1 00:00:00,160 --> 00:00:07,960 Speaker 1: Yeah, everybody, it's time for I'm tells you and Amanda's 2 00:00:08,039 --> 00:00:11,960 Speaker 1: cutting room for it's that cut room for well. 3 00:00:12,000 --> 00:00:15,080 Speaker 2: Hello, hello, hello everyone. We are Jonesy and Amanda. We 4 00:00:15,120 --> 00:00:17,279 Speaker 2: do the breakfast show on WSFM. And yes, I know 5 00:00:17,320 --> 00:00:19,560 Speaker 2: what you're saying. My name should be coming first stop it. 6 00:00:20,120 --> 00:00:21,280 Speaker 2: But anyway, here we are. 7 00:00:21,720 --> 00:00:24,960 Speaker 3: I'd rather hear about the lack of motorcycle parking in 8 00:00:25,000 --> 00:00:27,880 Speaker 3: the Tumblong vicinity, would she? 9 00:00:27,960 --> 00:00:30,920 Speaker 4: That's what I'd rather hear about, instead of your being 10 00:00:31,000 --> 00:00:34,200 Speaker 4: dipped out on whole billing in the show. 11 00:00:35,280 --> 00:00:37,960 Speaker 2: Well, both those things for us years, I know, and 12 00:00:38,000 --> 00:00:39,200 Speaker 2: I've winged about it ever since. 13 00:00:39,240 --> 00:00:41,320 Speaker 4: And we've had the stationary maid. Yeah. 14 00:00:41,400 --> 00:00:43,200 Speaker 2: Once the station's made, you can't go back. 15 00:00:43,479 --> 00:00:44,080 Speaker 4: What are you going to do? 16 00:00:44,159 --> 00:00:46,479 Speaker 2: What are you going to do? Once you've got business cards? 17 00:00:46,880 --> 00:00:47,360 Speaker 2: That's it. 18 00:00:47,640 --> 00:00:49,680 Speaker 3: Maybe I should get another Amanda to work with me 19 00:00:49,720 --> 00:00:52,279 Speaker 3: that would be more compliant, like Amanda Holden say. 20 00:00:52,440 --> 00:00:55,640 Speaker 2: Oh, yeah, she'd be completely compliant to work behind the 21 00:00:55,720 --> 00:00:58,280 Speaker 2: name Jonesy. She would be. That is true. 22 00:00:58,520 --> 00:00:59,960 Speaker 4: It's nice to be anyway it is. 23 00:01:00,440 --> 00:01:07,000 Speaker 2: I'm going to take my and and go. It's well, hello, 24 00:01:07,760 --> 00:01:09,080 Speaker 2: As I was saying, we did the breat for show 25 00:01:09,080 --> 00:01:10,960 Speaker 2: at WSFM and we're recording this. 26 00:01:11,400 --> 00:01:13,160 Speaker 3: Did you mentioned about the award? Tell them about the award. 27 00:01:13,880 --> 00:01:15,720 Speaker 3: Every major newspaper missed it. 28 00:01:15,800 --> 00:01:16,720 Speaker 2: But that's not true. 29 00:01:16,880 --> 00:01:20,200 Speaker 4: They did. They pretty much did bye. But we on. 30 00:01:20,240 --> 00:01:22,520 Speaker 2: Saturday Night won the award. I hate being a big. 31 00:01:22,480 --> 00:01:24,280 Speaker 4: Bosty pans do it because no one else will. 32 00:01:24,360 --> 00:01:27,919 Speaker 2: We won the award for the best Radio show in Australia. 33 00:01:28,200 --> 00:01:30,319 Speaker 2: As Jonesy said, it was a two peat. Some people 34 00:01:30,360 --> 00:01:32,760 Speaker 2: say repeat, we say two pete, we've won two years 35 00:01:32,760 --> 00:01:33,119 Speaker 2: in a row. 36 00:01:33,160 --> 00:01:34,240 Speaker 4: Well, they got the shirts paid. 37 00:01:35,120 --> 00:01:37,480 Speaker 2: I know, thank you, thank you, appreciate it, thank you, 38 00:01:37,800 --> 00:01:40,160 Speaker 2: thanks marm. You know they said it couldn't be done, 39 00:01:40,200 --> 00:01:42,800 Speaker 2: Well I said it couldn't. In fact, it was done 40 00:01:43,000 --> 00:01:45,600 Speaker 2: and it was great, a great accolade to be had. 41 00:01:45,640 --> 00:01:47,160 Speaker 2: That doesn't mean this is going to be any good, 42 00:01:47,160 --> 00:01:47,960 Speaker 2: but we'll do our best. 43 00:01:48,680 --> 00:01:50,400 Speaker 4: So this is a coast now. 44 00:01:52,440 --> 00:01:55,320 Speaker 2: Well, someone very kindly came and gave me an arn 45 00:01:55,360 --> 00:01:56,760 Speaker 2: coaster and you said, isn't. 46 00:01:56,560 --> 00:01:59,120 Speaker 4: That what we are? We've been coasting for some time. Absolutely. 47 00:02:00,040 --> 00:02:02,840 Speaker 2: We are doing this podcast as part of our Cutting 48 00:02:02,880 --> 00:02:05,280 Speaker 2: Room Floor podcast. Every day we have a show called 49 00:02:05,320 --> 00:02:08,400 Speaker 2: jam Nation that goes at six o'clock around the country. 50 00:02:08,440 --> 00:02:10,680 Speaker 2: Some places at five o'clock, yes, and. 51 00:02:10,639 --> 00:02:12,600 Speaker 3: That's in some places at nine o'clock at night, and 52 00:02:12,639 --> 00:02:14,519 Speaker 3: someplace a special time of ten thirty. 53 00:02:14,639 --> 00:02:17,200 Speaker 2: Some places refuse to play it and just have the 54 00:02:17,240 --> 00:02:19,040 Speaker 2: sound of a foghorn going instead. 55 00:02:19,080 --> 00:02:20,480 Speaker 3: I feel like I should be sitting back in a 56 00:02:20,480 --> 00:02:23,079 Speaker 3: more comfortable position like you see those influence when they 57 00:02:23,080 --> 00:02:25,000 Speaker 3: do it, they do it in a strange sort of 58 00:02:25,040 --> 00:02:26,160 Speaker 3: Osher Ginsburg way. 59 00:02:26,200 --> 00:02:27,720 Speaker 2: You need to be sitting on a bean bag of 60 00:02:28,120 --> 00:02:30,400 Speaker 2: my artic niece, so it still sounds like you were 61 00:02:30,440 --> 00:02:31,800 Speaker 2: in some sort of rubber arrangement. 62 00:02:31,840 --> 00:02:33,519 Speaker 4: Well, I've got my wet weather gear on, said, because 63 00:02:33,520 --> 00:02:35,120 Speaker 4: I'm a motorcyclist. 64 00:02:34,840 --> 00:02:37,799 Speaker 2: Even though we're under cover. That's fair enough. Anyway, we 65 00:02:37,840 --> 00:02:41,200 Speaker 2: do a thing called jam Nation. We also do a 66 00:02:41,200 --> 00:02:43,040 Speaker 2: little adjunct, which is what we're going to do today, 67 00:02:43,080 --> 00:02:45,239 Speaker 2: and that's what I call Jones, a little adjunct. We 68 00:02:45,400 --> 00:02:47,720 Speaker 2: are going to do this where we just got them 69 00:02:47,720 --> 00:02:49,799 Speaker 2: eating out of the past, and I adjust these two 70 00:02:49,840 --> 00:02:53,200 Speaker 2: people are where we're going to just talk about something 71 00:02:53,200 --> 00:02:54,760 Speaker 2: we didn't get around to talking about the show, but 72 00:02:54,800 --> 00:02:55,320 Speaker 2: it ended. 73 00:02:55,160 --> 00:02:56,160 Speaker 4: Up on the cutting room floor. 74 00:02:56,639 --> 00:02:58,720 Speaker 2: How about this? This is the headline and we'll work 75 00:02:58,800 --> 00:03:03,440 Speaker 2: back from there. Etiquette experts say middle plane seat gets 76 00:03:03,600 --> 00:03:06,680 Speaker 2: both arm rests. This has been a big debate for 77 00:03:06,760 --> 00:03:08,920 Speaker 2: many years as to who gets the arm rest on 78 00:03:08,960 --> 00:03:12,360 Speaker 2: a plane. We can all agree. I think that the 79 00:03:12,400 --> 00:03:16,840 Speaker 2: window seat is great unless you have a bladder the 80 00:03:16,880 --> 00:03:19,080 Speaker 2: size of a budge's bladder like I have. But I 81 00:03:19,080 --> 00:03:21,400 Speaker 2: still would prefer the window seat or the aisle seat, 82 00:03:21,440 --> 00:03:23,839 Speaker 2: which is easy access to the loo to get up, 83 00:03:24,200 --> 00:03:26,560 Speaker 2: to grab things from the trolley, whatever you need to do. 84 00:03:27,600 --> 00:03:30,320 Speaker 2: That middle seat is neither here nor there, and you 85 00:03:30,520 --> 00:03:32,760 Speaker 2: charge the same amount to sit there. So they're saying 86 00:03:32,800 --> 00:03:35,320 Speaker 2: here that to compensate, you should be able to have 87 00:03:35,360 --> 00:03:37,880 Speaker 2: access to both arm wrists because everyone else has one. 88 00:03:38,080 --> 00:03:40,320 Speaker 3: I know this might be a little bit different for 89 00:03:40,360 --> 00:03:43,000 Speaker 3: you because you're always in the rarefied air of the 90 00:03:43,000 --> 00:03:44,120 Speaker 3: business or the first class. 91 00:03:44,160 --> 00:03:45,760 Speaker 2: I think you'll find I sit up with a pilot 92 00:03:45,920 --> 00:03:46,720 Speaker 2: on his lap. 93 00:03:47,800 --> 00:03:50,080 Speaker 4: So this isn't something that you would have to deal with. 94 00:03:50,120 --> 00:03:53,000 Speaker 3: But down there on real Man Street where I live, 95 00:03:54,720 --> 00:03:57,680 Speaker 3: the window seat is probably the least. If you're a 96 00:03:57,680 --> 00:03:59,960 Speaker 3: bit of a yokolt it's never been on a plane before, 97 00:04:00,120 --> 00:04:01,960 Speaker 3: go to the window seat. For me, it's all ile 98 00:04:02,280 --> 00:04:04,680 Speaker 3: it's all aisle seat is there, you can go to 99 00:04:04,760 --> 00:04:05,040 Speaker 3: the loo. 100 00:04:05,120 --> 00:04:07,240 Speaker 4: You get the food first, you get everything that. 101 00:04:07,200 --> 00:04:09,040 Speaker 2: You You don't get the food first because you get 102 00:04:09,040 --> 00:04:10,880 Speaker 2: the food, you don't. They lean across and give them 103 00:04:10,880 --> 00:04:11,840 Speaker 2: to the person next to the window. 104 00:04:12,320 --> 00:04:16,320 Speaker 3: When the host he comes past, flight attendant, when they 105 00:04:16,520 --> 00:04:20,840 Speaker 3: or she come past, or he comes past, wore it. 106 00:04:21,440 --> 00:04:25,040 Speaker 4: You can pick for a drink easier to get their attention. 107 00:04:25,160 --> 00:04:26,880 Speaker 4: That's because if you put your knee out a little 108 00:04:26,880 --> 00:04:27,360 Speaker 4: bit like this. 109 00:04:27,800 --> 00:04:30,599 Speaker 3: Oh sorry, sir, I just ran into you with the 110 00:04:30,640 --> 00:04:34,040 Speaker 3: beer cart. Would you like something while I'm here? See, 111 00:04:34,040 --> 00:04:35,880 Speaker 3: that's what works. So you're one of those people that 112 00:04:35,880 --> 00:04:37,640 Speaker 3: sits on a plane because and you're looking out the 113 00:04:37,640 --> 00:04:39,960 Speaker 3: window and you go, oh, this is great at the 114 00:04:40,000 --> 00:04:41,440 Speaker 3: you know, the wind, big deal. 115 00:04:42,160 --> 00:04:44,520 Speaker 2: You know. My husband will always want the window seat, 116 00:04:44,560 --> 00:04:45,480 Speaker 2: and so it's just a shoe. 117 00:04:45,600 --> 00:04:47,120 Speaker 4: Well, he's a flyboy. He likes flying. 118 00:04:47,200 --> 00:04:49,840 Speaker 2: One day, my son thought it was funny and took 119 00:04:49,839 --> 00:04:51,480 Speaker 2: the window seat. Harley didn't talk to him for the 120 00:04:51,600 --> 00:04:56,000 Speaker 2: entire holiday. He took it so personally that his seat 121 00:04:56,080 --> 00:04:58,760 Speaker 2: had been taken. So I if ever I sit in 122 00:04:58,760 --> 00:05:01,080 Speaker 2: the window seat, I get a bit anxious that I'm 123 00:05:01,120 --> 00:05:02,040 Speaker 2: going to be yelled at. 124 00:05:02,320 --> 00:05:05,679 Speaker 3: Isn't this the same man the bolder fastball at eleven 125 00:05:05,760 --> 00:05:08,320 Speaker 3: year old girl in a friendly game of backyard I've got. 126 00:05:08,160 --> 00:05:11,120 Speaker 2: To get story wrong. We were in some tony squire's 127 00:05:11,160 --> 00:05:14,599 Speaker 2: backyard and his daughter, who's now grown up, was probably 128 00:05:14,640 --> 00:05:17,240 Speaker 2: about eleven years old, and we're playing backyard cricket and 129 00:05:17,320 --> 00:05:19,160 Speaker 2: everyone was watched. She had a cast on her arm. 130 00:05:19,160 --> 00:05:22,440 Speaker 2: It had broken. Everyone's watching her bowl and Harley's going, 131 00:05:22,600 --> 00:05:25,520 Speaker 2: I want to go. So I watched him so embarrassed. 132 00:05:25,520 --> 00:05:27,839 Speaker 2: I watched him go up to her and reefit out 133 00:05:27,839 --> 00:05:31,240 Speaker 2: of her hands her broken arm, and I was just 134 00:05:31,320 --> 00:05:34,800 Speaker 2: so embarrassed his competitive nature that sometimes gets the better 135 00:05:34,839 --> 00:05:37,240 Speaker 2: of him. That's good, But have your whatt about this though. 136 00:05:38,240 --> 00:05:40,200 Speaker 2: This is a thing that's just been in the news today. 137 00:05:41,160 --> 00:05:45,760 Speaker 2: There's a company called Journey jur nae cute spelling. You know, 138 00:05:45,800 --> 00:05:47,760 Speaker 2: we're not fans of cute spelling here, but obviously for 139 00:05:47,800 --> 00:05:51,360 Speaker 2: copyright reasons, they can't call it Journey, or the band 140 00:05:51,400 --> 00:05:54,800 Speaker 2: would be in arms. But what they do is they 141 00:05:54,839 --> 00:05:59,800 Speaker 2: facilitate people to get reduced fairs who will help out 142 00:05:59,800 --> 00:06:02,080 Speaker 2: on the plane. And I don't mean serving meals and 143 00:06:02,120 --> 00:06:05,279 Speaker 2: doing the mask over your face business. They if you 144 00:06:05,320 --> 00:06:07,720 Speaker 2: need help with the elderly, with kids, if you're traveling 145 00:06:07,760 --> 00:06:10,360 Speaker 2: with babies and you need someone to help you, they 146 00:06:10,440 --> 00:06:13,720 Speaker 2: work out a deal where you travel at reduced rate 147 00:06:14,040 --> 00:06:17,520 Speaker 2: and someone is your traveling helper or companion. 148 00:06:17,560 --> 00:06:19,080 Speaker 3: You know, when you get on the plane and they say, 149 00:06:19,480 --> 00:06:22,880 Speaker 3: do you have a problem with sitting at the window 150 00:06:22,960 --> 00:06:25,440 Speaker 3: seat that's got the emergency exit seat? 151 00:06:25,720 --> 00:06:27,839 Speaker 4: No, One'm there, And then they give you a special 152 00:06:27,880 --> 00:06:28,880 Speaker 4: briefing in case. 153 00:06:28,720 --> 00:06:30,640 Speaker 2: Something goes back, you don't get a reduced flight. 154 00:06:30,760 --> 00:06:32,920 Speaker 3: I'll just say this more often than not, I am 155 00:06:32,960 --> 00:06:35,520 Speaker 3: asked if I want that seat, because I think people 156 00:06:35,520 --> 00:06:37,279 Speaker 3: when they see me getting on the plane, they go, well, 157 00:06:37,440 --> 00:06:41,239 Speaker 3: here's a guy that is going to when S goes down. 158 00:06:42,120 --> 00:06:45,479 Speaker 2: He is fantasy that S goes down on a plane. 159 00:06:45,680 --> 00:06:47,920 Speaker 2: I'm there, and you're the guy. You're on the window 160 00:06:48,000 --> 00:06:52,640 Speaker 2: seat and you've had eighteen beers push your knee into 161 00:06:52,680 --> 00:06:54,159 Speaker 2: every cart that's gone past. 162 00:06:54,720 --> 00:06:57,000 Speaker 4: I'm like, Sully, you know you just got to make 163 00:06:57,040 --> 00:06:58,360 Speaker 4: that decision. 164 00:06:59,000 --> 00:07:01,520 Speaker 2: To land the plane. Is that your fantasy? A lot 165 00:07:01,520 --> 00:07:03,159 Speaker 2: of men would have that fantasy. They'd get on a 166 00:07:03,200 --> 00:07:05,640 Speaker 2: plane and they look around and I see if there 167 00:07:05,720 --> 00:07:09,039 Speaker 2: is a crisis. Who would I punch? Who would I rescue? 168 00:07:09,440 --> 00:07:12,480 Speaker 2: Who would I pash? Do you do that or is 169 00:07:12,520 --> 00:07:13,200 Speaker 2: it my imagining? 170 00:07:13,200 --> 00:07:17,760 Speaker 4: That's what men do? Is this men? 171 00:07:17,800 --> 00:07:20,720 Speaker 2: How would you join the mile high men? 172 00:07:20,880 --> 00:07:22,760 Speaker 3: You often think that, but when you sit at that 173 00:07:22,840 --> 00:07:24,880 Speaker 3: window seat, I always when I get on a plane, 174 00:07:24,920 --> 00:07:27,560 Speaker 3: I'm always thinking about the variables. 175 00:07:28,320 --> 00:07:31,280 Speaker 4: Variables. No, not just that that. 176 00:07:31,400 --> 00:07:34,679 Speaker 3: You know, there's a lot of times when you think, okay, 177 00:07:34,960 --> 00:07:37,120 Speaker 3: I could help out here, I'm a helper. 178 00:07:37,680 --> 00:07:40,560 Speaker 2: That's true. Well, then would you take if you say 179 00:07:40,560 --> 00:07:43,600 Speaker 2: you're flying to London, would you pay a portion that like, 180 00:07:43,680 --> 00:07:47,160 Speaker 2: instead of paying fifteen hundred dollars, you'd pay seven hundred 181 00:07:47,200 --> 00:07:50,760 Speaker 2: dollars to fly as someone's companion, an elderly person or 182 00:07:50,800 --> 00:07:55,600 Speaker 2: woman with babies. Okay, I could have okay, specify the 183 00:07:55,600 --> 00:07:57,080 Speaker 2: conditions under which you would say. 184 00:07:56,960 --> 00:08:01,320 Speaker 4: Yes, it's Sydney. Sydney swe for example. 185 00:08:01,440 --> 00:08:02,320 Speaker 2: Needs help with her bags. 186 00:08:02,480 --> 00:08:06,280 Speaker 4: She might need some help. She's got very thin wrisk. 187 00:08:06,120 --> 00:08:07,920 Speaker 2: And in case she needs someone to give her mouth 188 00:08:07,920 --> 00:08:08,720 Speaker 2: to mouth fort flight. 189 00:08:08,840 --> 00:08:11,320 Speaker 4: You never know, she might have a panic attack. Could 190 00:08:11,400 --> 00:08:12,200 Speaker 4: talk through it. 191 00:08:12,560 --> 00:08:14,600 Speaker 3: I could give her a paper bag and said, look, Sidney, 192 00:08:14,680 --> 00:08:16,600 Speaker 3: just breathe, relax. 193 00:08:17,040 --> 00:08:18,520 Speaker 2: Is that the only time you would do this. 194 00:08:18,880 --> 00:08:21,760 Speaker 4: No, I do that. What's the reduction? 195 00:08:23,200 --> 00:08:26,320 Speaker 2: It's a variety. I'm having tea there, professional, it's a variety. 196 00:08:26,600 --> 00:08:28,840 Speaker 2: Sometimes it depends and they I think it's a three 197 00:08:28,840 --> 00:08:32,360 Speaker 2: percent surcharge or something that the company itself takes. But 198 00:08:32,520 --> 00:08:35,800 Speaker 2: you know, it can be a giant reduction or someone 199 00:08:35,880 --> 00:08:39,040 Speaker 2: depending on what's expected of you. If I just wanted 200 00:08:39,040 --> 00:08:41,120 Speaker 2: to fly with someone and have them tickle my back 201 00:08:41,160 --> 00:08:47,520 Speaker 2: for the duration, how would that go? Brenda? This is wireless' 202 00:08:47,520 --> 00:08:48,240 Speaker 2: just supposed to talk. 203 00:08:48,520 --> 00:08:51,640 Speaker 3: I'm just shaking my head, and not just because of 204 00:08:51,640 --> 00:08:54,640 Speaker 3: the lack of motorcycle parking, but where are you going? 205 00:08:54,679 --> 00:08:56,720 Speaker 2: Okay, if you're going to go back that far, let's 206 00:08:56,720 --> 00:08:58,240 Speaker 2: talk about how my name should be first on the 207 00:08:58,320 --> 00:08:58,760 Speaker 2: lea head. 208 00:09:00,520 --> 00:09:03,800 Speaker 4: We've been to the embroider. You can't unpick embroidered. 209 00:09:03,800 --> 00:09:06,280 Speaker 2: Carry when we come pick with me at all times. 210 00:09:06,400 --> 00:09:10,760 Speaker 3: Once you make a Jones and Amandapollo ship, you can't 211 00:09:10,800 --> 00:09:11,200 Speaker 3: get back. 212 00:09:11,280 --> 00:09:13,319 Speaker 4: And also the acronym is not going to work. It's jam. 213 00:09:13,480 --> 00:09:17,559 Speaker 4: It's not going to be emerged. That would be amedge. 214 00:09:18,280 --> 00:09:21,640 Speaker 2: It's not bad. Well should we wrap it up? 215 00:09:22,320 --> 00:09:22,720 Speaker 4: Toots? 216 00:09:24,320 --> 00:09:28,640 Speaker 2: And were you saying you're saying enough, explain how radio war. 217 00:09:28,720 --> 00:09:29,920 Speaker 4: You're saying enough for both of us. 218 00:09:29,920 --> 00:09:31,559 Speaker 2: All Right, I'll be quiet and you wrap this up. 219 00:09:31,840 --> 00:09:33,960 Speaker 4: Thank you for enjoying our podcast. This is what. 220 00:09:34,280 --> 00:09:36,760 Speaker 2: If you haven't enjoyed it cutting room floor, maybe you 221 00:09:36,760 --> 00:09:37,559 Speaker 2: should have stayed there. 222 00:09:38,320 --> 00:09:42,720 Speaker 4: That's more than it's worth. Thank you. Crawd goes crazy kids, 223 00:09:42,760 --> 00:09:45,719 Speaker 4: that's the fun today. Come back to my farm of 224 00:09:45,920 --> 00:09:54,560 Speaker 4: Jonesy room