1 00:00:00,400 --> 00:00:04,960 Speaker 1: Jump mission with Jones and Amanda. Once again, the water 2 00:00:05,000 --> 00:00:07,880 Speaker 1: cooler is taken up with people talking about what happened 3 00:00:07,880 --> 00:00:11,000 Speaker 1: on Married at First Sight and last night we saw 4 00:00:11,080 --> 00:00:12,520 Speaker 1: Ella Ding and Mitch. 5 00:00:12,600 --> 00:00:15,960 Speaker 2: You know, just bring it up because you like their surnames. 6 00:00:15,800 --> 00:00:19,800 Speaker 3: Ding and you know, anyway from mister Jones, that's a 7 00:00:19,840 --> 00:00:20,960 Speaker 3: whole wide world. 8 00:00:20,680 --> 00:00:21,520 Speaker 2: Out there, isn't there. 9 00:00:21,680 --> 00:00:24,160 Speaker 3: I'm sorry, is my name to anglo for you? 10 00:00:24,200 --> 00:00:26,280 Speaker 2: No, but to giggle at their names? 11 00:00:26,480 --> 00:00:29,680 Speaker 3: God, Mitch, Mitch, you know what's the names? You know? 12 00:00:29,720 --> 00:00:31,720 Speaker 1: Anyway, he's the one that looks like he's out of 13 00:00:31,720 --> 00:00:35,400 Speaker 1: bross with the two earrings. So they had they've got 14 00:00:35,400 --> 00:00:39,519 Speaker 1: this what's it called reflections wig, which in brackets means torment. 15 00:00:39,600 --> 00:00:41,920 Speaker 1: The contestants a bit more and they had to go 16 00:00:41,960 --> 00:00:45,479 Speaker 1: through each other's phones, go through each other's phones for 17 00:00:45,520 --> 00:00:47,160 Speaker 1: five minutes. 18 00:00:47,280 --> 00:00:51,040 Speaker 2: The ex partners in here, well, of course he would. 19 00:00:51,040 --> 00:00:52,520 Speaker 2: They only met two weeks ago. 20 00:00:52,680 --> 00:00:55,120 Speaker 1: And when you say ex partners in here, it means 21 00:00:55,200 --> 00:00:58,920 Speaker 1: like you know what flagrante. 22 00:01:01,520 --> 00:01:05,400 Speaker 2: Foreign names meaning having a saucy picks. 23 00:01:05,480 --> 00:01:07,800 Speaker 3: I have to be No, it's not going to be 24 00:01:07,880 --> 00:01:11,960 Speaker 3: pictures of a standing next to a creek. May yeah. 25 00:01:12,000 --> 00:01:15,839 Speaker 1: Anyway, why shouldn't you go through your partner's phone? These 26 00:01:15,840 --> 00:01:18,640 Speaker 1: are three reasons that's written here. It makes you into 27 00:01:18,680 --> 00:01:21,760 Speaker 1: someone you don't want to be. It's sabotage's closeness. 28 00:01:22,120 --> 00:01:23,680 Speaker 3: It puts you in a weaker position. 29 00:01:24,160 --> 00:01:25,080 Speaker 2: I don't know what that means. 30 00:01:25,480 --> 00:01:26,839 Speaker 3: Yeah, are you protective of your phone? 31 00:01:26,840 --> 00:01:30,319 Speaker 1: I noticed that you seen for the years i've known you, 32 00:01:30,319 --> 00:01:33,720 Speaker 1: you're quite happy to hand it over to your kids. 33 00:01:34,080 --> 00:01:36,080 Speaker 3: You let your kids just get on your phone and 34 00:01:36,400 --> 00:01:37,000 Speaker 3: do stuff. 35 00:01:37,120 --> 00:01:38,800 Speaker 2: I guess, yeah, I have. I mean they don't do 36 00:01:38,840 --> 00:01:42,000 Speaker 2: it now. I wouldn't dream of going through and they 37 00:01:42,080 --> 00:01:44,720 Speaker 2: have no interest in going through mine. Now I've got 38 00:01:44,720 --> 00:01:45,920 Speaker 2: mine here? Have you got yours there? 39 00:01:46,000 --> 00:01:47,360 Speaker 3: I don't usually have it in the studio. 40 00:01:47,440 --> 00:01:49,960 Speaker 2: But which bits do we go through? I wouldn't even 41 00:01:50,000 --> 00:01:52,040 Speaker 2: know where to look in your files? 42 00:01:51,400 --> 00:01:53,680 Speaker 3: Or well, I don't have any I don't have any 43 00:01:53,680 --> 00:01:54,760 Speaker 3: SAT's files in there. 44 00:01:55,040 --> 00:01:56,840 Speaker 2: Well, how would I know if you? 45 00:01:58,120 --> 00:01:58,280 Speaker 1: Well? 46 00:01:58,280 --> 00:02:00,559 Speaker 3: I don't, Oh you Okay? 47 00:02:00,600 --> 00:02:03,280 Speaker 2: Then you got someone standing by a creek. 48 00:02:05,480 --> 00:02:06,720 Speaker 3: That we go through photos. 49 00:02:06,800 --> 00:02:08,920 Speaker 2: I know how to go through photos. I'll open up 50 00:02:08,960 --> 00:02:09,880 Speaker 2: my photos for you. 51 00:02:10,080 --> 00:02:11,160 Speaker 3: Are we going to go through photo? 52 00:02:11,280 --> 00:02:12,600 Speaker 2: Well? I don't know what else to go through? 53 00:02:12,760 --> 00:02:14,079 Speaker 3: Okay, Well, I've got nothing else. 54 00:02:14,440 --> 00:02:20,079 Speaker 2: Okay, there, okay, just the last photos. 55 00:02:21,280 --> 00:02:24,720 Speaker 1: You've just got like a recipe for chocolate buckwheat and 56 00:02:24,800 --> 00:02:26,560 Speaker 1: salt Sea salt brownies. 57 00:02:26,600 --> 00:02:28,360 Speaker 2: I took that from the paper this morning. 58 00:02:28,400 --> 00:02:33,200 Speaker 1: Then you've got something from you've taken a screenshot of Twitter, yep. 59 00:02:33,440 --> 00:02:35,680 Speaker 1: And then you've got something from Julie Goodwin. 60 00:02:35,520 --> 00:02:40,239 Speaker 2: A recipe, a recipe and recipes, and another recipe. Pictures 61 00:02:40,280 --> 00:02:42,320 Speaker 2: of my animals. I've only got one. 62 00:02:42,320 --> 00:02:44,200 Speaker 3: And then a chicken and cheese strudal. Yeah. 63 00:02:44,240 --> 00:02:45,520 Speaker 2: That looks nice, doesn't it does? 64 00:02:46,840 --> 00:02:48,880 Speaker 3: And then now that's you're pretty boring. 65 00:02:48,919 --> 00:02:52,320 Speaker 2: Really well, let's see yours here. So it's just recipes 66 00:02:52,360 --> 00:02:56,440 Speaker 2: and usually recipes and street corners where I've parked my 67 00:02:56,520 --> 00:02:57,640 Speaker 2: car so I can remember. 68 00:02:57,760 --> 00:02:59,000 Speaker 3: And you've got a picture of that. 69 00:02:59,000 --> 00:03:01,040 Speaker 2: That's a that's a oh, that's a ken. 70 00:03:00,800 --> 00:03:03,040 Speaker 3: Doll sitting on a beach baky. 71 00:03:03,160 --> 00:03:06,120 Speaker 2: Yeah. You have here a picture of a book. Actually 72 00:03:06,120 --> 00:03:07,000 Speaker 2: I gave you that book. 73 00:03:07,440 --> 00:03:09,919 Speaker 3: That's a great book. By the way, I am pilgrim. 74 00:03:10,160 --> 00:03:11,400 Speaker 3: That is a page turn. 75 00:03:11,480 --> 00:03:14,280 Speaker 2: You've got a picture here of a beautiful vase full 76 00:03:14,280 --> 00:03:15,560 Speaker 2: of flowers. 77 00:03:15,120 --> 00:03:17,360 Speaker 3: Send from work, Candolan's flowers, thank you. 78 00:03:17,440 --> 00:03:20,519 Speaker 2: Yeah, picture of two surfboard. You're going to buy a 79 00:03:20,520 --> 00:03:21,200 Speaker 2: new surfboard. 80 00:03:21,280 --> 00:03:22,600 Speaker 3: Oh, yes, that's my new board. Yeah. 81 00:03:25,400 --> 00:03:27,160 Speaker 2: Picture of a house. You're going to buy a new house. 82 00:03:28,480 --> 00:03:30,160 Speaker 3: You are? 83 00:03:30,160 --> 00:03:35,480 Speaker 2: You buy a new investment property. Let's have a look. 84 00:03:35,480 --> 00:03:40,800 Speaker 2: It's got a for sale sign out of the front. Okay, Brendan, 85 00:03:40,960 --> 00:03:41,920 Speaker 2: how many would this be? 86 00:03:42,560 --> 00:03:43,120 Speaker 1: Just the. 87 00:03:46,000 --> 00:03:55,800 Speaker 2: Want your phone back? Wow, we've learnt so much. Amanda's