WEBVTT - FULL SHOW: MAFS Contracts & Duress Alarms

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<v Speaker 1>Are you ready? Good pickup with Britt Hockley and Laura Burn. Crady,

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<v Speaker 1>your worth, our windows done?

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<v Speaker 2>If my worries in the dust, only good, babug all down.

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<v Speaker 3>I don't much, but yeah I'm not.

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<v Speaker 1>I'll big get and what I want.

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<v Speaker 3>It don't matter where.

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<v Speaker 2>This is the pickup, Hi, guys, it's the pickup with

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<v Speaker 2>Brit Huckley and Laura Burn.

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<v Speaker 1>Happy Wednesday, Laura, you're not.

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<v Speaker 3>Feeling too crappy. I am on the hump.

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<v Speaker 2>Well well no, masters back hump day coming down the

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<v Speaker 2>other side.

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<v Speaker 3>No, because if you bear dromantics at home.

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<v Speaker 2>I know I'm very happy to have him home, but

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<v Speaker 2>unfortunately that has not been happening in our household.

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<v Speaker 1>So I didn't know this.

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<v Speaker 2>But if you fly back home from South Africa to Australia,

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<v Speaker 2>it is like the one place where you get the

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<v Speaker 2>worst jet lag. I can't sleep at nighttime. I'm sleeping

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<v Speaker 2>all afternoon. My kids are awake at ten pm, midnight,

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<v Speaker 2>one o'clock in the morning.

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<v Speaker 1>You did say loss the plot.

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<v Speaker 4>No, you said you vomited today. I don't think it's

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<v Speaker 4>jet lag. I think you've got a South African stomach bug.

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<v Speaker 4>I've got malaria. Everybody.

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<v Speaker 3>No, genuinely.

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<v Speaker 4>I mean I've had a lot of jet lag in

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<v Speaker 4>my life and I don't wake up vomiting.

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<v Speaker 2>No, that's true. I think the vomit bug has like

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<v Speaker 2>hit me for something else. But it has been a

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<v Speaker 2>wild few days. I'm hanging on by a thread.

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<v Speaker 4>I did have a mind a panic attack this morning

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<v Speaker 4>when Laura messaged and she's like, Hey, I'm really unwell,

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<v Speaker 4>like I'm vomiting and stuff in my head. I was like,

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<v Speaker 4>oh my god, am I gonna have to talk to

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<v Speaker 4>myself for an hour on radio?

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<v Speaker 1>I was like, am I gonna have a one way conversation?

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<v Speaker 3>Welcome back. It's the Britt Hockey Show. We do have

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<v Speaker 3>a very big show for you. Now.

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<v Speaker 2>You guys might have seen on I'm a Celebrity recently

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<v Speaker 2>Reggie Bird. She's one big Brother twice and she is

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<v Speaker 2>an absolute national treasure. We're going to have her on

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<v Speaker 2>the show shortly to talk to her. Now, you guys

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<v Speaker 2>are very well aware that I was a big fan

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<v Speaker 2>if I'm a celebrity this year. I watched every episode

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<v Speaker 2>this well, particularly I was on it last year.

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<v Speaker 1>Were you're not a fan last year? That's true, you

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<v Speaker 1>didn't even watch it last year.

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<v Speaker 5>I did.

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<v Speaker 3>I was a fan last year.

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<v Speaker 2>I'm particularly a fan this year because my husband Mattie

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<v Speaker 2>Jay was on the show. But we did meet another

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<v Speaker 2>celebrity again, Reggie Bird. Now Reggie Bird, she was the

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<v Speaker 2>winner of Big Brother. She's won two separate seasons and

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<v Speaker 2>I honestly felt, and I think most of Australia did,

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<v Speaker 2>that she was just such a standout in this season

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<v Speaker 2>of I'm a celeb and Reggie herself that she's vision

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<v Speaker 2>impaired and she is going blind, but she really rewrote

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<v Speaker 2>what it means to have a disability and to be

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<v Speaker 2>able to show up and still do everything that every

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<v Speaker 2>other person was able to do in that campsite, and

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<v Speaker 2>it was so inspirational. I loved every moment that she

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<v Speaker 2>was on the screen, and we have her on the show. Reggie,

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<v Speaker 2>welcome to the pickup.

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<v Speaker 6>Oh thank you for having me.

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<v Speaker 2>Guys, how are you feeling now that you're at home

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<v Speaker 2>and you're back to normal life? Are you missing the

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<v Speaker 2>jungle or are you happy to be out of that

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<v Speaker 2>hell hole?

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<v Speaker 5>Oh?

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<v Speaker 6>Look, it is good to be back in your comfort.

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<v Speaker 6>What is it creature comforts or whatever it's called. But

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<v Speaker 6>I am missing everyone Thoughgi.

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<v Speaker 4>Do you think it was harder or easier than you anticipated?

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<v Speaker 6>Easier than what I've thought, Yes, because my past experience

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<v Speaker 6>of being on Big Brother and doing you know, I

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<v Speaker 6>spent what three months in Big Brother and being in

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<v Speaker 6>there for a month was a breeze for me, Reggie.

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<v Speaker 6>But not doing those challenges though, Oh.

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<v Speaker 3>Yeah, you looked pretty upset when you had to eat

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<v Speaker 3>that Kale. Reggie.

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<v Speaker 2>I'm not going to lie, but you spoke so beautifully

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<v Speaker 2>about well about so many things actually, but one thing

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<v Speaker 2>in particular is what you were going through with being

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<v Speaker 2>vision impaired. And I don't want to say it wrong,

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<v Speaker 2>but is it retinitis pigments? Is that the retais pigmentosa pigmentosa?

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<v Speaker 2>And can you describe to us, like what does that

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<v Speaker 2>mean in terms of what's happening with your vision? Because

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<v Speaker 2>you can still see a little bit, but you can't

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<v Speaker 2>see as well as what you were able to.

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<v Speaker 4>No.

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<v Speaker 6>So, because I've just got nine degrees of pinhole vision

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<v Speaker 6>and I explained to people it's just like looking through

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<v Speaker 6>a straw.

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<v Speaker 4>Is that going to stay like that going to deteriorate completely?

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<v Speaker 3>Yeah?

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<v Speaker 6>Yeah, So they said to me, you've got a fifteen

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<v Speaker 6>year time frame before you'll totally lose all your side.

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<v Speaker 6>So I'm just very thankful that of what I've got left.

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<v Speaker 6>That's why I just make the most of everything in life,

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<v Speaker 6>because one day I am going to wake up and

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<v Speaker 6>never ever see anything ever again.

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<v Speaker 2>You were such an inspiration on the show, and I think,

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<v Speaker 2>I mean, I can only imagine the questions you would

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<v Speaker 2>have had about going in there and doing that show.

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<v Speaker 2>Like everybody has reservations about doing it, but going in

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<v Speaker 2>and doing that show without being able to see there

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<v Speaker 2>must have been an additional pressure or fear factor there

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<v Speaker 2>for you.

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<v Speaker 3>Yeah.

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<v Speaker 6>Well I was shit scared anyway going in, especially you know,

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<v Speaker 6>because I'm petrified of everything, you know, especially the height, spiders, bags, snakes.

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<v Speaker 6>I only have one really good night sleeping there, because

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<v Speaker 6>every night I'd sit there just worrying about a spider

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<v Speaker 6>or some I'm all coming to get me because I

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<v Speaker 6>can't see the dak at all, Like I've got no

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<v Speaker 6>night vision at all.

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<v Speaker 2>You had a really beautiful conversation with Matt at one

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<v Speaker 2>point in the show, and he asked you what it

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<v Speaker 2>was if you're going to miss the most when you

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<v Speaker 2>when you lose your vision and you said it was

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<v Speaker 2>seeing your kids, and I think every single parent.

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<v Speaker 1>I'm not even a parent, and I upsets me.

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<v Speaker 2>It's just I mean, how do your kids, I mean

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<v Speaker 2>they understand what's happening. Obviously me is a little bit older,

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<v Speaker 2>but how do they respond to this?

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<v Speaker 6>Yeah, look to them as they've got older. That helped

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<v Speaker 6>me a lot, and I guess that's all they've ever

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<v Speaker 6>known with me. So yeah, I'm going to miss their

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<v Speaker 6>faces for sure when I lose my sight. Yeah, that's

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<v Speaker 6>the biggest thing.

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<v Speaker 4>People really have no excuse to complain about that jungle

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<v Speaker 4>again if.

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<v Speaker 3>You have got in there.

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<v Speaker 1>I mean like when I was in there, the people

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<v Speaker 1>complaining left, right and center.

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<v Speaker 4>Oh, we didn't get any mengo tonight, we didn't get avocado.

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<v Speaker 2>And the worst thing is Reggie didn't koo for a

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<v Speaker 2>whole week. I got in there and she was like,

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<v Speaker 2>I'll I gone to the toilet over a week, But

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<v Speaker 2>like you to.

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<v Speaker 4>Go and navigate that the way you have, Reggie, It's

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<v Speaker 4>like you've just won over so many hearts in Australia.

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<v Speaker 1>I know that.

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<v Speaker 4>I hope you know that by now, but you really have.

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<v Speaker 6>Oh I thank you. Yeah, today it's the first day

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<v Speaker 6>I've actually got on and looked at my social media,

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<v Speaker 6>so oh man, there's some horrible comments as well out there.

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<v Speaker 6>I'm just like wow, especially about my eyesight, because you

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<v Speaker 6>know a lot of people saying she's faking ith right,

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<v Speaker 6>she's in there for sympathy, you know, it's just fall

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<v Speaker 6>on and I just thinking, Wow, there's so many people

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<v Speaker 6>just are so quick to judge, and if they spend

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<v Speaker 6>to day in my shoes, they would understand how I

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<v Speaker 6>get about Reggie.

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<v Speaker 2>I'm so sorry that you have to put up with

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<v Speaker 2>that type of commentary because all it really shows is

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<v Speaker 2>that there is such a lack of understanding around what

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<v Speaker 2>constitutes blindness, and people think it's black or white.

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<v Speaker 3>You can see all you can't see. Nah, we're being

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<v Speaker 3>too lean on them.

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<v Speaker 4>There just trolls their bully. There's not the lack of

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<v Speaker 4>education about what happens with blindness.

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<v Speaker 3>That's not it at all.

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<v Speaker 4>All I can say to you, Reggie is someone that

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<v Speaker 4>has been in that reality world many many times. You

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<v Speaker 4>will hold on to the negative things that people write

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<v Speaker 4>to you, but try to ignore it and look at

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<v Speaker 4>how much support and love and all the beautiful comments

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<v Speaker 4>you've got. Because the negative comments stand out, but I

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<v Speaker 4>would hate for you to go through this experience and

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<v Speaker 4>you listen to these keyboard warriors like please don't yeah, weird,

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<v Speaker 4>do all you?

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<v Speaker 3>Reggie?

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<v Speaker 4>Yeah?

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<v Speaker 6>Yeah, my sisters, she can't stop reading.

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<v Speaker 2>It as right, She's right, Reggie. We absolutely adore you.

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<v Speaker 2>Congratulations on everything and for coming so incredibly close to

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<v Speaker 2>getting the crown.

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<v Speaker 3>We're just so sooked.

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<v Speaker 5>It was.

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<v Speaker 4>Now, Laura, I know you usually every single year are

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<v Speaker 4>so up to date on Maths.

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<v Speaker 3>You are sick for it.

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<v Speaker 1>I am getting up to date now.

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<v Speaker 2>Yeah, I've missed a few episodes, but now I'm like

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<v Speaker 2>I'm in there.

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<v Speaker 4>Every year you think that the show can't be more rogue,

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<v Speaker 4>or go more wild, or be more dramatic or more

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<v Speaker 4>con traversial, and every year they never cease to surprise us.

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<v Speaker 3>It gets worse.

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<v Speaker 1>Well, there's a bit of a like mass Maths mutiny

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<v Speaker 1>being described. I couldn't think of the word mutiny.

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<v Speaker 4>Thanks, you're welcome back thinking of mutiny teenage mutant in journals.

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<v Speaker 1>So there's a Maths. Thanks for telling us you're running

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<v Speaker 1>internal monologue Britain.

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<v Speaker 3>That was my total.

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<v Speaker 4>There's a mass mutiny going on, and one of the

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<v Speaker 4>contestants from last year's season, Ben Walters.

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<v Speaker 3>If you remember, he was married.

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<v Speaker 1>To Ellie Dix. So he's basically come out. Is that right?

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<v Speaker 1>Why are you last funny?

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<v Speaker 3>Last name? She's a great Dix d i X. You're

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<v Speaker 3>so immature.

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<v Speaker 1>She thinks it's funny because she's a lesbian.

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<v Speaker 4>So he's basically come out, and he's sharing on TikTok.

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<v Speaker 3>He's sharing his contracts.

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<v Speaker 4>So you're supposed to sign your life away, but you're

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<v Speaker 4>also not supposed to share the details around it.

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<v Speaker 2>Well, part of the signing of the contract is that

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<v Speaker 2>you will not talk about the signing of the contract,

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<v Speaker 2>like the contract itself has an NDA around it.

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<v Speaker 3>Oh yeah, well he is giving no beeps. Have a listen.

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<v Speaker 7>There is a Meretipase site mutiny going on right now,

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<v Speaker 7>and to help their cause, I'm going to expose some

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<v Speaker 7>of the juiciest parts of the metipase site contract they

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<v Speaker 7>would have signed. These lies are my favorites to include

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<v Speaker 7>any such information material, appearance depiction, portrayal, action or statement

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<v Speaker 7>by the program and skipping on a point B transmit

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<v Speaker 7>otherwise exploit the program material or advertisements containing such information, appearance, depiction, betrayal,

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<v Speaker 7>action or statement in edited in any way, shape or

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<v Speaker 7>form they bloody want. In other words, if it's out

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<v Speaker 7>of context, they can snip it up for dramatic effect.

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<v Speaker 2>Okay, look, I have conflicting feelings about this. Partly, I

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<v Speaker 2>think it's it is unfair for a production company to

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<v Speaker 2>completely misconstrue or completely take out of context something that

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<v Speaker 2>you do or say. But I also think if you're

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<v Speaker 2>signing up to a show like Maths and you're signing

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<v Speaker 2>that contract, like you read the contract, you know that

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<v Speaker 2>it's a possibilit that they're gonna do those things. Why

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<v Speaker 2>is it that when they do them, you're so surprised

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<v Speaker 2>and so angry? Like it happens every year, it's discussed

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<v Speaker 2>every year. Shouldn't we, as contestants on these shows, take

0:10:11.559 --> 0:10:13.679
<v Speaker 2>some agency that maybe the way that we're going to

0:10:13.720 --> 0:10:15.079
<v Speaker 2>be portrayed is not desirable.

0:10:15.240 --> 0:10:16.040
<v Speaker 3>I feel the same way.

0:10:16.080 --> 0:10:17.960
<v Speaker 4>It was the same contract for us on The Bachelor,

0:10:18.040 --> 0:10:20.440
<v Speaker 4>Like we signed literally almost the exact same thing, and

0:10:20.480 --> 0:10:23.520
<v Speaker 4>I remember thinking like, wow, like they're gonna own.

0:10:23.320 --> 0:10:24.599
<v Speaker 3>Me, they can do whatever they want with me, but

0:10:24.679 --> 0:10:25.680
<v Speaker 3>they're going to destroy me.

0:10:25.920 --> 0:10:28.240
<v Speaker 4>But then I remember like looking up to my imaginary

0:10:28.240 --> 0:10:29.800
<v Speaker 4>future bubb when I was like, well, I'm gonna take

0:10:29.800 --> 0:10:31.400
<v Speaker 4>the risk that I will fall.

0:10:31.240 --> 0:10:33.200
<v Speaker 1>On the fifty percent of the good edit and not

0:10:33.240 --> 0:10:33.800
<v Speaker 1>the bad edit.

0:10:33.840 --> 0:10:36.160
<v Speaker 4>Like this part of you that thinks when you go

0:10:36.280 --> 0:10:39.920
<v Speaker 4>into these situations that if you know you're a good person,

0:10:40.080 --> 0:10:42.040
<v Speaker 4>you think that they're going to see that and they

0:10:42.080 --> 0:10:43.120
<v Speaker 4>won't give you the bad edit.

0:10:43.160 --> 0:10:44.200
<v Speaker 3>But it doesn't work like that.

0:10:44.360 --> 0:10:47.160
<v Speaker 4>Sometimes good people get a bad edit. But at the

0:10:47.240 --> 0:10:50.480
<v Speaker 4>end of the day, does this contract suck? Absolutely? Is

0:10:50.480 --> 0:10:52.400
<v Speaker 4>it wrong that they can manipulate the situation?

0:10:52.559 --> 0:10:52.800
<v Speaker 3>Yes?

0:10:53.200 --> 0:10:55.280
<v Speaker 1>Did you read sign and agree to it?

0:10:55.600 --> 0:10:58.000
<v Speaker 3>Yes? Like you did that? I mean, I know, I said.

0:10:58.000 --> 0:10:59.800
<v Speaker 2>I feel fifty fifty about the contraction in itself, but

0:11:00.080 --> 0:11:02.280
<v Speaker 2>also feel a bit fifty to fifty about this whole.

0:11:02.040 --> 0:11:05.000
<v Speaker 1>Idea that, like, really good people can get bad edits.

0:11:05.400 --> 0:11:07.760
<v Speaker 2>I think that there are enough people on these shows

0:11:08.200 --> 0:11:12.640
<v Speaker 2>that are behaving pretty poorly, that have questionable behavior or

0:11:12.679 --> 0:11:16.160
<v Speaker 2>say questionable things that they don't need to make really

0:11:16.280 --> 0:11:19.360
<v Speaker 2>nice upstanding, Like people who don't step out of line

0:11:19.440 --> 0:11:20.280
<v Speaker 2>look like assholes.

0:11:20.320 --> 0:11:21.040
<v Speaker 1>I don't think they do.

0:11:21.240 --> 0:11:23.600
<v Speaker 4>Yes, I do agree that it's harder to make a

0:11:23.640 --> 0:11:25.280
<v Speaker 4>really good person have an.

0:11:25.360 --> 0:11:26.760
<v Speaker 1>Entirely bad edit.

0:11:26.960 --> 0:11:29.360
<v Speaker 4>There's obviously moments that they can make look bad. And

0:11:29.400 --> 0:11:31.040
<v Speaker 4>I've seen it happen to people I know. I've seen

0:11:31.080 --> 0:11:34.040
<v Speaker 4>it happen to myself. I know it can happen. But

0:11:34.120 --> 0:11:36.760
<v Speaker 4>I do know a producer that has worked on Maths,

0:11:36.880 --> 0:11:39.280
<v Speaker 4>and I have had conversations with them where they've said,

0:11:39.360 --> 0:11:43.600
<v Speaker 4>sometimes it's infuriating because the worst person on that show,

0:11:43.679 --> 0:11:46.600
<v Speaker 4>the biggest bully, gets the really good edit, and sometimes

0:11:46.640 --> 0:11:47.920
<v Speaker 4>it's hard for them to sit back and.

0:11:47.880 --> 0:11:49.079
<v Speaker 3>Watch when they're that's interesting.

0:11:49.240 --> 0:11:51.520
<v Speaker 4>Yeah, Like sometimes it's like that person shouldn't have got

0:11:51.520 --> 0:11:54.160
<v Speaker 4>the edit that they got. And sometimes the better people

0:11:54.400 --> 0:11:56.640
<v Speaker 4>maybe they were a good person but boring or not

0:11:56.720 --> 0:11:58.880
<v Speaker 4>good content. So they're like, well, what, you can't be

0:11:58.920 --> 0:12:00.680
<v Speaker 4>the hero of the show because you don't give enough.

0:12:00.720 --> 0:12:01.680
<v Speaker 3>So there are so.

0:12:01.600 --> 0:12:04.199
<v Speaker 2>Many can we get that producer on the show? No

0:12:04.400 --> 0:12:06.120
<v Speaker 2>tell us who the biggest bully was.

0:12:06.200 --> 0:12:07.199
<v Speaker 3>I can tell you off air.

0:12:09.840 --> 0:12:13.480
<v Speaker 1>I think you already know. The other day, I've been

0:12:13.559 --> 0:12:14.600
<v Speaker 1>meaning to tell you this story.

0:12:14.920 --> 0:12:18.720
<v Speaker 3>I know, I have been waiting with baited breath. You're like,

0:12:18.800 --> 0:12:19.640
<v Speaker 3>oh wait till I tell you.

0:12:19.800 --> 0:12:21.600
<v Speaker 1>I'm worried because it's actually not that good.

0:12:21.679 --> 0:12:23.760
<v Speaker 3>But I've really built it up so ran.

0:12:23.640 --> 0:12:25.079
<v Speaker 1>This is the best story to ever land on the

0:12:25.120 --> 0:12:25.560
<v Speaker 1>pick up.

0:12:26.000 --> 0:12:28.360
<v Speaker 2>It's not, but it did get me into so much trouble.

0:12:28.440 --> 0:12:32.000
<v Speaker 2>So last week you left after work and like we

0:12:32.040 --> 0:12:35.040
<v Speaker 2>all said, goodbye, kiss, kiss, kiss, lovely day, enjoy everyone,

0:12:35.160 --> 0:12:37.240
<v Speaker 2>have a great weekend as we kiss goodbye every day

0:12:37.320 --> 0:12:40.520
<v Speaker 2>and always hug, and you left. You were out of here,

0:12:40.600 --> 0:12:43.000
<v Speaker 2>and I walked out, but I realized I'd forgotten something

0:12:43.000 --> 0:12:45.280
<v Speaker 2>that I needed. I'd forgotten my handbag, and like we

0:12:49.480 --> 0:12:51.440
<v Speaker 2>something that I needed is in like I forgot that

0:12:51.520 --> 0:12:57.120
<v Speaker 2>letter I needed to post your entire handbag. That does

0:12:57.160 --> 0:13:00.160
<v Speaker 2>not surprise you about me, does it. The thing is

0:13:00.240 --> 0:13:02.320
<v Speaker 2>so like we obviously finish at four o'clock.

0:13:02.480 --> 0:13:05.920
<v Speaker 4>My shoes I was halfway to the cars and my

0:13:05.960 --> 0:13:06.640
<v Speaker 4>pants went on.

0:13:08.880 --> 0:13:11.280
<v Speaker 2>So we finish at four o'clock, which means, like most

0:13:11.320 --> 0:13:13.640
<v Speaker 2>other people in the building are still working right like

0:13:14.040 --> 0:13:16.120
<v Speaker 2>you know, people are having meetings and whatnot, and we

0:13:16.160 --> 0:13:18.600
<v Speaker 2>work in a very busy, very tall building.

0:13:18.640 --> 0:13:22.360
<v Speaker 1>There are many offices in this building, seventeen floors, yes,

0:13:22.440 --> 0:13:23.280
<v Speaker 1>seventeen floors.

0:13:23.600 --> 0:13:25.880
<v Speaker 2>So anyway, I was like, oh my god, my handbag,

0:13:25.920 --> 0:13:27.880
<v Speaker 2>I need that. So I tried to get back into

0:13:27.880 --> 0:13:29.320
<v Speaker 2>the studio, but you know.

0:13:29.480 --> 0:13:31.040
<v Speaker 1>I also don't have a fob.

0:13:31.280 --> 0:13:32.400
<v Speaker 3>You always lose your.

0:13:32.360 --> 0:13:33.960
<v Speaker 2>Key to get in y so we have these little

0:13:34.000 --> 0:13:36.880
<v Speaker 2>security tags that you buzz to get back into the studios.

0:13:37.080 --> 0:13:40.760
<v Speaker 1>Fob was right, Yes, I don't have one. You had one.

0:13:40.840 --> 0:13:43.880
<v Speaker 2>Three days I went to the front desk and there

0:13:43.880 --> 0:13:45.440
<v Speaker 2>was no one at the front desk, and I was like,

0:13:45.520 --> 0:13:47.800
<v Speaker 2>how am I going to get around these caves.

0:13:47.800 --> 0:13:48.960
<v Speaker 3>Where this is gone?

0:13:49.760 --> 0:13:52.800
<v Speaker 2>So the woman at the front desk always just presses

0:13:52.800 --> 0:13:54.440
<v Speaker 2>a button and the door opens for me.

0:13:54.960 --> 0:13:57.360
<v Speaker 1>So I was like, how hard can it possibly be?

0:13:57.720 --> 0:13:58.040
<v Speaker 3>Magic?

0:13:58.840 --> 0:14:03.440
<v Speaker 2>So I a button. Nothing happened, So I pressed it again.

0:14:04.240 --> 0:14:05.040
<v Speaker 2>Nothing happened.

0:14:05.360 --> 0:14:06.480
<v Speaker 3>So I pressed another button.

0:14:07.360 --> 0:14:13.040
<v Speaker 2>Nothing happened, and then out comes running, out comes running one.

0:14:12.960 --> 0:14:16.440
<v Speaker 1>Of our bosses, and he's like, who's in duress?

0:14:17.400 --> 0:14:18.319
<v Speaker 3>And I was like what?

0:14:18.640 --> 0:14:21.240
<v Speaker 2>And then I realized that I had set off the

0:14:21.360 --> 0:14:24.680
<v Speaker 2>duress button across the entire building.

0:14:24.560 --> 0:14:26.160
<v Speaker 3>And everyone was running around.

0:14:26.200 --> 0:14:29.720
<v Speaker 2>I'm talking like every single radio network, the duress button's

0:14:29.720 --> 0:14:32.320
<v Speaker 2>going off, every single floor, the duress button's going on.

0:14:32.480 --> 0:14:35.960
<v Speaker 1>I just need my hand Baddy, like I'm having a problem.

0:14:35.960 --> 0:14:36.960
<v Speaker 3>Woke up on my head, but.

0:14:37.160 --> 0:14:40.280
<v Speaker 2>I'm in dressed because my pants are still inside the

0:14:40.320 --> 0:14:42.600
<v Speaker 2>problem is though, the woman who works at the front

0:14:42.640 --> 0:14:44.880
<v Speaker 2>desk has never ever had to press the gyress button,

0:14:45.080 --> 0:14:46.760
<v Speaker 2>so she didn't know where the key.

0:14:46.680 --> 0:14:47.520
<v Speaker 3>Was to stop it.

0:14:47.760 --> 0:14:49.880
<v Speaker 2>So the duress button went on, and it went on,

0:14:50.040 --> 0:14:52.480
<v Speaker 2>and then people arrived to try and save me. And

0:14:52.880 --> 0:14:55.360
<v Speaker 2>so I was down here collecting my handbag and our

0:14:55.400 --> 0:14:59.680
<v Speaker 2>bosses came down and was like, you.

0:14:58.800 --> 0:14:59.920
<v Speaker 3>Pressed that button?

0:15:00.120 --> 0:15:00.240
<v Speaker 6>Was it?

0:15:00.360 --> 0:15:01.520
<v Speaker 1>Tony?

0:15:02.120 --> 0:15:04.280
<v Speaker 2>I got in big trouble and I had to beg

0:15:04.320 --> 0:15:05.000
<v Speaker 2>for forgiveness.

0:15:05.080 --> 0:15:10.240
<v Speaker 4>That is actually so much funny, Yes, producing grace, I.

0:15:10.280 --> 0:15:12.520
<v Speaker 5>Was saying, I got an email from someone in HR

0:15:12.600 --> 0:15:13.400
<v Speaker 5>THOUGH about this.

0:15:13.880 --> 0:15:14.680
<v Speaker 3>What do they say?

0:15:14.960 --> 0:15:17.080
<v Speaker 5>And they were like, you know what is a beautiful

0:15:17.120 --> 0:15:19.680
<v Speaker 5>silver lining of this. We've done drills. We've had people

0:15:19.760 --> 0:15:21.920
<v Speaker 5>like go, hey, I'm pressing the duress button. Here's how

0:15:21.920 --> 0:15:23.960
<v Speaker 5>you have to respond. We've never had an idiot press

0:15:24.000 --> 0:15:26.280
<v Speaker 5>it for air. But they got to see that everyone

0:15:26.320 --> 0:15:28.360
<v Speaker 5>actually actually know they don't know what to do.

0:15:28.640 --> 0:15:31.680
<v Speaker 1>No, would you want person in this building?

0:15:31.800 --> 0:15:31.840
<v Speaker 5>You?

0:15:31.960 --> 0:15:34.040
<v Speaker 1>Well, now they do, so that's good.

0:15:34.320 --> 0:15:34.560
<v Speaker 3>Wow.

0:15:34.720 --> 0:15:36.520
<v Speaker 4>I'd be concerned that the only person that came to

0:15:36.560 --> 0:15:37.600
<v Speaker 4>save me from in dress was that.

0:15:38.560 --> 0:15:40.520
<v Speaker 1>I'd be like, sorry, is there someone more equipped?

0:15:41.240 --> 0:15:43.040
<v Speaker 4>Like not that I don't want your help, but like

0:15:43.040 --> 0:15:45.280
<v Speaker 4>if you guse someone might have some creditation.

0:15:45.560 --> 0:15:48.080
<v Speaker 2>Yeah, anyway, it was bad, It was really bad. But

0:15:48.120 --> 0:15:49.840
<v Speaker 2>I'm really glad that I helped out HR with that.

0:15:49.960 --> 0:15:52.120
<v Speaker 2>They're welcome. They should thank me, send me that email.

0:15:52.240 --> 0:15:55.080
<v Speaker 1>But was it a silent and level or the whole building?

0:15:55.480 --> 0:15:56.960
<v Speaker 1>Why did you press it three times?

0:15:56.960 --> 0:15:57.160
<v Speaker 7>Then?

0:15:57.200 --> 0:15:58.440
<v Speaker 3>Why did you keep pressing it?

0:15:58.520 --> 0:16:00.120
<v Speaker 2>Because I was like, surely one of these is going

0:16:00.200 --> 0:16:03.000
<v Speaker 2>to open the door, like rest everyone.

0:16:04.760 --> 0:16:05.920
<v Speaker 5>Like a child.

0:16:06.120 --> 0:16:08.920
<v Speaker 1>You are, Actually it is actually so funny.

0:16:09.160 --> 0:16:11.080
<v Speaker 3>Alright, guys, well look we've got to go home. I'm

0:16:11.120 --> 0:16:11.600
<v Speaker 3>in duress.