1 00:00:06,440 --> 00:00:09,479 Speaker 1: Junior producer Analys is back in the studio to prove 2 00:00:09,800 --> 00:00:13,520 Speaker 1: just how out of touch jen Z is. 3 00:00:20,000 --> 00:00:23,040 Speaker 2: No serious and seriously great to have you back a B. 4 00:00:23,239 --> 00:00:25,240 Speaker 1: Now, before we get into it, we will obviously just 5 00:00:25,280 --> 00:00:27,280 Speaker 1: be lobbing you a whole bunch of names and embarrassing 6 00:00:27,280 --> 00:00:29,960 Speaker 1: you live on air. It's the best part of my day. 7 00:00:31,640 --> 00:00:33,760 Speaker 1: How are you going, I'm going right, you have a 8 00:00:33,760 --> 00:00:34,200 Speaker 1: good break. 9 00:00:34,320 --> 00:00:35,400 Speaker 3: That's such a good break. 10 00:00:35,600 --> 00:00:39,479 Speaker 4: Lots of you know, live, love, laugh, like sleigh, you 11 00:00:39,520 --> 00:00:41,040 Speaker 4: know all those type things. 12 00:00:41,680 --> 00:00:45,040 Speaker 2: Saturday night, Actually, before we came back, you sent myself 13 00:00:45,080 --> 00:00:47,920 Speaker 2: Will and Captain poop Pan's a text message which was 14 00:00:47,960 --> 00:00:48,880 Speaker 2: your drink order. 15 00:00:49,400 --> 00:00:49,600 Speaker 1: Yeah. 16 00:00:49,600 --> 00:00:51,239 Speaker 3: I wasn't ready to come back to work. I was 17 00:00:51,280 --> 00:00:51,720 Speaker 3: just ready. 18 00:00:51,760 --> 00:00:54,640 Speaker 4: I was just out doing my last hurrah before we're back. 19 00:00:54,680 --> 00:00:57,160 Speaker 4: And yeah it ended up in the wrong croup chat. 20 00:00:57,240 --> 00:00:58,040 Speaker 3: So oh nice. 21 00:00:58,120 --> 00:00:58,920 Speaker 1: Yeah, very good. 22 00:01:00,400 --> 00:01:04,320 Speaker 2: Business under business. So again, as we all said, we 23 00:01:04,480 --> 00:01:08,039 Speaker 2: just throw some names at you here a B and 24 00:01:08,280 --> 00:01:10,560 Speaker 2: you just tell us who that person is. So let's 25 00:01:10,600 --> 00:01:14,240 Speaker 2: kick things off. Pierce Brosnan, Oh. 26 00:01:14,160 --> 00:01:15,720 Speaker 3: Yeah, I know who he is because he's his mom 27 00:01:15,720 --> 00:01:16,960 Speaker 3: and me are very good. 28 00:01:18,400 --> 00:01:21,640 Speaker 1: That's great movie, Irish guy. Actually, if your organize little 29 00:01:21,640 --> 00:01:23,959 Speaker 1: wholesome clip was an interview with a guy from Ireland. 30 00:01:24,040 --> 00:01:26,240 Speaker 1: Interviews Pierce Brosen and then from the same town and 31 00:01:26,280 --> 00:01:31,160 Speaker 1: peace pros and starts crying. It's really lovely. Analyse Kurt Kurbaine. 32 00:01:32,120 --> 00:01:36,760 Speaker 3: Oh, he's a singer in a band. 33 00:01:36,840 --> 00:01:38,399 Speaker 1: Yeah, I mean, I'm going to give it to you, Analyst, 34 00:01:38,400 --> 00:01:40,000 Speaker 1: because I thought you'd be nowhere. 35 00:01:40,280 --> 00:01:41,840 Speaker 2: Yeah, you actually done research. 36 00:01:42,000 --> 00:01:45,280 Speaker 3: No, but but I know that name. What you to 37 00:01:45,280 --> 00:01:47,280 Speaker 3: watch Glee? So I feel like I've heard that from no. 38 00:01:47,400 --> 00:01:50,800 Speaker 1: Oh god, you real you're on? You're on? 39 00:01:52,400 --> 00:01:52,640 Speaker 2: Yeah? 40 00:01:52,680 --> 00:01:56,240 Speaker 1: Oh yeah, I didn't know Neirvana. 41 00:01:57,360 --> 00:02:06,120 Speaker 3: Yeah I do, but I don't know this. Rich and famous, Yes. 42 00:02:06,120 --> 00:02:08,320 Speaker 1: Rich and famous, that's not it. 43 00:02:08,639 --> 00:02:09,720 Speaker 2: Madden Brothers. 44 00:02:12,600 --> 00:02:13,560 Speaker 1: Gets better and better. 45 00:02:13,680 --> 00:02:18,320 Speaker 2: That's Joel and Benji Madden. Not that's not what I mean. Okay, 46 00:02:18,360 --> 00:02:23,040 Speaker 2: next tie, This gets a bit harder. Monica Lewinsky, Oh, 47 00:02:23,240 --> 00:02:25,160 Speaker 2: I know, I know the name, the name. 48 00:02:25,960 --> 00:02:28,760 Speaker 1: Where's it? Where's your mind going? You hear Monica Lewinsky, 49 00:02:29,880 --> 00:02:32,760 Speaker 1: What if I help acting? Is acting? 50 00:02:33,200 --> 00:02:35,000 Speaker 2: Keep following that, keep following that rabbit hole. 51 00:02:36,560 --> 00:02:39,040 Speaker 3: I keep going to friends. But that's Monica, Like, that's 52 00:02:39,080 --> 00:02:40,919 Speaker 3: just that's where the name. It's not. 53 00:02:42,440 --> 00:02:48,600 Speaker 1: Was not in France affiliation with else. 54 00:02:48,880 --> 00:02:52,680 Speaker 3: Oh, no, I'd go acting, but I would go ancient. 55 00:02:52,600 --> 00:02:56,240 Speaker 1: Like ancient take his ancient, take us there, like. 56 00:02:56,880 --> 00:03:00,960 Speaker 4: I don't know what was that lady's name, Betty not Crocker, 57 00:03:01,080 --> 00:03:08,760 Speaker 4: Betty White, Betty White, somewhere in that era, Monica Lewinsky. 58 00:03:09,120 --> 00:03:11,079 Speaker 1: It's so good. I'm going to help you out a 59 00:03:11,080 --> 00:03:13,400 Speaker 1: little because I think you will know she's involved in 60 00:03:13,400 --> 00:03:18,680 Speaker 1: a very famous scandal, Monica, very famous scandal with the president. 61 00:03:20,520 --> 00:03:23,240 Speaker 3: No, that's not not, No. 62 00:03:23,240 --> 00:03:27,000 Speaker 1: That's Marilyn. 63 00:03:27,040 --> 00:03:28,280 Speaker 2: Didn't didn't pop out of a cake. 64 00:03:28,639 --> 00:03:33,160 Speaker 1: Not I don't know, famously sexual. I did not have 65 00:03:33,240 --> 00:03:35,440 Speaker 1: sexual relations with that woman, Bill Clinton. 66 00:03:35,880 --> 00:03:46,560 Speaker 2: No, that was been very very excited to tell you 67 00:03:46,680 --> 00:03:50,560 Speaker 2: about my celebrity interaction that I had over the holidays. 68 00:03:50,080 --> 00:03:53,240 Speaker 1: And better be DC. You give me a lot of 69 00:03:53,280 --> 00:03:55,559 Speaker 1: grief for my celebrity interactions. 70 00:03:55,840 --> 00:03:57,800 Speaker 2: You said you saw Jennifer Anniston at a game of 71 00:03:57,840 --> 00:04:00,720 Speaker 2: AFL football and she was in the God. 72 00:04:03,160 --> 00:04:03,400 Speaker 1: Harvey. 73 00:04:05,280 --> 00:04:08,200 Speaker 2: This was I promise you I can guarantee much I 74 00:04:08,240 --> 00:04:09,920 Speaker 2: tell you the story, you will know that it definitely 75 00:04:09,960 --> 00:04:11,800 Speaker 2: was the person. And I have said to you that 76 00:04:11,880 --> 00:04:15,280 Speaker 2: they are as big, if not bigger than Jennifer Lopez, Okay, 77 00:04:15,400 --> 00:04:18,800 Speaker 2: and that is stature that is like fame, not size 78 00:04:19,040 --> 00:04:20,360 Speaker 2: as well. There's no trickery here. 79 00:04:20,640 --> 00:04:23,480 Speaker 1: I was going to say bigger than jen because I 80 00:04:23,480 --> 00:04:27,080 Speaker 1: would consider Jennifer Opez to be one of the biggest 81 00:04:27,080 --> 00:04:30,039 Speaker 1: celebrities in the words very hard. There's a handful of 82 00:04:30,040 --> 00:04:32,080 Speaker 1: people that I would put above j Loo in terms 83 00:04:32,120 --> 00:04:34,440 Speaker 1: of celebrity status. And now I'm awful at celebrities, so 84 00:04:34,440 --> 00:04:36,640 Speaker 1: I'm in terms of turncoat. Tom is going to help 85 00:04:36,680 --> 00:04:38,960 Speaker 1: me out of this, Tom, who would you consider to 86 00:04:38,960 --> 00:04:43,000 Speaker 1: be above Jennifer Lopez in terms of celebrities? Yeah? Put 87 00:04:43,320 --> 00:04:46,640 Speaker 1: there on par with Pitt, on par with Pitt? 88 00:04:46,760 --> 00:04:48,040 Speaker 2: Yep, on par with Pitt. 89 00:04:48,320 --> 00:04:53,320 Speaker 1: Who's on Who's who's still. 90 00:04:55,400 --> 00:04:56,760 Speaker 2: Opp You're about to. 91 00:04:56,760 --> 00:04:59,520 Speaker 1: Find he's opp. 92 00:05:00,760 --> 00:05:03,440 Speaker 2: Yet, say he is again the person that I had 93 00:05:03,480 --> 00:05:07,559 Speaker 2: an interaction with Celeen down in that league, in that league, 94 00:05:07,880 --> 00:05:11,880 Speaker 2: on par with Pitt. Keep the game with Pitt anyway. Historically, Will, 95 00:05:11,920 --> 00:05:14,560 Speaker 2: as you know, when I am around celebrities, I get 96 00:05:14,600 --> 00:05:16,560 Speaker 2: a little bit nervous, I get a little bit anxious, 97 00:05:16,920 --> 00:05:19,119 Speaker 2: and I tend to cook it. I've got a couple 98 00:05:19,120 --> 00:05:19,960 Speaker 2: of examples here. 99 00:05:20,720 --> 00:05:33,599 Speaker 1: My favorite it is what is all the time audio. 100 00:05:33,600 --> 00:05:36,479 Speaker 2: Bad moment for me. Yeah, there's the kiss. 101 00:05:36,839 --> 00:05:37,039 Speaker 1: Uh. 102 00:05:37,160 --> 00:05:39,280 Speaker 2: Then of course Cody Simpson was in here and he 103 00:05:39,320 --> 00:05:40,760 Speaker 2: was filming a video. This is when he was dad 104 00:05:40,760 --> 00:05:42,919 Speaker 2: in Miley Cyrus. The camera went to me and this 105 00:05:43,120 --> 00:05:46,679 Speaker 2: was my greeting to Miley Cyrus. Yeah, was that Marley? 106 00:05:47,400 --> 00:05:51,119 Speaker 2: Oh God, that one's worse horrific? Was that Maley? 107 00:05:51,200 --> 00:05:52,400 Speaker 1: It's as bad as it gets, that one. 108 00:05:52,560 --> 00:05:58,920 Speaker 2: So my new was my new celebrity interactions. So I'm 109 00:05:58,920 --> 00:06:03,240 Speaker 2: in Beverly Hills. Okay, I'm not on Rodeo Drive, yeah, 110 00:06:03,279 --> 00:06:06,200 Speaker 2: but I'm one street across, so I'm in I'm really 111 00:06:06,200 --> 00:06:08,479 Speaker 2: in the hub of Beverly Hills. 112 00:06:08,520 --> 00:06:11,159 Speaker 1: You're in OPPT on par with pitt Town. 113 00:06:11,080 --> 00:06:14,360 Speaker 2: One hundred percent. This is where you see OPPT this. 114 00:06:15,240 --> 00:06:20,800 Speaker 1: Yeah, you're in o PPT. Yeah, bloody o a, yeah, 115 00:06:21,000 --> 00:06:22,440 Speaker 1: the big This is where the big fish hang out. 116 00:06:22,520 --> 00:06:26,159 Speaker 2: Absolutely and like Oprah would be there, she'd be around 117 00:06:26,200 --> 00:06:29,200 Speaker 2: blood Anyway, I'm walking down the street and again you're 118 00:06:29,200 --> 00:06:30,839 Speaker 2: not like I don't like to think that I was 119 00:06:30,839 --> 00:06:33,000 Speaker 2: one of those people that was seeking out a celebrity, 120 00:06:33,080 --> 00:06:35,480 Speaker 2: but you're kind of like, geez, I've got to be 121 00:06:35,520 --> 00:06:42,400 Speaker 2: a chance to Baker could see Banks, could see you COmON, Baker, 122 00:06:42,440 --> 00:06:45,320 Speaker 2: who knows. So I'm walking down the street. I've got 123 00:06:45,360 --> 00:06:49,400 Speaker 2: Remy strapped to my chest and I'm I'm walking. I'm 124 00:06:49,440 --> 00:06:51,880 Speaker 2: just about to pass a bagel shop. It's just on 125 00:06:52,000 --> 00:06:55,760 Speaker 2: my right, and standing right outside the bagel shop is 126 00:06:55,800 --> 00:07:00,520 Speaker 2: a paparazzi. Oh wow, big lens, just whole holding down 127 00:07:00,560 --> 00:07:03,159 Speaker 2: the trigger and just firing into this bagel shop. Wow. 128 00:07:03,240 --> 00:07:03,680 Speaker 1: Okay. 129 00:07:03,880 --> 00:07:05,840 Speaker 2: I turned to micause I'm walking eat my partner him, 130 00:07:05,880 --> 00:07:08,719 Speaker 2: and I'm like, oh, Struth, almighty. I wonder who's in 131 00:07:08,760 --> 00:07:13,440 Speaker 2: the bagel shop because path is just pounding photos into that, 132 00:07:13,480 --> 00:07:14,600 Speaker 2: into that bagel. 133 00:07:14,240 --> 00:07:15,440 Speaker 1: Shop, so pounding. 134 00:07:15,920 --> 00:07:16,280 Speaker 5: Interesting. 135 00:07:16,360 --> 00:07:18,320 Speaker 2: Yeah, I'm walking towards the back and I'm getting me 136 00:07:18,400 --> 00:07:20,320 Speaker 2: to look right into the bagel shop, so I get 137 00:07:20,360 --> 00:07:24,000 Speaker 2: to see who this person's taking photos off. As I 138 00:07:24,120 --> 00:07:29,200 Speaker 2: get to the bagel shop, a gentleman dressed all in 139 00:07:29,280 --> 00:07:35,080 Speaker 2: black comes out as I'm walking. Paste is two to 140 00:07:35,160 --> 00:07:37,160 Speaker 2: three centimeters from my shoulder. 141 00:07:37,320 --> 00:07:38,880 Speaker 1: Oh my god. 142 00:07:39,040 --> 00:07:42,640 Speaker 2: And that man, Will McMahon was Timothy shallow Maye. 143 00:07:42,680 --> 00:07:49,480 Speaker 1: Oh wow, so so Timothy. Yeah, opp, he's on par 144 00:07:49,600 --> 00:07:52,240 Speaker 1: with Pitt right well these days abscurely so Willie. 145 00:07:52,000 --> 00:07:56,200 Speaker 2: Wonker himself, Timothy shallow. Maye is like he's two sentiments 146 00:07:56,240 --> 00:07:58,760 Speaker 2: like he's he's almost touching my shoulder. 147 00:07:58,880 --> 00:07:59,360 Speaker 1: Wow. 148 00:07:59,840 --> 00:08:02,880 Speaker 2: And in the moment I. 149 00:08:02,240 --> 00:08:04,480 Speaker 1: Had you dodge the forehead, I mean we found it yesterday. 150 00:08:04,480 --> 00:08:06,400 Speaker 1: He's got an absolute moment. He's got a big phone, 151 00:08:06,400 --> 00:08:07,280 Speaker 1: absolutely billboard. 152 00:08:07,560 --> 00:08:11,360 Speaker 2: I audibly anywhere in la I audibly said, when he 153 00:08:11,520 --> 00:08:14,560 Speaker 2: was that close to you, so ten centimeters were face 154 00:08:14,600 --> 00:08:16,440 Speaker 2: to face, ten centis a way. I looked at him 155 00:08:16,440 --> 00:08:23,200 Speaker 2: and audibly said out loud, Oh my god. He didn't. 156 00:08:23,200 --> 00:08:28,440 Speaker 2: He just did and he just kept walking and had 157 00:08:28,480 --> 00:08:35,360 Speaker 2: got in his card, but pretty right centimeters And you 158 00:08:35,400 --> 00:08:37,520 Speaker 2: didn't interact with him though, Well, I spoke tom I 159 00:08:37,520 --> 00:08:40,280 Speaker 2: spoke to him, I spoke at him. I said, quite loud, 160 00:08:40,440 --> 00:08:43,679 Speaker 2: oh my god, anything. No, she was actually quite cool 161 00:08:43,679 --> 00:08:48,960 Speaker 2: about it, quite cool about it. Let's go to Tony. Tony, 162 00:08:49,160 --> 00:08:51,479 Speaker 2: you had a bad celebrity interaction. 163 00:08:52,520 --> 00:08:53,520 Speaker 6: Oh it wasn't bad. 164 00:08:53,559 --> 00:08:57,920 Speaker 2: I sorry, Sorry, Tony, you just dropped out there for 165 00:08:57,960 --> 00:09:00,920 Speaker 2: a second. What we were saying, Oh sorry, it wasn't bad. 166 00:09:00,960 --> 00:09:03,000 Speaker 6: It's just I didn't know who they were at the time. 167 00:09:03,640 --> 00:09:07,400 Speaker 6: Kicking myself now, I was working at Culture Kings back 168 00:09:07,520 --> 00:09:13,240 Speaker 6: in twenty ten or twenty thirteen and asap Rocky came 169 00:09:13,559 --> 00:09:16,560 Speaker 6: through the doors asked me out for dinner, and I said, 170 00:09:16,840 --> 00:09:19,880 Speaker 6: frank you thinking he was just a regular person like 171 00:09:20,080 --> 00:09:21,760 Speaker 6: colleagues pretty much to me and goes, do you know 172 00:09:21,760 --> 00:09:24,680 Speaker 6: who that was? And I'm like, no, it's a random person. Wow, 173 00:09:24,960 --> 00:09:26,040 Speaker 6: you were playing his song. 174 00:09:26,720 --> 00:09:27,800 Speaker 1: Oh you buy your song? 175 00:09:28,400 --> 00:09:29,400 Speaker 7: You're playing your song? 176 00:09:30,080 --> 00:09:32,600 Speaker 1: Ah? Soo rejected. So now he's with bad Now he's 177 00:09:32,600 --> 00:09:35,000 Speaker 1: your bad girl Reray. If he saw Reray, would you 178 00:09:35,040 --> 00:09:36,640 Speaker 1: be like a sloppy seconds or. 179 00:09:37,600 --> 00:09:39,000 Speaker 5: Well's really sloppy seconds? Now? 180 00:09:39,080 --> 00:09:41,480 Speaker 1: Is that you had first DIBs? 181 00:09:41,720 --> 00:09:43,640 Speaker 2: Yeah, amazing. 182 00:09:43,679 --> 00:09:45,000 Speaker 1: I had a bit of a flex from you. You 183 00:09:45,040 --> 00:09:48,160 Speaker 1: can have twenty dollars just min it menu log, let's 184 00:09:48,160 --> 00:09:53,360 Speaker 1: go to It's got a surprising radio that one's queuing 185 00:09:53,440 --> 00:09:53,839 Speaker 1: up for that. 186 00:09:54,120 --> 00:09:54,800 Speaker 2: Let's go to UNI. 187 00:09:55,280 --> 00:09:56,719 Speaker 1: Six of them to give away as well. So I'm 188 00:09:56,800 --> 00:09:57,520 Speaker 1: using them wisely. 189 00:09:59,360 --> 00:10:00,960 Speaker 2: Uness, you had a celebrity interaction. 190 00:10:02,000 --> 00:10:06,440 Speaker 5: Hi, guys, not me, my best friend, but she had 191 00:10:06,760 --> 00:10:08,920 Speaker 5: so she was part of a security team and she 192 00:10:09,200 --> 00:10:11,840 Speaker 5: had pizza with Adele in her hotel room. 193 00:10:12,040 --> 00:10:12,840 Speaker 2: Get lost. 194 00:10:13,120 --> 00:10:15,760 Speaker 1: Wow. 195 00:10:17,320 --> 00:10:19,880 Speaker 5: So she was working the concert and then after the concert, 196 00:10:19,920 --> 00:10:22,520 Speaker 5: when they took Adele back to her hotel room. 197 00:10:22,559 --> 00:10:25,440 Speaker 1: She invited everyone part of the security team to have 198 00:10:25,520 --> 00:10:26,559 Speaker 1: inside the pizza. 199 00:10:26,240 --> 00:10:29,720 Speaker 2: With her legend And and did your friends say that 200 00:10:29,800 --> 00:10:31,240 Speaker 2: she's just the best. 201 00:10:32,600 --> 00:10:35,960 Speaker 5: My best friend said she is the most down to earth, 202 00:10:36,240 --> 00:10:40,439 Speaker 5: most loving person ever, which makes my situation shitter because 203 00:10:40,480 --> 00:10:43,160 Speaker 5: I love Adele, so I'm the most jealous person ever. 204 00:10:43,600 --> 00:10:47,760 Speaker 2: Yeah, what pizza reckon? 205 00:10:47,800 --> 00:10:53,400 Speaker 1: She goes for a will gel. Yeah. I don't have 206 00:10:53,440 --> 00:10:55,800 Speaker 1: an insting answer that question. Okay, I feel like it's 207 00:10:55,800 --> 00:11:01,079 Speaker 1: an it's nothing questions deserved that bad response. 208 00:11:01,120 --> 00:11:03,199 Speaker 2: There is also probably nothing coming. But I also saw 209 00:11:03,280 --> 00:11:06,439 Speaker 2: fat Man's scoop at a grocery store in Beverly Hills. 210 00:11:06,559 --> 00:11:09,079 Speaker 1: Did we actually sorry? Just speaking of security guards, it's 211 00:11:09,080 --> 00:11:14,559 Speaker 1: going to completely Yep, that's twice speaking being nice to 212 00:11:14,679 --> 00:11:20,840 Speaker 1: security guards, didn't. Keanu Reeves famously like split his earnings 213 00:11:20,840 --> 00:11:23,120 Speaker 1: from the Matrix in and amongst his security team from 214 00:11:23,160 --> 00:11:24,680 Speaker 1: the Matrix reloaded, I. 215 00:11:24,679 --> 00:11:27,319 Speaker 2: Think security team and the whole team that put together 216 00:11:27,360 --> 00:11:29,360 Speaker 2: the Matrix, so all the behind the scenes. 217 00:11:29,360 --> 00:11:31,400 Speaker 1: He liked the stunt people and stuff because he was 218 00:11:31,440 --> 00:11:33,640 Speaker 1: so amazed with how good they made him look. 219 00:11:33,679 --> 00:11:35,800 Speaker 2: He kept a million and then the rest of them 220 00:11:36,120 --> 00:11:37,880 Speaker 2: gave them all. He just gave it all the way. 221 00:11:37,960 --> 00:11:39,720 Speaker 1: Yeah, share in tens of millions of dollars. Don't look 222 00:11:39,720 --> 00:11:40,840 Speaker 1: me like that, Tomy, don't get anything. 223 00:11:47,760 --> 00:11:50,200 Speaker 5: I met Matt Preston and an Albi. 224 00:11:50,400 --> 00:11:53,400 Speaker 1: Nice were finished with a bang. I'm having a great driver. 225 00:11:55,520 --> 00:12:00,400 Speaker 1: Let's talk about your favorite royal Camilla Parker Bowls got 226 00:12:00,480 --> 00:12:06,160 Speaker 1: him God anyway. Yeah, so she's bossy, she's good. You 227 00:12:06,160 --> 00:12:07,800 Speaker 1: didn't even know she was the queen until I told 228 00:12:07,800 --> 00:12:09,800 Speaker 1: you five minutes ago. But she is the queen obviously 229 00:12:10,040 --> 00:12:11,760 Speaker 1: as Charles. 230 00:12:11,800 --> 00:12:13,080 Speaker 2: Of course, I know she's the wife. 231 00:12:13,840 --> 00:12:15,760 Speaker 1: She is. She's on the throne, she's got the top 232 00:12:15,840 --> 00:12:18,080 Speaker 1: job and she you know, she's out there. She's doing 233 00:12:18,080 --> 00:12:20,080 Speaker 1: some good pr for the royal family. She's done an 234 00:12:20,080 --> 00:12:23,480 Speaker 1: interview clearly a puff piece for the Daily Mail, whereby 235 00:12:23,559 --> 00:12:28,000 Speaker 1: she said that her husband, King Charles is just the 236 00:12:28,120 --> 00:12:30,800 Speaker 1: best grandfather. She reckons. He's just a great man. 237 00:12:30,840 --> 00:12:36,880 Speaker 2: Inflict the years, wouldn't he Have you seen the sand 238 00:12:36,880 --> 00:12:37,280 Speaker 2: like kids? 239 00:12:40,840 --> 00:12:44,040 Speaker 1: There he goes again, it's going, I tell you what 240 00:12:44,080 --> 00:12:48,240 Speaker 1: the coin had been disappearing mind the years. More you 241 00:12:48,320 --> 00:12:49,160 Speaker 1: can count got. 242 00:12:49,040 --> 00:12:50,920 Speaker 2: The whole person behind their Grandpa. 243 00:12:52,280 --> 00:12:56,080 Speaker 1: Is a loser. He's a good man and he apparently 244 00:12:56,320 --> 00:13:00,640 Speaker 1: reads great stories to the kids. And what she said 245 00:13:00,760 --> 00:13:03,320 Speaker 1: is I didn't know this. So he's he does a 246 00:13:03,320 --> 00:13:05,840 Speaker 1: double bill on the one of the newly minted coins 247 00:13:07,000 --> 00:13:10,480 Speaker 1: by one of the newly minted British pound coins. It's 248 00:13:10,559 --> 00:13:12,920 Speaker 1: him on one side and Albus Dumbledore on the other. 249 00:13:13,320 --> 00:13:14,200 Speaker 1: Really did you know that? 250 00:13:14,320 --> 00:13:15,120 Speaker 2: No, no idea. 251 00:13:15,200 --> 00:13:17,960 Speaker 1: Apparently Charles has got a very strong affiliation with Harry Potter. 252 00:13:18,600 --> 00:13:20,320 Speaker 1: Do you know how Albus Dumbledore. 253 00:13:19,920 --> 00:13:24,240 Speaker 2: Is, he's the principal, Yeah he is heard. Yeah, head boy, 254 00:13:24,640 --> 00:13:30,080 Speaker 2: head boy, that's Harry. That's not Cedric Robert Pattinson who 255 00:13:30,080 --> 00:13:30,720 Speaker 2: plays Cedric. 256 00:13:31,120 --> 00:13:33,200 Speaker 1: Yeah, very well, degree degree. 257 00:13:35,520 --> 00:13:38,120 Speaker 2: So right, so sorry you say the UK. 258 00:13:38,160 --> 00:13:42,959 Speaker 1: Spoforman, I like you, no idea. 259 00:13:43,240 --> 00:13:48,760 Speaker 2: The Mongolian quidditch player, he's my man, he's my man, 260 00:13:48,880 --> 00:13:53,880 Speaker 2: the Mongolian. Yeah, yeah, yeah, he's my my quidditch boy. 261 00:13:54,520 --> 00:13:56,280 Speaker 2: He's a weapon. And he dated Emma Watson for a 262 00:13:56,320 --> 00:13:56,679 Speaker 2: little bit. 263 00:13:56,720 --> 00:14:01,920 Speaker 1: You mean crumb crumb Yeah, yeah, Mongolian, be careful. So anyway, 264 00:14:02,240 --> 00:14:07,800 Speaker 1: he's definitely not Mongolian's character. Eastern European I think is 265 00:14:07,320 --> 00:14:10,439 Speaker 1: the Yeah, he's colors. He keep going east, you'll get 266 00:14:10,440 --> 00:14:19,720 Speaker 1: to Mongolia. But so anyway, Charles. He does. Apparently Charles 267 00:14:19,720 --> 00:14:22,440 Speaker 1: will read the books to the kids, to the grandkids, 268 00:14:22,920 --> 00:14:23,280 Speaker 1: doing his. 269 00:14:23,240 --> 00:14:30,720 Speaker 8: Best Victor crumb. Sorry, here comes the crumbster. Follow the crumbs. 270 00:14:32,040 --> 00:14:36,160 Speaker 8: That's good, grandpog. Anyway, he reads the Harry Potter books 271 00:14:36,160 --> 00:14:36,680 Speaker 8: of the kids. 272 00:14:37,600 --> 00:14:38,640 Speaker 1: He does all the voices. 273 00:14:38,720 --> 00:14:39,680 Speaker 2: This is the news article. 274 00:14:43,960 --> 00:14:49,360 Speaker 1: It's a puff piece because Carl's yeah, Carl Charles has 275 00:14:49,360 --> 00:14:50,680 Speaker 1: been in the gun a bit recently. 276 00:14:51,520 --> 00:14:52,320 Speaker 2: Why what's he done? 277 00:14:52,880 --> 00:14:54,920 Speaker 1: Oh, just in general, his character in general has been 278 00:14:54,960 --> 00:14:56,640 Speaker 1: in the gun. So I think Camilla is out there 279 00:14:56,640 --> 00:14:59,760 Speaker 1: defending him. He's a great grandfather. He reads a great 280 00:14:59,760 --> 00:15:01,840 Speaker 1: Horry pot A book. He does all the voices. And 281 00:15:01,840 --> 00:15:03,800 Speaker 1: I was thinking, hey, look another person that does all 282 00:15:03,840 --> 00:15:07,440 Speaker 1: the voices is you Wouldy, You do all the voices. 283 00:15:07,440 --> 00:15:09,360 Speaker 1: So what we're going to do right up next is 284 00:15:09,440 --> 00:15:11,920 Speaker 1: you're going to be calling the front desk here at 285 00:15:11,920 --> 00:15:14,560 Speaker 1: the radio station, Josh and yep, joshy. He doesn't know 286 00:15:14,600 --> 00:15:17,120 Speaker 1: your calling and he knows me quite well though, yes, 287 00:15:17,160 --> 00:15:20,920 Speaker 1: because but he doesn't know all your voice got him. 288 00:15:22,600 --> 00:15:24,600 Speaker 1: You're going to be putting on a series of different voices. 289 00:15:24,640 --> 00:15:26,560 Speaker 1: I want you to make a complaint as an office. 290 00:15:26,760 --> 00:15:28,840 Speaker 1: So you've heard something on the radio and you're going 291 00:15:28,880 --> 00:15:31,600 Speaker 1: to be playing all the different people within an office. 292 00:15:31,840 --> 00:15:32,520 Speaker 2: What's my office? 293 00:15:32,560 --> 00:15:33,840 Speaker 1: You can make it up. I don't care where you 294 00:15:33,880 --> 00:15:36,040 Speaker 1: go for all right, So I'm going to hold up 295 00:15:36,080 --> 00:15:38,880 Speaker 1: for you a series of different cards which will which 296 00:15:38,880 --> 00:15:41,240 Speaker 1: will tell you which person from the office you're going 297 00:15:41,320 --> 00:15:43,880 Speaker 1: to be calling, as you'll let a brand name or something. Oh, 298 00:15:43,960 --> 00:15:46,320 Speaker 1: of course you're going to see the cards. People listening 299 00:15:46,320 --> 00:15:49,720 Speaker 1: in their cards will hear what person it's going to be. 300 00:15:50,040 --> 00:15:51,880 Speaker 1: So just before we make the call, though, I think 301 00:15:51,920 --> 00:15:54,840 Speaker 1: it is worth noting that Josh, who works at reception 302 00:15:54,960 --> 00:15:59,680 Speaker 1: here at AARN, he is amazing, like he is the 303 00:15:59,720 --> 00:16:03,880 Speaker 1: sweat beatist, most flexible, best conflict resolution version. Who wasn't 304 00:16:03,880 --> 00:16:05,520 Speaker 1: we think he would deal with a lot of that. 305 00:16:05,600 --> 00:16:06,720 Speaker 1: He was going to deal with it all the time, 306 00:16:06,720 --> 00:16:08,040 Speaker 1: And I imagine all of a sudden we're going to 307 00:16:08,040 --> 00:16:11,840 Speaker 1: feel very very bad about doing this perfect. 308 00:16:13,400 --> 00:16:16,520 Speaker 9: Thanks for calling AARN and we'll be with you in 309 00:16:16,560 --> 00:16:17,000 Speaker 9: a moment. 310 00:16:19,600 --> 00:16:25,360 Speaker 2: Angry British boss, Hello, good afternoon, Hello, welcome to ERN 311 00:16:25,400 --> 00:16:28,240 Speaker 2: you speaking of Josh. Hi, my name is Steve. I 312 00:16:28,360 --> 00:16:31,360 Speaker 2: work at Smith and Cooper Accountsing and I just wanted 313 00:16:31,360 --> 00:16:34,200 Speaker 2: to make a quick complaint about your This is KISSFM. 314 00:16:33,760 --> 00:16:35,040 Speaker 9: Right, it is, certainly. 315 00:16:35,280 --> 00:16:37,480 Speaker 2: Yeah, I'd make a quick complaint if I could, just 316 00:16:37,520 --> 00:16:39,600 Speaker 2: about the programming that's been happening over the last twenty 317 00:16:39,680 --> 00:16:40,720 Speaker 2: four hours. 318 00:16:41,120 --> 00:16:41,880 Speaker 9: Yeah, for sure. 319 00:16:42,120 --> 00:16:45,920 Speaker 2: So basically, I was listening to a program yesterday afternoon 320 00:16:46,240 --> 00:16:50,040 Speaker 2: and I didn't catch who the show was or who 321 00:16:50,080 --> 00:16:53,640 Speaker 2: was speaking, but effectively they were talking about one of 322 00:16:53,680 --> 00:16:56,560 Speaker 2: them that their partner had been sleeping with a whole 323 00:16:56,560 --> 00:16:59,520 Speaker 2: bunch of head chefs. I had my children in the 324 00:16:59,600 --> 00:17:02,560 Speaker 2: office at that time, and I thought it was completely 325 00:17:02,920 --> 00:17:05,080 Speaker 2: inappropriate for that time, and I would like to put 326 00:17:05,119 --> 00:17:05,960 Speaker 2: in a formal. 327 00:17:05,720 --> 00:17:07,160 Speaker 9: Complaint, certainly. 328 00:17:07,960 --> 00:17:08,600 Speaker 2: How do I do that? 329 00:17:08,760 --> 00:17:11,600 Speaker 9: There's yeah, really easily, So there's a couple of ways 330 00:17:12,320 --> 00:17:15,080 Speaker 9: to do it. Obviously I can. I can definitely pass 331 00:17:15,119 --> 00:17:17,760 Speaker 9: that on as well. You know his today. 332 00:17:18,119 --> 00:17:20,000 Speaker 2: Can I just cut you off really quickly? I'm sorry 333 00:17:20,000 --> 00:17:21,520 Speaker 2: I didn't catch your name. What was your name? 334 00:17:21,840 --> 00:17:22,040 Speaker 1: Yeah? 335 00:17:22,080 --> 00:17:24,040 Speaker 9: Sure, so my name is Josh. 336 00:17:23,640 --> 00:17:26,280 Speaker 2: Right, Josh, And obviously I'm not targeting this is it you, 337 00:17:26,480 --> 00:17:28,879 Speaker 2: Josh and obviously very fed up with what's happened. 338 00:17:28,600 --> 00:17:30,760 Speaker 1: To doing this shy female interns. 339 00:17:30,880 --> 00:17:34,200 Speaker 2: There are other people as well who are incredibly angry Sophie, Sophie, 340 00:17:34,240 --> 00:17:35,040 Speaker 2: I've got the station. 341 00:17:36,160 --> 00:17:36,680 Speaker 1: Come over. 342 00:17:38,119 --> 00:17:38,280 Speaker 6: Hi. 343 00:17:39,560 --> 00:17:41,960 Speaker 9: Hi, Hi, Sophie. It's Josh here. How are you Hi? 344 00:17:42,280 --> 00:17:47,000 Speaker 10: So, I actually brought my four year old child, Oscar 345 00:17:47,640 --> 00:17:51,480 Speaker 10: into the into work yesterday because you know, the nanny 346 00:17:51,560 --> 00:17:54,520 Speaker 10: was sick, and I've got to hear over a public 347 00:17:54,560 --> 00:17:58,960 Speaker 10: broadcast that someone is sleeping with a chef. Yeah yeah, 348 00:17:59,000 --> 00:18:00,800 Speaker 10: and I and I just think someone needs to be 349 00:18:00,840 --> 00:18:01,840 Speaker 10: made accountable for it. 350 00:18:02,720 --> 00:18:06,159 Speaker 9: Yeah yeah, in this in this moment right now, I 351 00:18:06,160 --> 00:18:09,119 Speaker 9: can hear you know in your voice that's sincerely, you know, 352 00:18:09,119 --> 00:18:12,760 Speaker 9: it's it's affected you and just want to acknowledge in 353 00:18:12,760 --> 00:18:15,359 Speaker 9: this moment, just certainly from another human being here. But 354 00:18:15,600 --> 00:18:19,120 Speaker 9: I'm extending our heart to you at the moment. It's 355 00:18:19,359 --> 00:18:21,879 Speaker 9: a really a really simple process to follow through with 356 00:18:22,000 --> 00:18:24,159 Speaker 9: complaints here. 357 00:18:23,920 --> 00:18:26,159 Speaker 2: Before I before we do, it's not just me. 358 00:18:26,840 --> 00:18:34,080 Speaker 10: Karen from Accounts, Karen, Karen, Karen, Hello, it's Karen here, Hansa. 359 00:18:34,160 --> 00:18:34,840 Speaker 9: How are you doing. 360 00:18:35,000 --> 00:18:36,800 Speaker 1: I'm very well, thank you. So. 361 00:18:36,960 --> 00:18:39,680 Speaker 7: I look, I think everyone's talking about a very similar 362 00:18:39,720 --> 00:18:45,240 Speaker 7: thing here. But I was to Dicky and Wibby yesterday 363 00:18:45,480 --> 00:18:47,840 Speaker 7: and I heard some absolutely appalling stuff about a woman 364 00:18:47,920 --> 00:18:49,879 Speaker 7: being stuck in a rabbit cage, and I have actually 365 00:18:49,960 --> 00:18:52,480 Speaker 7: been stuck in a rabbit cage before, so it was 366 00:18:52,640 --> 00:18:54,840 Speaker 7: traumatizing for me to hear about it, that woman being 367 00:18:54,840 --> 00:18:56,080 Speaker 7: stuck in a rabbit cage. 368 00:18:56,560 --> 00:18:59,480 Speaker 9: Are you currently stuck in a rabbit cage right now? 369 00:19:02,480 --> 00:19:04,960 Speaker 9: Do you sound like you've smoked a lot of cigarettes 370 00:19:04,960 --> 00:19:09,240 Speaker 9: in your time conversation? 371 00:19:09,600 --> 00:19:10,960 Speaker 2: How do I put in a formal complaint? 372 00:19:11,000 --> 00:19:16,760 Speaker 9: Please, Josh gather, Let's just have a smoke together. Let's 373 00:19:16,800 --> 00:19:22,480 Speaker 9: light one up, and let's. 374 00:19:21,680 --> 00:19:22,080 Speaker 5: Right now. 375 00:19:23,960 --> 00:19:27,240 Speaker 2: Incredibly, will you you are the man to be taking 376 00:19:27,280 --> 00:19:32,359 Speaker 2: the phone calls at this station receives my friend, my 377 00:19:32,440 --> 00:19:33,320 Speaker 2: heart goes out to you. 378 00:19:34,720 --> 00:19:36,080 Speaker 1: From one human being to it. 379 00:19:36,600 --> 00:19:38,159 Speaker 2: My heart goes out with you. 380 00:19:39,040 --> 00:19:40,840 Speaker 1: He was lighting darts with Karen at the end of it. 381 00:19:42,400 --> 00:19:43,320 Speaker 1: To the full Range. 382 00:19:47,240 --> 00:19:51,720 Speaker 2: Found out something very very interesting about your partner, the 383 00:19:51,720 --> 00:19:56,520 Speaker 2: mother of your daughter will yesterday on the show before you, 384 00:19:57,840 --> 00:20:01,960 Speaker 2: there was a particular profession that she quite liked. 385 00:20:02,480 --> 00:20:05,440 Speaker 1: We're at the restaurant, we sit down, I'm absolutely loving 386 00:20:05,440 --> 00:20:07,960 Speaker 1: the meal. What a great place. I'm eating my mouthful. 387 00:20:08,000 --> 00:20:10,080 Speaker 1: She's watching me eat the food. Do you love that? 388 00:20:10,119 --> 00:20:12,240 Speaker 1: And I was like, this is amazing. She goes slept 389 00:20:12,280 --> 00:20:17,120 Speaker 1: with the head chef. Wow, but it's soured the meal. 390 00:20:17,520 --> 00:20:19,119 Speaker 1: It's our with the meal. She did this twice, by 391 00:20:19,160 --> 00:20:19,400 Speaker 1: the way. 392 00:20:19,600 --> 00:20:22,880 Speaker 2: It was like a head chef again. Yes, okay, yeah. 393 00:20:22,720 --> 00:20:28,399 Speaker 1: Two chefs kind of like a food critic, but add critic. Now, 394 00:20:28,680 --> 00:20:32,040 Speaker 1: jud was shocking. We werenaced them for months together, and 395 00:20:32,119 --> 00:20:34,600 Speaker 1: you know, I had the yips everywhere we went, you know, 396 00:20:34,680 --> 00:20:38,119 Speaker 1: hot dog stand, oh, cookie shop, you name it. 397 00:20:38,240 --> 00:20:40,560 Speaker 2: It doesn't matter the quality of the restaurant if you're 398 00:20:40,600 --> 00:20:43,000 Speaker 2: the head chef, if there's food involved, I'm attracted to you. 399 00:20:45,000 --> 00:20:49,240 Speaker 1: More those than one. But yeah, so yeah, it was 400 00:20:50,160 --> 00:20:53,840 Speaker 1: it was. It was three. It was three separate restauranteurs 401 00:20:54,040 --> 00:20:54,800 Speaker 1: that she had. 402 00:20:55,000 --> 00:20:56,960 Speaker 2: How does it make you feel that you're not a 403 00:20:57,000 --> 00:20:57,600 Speaker 2: head chef? 404 00:20:58,359 --> 00:21:00,000 Speaker 1: Like, is that like a trend? Yeah? 405 00:21:00,080 --> 00:21:01,560 Speaker 2: So is that impressive that you broke the trend? Or 406 00:21:01,560 --> 00:21:03,000 Speaker 2: are you a bit like? Oh, I wonder if she's 407 00:21:03,040 --> 00:21:05,439 Speaker 2: got a wandering eye for the every single chef that 408 00:21:05,520 --> 00:21:09,320 Speaker 2: she sees every restaurant we walk into. Good question, you know, 409 00:21:09,600 --> 00:21:13,320 Speaker 2: pop into Maca's on the way home, drive through right 410 00:21:13,320 --> 00:21:16,800 Speaker 2: over which one of your guys is in charge? So well, yeah, 411 00:21:16,800 --> 00:21:20,480 Speaker 2: I'm just giving an example. Who's the manager here? Would 412 00:21:20,520 --> 00:21:22,840 Speaker 2: you call yourself head chef. I'm just saying, just pondering. 413 00:21:22,880 --> 00:21:25,080 Speaker 1: It's a real head. It's the head chef thing as well, isn't. 414 00:21:25,119 --> 00:21:27,480 Speaker 1: It's not that she doesn't, she doesn't lower herself to 415 00:21:27,480 --> 00:21:28,120 Speaker 1: assume chef. 416 00:21:28,600 --> 00:21:30,239 Speaker 2: I'm sure if the head chef's off though, if he's 417 00:21:30,280 --> 00:21:33,680 Speaker 2: having a day of my I'm speculating. We actually we 418 00:21:33,720 --> 00:21:35,080 Speaker 2: reached out to it, tried to get her on air. 419 00:21:35,280 --> 00:21:39,280 Speaker 2: She's not interested, obviously, but I am actually very curious. 420 00:21:39,040 --> 00:21:40,240 Speaker 1: The local caf. 421 00:21:41,720 --> 00:21:45,200 Speaker 2: Well, who knows, who knows? I am curious though. Thirteen 422 00:21:45,240 --> 00:21:48,160 Speaker 2: one oh sixty five is our number. Do you have 423 00:21:48,480 --> 00:21:55,639 Speaker 2: a professional preference? If you think about your dat in history, 424 00:21:55,760 --> 00:21:57,399 Speaker 2: like do you go like, oh wow, there is a 425 00:21:57,480 --> 00:22:01,639 Speaker 2: there is a striking, a man of plumbers yep. Like 426 00:22:01,720 --> 00:22:05,720 Speaker 2: do you do do you gravitate towards yep? Towards a fireman? 427 00:22:06,440 --> 00:22:09,320 Speaker 1: Yeah? Do you let yeah? Yep. I think for clients 428 00:22:09,359 --> 00:22:10,440 Speaker 1: for a while there. 429 00:22:10,480 --> 00:22:12,280 Speaker 2: That's a broad that's a very broad term. 430 00:22:12,320 --> 00:22:14,440 Speaker 1: And that was there are a couple of clients involved. 431 00:22:14,520 --> 00:22:17,639 Speaker 2: One that was one, No, there was not. 432 00:22:17,720 --> 00:22:19,520 Speaker 1: There was two clients involved, and there was not and 433 00:22:19,560 --> 00:22:20,000 Speaker 1: they were. 434 00:22:19,920 --> 00:22:22,919 Speaker 2: Anyway, thirty one O sixty five is the number. Do 435 00:22:22,960 --> 00:22:25,040 Speaker 2: you is there a profession that you that you found 436 00:22:25,080 --> 00:22:27,520 Speaker 2: attractive that you would like have like a tendency to 437 00:22:28,440 --> 00:22:30,879 Speaker 2: tiptoe towards do you reckon? 438 00:22:34,720 --> 00:22:38,879 Speaker 1: Yeah, well, I mean I was previously had a career 439 00:22:38,920 --> 00:22:41,520 Speaker 1: in the law. Yeah, and I think it was a 440 00:22:41,520 --> 00:22:43,520 Speaker 1: couple you'd add a coworker. 441 00:22:43,119 --> 00:22:44,520 Speaker 2: For a while, but I think that was just a 442 00:22:44,520 --> 00:22:47,280 Speaker 2: one off. Now we can we can shoot shots at 443 00:22:47,280 --> 00:22:49,040 Speaker 2: each other all afternoon, my friend, we have an hour 444 00:22:49,040 --> 00:22:50,680 Speaker 2: and a half to go. You put your gun down, 445 00:22:50,680 --> 00:22:55,560 Speaker 2: I'll put mine down. Thirty one O six five. Is 446 00:22:55,560 --> 00:22:57,960 Speaker 2: there a particular job that you're you're very attracted to? 447 00:22:58,080 --> 00:22:58,199 Speaker 1: Like? 448 00:22:58,240 --> 00:22:59,919 Speaker 2: Do you? Is there just one job that you're like, 449 00:23:00,040 --> 00:23:02,359 Speaker 2: it's just it's got to be plumbers, it's got to 450 00:23:02,359 --> 00:23:04,879 Speaker 2: be lawyers. I don't know. Over to you guys, but can. 451 00:23:04,760 --> 00:23:06,080 Speaker 1: You were you targeting clients? 452 00:23:07,400 --> 00:23:09,640 Speaker 2: Let's go to page here on thirty one six five. 453 00:23:09,640 --> 00:23:11,679 Speaker 2: That doesn't even fit. We're talking about jobs. 454 00:23:11,840 --> 00:23:14,679 Speaker 1: Well, there were clients that was their job they worked in, 455 00:23:14,840 --> 00:23:16,640 Speaker 1: you know, a client they worked. 456 00:23:19,040 --> 00:23:22,480 Speaker 2: Who worked in tourism, paid tourism. I think no, let's 457 00:23:22,480 --> 00:23:26,679 Speaker 2: go to page here, Paige. Is there is there a 458 00:23:26,720 --> 00:23:30,440 Speaker 2: professional job that you find particularly attractive. 459 00:23:31,359 --> 00:23:34,520 Speaker 5: Yeah, so a couple of my ex boyfriends have actually 460 00:23:34,520 --> 00:23:35,160 Speaker 5: been chef. 461 00:23:35,480 --> 00:23:40,240 Speaker 1: So wow, it's the chef thing. What is it about them? 462 00:23:40,480 --> 00:23:41,320 Speaker 1: What is it about them? 463 00:23:41,920 --> 00:23:45,720 Speaker 5: It's just about like the fact that they can cook 464 00:23:45,760 --> 00:23:47,280 Speaker 5: food for you. I don't have to call the cooking, 465 00:23:47,359 --> 00:23:49,760 Speaker 5: so it's great. 466 00:23:48,720 --> 00:23:49,840 Speaker 1: These reciprocal benefits. 467 00:23:50,240 --> 00:23:53,679 Speaker 2: Digital Producer kV. So she also dates a chef like 468 00:23:53,880 --> 00:23:56,560 Speaker 2: this all started becoming a bit interesting yesterday. You know, 469 00:23:56,760 --> 00:24:00,959 Speaker 2: Will's partner into head chefs kV into heads if you're 470 00:24:01,040 --> 00:24:03,360 Speaker 2: near a microphone or what is it about head shifts 471 00:24:03,359 --> 00:24:04,880 Speaker 2: that that makes you blood boil? 472 00:24:05,520 --> 00:24:07,000 Speaker 10: Well, that's not a head shift yet. 473 00:24:07,520 --> 00:24:08,080 Speaker 1: Wow whack. 474 00:24:10,920 --> 00:24:12,400 Speaker 2: It's not a national scale that whack. 475 00:24:12,480 --> 00:24:15,359 Speaker 1: But yeah, I never have to cook, so it's just 476 00:24:15,400 --> 00:24:17,040 Speaker 1: a it's just a food thing, is that? 477 00:24:17,200 --> 00:24:21,080 Speaker 3: Oh yeah, but you know, like yeah, yes, it's food. 478 00:24:24,600 --> 00:24:27,520 Speaker 1: Maybe chefs are maybe chefs are tender lovers, you know, 479 00:24:27,520 --> 00:24:29,600 Speaker 1: if they can you know, they're obviously very good with 480 00:24:29,640 --> 00:24:33,520 Speaker 1: their hands. They've got a good sense of texture, of taste. 481 00:24:33,160 --> 00:24:38,800 Speaker 2: The very authoritative as well, less a lot of control 482 00:24:39,160 --> 00:24:39,960 Speaker 2: all of a sudden. 483 00:24:40,800 --> 00:24:42,560 Speaker 1: I mean, I think the extension here is, you know, 484 00:24:42,720 --> 00:24:44,920 Speaker 1: our head chefs great chef's great in bed. Well, we'll 485 00:24:44,920 --> 00:24:46,960 Speaker 1: talk about that more tomorrow maybe, but let's get to 486 00:24:47,000 --> 00:24:48,879 Speaker 1: Karlie to see what her professional preference is. 487 00:24:48,960 --> 00:24:51,960 Speaker 2: Of course, Carlie, don't tell me it's chefs, know. 488 00:24:52,080 --> 00:24:52,479 Speaker 1: It's not. 489 00:24:52,520 --> 00:24:57,560 Speaker 6: Its concrete as so I probably I've got a current 490 00:24:57,600 --> 00:24:59,639 Speaker 6: boyfriend now that I've favorite for five years. But my 491 00:25:00,119 --> 00:25:04,560 Speaker 6: previous Foxes everyone must have been concrets. Wow, probably about 492 00:25:04,600 --> 00:25:06,080 Speaker 6: a year and a half ago. 493 00:25:07,320 --> 00:25:09,960 Speaker 1: So what was it about them? Cali? What you know? 494 00:25:10,119 --> 00:25:12,640 Speaker 1: Can you look at in hindsight? Now? Is there any 495 00:25:12,800 --> 00:25:15,440 Speaker 1: sort of salient features between the concrets so? 496 00:25:15,640 --> 00:25:17,960 Speaker 6: Well, to be honest, a lot of them are quite different. 497 00:25:18,200 --> 00:25:20,320 Speaker 6: But yeah, for some reason, they've all. 498 00:25:20,240 --> 00:25:22,480 Speaker 5: Just been concretors and it must just see something that 499 00:25:22,520 --> 00:25:24,000 Speaker 5: I've attracted to it. 500 00:25:25,119 --> 00:25:28,159 Speaker 1: Well, there you go, thank you, concrete. Rough hands on 501 00:25:28,160 --> 00:25:29,560 Speaker 1: a concrete I would have thought. 502 00:25:29,480 --> 00:25:31,320 Speaker 2: I actually quite like the look of a bit of 503 00:25:31,400 --> 00:25:34,280 Speaker 2: dried concrete on your hands. Well, you know, you're at 504 00:25:34,320 --> 00:25:36,159 Speaker 2: the pub and you see, you know, a bloke or 505 00:25:36,200 --> 00:25:38,400 Speaker 2: a woman like goes to grab a beer and there's 506 00:25:38,400 --> 00:25:41,120 Speaker 2: a bit of dry concrete on their hands. 507 00:25:41,200 --> 00:25:41,439 Speaker 7: Just me. 508 00:25:41,920 --> 00:25:45,399 Speaker 2: Let's go to Jesse. Jess, is there a job that 509 00:25:45,480 --> 00:25:47,199 Speaker 2: you find attractive? 510 00:25:48,880 --> 00:25:52,200 Speaker 5: Yeah, I'd have to say mechanics. Mechanics are my things. 511 00:25:52,640 --> 00:25:56,840 Speaker 1: How many how many mechanics have you managed to. 512 00:25:57,000 --> 00:26:00,320 Speaker 5: I've had three and are currently with one. Now, wow 513 00:26:00,520 --> 00:26:03,680 Speaker 5: about the arms, it's the forearms. 514 00:26:03,359 --> 00:26:06,639 Speaker 1: Yes, because they've got to work those those joints, don't 515 00:26:06,640 --> 00:26:08,199 Speaker 1: they those ligaments. 516 00:26:07,760 --> 00:26:10,240 Speaker 5: And all work on the tools. 517 00:26:10,600 --> 00:26:15,960 Speaker 1: Yeah, yeah, right, yes, you love a grease monkey, right, definitely, 518 00:26:16,280 --> 00:26:17,520 Speaker 1: right way to go there? 519 00:26:18,160 --> 00:26:20,520 Speaker 2: Does it ever bring that, you know, that skateboard that 520 00:26:20,600 --> 00:26:23,200 Speaker 2: the mccans going and they slide under the cat? Does he 521 00:26:23,240 --> 00:26:25,320 Speaker 2: ever whip that out and cruise around the house. 522 00:26:26,280 --> 00:26:28,639 Speaker 5: No, but I'd like to say it with no shirt 523 00:26:28,680 --> 00:26:28,919 Speaker 5: on that. 524 00:26:29,600 --> 00:26:32,639 Speaker 1: Yes, she's getting really on the oil ragg. You know 525 00:26:32,680 --> 00:26:37,120 Speaker 1: the oil ragg. Every scene in every movie with a mechanic. 526 00:26:37,440 --> 00:26:39,879 Speaker 1: Every time they introduce the mechanic, if they come out 527 00:26:39,920 --> 00:26:42,960 Speaker 1: of the car with the skateboard, yes, they're not under 528 00:26:43,000 --> 00:26:45,240 Speaker 1: there for that long. They just can't be. Every time 529 00:26:45,240 --> 00:26:46,879 Speaker 1: it's like, where is it he's going to be on 530 00:26:46,920 --> 00:26:49,320 Speaker 1: that skateboard? And surely can I say, if you are 531 00:26:49,359 --> 00:26:51,840 Speaker 1: a proper mechanic, you don't use the skateboard. Surely you've 532 00:26:51,840 --> 00:26:59,400 Speaker 1: got an actual like you know, postopedic trolleystapedgic trolley or. 533 00:26:59,640 --> 00:27:02,960 Speaker 2: They have inches now I lift him. No, one's on 534 00:27:03,000 --> 00:27:10,240 Speaker 2: the skateboard, John, Johnny good. We're good, John, We're very good. 535 00:27:10,320 --> 00:27:12,160 Speaker 2: Is there a job or a profession that you find 536 00:27:12,160 --> 00:27:13,480 Speaker 2: particularly attractive? 537 00:27:14,040 --> 00:27:15,480 Speaker 6: Yeah, definitely the policewoman. 538 00:27:16,200 --> 00:27:16,720 Speaker 1: Wow. 539 00:27:17,040 --> 00:27:18,800 Speaker 2: So what is it about a police woman? 540 00:27:19,800 --> 00:27:23,360 Speaker 1: Just the authority in the uniform, history with them, ghen 541 00:27:23,480 --> 00:27:25,480 Speaker 1: or is that just like a you know. 542 00:27:26,359 --> 00:27:28,919 Speaker 5: Just something you always you say, a police put you just 543 00:27:29,000 --> 00:27:30,000 Speaker 5: check him out straight away. 544 00:27:30,560 --> 00:27:35,240 Speaker 2: Oh, the right, respective course as well. 545 00:27:35,600 --> 00:27:38,960 Speaker 1: Yeah, they're trying to do it job all right, John, 546 00:27:39,040 --> 00:27:42,080 Speaker 1: get on your mate, appreciate it. Oh always good when 547 00:27:42,320 --> 00:27:42,600 Speaker 1: you know. 548 00:27:43,800 --> 00:27:49,560 Speaker 2: Got sick real quickly, quickly, I'll having fun. There's always 549 00:27:49,560 --> 00:27:50,200 Speaker 2: a John. 550 00:27:54,320 --> 00:27:57,520 Speaker 1: Definitely. It's a pass also known as the tip. He 551 00:27:57,640 --> 00:28:05,359 Speaker 1: is furious few the party atmosphere down the open, hating 552 00:28:05,440 --> 00:28:05,720 Speaker 1: on it. 553 00:28:06,000 --> 00:28:07,000 Speaker 2: I's got invite up. 554 00:28:07,640 --> 00:28:09,679 Speaker 1: I just told you the party atmosphere is down at the. 555 00:28:11,880 --> 00:28:12,120 Speaker 2: Wow. 556 00:28:15,240 --> 00:28:19,480 Speaker 1: He said, DJs making too much noise, people are having 557 00:28:19,520 --> 00:28:20,480 Speaker 1: too much fun. 558 00:28:22,000 --> 00:28:25,600 Speaker 2: Pooey pants. He was down there last night. You quite 559 00:28:25,720 --> 00:28:28,480 Speaker 2: liked the DJ setup on Court six. Loved it. 560 00:28:28,480 --> 00:28:29,200 Speaker 1: It's awesome. 561 00:28:29,240 --> 00:28:29,800 Speaker 2: It's so good. 562 00:28:29,800 --> 00:28:32,080 Speaker 1: You can watch You're a bit of a disco tip 563 00:28:32,160 --> 00:28:34,240 Speaker 1: rat from way back though you find you front left 564 00:28:34,359 --> 00:28:38,160 Speaker 1: every time, wouldn't we I like that kind of music, Yeah, yeah. 565 00:28:38,080 --> 00:28:41,040 Speaker 2: Right, do you fair comment that's putting off the players, 566 00:28:41,320 --> 00:28:42,520 Speaker 2: this this disco vibe. 567 00:28:42,760 --> 00:28:43,920 Speaker 6: Yeah, so you can hear it. 568 00:28:44,320 --> 00:28:47,920 Speaker 2: You can hear it from the other outside courts as well. 569 00:28:48,000 --> 00:28:50,640 Speaker 1: You can like the interesting three I was watching yesterday, 570 00:28:50,960 --> 00:28:53,040 Speaker 1: you can hear did you come into work yesterday at all? 571 00:28:53,080 --> 00:28:55,520 Speaker 1: I mean down at three? You were down at six? 572 00:28:55,760 --> 00:29:01,440 Speaker 1: The show sounded so look only it's it's absolutely heaving 573 00:29:01,520 --> 00:29:03,280 Speaker 1: down there. And look, we're actually were going to duck 574 00:29:03,280 --> 00:29:05,840 Speaker 1: down tonight. This train open hits different tickets on sale 575 00:29:06,080 --> 00:29:08,000 Speaker 1: now would we're going to get down there tonight very 576 00:29:08,080 --> 00:29:09,440 Speaker 1: much looking forward to We're actually going to try and 577 00:29:09,480 --> 00:29:10,360 Speaker 1: watch the tit if we can. 578 00:29:11,080 --> 00:29:12,640 Speaker 2: He's playing Jordan Thompson. 579 00:29:13,280 --> 00:29:16,959 Speaker 1: We're the say Jordan Thompson, and he's also he has 580 00:29:17,000 --> 00:29:19,720 Speaker 1: also complained about the fact that people can walk into 581 00:29:19,800 --> 00:29:22,520 Speaker 1: courts at any stage. Now there's a Buddy Ruckers down there. 582 00:29:22,640 --> 00:29:24,320 Speaker 2: Just get over it, guys and play some tennis. 583 00:29:24,360 --> 00:29:27,800 Speaker 1: But it reckons stop commenting on the event. It's like 584 00:29:27,800 --> 00:29:29,680 Speaker 1: if you're not rock dub here and we were like, jeez, 585 00:29:29,720 --> 00:29:31,040 Speaker 1: the office isn't looking great today. 586 00:29:31,280 --> 00:29:34,120 Speaker 2: Get on with it. We're professionals. We do that sometimes 587 00:29:34,720 --> 00:29:36,800 Speaker 2: our room is too small, our meeting room is too 588 00:29:36,880 --> 00:29:37,600 Speaker 2: small and small. 589 00:29:38,040 --> 00:29:42,040 Speaker 1: We'd like this desk to be oriented thirty degrees clockwise 590 00:29:42,800 --> 00:29:45,640 Speaker 1: four times, and we'd like this ball to be knocked down. 591 00:29:46,360 --> 00:29:52,600 Speaker 1: But anyway, h the tit is annoyed that he's getting 592 00:29:52,600 --> 00:29:53,880 Speaker 1: put off his game. And I think a lot of 593 00:29:54,280 --> 00:29:56,080 Speaker 1: a lot of the tennis players are annoyed about this. 594 00:29:56,520 --> 00:29:57,880 Speaker 1: And look, as you said, would I think they just 595 00:29:57,880 --> 00:29:59,560 Speaker 1: need to get over and do their job and to 596 00:29:59,640 --> 00:30:02,600 Speaker 1: prove you and I as consummate professionals. Right now, I 597 00:30:02,760 --> 00:30:05,040 Speaker 1: would like we would like to throw down a bit 598 00:30:05,040 --> 00:30:07,720 Speaker 1: of a gauntlet to anybody listening right now thirteen one 599 00:30:07,720 --> 00:30:11,160 Speaker 1: oh six five. If you think you can make us 600 00:30:11,240 --> 00:30:14,920 Speaker 1: laugh and put us off our game while we have 601 00:30:14,960 --> 00:30:16,080 Speaker 1: a conversation, What. 602 00:30:16,080 --> 00:30:16,880 Speaker 2: Are we talking about? 603 00:30:17,040 --> 00:30:18,040 Speaker 1: I will give you a price. 604 00:30:18,680 --> 00:30:20,160 Speaker 2: What are we going to be talking about when they're 605 00:30:20,160 --> 00:30:20,840 Speaker 2: trying to put us off? 606 00:30:20,880 --> 00:30:24,800 Speaker 1: Oh? Anything? Something, something standards, something that's not too funny, 607 00:30:24,800 --> 00:30:26,560 Speaker 1: you know, because it's hard for us, obviously not to 608 00:30:26,560 --> 00:30:28,400 Speaker 1: be absolutely hilarious all the time. 609 00:30:28,440 --> 00:30:31,320 Speaker 2: So we're having a informational chat. 610 00:30:31,360 --> 00:30:35,040 Speaker 1: We'll go through the Emmys winners from yesterday. Well, we'll 611 00:30:35,080 --> 00:30:36,600 Speaker 1: just have a chat about them, casual chat. 612 00:30:37,600 --> 00:30:39,600 Speaker 2: And people are calling thirteen one oh six five, and 613 00:30:39,640 --> 00:30:42,040 Speaker 2: they can do anything to try and make us laugh 614 00:30:42,160 --> 00:30:42,880 Speaker 2: or put us off. 615 00:30:43,560 --> 00:30:44,840 Speaker 1: I think they've got to make us laugh, because I 616 00:30:44,840 --> 00:30:47,000 Speaker 1: think putting us off you could just you know, you 617 00:30:47,120 --> 00:30:49,440 Speaker 1: just come on and yell at us. That'll be annoying. Yeah, 618 00:30:49,880 --> 00:30:50,760 Speaker 1: so you've got to try and. 619 00:30:50,720 --> 00:30:53,040 Speaker 2: Make us laugh, okay, And we've gone by. 620 00:30:52,960 --> 00:30:55,880 Speaker 1: Making any noise, any sound. 621 00:30:55,720 --> 00:30:57,520 Speaker 2: And we're just going to try and block them pretty short. 622 00:30:57,520 --> 00:30:59,880 Speaker 1: I imagine you can't tell you know, Englishman and I A, 623 00:31:01,040 --> 00:31:01,720 Speaker 1: you can't do that. 624 00:31:01,720 --> 00:31:02,560 Speaker 2: Joke for it if you want. 625 00:31:02,560 --> 00:31:04,960 Speaker 1: I think it needs to be quick. Okay, can you 626 00:31:05,000 --> 00:31:09,360 Speaker 1: put a can you put us off our game? If 627 00:31:09,360 --> 00:31:11,640 Speaker 1: you do, you walk out of here with I'm gonna 628 00:31:11,640 --> 00:31:13,480 Speaker 1: SA one hundred bucks this minute, red rooster. That's on you. 629 00:31:13,760 --> 00:31:17,120 Speaker 1: Consummate professionals here can have a conversation about something, which 630 00:31:17,280 --> 00:31:20,200 Speaker 1: what we're going to do is a very very dry conversation. 631 00:31:20,400 --> 00:31:21,640 Speaker 1: We're going to be talking about the Emmys. 632 00:31:22,080 --> 00:31:24,480 Speaker 2: It's not necessarily that dry. Might be quite interesting as. 633 00:31:24,360 --> 00:31:26,720 Speaker 1: Well, interesting, but not necessarily humorous. 634 00:31:26,800 --> 00:31:29,320 Speaker 2: Oh so yeah, we're not trying to be like super 635 00:31:29,440 --> 00:31:32,880 Speaker 2: entertaining here. Where is keeping this strictly business? Yes? 636 00:31:33,040 --> 00:31:36,920 Speaker 1: To prove you managed to make us laugh, then I'll 637 00:31:36,920 --> 00:31:38,960 Speaker 1: give you a prize while we while we just go 638 00:31:39,040 --> 00:31:41,120 Speaker 1: about our jobs here, because basically it's definitely sits a 639 00:31:41,120 --> 00:31:42,920 Speaker 1: pass saying I can't play tenms because I'm hearing too 640 00:31:43,000 --> 00:31:45,120 Speaker 1: much music down here. Sure it's bloody ruckers. 641 00:31:45,200 --> 00:31:48,880 Speaker 2: Now, speaking of professionalism, I don't know where the any 642 00:31:48,880 --> 00:31:50,560 Speaker 2: winners are, so I can't kick yourself. 643 00:31:50,680 --> 00:31:52,640 Speaker 1: Just google the well you all right? Here we go? 644 00:31:52,680 --> 00:31:54,360 Speaker 1: All right, I'll get it. Okay, here we go, I'll 645 00:31:54,400 --> 00:31:58,720 Speaker 1: get into it, all right. Words, So the Emmys they 646 00:31:58,760 --> 00:32:01,760 Speaker 1: were obviously on. I've got last year's ship. 647 00:32:03,200 --> 00:32:06,160 Speaker 2: I've got to give me a piece of paper. 648 00:32:06,200 --> 00:32:08,440 Speaker 1: I've got people when he so will the big one 649 00:32:08,480 --> 00:32:11,440 Speaker 1: for me. Let let's talk about the Aussie, shall we. 650 00:32:11,520 --> 00:32:12,040 Speaker 1: That's probably the. 651 00:32:12,000 --> 00:32:13,760 Speaker 2: Best place to start, Okay, go on. 652 00:32:14,200 --> 00:32:16,680 Speaker 1: Let's talk about I think this is last year as well. 653 00:32:17,040 --> 00:32:20,240 Speaker 2: Even distracted as yet, we're already lost. 654 00:32:20,240 --> 00:32:22,600 Speaker 1: Okay, so here we go, Here we go, let's get 655 00:32:22,600 --> 00:32:22,960 Speaker 1: this together. 656 00:32:23,080 --> 00:32:26,840 Speaker 2: Just compose us boys, anyone there? So serious? 657 00:32:27,520 --> 00:32:30,320 Speaker 1: Yes, so Sarahs for leader Succession. 658 00:32:31,120 --> 00:32:33,440 Speaker 2: Yes we can hear you, actually, but we simply do 659 00:32:33,560 --> 00:32:38,080 Speaker 2: not want to engage with you. 660 00:32:36,360 --> 00:32:40,080 Speaker 1: Now, So good on it. For Sara's nook, unbelievable. Can 661 00:32:40,120 --> 00:32:43,720 Speaker 1: you imagine another Australian who's won an Emmy. 662 00:32:43,840 --> 00:32:48,840 Speaker 2: Russell Crowe won an Emmy, he's extraordinary, but Nicole Kidman 663 00:32:48,840 --> 00:32:50,960 Speaker 2: would have won an Emy Kate Bluchett. 664 00:32:51,400 --> 00:32:54,160 Speaker 1: Nicole Kidman is probably won an Emmy blue blue shaped 665 00:32:54,240 --> 00:32:54,760 Speaker 1: blue ship. 666 00:32:54,840 --> 00:32:57,280 Speaker 2: She don't take ship from nobody. Sorry, we're not supposed 667 00:32:57,280 --> 00:33:01,120 Speaker 2: to be. I would say, well, yeah, well named if 668 00:33:01,160 --> 00:33:04,280 Speaker 2: you now, I'm always interested in the lead actor and 669 00:33:04,280 --> 00:33:09,360 Speaker 2: a drama see, and I just think I mean Succession 670 00:33:09,440 --> 00:33:10,120 Speaker 2: was obviously. 671 00:33:10,040 --> 00:33:12,880 Speaker 1: Very The best front of out this is we can't 672 00:33:13,080 --> 00:33:15,400 Speaker 1: cue the calls to tell them that on there because 673 00:33:15,400 --> 00:33:17,960 Speaker 1: we're trying to have a conversation. Yeah, Tommy, can you 674 00:33:18,000 --> 00:33:20,040 Speaker 1: tell them that they're on air because all were getting 675 00:33:20,080 --> 00:33:24,840 Speaker 1: right now coming on going hell hello boys and that's 676 00:33:24,840 --> 00:33:26,240 Speaker 1: not going to throw Sorry, here we go. What do 677 00:33:26,320 --> 00:33:27,320 Speaker 1: we go back to being serious? 678 00:33:27,720 --> 00:33:27,920 Speaker 7: Yeah? 679 00:33:28,080 --> 00:33:32,000 Speaker 2: I always like the drama series. So that's want to 680 00:33:32,080 --> 00:33:34,680 Speaker 2: focus on JQB your lave on it, supporting actor and 681 00:33:34,840 --> 00:33:36,720 Speaker 2: actress in a drama series. 682 00:33:39,120 --> 00:33:42,480 Speaker 5: And don't you find the weird how like some dudes 683 00:33:42,520 --> 00:33:44,120 Speaker 5: they just don't watch their willies properly. 684 00:33:44,120 --> 00:33:50,240 Speaker 1: In the Bear, well, well don't, Jakie. You got what 685 00:33:50,400 --> 00:33:50,800 Speaker 1: you did. 686 00:33:54,960 --> 00:33:55,200 Speaker 6: At all. 687 00:33:56,200 --> 00:33:59,280 Speaker 1: Let's not learn. So did you see just go back 688 00:33:59,280 --> 00:34:03,080 Speaker 1: to the meeting again, did you see the Bear? Because 689 00:34:03,120 --> 00:34:04,200 Speaker 1: the Bear was very good. 690 00:34:04,360 --> 00:34:06,640 Speaker 2: I tried to watch episode one of The Bear and 691 00:34:06,720 --> 00:34:07,560 Speaker 2: I got too anxious. 692 00:34:07,960 --> 00:34:10,680 Speaker 1: It's very it was very so it won it one 693 00:34:10,800 --> 00:34:12,640 Speaker 1: though it won for comedy series. 694 00:34:12,680 --> 00:34:14,480 Speaker 2: It's not a comedy I don't know. 695 00:34:14,760 --> 00:34:15,799 Speaker 1: That was fine, okay, you. 696 00:34:15,880 --> 00:34:18,680 Speaker 7: What's a comedy series is when you're standing naked in 697 00:34:18,719 --> 00:34:20,560 Speaker 7: amenities like calling will and Woody. 698 00:34:23,080 --> 00:34:27,960 Speaker 2: So I mean, i'm a I'm a I'm like supporting 699 00:34:28,040 --> 00:34:28,560 Speaker 2: actor rolls. 700 00:34:28,840 --> 00:34:30,160 Speaker 1: You likes it, you want to move to supporting. 701 00:34:32,000 --> 00:34:35,480 Speaker 2: And I just think Paul walter Hauser in Blackbird was phenomenal. 702 00:34:36,120 --> 00:34:38,040 Speaker 1: Did you watch Blackbird? Now? I don't even know what 703 00:34:38,120 --> 00:34:42,239 Speaker 1: it is, but who is Paul Walter Hauser? No? I 704 00:34:42,280 --> 00:34:44,399 Speaker 1: think the other one that did really well that's worth 705 00:34:44,480 --> 00:34:45,200 Speaker 1: mentioning is. 706 00:34:45,719 --> 00:34:50,640 Speaker 5: Beef William Lawrence mcmarhon and Edward Retleg's White Ball. This 707 00:34:50,840 --> 00:34:55,320 Speaker 5: is your Mother, So hang on. 708 00:34:55,640 --> 00:35:00,160 Speaker 2: So you're we're saying, mother, Will Laurence mcmart Morris. 709 00:35:00,560 --> 00:35:01,000 Speaker 1: Who is this? 710 00:35:01,719 --> 00:35:05,759 Speaker 9: So when rat Legs whitelore, he's got me? 711 00:35:06,000 --> 00:35:07,719 Speaker 2: Did you say my middle name was rat Legs? 712 00:35:07,800 --> 00:35:10,440 Speaker 1: Very good? And you got yourself and Bukes just spend 713 00:35:10,480 --> 00:35:14,799 Speaker 1: it suspended to like, did you say rat Legs? Oh 714 00:35:14,960 --> 00:35:16,759 Speaker 1: my god, that was some serious work. 715 00:35:16,800 --> 00:35:18,120 Speaker 2: I tell you what, we did pretty well. 716 00:35:18,120 --> 00:35:19,040 Speaker 1: I think we did pretty well. 717 00:35:19,480 --> 00:35:20,680 Speaker 2: The first guy got me good. 718 00:35:21,400 --> 00:35:23,120 Speaker 1: I know what people that don't watch there, well, he. 719 00:35:23,520 --> 00:35:25,239 Speaker 2: Said he found it interesting. How did you not learn