WEBVTT - Getting nailed 🔩

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<v Speaker 1>Hello, it's me Artsimone.

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<v Speaker 2>I had this grand idea to speak with the most regular,

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<v Speaker 2>very normal, and painfully ordinary people. Boring that's what they

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<v Speaker 2>seem like from first glance or first listen. But really

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<v Speaker 2>they are concealing something from us. It might be a

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<v Speaker 2>naughty secret, the most bizarre profession you've ever heard of,

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<v Speaker 2>or a hobby that will make you go, how the

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<v Speaker 2>bloody hell did they get into that? And it gets

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<v Speaker 2>even better because I have no idea who these people

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<v Speaker 2>are or what they're keeping concealed. I've got to do

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<v Speaker 2>a bit of detective work to figure it out for us.

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<v Speaker 2>Welcome to Concealed with Art Simone. Oh that's the guest,

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<v Speaker 2>get that type rolling.

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<v Speaker 3>Hey, I'm Anthony. I am from the Gold Coast and

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<v Speaker 3>I used to be a carpenter, so outside of my work,

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<v Speaker 3>I am a very keen surfer. Keen not necessarily good,

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<v Speaker 3>but I am keening and also proud father to two wonderful,

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<v Speaker 3>wonderful little girls. But there is a secret that I

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<v Speaker 3>don't think Art Simone's going to get about me because

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<v Speaker 3>it's not the kind of thing that you would hear

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<v Speaker 3>in everyday conversation.

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<v Speaker 1>How are you going, Anthony, very good.

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<v Speaker 3>How are you.

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<v Speaker 2>I'm doing very well. That would love you to meet you.

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<v Speaker 2>Where are you streaming in from today?

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<v Speaker 3>I am on the sunny Gold Coast.

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<v Speaker 1>Oh, I'm so jealous.

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<v Speaker 2>I love the Gold Coast only because it's just so

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<v Speaker 2>disgustingly tacky and so am I.

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<v Speaker 1>I love every single bit of it.

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<v Speaker 2>Get me down Cavil Avenue with all the drunk bitches

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<v Speaker 2>hanging out in front of the McDonald's, or you know,

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<v Speaker 2>just Oh, I love it.

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<v Speaker 1>I love it. I've got a star casino, spend lots

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<v Speaker 1>of money.

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<v Speaker 3>That's pretty humid. Now that's gonna play havoc with your hair.

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<v Speaker 2>Well, the good news for you is my hair is plastic,

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<v Speaker 2>so it'll survive. I'm going to describe you are very

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<v Speaker 2>clean cut, good looking guy. You're in a nice at

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<v Speaker 2>the moment. You're well kept, but slightly generic.

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<v Speaker 3>Maybe I've done this on purpose. Maybe I'm trying to

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<v Speaker 3>throw you off the same.

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<v Speaker 2>Well, I'm just I'm just trying to say there's nothing

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<v Speaker 2>like strange or like interesting to describe about you. You're

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<v Speaker 2>just like a nice looking person. Let me throw the

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<v Speaker 2>ball back in your court. There's a lot more to

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<v Speaker 2>describe on your screen. What you're looking at, isn't this?

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<v Speaker 3>There's glits and glamour and shiny stuff and hair and makeup.

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<v Speaker 2>Everywhere exactly, so please, I'm not being rude. I'm just

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<v Speaker 2>calling it as I sees it, all right, all right,

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<v Speaker 2>So yeah, surfing.

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<v Speaker 1>You'd like to say, so you'd like to keep fit?

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<v Speaker 1>Is that your like exercise?

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<v Speaker 3>Yeah? That is my main form of back side be

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<v Speaker 3>a very active person, like to be like to be

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<v Speaker 3>out and about, like to be doing stuff.

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<v Speaker 2>I'm running busy bee down all right, busy bee. Okay,

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<v Speaker 2>all right, you've got two kids. That's lovely. And you

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<v Speaker 2>used to be a carpenter, so you're good with wood.

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<v Speaker 3>I I am good with the wood.

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<v Speaker 2>I'm just I'm just checking, okay. And how long did

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<v Speaker 2>you carpenter for the carp and teer?

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<v Speaker 1>What's the word?

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<v Speaker 3>How long did I mess around with wood for? Is

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<v Speaker 3>the question? Yes? Ask So I started my own business

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<v Speaker 3>when I was twenty one back in the UK. So

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<v Speaker 3>had the business for about six or seven years, and

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<v Speaker 3>then then that I went belly up.

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<v Speaker 2>Oh okay, so it didn't go well, Okay, failed business.

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<v Speaker 1>Writing that down as well.

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<v Speaker 2>Okay, I'm going to ask you three questions, and from

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<v Speaker 2>the answers to those three questions, I have to try

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<v Speaker 2>and work out what it is you're concealing from me.

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<v Speaker 2>So question number one, do you speak any other languages?

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<v Speaker 3>So? I kind of do so. When I was at school,

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<v Speaker 3>I learned German, so I speak a very small amount

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<v Speaker 3>of German. If you know any German, don't start speaking

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<v Speaker 3>to me in German because I won't be able to

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<v Speaker 3>interpret what you say. There is another language that I understand. However,

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<v Speaker 3>if I tell you, it might give a little bit

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<v Speaker 3>too much away, so I'm still going to keep it

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<v Speaker 3>a secret.

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<v Speaker 2>I reckon you can talk Simlish. I reckon, that's what

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<v Speaker 2>it is. That's what you're hiding from me. Simlish. Yeah,

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<v Speaker 2>it's what they speak on the sims the video game.

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<v Speaker 1>I reckon.

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<v Speaker 2>You're like, oh what Similish, no idea, But secretly you're

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<v Speaker 2>like habadu badabad sababat okay. Question number two are you

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<v Speaker 2>skeptical about anything?

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<v Speaker 3>Yes, I am skeptical about some things, one of them

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<v Speaker 3>specifically being I'm quite skeptical of I suppose the psychic realm.

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<v Speaker 3>But I like to say I'm curiously skeptical, So I'm

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<v Speaker 3>not a hard skeptic, whereas I'm curiously skeptical, so I'd

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<v Speaker 3>say no way, but show me some proof and I

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<v Speaker 3>might go along with it.

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<v Speaker 2>Your psychic world, okay, well, I've met a lot of

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<v Speaker 2>psychos in my life so and I've had no problem.

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<v Speaker 3>With them, So slightly different world. But the.

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<v Speaker 1>Third question I have for you is what would your

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<v Speaker 1>superpower be?

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<v Speaker 3>Am I only allowed one? Or can I have two? Yeah?

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<v Speaker 1>You can have two, that's all right.

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<v Speaker 3>Yeah. One of them would be to be able to

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<v Speaker 3>read people's minds, and then the other one would be

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<v Speaker 3>I reckon, be really cool if you could stop time?

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<v Speaker 1>Stop it? Do you want the day to be any longer?

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<v Speaker 1>Can you please?

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<v Speaker 2>You're just going to look older quicker than other people.

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<v Speaker 2>We don't want that, all right.

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<v Speaker 3>Let's can I let me put a tweak on my superpart. Yes,

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<v Speaker 3>I can freeze time and freeze aging without the use

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<v Speaker 3>of any botox.

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<v Speaker 1>That's agreed.

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<v Speaker 2>All right, that's fun then, Okay, as long as I'm

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<v Speaker 2>happy to get wiser, just not older visually. Okay, I

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<v Speaker 2>think I've hit my peak and it's all downhill from now. Okay,

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<v Speaker 2>let's recap failed business.

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<v Speaker 3>Let's recap nothing interesting about this guy visually wonderful picture

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<v Speaker 3>of him on this podcast.

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<v Speaker 1>Actually this is the joy of the podcast.

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<v Speaker 2>Okay, you just you know, you never know what's going

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<v Speaker 2>to come out of my mouth. So no see from

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<v Speaker 2>the Gold Coast former carpenter went tits up.

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<v Speaker 1>Two kids like to serve. So you're active, good for you,

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<v Speaker 1>busybody like that.

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<v Speaker 2>You can almost speak a bit of German, but then

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<v Speaker 2>you can also understand another language that you can't tell

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<v Speaker 2>me simlish clearly. Okay, you're skeptical of the psychic realm,

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<v Speaker 2>yet you want to read people's minds. I'm just you

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<v Speaker 2>are just really challenging me today, aren't you, Anthony.

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<v Speaker 1>Okay, so.

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<v Speaker 2>I'm going to say that you have actually you've put

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<v Speaker 2>up a few of these things to like throw me

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<v Speaker 2>off the sand. But I reckon you are the inventor

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<v Speaker 2>of the SIMS. I reckon you like work in computer computers.

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<v Speaker 2>That's why, like your setup's really nice today, and you

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<v Speaker 2>you're like actually a secret computer nerd and you invented

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<v Speaker 2>the SIMS and simlish, am I right?

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<v Speaker 3>No? And I'm a friend. You put me down, and

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<v Speaker 3>you've now even referred to me as a.

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<v Speaker 1>Nerd computer nerd it's a difference.

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<v Speaker 3>But you're wrong. I'm a mentalist, which means that I

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<v Speaker 3>read people's minds for a living. So I've been a

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<v Speaker 3>mentalist for or just over twenty years. Got into it

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<v Speaker 3>through doing magic and got more interested in the human

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<v Speaker 3>mind and the way that it works. A mentalist indeed,

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<v Speaker 3>a mentalist?

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<v Speaker 1>What the facts are? Mentalist? Ah?

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<v Speaker 2>So Anthony is not the inventor of simlish. No, he

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<v Speaker 2>is a mentalist, and I have no idea what the

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<v Speaker 2>hell that is. It just sounds like something my mum

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<v Speaker 2>would call me, Mom.

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<v Speaker 1>Are you listening? All right? We have just met Anthony

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<v Speaker 1>and I found out he is a mentalist.

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<v Speaker 2>Anthony, what the fuck is a mentalist? Please tell me?

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<v Speaker 2>I want to know. I want to know.

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<v Speaker 3>I describe it as I lie for a living, and

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<v Speaker 3>I lie by pretending to be psychic. Can'ce the reason

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<v Speaker 3>why I'm skeptical about the psychic industry because I give

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<v Speaker 3>the illusion of being able to possess psychic powers when

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<v Speaker 3>I know that there's a method behind what I'm doing.

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<v Speaker 3>The way that I like to say is you've got

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<v Speaker 3>magic and hypnosis, and mentalism sort of lives in the

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<v Speaker 3>middle of those two things. So no one goes to sleep,

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<v Speaker 3>and well, at least I hope no one goes to

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<v Speaker 3>sleep in my show. So it's not a hypnosis show,

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<v Speaker 3>but it's not so much a sleight of hand show.

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<v Speaker 3>It's more of using the people as the props. And

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<v Speaker 3>this is the reason why I say that I'm not psychickers,

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<v Speaker 3>because there is a method to everything that I do. Yes,

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<v Speaker 3>it's just the fun that is trying to work out

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<v Speaker 3>what that method is. Is it misdirection, is it some

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<v Speaker 3>sort of linguistic thing that I've said, Is it that

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<v Speaker 3>I'm reading the other person. There's all these different things

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<v Speaker 3>going on, and I think that's what makes it so

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<v Speaker 3>interesting for an audience because they don't ever quite know.

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<v Speaker 1>So what do you exactly do?

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<v Speaker 2>So if I'm at a conference and Anthony you come

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<v Speaker 2>out and go, hello, I'm your mentalist today, what happens?

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<v Speaker 3>It depends on what I'm doing, So it'd either be

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<v Speaker 3>doing a show or a keynote. So if I'm doing

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<v Speaker 3>a show, I would come out and then perform demonstrations

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<v Speaker 3>of apparently reading people's minds, well while the entire time

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<v Speaker 3>saying I'm not actually reading your mind. If I'm doing

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<v Speaker 3>a keynote, then what I would do is I'll come

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<v Speaker 3>out and I will use my demonstrations of mentalism to

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<v Speaker 3>share one of my other skills, which was the other

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<v Speaker 3>language that I understand, which is body language. Ah.

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<v Speaker 1>I see, yeah, it almost sounds like a sideshow thing.

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<v Speaker 3>Yees. So it's pretty much an act that was very

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<v Speaker 3>popular back in the vaudeville days, where you would have

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<v Speaker 3>the mentalist stand on stage and apparently read the minds

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<v Speaker 3>of everybody in the audience. So it's been around for years.

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<v Speaker 3>I think it's made quite popular by the TV show

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<v Speaker 3>The Mentalist with Simon Baker, where he used mentalism powers

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<v Speaker 3>to go around and solve crimes. I don't solve many crimes.

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<v Speaker 3>I just stand on stage and be entertainings.

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<v Speaker 1>Yeah, so it's er a performer essentially.

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<v Speaker 3>I am former, not a computer nerd.

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<v Speaker 2>So why do you like to go like to essentially

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<v Speaker 2>be honest and say I'm a mentalist and I'm actually

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<v Speaker 2>not reading your mind?

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<v Speaker 1>Like why do you do that? Instead of being.

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<v Speaker 2>Like, ooh, I'm a psychic and look at me, go like,

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<v Speaker 2>why did you choose that instead of the other.

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<v Speaker 3>For exactly the reason as to the way that you

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<v Speaker 3>you've just described it. Of waving your arms and going, oh,

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<v Speaker 3>look at me, now, that's not me as as a performer,

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<v Speaker 3>as you've already pointed out, I'm very I'm very plain.

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<v Speaker 3>There is nothing special about me. Wow.

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<v Speaker 1>You're really holding on to it now, aren't.

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<v Speaker 3>You, Anthony, I've been emotionally scarred.

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<v Speaker 2>Oh my goodness, they've got a bruised ego here everyone,

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<v Speaker 2>I'm bruis ego. Nah, you're fine. So you like that

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<v Speaker 2>style of it. How did you get into it then? Like,

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<v Speaker 2>were you a performer before any of this? No, because

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<v Speaker 2>it's like a big jump to go from being a

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<v Speaker 2>former carpenter to now standing on a stage in front

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<v Speaker 2>of people.

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<v Speaker 3>I suppose in a way you could look at it

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<v Speaker 3>as I've gone from doing carpentry to performing miracles. It's

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<v Speaker 3>quite biblical in some sort of senses. But I'm not

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<v Speaker 3>a natural performer. If you had asked me when I

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<v Speaker 3>was eighteen, if I had stood up on stage in

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<v Speaker 3>front of a group of people, you would have got

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<v Speaker 3>a very quick answer. If not really nervous, really nervous,

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<v Speaker 3>socially awkward. When I was younger, it's one of the

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<v Speaker 3>reasons why I got into magic. Having magic was a

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<v Speaker 3>way to cheap, being interesting if you were down the

0:10:54.040 --> 0:10:56.160
<v Speaker 3>pub because it run and have a conversation. It can

0:10:56.200 --> 0:10:58.559
<v Speaker 3>we are to cook card any card.

0:10:58.880 --> 0:10:59.680
<v Speaker 1>No, I totally get it.

0:10:59.600 --> 0:11:02.480
<v Speaker 2>It means yeah, you can be like, hey, don't look

0:11:02.520 --> 0:11:04.160
<v Speaker 2>at me, look at the magic trick. I'm doing it

0:11:04.200 --> 0:11:06.040
<v Speaker 2>for the same reason I'm covered in glittering makeup and

0:11:06.120 --> 0:11:08.560
<v Speaker 2>here because it's fun, and it can be like.

0:11:08.559 --> 0:11:09.880
<v Speaker 1>Don't look at me, look at this.

0:11:10.480 --> 0:11:12.040
<v Speaker 2>So how did you go from doing magic at the

0:11:12.080 --> 0:11:14.199
<v Speaker 2>pub to making it your full time job?

0:11:14.800 --> 0:11:18.760
<v Speaker 3>So when I had the carpentry business back in the UK,

0:11:18.960 --> 0:11:20.960
<v Speaker 3>one of my clients used to run a cabaret night

0:11:21.000 --> 0:11:22.280
<v Speaker 3>once a month and he heard that I did a

0:11:22.280 --> 0:11:24.920
<v Speaker 3>bit of magic and asked if I'd go along and

0:11:25.200 --> 0:11:27.880
<v Speaker 3>do a few tricks at his cabaret night. Now, this

0:11:27.960 --> 0:11:29.560
<v Speaker 3>was the first time that I'd ever been asked to

0:11:29.640 --> 0:11:31.520
<v Speaker 3>do it in what I would call it professional setting,

0:11:31.559 --> 0:11:34.200
<v Speaker 3>actually being asked to do magic at an event rather

0:11:34.240 --> 0:11:35.760
<v Speaker 3>than doing it at a pub because I'm trying to

0:11:35.760 --> 0:11:39.439
<v Speaker 3>impress somebody. And I was that nervous in the lead

0:11:39.520 --> 0:11:42.040
<v Speaker 3>up to the first gig that I had night sweats

0:11:42.320 --> 0:11:43.920
<v Speaker 3>for about a week and the lead up to the event,

0:11:43.920 --> 0:11:46.120
<v Speaker 3>you could run your hands down my body and you

0:11:46.120 --> 0:11:48.400
<v Speaker 3>would got sweat come flying off it. Terrible. It was,

0:11:48.559 --> 0:11:51.319
<v Speaker 3>It was terrible. I was really nervous, like that whole

0:11:51.360 --> 0:11:53.440
<v Speaker 3>horrible brain that starts to kick in inside your mind

0:11:53.440 --> 0:11:55.000
<v Speaker 3>that tells you that you don't know what you're doing,

0:11:55.320 --> 0:11:57.200
<v Speaker 3>that fight out. This was a thing. On the night

0:11:57.240 --> 0:11:59.679
<v Speaker 3>of the event, I arrived early, and I've been used

0:11:59.679 --> 0:12:01.520
<v Speaker 3>to having a couple of couple of drinks to give

0:12:01.520 --> 0:12:04.719
<v Speaker 3>me a bit of Dutch courage before getting out. I

0:12:05.080 --> 0:12:07.040
<v Speaker 3>drank two bottles of white wine before I got up

0:12:07.080 --> 0:12:08.239
<v Speaker 3>to do the first trip.

0:12:09.640 --> 0:12:09.960
<v Speaker 1>Ever.

0:12:10.200 --> 0:12:14.200
<v Speaker 2>Mother, I'm going to be making this third bottle of

0:12:14.240 --> 0:12:15.240
<v Speaker 2>wine disappear.

0:12:16.520 --> 0:12:17.120
<v Speaker 1>That's what I'd do.

0:12:17.240 --> 0:12:19.200
<v Speaker 3>Yeah, but I got pulled back for the next about

0:12:19.280 --> 0:12:21.080
<v Speaker 3>year and a half, so I couldn't have done too

0:12:21.160 --> 0:12:23.520
<v Speaker 3>bad a job in that first one. And then that

0:12:24.000 --> 0:12:27.160
<v Speaker 3>one thing led to another. Obviously, It's like anything in

0:12:27.200 --> 0:12:29.800
<v Speaker 3>this entertainment. Well, do you have to do those really

0:12:29.840 --> 0:12:30.480
<v Speaker 3>shit gigs?

0:12:31.240 --> 0:12:31.840
<v Speaker 1>Tell me about it.

0:12:31.880 --> 0:12:35.040
<v Speaker 2>I've had my fair share of shit gigs where absolutely

0:12:35.400 --> 0:12:36.720
<v Speaker 2>everything goes wrong.

0:12:36.840 --> 0:12:39.160
<v Speaker 1>But do you ever get it wrong? What's the worst

0:12:39.160 --> 0:12:39.679
<v Speaker 1>thing that's happened?

0:12:39.720 --> 0:12:44.439
<v Speaker 3>I don't know. Okay, this was the worst gig that

0:12:44.480 --> 0:12:47.000
<v Speaker 3>I ever been booked for. So this was back in

0:12:47.080 --> 0:12:50.480
<v Speaker 3>the back in the early days of my performing careers.

0:12:50.520 --> 0:12:52.880
<v Speaker 3>This was I wasn't that comfortable on stage At this

0:12:52.920 --> 0:12:54.360
<v Speaker 3>point in tom I used to do a lot of roving,

0:12:54.920 --> 0:12:58.040
<v Speaker 3>and an agent had booked me for a wedding in Sydney,

0:12:58.760 --> 0:13:03.760
<v Speaker 3>and I did do my due diligence and ask enough questions. Now,

0:13:03.840 --> 0:13:06.480
<v Speaker 3>mentalism involves a lot of spoken word. There's a lot

0:13:06.480 --> 0:13:08.880
<v Speaker 3>of you having to understand what it is that I'm saying.

0:13:09.320 --> 0:13:11.559
<v Speaker 3>I was booked for a Vietnamese wedding for four hundred people,

0:13:11.559 --> 0:13:16.720
<v Speaker 3>and only about fifty of them spoke fluent English. It

0:13:16.840 --> 0:13:18.480
<v Speaker 3>was the longest half an hour of my.

0:13:19.960 --> 0:13:22.920
<v Speaker 1>That would have seemed like eternity. You'd be like, oh,

0:13:23.080 --> 0:13:24.200
<v Speaker 1>do I get out of here.

0:13:24.760 --> 0:13:27.199
<v Speaker 3>The other story which I have, there's a picture behind

0:13:27.200 --> 0:13:29.640
<v Speaker 3>me of a routine which I do. It's it's kind

0:13:29.640 --> 0:13:31.320
<v Speaker 3>of the thing that I've been known for, which is

0:13:31.320 --> 0:13:33.920
<v Speaker 3>playing Russian Roulette with nail guns. So four nail guns,

0:13:33.920 --> 0:13:36.280
<v Speaker 3>one of them gets loaded, I read the person's mind,

0:13:36.400 --> 0:13:38.480
<v Speaker 3>and then three of the nail guns are fired at me.

0:13:39.320 --> 0:13:40.040
<v Speaker 3>What the fuck?

0:13:41.679 --> 0:13:44.080
<v Speaker 1>What's this got to do with reading minds? Why are

0:13:44.080 --> 0:13:48.280
<v Speaker 1>you playing with guns? Now? What is this nail guns on?

0:13:48.440 --> 0:13:50.800
<v Speaker 3>You should know theeter. That's what it's all about. It's

0:13:50.880 --> 0:13:51.800
<v Speaker 3>my moment.

0:13:52.160 --> 0:13:54.520
<v Speaker 2>I'm trying to just bridge the How do you go

0:13:54.559 --> 0:13:57.560
<v Speaker 2>from reading someone's mind to them being like, actually, I

0:13:57.600 --> 0:14:01.400
<v Speaker 2>could get four nail guns and like almost like stabbed

0:14:01.440 --> 0:14:03.760
<v Speaker 2>myself with one, Like what hell ha.

0:14:03.960 --> 0:14:07.800
<v Speaker 3>So this piece, this Russi Roulette piece, came about because

0:14:07.800 --> 0:14:10.280
<v Speaker 3>I was doing a TV piece and I needed something

0:14:10.320 --> 0:14:12.840
<v Speaker 3>big and good and something that would be memorable. So

0:14:13.559 --> 0:14:16.319
<v Speaker 3>I've always liked the idea of Russian Roulette type of effect.

0:14:16.679 --> 0:14:21.520
<v Speaker 3>Me being a carpenter in my former life obviously lends

0:14:21.560 --> 0:14:23.920
<v Speaker 3>itself to nail guns. The whole thing kind of worked out.

0:14:24.320 --> 0:14:28.280
<v Speaker 2>See that's clever though, because if you had started this

0:14:28.480 --> 0:14:30.960
<v Speaker 2>interview with a nail gun next to you, I would

0:14:31.000 --> 0:14:33.120
<v Speaker 2>have thought you were very remarkable, just saying so, I

0:14:33.120 --> 0:14:35.360
<v Speaker 2>can understand why you wouldn't want to use it for

0:14:35.560 --> 0:14:37.000
<v Speaker 2>like a big TV gig, etc.

0:14:37.680 --> 0:14:39.800
<v Speaker 1>So you know you should have brought the nail gun.

0:14:39.840 --> 0:14:41.240
<v Speaker 1>Maybe I would have had a different opinion.

0:14:42.360 --> 0:14:44.640
<v Speaker 3>Well, okay, I'm sorry for not bringing her ol guns.

0:14:45.520 --> 0:14:47.520
<v Speaker 3>So these nail guns, they're all fired into me. Some

0:14:47.560 --> 0:14:48.920
<v Speaker 3>of the three of them are empty. One of them

0:14:48.960 --> 0:14:51.400
<v Speaker 3>is loaded. I had one of them fired into me. Now,

0:14:51.440 --> 0:14:53.360
<v Speaker 3>these nail guns have gone a little pin that pushes

0:14:53.360 --> 0:14:55.480
<v Speaker 3>the nails. When the nail comes out, it's got a pin. Now,

0:14:55.520 --> 0:14:57.880
<v Speaker 3>even the empty ones have still got the pin inside them.

0:14:58.280 --> 0:15:00.200
<v Speaker 3>So the person fired the gun into my stomach, but

0:15:00.280 --> 0:15:02.640
<v Speaker 3>the gun had been bent, so the firing pin pierced

0:15:02.680 --> 0:15:05.360
<v Speaker 3>my skin and I started bleeding. On stage. Everyone thought

0:15:05.400 --> 0:15:07.920
<v Speaker 3>I'd been shot. I was no, I haven't been shot.

0:15:07.960 --> 0:15:08.760
<v Speaker 3>I haven't been shot.

0:15:08.920 --> 0:15:10.760
<v Speaker 1>It wasn't the one with the nail. I haven't flicked

0:15:10.800 --> 0:15:13.960
<v Speaker 1>up yet. Don't worry. So have you stopped using a

0:15:14.000 --> 0:15:14.800
<v Speaker 1>nail gun or no?

0:15:15.120 --> 0:15:16.040
<v Speaker 3>I still use a nail gun.

0:15:16.200 --> 0:15:17.400
<v Speaker 1>How do you even come up with the idea to

0:15:17.480 --> 0:15:19.920
<v Speaker 1>use a nail gun? Like, how do these tricks start?

0:15:19.960 --> 0:15:22.000
<v Speaker 2>Do you just sit down and try to work out

0:15:22.040 --> 0:15:24.600
<v Speaker 2>some tricks and test out to see if they'll work.

0:15:24.520 --> 0:15:27.040
<v Speaker 3>In a way. Yes, So I would just I would

0:15:27.040 --> 0:15:28.760
<v Speaker 3>sort of think in my head what would make a

0:15:28.760 --> 0:15:30.880
<v Speaker 3>really good show piece. I would take a collection of

0:15:30.880 --> 0:15:33.320
<v Speaker 3>all the techniques that I know in order to achieve

0:15:33.400 --> 0:15:38.440
<v Speaker 3>a certain outcome. Now, there are some mentalism effects out

0:15:38.480 --> 0:15:41.400
<v Speaker 3>there that the other mentalists have shared, so they could

0:15:41.440 --> 0:15:43.120
<v Speaker 3>be their routines. But then then I'll put my spin

0:15:43.160 --> 0:15:48.280
<v Speaker 3>on it. I'll put my personality that average nothing extraordinary personality.

0:15:48.320 --> 0:15:49.320
<v Speaker 3>I'll then put into the trick.

0:15:49.440 --> 0:15:54.400
<v Speaker 2>Oh really, never upset a mentalist. This is this is

0:15:54.400 --> 0:15:56.440
<v Speaker 2>probably a mentalist game. Now, this is the game now

0:15:56.840 --> 0:15:58.840
<v Speaker 2>trying to wear me down, make me feel guilty.

0:15:58.920 --> 0:16:01.680
<v Speaker 3>An't you you would drop it? Now I will drop it.

0:16:04.480 --> 0:16:07.400
<v Speaker 2>I'm still confused how this works. So you don't read

0:16:07.440 --> 0:16:10.520
<v Speaker 2>people's minds, but you kind of do. Are you just

0:16:10.640 --> 0:16:13.440
<v Speaker 2>manipulating people? Then it is a mixture of different things.

0:16:13.440 --> 0:16:16.640
<v Speaker 3>There will be some things where I'm using linguistic deception

0:16:16.920 --> 0:16:19.280
<v Speaker 3>to make you say certain things. Other times I might

0:16:19.320 --> 0:16:22.720
<v Speaker 3>be using hypnotic suggestion, so the words hypnotist produced but

0:16:22.760 --> 0:16:24.800
<v Speaker 3>without putting you to sleep. Yeah. Other times it's down

0:16:24.840 --> 0:16:27.800
<v Speaker 3>to statistics. It's a blend of all those different techniques

0:16:28.160 --> 0:16:33.040
<v Speaker 3>woven together and understanding how humans behave that then allows

0:16:33.080 --> 0:16:37.040
<v Speaker 3>me to create that illusion that I might be in

0:16:37.080 --> 0:16:40.080
<v Speaker 3>control of your thoughts or being able to pluck thoughts

0:16:40.440 --> 0:16:41.840
<v Speaker 3>out of your mind, which is the reason why I

0:16:41.840 --> 0:16:44.640
<v Speaker 3>find it's so interesting because makes me quite irritating.

0:16:44.800 --> 0:16:52.040
<v Speaker 1>To be honest, what is the magic and mentalism community? Like,

0:16:52.080 --> 0:16:53.640
<v Speaker 1>are they all right or are they all like a

0:16:53.640 --> 0:16:56.160
<v Speaker 1>bunch of like protective people that are like, no, don't

0:16:56.160 --> 0:16:57.520
<v Speaker 1>talk to me, you might steal my trick.

0:16:57.800 --> 0:16:59.760
<v Speaker 3>It is a strange world. It is a strange world.

0:16:59.800 --> 0:17:01.880
<v Speaker 3>I do think that a lot of people who get

0:17:01.880 --> 0:17:04.719
<v Speaker 3>into magic were probably similar to me in that they

0:17:04.800 --> 0:17:08.800
<v Speaker 3>might have been slightly socially nervous, socially awkward. So I

0:17:08.800 --> 0:17:10.200
<v Speaker 3>think there's a lot of that in the magic world.

0:17:10.240 --> 0:17:12.280
<v Speaker 3>You've also got to remember it's a world of secrets.

0:17:12.440 --> 0:17:15.960
<v Speaker 3>We try to hide everything. So as you get into

0:17:15.960 --> 0:17:18.080
<v Speaker 3>the magic world and you start to build a reputation,

0:17:18.240 --> 0:17:22.240
<v Speaker 3>that's when you will start to have that really supportive

0:17:22.280 --> 0:17:25.480
<v Speaker 3>community that are helping each other. But at the initial

0:17:25.520 --> 0:17:28.840
<v Speaker 3>stages there is this Yep, you're welcome into the community,

0:17:28.960 --> 0:17:31.640
<v Speaker 3>but don't expect to find out lots of secrets straight away.

0:17:31.680 --> 0:17:34.120
<v Speaker 3>You've got to show us that you're worthy of having

0:17:34.119 --> 0:17:36.240
<v Speaker 3>the secrets. It is a really strange world.

0:17:36.440 --> 0:17:38.320
<v Speaker 2>No, I mean that sounds like the drag community too.

0:17:38.359 --> 0:17:40.560
<v Speaker 2>It's like you start as a drag queen, you go, oh,

0:17:40.920 --> 0:17:42.840
<v Speaker 2>how do I do my makeup? And everyone's like, you'll

0:17:42.880 --> 0:17:45.160
<v Speaker 2>work it out. Yourself, go on, get out of here, love,

0:17:45.880 --> 0:17:48.880
<v Speaker 2>because that's a very secretive thing. You know, we all

0:17:48.880 --> 0:17:50.920
<v Speaker 2>have special application techniques.

0:17:51.000 --> 0:17:52.919
<v Speaker 3>So is there a lot of rivalry in your world?

0:17:53.680 --> 0:17:54.200
<v Speaker 1>Dalling.

0:17:54.720 --> 0:17:58.000
<v Speaker 3>Of course there is in terms of like being accused

0:17:58.040 --> 0:18:01.399
<v Speaker 3>of stealing other people's ideas and pagiarism and all this

0:18:01.520 --> 0:18:01.920
<v Speaker 3>kind of thing.

0:18:02.280 --> 0:18:05.000
<v Speaker 2>Oh, there's a scandal at the moment because someone's stolen

0:18:05.080 --> 0:18:08.080
<v Speaker 2>my specific mix of a show that I do and

0:18:08.119 --> 0:18:10.480
<v Speaker 2>they're performing it at the moment, and I am very

0:18:10.520 --> 0:18:14.800
<v Speaker 2>upset about it. They're going around doing my custom Kylie

0:18:14.800 --> 0:18:17.800
<v Speaker 2>Minogue Medali and it's mine because I paid for it

0:18:17.840 --> 0:18:20.800
<v Speaker 2>and I organized it. So yes, there's lots of stealing

0:18:20.840 --> 0:18:21.440
<v Speaker 2>that happens.

0:18:21.920 --> 0:18:25.600
<v Speaker 3>Ah, So what can you do if somebody is stealing

0:18:25.840 --> 0:18:28.720
<v Speaker 3>other people's material? Does everyone gang up with their wigs

0:18:28.720 --> 0:18:31.959
<v Speaker 3>and makeup on and chase them with pitchfork? So what happens?

0:18:32.040 --> 0:18:34.080
<v Speaker 3>Or did they get outsted on the internet? What happens?

0:18:34.880 --> 0:18:38.920
<v Speaker 1>No, you just get over it.

0:18:39.080 --> 0:18:41.399
<v Speaker 2>You just get over it because you know what, you

0:18:41.440 --> 0:18:44.040
<v Speaker 2>can take my mix, but you can't take my personality.

0:18:44.200 --> 0:18:46.840
<v Speaker 2>So it's fine, you can have it, Love, I needed

0:18:46.840 --> 0:18:47.639
<v Speaker 2>a new one anyway.

0:18:48.840 --> 0:18:50.880
<v Speaker 3>That's what sets you apart. From it from everybody else

0:18:51.040 --> 0:18:53.960
<v Speaker 3>is having that point of difference because it's you who's

0:18:53.960 --> 0:18:57.200
<v Speaker 3>doing it. Yeah, anybody could do the trick, but could

0:18:57.240 --> 0:19:00.000
<v Speaker 3>they do it like you?

0:19:00.280 --> 0:19:03.320
<v Speaker 1>I think it's time that you did one on me.

0:19:03.480 --> 0:19:04.600
<v Speaker 1>Do you want to do? You want to do? You

0:19:04.600 --> 0:19:06.760
<v Speaker 1>want to be mental on me? Be mental on me?

0:19:07.320 --> 0:19:10.679
<v Speaker 3>All right? I have got here four bags. I put

0:19:10.720 --> 0:19:12.800
<v Speaker 3>some numbers in front of them. What's inside each one

0:19:12.840 --> 0:19:16.960
<v Speaker 3>of these bags is a block of wood with a

0:19:16.960 --> 0:19:17.439
<v Speaker 3>hole in it.

0:19:17.680 --> 0:19:21.280
<v Speaker 1>Not a fucking nail again, lead have it?

0:19:21.440 --> 0:19:23.399
<v Speaker 3>You learn aad the dear and a nail.

0:19:24.119 --> 0:19:26.480
<v Speaker 2>So you've got four paper bags. Each of them are

0:19:26.520 --> 0:19:29.439
<v Speaker 2>sitting behind a number from one to four. All of

0:19:29.440 --> 0:19:32.400
<v Speaker 2>them have blocks of wood in them, but one has

0:19:32.440 --> 0:19:34.639
<v Speaker 2>a nail sticking up out of the wood.

0:19:35.320 --> 0:19:36.560
<v Speaker 1>I like where this is going.

0:19:36.720 --> 0:19:38.920
<v Speaker 3>So what I'm going to do is I'm going to

0:19:39.000 --> 0:19:41.320
<v Speaker 3>take them. I'm going to mix them around a little bit.

0:19:41.520 --> 0:19:45.240
<v Speaker 3>And one I promise you is I'm not doing any

0:19:45.880 --> 0:19:49.160
<v Speaker 3>weird dodgy stuff, not like you'll be doing.

0:19:50.720 --> 0:19:52.240
<v Speaker 1>So I'm paying so much attention.

0:19:53.760 --> 0:19:56.360
<v Speaker 3>Okay, Now, be honest. You don't actually know where about

0:19:56.359 --> 0:19:57.520
<v Speaker 3>the nail is at all? Do you? No?

0:19:57.680 --> 0:19:58.640
<v Speaker 1>But I think it's number three.

0:19:58.720 --> 0:20:02.640
<v Speaker 3>You think it's number three. Yeah, Well, this is either

0:20:02.680 --> 0:20:04.440
<v Speaker 3>going to be the end of the podcast very very

0:20:04.480 --> 0:20:07.040
<v Speaker 3>very quickly, or it's gonna be a moment of amazement

0:20:07.119 --> 0:20:09.760
<v Speaker 3>for you. This is what's gonna happen. Art. You're gonna

0:20:09.760 --> 0:20:12.600
<v Speaker 3>say any one of these numbers. The number that you say,

0:20:12.680 --> 0:20:14.520
<v Speaker 3>I'm gonna slam my hand as hard as I can

0:20:14.560 --> 0:20:20.120
<v Speaker 3>onto the bag. So my hand is literally down to.

0:20:20.359 --> 0:20:24.320
<v Speaker 2>Your choices, all right, Jesus if it goes wrong, Okay,

0:20:24.440 --> 0:20:25.560
<v Speaker 2>I will feel a bit of a prick.

0:20:28.760 --> 0:20:31.160
<v Speaker 1>Yeah, that's an applaud to that one. I like that one.

0:20:31.440 --> 0:20:34.719
<v Speaker 3>That was good. So choose one of the bags one, two, three,

0:20:34.800 --> 0:20:36.560
<v Speaker 3>or four. We're gonna slam my hand on whichever one

0:20:36.560 --> 0:20:37.600
<v Speaker 3>you say, which one you want.

0:20:37.440 --> 0:20:37.639
<v Speaker 1>To go for?

0:20:37.760 --> 0:20:41.199
<v Speaker 3>Art Three, Number three. That's when you thought that the

0:20:41.280 --> 0:20:45.480
<v Speaker 3>nail was in though, wasn't it. Yeah? Okay, I thought

0:20:45.520 --> 0:20:47.640
<v Speaker 3>that you and I had built some rapport. I thought

0:20:47.680 --> 0:20:50.000
<v Speaker 3>that we had almost become friends. However, you're now asking

0:20:50.000 --> 0:20:51.560
<v Speaker 3>me to slam my hand down on the very bag

0:20:51.640 --> 0:20:52.879
<v Speaker 3>that you think has a nail in it.

0:20:53.440 --> 0:20:54.919
<v Speaker 2>Yeah, but when you put the block in there, you

0:20:54.920 --> 0:20:56.399
<v Speaker 2>could have taken the nail. Lad I didn't say what

0:20:56.440 --> 0:20:57.200
<v Speaker 2>happened on the inside.

0:20:57.359 --> 0:21:02.560
<v Speaker 3>You are so skeptical. Here we go, number three, There

0:21:02.560 --> 0:21:10.240
<v Speaker 3>we go, one, two go. That is one out of

0:21:10.280 --> 0:21:12.280
<v Speaker 3>the way. We left with three dogs. Were left with

0:21:12.280 --> 0:21:12.760
<v Speaker 3>three bags.

0:21:12.960 --> 0:21:15.200
<v Speaker 2>So you've just smashed your hand against it. You don't

0:21:15.240 --> 0:21:18.200
<v Speaker 2>have a hole in your hand. The nail wasn't your fire.

0:21:18.280 --> 0:21:18.680
<v Speaker 1>No blood.

0:21:18.760 --> 0:21:22.320
<v Speaker 2>Okay, we've got three bags left. Okay, forget the numbers

0:21:22.320 --> 0:21:24.560
<v Speaker 2>of the bags. Now the brown bags now have colors

0:21:24.600 --> 0:21:25.480
<v Speaker 2>assigned to them.

0:21:25.680 --> 0:21:29.720
<v Speaker 3>We've got red, blue, yellow, red, blue, yellow. I'm trying

0:21:29.760 --> 0:21:31.640
<v Speaker 3>to influence your choices. This is red, this is blue,

0:21:31.680 --> 0:21:34.280
<v Speaker 3>this is yellow. Which color would you like me to squash? Red?

0:21:34.320 --> 0:21:35.159
<v Speaker 3>Blue or yellow?

0:21:35.720 --> 0:21:36.160
<v Speaker 1>Yellow?

0:21:36.720 --> 0:21:40.560
<v Speaker 3>Red? Blue? Yellow? This one here? One, two, three?

0:21:41.240 --> 0:21:42.480
<v Speaker 1>Oh my god, are you bleeding?

0:21:42.800 --> 0:21:45.159
<v Speaker 3>No? No, no blood, trust me, blood no blood. If

0:21:45.240 --> 0:21:48.159
<v Speaker 3>that goes wrong, you will know audibly because I will screen.

0:21:49.000 --> 0:21:51.399
<v Speaker 1>You should do a Halloween version where everything goes wrong?

0:21:51.680 --> 0:21:52.480
<v Speaker 1>Would that be fun?

0:21:52.520 --> 0:21:53.920
<v Speaker 3>Well, because I could probably only do it once a

0:21:54.000 --> 0:21:55.240
<v Speaker 3>year because for the rest of you I'll be trying

0:21:55.240 --> 0:21:55.639
<v Speaker 3>to recover.

0:21:55.960 --> 0:21:56.800
<v Speaker 1>No, it could be fake.

0:21:56.920 --> 0:21:58.560
<v Speaker 2>You should do like one trick where you've got like

0:21:58.560 --> 0:22:01.600
<v Speaker 2>blood capsules in one of the bags, Like, oh, trick,

0:22:01.720 --> 0:22:03.119
<v Speaker 2>char it was just tomato sauce.

0:22:03.440 --> 0:22:05.359
<v Speaker 1>We could collab, We could collab. I think I feel

0:22:05.359 --> 0:22:06.119
<v Speaker 1>a collab coming on.

0:22:06.800 --> 0:22:09.119
<v Speaker 3>Okay, we're left with two bags. I want you to

0:22:09.200 --> 0:22:12.600
<v Speaker 3>name two two famous people. Name two famous people for me.

0:22:13.080 --> 0:22:14.960
<v Speaker 1>Oh, Sonny and share.

0:22:16.640 --> 0:22:19.280
<v Speaker 3>A good choice? Good choice. So this one's Sonny, This

0:22:19.320 --> 0:22:19.879
<v Speaker 3>one's Share.

0:22:20.480 --> 0:22:26.719
<v Speaker 1>Kill Sonny, kill Sunny. Same share? Keep share, yeah, keep sharing? Okay,

0:22:27.520 --> 0:22:29.240
<v Speaker 1>so wait, now there's two bags left.

0:22:29.440 --> 0:22:31.480
<v Speaker 2>You have a fifty to fifty chance of smashing your

0:22:31.520 --> 0:22:34.119
<v Speaker 2>hand down onto the nail and butchering your hand.

0:22:34.240 --> 0:22:36.240
<v Speaker 1>Ha ha, do it? Do it?

0:22:37.640 --> 0:22:42.760
<v Speaker 3>One? Two? There we go? Sonny, is God leaving us

0:22:42.800 --> 0:22:46.600
<v Speaker 3>just one used before I have taken If I reach

0:22:46.680 --> 0:22:49.000
<v Speaker 3>in and grab out the nail. There it is, there,

0:22:49.040 --> 0:22:51.919
<v Speaker 3>the block of wood with Oh you managed to avoid

0:22:51.920 --> 0:22:54.840
<v Speaker 3>me getting stabbed. Well done you. I'm not covered or

0:22:54.840 --> 0:22:57.720
<v Speaker 3>surrounded by sandwich bags. There we go. Were you impressed

0:22:57.760 --> 0:22:58.400
<v Speaker 3>with that one after?

0:22:58.440 --> 0:22:58.720
<v Speaker 1>You know?

0:22:58.920 --> 0:22:59.120
<v Speaker 3>Yeah?

0:22:59.160 --> 0:23:01.919
<v Speaker 2>I wasn't until the last one. Until the end, I

0:23:01.960 --> 0:23:03.680
<v Speaker 2>was like, all right, just gonna smash them all. What's

0:23:03.720 --> 0:23:04.239
<v Speaker 2>the point of that?

0:23:04.760 --> 0:23:05.000
<v Speaker 3>What?

0:23:05.560 --> 0:23:08.520
<v Speaker 1>So you've just you didn't smash the last bag.

0:23:08.600 --> 0:23:10.280
<v Speaker 3>You saved share that would be stupid.

0:23:10.560 --> 0:23:12.920
<v Speaker 1>And you opened up Share and there was the woodblock

0:23:12.920 --> 0:23:15.399
<v Speaker 1>with the nail. Indeed, I don't know. I don't know

0:23:15.440 --> 0:23:15.960
<v Speaker 1>what happened.

0:23:15.960 --> 0:23:19.600
<v Speaker 3>Now, I just messed with your head, didn't even mess

0:23:19.680 --> 0:23:20.520
<v Speaker 3>up your hair to do it.

0:23:30.520 --> 0:23:34.360
<v Speaker 2>So Anthony isn't the inventor of simlish. He is actually

0:23:34.480 --> 0:23:38.399
<v Speaker 2>a mentalist. Oh wow, that was really impressive actually, but

0:23:39.040 --> 0:23:39.560
<v Speaker 2>I kind of.

0:23:39.480 --> 0:23:40.679
<v Speaker 1>Wanted to see him get nailed.

0:23:41.520 --> 0:23:44.199
<v Speaker 2>You've been listening to an iHeart Australia and Kiss production

0:23:44.440 --> 0:23:48.000
<v Speaker 2>Concealed with artsimone. Listen to free on the iHeart app

0:23:48.040 --> 0:23:50.920
<v Speaker 2>and listen to your arts content. Oh and be sure

0:23:50.960 --> 0:24:01.640
<v Speaker 2>to check out the socials to see Anthony's wood Yes