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Speaker 1: The Will and Woody Podcast.

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Speaker 2: Mark Ronson is on the show right now with us

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Speaker 2: here at Will and Woody. He's got a brand new

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Speaker 2: song with Ray called Suzanne. Mark, welcome back to Will

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Speaker 2: them wood ten years on.

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Speaker 3: It's pleasure to have you.

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Speaker 4: Yeah, it's great to be back. They thought about you

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Speaker 4: a lot over the last hang out.

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Speaker 2: I can imagine same what he was so intimidated by you,

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Speaker 2: he didn't actually ask you a question for the whole interview.

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Speaker 4: So thanks you do you want us to ask you?

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Speaker 3: Well, the problem was that Will took all the good

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Speaker 3: questions Mark. Yeah, we had a good brainstorm, and I

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Speaker 3: think Will took all the good ones. Please, So I

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Speaker 3: ended up commenting on your shoes that you were wearing. Okay,

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Speaker 3: and all right, thank you? Full license? Okay? Would you

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Speaker 3: say we're in inspiration behind Susan the new one with Ray? Yes, confirm.

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Speaker 3: I think we knew that, but good to confirm.

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Speaker 2: Hey made Let's actually talk about some music because like

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Speaker 2: the band is going to get a hold of this interview.

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Speaker 2: So we actually spoke to Lady Gaga recently, which is

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Speaker 2: really cool. I know you've worked with her heap, and

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Speaker 2: we were just talking about that kind of a classic

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Speaker 2: songwriting process or his ideas process for anyone who's creative.

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Speaker 2: She was saying that she often wakes up in the

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Speaker 2: middle of the night and kind of like records her

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Speaker 2: song ideas or melodies into her phone because she doesn't

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Speaker 2: want to lose them. And I think it's really interesting

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Speaker 2: for you and who is a creative person. You're constantly like,

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Speaker 2: oh my god, if I lose this, I'm not gonna

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Speaker 2: be able to keep it. And I can empathize when

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Speaker 2: it comes to, you know, putting chords down in particular

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Speaker 2: in sequence, they feel like very slippery. But I was

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Speaker 2: listening to another chat with a guy called grind Chatton,

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Speaker 2: who's the lead singer of Fontane's. I don't know if

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Speaker 2: you know him, but he was saying that he actually

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Speaker 2: never panic writes or panic records his thoughts down because

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Speaker 2: it takes away the agency of his creativity. So he's like,

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Speaker 2: I back my creativity in to always come up with

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Speaker 2: the idea or recreate the idea, and if I I panic,

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Speaker 2: then I'm almost like undermining my capacity to remake that moment.

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Speaker 2: Fascinating to know from you, are you a like an

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Speaker 2: audio note guy? Because I was reading for when you

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Speaker 2: wrote I'm just can for the Barbie soundtrack.

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Speaker 3: That was a fun note where you were like, I

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Speaker 3: gotta get this down.

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Speaker 1: Yeah, that's your pros.

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Speaker 4: I think that can you just I'm just going to

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Speaker 4: move to a quiet zone for.

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Speaker 3: Real, real quick.

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Speaker 5: Is that all right?

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Speaker 3: Yeah, no worries. I'm in a haunted house.

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Speaker 2: It really does look okay, craepy, super creepy with the shadow,

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Speaker 2: the painting, what is going on.

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Speaker 4: I do record voice notes because yeah, I do worry

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Speaker 4: that it's not going to be that. I do think

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Speaker 4: that there's something to be said that if the idea

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Speaker 4: is that great and might stay in your hand. But

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Speaker 4: I actually I meditate every morning where I try to,

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Speaker 4: I'm gonna have two tiny kids, so it doesn't happen

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Speaker 4: that often. But sometimes if an idea that comes to

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Speaker 4: me in the middle of the meditation, I'd be like, oh,

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Speaker 4: I can't bring the meditor it's bad. But also I

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Speaker 4: don't want to forget this idea. So sometimes, but then

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Speaker 4: if I've become so obsession and meditating that I'm trying

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Speaker 4: to keep playing the idea like the broken rackets, I

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Speaker 4: don't lose it then, So yeah, sometimes I'll just quickly

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Speaker 4: set into the oue then go back to you know,

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Speaker 4: my spiritual transcendence.

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Speaker 2: Wow, that's interesting because it really does go against everything

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Speaker 2: you should be doing when you're meditating.

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Speaker 3: He is following a thought train. But it's funny how like.

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Speaker 4: It's completely it's the kind of thing you shouldn't be

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Speaker 4: doing while you're meditating.

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Speaker 3: But also that's you count really stop.

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Speaker 4: When the ideas come to you, you know, and too,

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Speaker 4: I just don't really come to me that often, so I.

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Speaker 3: Just need them. Another person you've worked with mark is

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Speaker 3: Bruno Mars Uptown Funk, obviously a huge track all around

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Speaker 3: the world. You were working on that song for six

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Speaker 3: months before Bruno got on board.

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Speaker 4: So the song took seven months to write, but we

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Speaker 4: were wroting.

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Speaker 3: We were when the very.

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Speaker 4: First date Bruno was on drums, I was on bass,

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Speaker 4: and Jeff Basker was since and we wrote it and

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Speaker 4: then for six months we were kind of like we

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Speaker 4: just never could never quite get it. And the first

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Speaker 4: night we wrote the whole first first we nearly gave

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Speaker 4: up so many times, and then I'd wait till everybody

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Speaker 4: just kind of forgot that we were all getting on

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Speaker 4: each other's nerves and then I'd be like, hey, you

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Speaker 4: guys want to get on that song. But it wasn't

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Speaker 4: until Bruno came six months kind of into it with

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Speaker 4: a doodo. Bruno Phil came out with that, and then

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Speaker 4: it suddenly was like the missing piece that we needed

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Speaker 4: to glue to hold the whole song together. From there

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Speaker 4: it just kind of like it's really kind of just

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Speaker 4: but even getting the guitar bit and yeah, I was

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Speaker 4: so stressed about finishing this song. I was trying to

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Speaker 4: get the perfect guitar bit. And it was the hottest

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Speaker 4: day of the year in London, and I went out

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Speaker 4: to a restaurant and I fainted in the restaurant and

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Speaker 4: threw up in the toilet. My friend had to carry

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Speaker 4: me back.

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Speaker 3: And then I finished that game, finished that damn guitar line.

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Speaker 3: When I came to you were in part responsible for,

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Speaker 3: I would say, one of the biggest songs of the

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Speaker 3: last decade in Uptown Funk with Bruno Mars. But I

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Speaker 3: heard that when you were trying to put that song

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Speaker 3: together it was really hard to get into the same

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Speaker 3: room as Bruno.

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Speaker 6: Well, we were making Uptown Funk over the course of

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Speaker 6: seven months. I had to go a lot of the

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Speaker 6: times wherever Bruno was on tour. So I think the

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Speaker 6: last session was in Toronto. He was playing there, you know,

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Speaker 6: sold out shows Toronto, and then you know, right after

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Speaker 6: the show he'd come back to the studio so we

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Speaker 6: could finish this song. But I had this special five

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Speaker 6: string bass that you hear on the song that I

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Speaker 6: had to bring it everywhere we went. It was the

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Speaker 6: sound kind of the sound of the song. I got

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Speaker 6: on this little flight from New York to Toronto, like

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Speaker 6: one hour long flight, put my big bass in this

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Speaker 6: little closet when you walk on the flight, and during

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Speaker 6: the flight the bass fell over somehow got stuck that

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Speaker 6: they couldn't open the door to the closet when the

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Speaker 6: plane landed, and then the captain had all this stuff

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Speaker 6: in there, all the flight crew had all this stuff

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Speaker 6: in there, so they had to send this whole team

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Speaker 6: on to unscrew the door and take it on, like

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Speaker 6: take my base out. So the Uptown Front Mace caused

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Speaker 6: a lot of grief to the Air Canada pilots that day,

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Speaker 6: But then I'd like to think it brought them a

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Speaker 6: lot of joy too, Sure I did.

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Speaker 2: I was speaking about bringing people a lot of joy. Mate,

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Speaker 2: I know you've got a brand new book which is

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Speaker 2: going to bring a lot of people a lot of joy.

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Speaker 2: It's called Night People, How to be a DJ in

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Speaker 2: nineties New York City. I know that is how you

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Speaker 2: started your career in music, underage, at one point playing

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Speaker 2: in all sorts of clubs in New York.

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Speaker 1: Why did you Why did you not writing the book?

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Speaker 6: I wrote this book for a lot of reasons. I

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Speaker 6: wanted to celebrate a certain scene, you know, New York

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Speaker 6: hip hop scene in the nineties, and I also wanted

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Speaker 6: to get give people a sense of what being a

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Speaker 6: gigging DJ is really like. You know, I think when

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Speaker 6: people think of DJs, they automatically think clamorous Calvin Harris

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Speaker 6: maybe on stage one hundred thousand people going crazy, but

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Speaker 6: you know you And also djang is playing in bog Yeah,

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Speaker 6: it's d bowling alleys. Yeah, all sorts of shit, five

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Speaker 6: nights a week for you know, back then we were

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Speaker 6: doing it for sometimes seventy five bucks.

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Speaker 1: If you don't get pretty much dealing.

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Speaker 6: With all the stress and headaches of lunatic club owners

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Speaker 6: and like drum people are asking for a request, but

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Speaker 6: also just loving it so much and that feeling of

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Speaker 6: like when you lift the crowd at that moment.

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Speaker 3: You dropped the right records, there's.

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Speaker 6: Nothing better than it. So I wanted to make this

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Speaker 6: book to talk about the sort of high hive and

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Speaker 6: the low lows of something that I love doing so

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Speaker 6: much and I've done for so long.

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Speaker 3: Cool and Will he cannot to sign Mark, He totally

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Speaker 3: gets it. Hey gets the early gig stuff because I'm

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Speaker 3: gonna be honest with you, Ma, and Will want me

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Speaker 3: telling you this, but we'll on the weekend. Actually DJed

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Speaker 3: at a Cold Plunge and Sauna studio.

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Speaker 6: I think djang at a Cold Plunge is very cool.

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Speaker 1: Thanks, no question.

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Speaker 6: Appreciate the subjective puns. You could go heavy on this

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Speaker 6: sort of ice spice A very good.

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Speaker 2: Yeah.

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Speaker 6: I have a feeling your class your classier than that.

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Speaker 3: It's ava. Thank you. Thanks the route, Yeah, I'm went

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Speaker 3: the ambient route. I appreciate that.

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Speaker 1: And I'll take this an invitation for us to play

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Speaker 1: back to back sometime.

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Speaker 3: I would have liked the puns. Can I just say

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Speaker 3: for the record, Will, Yeah, I would like You're not.

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Speaker 2: Cool, Hey, Mark, it's been brilliant, mate, so good to

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Speaker 2: talk to you.

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Speaker 1: Thank you so much again for coming on the show.

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Speaker 7: Thank you, guys.

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Speaker 6: I hope to see you well, at least not have

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Speaker 6: to wait another ten years.

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Speaker 2: I think I could be the best mouth trumpeter of

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Speaker 2: our generation.

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Speaker 3: I wish I could pull you down here, but you

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Speaker 3: are exceptional at the mouth trump I'll have.

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Speaker 1: You guys have taste that in a second.

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Speaker 3: Oh jeez, what a hook. You're not going anywhere now.

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Speaker 2: The reason I the reason that I I I want

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Speaker 2: to know that from you guys, if you think you're

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Speaker 2: the best at something in your generation, is because Taylor

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Speaker 2: Swift's ex Matt Healey from the band In nineteen seventy five,

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Speaker 2: he was a Glasstow and he was about to play

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Speaker 2: his band's hit Chocolate Now. I want you to have

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Speaker 2: a listen to this song properly, because he says something

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Speaker 2: about this song afterwards.

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Speaker 1: This is a song.

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Speaker 3: I can't hear what he's saying, but it's it's upbeat.

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Speaker 2: It's kind of like it's going to like play school

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Speaker 2: meets like a dead animal anyway.

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Speaker 3: So that's aggressive review.

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Speaker 2: So before he goes into the song, he says this

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Speaker 2: to everyone at Glastonbury, you have.

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Speaker 3: Listen what this moment is made to me realize is

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Speaker 3: that I probably the best I'm probably the best song

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Speaker 3: of my generation.

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Speaker 4: A poet, ladies, gentleman's what I am generational words thing

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Speaker 4: and just just I just work to remind you, you know,

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Speaker 4: in the next couple of minutes these lyrics is poetry,

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Speaker 4: I plead for you.

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Speaker 3: I mean, people are laughing, but is he joking?

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Speaker 2: Well, you hope he's joking Woods because if he's not,

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Speaker 2: I mean Beyonce called.

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Speaker 3: Oh right, so he's he's saying I'm better than her.

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Speaker 1: Yeah, man of his generation.

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Speaker 2: Yeah, Poni Her probably called in as well and was like,

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Speaker 2: I don't think so, mate. And this is serious, yeah,

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Speaker 2: serious singer songwriters.

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Speaker 3: I'm not really across Maddie. Heally, you know music more

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Speaker 3: than me. Where does he sit?

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Speaker 7: So?

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Speaker 3: Is he?

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Speaker 4: Is he?

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Speaker 2: Like?

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Speaker 3: Is he awesome? And I've just been living under a rock?

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Speaker 3: Or is he No?

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Speaker 2: No, he's I know you've been under and look I think, Adele,

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Speaker 2: I mean like, I mean really and again, but.

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Speaker 3: I'm playing and I'm just playing.

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Speaker 2: These are just the commercial ones, like the obvious ones

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Speaker 2: off the top of my head, like everyone knows these people.

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Speaker 3: So where is heels? His heels in the top.

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Speaker 2: Ten somewhere between here and Wankerville, in which he is

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Speaker 2: the president. I I, yeah, look, yeah, I think I

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Speaker 2: think he was joking. I just you know, even nowhere

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Speaker 2: near it, Like, you know, if he was in the conversation,

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Speaker 2: I think it's funny that he.

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Speaker 3: Makes that joke. Sure, but he's he's kind.

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Speaker 2: But you know, like he's not all the way out

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Speaker 2: of the conversation either, like he's performing at Glassonby, he's

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Speaker 2: in that weird half way house.

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Speaker 3: We're making those jokes. It's like, well, were you Like

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Speaker 3: were you serious though? Do you know what I mean?

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Speaker 2: Like, if you had to be an out of wide

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Speaker 2: out of the conversation he makes that joke, it's like,

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Speaker 2: oh god, he's always taking Yes, he's joke exactly, Like, oh,

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Speaker 2: but you're right, he's in You're a.

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Speaker 3: Yeah, yeah make that comment. You you do kind of

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Speaker 3: believe you think that? Yeah.

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Speaker 2: So anyway, I toyed around with this and I was like, well, look,

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Speaker 2: if we're all just going to sit here and boast

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Speaker 2: about what we're the best out of our generation, my

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Speaker 2: mouth trumpet's unbelievable.

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Speaker 3: It actually is extraordinary.

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Speaker 2: And I think if you're gonna If you're gonna call

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Speaker 2: with something that you think you are the best out

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Speaker 2: of your generation, you've got to be able to put

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Speaker 2: it on show.

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Speaker 1: You got to be able to prove it in some way.

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Speaker 3: I can't put mine on show, but you have seen

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Speaker 3: this in play. I am the best in my generation

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Speaker 3: at discreetly leaving social events. I am. Yeah, you're a

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Speaker 3: good spoke. I buy myself two to three hours where

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Speaker 3: it's like, at what time did he? Actually? I can

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Speaker 3: shout for that, someone do a pop in. I'm there

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Speaker 3: for ten minutes, but I think I've bought myself like

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Speaker 3: a four hour appearance because I come in and I'm loud.

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Speaker 3: Sometimes I feel like you're still there, but you're not.

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Speaker 3: Exactly it's incredible, exactly.

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Speaker 1: Yeah, you do that very well.

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Speaker 2: Yeah, OK, do you want to hear a bit of

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Speaker 2: the mouth show the other thing that I think I

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Speaker 2: am incredible at in my generation.

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Speaker 3: I'm sure. I'm sure you have a few ordering food

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Speaker 3: very good in that could be the best of my generation.

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Speaker 3: That is true.

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Speaker 2: I'm also very good at if I know nothing about something,

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Speaker 2: If someone asked me a question about something that I

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Speaker 2: know nothing about, I'm very good at bringing up another fact. Yes,

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Speaker 2: within that question infurio that makes me seem like I

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Speaker 2: know something about it.

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Speaker 3: You'll ask you a question about crocodiles and you'll go,

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Speaker 3: m crocodiles, Well, speaking of other water mammals, Yeah, let

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Speaker 3: me tell you about the shark. It's ridiculous. Yeah, how

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Speaker 3: you do it?

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Speaker 7: Yeah?

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Speaker 2: Yeah, So you can think of a question over the song, Okay, sure,

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00:13:25,559 --> 00:13:27,520
Speaker 2: and I'll be able to show that off. Yeah, sure,

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Speaker 2: and I will. I'll wheel out the mouth trumpet on

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Speaker 2: the other side as well. Okay, is there too much

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Speaker 2: of matisse? You want to hear your mouth trumpet that

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Speaker 2: people want to hear the mouth trumpet?

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Speaker 3: Okay, all right, maybe there's give us a few bars

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Speaker 3: and if you want to hear the rest of the song,

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Speaker 3: we need to stick around.

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Speaker 2: I'm going to go for a famous trumpet song again,

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00:13:41,440 --> 00:13:43,040
Speaker 2: thirteen one O six y five. If you think you're

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Speaker 2: a generational talent at something, here we go. This is

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Speaker 2: when the Saints go marching in.

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Speaker 3: Which is an AFL football team.

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Speaker 1: So it's just famous.

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00:13:51,400 --> 00:13:54,959
Speaker 3: Oh is it really? Yeah? Adapted by an AFL me. Okay,

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Speaker 3: here we go.

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Speaker 1: Exact like, tell you very much, no one's competing with that.

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Speaker 3: No, it's it's it's umble and aragon. Just more mouth

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Speaker 3: trumpet up nexton I think maybe just call for a request.

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Speaker 3: What do you want to hear on the mouth trumpet?

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00:14:22,280 --> 00:14:25,360
Speaker 3: What do you Van Morrison like? What do you want?

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00:14:25,840 --> 00:14:29,560
Speaker 3: What drum solo do you want to hear? Up next?

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Speaker 2: I'll tell you what if you you can mouth trump

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Speaker 2: it better than me, I will also take that call.

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Speaker 3: We did just hear a little bit of that sample.

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Speaker 3: A lot of people are saying they want to hear more,

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Speaker 3: but we are going to go to the calls first. Sure,

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Speaker 3: I hope you've got a second song up your sleeve

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Speaker 3: for there?

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Speaker 1: Will I do there?

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Speaker 3: Mate? What you like?

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Speaker 5: Uh?

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Speaker 3: Well, we've got Mark ronson actually on the show. I

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Speaker 3: want you do uptown funk. Okay. Later on, let's go

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Speaker 3: to Liam a hard one. Liam. Are you a generational talent?

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Speaker 3: What are you the best in your generation? At?

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Speaker 8: I can accord tongue twisters?

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Speaker 3: Say, can you give me my talent?

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00:15:05,600 --> 00:15:08,000
Speaker 8: So the one of the paper bag was the most

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00:15:08,680 --> 00:15:10,960
Speaker 8: A box of mixed biscuits, biscuit mixer?

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Speaker 5: What is it?

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Speaker 3: A box?

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Speaker 2: A box of Jesus came into the first word, A

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Speaker 2: box of mixed biscuits in a biscuit mixer.

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Speaker 3: Okay, you say it fast, Lamb.

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Speaker 8: I bought some mixed biscuits mixer.

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Speaker 3: Can you say? Can you say square cut punt quick?

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Speaker 3: Three times? I come, and he's good at it, he

341
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Speaker 3: won't slip. All right, let's give it a try. Lam

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Speaker 3: you're back, Liam say square cut punt three times? No? No, no, no, no, no, Hey,

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Speaker 3: I know.

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Speaker 1: The tongue ties is actually.

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Speaker 2: Were cut punt or a punt cut square? Okay, that's

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Speaker 2: the tongue twist.

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Speaker 3: Do you hear that? Lamb lamb Okay.

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00:16:00,320 --> 00:16:07,160
Speaker 8: Square cut punt? Well cut square?

349
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Speaker 1: You're the best?

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Speaker 3: Well? He never said? Everyone, do you want to give

351
00:16:13,320 --> 00:16:16,160
Speaker 3: six fight? Well? Liam, that is a talent. That's extraordinary.

352
00:16:16,160 --> 00:16:18,680
Speaker 3: That's good stuff. Chris. What are you the best in

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00:16:18,760 --> 00:16:22,560
Speaker 3: your generation at? Yeah, guys, I reckon, I am the

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00:16:22,600 --> 00:16:25,560
Speaker 3: best at doing water droplet sounds like a leaky tap

355
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Speaker 3: with my mouth. Give it to me, Give it to me, Chris? Ready, boys, Yeah,

356
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Speaker 3: that's pretty good. Hey, Chris, have you ever genuinely made

357
00:16:34,720 --> 00:16:36,920
Speaker 3: someone believe that there was a leak in a room?

358
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Speaker 1: I do it all the time to my kids.

359
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Speaker 3: That's I mean, have you have you have you pulled

360
00:16:41,120 --> 00:16:42,760
Speaker 3: it off with an adult though, Because let's be honest,

361
00:16:42,800 --> 00:16:44,480
Speaker 3: I can make Remy believe that I.

362
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Speaker 8: Actually I have done it once with the Misses when

363
00:16:46,680 --> 00:16:49,440
Speaker 8: we stayed in the hotel, was dripping through the night.

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Speaker 2: You sounds like a dream to go away with Chris,

365
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Speaker 2: spend the whole night of.

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Speaker 3: Every hotel and on holiday. I get I'd get the

367
00:17:02,280 --> 00:17:03,840
Speaker 3: get the porter up and going sorry, there's a leak

368
00:17:03,880 --> 00:17:09,000
Speaker 3: in this room. I'm pretty sure. Let's go to Michael Michael.

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Speaker 2: Do you think you're the best in your generation generational talent?

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00:17:12,560 --> 00:17:20,920
Speaker 3: Michael Michael, Oh, you're talking to Kermit, not Michael. We

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00:17:21,000 --> 00:17:26,000
Speaker 3: go Kermit back five. You have no have been on

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Speaker 3: the show Analyse. You love this guy, don't she doesna.

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00:17:31,920 --> 00:17:35,600
Speaker 2: Junior producer analysis put across good on your Kermit?

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00:17:35,680 --> 00:17:37,919
Speaker 3: I mean you want to ask him anything? Well, I

375
00:17:37,960 --> 00:17:39,119
Speaker 3: actually just want to know if you've got a song

376
00:17:39,200 --> 00:17:40,840
Speaker 3: request for Will. I'm want to move off the Kermit

377
00:17:40,960 --> 00:17:43,880
Speaker 3: voice still. I mean, he's so good at the mouth trumpet, Kermit.

378
00:17:43,920 --> 00:17:45,359
Speaker 3: I'm sure you've got to sung up your sleeve that

379
00:17:45,400 --> 00:17:46,200
Speaker 3: you want Will to play.

380
00:17:46,320 --> 00:17:50,480
Speaker 8: Yeah, yeah, I want I want him to do some weird.

381
00:17:52,280 --> 00:17:53,800
Speaker 3: We can do a bit of a duet here, if

382
00:17:53,840 --> 00:17:55,080
Speaker 3: you'd like Kurmit, what do you think?

383
00:17:55,160 --> 00:18:00,439
Speaker 5: Yeah, right, okay, we're oky, Okay, okay, this is no

384
00:18:00,480 --> 00:18:02,480
Speaker 5: one wants this, but you two are going to enjoy it,

385
00:18:03,359 --> 00:18:08,560
Speaker 5: all right, No.

386
00:18:08,520 --> 00:18:16,240
Speaker 3: Practices in Kermit. Alright, I won, I won, one, two, three, four.

387
00:18:17,880 --> 00:18:20,720
Speaker 7: Were the ring?

388
00:18:22,000 --> 00:18:30,080
Speaker 3: Alright. Mark Romson's on the show later blame Matt Kermit.

389
00:18:30,160 --> 00:18:32,040
Speaker 2: It's gad to hear your voice, mate. You can have yourself.

390
00:18:32,040 --> 00:18:33,960
Speaker 2: You can you hear Toby Holder? Thanks for calling the show.

391
00:18:35,520 --> 00:18:48,600
Speaker 3: It's the real guy, that's the real you. This woman

392
00:18:48,680 --> 00:18:51,639
Speaker 3: joined us on air, I'm gonna say two weeks ago,

393
00:18:52,440 --> 00:18:55,720
Speaker 3: and she was effectively telling us about her extraordinary ability

394
00:18:56,080 --> 00:18:59,639
Speaker 3: to be able to find missing pats. That's right. She

395
00:19:00,000 --> 00:19:03,200
Speaker 3: said that her method is effectively, she finds out about

396
00:19:03,200 --> 00:19:04,840
Speaker 3: a missing pet, you're get in contact with her, and

397
00:19:05,000 --> 00:19:08,359
Speaker 3: she is able to find these missing pets on Google

398
00:19:08,359 --> 00:19:11,680
Speaker 3: Maps and is anywhere in the world. That's right, Will.

399
00:19:11,840 --> 00:19:13,399
Speaker 3: So then anyway, we got thinking and we were like,

400
00:19:13,400 --> 00:19:15,840
Speaker 3: we just love to put this to the test on

401
00:19:16,000 --> 00:19:17,919
Speaker 3: the radio show. So we got her back on the

402
00:19:17,920 --> 00:19:22,159
Speaker 3: show last week and said this, what if Will dressed

403
00:19:22,240 --> 00:19:25,879
Speaker 3: up like a pussy cat and we dropped Will somewhere,

404
00:19:26,280 --> 00:19:28,679
Speaker 3: would you be able to feel where Will is if

405
00:19:29,160 --> 00:19:31,960
Speaker 3: he went full method. We're talking the outfit, we're talking

406
00:19:32,000 --> 00:19:33,359
Speaker 3: the whiskers, we're talking the meowing.

407
00:19:33,920 --> 00:19:34,200
Speaker 7: Yeah.

408
00:19:34,280 --> 00:19:35,960
Speaker 9: Yeah, you could do with.

409
00:19:35,920 --> 00:19:37,120
Speaker 3: Me as well.

410
00:19:37,160 --> 00:19:39,720
Speaker 8: Yeah, and I'll have foes under five minutes.

411
00:19:40,000 --> 00:19:42,000
Speaker 1: You'll have the coordinates in under five minutes.

412
00:19:42,400 --> 00:19:42,640
Speaker 8: Yeah.

413
00:19:42,800 --> 00:19:44,680
Speaker 3: So I have to act like a cat while I'm

414
00:19:44,680 --> 00:19:48,120
Speaker 3: in hiding. You have to do that, yeah, yeah, five minutes.

415
00:19:48,160 --> 00:19:51,080
Speaker 3: It's a perfect radio spot. Jackie joins us on the

416
00:19:51,160 --> 00:20:01,680
Speaker 3: phone right now, Hello, Jackie, Hello, Hello, Hello, Hello here Jackie.

417
00:20:01,720 --> 00:20:05,840
Speaker 3: You're still up for the challenge. Yes, okay, so are we?

418
00:20:05,840 --> 00:20:08,520
Speaker 3: We are? We are so in on this. Australia is

419
00:20:08,520 --> 00:20:11,199
Speaker 3: in on this. So Jackie, just to confirm we are,

420
00:20:11,200 --> 00:20:13,679
Speaker 3: we're going to fly you into the radio studio. You're

421
00:20:13,720 --> 00:20:17,359
Speaker 3: across this, yes, okay, amazing, So you'll be You'll be

422
00:20:17,440 --> 00:20:21,159
Speaker 3: in the radio studio with me, Jackie. Will Will is

423
00:20:21,200 --> 00:20:25,760
Speaker 3: going to be somewhere in Australia dressed as a pussy cat. Yes,

424
00:20:26,320 --> 00:20:29,080
Speaker 3: in fire. So what what other information do you need

425
00:20:29,280 --> 00:20:31,360
Speaker 3: other than the fact that Will is somewhere in Australia

426
00:20:31,480 --> 00:20:32,720
Speaker 3: dressed as a pussy cat?

427
00:20:32,840 --> 00:20:37,000
Speaker 8: Okay, so I would need a way went from, like

428
00:20:37,040 --> 00:20:40,600
Speaker 8: if I'm looking for missing cat or dog or where

429
00:20:40,640 --> 00:20:42,000
Speaker 8: did they missing from?

430
00:20:42,119 --> 00:20:45,879
Speaker 3: Yeah? Okay, so if you last point, if it is

431
00:20:45,920 --> 00:20:48,280
Speaker 3: if it is left from the radio studio, that would

432
00:20:48,320 --> 00:20:51,760
Speaker 3: be enough for you. Yes, okay, unbelievable. Is there any

433
00:20:51,800 --> 00:20:53,480
Speaker 3: other information you need?

434
00:20:53,760 --> 00:20:58,760
Speaker 8: Another as a was from him, or a piece of

435
00:20:59,240 --> 00:21:02,199
Speaker 8: jewelry or doing a hat he wears reguly or something.

436
00:21:02,680 --> 00:21:08,160
Speaker 3: Okay, okay, so one of his possessions. It's blanky blank

437
00:21:09,200 --> 00:21:14,399
Speaker 3: blank blanky okay, So just something something like he's watch

438
00:21:14,840 --> 00:21:17,200
Speaker 3: what he wears a watch? Okay?

439
00:21:17,280 --> 00:21:20,600
Speaker 2: And can I drive from the location that I leave from, Jackie?

440
00:21:20,720 --> 00:21:22,960
Speaker 1: Or I need a walk?

441
00:21:23,440 --> 00:21:28,200
Speaker 8: Actually it's harder to clack in a car. I mean

442
00:21:28,760 --> 00:21:31,280
Speaker 8: you better walk on like you were a cat. We

443
00:21:31,440 --> 00:21:33,160
Speaker 8: left home and run away?

444
00:21:33,440 --> 00:21:35,040
Speaker 1: Okay, I actually run away?

445
00:21:35,080 --> 00:21:37,320
Speaker 3: Okay? What if this cat could ride a bike?

446
00:21:38,600 --> 00:21:39,360
Speaker 7: Can run a bike?

447
00:21:40,040 --> 00:21:40,359
Speaker 3: Okay?

448
00:21:40,400 --> 00:21:43,600
Speaker 2: Okay, no, no, So I need to have walked to

449
00:21:43,680 --> 00:21:47,320
Speaker 2: the place where I'm going, Okay, yep, yep, Okay, that's

450
00:21:47,320 --> 00:21:47,960
Speaker 2: absolutely fine.

451
00:21:47,960 --> 00:21:50,320
Speaker 1: And then so and then but then what's the proximity then, Jackie?

452
00:21:50,400 --> 00:21:52,399
Speaker 2: Because if I'm walking and then you know, you know

453
00:21:52,440 --> 00:21:53,960
Speaker 2: that I've been gone for half an hour.

454
00:21:54,640 --> 00:21:56,760
Speaker 8: Well no, you could say, well, you could say to

455
00:21:56,880 --> 00:22:00,760
Speaker 8: me my cat or he he's a cow? Right, we've

456
00:22:00,760 --> 00:22:08,080
Speaker 8: gone missing last night o'clock at night, someone might ring mess.

457
00:22:10,080 --> 00:22:12,640
Speaker 3: Okay, so so so, Jackie, we just need to say

458
00:22:12,640 --> 00:22:15,720
Speaker 3: to you Will went Will went missing from the radio studio.

459
00:22:15,800 --> 00:22:18,119
Speaker 3: Say at mid day we could say to you ye,

460
00:22:18,400 --> 00:22:20,880
Speaker 3: and then later that afternoon if you're in the studio,

461
00:22:21,000 --> 00:22:23,520
Speaker 3: you will still be able to tell me where he

462
00:22:23,600 --> 00:22:24,200
Speaker 3: is on Google.

463
00:22:25,359 --> 00:22:27,480
Speaker 1: Yes, okay, that is and.

464
00:22:27,520 --> 00:22:30,280
Speaker 3: Sorry, Jackie. Final question from me, how long does Will

465
00:22:30,359 --> 00:22:33,159
Speaker 3: have to live like a pussy cat for this to

466
00:22:33,200 --> 00:22:33,680
Speaker 3: be pulled off?

467
00:22:33,680 --> 00:22:33,760
Speaker 7: Like?

468
00:22:33,760 --> 00:22:35,320
Speaker 3: Does he need to be a pussy cat for two

469
00:22:35,359 --> 00:22:36,320
Speaker 3: to three days?

470
00:22:37,320 --> 00:22:39,520
Speaker 7: As long as it's before me?

471
00:22:40,960 --> 00:22:43,000
Speaker 3: Yeah? Beforehand? Does he need to live like a cat

472
00:22:43,000 --> 00:22:43,760
Speaker 3: for two days?

473
00:22:44,240 --> 00:22:44,960
Speaker 8: Yeah he could do that?

474
00:22:45,040 --> 00:22:48,600
Speaker 3: Yeah yeah, great, that's you just said he could do that.

475
00:22:50,760 --> 00:22:53,280
Speaker 3: I'm sorry, it'll help me. Sorry, I'm not doing that, Jackie.

476
00:22:53,320 --> 00:22:54,240
Speaker 3: Another sorry, another question?

477
00:22:55,119 --> 00:22:58,600
Speaker 8: Do you before before you need?

478
00:22:59,160 --> 00:23:01,679
Speaker 3: It will be fun? It lives like a cabin Jackie.

479
00:23:01,880 --> 00:23:04,159
Speaker 3: Do you have any doubt in your mind that you

480
00:23:04,240 --> 00:23:05,520
Speaker 3: maybe won't be able to find him or are you

481
00:23:05,560 --> 00:23:06,639
Speaker 3: one hundred percent confident?

482
00:23:10,000 --> 00:23:12,000
Speaker 1: So I want to throw this to phones wood.

483
00:23:12,040 --> 00:23:15,160
Speaker 3: Let's keep Jackie on the phone. There's got any doubts

484
00:23:15,160 --> 00:23:17,720
Speaker 3: about this. I mean, I'm sure there are some se

485
00:23:17,880 --> 00:23:21,200
Speaker 3: s workers who have recovered people, people who track people

486
00:23:21,240 --> 00:23:25,399
Speaker 3: for a living, does pets mate peoples, people that have

487
00:23:25,480 --> 00:23:29,200
Speaker 3: lost their pet before. Because I think if Jackie can.

488
00:23:29,040 --> 00:23:30,440
Speaker 1: Pull this off, this is unbelievable.

489
00:23:30,520 --> 00:23:32,080
Speaker 2: But I'm sure there are a lot of people listening

490
00:23:32,119 --> 00:23:34,600
Speaker 2: right now who are going that what Jackie does is

491
00:23:34,600 --> 00:23:35,280
Speaker 2: bloody hard.

492
00:23:35,840 --> 00:23:37,560
Speaker 3: It's an idea of how hard it.

493
00:23:37,520 --> 00:23:40,119
Speaker 2: Is to find a pet that goes missing. Thirteen one

494
00:23:40,200 --> 00:23:46,200
Speaker 2: oh sixty five, Jackie Clairvoyant dot com. If you're want

495
00:23:46,200 --> 00:23:48,919
Speaker 2: to go and get Jackie to find your pet, Jackie's

496
00:23:48,960 --> 00:23:51,120
Speaker 2: going to find me in a pussy Cat onesI later

497
00:23:51,119 --> 00:23:51,440
Speaker 2: in the week.

498
00:23:51,520 --> 00:23:53,119
Speaker 3: And what are we asking? Do you think Jackie can

499
00:23:53,160 --> 00:23:53,399
Speaker 3: do it?

500
00:23:53,440 --> 00:23:54,720
Speaker 1: Do you think she can pull it off?

501
00:23:54,960 --> 00:23:59,520
Speaker 3: Okay, great, yeah, great, brilliant Jackie wants to hear it

502
00:23:59,520 --> 00:24:01,800
Speaker 3: goes thirty one sixty five. Can she pull it off?

503
00:24:01,840 --> 00:24:03,479
Speaker 3: I'm a believer, jack I'm a believer.

504
00:24:03,760 --> 00:24:06,200
Speaker 2: You've found pets in Romania, you found them in New York.

505
00:24:06,320 --> 00:24:09,320
Speaker 2: You're on course constantly internationally to find people's pets. So

506
00:24:09,440 --> 00:24:13,280
Speaker 2: really making it a domestic or a national issue should

507
00:24:13,280 --> 00:24:14,320
Speaker 2: be easier for you.

508
00:24:15,480 --> 00:24:18,440
Speaker 7: It should be easier. It's easier for me to find

509
00:24:18,440 --> 00:24:21,359
Speaker 7: a pet if a pets hasn't been taken into your house,

510
00:24:21,880 --> 00:24:24,399
Speaker 7: because I see what the pets is from their perspective.

511
00:24:24,600 --> 00:24:27,480
Speaker 3: You see what the peties from the bush. So you're

512
00:24:27,480 --> 00:24:32,240
Speaker 3: going to be looking through my eyes, Jackie. Yes, don't

513
00:24:32,240 --> 00:24:35,199
Speaker 3: do anything naughty when you're heart Now you go and

514
00:24:35,240 --> 00:24:38,439
Speaker 3: take away from when are you looking through my eyes?

515
00:24:40,119 --> 00:24:40,320
Speaker 7: From?

516
00:24:40,359 --> 00:24:40,600
Speaker 9: When?

517
00:24:40,920 --> 00:24:41,640
Speaker 3: Yeah?

518
00:24:41,880 --> 00:24:43,159
Speaker 7: From when I start looking for you?

519
00:24:43,280 --> 00:24:44,760
Speaker 3: Oh my god, my gosh.

520
00:24:45,119 --> 00:24:49,639
Speaker 2: Well don't look for me anytime this week, Jock, can

521
00:24:49,680 --> 00:24:52,000
Speaker 2: you stay out of my head?

522
00:24:54,440 --> 00:24:57,560
Speaker 3: And Jackie so so be honest, be honest, Jackie. Have

523
00:24:57,640 --> 00:25:00,840
Speaker 3: you ever been employed by someone and then not being

524
00:25:00,920 --> 00:25:01,720
Speaker 3: able to find the pet?

525
00:25:02,800 --> 00:25:05,640
Speaker 7: I have it deployed by someone to look for a pet,

526
00:25:05,960 --> 00:25:09,199
Speaker 7: and we have to try to think, actually, if I

527
00:25:09,240 --> 00:25:13,840
Speaker 7: haven't found I no, I found a cat for somebody

528
00:25:13,840 --> 00:25:15,000
Speaker 7: who was ten.

529
00:25:14,920 --> 00:25:18,160
Speaker 3: Years found a cat that was missing for ten years.

530
00:25:18,240 --> 00:25:19,080
Speaker 9: Two years?

531
00:25:20,000 --> 00:25:22,159
Speaker 3: Did you're unbelievable? All right, Well let's go to Dylan here.

532
00:25:22,200 --> 00:25:23,639
Speaker 3: Dylan and Jackie can find me.

533
00:25:24,320 --> 00:25:25,879
Speaker 8: Absolutely no chance, oh.

534
00:25:28,440 --> 00:25:32,360
Speaker 3: Dylan, Dylan grounds Dylan. I mean you've heard her. She's

535
00:25:32,400 --> 00:25:35,879
Speaker 3: she's an international pet psychic. She can see what the

536
00:25:35,920 --> 00:25:38,200
Speaker 3: cats and dogs see. Why don't you think she'll be

537
00:25:38,200 --> 00:25:38,920
Speaker 3: able to do a Dylan?

538
00:25:39,440 --> 00:25:43,199
Speaker 8: I was following my dogs about escaped my Facebook message

539
00:25:43,200 --> 00:25:45,919
Speaker 8: posted by the local community. Yeah, I didn't find him.

540
00:25:45,920 --> 00:25:46,800
Speaker 8: I lost him for a week.

541
00:25:47,320 --> 00:25:49,240
Speaker 3: Do you want do you want Jackie to find him?

542
00:25:49,280 --> 00:25:57,480
Speaker 3: Is he still.

543
00:25:55,840 --> 00:25:56,000
Speaker 5: Good?

544
00:25:56,080 --> 00:25:58,119
Speaker 2: Well, now you can skip the cue that deal Jackie

545
00:25:58,119 --> 00:26:00,760
Speaker 2: clairvoyant dot com. Jackie can bind him like that. You

546
00:26:00,760 --> 00:26:03,280
Speaker 2: could have found him gooding in jack Yes, you did?

547
00:26:03,280 --> 00:26:04,720
Speaker 3: You know where he was already? Jackie?

548
00:26:05,800 --> 00:26:06,919
Speaker 7: Which one?

549
00:26:07,200 --> 00:26:09,600
Speaker 3: There's too many? There's too many, Jackie. I got another

550
00:26:09,680 --> 00:26:13,439
Speaker 3: question for you. How long have you? How long have

551
00:26:13,600 --> 00:26:16,800
Speaker 3: you known that you can see what pet's see when

552
00:26:16,840 --> 00:26:17,439
Speaker 3: they're missing?

553
00:26:19,080 --> 00:26:21,080
Speaker 7: How long have I known? How long have I been

554
00:26:21,119 --> 00:26:21,679
Speaker 7: able to do this?

555
00:26:23,840 --> 00:26:25,160
Speaker 8: I have known since.

556
00:26:24,960 --> 00:26:27,760
Speaker 7: I was two years old my father, my father was

557
00:26:27,760 --> 00:26:29,960
Speaker 7: in the Air Force and we were based in Singapore,

558
00:26:31,040 --> 00:26:33,280
Speaker 7: and my mother used to have coffee mornings for the

559
00:26:33,359 --> 00:26:37,520
Speaker 7: mums of babies to come around. And I started talking

560
00:26:37,560 --> 00:26:40,280
Speaker 7: to this ladies tummy and saying as a baby in

561
00:26:40,320 --> 00:26:43,360
Speaker 7: there and talking to the baby, and she said she'd

562
00:26:43,359 --> 00:26:46,400
Speaker 7: been trying her baby about ten years and hadn't had success.

563
00:26:46,640 --> 00:26:48,600
Speaker 7: But then she went back to the UK and wrote

564
00:26:48,600 --> 00:26:52,000
Speaker 7: a letter of my mother telling her I know what happened,

565
00:26:52,040 --> 00:26:54,520
Speaker 7: but I was pregnant, Jackie.

566
00:26:55,040 --> 00:27:00,160
Speaker 2: Play that music again, Player music easy, Jaggie.

567
00:27:00,359 --> 00:27:03,320
Speaker 3: Jackie beca. This is more than just finding pets. You

568
00:27:03,640 --> 00:27:06,960
Speaker 3: can you can talk to babies in the womb. My

569
00:27:06,960 --> 00:27:09,240
Speaker 3: my wife as a child in the womb. Could you

570
00:27:09,320 --> 00:27:11,040
Speaker 3: chat to them?

571
00:27:11,200 --> 00:27:16,159
Speaker 2: Yeah, you can see through your child's eyes, mate, Jackie.

572
00:27:16,240 --> 00:27:17,480
Speaker 3: I think we've got a big week with you, mate,

573
00:27:17,480 --> 00:27:17,800
Speaker 3: so we're.

574
00:27:17,680 --> 00:27:21,080
Speaker 2: Gonna keep things moving here one, he goes on. Later

575
00:27:21,160 --> 00:27:23,480
Speaker 2: in the week, I will go in hiding somewhere as

576
00:27:23,480 --> 00:27:26,719
Speaker 2: a pussy cat. Jackie will find me within five minutes

577
00:27:27,040 --> 00:27:28,840
Speaker 2: by looking through my eyes.

578
00:27:30,560 --> 00:27:33,199
Speaker 7: Need your photos? All I need is want to do

579
00:27:33,280 --> 00:27:34,639
Speaker 7: is look at Jackie.

580
00:27:34,680 --> 00:27:36,480
Speaker 3: Do you want the photo with or without me? And

581
00:27:36,520 --> 00:27:43,760
Speaker 3: the Onesie? You want me one with thee as a little.

582
00:27:48,680 --> 00:27:49,840
Speaker 7: I would have the drink.

583
00:27:55,760 --> 00:27:55,800
Speaker 5: No.

584
00:27:56,680 --> 00:28:03,680
Speaker 3: No. If you know the difference between beer and soft

585
00:28:03,760 --> 00:28:06,719
Speaker 3: ring based on the sound of the can opening, you

586
00:28:06,720 --> 00:28:09,800
Speaker 3: can win yourself just a lot of sweet sweet cash,

587
00:28:09,800 --> 00:28:11,920
Speaker 3: will Stacey. It's one hundred bucks a can. You want

588
00:28:11,920 --> 00:28:15,960
Speaker 3: to go for can one. Yep, all right, let's do it.

589
00:28:15,960 --> 00:28:16,399
Speaker 3: Here it is.

590
00:28:16,560 --> 00:28:18,120
Speaker 1: That's why I've called dickhead.

591
00:28:19,359 --> 00:28:21,680
Speaker 3: Fair enough.

592
00:28:25,119 --> 00:28:25,600
Speaker 7: Soft ing.

593
00:28:27,600 --> 00:28:36,359
Speaker 3: Sorry, stayce, that was a beer. Can you hear it?

594
00:28:36,400 --> 00:28:37,240
Speaker 1: Stubby holder for you?

595
00:28:38,080 --> 00:28:40,760
Speaker 3: There's days still trying to get rid of them before

596
00:28:40,760 --> 00:28:42,880
Speaker 3: the end of financial years, So we've got one day

597
00:28:42,920 --> 00:28:51,240
Speaker 3: to go. Let's go to Kathy. Here, Kathy, the energy.

598
00:28:51,320 --> 00:28:51,800
Speaker 3: I like it.

599
00:28:51,840 --> 00:28:53,640
Speaker 8: I'm actually thinking I'm not going to get any right,

600
00:28:53,720 --> 00:28:55,680
Speaker 8: but I get to talk to you, so that's a bonus.

601
00:28:55,720 --> 00:28:59,000
Speaker 3: Ah, there you go, Kath. Great to talk to you too,

602
00:28:59,120 --> 00:29:01,200
Speaker 3: Kat Here is can one. Let's get you some cash

603
00:29:01,240 --> 00:29:01,560
Speaker 3: as well.

604
00:29:10,040 --> 00:29:10,960
Speaker 8: That sounds like a beer.

605
00:29:12,880 --> 00:29:15,760
Speaker 3: You called it, right, Kath. That was a coke. That

606
00:29:16,000 --> 00:29:22,160
Speaker 3: was a soft drink. Yeah, that's what it is, you mate.

607
00:29:22,160 --> 00:29:25,400
Speaker 3: Why don't take two? Take two? Kathy, take it, Take

608
00:29:25,400 --> 00:29:28,080
Speaker 3: one for the whole family. Cat will give you five. Tommy,

609
00:29:28,600 --> 00:29:30,479
Speaker 3: you want to play? Can you hear it? So far

610
00:29:30,520 --> 00:29:33,880
Speaker 3: we've given away zero dollars? Are you actually good at this? Tommy?

611
00:29:34,440 --> 00:29:35,320
Speaker 7: I am all right.

612
00:29:35,400 --> 00:29:37,200
Speaker 3: Is that your child in the background that I heard there?

613
00:29:37,560 --> 00:29:39,640
Speaker 8: Oh? Yeah, my son's been telling me to call you guys.

614
00:29:39,840 --> 00:29:42,280
Speaker 3: All right, let's do it for him. Oh, Hello, mate,

615
00:29:42,320 --> 00:29:46,520
Speaker 3: what's your name? Did you say Jocelyn?

616
00:29:47,200 --> 00:29:47,640
Speaker 8: Jocelyn?

617
00:29:47,720 --> 00:29:50,320
Speaker 3: And said I love that. Jocelyn was a great name,

618
00:29:50,800 --> 00:29:54,160
Speaker 3: strong name. Let's do it for Jocelyn and Nathan. Here's

619
00:29:54,240 --> 00:30:05,440
Speaker 3: can one Tommy.

620
00:30:02,880 --> 00:30:03,120
Speaker 5: Beer.

621
00:30:06,920 --> 00:30:10,560
Speaker 3: One hundred bucks, Tommy, one hundred bucks. Let's go straight

622
00:30:10,600 --> 00:30:21,640
Speaker 3: to canto. Tommy, you're on a heater shutter, Tommy, you

623
00:30:21,640 --> 00:30:22,680
Speaker 3: would immediately tell.

624
00:30:22,560 --> 00:30:27,960
Speaker 2: Me, yeah, go Are you sharing the cash with the kids, Tommy?

625
00:30:28,240 --> 00:30:30,400
Speaker 5: Oh? I got I need one more so they can

626
00:30:30,440 --> 00:30:31,640
Speaker 5: share it between the three of them.

627
00:30:31,640 --> 00:30:35,479
Speaker 3: Oh wow, So who currently has one hundred dollars out

628
00:30:35,520 --> 00:30:39,360
Speaker 3: of your two kids? Then tell me just me? Okay,

629
00:30:39,400 --> 00:30:41,280
Speaker 3: so all the money is going to you, all right,

630
00:30:41,400 --> 00:30:44,240
Speaker 3: but this plit is my kids. Okay, kids? Are you

631
00:30:44,280 --> 00:30:49,040
Speaker 3: already if he gets it's one hundred bucks each? Yeah,

632
00:30:49,160 --> 00:30:50,720
Speaker 3: they're focused. They're very focused.

633
00:30:50,720 --> 00:30:51,040
Speaker 7: I like it.

634
00:30:51,160 --> 00:30:53,480
Speaker 3: That want to put off dad? Alright, it's just dawned

635
00:30:53,480 --> 00:30:56,160
Speaker 3: on them. More money than they could ever imagine. Can

636
00:30:56,200 --> 00:30:57,640
Speaker 3: three for three hundred bucks?

637
00:31:01,960 --> 00:31:04,640
Speaker 2: Oh?

638
00:31:09,200 --> 00:31:09,400
Speaker 7: Shut?

639
00:31:13,400 --> 00:31:16,280
Speaker 3: That was so to my friend. Three hundred boxes?

640
00:31:16,400 --> 00:31:16,760
Speaker 8: Yes?

641
00:31:19,200 --> 00:31:19,600
Speaker 7: Can I can?

642
00:31:19,640 --> 00:31:22,240
Speaker 3: I can? I ask you? What's Nathan going to spend

643
00:31:22,240 --> 00:31:22,640
Speaker 3: the money on?

644
00:31:22,720 --> 00:31:23,440
Speaker 1: I think it's Mason?

645
00:31:23,440 --> 00:31:26,880
Speaker 3: Would is it Mason? Excuse me. What's what's Mason going

646
00:31:26,960 --> 00:31:29,120
Speaker 3: to buy with his money? What are you gonna buy?

647
00:31:29,160 --> 00:31:36,640
Speaker 3: Buddyke Poke Pokemon strong strong choice, let's get.

648
00:31:38,280 --> 00:31:39,000
Speaker 1: And what was that one?

649
00:31:39,960 --> 00:31:41,520
Speaker 5: We're going away on a family trip.

650
00:31:41,960 --> 00:31:50,800
Speaker 3: Oh, all right, let's let's go to Malaysia, Laisia, yes, truth,

651
00:31:50,920 --> 00:31:55,240
Speaker 3: all right, well, let's let's cover your whole trip here, Mason, Jocelyn, Tommy,

652
00:31:55,360 --> 00:31:58,520
Speaker 3: let's do it. Can can four hundred dollars one hundred

653
00:31:59,200 --> 00:31:59,640
Speaker 3: tell us.

654
00:32:08,160 --> 00:32:08,440
Speaker 7: Beer?

655
00:32:09,360 --> 00:32:10,760
Speaker 3: Oh, Tommy, he's on one.

656
00:32:10,840 --> 00:32:12,800
Speaker 1: Tommy, he's got five hundred bucks?

657
00:32:13,160 --> 00:32:13,440
Speaker 8: Wow?

658
00:32:14,120 --> 00:32:15,120
Speaker 1: Or four hundred bucks?

659
00:32:15,200 --> 00:32:18,360
Speaker 3: Four hundred You've got four hundred dollars, Tommy. I'm not

660
00:32:18,480 --> 00:32:21,200
Speaker 3: sure we're able to give the kids the cash if

661
00:32:21,200 --> 00:32:24,080
Speaker 3: it does involve beer, but we'll sort that out in

662
00:32:24,120 --> 00:32:25,760
Speaker 3: the back end. A last saw that we don't know

663
00:32:25,800 --> 00:32:28,880
Speaker 3: where it goes once she's in it too. You're very welcome,

664
00:32:28,960 --> 00:32:30,160
Speaker 3: but very welcome, Mason.

665
00:32:30,200 --> 00:32:30,720
Speaker 1: How much we go?

666
00:32:30,920 --> 00:32:33,640
Speaker 3: This is for five hundred bucks? Yeah, five hundred bucks?

667
00:32:33,640 --> 00:32:33,960
Speaker 1: Okay?

668
00:32:34,040 --> 00:32:36,320
Speaker 3: This is I mean, this is this is a night's

669
00:32:36,320 --> 00:32:39,560
Speaker 3: Ta coom Oregon, like a real deliicious place in Malaysia.

670
00:32:39,680 --> 00:32:41,320
Speaker 3: All right, here we go, Tommy, for five hundred bucks.

671
00:32:41,360 --> 00:32:45,760
Speaker 1: Here are children, man, what are you talking about?

672
00:32:46,240 --> 00:33:00,360
Speaker 3: A penhouse? Shudder? Oh, Tommy, all right, so that was

673
00:33:00,360 --> 00:33:04,880
Speaker 3: a big run though, made four hundred bucks on How

674
00:33:04,880 --> 00:33:09,680
Speaker 3: good is that? Oh, pleasure guys than you know, and

675
00:33:09,760 --> 00:33:12,920
Speaker 3: buy some Pokemon cards, get some Malaysia, have the time

676
00:33:12,960 --> 00:33:13,480
Speaker 3: of your life.

677
00:33:14,280 --> 00:33:14,840
Speaker 7: Appreciate it.

678
00:33:16,000 --> 00:33:17,600
Speaker 3: Oh, no, worries it all Tommy.

679
00:33:17,920 --> 00:33:18,360
Speaker 1: They say that.

680
00:33:19,360 --> 00:33:21,800
Speaker 3: I think one of them sounds a lot like Elmo.

681
00:33:22,480 --> 00:33:24,320
Speaker 3: You said about my daughter as well. That's just that's

682
00:33:24,320 --> 00:33:27,040
Speaker 3: just kids man. Squeaky voice, what of Elm? I going

683
00:33:27,040 --> 00:33:27,360
Speaker 3: on there?

684
00:33:28,880 --> 00:33:30,640
Speaker 2: I don't like Tommy was always putting the voices on

685
00:33:30,680 --> 00:33:32,440
Speaker 2: with him if he was, do you.

686
00:33:32,440 --> 00:33:32,840
Speaker 5: Know what I mean?

687
00:33:32,920 --> 00:33:36,560
Speaker 3: There's a final leone about that. Yeah, Tommy, Tommy, I

688
00:33:36,560 --> 00:33:38,520
Speaker 3: think he's Tommy. Are you actually in the car there

689
00:33:38,560 --> 00:33:40,080
Speaker 3: or are you with the kids as well?

690
00:33:40,560 --> 00:33:40,960
Speaker 2: Oh?

691
00:33:41,040 --> 00:33:42,720
Speaker 6: What do you think you here?

692
00:33:44,880 --> 00:33:53,640
Speaker 3: That's real? That's real, boy, that's a chu real. And

693
00:33:58,400 --> 00:34:01,960
Speaker 3: does your workplace have a linger that you think anyone

694
00:34:02,120 --> 00:34:06,120
Speaker 3: outside of your occupation wouldn't understand? So we put that

695
00:34:06,200 --> 00:34:08,319
Speaker 3: to the test. You dropped straight into your lingo and

696
00:34:08,360 --> 00:34:10,759
Speaker 3: we try and guess what your occupation is. We got

697
00:34:10,800 --> 00:34:14,239
Speaker 3: Sarah here, Sarah, welcome to the show. Drops straight into

698
00:34:14,239 --> 00:34:14,680
Speaker 3: your lingo.

699
00:34:14,760 --> 00:34:19,480
Speaker 9: Please, So we're going to have to do the potentially

700
00:34:19,560 --> 00:34:21,560
Speaker 9: a arm if she hasn't shrummed.

701
00:34:21,840 --> 00:34:27,880
Speaker 3: If I haven't sm srum shrummed, can you just shrumm?

702
00:34:28,280 --> 00:34:29,719
Speaker 3: Can you say that first line again?

703
00:34:29,880 --> 00:34:33,040
Speaker 9: Sorry, Sarah, we're gonna have to do a V A M,

704
00:34:33,360 --> 00:34:37,600
Speaker 9: V R MVRM potentially. Sorry, we're going to have to

705
00:34:37,600 --> 00:34:39,600
Speaker 9: do a V and a potentially an A R M

706
00:34:39,800 --> 00:34:40,800
Speaker 9: if she hasn't shrumped.

707
00:34:42,520 --> 00:34:44,200
Speaker 3: Is it trommed or tromp.

708
00:34:44,080 --> 00:34:46,000
Speaker 9: Tromp trum tromp.

709
00:34:46,239 --> 00:34:51,480
Speaker 3: Trommed trump sounds like prompt could but like you.

710
00:34:51,440 --> 00:34:55,680
Speaker 2: Know, trum, she should prompt trumps a Jewish maybe shrom

711
00:34:55,840 --> 00:34:56,480
Speaker 2: like shmir.

712
00:34:57,120 --> 00:35:02,640
Speaker 3: No, So what I'm hearing shrom Yeah, yeah, Yeah, what

713
00:35:02,680 --> 00:35:05,919
Speaker 3: I'm hearing is you shrom in a sentence. I don't

714
00:35:05,920 --> 00:35:08,120
Speaker 3: know what trum means. It's going to Sarah. I think

715
00:35:08,120 --> 00:35:14,719
Speaker 3: that's giving away too much given let's break down what

716
00:35:14,760 --> 00:35:16,680
Speaker 3: she said though. She's she's talking about V E M

717
00:35:16,800 --> 00:35:18,000
Speaker 3: S and then if that doesn't work.

718
00:35:18,800 --> 00:35:21,320
Speaker 9: We're going to have to do a V yeah, V

719
00:35:21,960 --> 00:35:24,520
Speaker 9: and a potentially an ARM.

720
00:35:24,760 --> 00:35:29,000
Speaker 3: And potentially an a R. So like an arm, No,

721
00:35:29,080 --> 00:35:35,040
Speaker 3: an arm, it's a sometimes acronyms sound like words words,

722
00:35:35,040 --> 00:35:36,399
Speaker 3: but they are the word.

723
00:35:36,560 --> 00:35:39,480
Speaker 1: Or we're going to be schrom and or she's shrom.

724
00:35:40,080 --> 00:35:42,040
Speaker 3: Look I'm not I'm gonna be where she's shrom.

725
00:35:42,200 --> 00:35:44,040
Speaker 9: It could be something to do with an arm or

726
00:35:45,080 --> 00:35:45,479
Speaker 9: what about?

727
00:35:45,520 --> 00:35:46,880
Speaker 3: Could she be an mbo like trump?

728
00:35:46,920 --> 00:35:49,040
Speaker 1: Could could trom be an acronym.

729
00:35:48,680 --> 00:35:58,040
Speaker 3: For she's having over? No over? Medical time? Are you

730
00:35:58,280 --> 00:35:59,960
Speaker 3: are you? Are you an obstetrician?

731
00:36:00,160 --> 00:36:03,160
Speaker 9: Sarah, I'm actually a midwife.

732
00:36:03,960 --> 00:36:11,480
Speaker 3: Oh, vaginal examination at the start of vaginal examination.

733
00:36:13,160 --> 00:36:18,239
Speaker 9: Rupture of membrane. Wow, it's not spontaneous rupture of membranes?

734
00:36:19,320 --> 00:36:26,200
Speaker 2: Is that a Shromyes, spontaneous rupture membrane membrane.

735
00:36:26,000 --> 00:36:28,480
Speaker 3: And that's pretty pretty full on Sarah.

736
00:36:28,640 --> 00:36:28,839
Speaker 9: Yeah.

737
00:36:29,719 --> 00:36:33,000
Speaker 3: Yeah, it just means she's probably, you know, breaking the water.

738
00:36:34,000 --> 00:36:36,120
Speaker 3: That's fine. Is a breaking of the waters?

739
00:36:36,440 --> 00:36:41,160
Speaker 9: Yeah, sum isn't natural and the A is the artificial.

740
00:36:41,400 --> 00:36:43,680
Speaker 2: So when you go in there and you break the

741
00:36:44,239 --> 00:36:47,800
Speaker 2: arm essentially like a stretch and sweep Sarah, is that

742
00:36:47,880 --> 00:36:48,480
Speaker 2: we're talking there?

743
00:36:48,680 --> 00:36:49,520
Speaker 3: Yeah?

744
00:36:49,640 --> 00:36:51,040
Speaker 9: I think like that, but you just use a little

745
00:36:51,080 --> 00:36:52,279
Speaker 9: hook like a Crosier hook.

746
00:36:53,160 --> 00:36:55,080
Speaker 3: I reckon when I'm in the I'm going to be

747
00:36:55,080 --> 00:36:56,719
Speaker 3: in the birth in sweet in October. I'm going to

748
00:36:56,760 --> 00:36:58,640
Speaker 3: be I'm going to be dropping this. Are we shroman?

749
00:36:58,880 --> 00:37:00,680
Speaker 3: Are we arming? Where we are?

750
00:37:00,680 --> 00:37:01,520
Speaker 7: Can I do the vie?

751
00:37:01,920 --> 00:37:04,359
Speaker 3: Yep, I'd love to vie if we could have told

752
00:37:04,400 --> 00:37:05,880
Speaker 3: you that, Hey, Sarah, did you hear what do you

753
00:37:05,920 --> 00:37:06,799
Speaker 3: give birth? Last week?

754
00:37:07,400 --> 00:37:10,359
Speaker 9: Actually, I wanted to try to get through to you, guys,

755
00:37:10,440 --> 00:37:12,560
Speaker 9: because the one thing that he should have been doing,

756
00:37:13,320 --> 00:37:15,919
Speaker 9: with that excessive way, you should have been getting up