WEBVTT - MINI: Never Ending Story

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<v Speaker 1>Welcome to them. Christian O'Connell show podcast. Let's get into it.

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<v Speaker 1>Do you remember the Never Ending Story in the eighties?

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<v Speaker 1>Asked Jack to watch it yesterday evening. But here's fresh

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<v Speaker 1>millennial take on the never Ending.

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<v Speaker 2>Story so far, he's slay the karate Kid, He's slay

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<v Speaker 2>top Gun, which is still a very sort of point

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<v Speaker 2>on the show.

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<v Speaker 1>All right, they're never Ending Story. Now.

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<v Speaker 2>I went back to this last year. You know, we

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<v Speaker 2>were in oh, the heydays of Lockdown when it was

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<v Speaker 2>I was into it before everybody else was into Lockdown.

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<v Speaker 2>When we're in Lockdown number two, I was just trying

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<v Speaker 2>to find old movies from the eighties. I thought the

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<v Speaker 2>kids might enjoy took them to The Never Ending Story.

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<v Speaker 3>No, they wouldn't have loved it.

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<v Speaker 2>Adults should never go back to that movie. I've actually

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<v Speaker 2>written on a piece of paper, put in an envelope

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<v Speaker 2>and sealed it and given it to Jack. I think

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<v Speaker 2>I can predict your takes on this. All right, open

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<v Speaker 2>it up now before I ask you, Jack, what did

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<v Speaker 2>you make fresh eyes, cold eyes? Fresh eyes on Never

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<v Speaker 2>Ending Story?

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<v Speaker 3>I opened the envelope. I gotta say the song theme

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<v Speaker 3>song is a banger.

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<v Speaker 2>The only thing that's banging any kind of energy to

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<v Speaker 2>the relentless and those your takes.

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<v Speaker 1>I've written down four tapes.

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<v Speaker 3>Yeah yeah, okay, pretty much our takes lineup.

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<v Speaker 1>Do they right? Okay? So what have I putt down

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<v Speaker 1>for number one?

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<v Speaker 3>Okay? No surprises for the first one, because it's my

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<v Speaker 3>bugbear with every Aid movie. Way too slow, but.

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<v Speaker 1>This one's horrendous.

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<v Speaker 2>It's only nineteen minutes, but who knew nineteen minutes could

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<v Speaker 2>actually go by like nine hours. I don't know if

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<v Speaker 2>they called it the never Ending Story after someone saw.

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<v Speaker 1>A first cut, I went't work. It's out the never

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<v Speaker 1>Ending Story. Wait, let's call it that.

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<v Speaker 3>Yeah, it should be called the never ending cut scenes

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<v Speaker 3>because it's the parts between the dialogue that.

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<v Speaker 1>Takes so long.

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<v Speaker 3>Purge, its just flying around on that big dragon. Yeah,

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<v Speaker 3>three minutes with no dialogue.

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<v Speaker 1>Generation we've taken number three or four. It's about that

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<v Speaker 1>dragon on dragon. Why he's so creepy, so creepy.

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<v Speaker 3>All of the character My main takeaway from it is

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<v Speaker 3>all of the characters are so scary and unlikable. I

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<v Speaker 3>can't believe this was a movie for children. You know,

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<v Speaker 3>it is so dark.

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<v Speaker 1>I was I think it.

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<v Speaker 2>Was made by someone someone who was bullied by children

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<v Speaker 2>right and hated mankind.

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<v Speaker 3>You know, you know what it is. I found out

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<v Speaker 3>it's a German book and it was filmed in Munich,

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<v Speaker 3>and it's made by the Germans. They don't care for

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<v Speaker 3>a Hollywood ending.

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<v Speaker 1>What are you saying.

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<v Speaker 3>Well, they killed that horse twenty minutes in attacks Yeah,

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<v Speaker 3>four arttacks sinking into the quagmire, and you think, all right,

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<v Speaker 3>hang on minute.

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<v Speaker 2>Quagmire was the other word that Slash was going to use,

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<v Speaker 2>but he went with countenance.

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<v Speaker 1>The rock and roll quagmire has been changed forever. You

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<v Speaker 1>had me a quagmire. Put that on the promo.

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<v Speaker 3>If it was an American film, a tray, you would

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<v Speaker 3>have pulled out the horse from the cragmire, just at

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<v Speaker 3>the last second before he goes on. Twenty minutes into

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<v Speaker 3>the film, the horse goes under. Okay, he's just he

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<v Speaker 3>drowned in.

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<v Speaker 4>The grammar, cried up, kids cried up, and the all

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<v Speaker 4>the something about the eighties and how they did the

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<v Speaker 4>makeup on the goblins and the characters, they're all stuff

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<v Speaker 4>of nightmare.

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<v Speaker 2>And as a Goblin fan yourself, you must have been

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<v Speaker 2>a frontship by that.

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<v Speaker 3>I had statues of wizards. I didn't have statues of

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<v Speaker 3>goblins growing up.

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<v Speaker 1>He drew the line at goblins I could have watched

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<v Speaker 1>by the way. One of my takes then, is also

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<v Speaker 1>about the technology used. Take number two. The lip sinking

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<v Speaker 1>is they don't make any effort.

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<v Speaker 3>They have no effort feulcre and the Mark is Mark,

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<v Speaker 3>the bad guy, the wolf, black Wolf. He they both

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<v Speaker 3>are terribly, terribly lips sinking.

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<v Speaker 2>It must have seen it and gone, can we charge

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<v Speaker 2>people this? No, No, it doesn't nothing sinks up doesn't matter.

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<v Speaker 1>It's the eighties.

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<v Speaker 3>It's like whatever mechanism they have for shutting and opening

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<v Speaker 3>the mouth was too slow for normal speech. So it

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<v Speaker 3>always feels it's just lagging behind shoking. And then the

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<v Speaker 3>third thing is just and this is this is my

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<v Speaker 3>bug bear with most fantasy films, but just the absolute

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<v Speaker 3>nonsense of some of the storylines. So the Emperor, trying

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<v Speaker 3>to save the whole of Fantasia, says to a tray you, hey,

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<v Speaker 3>you got to go on this quest to save Fantasia

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<v Speaker 3>for no reason, he says, And you have to go alone.

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<v Speaker 3>No one can go with you. Oh and another thing,

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<v Speaker 3>you can't take any weapons. Yeah, it doesn't explain why

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<v Speaker 3>that is, just says that's the way it has to be.

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<v Speaker 2>And also the big ending that they keep babbling on

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<v Speaker 2>about and you can barely understand it because you're hearing

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<v Speaker 2>someone then seeing the mouse see someone else, right, is

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<v Speaker 2>such an anticlimax? Yeah, and so how many swirling crowds

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<v Speaker 2>do we need to see?

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<v Speaker 3>Tell me if you did this, I could hardly hear

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<v Speaker 3>the dialogue between the characters because I kept turning down

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<v Speaker 3>the volume because anytime one of the monsters came on,

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<v Speaker 3>it was the movie was far too loud.

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<v Speaker 2>I watched it with you know that the captions on

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<v Speaker 2>them so I could actually try and understand it, and

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<v Speaker 2>a lot of it they just went inaudible, mumbling all

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<v Speaker 2>it says is inaudible, and mumble all the creatures has

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<v Speaker 2>come on in, Yes, they were Head of the Ozark

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<v Speaker 2>or any of those Netflix shows that are really dimly lit,

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<v Speaker 2>and it's like, what was he saying?

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<v Speaker 1>What it's like inaudible mumbling?

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<v Speaker 3>Two out of ten for me, and the extra points

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<v Speaker 3>for the banger of the theme song. Two out of

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<v Speaker 3>ten for the movie.

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<v Speaker 1>Don't you think one of the most depressing kids movies

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<v Speaker 1>you've ever seen? Its relentlessly gray and depressed.

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<v Speaker 3>You're not show it to your children.

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<v Speaker 2>No more kids movies Germany but Christian O'Connell Show podcast