00:09:43,200 --> 00:09:45,080 Speaker 3: like that, and people laugh at that and they don't 195 00:09:45,120 --> 00:09:49,320 Speaker 3: realize I've said it to its person doesn't really matter, 196 00:09:49,400 --> 00:09:51,640 Speaker 3: and people want you to do voices and stuff like that, 197 00:09:51,880 --> 00:09:55,000 Speaker 3: and it's actually really nice because I mean people say, oh, 198 00:09:55,280 --> 00:09:57,480 Speaker 3: you know what, what's it like being famous? And I say, 199 00:09:57,640 --> 00:09:59,559 Speaker 3: but the one thing about it that's really nice is 200 00:09:59,679 --> 00:10:02,800 Speaker 3: you you just make people happy. Yeah, you know, like 201 00:10:03,120 --> 00:10:03,600 Speaker 3: great joy. 202 00:10:03,800 --> 00:10:06,040 Speaker 2: I mean, you know, if they want to. 203 00:10:06,040 --> 00:10:07,719 Speaker 3: Come and say hello to you and they like what 204 00:10:07,880 --> 00:10:10,079 Speaker 3: you do, and you know, you can make them happy, 205 00:10:10,200 --> 00:10:11,800 Speaker 3: or you can visit people who are in a bad 206 00:10:11,880 --> 00:10:14,959 Speaker 3: situation and make them happy, and it's like, you know, 207 00:10:15,160 --> 00:10:17,360 Speaker 3: make a video for someone and people are happy. 208 00:10:17,559 --> 00:10:20,720 Speaker 2: It's you know, it's quite easy, you know photo. 209 00:10:21,120 --> 00:10:21,360 Speaker 3: Yeah. 210 00:10:22,160 --> 00:10:24,000 Speaker 4: Do they want to autographs any more? David, is it 211 00:10:24,040 --> 00:10:25,280 Speaker 4: all pretty much selfies? 212 00:10:25,480 --> 00:10:27,599 Speaker 2: Well? I think because of books, people like you to 213 00:10:27,679 --> 00:10:28,480 Speaker 2: sign their books. 214 00:10:29,200 --> 00:10:31,040 Speaker 3: I'm always happy to sign a book because if you 215 00:10:31,160 --> 00:10:33,839 Speaker 3: sign a book, it can't be taken back to the shop. Yes, 216 00:10:34,800 --> 00:10:41,199 Speaker 3: there was things that Dame Joan Collins, which is a 217 00:10:41,400 --> 00:10:43,480 Speaker 3: signed book is a sold book. 218 00:10:43,880 --> 00:10:46,000 Speaker 2: Yes to remember. 219 00:10:46,320 --> 00:10:48,600 Speaker 4: Yeah, because she really sold cookie. 220 00:10:48,960 --> 00:10:56,080 Speaker 2: Yeah, signed twenty thousand Gods. I love that besteller. 221 00:10:57,559 --> 00:10:58,640 Speaker 1: So there you go. 222 00:10:58,840 --> 00:11:01,280 Speaker 3: I'm happy to sign a many books as in fact, 223 00:11:01,480 --> 00:11:05,240 Speaker 3: if I'm passing going through like an airport or station 224 00:11:05,559 --> 00:11:08,640 Speaker 3: or or a bookshop, I always go, I'll sign the 225 00:11:08,679 --> 00:11:09,400 Speaker 3: covers of my book. 226 00:11:09,679 --> 00:11:12,160 Speaker 2: That way, I know they can't return into the publisher's 227 00:11:12,240 --> 00:11:12,920 Speaker 2: brilliant love. 228 00:11:13,120 --> 00:11:15,280 Speaker 1: I can I ask you about your OBA you received 229 00:11:15,280 --> 00:11:21,000 Speaker 1: in twenty seventeen. You received the OBA from Princess Anne. Now, 230 00:11:21,120 --> 00:11:24,959 Speaker 1: she's always been my favorite royal. I've always thought I 231 00:11:25,160 --> 00:11:27,920 Speaker 1: reckon Princess Anne has a wicked sense of humor. 232 00:11:28,040 --> 00:11:30,320 Speaker 4: Can you shed any light on Princess. 233 00:11:30,440 --> 00:11:32,440 Speaker 2: Said that if you were She said that you were 234 00:11:32,480 --> 00:11:33,800 Speaker 2: her favorite DJ. 235 00:11:34,160 --> 00:11:39,400 Speaker 4: Yeah, mutual society. I knew it was. 236 00:11:41,640 --> 00:11:44,520 Speaker 2: I only talked to her for about you know, minutes. 237 00:11:44,720 --> 00:11:47,199 Speaker 4: Yeah, I can't what she was like. 238 00:11:47,520 --> 00:11:49,719 Speaker 3: Yeah, I met and then most of the others and 239 00:11:49,840 --> 00:11:52,840 Speaker 3: they're quite I mean, Harry you was always the funniest. 240 00:11:53,000 --> 00:11:53,240 Speaker 2: Yeah. 241 00:11:53,480 --> 00:11:56,360 Speaker 3: Yeah, go for the same gym as him. And when 242 00:11:56,400 --> 00:11:58,760 Speaker 3: he was living in London and so I see him 243 00:11:58,760 --> 00:12:00,480 Speaker 3: all the time. He was such a half and there 244 00:12:00,520 --> 00:12:03,400 Speaker 3: were nowheres embraces for them, yeah, and I was he 245 00:12:03,559 --> 00:12:05,000 Speaker 3: was going to the pool and I was going to 246 00:12:05,120 --> 00:12:06,599 Speaker 3: stupid and he went, wait for me. 247 00:12:06,760 --> 00:12:13,040 Speaker 2: Alliams, we need to chat like that and it would 248 00:12:13,040 --> 00:12:15,160 Speaker 2: be very very nice guy. 249 00:12:15,760 --> 00:12:18,199 Speaker 3: Me and my mom went to Wimbledon to watch the 250 00:12:18,320 --> 00:12:21,839 Speaker 3: tennis and we were very lucky to be invited into 251 00:12:21,840 --> 00:12:24,120 Speaker 3: the row box and we were sat behind William. 252 00:12:23,800 --> 00:12:31,760 Speaker 2: And Kate photografts and everything, and it was one of course. 253 00:12:31,880 --> 00:12:38,840 Speaker 5: My mom has dined out tells everybody. You mentioned one 254 00:12:38,880 --> 00:12:42,160 Speaker 5: of the the job you do, but you talked about fame. 255 00:12:42,280 --> 00:12:44,000 Speaker 5: What are the things that annoy you the most of 256 00:12:44,000 --> 00:12:45,360 Speaker 5: you try and get away? Is that the pepper, is 257 00:12:45,360 --> 00:12:47,319 Speaker 5: that the dude in the garden hiding there, trying to 258 00:12:47,360 --> 00:12:49,120 Speaker 5: get another snap of view as you go for a 259 00:12:49,200 --> 00:12:51,719 Speaker 5: jog or something. The things about fame you really disliked that. 260 00:12:51,960 --> 00:12:56,640 Speaker 3: I don't go for jobs, So that one, No, there's 261 00:12:56,720 --> 00:13:02,440 Speaker 3: no market for photos. I know it's not really bad. 262 00:13:02,520 --> 00:13:05,160 Speaker 3: But you get to do exactly what you like in 263 00:13:05,280 --> 00:13:08,160 Speaker 3: the life in terms of you know, you're getting to 264 00:13:08,240 --> 00:13:12,079 Speaker 3: do your job that you love, acting and writing, and 265 00:13:12,679 --> 00:13:15,080 Speaker 3: if you're successful at these things, that's amazing. 266 00:13:15,760 --> 00:13:18,719 Speaker 2: So I you know, there are occasionally thinks, you know, like, 267 00:13:18,840 --> 00:13:19,400 Speaker 2: I don't. 268 00:13:19,280 --> 00:13:21,920 Speaker 3: Know, if something untrue and unkind is written about you, 269 00:13:22,240 --> 00:13:25,280 Speaker 3: you feel a little hurt, But you have to remember 270 00:13:25,360 --> 00:13:28,040 Speaker 3: that most people will never read it, will never care, 271 00:13:28,160 --> 00:13:31,040 Speaker 3: will never remember it. So it's best to just let 272 00:13:31,120 --> 00:13:34,360 Speaker 3: it pass, especially with the news cycle being like it is. Yeah, 273 00:13:35,240 --> 00:13:38,040 Speaker 3: you think there's something it's not true, it's not nice. 274 00:13:38,480 --> 00:13:40,840 Speaker 3: Should I do anything about it? Should I say something? 275 00:13:41,040 --> 00:13:43,079 Speaker 3: And you just think, oh, just forget about it. And 276 00:13:43,120 --> 00:13:45,880 Speaker 3: in twenty four hours probably no one has read it, 277 00:13:46,000 --> 00:13:49,120 Speaker 3: really does And then in twenty five, twenty four hours 278 00:13:49,120 --> 00:13:52,040 Speaker 3: and no one remember. I mean during Donald Trump's presidency 279 00:13:52,360 --> 00:13:55,640 Speaker 3: he said something about every forty eight hours that should 280 00:13:55,679 --> 00:13:56,600 Speaker 3: have gotten the SAP. 281 00:13:57,040 --> 00:13:59,480 Speaker 2: For some reason, we did forget about it. 282 00:13:59,559 --> 00:14:01,680 Speaker 3: And if you're to the next thing, I'll not compare 283 00:14:01,800 --> 00:14:04,800 Speaker 3: itself to Donald Trump, but I'm just saying that the 284 00:14:05,320 --> 00:14:08,280 Speaker 3: news cycles so far, you just have to brush those 285 00:14:08,360 --> 00:14:12,760 Speaker 3: things off. Yeah, sometimes you just feel I don't know, 286 00:14:12,800 --> 00:14:15,240 Speaker 3: it just makes you feel uncomfortable because you think, well, 287 00:14:15,280 --> 00:14:15,960 Speaker 3: that's not true. 288 00:14:16,040 --> 00:14:16,679 Speaker 2: I didn't say that. 289 00:14:16,880 --> 00:14:20,160 Speaker 4: Yeah, Yeah, there's a temptation to fight back on it. 290 00:14:21,000 --> 00:14:24,400 Speaker 1: October twelve is the date we have an audience with 291 00:14:24,520 --> 00:14:27,640 Speaker 1: David Williams at the Riverside Theater. Tickets are available through 292 00:14:27,760 --> 00:14:29,640 Speaker 1: ticket Tech. We look forward to having you here in October. 293 00:14:29,640 --> 00:14:31,280 Speaker 1: You might want to hang around swim to rot Nest. 294 00:14:31,680 --> 00:14:33,120 Speaker 1: We know you love a channel swim. 295 00:14:35,240 --> 00:14:41,240 Speaker 2: I'd love to come into the studio live to see that. 296 00:14:41,560 --> 00:14:43,560 Speaker 4: Yeah, this post COVID world, we'd love to have you in. 297 00:14:43,960 --> 00:14:45,880 Speaker 2: I'd like to guess one of your grooming tips. 298 00:14:47,440 --> 00:14:48,960 Speaker 4: Grooming tips, we can work on that. 299 00:14:50,680 --> 00:14:53,480 Speaker 2: And we were wearing either either you're wearing a lot 300 00:14:53,520 --> 00:14:55,320 Speaker 2: of makeup or you've had a lot of work done, 301 00:14:55,400 --> 00:14:55,760 Speaker 2: which is. 302 00:14:57,520 --> 00:14:59,479 Speaker 4: Of course clary. 303 00:15:03,320 --> 00:15:03,560 Speaker 2: Great. 304 00:15:04,120 --> 00:15:11,080 Speaker 4: Are you married? You maybe not talking to me? Not anymore? 305 00:15:12,080 --> 00:15:12,720 Speaker 2: Are you married? 306 00:15:13,120 --> 00:15:15,200 Speaker 4: No, No, I'm not anymore. 307 00:15:15,480 --> 00:15:19,560 Speaker 2: You that you have a secret crush on each other, You. 308 00:15:19,600 --> 00:15:22,720 Speaker 5: Made to be married to each other in a work sence. 309 00:15:22,760 --> 00:15:24,360 Speaker 5: You know each other forever forever. 310 00:15:24,800 --> 00:15:27,480 Speaker 2: Yeah. Yeah, And there's an attention, there's a sort of 311 00:15:27,680 --> 00:15:32,680 Speaker 2: tension between you. Yeah, there is. I picked up. I 312 00:15:32,840 --> 00:15:33,560 Speaker 2: picked up on that. 313 00:15:33,880 --> 00:15:36,000 Speaker 4: You definitely need to come in when you're in town. 314 00:15:36,040 --> 00:15:36,640 Speaker 4: I think you should. 315 00:15:37,320 --> 00:15:39,200 Speaker 2: I need to throw out all of your issues. 316 00:15:39,240 --> 00:15:41,120 Speaker 4: Well, we need to celebrate, to be honest. 317 00:15:43,600 --> 00:15:45,200 Speaker 2: Well, I will see you then, and I'll see you 318 00:15:45,280 --> 00:15:45,880 Speaker 2: in October 319 00:15:46,360 --> 00:15:49,320 Speaker 4: Lad, it's been a pleasure you guys