1
00:00:00,280 --> 00:00:08,280
Speaker 1: It's a special Will and Woody podcast mini. You know

2
00:00:08,360 --> 00:00:11,040
Speaker 1: this afternoon show. We got Will and Woody great show. Yeah.

3
00:00:11,039 --> 00:00:12,879
Speaker 1: I get a lot of laughs out of them. They're

4
00:00:12,920 --> 00:00:13,399
Speaker 1: good guys.

5
00:00:13,600 --> 00:00:14,320
Speaker 2: They are well.

6
00:00:14,360 --> 00:00:18,720
Speaker 1: At the moment, they're filming Celebrity Apprentice, so they're running

7
00:00:18,760 --> 00:00:20,640
Speaker 1: around doing stuff, so they're all over the shop and

8
00:00:21,320 --> 00:00:23,880
Speaker 1: apparently I saw on there. Someone mentioned to me, hey,

9
00:00:23,920 --> 00:00:25,640
Speaker 1: have you seen Will and Woody's social media?

10
00:00:26,120 --> 00:00:27,840
Speaker 2: Which you wouldn't because you don't have it.

11
00:00:28,080 --> 00:00:30,800
Speaker 1: I said, of course not, and they showed me a

12
00:00:30,880 --> 00:00:33,400
Speaker 1: video of Will and Woody in here in our studio.

13
00:00:33,560 --> 00:00:35,199
Speaker 2: Yes, I've been using our studio when we.

14
00:00:35,200 --> 00:00:41,559
Speaker 1: Leave and during an ad break, one of them farted

15
00:00:42,479 --> 00:00:44,880
Speaker 1: and it's on my chair. So I thought, that's.

16
00:00:44,760 --> 00:00:46,880
Speaker 2: A big fart on your chair.

17
00:00:47,040 --> 00:00:49,159
Speaker 1: But no one uses this studio except for us, so

18
00:00:49,240 --> 00:00:51,280
Speaker 1: we allowed someone else to use it, and I thought

19
00:00:51,280 --> 00:00:53,960
Speaker 1: that'd be disrespectful. I didn't want some dirty asshole farting

20
00:00:54,040 --> 00:00:54,880
Speaker 1: on my seat.

21
00:00:55,240 --> 00:00:57,000
Speaker 2: Was it on air when he fared or I had

22
00:00:57,000 --> 00:00:57,320
Speaker 2: a chat.

23
00:00:57,760 --> 00:01:01,080
Speaker 1: I've gone into the recordings off air and I've got

24
00:01:01,120 --> 00:01:03,000
Speaker 1: them discussing it with each other. So have a little

25
00:01:03,000 --> 00:01:03,400
Speaker 1: listen to this.

26
00:01:04,920 --> 00:01:05,720
Speaker 3: Did you hear me fart?

27
00:01:05,760 --> 00:01:10,160
Speaker 4: On there in that brain. That's my mic off id

28
00:01:10,360 --> 00:01:11,520
Speaker 4: And I was like wow.

29
00:01:14,040 --> 00:01:15,720
Speaker 1: So I went and found that fart and it was

30
00:01:15,800 --> 00:01:18,000
Speaker 1: during an ad break. Now listen carefully during the ad

31
00:01:18,000 --> 00:01:26,640
Speaker 1: here you'll drop his guts. So I heard of this

32
00:01:26,760 --> 00:01:30,120
Speaker 1: yesterday and I spoke to Palestine, our executive producer, and

33
00:01:30,160 --> 00:01:33,040
Speaker 1: she said, oh, they're here now. They're in the building

34
00:01:33,120 --> 00:01:35,240
Speaker 1: now and they're in the studio borrowing it again.

35
00:01:35,800 --> 00:01:38,360
Speaker 2: Ah right, yes, So I rang up.

36
00:01:38,440 --> 00:01:40,240
Speaker 1: I just pulled up at the card, went from here

37
00:01:40,319 --> 00:01:42,960
Speaker 1: yesterday to Studio ten to talk about the tap jar

38
00:01:43,080 --> 00:01:46,520
Speaker 1: thing and the Nueva Sanria stuff, and then I jumped

39
00:01:46,520 --> 00:01:48,120
Speaker 1: back in the car, went to the coffee shop to

40
00:01:48,120 --> 00:01:51,680
Speaker 1: meet John. John Ibrahim, Right, we meet now having our

41
00:01:51,760 --> 00:01:55,960
Speaker 1: daily coffee. So I ring the boys and Palestine runs

42
00:01:55,960 --> 00:01:59,240
Speaker 1: the phone in while they're on air recording something, and

43
00:01:59,600 --> 00:02:01,600
Speaker 1: I put John on the phone and John asked him,

44
00:02:05,360 --> 00:02:08,000
Speaker 1: John brand the panic. They went into a panic?

45
00:02:08,639 --> 00:02:09,880
Speaker 2: How did they handle it?

46
00:02:10,480 --> 00:02:10,679
Speaker 5: Well?

47
00:02:10,720 --> 00:02:12,800
Speaker 1: One blamed the other and it was it got a bit.

48
00:02:13,280 --> 00:02:15,480
Speaker 1: Let me wait for you. We recorded everything. Here is

49
00:02:15,480 --> 00:02:18,000
Speaker 1: the phone call yesterday.

50
00:02:19,680 --> 00:02:23,920
Speaker 6: Hey guys, Hey, I've been watching a video with me

51
00:02:23,960 --> 00:02:26,280
Speaker 6: made here. John him he wants to welcome you to Sydney.

52
00:02:26,480 --> 00:02:32,600
Speaker 5: Holy John John John, Hey, buddy, how you doing.

53
00:02:32,840 --> 00:02:34,960
Speaker 4: Hey, it's really really good things. John, Nice to meet you.

54
00:02:35,040 --> 00:02:36,519
Speaker 7: Man, nice to meet you.

55
00:02:36,520 --> 00:02:40,880
Speaker 6: You didn't seriously fight and.

56
00:02:39,560 --> 00:02:42,160
Speaker 4: Well I want to make it very clear that it

57
00:02:42,240 --> 00:02:46,160
Speaker 4: was actually Will who did that. So you've got Will here.

58
00:02:46,200 --> 00:02:51,160
Speaker 3: Yeah, sure, okay, John, Yeah, Yeah, you know. Look I look, yeah,

59
00:02:51,240 --> 00:02:53,480
Speaker 3: I might have. I might have let one slip, just

60
00:02:53,520 --> 00:02:54,639
Speaker 3: in the riggers of joing the show.

61
00:02:54,720 --> 00:02:56,560
Speaker 6: Yeah, he's not having it.

62
00:02:56,600 --> 00:03:05,280
Speaker 5: Look at him. He's all in a half about it.

63
00:03:01,919 --> 00:03:02,640
Speaker 4: John, John.

64
00:03:02,680 --> 00:03:04,840
Speaker 6: Surely that was just in the Palestine and they just

65
00:03:04,840 --> 00:03:10,320
Speaker 6: take the chair off and look about it. You got

66
00:03:10,360 --> 00:03:13,920
Speaker 6: no decency. This isn't no anything to be you know,

67
00:03:14,040 --> 00:03:15,519
Speaker 6: this is a iron studio.

68
00:03:16,480 --> 00:03:18,200
Speaker 4: Surely it's a drop in the oceans of the guests

69
00:03:18,200 --> 00:03:19,240
Speaker 4: that you're dropping on your car.

70
00:03:20,120 --> 00:03:22,480
Speaker 6: John's going to call pass, he said, give him ten minutes.

71
00:03:24,639 --> 00:03:37,560
Speaker 6: Remind you of your manners. Oh jeez, get the chair

72
00:03:37,560 --> 00:03:39,440
Speaker 6: out of there and look at the show standing up.

73
00:03:41,680 --> 00:03:44,000
Speaker 1: Your poor things. They didn't know what to do.

74
00:03:44,240 --> 00:03:49,840
Speaker 2: Oh blass, that's funny. I love that Woody is like

75
00:03:50,160 --> 00:03:51,800
Speaker 2: first to throw his maide under the.

76
00:03:51,720 --> 00:03:52,560
Speaker 4: Bus right away.

77
00:03:52,560 --> 00:03:57,920
Speaker 1: It wasn't me. It was the other one. Yeah, funny,

78
00:03:57,960 --> 00:03:59,240
Speaker 1: Oh you got who you got on the phone?

79
00:03:59,240 --> 00:04:00,360
Speaker 2: Man, I'm Willing.

80
00:04:00,400 --> 00:04:05,400
Speaker 1: What are you there? Hey? Boys, Hello, good afternoon, jee

81
00:04:05,640 --> 00:04:07,040
Speaker 1: it's morning.

82
00:04:07,760 --> 00:04:11,280
Speaker 8: That's got to be Will, because Will always makes this mistake.

83
00:04:10,960 --> 00:04:11,280
Speaker 1: Does it?

84
00:04:11,360 --> 00:04:11,600
Speaker 5: Yeah?

85
00:04:11,680 --> 00:04:14,600
Speaker 1: Yeah, it's like I do. Actually, it's like not even

86
00:04:14,680 --> 00:04:16,640
Speaker 1: quarter to ten, you're saying good afternoon.

87
00:04:16,960 --> 00:04:19,120
Speaker 6: Yeah. Yeah, Well, as you said, we're doing celebrity apprendice.

88
00:04:19,120 --> 00:04:21,720
Speaker 9: We're working stupid hours at the moment. We're doing days

89
00:04:21,760 --> 00:04:22,400
Speaker 9: and night.

90
00:04:22,360 --> 00:04:24,279
Speaker 6: And I would like to point out Kyle that we'll

91
00:04:24,320 --> 00:04:26,320
Speaker 6: be back in there this afternoon so we will get

92
00:04:26,320 --> 00:04:27,799
Speaker 6: the last laugh in this situation.

93
00:04:28,080 --> 00:04:28,840
Speaker 4: Oh oh, what.

94
00:04:28,760 --> 00:04:30,719
Speaker 2: Does that mean? That sounds like a threat.

95
00:04:33,480 --> 00:04:37,640
Speaker 9: It means Will's having a beautiful shuck shugar this morning.

96
00:04:38,320 --> 00:04:42,320
Speaker 9: Usually do a lot of guys. I'm seriously, Kyle. We've

97
00:04:42,360 --> 00:04:45,279
Speaker 9: been dead shitless for the last twelve hours. Worried that

98
00:04:45,320 --> 00:04:47,240
Speaker 9: John Ibrighim is looking for us.

99
00:04:47,279 --> 00:04:51,000
Speaker 1: He was just joking, right, Oh, no, he's not looking

100
00:04:51,040 --> 00:04:52,840
Speaker 1: for you. He's got the tongueans out looking for you.

101
00:04:53,000 --> 00:04:57,760
Speaker 9: Yeah, you know, perfect. We actually haven't left the flat

102
00:04:58,480 --> 00:04:59,719
Speaker 9: for about ten hours.

103
00:05:01,120 --> 00:05:05,520
Speaker 1: Every time someone knocks on the door, they go, hey,

104
00:05:05,520 --> 00:05:07,000
Speaker 1: good luck on that Apprentice show.

105
00:05:07,279 --> 00:05:10,919
Speaker 2: Yeah, I'm assuming you're doing well if you're still in there.

106
00:05:11,640 --> 00:05:14,120
Speaker 6: Yes, no, thank you. I know we are doing really well.

107
00:05:14,200 --> 00:05:16,359
Speaker 9: We're we're having a lot of fun, good cards, and

108
00:05:16,360 --> 00:05:18,560
Speaker 9: we're raising money for Got You for Life, which is

109
00:05:18,600 --> 00:05:21,880
Speaker 9: a charity about mental health and suicide prevention.

110
00:05:22,000 --> 00:05:23,560
Speaker 6: So we've already raised a bunch of coins for them.

111
00:05:23,600 --> 00:05:26,640
Speaker 1: So you you just obviously picked the You you're the

112
00:05:26,640 --> 00:05:27,640
Speaker 1: one that picked the charity.

113
00:05:28,279 --> 00:05:29,000
Speaker 9: Yeah, that's right.

114
00:05:29,160 --> 00:05:31,240
Speaker 1: Yeah, he never gets a look in.

115
00:05:31,200 --> 00:05:31,400
Speaker 5: Have you.

116
00:05:32,440 --> 00:05:34,480
Speaker 2: I'm sure Wood he is supportive of it too.

117
00:05:34,800 --> 00:05:35,520
Speaker 1: You're right, You're right.

118
00:05:35,520 --> 00:05:38,440
Speaker 10: I don't know what wood His charity would be though,

119
00:05:39,040 --> 00:05:40,599
Speaker 10: That's what I was wondering, Australia.

120
00:05:40,760 --> 00:05:42,520
Speaker 1: What does he care about? What is it?

121
00:05:44,240 --> 00:05:45,960
Speaker 9: Protection from John? I him.

122
00:05:48,040 --> 00:05:50,240
Speaker 4: That sounds like an it does.

123
00:05:51,360 --> 00:05:54,360
Speaker 1: Boys. Good luck. They're back on this afternoon from four.

124
00:05:55,240 --> 00:05:56,480
Speaker 2: I will see you then, guys.

125
00:05:56,520 --> 00:05:58,000
Speaker 1: Thank you so much.

126
00:05:58,080 --> 00:05:58,400
Speaker 4: Guys.

127
00:05:58,720 --> 00:06:05,600
Speaker 3: Guys, Kyle and Jackie Oh, we're currently sharing Kyle and

128
00:06:05,680 --> 00:06:10,360
Speaker 3: Jackie O's studio. We're in Sydney filming a TV show. Wards,

129
00:06:10,360 --> 00:06:13,600
Speaker 3: we're living together. We're coming here every day and graciously

130
00:06:13,600 --> 00:06:15,760
Speaker 3: they've let us to use their studio, which is really nice.

131
00:06:15,920 --> 00:06:16,719
Speaker 4: We're very kind.

132
00:06:16,720 --> 00:06:20,680
Speaker 3: We're not allowed to use their microphones. No, totally fair enough.

133
00:06:20,720 --> 00:06:24,120
Speaker 3: Normally they've got their their gold and their silvery sparkled

134
00:06:24,120 --> 00:06:25,120
Speaker 3: bedazzled numbers.

135
00:06:25,200 --> 00:06:27,240
Speaker 4: Yep, we've just got a few big w numbers. I

136
00:06:27,279 --> 00:06:30,320
Speaker 4: think microphones have've got the monochrome.

137
00:06:31,279 --> 00:06:33,640
Speaker 3: We're not allowed to use their coffee machine. We're only

138
00:06:33,680 --> 00:06:37,560
Speaker 3: allowed to use see an instant coffee available in the kitchen.

139
00:06:37,760 --> 00:06:40,279
Speaker 3: That's cool, but look at the end of the day,

140
00:06:40,320 --> 00:06:43,600
Speaker 3: we're using the space when need a studio, so we're

141
00:06:43,640 --> 00:06:47,040
Speaker 3: super grateful. Yes, Now, when you're working in the same

142
00:06:47,080 --> 00:06:50,920
Speaker 3: space over a long period of time, naturally, any human

143
00:06:50,960 --> 00:06:53,320
Speaker 3: releases forms of gas. Now, this was off air that

144
00:06:53,400 --> 00:06:54,840
Speaker 3: I did this, and I'm sorry. I don't mean to

145
00:06:54,839 --> 00:06:56,719
Speaker 3: talk about fats. You and I normally get pulled in

146
00:06:56,760 --> 00:06:59,719
Speaker 3: for doing, you know, juvenile content in and around farts,

147
00:06:59,760 --> 00:07:00,800
Speaker 3: these sorts of things.

148
00:07:00,839 --> 00:07:01,839
Speaker 4: But we didn't do this on air.

149
00:07:02,920 --> 00:07:06,480
Speaker 3: This was all off air until our digital producer kV

150
00:07:07,440 --> 00:07:09,920
Speaker 3: filmed me, recorded me, and then put on our socials

151
00:07:10,640 --> 00:07:13,080
Speaker 3: me farting during an ad break. Here is the fart,

152
00:07:13,120 --> 00:07:17,720
Speaker 3: just just so you can hear it.

153
00:07:17,720 --> 00:07:20,120
Speaker 4: It's quite cute, clear as you're quite a cute one

154
00:07:20,680 --> 00:07:22,720
Speaker 4: cute one know it again. We should hear it again.

155
00:07:27,280 --> 00:07:28,360
Speaker 4: This is why we're not able.

156
00:07:28,240 --> 00:07:28,480
Speaker 7: To do it.

157
00:07:28,760 --> 00:07:31,480
Speaker 4: Sorry, you have time to quite.

158
00:07:31,720 --> 00:07:32,960
Speaker 3: You had your headphones on.

159
00:07:33,560 --> 00:07:34,040
Speaker 5: I didn't hear it.

160
00:07:34,040 --> 00:07:35,800
Speaker 3: All's fair in love war and a little cheky fart

161
00:07:35,800 --> 00:07:37,960
Speaker 3: in the ad break as far as I'm concerned. Now,

162
00:07:38,240 --> 00:07:44,200
Speaker 3: this is where things get interesting. Kyle Sandalans is not

163
00:07:44,240 --> 00:07:47,680
Speaker 3: on socials apparently, but he gets one of his many

164
00:07:47,760 --> 00:07:51,720
Speaker 3: minions here to He's almost like the wicked witch of

165
00:07:51,760 --> 00:07:54,040
Speaker 3: the West. And his minions are like the crows or

166
00:07:54,080 --> 00:07:56,840
Speaker 3: the monkeys with the crow wings could description to fly around.

167
00:07:56,920 --> 00:07:58,880
Speaker 3: They get things for him, They give him the fodder,

168
00:07:59,080 --> 00:08:00,600
Speaker 3: and then you know, he comes back to him and

169
00:08:00,600 --> 00:08:03,680
Speaker 3: then he tortures us. And this is exactly what happened today.

170
00:08:03,840 --> 00:08:11,080
Speaker 3: And he sent in how do I put this his muscle, This.

171
00:08:11,200 --> 00:08:13,400
Speaker 4: Is called his mate. I think he is mates with

172
00:08:13,440 --> 00:08:13,800
Speaker 4: this guy.

173
00:08:13,880 --> 00:08:16,920
Speaker 3: I'm sure he's mates with him, but he basically enlisted

174
00:08:16,920 --> 00:08:18,720
Speaker 3: the scariest person in Sydney to give a call.

175
00:08:19,800 --> 00:08:26,320
Speaker 1: Yeah, hey, guys, Hey, I've.

176
00:08:26,160 --> 00:08:28,320
Speaker 6: Been watching a video with me. Mate here John, bring him.

177
00:08:28,320 --> 00:08:29,560
Speaker 6: He wants to welcome you to Sydney.

178
00:08:29,760 --> 00:08:35,839
Speaker 5: Holy John, John, Hey buddy, how you doing.

179
00:08:36,280 --> 00:08:38,720
Speaker 4: It's really really good things. John, Nice to meet you, man.

180
00:08:39,040 --> 00:08:39,880
Speaker 9: Nice to meet you.

181
00:08:40,160 --> 00:08:41,319
Speaker 6: Seriously fighting.

182
00:08:42,840 --> 00:08:45,480
Speaker 4: Well, I want to make it very clear that it

183
00:08:45,520 --> 00:08:49,440
Speaker 4: was actually Will who did that. So you've got Will here.

184
00:08:49,480 --> 00:08:54,440
Speaker 3: Yeah, sure, okay, John, Yeah, yeah, you know. Look I look, yeah,

185
00:08:54,520 --> 00:08:56,760
Speaker 3: I might have I might have let one slip just

186
00:08:56,800 --> 00:08:57,920
Speaker 3: in the rigors of joining the show.

187
00:08:58,000 --> 00:08:58,840
Speaker 1: Yeah.

188
00:08:58,840 --> 00:09:00,200
Speaker 6: Wait, he's not having it.

189
00:09:00,440 --> 00:09:01,679
Speaker 5: She is.

190
00:09:01,920 --> 00:09:03,400
Speaker 3: First of all, you're a dog.

191
00:09:03,600 --> 00:09:06,360
Speaker 4: No, well you hell is your so sorry?

192
00:09:06,559 --> 00:09:10,199
Speaker 3: You abandoned me in a moment of that was pathetic.

193
00:09:10,440 --> 00:09:13,640
Speaker 3: I found that I would never go to war with you.

194
00:09:13,640 --> 00:09:14,640
Speaker 3: You are a coward.

195
00:09:14,679 --> 00:09:18,880
Speaker 4: I'd be shocking coward. I would squeal.

196
00:09:21,160 --> 00:09:23,920
Speaker 3: Even ask for my name. I did you actually interrupted

197
00:09:23,960 --> 00:09:26,800
Speaker 3: the conversation to say, first of all, before you go on, John,

198
00:09:26,800 --> 00:09:29,080
Speaker 3: it definitely wasn't me. It was Will. And then you

199
00:09:29,160 --> 00:09:31,320
Speaker 3: left me to hang out and try to Johnny Breham.

200
00:09:31,440 --> 00:09:31,600
Speaker 5: Yeah.

201
00:09:31,679 --> 00:09:34,360
Speaker 4: No, the evidence is compelling. I apologize, born baby, and

202
00:09:34,640 --> 00:09:37,120
Speaker 4: I get that, but I am a coward. Uh. And

203
00:09:37,160 --> 00:09:38,520
Speaker 4: here's the thing. I sort of thought it was a

204
00:09:38,520 --> 00:09:41,000
Speaker 4: bit of a joke, but then we actually were on

205
00:09:41,160 --> 00:09:43,880
Speaker 4: Kyle and Jackie O's show this morning because they're obviously

206
00:09:43,880 --> 00:09:46,000
Speaker 4: talking about it, and I was like, in jest. I

207
00:09:46,040 --> 00:09:48,079
Speaker 4: brought up the whole John Ibrahim thing just to make

208
00:09:48,120 --> 00:09:49,360
Speaker 4: sure it was a joke.

209
00:09:50,120 --> 00:09:53,280
Speaker 9: We've been shitless for the last twelve hours, worried that

210
00:09:53,360 --> 00:09:55,240
Speaker 9: John Ibrahim is looking for us.

211
00:09:55,320 --> 00:09:59,040
Speaker 1: He was just joking, right, Oh, no, he's not looking

212
00:09:59,040 --> 00:10:00,640
Speaker 1: for you. He's got the tongue and is out looking

213
00:10:00,679 --> 00:10:01,280
Speaker 1: for you.

214
00:10:03,679 --> 00:10:07,880
Speaker 9: Perfect. We actually haven't left the flat for about ten hours.

215
00:10:08,440 --> 00:10:11,720
Speaker 4: We need to leave Sydney. Were to leave Sydney immediately.

216
00:10:12,200 --> 00:10:15,360
Speaker 3: No, we're not backing down. And this is where this

217
00:10:15,440 --> 00:10:18,319
Speaker 3: is where I've got a point with you. Bullied only

218
00:10:18,320 --> 00:10:19,360
Speaker 3: respond to strength Woods.

219
00:10:19,840 --> 00:10:22,760
Speaker 4: Yeah, what do you want to do?

220
00:10:22,800 --> 00:10:24,000
Speaker 3: I think we need to strike back.

221
00:10:24,240 --> 00:10:26,120
Speaker 4: I think that is a terrible idea at all. I

222
00:10:26,160 --> 00:10:26,760
Speaker 4: think we flee.

223
00:10:26,920 --> 00:10:29,640
Speaker 3: No, absolutely not. Thirty one O six five is a

224
00:10:29,679 --> 00:10:33,800
Speaker 3: fine number. We're in this studio every day at the moment.

225
00:10:34,360 --> 00:10:37,000
Speaker 3: If you guys have got an idea as to how

226
00:10:37,040 --> 00:10:40,200
Speaker 3: we can get Kyle back for threatening us with johnn Ibrahim,

227
00:10:40,559 --> 00:10:42,120
Speaker 3: give us a call on thirty one six five.

228
00:10:42,200 --> 00:10:45,160
Speaker 4: Did you just hear that sentence? You want to you

229
00:10:45,280 --> 00:10:48,000
Speaker 4: want to hit back the King of Australian Radio.

230
00:10:49,000 --> 00:10:50,199
Speaker 3: I don't want to hit him back.

231
00:10:50,679 --> 00:10:53,240
Speaker 4: No, I want to metaphorically, you want to hit back,

232
00:10:53,280 --> 00:10:55,440
Speaker 4: you want you want to get him back? Yeah, what

233
00:10:55,480 --> 00:10:56,000
Speaker 4: are you thinking?

234
00:10:56,040 --> 00:10:56,120
Speaker 6: Like?

235
00:10:56,160 --> 00:10:58,400
Speaker 4: What sort of stuff are you thinking? I'm not sure.

236
00:10:58,520 --> 00:10:59,120
Speaker 4: I'm not sure.

237
00:10:59,360 --> 00:11:01,920
Speaker 3: Sky's the limit here? Thirty one or six times a

238
00:11:01,960 --> 00:11:04,079
Speaker 3: phone number? You've an idea of how he can prank

239
00:11:04,160 --> 00:11:06,880
Speaker 3: Kyle Backez. I would love to.

240
00:11:06,840 --> 00:11:07,800
Speaker 4: Hear from you.

241
00:11:07,800 --> 00:11:10,240
Speaker 3: You and I sharing Colin Jackie Oh's studio at the moment.

242
00:11:10,240 --> 00:11:13,439
Speaker 3: We're both up in Sydney filming a TV show. And

243
00:11:13,840 --> 00:11:15,760
Speaker 3: I threw caution to the wind mind the pun during

244
00:11:15,760 --> 00:11:19,320
Speaker 3: an ad break a couple of days ago, and yeah,

245
00:11:19,360 --> 00:11:24,040
Speaker 3: had a little pop during an ad break. Now look

246
00:11:24,080 --> 00:11:26,960
Speaker 3: that audio was captured. It was a cute one. It

247
00:11:27,000 --> 00:11:28,800
Speaker 3: was an inoffensive one. As I said, all's fair in

248
00:11:28,840 --> 00:11:29,920
Speaker 3: love and war in a bit of a fart in

249
00:11:29,960 --> 00:11:33,160
Speaker 3: the ad break. That's in the radio codes, of course.

250
00:11:33,240 --> 00:11:36,200
Speaker 3: So I felt very comfortable about this. Anyway, Kyle found

251
00:11:36,240 --> 00:11:38,719
Speaker 3: out about it, I am sitting in his chair, and

252
00:11:38,840 --> 00:11:42,240
Speaker 3: to be fair, it was probably a drop in the ocean,

253
00:11:42,920 --> 00:11:45,000
Speaker 3: this sort of stuff that the big fellow releases in here.

254
00:11:45,000 --> 00:11:47,000
Speaker 4: I mean, it's true, we should be offending the man.

255
00:11:47,000 --> 00:11:50,600
Speaker 3: We should've been registered on this chair this chair is

256
00:11:50,679 --> 00:11:53,360
Speaker 3: used to a barrage. This chair is like the Gates

257
00:11:53,400 --> 00:11:55,960
Speaker 3: of Mordor when it comes to farts. Like it has

258
00:11:56,080 --> 00:11:59,600
Speaker 3: received all sorts of assaults in the past, it's still good.

259
00:12:00,240 --> 00:12:02,040
Speaker 4: I do not think we should be offending this guy

260
00:12:02,120 --> 00:12:05,080
Speaker 4: because Kyle's response to finding out that you fart on

261
00:12:05,120 --> 00:12:08,360
Speaker 4: his chair was to get his mate John Ibrahim to

262
00:12:08,400 --> 00:12:12,400
Speaker 4: give us a phone call. Hey guys, Kyle.

263
00:12:12,679 --> 00:12:14,520
Speaker 6: Hey, I've been watching a video with me made his

264
00:12:14,679 --> 00:12:16,600
Speaker 6: John Ibrahim. He wants to welcome you to Sydney.

265
00:12:16,800 --> 00:12:22,760
Speaker 5: Holy moly, John, John, Hey buddy.

266
00:12:23,120 --> 00:12:24,360
Speaker 4: Hey, it's really really good things.

267
00:12:24,440 --> 00:12:26,840
Speaker 5: John. Nice to meet you, man, Nice to meet you.

268
00:12:27,200 --> 00:12:30,160
Speaker 6: Seriously fighting did you well?

269
00:12:30,960 --> 00:12:32,600
Speaker 4: I want to make it very clear that it was

270
00:12:32,640 --> 00:12:36,440
Speaker 4: actually Will who did that. So you've got Will here.

271
00:12:36,520 --> 00:12:40,960
Speaker 3: Yeah, sure, okay, John, Yeah, Yeah you know. Look look,

272
00:12:41,280 --> 00:12:43,000
Speaker 3: yeah I might have I might have let one slip,

273
00:12:43,720 --> 00:12:44,960
Speaker 3: just in the riggers of doing the show.

274
00:12:45,040 --> 00:12:46,960
Speaker 9: Yeah wait, he's not having it.

275
00:12:47,280 --> 00:12:50,040
Speaker 3: First of all, I might die for this, but you

276
00:12:50,120 --> 00:12:52,720
Speaker 3: are going straight to hell for throwing your friend in

277
00:12:52,760 --> 00:12:54,320
Speaker 3: the line of fire when he needed you.

278
00:12:54,400 --> 00:12:57,640
Speaker 4: I'll take hell over John Ibrahim trying to hunt me down.

279
00:12:58,280 --> 00:13:00,240
Speaker 3: John Ibrahim is, by the way, if you're not. They

280
00:13:00,280 --> 00:13:02,520
Speaker 3: pretty much did a whole season of Underbelly about him.

281
00:13:02,520 --> 00:13:04,079
Speaker 3: That's the kind of status we're dealing with him.

282
00:13:04,160 --> 00:13:05,360
Speaker 4: He's the king of the Cross. He's the king of

283
00:13:05,360 --> 00:13:05,680
Speaker 4: the Cross.

284
00:13:05,840 --> 00:13:06,160
Speaker 5: Yeah.

285
00:13:06,200 --> 00:13:08,240
Speaker 3: So thirty one o six five is a phone number.

286
00:13:09,080 --> 00:13:11,960
Speaker 3: I think bullies only respond to strengthwards. Kyle got us

287
00:13:11,960 --> 00:13:13,280
Speaker 3: back with a threat from Johnny Abrahim.

288
00:13:13,559 --> 00:13:13,760
Speaker 1: Yeah.

289
00:13:13,800 --> 00:13:16,400
Speaker 3: I didn't appreciate it. Time to strike back you and

290
00:13:16,480 --> 00:13:21,240
Speaker 3: again Kyle back? Yeah, thirty one oh six five. What

291
00:13:21,240 --> 00:13:23,000
Speaker 3: do you think we should do? How do you think

292
00:13:23,040 --> 00:13:26,000
Speaker 3: we should prank Carl back? Sam?

293
00:13:26,280 --> 00:13:28,800
Speaker 5: A bought a bought aboard boy.

294
00:13:29,960 --> 00:13:33,920
Speaker 4: Finally a voive reason. Finally a vosive reason. Yeah, just

295
00:13:34,600 --> 00:13:37,120
Speaker 4: leave the city, you think, Sam?

296
00:13:37,559 --> 00:13:40,160
Speaker 8: I think the world is a big place and the

297
00:13:40,160 --> 00:13:42,600
Speaker 8: borders are open. Will get your bath bought out?

298
00:13:42,800 --> 00:13:47,240
Speaker 4: Yeah, that's sage advice, Sam, sage advice, but it's not

299
00:13:47,320 --> 00:13:47,760
Speaker 4: very fun.

300
00:13:47,840 --> 00:13:50,600
Speaker 3: Zion is called on thirty one and six five. Zion,

301
00:13:50,679 --> 00:13:51,200
Speaker 3: how you doing?

302
00:13:51,960 --> 00:13:52,080
Speaker 5: Hi?

303
00:13:52,200 --> 00:13:54,160
Speaker 3: I think, okay, how do you think we should prank

304
00:13:54,200 --> 00:13:54,640
Speaker 3: Carl back?

305
00:13:55,480 --> 00:13:55,560
Speaker 5: So?

306
00:13:55,800 --> 00:13:58,440
Speaker 9: I was thinking like a conger line of people to

307
00:13:58,520 --> 00:14:01,320
Speaker 9: go past the cheer and spars on their way fast.

308
00:14:05,040 --> 00:14:08,400
Speaker 4: So just bringing through anyone in the office. Maybe we

309
00:14:08,520 --> 00:14:11,680
Speaker 4: just bring in a particularly flatulent inducing food.

310
00:14:12,080 --> 00:14:15,640
Speaker 3: Yeah, like a like a like a five.

311
00:14:14,920 --> 00:14:18,160
Speaker 4: Bean paste or yeah on some coulieflower or something, and

312
00:14:18,200 --> 00:14:19,760
Speaker 4: then we just bring the whole office in here.

313
00:14:20,520 --> 00:14:23,000
Speaker 3: Yeah, I don't mind it. That could be a he

314
00:14:23,000 --> 00:14:24,640
Speaker 3: has got to sit in the chair again, Mark on

315
00:14:24,680 --> 00:14:27,040
Speaker 3: thirty one or six five, That should be prank car back.

316
00:14:28,320 --> 00:14:31,680
Speaker 6: Well, since Carl locks parking his cars in the all

317
00:14:31,720 --> 00:14:34,760
Speaker 6: the no parking zone, get one of you to car.

318
00:14:36,960 --> 00:14:39,360
Speaker 4: We don't know. We've got access to where he parks

319
00:14:39,400 --> 00:14:43,440
Speaker 4: his car every morning. I just I wouldn't want to

320
00:14:43,520 --> 00:14:47,360
Speaker 4: damage his car though. If we told he's driving the Ghost.

321
00:14:47,480 --> 00:14:51,440
Speaker 4: What is it the Bentley? Doesn't it Bentley Ghost? It's

322
00:14:51,480 --> 00:14:52,720
Speaker 4: a sexymobile.

323
00:14:53,360 --> 00:14:53,600
Speaker 6: Yeah.

324
00:14:53,960 --> 00:14:56,680
Speaker 3: His car takes out like a quarter of the underground

325
00:14:56,680 --> 00:14:58,960
Speaker 3: car park. Yeah here at the station. That's one thing

326
00:14:59,000 --> 00:15:00,920
Speaker 3: we found out. We don't have a car park. Now

327
00:15:00,920 --> 00:15:03,480
Speaker 3: we have to car park share with the head of sales,

328
00:15:03,680 --> 00:15:06,080
Speaker 3: or not even the head of sales, the assistant head

329
00:15:06,920 --> 00:15:10,280
Speaker 3: of online sales or something. We share their car park

330
00:15:10,320 --> 00:15:12,120
Speaker 3: and they burn us out. Kyle is a quarter of

331
00:15:12,120 --> 00:15:13,280
Speaker 3: the car park here to himself.

332
00:15:13,320 --> 00:15:15,000
Speaker 4: Is it too simple to just get here? Really early

333
00:15:15,040 --> 00:15:17,280
Speaker 4: tomorrow and take his car park, just slash his tires.

334
00:15:17,560 --> 00:15:21,720
Speaker 4: Why it wasn't going to face Brad here? Brad, what

335
00:15:21,760 --> 00:15:24,160
Speaker 4: do you reckon we should do? We're thinking we're considering

336
00:15:24,600 --> 00:15:28,120
Speaker 4: getting Kyle back for him threatening us with John Ibrahim.

337
00:15:28,480 --> 00:15:30,720
Speaker 7: All right, boys, let me explain something to you. You're

338
00:15:30,720 --> 00:15:32,320
Speaker 7: not from here, and I'm only going to address Will

339
00:15:32,360 --> 00:15:35,040
Speaker 7: because would he clearly you're the brains of the group. Okay,

340
00:15:35,600 --> 00:15:39,240
Speaker 7: don't mess with King Kyle brother yield before season. Just

341
00:15:39,320 --> 00:15:42,040
Speaker 7: let this one slide. But if you were going to

342
00:15:42,080 --> 00:15:44,840
Speaker 7: do something to him, yes, might be a good idea

343
00:15:44,880 --> 00:15:50,480
Speaker 7: to tinfoil everything in his office individually. Any parts you

344
00:15:50,520 --> 00:15:51,840
Speaker 7: do do slide right off.

345
00:15:53,640 --> 00:15:57,440
Speaker 3: So we could tinfoil his chair. Yeah, before he comes

346
00:15:57,440 --> 00:15:59,800
Speaker 3: in tomorrow. It's a bit of a nuisance for him, obviously.

347
00:15:59,800 --> 00:16:02,960
Speaker 3: Don't like you know, it's been fun between us so far.

348
00:16:03,200 --> 00:16:05,560
Speaker 4: No, Yeah, we've got a good relationship, a good relationship

349
00:16:05,600 --> 00:16:08,880
Speaker 4: with him. He says nice things about us to our

350
00:16:08,920 --> 00:16:12,680
Speaker 4: faces when we see him, really really, when we see him,

351
00:16:12,680 --> 00:16:15,800
Speaker 4: he says lovely things to us. Look, leave it with us, guys.

352
00:16:15,920 --> 00:16:19,440
Speaker 4: I look, if we're going to do this, I'm terrible.

353
00:16:19,480 --> 00:16:24,400
Speaker 4: I'm nervous about him going. He's a big figure and

354
00:16:24,400 --> 00:16:26,760
Speaker 4: he's intimidating. He's also mates with Johnny Brahim and he

355
00:16:26,800 --> 00:16:30,320
Speaker 4: has made a threat against us. It's quite scary scary

356
00:16:30,320 --> 00:16:32,520
Speaker 4: prospects at the moment. But yeah, I do like the

357
00:16:32,560 --> 00:16:33,960
Speaker 4: idea of having a bit of fun with this. Yeah,

358
00:16:34,000 --> 00:16:35,440
Speaker 4: I don't think we've got the idea down.

359
00:16:35,480 --> 00:16:38,400
Speaker 3: No, I don't think we've known it yet. I would

360
00:16:38,440 --> 00:16:39,880
Speaker 3: like to know where the gold microphone is.

361
00:16:40,320 --> 00:16:42,480
Speaker 4: I'm pretty sure I know where it is. Wow, I

362
00:16:43,080 --> 00:16:44,480
Speaker 4: had a photo with it once. I sent it to

363
00:16:44,520 --> 00:16:44,960
Speaker 4: my family.

364
00:16:47,120 --> 00:16:48,880
Speaker 3: A bit of context for everyone. You and I are

365
00:16:48,920 --> 00:16:51,760
Speaker 3: doing our radio show every day at the moment in

366
00:16:51,840 --> 00:16:53,560
Speaker 3: the studios of Kyle and Jackie.

367
00:16:53,520 --> 00:16:55,840
Speaker 4: Oh, very good of them to allow us to use

368
00:16:55,840 --> 00:16:56,440
Speaker 4: their studio.

369
00:16:56,520 --> 00:16:59,840
Speaker 3: Will all right, mate, if you don't get your nose

370
00:16:59,840 --> 00:17:02,280
Speaker 3: out of their ass cracks soon, I mean, I'm so

371
00:17:02,360 --> 00:17:04,560
Speaker 3: sick of you brown nosing.

372
00:17:04,640 --> 00:17:07,400
Speaker 4: It is actually very good of the of course. Look,

373
00:17:07,520 --> 00:17:09,880
Speaker 4: it's very good of them.

374
00:17:09,440 --> 00:17:12,280
Speaker 3: And the reason that you're walking on eggshl so much

375
00:17:12,359 --> 00:17:15,160
Speaker 3: is because yesterday during the show, during the ads, which

376
00:17:15,200 --> 00:17:16,560
Speaker 3: it happens, Okay, I didn't do it on.

377
00:17:16,520 --> 00:17:17,200
Speaker 4: Air or anything.

378
00:17:17,440 --> 00:17:24,200
Speaker 3: I may have thrown caution to the wind had a

379
00:17:24,200 --> 00:17:25,760
Speaker 3: little fart on air. It was in the ads. No

380
00:17:25,840 --> 00:17:29,520
Speaker 3: one noticed apart from our digital producer Kate, who's filming

381
00:17:29,560 --> 00:17:32,720
Speaker 3: us all the time. She posted on our socials. Unfortunately,

382
00:17:33,240 --> 00:17:38,080
Speaker 3: Kyle saw this. I am sitting in his chair, which

383
00:17:38,160 --> 00:17:41,360
Speaker 3: again I would like to stress was like a person

384
00:17:41,440 --> 00:17:45,280
Speaker 3: blowing on it versus the absolute gales that it probably

385
00:17:45,320 --> 00:17:48,520
Speaker 3: cops while he's sitting on this thing. Now, he saw

386
00:17:48,560 --> 00:17:52,920
Speaker 3: this thing and he got well, he got a very

387
00:17:52,960 --> 00:17:55,119
Speaker 3: scary man to call me and threaten me.

388
00:17:55,960 --> 00:17:58,080
Speaker 6: It's him. He wants to welcome you to Sydney.

389
00:17:58,280 --> 00:18:03,119
Speaker 5: Holy Molyn, John, Hey buddy, you know.

390
00:18:03,440 --> 00:18:05,600
Speaker 4: Hey, it's really really good things. John, Nice to meet you.

391
00:18:05,680 --> 00:18:06,920
Speaker 9: Man, Nice to meet you.

392
00:18:06,840 --> 00:18:10,600
Speaker 5: You didn't seriously fighting share, did you waiting?

393
00:18:10,720 --> 00:18:14,080
Speaker 3: It woulds in that situation. We haven't played the whole

394
00:18:14,080 --> 00:18:16,080
Speaker 3: audio clip there. But you threw me under the bus.

395
00:18:16,240 --> 00:18:18,120
Speaker 4: Well, you're the one who farted, so you deserved it.

396
00:18:18,280 --> 00:18:22,320
Speaker 3: Fine, fair enough, my cowardly friend. But then, in the

397
00:18:22,359 --> 00:18:25,680
Speaker 3: ultimate case of suffering in your jocks, quite literally, your

398
00:18:25,840 --> 00:18:30,520
Speaker 3: fart filled jocks, you also let Fluffy off the chain

399
00:18:30,880 --> 00:18:34,359
Speaker 3: in this show. As you're sitting in Jackie Oh's chair.

400
00:18:35,200 --> 00:18:40,720
Speaker 4: She's just at home though, easy. Okay, no, no, Jackie

401
00:18:40,720 --> 00:18:43,240
Speaker 4: will not find it funny. That was a direct message

402
00:18:43,280 --> 00:18:45,919
Speaker 4: at our audio producer, a digital producer, Kate, to not

403
00:18:45,920 --> 00:18:47,560
Speaker 4: put that video on our socials.

404
00:18:47,640 --> 00:18:48,120
Speaker 3: But she did.

405
00:18:48,280 --> 00:18:52,000
Speaker 4: She did, and I'm very unhappy about it. And she's

406
00:18:52,640 --> 00:18:56,280
Speaker 4: having some words anyway. Jackie's been senterd get this. Jackie

407
00:18:56,359 --> 00:18:59,040
Speaker 4: has like left me a voicemail. I'm changing my number.

408
00:18:59,200 --> 00:19:00,720
Speaker 4: I'm getting out of him going underground.

409
00:19:00,800 --> 00:19:03,520
Speaker 3: But you've got Jackie Chasey, I've got Johnny Briham after me.

410
00:19:03,960 --> 00:19:07,920
Speaker 4: Yeah, I prefer because I know Jackie doesn't like farts. Anyway.

411
00:19:07,960 --> 00:19:09,080
Speaker 4: This is the voicemail she left me.

412
00:19:09,840 --> 00:19:12,840
Speaker 8: Hey, what it is, Jackie? Oh yeah, I just got

413
00:19:12,880 --> 00:19:17,880
Speaker 8: sent a really interesting story actually of you farting on

414
00:19:17,920 --> 00:19:24,080
Speaker 8: my chair. What theck is wrong with you? Guys? Seriously? First,

415
00:19:24,160 --> 00:19:27,120
Speaker 8: Kyles and male mind, do you know how I feel

416
00:19:27,160 --> 00:19:29,800
Speaker 8: about farts? Okay, call me back.

417
00:19:29,840 --> 00:19:32,560
Speaker 4: But I do know how she feels about fats. I'm

418
00:19:32,560 --> 00:19:34,720
Speaker 4: catching the next flight out of Sydney. I need to leave.

419
00:19:34,760 --> 00:19:36,120
Speaker 3: We've got one more show to do here.

420
00:19:36,440 --> 00:19:36,920
Speaker 4: I don't care.

421
00:19:36,960 --> 00:19:38,399
Speaker 3: How's she gonna film when she knows that you use

422
00:19:38,440 --> 00:19:40,879
Speaker 3: her salt and pepper shakers I do not. And you

423
00:19:41,080 --> 00:19:42,919
Speaker 3: rub the crystals that she's got in front of her

424
00:19:43,000 --> 00:19:43,640
Speaker 3: chair there as well.

425
00:19:43,640 --> 00:19:45,280
Speaker 4: You like the crystals, No, I don't. I do like

426
00:19:45,320 --> 00:19:47,639
Speaker 4: the hand soaps, so the hand soaps are nice. My

427
00:19:47,680 --> 00:19:50,399
Speaker 4: hands have never felt smoother. But seriously, no, she doesn't

428
00:19:50,480 --> 00:19:53,359
Speaker 4: like farts. No, and she's leaving me voicemails. I'm going

429
00:19:53,440 --> 00:19:55,439
Speaker 4: to just chuck this fine, I'm turfing it. I'm going

430
00:19:55,480 --> 00:19:56,040
Speaker 4: to get out of here.

431
00:19:56,080 --> 00:19:56,280
Speaker 5: Boy.

432
00:19:56,400 --> 00:19:58,680
Speaker 3: I actually you probably don't need to worry about calling

433
00:19:58,720 --> 00:20:00,359
Speaker 3: her if your personal phone, because I've got to call

434
00:20:00,400 --> 00:20:00,720
Speaker 3: the show.

435
00:20:00,840 --> 00:20:04,800
Speaker 4: That's not funny on the hotline here, that's not funny.

436
00:20:04,920 --> 00:20:10,320
Speaker 8: Jack Well, well, well, well, oh my god, yeah, no,

437
00:20:10,520 --> 00:20:13,119
Speaker 8: I expected this will not you boardy.

438
00:20:13,359 --> 00:20:15,480
Speaker 4: I'm so sorry, Jackie. I'm so sorry.

439
00:20:16,000 --> 00:20:20,400
Speaker 8: No, no, no, no, no, so many questions. Okay, yep,

440
00:20:20,440 --> 00:20:24,320
Speaker 8: sure number one, you've been using my crystals?

441
00:20:24,560 --> 00:20:24,800
Speaker 5: Yeah?

442
00:20:25,080 --> 00:20:27,280
Speaker 4: Sorry, special of the crystals.

443
00:20:27,760 --> 00:20:30,360
Speaker 3: He holds them up, he loves them.

444
00:20:30,600 --> 00:20:32,679
Speaker 8: Oh my god, no, wonder they're not working for me.

445
00:20:34,880 --> 00:20:36,760
Speaker 4: I'm telling all the good energy, Jackie.

446
00:20:36,760 --> 00:20:39,600
Speaker 10: You've got, like everyone Jackie's seat, she's got this lot

447
00:20:39,600 --> 00:20:41,439
Speaker 10: of little like set of goodies in front of her.

448
00:20:41,480 --> 00:20:43,159
Speaker 3: She's got the salt and pepper shakers.

449
00:20:43,359 --> 00:20:43,720
Speaker 6: What else?

450
00:20:43,720 --> 00:20:46,400
Speaker 4: Since she got there bubblehead of Kyle dressed as a warrior.

451
00:20:48,280 --> 00:20:52,440
Speaker 4: There's a stamp here saying your girl approved. So I've

452
00:20:52,440 --> 00:20:54,840
Speaker 4: been using I've been using that affair. And there's just

453
00:20:54,880 --> 00:20:57,720
Speaker 4: a number of bells to call producers, which I'm also

454
00:20:57,800 --> 00:20:58,479
Speaker 4: quite enjoying.

455
00:21:03,400 --> 00:21:03,800
Speaker 9: Random.

456
00:21:03,920 --> 00:21:06,520
Speaker 3: You've got some random stuff there. You've got some random

457
00:21:06,560 --> 00:21:11,160
Speaker 3: stuff there. The greatest defense, Yeah, yes, okay.

458
00:21:10,920 --> 00:21:13,400
Speaker 8: Yes, No, what you were going to say, the greatest offense?

459
00:21:13,520 --> 00:21:17,119
Speaker 8: Farting in my chair? You know, I only spoke to

460
00:21:17,119 --> 00:21:21,080
Speaker 8: you guys two weeks ago about how much I hate

461
00:21:21,160 --> 00:21:24,480
Speaker 8: parts and I have not parted in twenty years for

462
00:21:24,520 --> 00:21:28,600
Speaker 8: that very reason. No, you haven't twenty years, and here

463
00:21:28,680 --> 00:21:32,120
Speaker 8: you are, no farting on my chair?

464
00:21:32,480 --> 00:21:34,960
Speaker 4: Yeah, no, I know, but it was a big it's

465
00:21:35,000 --> 00:21:35,960
Speaker 4: a big part around.

466
00:21:36,119 --> 00:21:39,240
Speaker 3: But I think we should play it again. Let's play

467
00:21:39,240 --> 00:21:39,560
Speaker 3: it again.

468
00:21:39,680 --> 00:21:50,119
Speaker 4: Let's still hear it again. Let's she's just at home there, easy, jagie.

469
00:21:51,600 --> 00:21:52,360
Speaker 5: What did you eat?

470
00:21:52,640 --> 00:21:52,840
Speaker 2: No?

471
00:21:52,880 --> 00:21:54,639
Speaker 8: I need no what did you eat today?

472
00:21:55,240 --> 00:21:58,119
Speaker 4: I actually found some bread which was a few days

473
00:21:58,160 --> 00:22:04,040
Speaker 4: off in the fridge here at the station. Is that

474
00:22:04,080 --> 00:22:04,560
Speaker 4: your bread?

475
00:22:07,000 --> 00:22:07,919
Speaker 7: I'm gonna cry?

476
00:22:09,640 --> 00:22:13,359
Speaker 3: Oh my god, we've only got one more show to do.

477
00:22:13,480 --> 00:22:15,280
Speaker 10: You but I feel like if you ran a black

478
00:22:15,359 --> 00:22:17,760
Speaker 10: light across this studio and it looked like the windscreen

479
00:22:17,800 --> 00:22:19,880
Speaker 10: of a truck which had just driven across the nuller ball,

480
00:22:20,320 --> 00:22:23,879
Speaker 10: it is the studio he's getting in a deep clean

481
00:22:24,800 --> 00:22:25,600
Speaker 10: we're out of.

482
00:22:27,040 --> 00:22:30,120
Speaker 8: I'm definitely doing that, and I may not have John

483
00:22:30,160 --> 00:22:32,960
Speaker 8: Ibrahim sitting next to me, but I have someone scarier

484
00:22:33,000 --> 00:22:34,240
Speaker 8: who wants to say something.

485
00:22:34,400 --> 00:22:36,480
Speaker 4: Oh Jesus, okay.

486
00:22:36,440 --> 00:22:38,000
Speaker 8: Okay, I'm handing you over.

487
00:22:39,720 --> 00:22:40,720
Speaker 9: In my mummy's chat.

488
00:22:44,720 --> 00:22:47,560
Speaker 3: Hear more of the boys on the Full Show podcast.

489
00:22:48,040 --> 00:22:48,960
Speaker 3: You know you want to