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Speaker 1: Hello everyone, Yeah, swelling when you get your home for

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Speaker 1: the next couple of hours, going to be quite honest tair.

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Speaker 1: The show has been patched together in the dying moments,

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Speaker 1: and so Woods has told me that he's got a

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Speaker 1: game that's happening a little bit later on that's right

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Speaker 1: on the line that I'm going to say. The producers

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Speaker 1: has some doubt a phone topic that I was going

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Speaker 1: to bring up for it.

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Speaker 2: Yes, so there's pressure.

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Speaker 3: Yeah, yeah, yeah, Well I just expectations. Look after five

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Speaker 3: o'clock today, I think I've got a new little game

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Speaker 3: here that yes, is on the line, but I think

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Speaker 3: it'll be just a huge giggle for everyone.

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Speaker 2: Great, well, plenty of heat on it. Is it funny?

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Speaker 2: Is it good after five thirty?

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Speaker 4: And is it too controversial?

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Speaker 5: You know?

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Speaker 4: Is it just inappropriate?

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Speaker 1: Also the other reason that we're a little bit flat

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Speaker 1: chat here is I there isn't a grade Australian celebrity

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Speaker 1: who I could be going to go and see a

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Speaker 1: gig with tonight. We don't normally get celebs on the show.

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Speaker 1: I don't normally talk to them.

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Speaker 2: I happen to have a connection with the person I've asked.

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Speaker 1: Them to the gig.

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Speaker 2: I asked them to the gig two weeks ago.

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Speaker 3: Yeah to me, motus stuff. You are friends with the stars, mate,

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Speaker 3: there's no doubt about it.

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Speaker 2: I'm definitely not.

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Speaker 1: I mean, I used to make this guy coffee and

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Speaker 1: we got talking about it. So I've sent him a

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Speaker 1: tech it's a hail Mary. I'm in an awful position

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Speaker 1: with the whole thing.

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Speaker 4: You've brought him a ticket to this game.

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Speaker 2: I've bought him a ticket to speak to him to come.

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Speaker 1: Yes, So I mean, like, I know you made the

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Speaker 1: joke there you're friends with celebrities.

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Speaker 2: That is not the case at all. This is a

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Speaker 2: big deal. Yes, we could actually be in trouble here.

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Speaker 2: But you think I.

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Speaker 1: Need to get on the front foot and text him.

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Speaker 3: You need to write a confirmation text to this A

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Speaker 3: grade Australian celebrity. And I think we should use the brains,

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Speaker 3: the collective brains of our listeners to put together the

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Speaker 3: perfect text message to the A grade celebrity.

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Speaker 1: I'm sweating on something because, as you should be a

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Speaker 1: little while ago, we well quite a while ago. In

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Speaker 1: a past life, I used to make coffee for a significant,

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Speaker 1: relatively significant Australian celebrity.

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Speaker 4: You, Denine or more from me.

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Speaker 3: To become Australia's next master chef, your apple and your pair.

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Speaker 4: He's a great, beautifully.

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Speaker 1: Hey buddy of these and not just that he's a

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Speaker 1: good dude. He's a really nice guy. And through sheer coincidence,

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Speaker 1: when I was a barista, I used to make him

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Speaker 1: coffee and he wrote it a wonderful review about the

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Speaker 1: cafe I worked out, which is a little place called

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Speaker 1: thirty mil and I used to make I used to

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Speaker 1: play the music in the cafe, and I used to

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Speaker 1: play a particular band, Lee Fields, as this guy's named

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Speaker 1: Lee Fields and the Expressions, And.

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Speaker 2: He once wrote an article in the.

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Speaker 1: Epicure saying was a food food part of the paper.

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Speaker 1: Certainly he loved the cafe, but he also loved the

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Speaker 1: music and mentioned the music Lee Fields and the Expressions. Hence,

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Speaker 1: when you and I interviewed him recently, I asked him

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Speaker 1: to the.

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Speaker 3: Gig and you you really built up the courage for this,

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Speaker 3: didn't we?

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Speaker 1: Which is which was tonight? I should say.

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Speaker 3: Yeah, yeah, yeah, and he amazingly, so I shouldn't say

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Speaker 3: he amazingly, but.

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Speaker 4: He said he said yes, let's do it.

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Speaker 2: And I think you're regretted giving me his number at that.

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Speaker 3: Moment as well, and you have since bought him a ticket.

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Speaker 1: I couldn't have bought a quicker, couldn't have brought him

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Speaker 1: the ticket Quicker.

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Speaker 4: And the gig is happening to know it's tonight.

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Speaker 3: But the situation is that this was organized weeks ago

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Speaker 3: and now there hasn't really been a confirmation, like where

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Speaker 3: are we meeting?

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Speaker 2: Said?

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Speaker 1: He was sitting next to me at the time when

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Speaker 1: I messaged him yes, and I was pumped and he said, yeap,

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Speaker 1: lock me in. I told him when it was I

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Speaker 1: said six to March. He said sweet, So I pressed,

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Speaker 1: I pulled the trigger on.

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Speaker 3: The Yeah, yeah, champagne howers after we couldn't believe it.

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Speaker 3: You've managed to lockdown Preston for a night. It's really

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Speaker 3: exciting for you.

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Speaker 1: It's very very exciting stuff.

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Speaker 3: But you haven't heard anything today, nothing. So the situation

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Speaker 3: is that you definitely need to write a message to

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Speaker 3: him now just to confirm is he is he coming

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Speaker 3: and all the deats of the night. But but will

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Speaker 3: you're nervous about this message, and.

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Speaker 2: That's why we've got beautiful nervous.

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Speaker 4: We've got this amazing platform.

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Speaker 3: Now to ask the intelligent people of Australia what should

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Speaker 3: Will write.

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Speaker 4: In his text message to Matt Preston.

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Speaker 1: I don't know. I don't think I'm not condoning. Other

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Speaker 1: people are naging this text message. This is a big

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Speaker 1: moment for me. Tell you what I'd love to go to,

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Speaker 1: Matt Preston. I'd love to go to a gig. Matt Preston,

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Speaker 1: have a and maybe you know, like a little bit

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Speaker 1: of food on the side. Talk to him about the food.

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Speaker 3: It sounds good, yes, But the fact of the matter

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Speaker 3: is he managed dinner already dinner right where youre going

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Speaker 3: thirty one o sixty five. We are giving you the

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Speaker 3: opportunity right now to put together the message that Will

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Speaker 3: is going to write.

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Speaker 2: Oh, at least what you think my approach should, because

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Speaker 2: I think you're being far.

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Speaker 3: Too aggressive and hang on you get the final confirmation.

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Speaker 4: I promise you.

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Speaker 1: I said to you earlier. We've already spoken about this, obviously,

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Speaker 1: I said to you earlier. It's been that conversation all

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Speaker 1: day earlier. I think my approach should be good. Ay, Matt,

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Speaker 1: just checking to see if you would like to come

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Speaker 1: if you're still coming along to the gigs.

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Speaker 3: That sounds desperate, sounds desperate, sounds way too desperate. I

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Speaker 3: think it's need to shoot for So what.

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Speaker 4: Time when we meet him tonight, be affirmative with him.

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Speaker 1: If he rejects me, then that means that he knows

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Speaker 1: that I've been way too forward, you.

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Speaker 4: Know, Like that means he won't reject Here we go.

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Speaker 1: I mean this guys, oh no, this guy's already bought

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Speaker 1: the tickets. And then the next time I see him

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Speaker 1: look me in the face. He'll probably I mean, let's

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Speaker 1: face it, he'll probably reject the interview to come to

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Speaker 1: the show anyway. But when he does reject the interview.

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Speaker 2: He'll be like, oh god, what a sound sack will is?

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Speaker 1: Whereas if I kind of acts like I haven't really

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Speaker 1: booked the ticket for him yet and go hey Matt

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Speaker 1: about tonight, you know he's still keen. Not that I'm

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Speaker 1: to table for us or anything to eat beforehand, but

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Speaker 1: you know I is still keen, then I don't just

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Speaker 1: say it just.

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Speaker 3: Sounds so desperate, mate, Are you're still keen?

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Speaker 5: Like?

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Speaker 4: What are you a wet legs?

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Speaker 3: You want to be the bot before it's cooked, be

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Speaker 3: the strong and proud bock Choy that I know you are.

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Speaker 4: Thirteen one oh sixty five is our number. I'm sure

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Speaker 4: our listeners will agree with us. What should real?

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Speaker 3: Will write to Matt Preston right now to confirm if

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Speaker 3: he is coming to a gig tonight, and honestly, I'm

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Speaker 3: telling you we will write this.

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Speaker 4: It's fun. It's more fun fun.

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Speaker 1: My reputation is my only way in. It is my

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Speaker 1: only way. A little baby, I'm not going to do it,

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Speaker 1: but anyway, thirty one, I'm happy to take suggestions. Yes, great,

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Speaker 1: through the net outwards.

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Speaker 2: I mean somebody.

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Speaker 1: Sometimes in life you get an opportunity to do something

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Speaker 1: cool with someone cool, and you know when when that

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Speaker 1: person's cool weight is so substantially higher than yours, sometimes

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Speaker 1: when they throw the scraps, you can take them a

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Speaker 1: little bit too seriously.

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Speaker 2: And I'm worried. That's what's happened here.

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Speaker 1: I had an aside conversation with Matt Preston about going

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Speaker 1: to go and see a gig tonight. Lee Fields that

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Speaker 1: his master chiefs Matt Preston. By the way, he's a

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Speaker 1: huge deal.

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Speaker 4: He's an huge deal, and he's very cool, universally very cool.

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Speaker 1: And loved and I took the scrap and I said

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Speaker 1: to him, johnn to come with this gig. I've spent

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Speaker 1: the money on the tickets. Yes, I'm not getting to

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Speaker 1: me how much my has been on the tickets.

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Speaker 2: Did I get the VIP pack? Have I booked dinner?

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Speaker 1: Who knows? But the reality is I'm nervous because I

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Speaker 1: did this two weeks ago. He's agreed to it, and

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Speaker 1: I haven't heard back from no. I thought. I thought,

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Speaker 1: I thought I'd wake up this morning to like, you.

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Speaker 4: Know yet I will you know that you're Matt Preston.

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Speaker 1: Yeah, yeah, that was a Tuesday, and then say to me,

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Speaker 1: you know, shall we get a beer at five? In

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Speaker 1: which case I, you know, record the last hour of

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Speaker 1: the show will leave you by health and with him.

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Speaker 3: And that'll be understand his situation. You need to write

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Speaker 3: a text message to Matt Preston right now to confirm

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Speaker 3: if he is coming. That has to happen, and we

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Speaker 3: are allowing you as the listeners to put together that

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Speaker 3: text message because you and I don't have the strength.

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Speaker 1: I'm not sure at Lee thirteen one oh sixty five,

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Speaker 1: I'm not. I'm poised LYE do I should? I trust

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Speaker 1: you guys, or do I just take the safe part,

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Speaker 1: go for it.

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Speaker 6: I can just feel like IM just saying, if we're

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Speaker 6: still on for tonight, keep it simple, that's.

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Speaker 2: Casual, that's casually.

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Speaker 7: I really like it.

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Speaker 4: It is really simple.

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Speaker 5: I like it, Lee.

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Speaker 4: I just think we could make it a bit more fun.

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Speaker 2: I know what you want to you're paying.

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Speaker 4: Don't get me wrongly. I bloody love that I'm seeing it.

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Speaker 2: If we're still on, that's so safe, and.

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Speaker 4: It's so simple, and it's boring.

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Speaker 3: I mean, you've got one chance to show off to

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Speaker 3: Matt Preston and potentially become a future BFFL.

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Speaker 1: With And let's face it, he's probably right now a

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Speaker 1: little bit on the back foot. He's probably a little

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Speaker 1: bit tending right now.

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Speaker 3: Otherwise otherwise you need to give him a nice breaker.

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Speaker 3: I need to warm in what needs to happen right

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Speaker 3: warm him what needs to happen right now. Thirteen one

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Speaker 3: oh six five is that number. Give me your fun,

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Speaker 3: give me no.

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Speaker 1: I think I will choose.

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Speaker 3: I think I need to have the power of the phone,

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Speaker 3: and I promise you thirteen one oh sixty five give

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Speaker 3: us a call.

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Speaker 4: I will write what you want me to write in

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Speaker 4: this text, MA, I get the vinyl z though, I

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Speaker 4: get fine.

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Speaker 1: All right, anyover, I'm going to go on and see

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Speaker 1: a gigsnight. I'm going on Lee Fields and the Expressions,

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Speaker 1: which I'm very, very excited about. If you haven't heard

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Speaker 1: any Lee Fields, He's list. He's a soulful crooner. And

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Speaker 1: I thought, I mean like it was just a combination

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Speaker 1: of cool. Tonight, I was going to go and see

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Speaker 1: the gig I was. We were talking about Preston you

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Speaker 1: and I were interviewing him last year. He mentioned that

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Speaker 1: he liked him. Yes, I had a loose connection with Matt.

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Speaker 1: I used to make him coffee a while again, so

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Speaker 1: you know it would I was vulnerable, and and and

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Speaker 1: and I was in.

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Speaker 2: You wouldn't have done this, by the way. You wouldn't

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Speaker 2: have had the guts to do it.

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Speaker 1: No, you would not. If he's the guts.

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Speaker 4: I'm braver at of the people I have listened to

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Speaker 4: this show.

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Speaker 1: If there was somebody that you respected, it was keen

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Speaker 1: on something, you wouldn't ask them to the gig's.

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Speaker 4: Been out for a beer with two time Cold medalist

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Speaker 4: Jush Kennedy.

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Speaker 1: So I think you didn't. You certainly didn't ask him.

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Speaker 1: So I've just got a friend to ask him for me.

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Speaker 1: I've thrown out the hail Mary, okay, and Matt Preston's

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Speaker 1: agreed to come to the gig.

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Speaker 2: But that was two weeks ago. Yes, you can read

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Speaker 2: out to people what my initial text was.

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Speaker 1: Okay, it was just Matt, how are you made talking

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Speaker 1: that voice?

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Speaker 2: I'm sure you're very busy at this.

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Speaker 1: Why are you talking like that? You know that he

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Speaker 1: might actually be listening to this, and I don't rate

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Speaker 1: hear his Only you right here, very.

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Speaker 4: Busy this time.

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Speaker 7: Haha.

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Speaker 3: But just thought I would ask open brackets as promised.

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Speaker 3: If Lee Fields at the corner interested, you question my question,

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Speaker 3: my question, my interested phase.

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Speaker 4: I didn't do you did?

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Speaker 1: You're a liar lie about this?

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Speaker 4: No stressed if not, honestly, not at all. I'll be

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Speaker 4: going either way.

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Speaker 1: I didn't hear I don't hear him.

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Speaker 3: He's the softest message I've ever readsble why are you

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Speaker 3: doing this?

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Speaker 4: And then you write a second message you sorry? I

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Speaker 4: should be like a genuine Jenson. He wouldn't.

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Speaker 1: And here I am again for the show, making myself vulnerable.

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Speaker 1: Ivory Tower over there, it's really don't get me started,

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Speaker 1: not get me started.

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Speaker 4: I'm really proud of you, man, I'm really proudy.

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Speaker 2: So I've asked Situated come to the gig that was

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Speaker 2: two weeks ago.

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Speaker 1: I haven't heard from him in a while and the

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Speaker 1: gigs tonight, so I need to send him another text

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Speaker 1: message to confirm that he is still coming.

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Speaker 3: Just for the record, I think you should start it

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Speaker 3: off with like, hey, hope, you're not too preston for

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Speaker 3: time and you can still.

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Speaker 1: Well thankfully you're not writing it, so we're going to

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Speaker 1: go to the listeners here, Chelsea, I mean this is

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Speaker 1: actually I get.

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Speaker 2: The vinyl say here because I'm actually cuting this.

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Speaker 4: That's fine, that's fine, Chelsea. How this happen in Chelsea?

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Speaker 1: Chelsea? Yeah, I reckon.

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Speaker 3: You should say, hey Presto.

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Speaker 4: Hey Presto, I'm writing this down just for draft, like that, Hey.

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Speaker 1: Presto, that's a cute gig, like he's never had a

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Speaker 1: pun named out of his name.

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Speaker 4: With his I kin'd of hate Presto. Exclamation mark, exclamation mark,

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Speaker 4: exclamation mark.

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Speaker 1: No, no, not triple explaining I can a little.

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Speaker 4: Bit of flair to it. And then what was the

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Speaker 4: second see you to night see you it, see you tonight.

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Speaker 2: No, Chelsea. Hey Presto, it's a question that we're not

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Speaker 2: confirming it.

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Speaker 4: Hey Presto, see you tonight.

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Speaker 2: What about will I see you tonight? Was just closed?

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Speaker 1: Close book?

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Speaker 4: Will I see tonight? See tonight?

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Speaker 1: Kathy? Five?

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Speaker 2: Well, bloody nervous Kathy.

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Speaker 1: And I'm not appreciating that that I'm getting paid out

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Speaker 1: for throwing a ring in the gauntlet.

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Speaker 4: Hey Presto, will I see you tonight? Question mark? What

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Speaker 4: would you like to add?

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Speaker 5: No?

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Speaker 8: No, question mark.

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Speaker 7: It should be a statement see you tonight, mate, Dash,

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Speaker 7: I'll bring the snacks.

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Speaker 4: Oh, I love it. I'll bring Yeah.

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Speaker 1: I don't know about Kathy. I don't know about this

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Speaker 1: statement business. Hey Presto, I think because if he rejects me,

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Speaker 1: then it just looks.

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Speaker 4: Like you know, I've you know, you've got to go.

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Speaker 4: You've got to go with that.

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Speaker 7: Thing he's going to do is text you back and

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Speaker 7: go who is this question?

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Speaker 1: Then it'll be bad. No, he knows who I am

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Speaker 1: because I send him my full name in the previous

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Speaker 1: text message.

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Speaker 3: Hey Presto, see you tonight, mate. I'll bring the snacks.

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Speaker 3: I'll bring the snags. You bring the no, just now

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Speaker 3: you bring the facts.

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Speaker 4: You know, you bring the bring the facts. I'll bring

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Speaker 4: the Okay, that's good. I'll bring judge. I'll bring the facts.

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Speaker 3: Judge, I'll bring the fangs. Comer, you bring the snacks. Okay,

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Speaker 3: that's good.

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Speaker 4: That's good.

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Speaker 1: You guys. This is funny with actually getting dent to

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Speaker 1: Matt President.

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Speaker 4: So you need to just go to Todd.

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Speaker 3: I think Todd's going to bring this bad boy home.

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Speaker 3: So Todd, so far we've got Hey, Presto, see you tonight, mate.

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Speaker 3: I'll bring the facts, you bring the snacks.

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Speaker 9: I'll pick you up at seven.

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Speaker 8: Oh, pick you.

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Speaker 4: At seven pm.

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Speaker 3: I'll pick you up at seven, okay?

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Speaker 5: Will?

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Speaker 4: He said, thanks? Thank you?

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Speaker 1: Todd.

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Speaker 4: Do I get a little bit extra?

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Speaker 2: Well, what do you want to go for? Don't you

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Speaker 2: don't get cut.

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Speaker 1: Man.

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Speaker 3: I'll bring the facts, you bring the snags. I'll pick

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Speaker 3: you up at seven. No, no, I think we can

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00:14:23,000 --> 00:14:26,200
Speaker 3: leave it there. We can leave it there, or you

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00:14:26,280 --> 00:14:26,680
Speaker 3: want more?

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Speaker 2: Do you want more than that?

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Speaker 1: Or you have you been? No? I don't want more

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00:14:30,040 --> 00:14:31,080
Speaker 1: than that. I think we're done.

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Speaker 2: What Hey, Presto, I've got it. Referenced the fa judges food.

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Speaker 1: I'm trying to be cool.

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Speaker 4: I've got it.

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Speaker 3: Hey, Presto, see you tonight, mate. I'll bring the facts,

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Speaker 3: you bring the snacks. I'll pick you crav I'll pick

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Speaker 3: you up cravat seven.

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Speaker 4: Oh that's good. He wears cravat like that. I'll pick

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Speaker 4: you up. We'll see if we get a reply.

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00:15:06,480 --> 00:15:09,800
Speaker 2: It's my one chance, one chance.

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00:15:09,960 --> 00:15:11,680
Speaker 1: I think it's good. We'll let you know if we go.

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00:15:13,440 --> 00:15:17,120
Speaker 4: It's wrong, big guy, what's wrong?

362
00:15:17,280 --> 00:15:19,480
Speaker 1: Well, I just let you then press the message about

363
00:15:19,480 --> 00:15:20,880
Speaker 1: a kick that we meant to go on to tonight.

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00:15:20,920 --> 00:15:22,240
Speaker 1: And I was trying to be cool about it and

365
00:15:22,400 --> 00:15:24,760
Speaker 1: do something different and cool away from you, and you've

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Speaker 1: ruined it. He hasn't replied.

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00:15:28,240 --> 00:15:29,600
Speaker 2: It's a six minutes of gone.

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00:15:29,440 --> 00:15:31,320
Speaker 4: Well, don't stress. That's a very uncool thing to do.

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Speaker 1: Just chill.

370
00:15:32,480 --> 00:15:38,000
Speaker 3: He's obviously, you know, obviously shooting master chef there going.

371
00:15:38,120 --> 00:15:40,600
Speaker 1: Oh my god, you just used cravat as a pun

372
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Speaker 1: about seeing me.

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Speaker 4: Hey Presto.

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Speaker 1: I mean I try, I try, I really try.

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Speaker 3: I think it's a great message, and I think he's

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Speaker 3: definitely gonna write back. I think he's going to do

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Speaker 3: a roll at the start.

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00:15:55,600 --> 00:15:57,400
Speaker 2: Now, let's talk oscars, shall we?

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Speaker 5: Yeah?

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Speaker 6: Great?

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00:15:58,840 --> 00:16:02,680
Speaker 1: Okay, the winner of the Best actress, which we spoke

382
00:16:02,720 --> 00:16:08,680
Speaker 1: about yesterday for three billboards outside of the Frans McDorman. Yeah, brilliant,

383
00:16:08,880 --> 00:16:09,600
Speaker 1: a little bit of a speech.

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Speaker 4: This is great.

385
00:16:10,640 --> 00:16:13,440
Speaker 5: If I may be so honored to have all the

386
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Speaker 5: female nominees in every category stand with me in this

387
00:16:17,080 --> 00:16:17,680
Speaker 5: room tonight.

388
00:16:18,200 --> 00:16:20,080
Speaker 2: The actors, Meryl, like you do it.

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00:16:20,160 --> 00:16:21,400
Speaker 4: Everybody else, well, come on.

390
00:16:22,320 --> 00:16:26,560
Speaker 3: The filmmaker, the producers, the directors.

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00:16:26,320 --> 00:16:31,840
Speaker 9: The writers, that's at amotographer, the composers, the songwriters.

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Speaker 1: Awesome, So you get a car, You get a car.

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Speaker 4: I mean, yeah, great stuff, very good stuff, powerful stuff.

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Speaker 1: And you know she went out to the art party afterwards,

395
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Speaker 1: had a grand old time and somebody nick do Oscar.

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00:16:46,720 --> 00:16:53,080
Speaker 3: I saw this after that, I did say that someone Yeah, naughty,

397
00:16:53,960 --> 00:16:58,400
Speaker 3: naughty crime, very naughty, stealing someone's award.

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Speaker 2: I mean, come, funnily enough, he was busted.

399
00:17:03,560 --> 00:17:05,280
Speaker 4: And it was a he was he? Or there you go?

400
00:17:05,520 --> 00:17:07,120
Speaker 4: Another misogynist in Hollywood?

401
00:17:07,200 --> 00:17:07,440
Speaker 3: Is there?

402
00:17:07,800 --> 00:17:10,960
Speaker 4: What a surprise? Couldn't handle a female winning Best Actress?

403
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Speaker 1: God, So he'd been busted out the front of the

404
00:17:14,520 --> 00:17:19,800
Speaker 1: after party by a photographer who recognized that he wasn't

405
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Speaker 1: the guy that won that particular Oscar, You're not Francis McDorman.

406
00:17:24,400 --> 00:17:29,920
Speaker 2: And brought him inside and she said, let him go. Oh,

407
00:17:30,160 --> 00:17:30,960
Speaker 2: she was really up to that.

408
00:17:31,040 --> 00:17:32,800
Speaker 1: It was gone, but she was so appreciative that she

409
00:17:32,880 --> 00:17:35,159
Speaker 1: got it back and she realized that the guy was

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Speaker 1: just trying to make a quick buck out of something,

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Speaker 1: and she was like, I think it's worth you know,

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00:17:40,080 --> 00:17:44,520
Speaker 1: charging him. Let him go. Ye. Interesting position to be in, though,

413
00:17:45,880 --> 00:17:52,800
Speaker 1: when you bust someone red handed thirty one oh six five.

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00:17:52,840 --> 00:17:54,919
Speaker 1: I mean, that's a pretty hectic crime to catch somebody

415
00:17:55,000 --> 00:17:57,960
Speaker 1: doing stealing an oscar if you were that photographer, amazing

416
00:17:58,080 --> 00:17:59,920
Speaker 1: moment thirty one o six fire.

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Speaker 4: Have you ever.

418
00:18:02,160 --> 00:18:05,240
Speaker 2: Busted somebody completely red handed?

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00:18:05,960 --> 00:18:07,000
Speaker 1: And what were they doing?

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Speaker 2: I'm talking did you get home and was somebody robbing

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Speaker 2: your house?

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00:18:12,080 --> 00:18:16,440
Speaker 1: Oh? Wow? They were in in in the in the house?

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Speaker 3: Was what I do?

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00:18:17,560 --> 00:18:21,240
Speaker 2: In that dead set? Red handed? How red handed?

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Speaker 1: Did you catch someone walking out of a post Oscars

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00:18:25,000 --> 00:18:30,800
Speaker 1: after party shoeless with an oscar? Yep? That's about those

427
00:18:30,880 --> 00:18:33,879
Speaker 1: of you writing on my failure of life. We'll be

428
00:18:34,000 --> 00:18:37,160
Speaker 1: happy to know that I still haven't received a text

429
00:18:37,280 --> 00:18:39,960
Speaker 1: back from Matt Preson after you guys grafted the tech

430
00:18:40,000 --> 00:18:41,720
Speaker 1: message to him about the gig we're meant to be

431
00:18:41,800 --> 00:18:43,480
Speaker 1: going to tonight, but it's been surprised me. If we

432
00:18:43,520 --> 00:18:43,879
Speaker 1: pulled out.

433
00:18:43,920 --> 00:18:46,040
Speaker 3: Now it's like you're on a first date for a

434
00:18:46,080 --> 00:18:48,639
Speaker 3: first date, really nervously waiting for you.

435
00:18:48,680 --> 00:18:50,560
Speaker 2: Know, you know, like it's a big deal. I mean,

436
00:18:50,600 --> 00:18:52,120
Speaker 2: like you know, you know, you know that I watched

437
00:18:52,200 --> 00:18:52,800
Speaker 2: Master Chef.

438
00:18:52,960 --> 00:18:53,920
Speaker 1: You know that I like the show.

439
00:18:54,040 --> 00:18:54,880
Speaker 2: What's a TV show?

440
00:18:54,920 --> 00:18:56,360
Speaker 1: You like me? Yeah?

441
00:18:58,119 --> 00:19:01,680
Speaker 3: Oh, I've been watching and I'm the American translation of

442
00:19:01,760 --> 00:19:03,240
Speaker 3: the Australian film and weal Kingdom?

443
00:19:03,280 --> 00:19:04,440
Speaker 1: Who's your favorite actor on it?

444
00:19:04,600 --> 00:19:07,359
Speaker 4: You wouldn't know their names? Okay, one of them.

445
00:19:07,760 --> 00:19:09,119
Speaker 3: If I was going to dinner with him and you

446
00:19:09,240 --> 00:19:10,600
Speaker 3: wrote the message, I'd be really angry.

447
00:19:10,720 --> 00:19:13,200
Speaker 2: Ye, So I get it now here we are, Sarah

448
00:19:16,119 --> 00:19:19,760
Speaker 2: a compas every topic we're talking. Have you caught someone

449
00:19:19,840 --> 00:19:20,359
Speaker 2: red handed?

450
00:19:20,400 --> 00:19:20,600
Speaker 1: Mate?

451
00:19:21,640 --> 00:19:23,359
Speaker 4: I did what happened?

452
00:19:24,840 --> 00:19:27,240
Speaker 7: I went to the server at two or three o'clock

453
00:19:27,280 --> 00:19:29,000
Speaker 7: in the morning bread and milk for the kids for

454
00:19:29,119 --> 00:19:33,000
Speaker 7: breakfast the next morning, as you do, and drove back

455
00:19:33,040 --> 00:19:35,840
Speaker 7: into the driveway to see somebody riding my son's bike

456
00:19:35,920 --> 00:19:36,720
Speaker 7: out of the driveway.

457
00:19:38,119 --> 00:19:41,240
Speaker 2: Oh so what do you do there, Sarah?

458
00:19:42,440 --> 00:19:44,840
Speaker 7: Your kind of panic and you hit the accelerator and

459
00:19:44,960 --> 00:19:45,920
Speaker 7: knocked them off the bike.

460
00:19:47,480 --> 00:19:50,240
Speaker 3: You ran them over, You ran them over, You actually

461
00:19:50,320 --> 00:19:51,840
Speaker 3: ran them down, Sarah, I did.

462
00:19:52,440 --> 00:19:54,440
Speaker 4: We're gonna have to quickly say that, we don't condone that.

463
00:19:54,960 --> 00:19:55,240
Speaker 1: Wow.

464
00:19:56,320 --> 00:20:00,720
Speaker 4: So when you when you hit him, Sarah, elp is

465
00:20:01,000 --> 00:20:01,520
Speaker 4: he okay?

466
00:20:03,640 --> 00:20:06,960
Speaker 7: Well he ran away kind of limping, but he got away.

467
00:20:07,119 --> 00:20:07,879
Speaker 2: He got away.

468
00:20:08,080 --> 00:20:08,280
Speaker 5: Wow.

469
00:20:08,440 --> 00:20:12,119
Speaker 1: So the Francis mcdormant approach after someone steals her priceless

470
00:20:12,160 --> 00:20:15,640
Speaker 1: Oscar is to let him go. And Sarah's approach when

471
00:20:15,680 --> 00:20:17,840
Speaker 1: she sees a stranger on her son's bike. What if

472
00:20:17,880 --> 00:20:19,720
Speaker 1: it was a friend from school who hadn't met yet,

473
00:20:20,560 --> 00:20:21,960
Speaker 1: borrowing it for the afternoon.

474
00:20:23,359 --> 00:20:24,840
Speaker 7: Well, I'll still o'clock in the morning.

475
00:20:26,760 --> 00:20:30,400
Speaker 2: It's really good girl, Sarah. Ellie five, you got someone

476
00:20:30,440 --> 00:20:30,920
Speaker 2: red handed?

477
00:20:33,080 --> 00:20:33,359
Speaker 4: Ellie?

478
00:20:34,200 --> 00:20:36,080
Speaker 2: Yes, you've caught someone red handed?

479
00:20:36,119 --> 00:20:37,920
Speaker 1: Ellie, Yes, Yes I have.

480
00:20:38,920 --> 00:20:42,560
Speaker 6: I was at the park doing my daily run or

481
00:20:42,720 --> 00:20:45,680
Speaker 6: walk and there was quite.

482
00:20:45,480 --> 00:20:48,520
Speaker 8: A small park, and I saw another person walking to

483
00:20:48,600 --> 00:20:50,640
Speaker 8: the park and they were walking around the park doing

484
00:20:50,680 --> 00:20:54,520
Speaker 8: their exercises too, and my yoga mat and my keys

485
00:20:54,600 --> 00:20:56,280
Speaker 8: were kind of like in the middle of the park

486
00:20:56,359 --> 00:20:58,600
Speaker 8: where I could keep an eye on them. And as

487
00:20:58,680 --> 00:21:01,639
Speaker 8: I walked right down to the end of one part.

488
00:21:02,000 --> 00:21:05,000
Speaker 8: I kept my eye on my things, and this guy

489
00:21:05,119 --> 00:21:07,879
Speaker 8: walked straight over, picked up my keys and my yoga

490
00:21:07,920 --> 00:21:10,000
Speaker 8: mat and started like walking out of the park.

491
00:21:10,359 --> 00:21:12,359
Speaker 1: Why what are you doing.

492
00:21:12,520 --> 00:21:15,320
Speaker 6: I'd run towards him and be like, that's my stuff.

493
00:21:15,359 --> 00:21:18,080
Speaker 7: You've seen me walking around like what would say?

494
00:21:19,440 --> 00:21:20,640
Speaker 5: He was I'm sorry, I'm sorry.

495
00:21:20,760 --> 00:21:22,440
Speaker 7: He didn't speak much English.

496
00:21:22,960 --> 00:21:23,040
Speaker 1: So.

497
00:21:25,040 --> 00:21:26,199
Speaker 6: It was just very awkward.

498
00:21:26,320 --> 00:21:28,520
Speaker 1: I was like, what, So he didn't even try and run,

499
00:21:28,600 --> 00:21:30,479
Speaker 1: So he's standing there and then he's got it all

500
00:21:30,520 --> 00:21:33,440
Speaker 1: in his hands and then you know there's no running involved.

501
00:21:34,280 --> 00:21:37,040
Speaker 8: No, well, he just kind of dropped the things and

502
00:21:37,359 --> 00:21:39,359
Speaker 8: kind of took two steps back and put his hand up.

503
00:21:39,359 --> 00:21:42,600
Speaker 8: I'm sorry, I'm sorry, said you know, that's I'm clearly

504
00:21:42,680 --> 00:21:45,200
Speaker 8: my stuff really is, because.

505
00:21:44,920 --> 00:21:47,320
Speaker 3: You can't there's no way you can try and say there, whoopsies.

506
00:21:47,359 --> 00:21:50,000
Speaker 3: I thought this was my yoga mat, yeah itself in

507
00:21:50,080 --> 00:21:52,479
Speaker 3: the park and yeah, no I was not. Yeah, that's

508
00:21:52,520 --> 00:21:53,200
Speaker 3: that's I love that.

509
00:21:53,720 --> 00:21:55,919
Speaker 2: Katie thirty one six five. You've got someone red handed.

510
00:21:56,720 --> 00:21:57,080
Speaker 8: I did.

511
00:21:57,160 --> 00:21:58,760
Speaker 5: I got my husband with his girlfriend.

512
00:21:59,040 --> 00:22:01,879
Speaker 1: Oh, so.

513
00:22:03,600 --> 00:22:04,679
Speaker 2: So I'm sorry.

514
00:22:04,880 --> 00:22:08,879
Speaker 3: Firstly, be so good, yeah, good good, you're over at

515
00:22:08,960 --> 00:22:11,080
Speaker 3: Katie and you'll find someone better, can.

516
00:22:11,160 --> 00:22:11,440
Speaker 1: I ask?

517
00:22:11,560 --> 00:22:12,919
Speaker 4: So, were you living to get the Katie?

518
00:22:13,600 --> 00:22:13,719
Speaker 1: Oh?

519
00:22:13,840 --> 00:22:16,480
Speaker 5: Yeah, we were, But I suspected something was going on.

520
00:22:17,359 --> 00:22:19,200
Speaker 5: Oh no, I knew where he was going to be.

521
00:22:19,359 --> 00:22:21,320
Speaker 5: This particular Saturday.

522
00:22:21,000 --> 00:22:23,000
Speaker 4: Night was of a sting case.

523
00:22:23,560 --> 00:22:26,560
Speaker 5: I sort of staked out the reception area at the

524
00:22:26,600 --> 00:22:30,320
Speaker 5: wedding area of the of the place, and in he

525
00:22:30,400 --> 00:22:31,520
Speaker 5: walked in.

526
00:22:31,680 --> 00:22:34,720
Speaker 2: He walked yep, with like arm in arm with her.

527
00:22:35,200 --> 00:22:38,760
Speaker 10: Well, not exactly. He went to check in at the counter. Yeah,

528
00:22:39,119 --> 00:22:41,600
Speaker 10: And I walked up to him and I said you

529
00:22:41,760 --> 00:22:45,960
Speaker 10: he oh, And he.

530
00:22:46,080 --> 00:22:48,480
Speaker 5: Said, oh my god, what are you doing here? This

531
00:22:48,680 --> 00:22:51,800
Speaker 5: is so embarrassing. I'm out with my friends, blah blah blah.

532
00:22:53,240 --> 00:22:55,680
Speaker 5: But I'd seen somebody that he'd gone to speak to.

533
00:22:56,280 --> 00:22:56,520
Speaker 7: Yep.

534
00:22:57,080 --> 00:23:00,560
Speaker 5: So he went up to his hotel room. And then

535
00:23:00,720 --> 00:23:02,639
Speaker 5: the guy that he was talking to came out to

536
00:23:02,920 --> 00:23:07,320
Speaker 5: a car in the Valley party section, and out gets

537
00:23:07,359 --> 00:23:11,159
Speaker 5: a girl holding the clothes that I've washed Anne for

538
00:23:11,280 --> 00:23:12,240
Speaker 5: my husband to go out.

539
00:23:13,080 --> 00:23:18,720
Speaker 1: Oh, he's just.

540
00:23:21,520 --> 00:23:21,879
Speaker 5: Do you do?

541
00:23:22,600 --> 00:23:24,760
Speaker 4: Yeah? What do you say there?

542
00:23:25,320 --> 00:23:25,520
Speaker 1: Yeah?

543
00:23:26,760 --> 00:23:30,560
Speaker 5: I just said are you? Are you rous girlfriend? Right?

544
00:23:30,800 --> 00:23:32,840
Speaker 5: And she said to me, oh you must be Kate.

545
00:23:33,600 --> 00:23:35,520
Speaker 3: Oh, you.

546
00:23:38,720 --> 00:23:41,160
Speaker 5: Said, yes, I am I'm his wife.

547
00:23:41,000 --> 00:23:42,440
Speaker 2: And I've washed an iron them.

548
00:23:43,320 --> 00:23:45,520
Speaker 5: Oh well, that's actually not what I said.

549
00:23:51,640 --> 00:23:53,840
Speaker 1: Thanks the girl Guddy, Hey, who dad judge for you

550
00:23:53,920 --> 00:23:56,080
Speaker 1: guys to play outs and gets who the celebrity is

551
00:23:56,600 --> 00:23:58,920
Speaker 1: otherwise we're getting punished. Is up next? Up with a buddy?

552
00:23:59,440 --> 00:24:01,119
Speaker 1: I don't want to mention the Matt present thing, but

553
00:24:01,240 --> 00:24:03,120
Speaker 1: I meanted this seeing a gig with him tonight. We've

554
00:24:03,119 --> 00:24:04,800
Speaker 1: written in the next text message to him on air

555
00:24:05,560 --> 00:24:10,600
Speaker 1: hasn't been back, so that's only chance I'll get it

556
00:24:10,800 --> 00:24:13,760
Speaker 1: hanging out with So just thanks to all those people

557
00:24:13,840 --> 00:24:17,320
Speaker 1: that included a Preston pun, Hey, Presto and a Cravat

558
00:24:17,400 --> 00:24:19,800
Speaker 1: pun which was you, Actually I'll pick you Cravat at

559
00:24:19,840 --> 00:24:20,840
Speaker 1: seven at.

560
00:24:20,760 --> 00:24:24,600
Speaker 4: Seven, Yeah, I'll pick you cavat seven. It's funny. That's

561
00:24:24,600 --> 00:24:28,280
Speaker 4: serious question though, Can I have the ticket because you've

562
00:24:28,320 --> 00:24:31,399
Speaker 4: already paid for it? So no, too soon.

563
00:24:31,480 --> 00:24:33,320
Speaker 2: We're playing who da up next?

564
00:24:37,160 --> 00:24:38,199
Speaker 1: This game's really simple.

565
00:24:38,800 --> 00:24:43,399
Speaker 3: One of us describes a celebrity, so describing only their appearance,

566
00:24:43,720 --> 00:24:46,200
Speaker 3: and then the other one tries to guess the celebrity

567
00:24:47,080 --> 00:24:50,040
Speaker 3: that's being described. We think we're so good at this

568
00:24:50,400 --> 00:24:53,960
Speaker 3: that you can play against us. Thirteen one six y five.

569
00:24:54,160 --> 00:24:56,960
Speaker 3: If you want to play against us, that's the number

570
00:24:57,000 --> 00:24:59,840
Speaker 3: you call. And if you beat us, we get punished

571
00:25:00,520 --> 00:25:02,399
Speaker 3: by punishment that the producers come up with.

572
00:25:03,240 --> 00:25:05,199
Speaker 1: So we're hot that I mean, it's a lot of fun.

573
00:25:05,240 --> 00:25:07,560
Speaker 2: We've looked at armpits before, we.

574
00:25:07,560 --> 00:25:11,560
Speaker 3: Had an atomic we But we're hot, mate, We're on

575
00:25:11,600 --> 00:25:12,960
Speaker 3: a hot streak. We've got Tom Hardy.

576
00:25:13,119 --> 00:25:14,280
Speaker 2: I'm not feeling all that buoyant.

577
00:25:14,320 --> 00:25:18,560
Speaker 1: I've just been publicly rejected on a mandate, which is

578
00:25:18,560 --> 00:25:20,680
Speaker 1: hard to put yourself out for. But we're gonna play

579
00:25:20,760 --> 00:25:25,000
Speaker 1: who Dat right now, a chance to players in the

580
00:25:25,040 --> 00:25:26,720
Speaker 1: game that we think we can't be beaten it at

581
00:25:27,119 --> 00:25:30,040
Speaker 1: and have you guys have proven a number of times

582
00:25:30,080 --> 00:25:40,840
Speaker 1: that we can be. It's okay, so very simple. Six fives,

583
00:25:40,880 --> 00:25:44,879
Speaker 1: the number one of Woody or Eye will describe a

584
00:25:45,040 --> 00:25:46,800
Speaker 1: celebrity to the other.

585
00:25:49,560 --> 00:25:52,840
Speaker 2: We then play one of you guys. So Valerie on

586
00:25:52,920 --> 00:25:54,520
Speaker 2: the phone right now, Valerie.

587
00:25:54,160 --> 00:25:55,840
Speaker 1: How are you going good?

588
00:25:55,880 --> 00:25:56,119
Speaker 5: Thank you?

589
00:25:56,600 --> 00:25:58,600
Speaker 2: Welcome to Who Dat? Woods and I have said we're

590
00:25:58,600 --> 00:26:01,000
Speaker 2: so good at this game that nobody can beat us.

591
00:26:01,160 --> 00:26:05,400
Speaker 1: We must only describe the celebrity's facial or bodily features.

592
00:26:08,200 --> 00:26:09,720
Speaker 2: We don't say what category of celebrity.

593
00:26:09,720 --> 00:26:12,560
Speaker 1: They are Your name is your buzzer, Valerie, and you

594
00:26:12,720 --> 00:26:13,840
Speaker 1: get three guesses.

595
00:26:14,960 --> 00:26:17,320
Speaker 4: Okay, so no rapid fire, Valerie.

596
00:26:17,520 --> 00:26:22,359
Speaker 2: If we lose, we have conceded to getting a punishment.

597
00:26:24,560 --> 00:26:26,359
Speaker 3: Well, we actually don't know what that punishment is unless

598
00:26:26,600 --> 00:26:27,960
Speaker 3: we'll go to the digital man, the.

599
00:26:28,080 --> 00:26:30,760
Speaker 2: Wiz Whiz boys, Boys Boys.

600
00:26:31,320 --> 00:26:34,760
Speaker 1: If you fail today, you will be receiving a Chinese

601
00:26:34,920 --> 00:26:36,720
Speaker 1: burn from the beast.

602
00:26:39,240 --> 00:26:41,920
Speaker 3: And the beast is our female executive producer, Valerie. And

603
00:26:41,920 --> 00:26:43,560
Speaker 3: trust me, you do not want to be on the

604
00:26:43,600 --> 00:26:45,919
Speaker 3: other end. But Chinese burn from her.

605
00:26:46,640 --> 00:26:47,240
Speaker 4: Oh my god.

606
00:26:47,720 --> 00:26:50,800
Speaker 3: Okay, well come mate, oh my god, this is don

607
00:26:51,160 --> 00:26:53,240
Speaker 3: and sorry Valerie again, it's an honesty system.

608
00:26:53,280 --> 00:26:55,960
Speaker 4: But if you lose, just Chinese burn yourself.

609
00:26:57,880 --> 00:26:59,520
Speaker 7: You're doing your life those burning people.

610
00:27:00,040 --> 00:27:01,399
Speaker 4: Husband. Okay, great, ye get him.

611
00:27:01,800 --> 00:27:07,720
Speaker 1: You guys doing your relationship, Okay, Valerie. So I said,

612
00:27:07,800 --> 00:27:12,320
Speaker 1: names is buzzers. You only get three guesses one month.

613
00:27:13,600 --> 00:27:14,000
Speaker 4: One brain.

614
00:27:14,240 --> 00:27:16,200
Speaker 1: Oh my god, I'm tossing up between two and I

615
00:27:16,280 --> 00:27:16,840
Speaker 1: think have.

616
00:27:17,040 --> 00:27:18,520
Speaker 4: A think about it. I'm gonna to sit my coffee.

617
00:27:18,800 --> 00:27:20,520
Speaker 4: I'm going to sit my coffee because apparently it gets

618
00:27:20,560 --> 00:27:22,800
Speaker 4: your signapses snapping fast.

619
00:27:23,640 --> 00:27:25,080
Speaker 1: I don't know whether to go would you like a

620
00:27:25,160 --> 00:27:30,360
Speaker 1: man or a woman. I'm not telling about you. Sorry,

621
00:27:30,760 --> 00:27:33,760
Speaker 1: you're the one who's trying to beat us. I'm going

622
00:27:33,800 --> 00:27:38,359
Speaker 1: to a woman. Okay, thanks mate, do a valuie.

623
00:27:38,119 --> 00:27:39,640
Speaker 4: Ones No, no, no, okay, woman woman?

624
00:27:40,240 --> 00:27:40,840
Speaker 1: Okay, a woman?

625
00:27:40,920 --> 00:27:42,520
Speaker 4: Valerie? Where we're helping you out early?

626
00:27:42,560 --> 00:27:42,879
Speaker 7: All right?

627
00:27:43,400 --> 00:27:49,959
Speaker 1: Okay, all right, Valerie? So names is buzzers. You get

628
00:27:50,040 --> 00:27:56,840
Speaker 1: so nervous with this, okay, traditionally so she's got actually, interestingly,

629
00:27:59,320 --> 00:28:01,240
Speaker 1: I'm gonna have to say this to you, but I don't.

630
00:28:01,280 --> 00:28:02,400
Speaker 1: I don't want to just throw you off.

631
00:28:02,520 --> 00:28:04,600
Speaker 2: But she has a squarish chin.

632
00:28:04,800 --> 00:28:05,359
Speaker 4: Squarish chin.

633
00:28:05,560 --> 00:28:05,720
Speaker 7: Yep.

634
00:28:05,880 --> 00:28:08,680
Speaker 4: Okay, j what are Jenna Davis?

635
00:28:09,440 --> 00:28:12,000
Speaker 1: No, stop jumping in early.

636
00:28:12,720 --> 00:28:15,520
Speaker 2: This is what you did last time and you cooked yourself.

637
00:28:15,640 --> 00:28:16,280
Speaker 1: Just chill out.

638
00:28:17,080 --> 00:28:18,040
Speaker 4: I've got someone else going on.

639
00:28:18,119 --> 00:28:22,280
Speaker 2: A hole squares chin. She has got quite.

640
00:28:24,080 --> 00:28:30,560
Speaker 1: Plump cheeks, she's got blue eyes, and she has traditionally

641
00:28:31,640 --> 00:28:35,800
Speaker 1: heart like like her. Her face is almost like is

642
00:28:35,920 --> 00:28:39,040
Speaker 1: framed by her hair and it comes around like she

643
00:28:39,160 --> 00:28:42,560
Speaker 1: has bangs sort of thing like that's what she's that

644
00:28:42,720 --> 00:28:45,440
Speaker 1: was what like her? Her traditional style was.

645
00:28:47,320 --> 00:28:47,520
Speaker 7: Yeah.

646
00:28:48,240 --> 00:28:57,080
Speaker 2: She also is quite famous for being on screen and.

647
00:29:00,120 --> 00:29:00,600
Speaker 1: Is that a guess?

648
00:29:00,640 --> 00:29:01,800
Speaker 2: Valerie. That's incorrect, so.

649
00:29:02,080 --> 00:29:03,440
Speaker 4: Good try the cop Valerie.

650
00:29:04,920 --> 00:29:05,760
Speaker 2: She's almost so.

651
00:29:06,440 --> 00:29:10,120
Speaker 1: Her hair frames her face, so she's in the nineties.

652
00:29:10,200 --> 00:29:14,960
Speaker 1: Her hair framed her face, very nineties, brilliant, blue eyes, brilliant,

653
00:29:16,000 --> 00:29:20,280
Speaker 1: so she's got blue eyes. Her hair frames her face.

654
00:29:21,600 --> 00:29:26,280
Speaker 1: Quite pumped cheeks, squarish jaw, cute, cute little button nose.

655
00:29:27,800 --> 00:29:32,400
Speaker 1: And on the screen sometimes you would be able to

656
00:29:32,520 --> 00:29:34,920
Speaker 1: see Jennifer Aniston.

657
00:29:44,800 --> 00:29:45,640
Speaker 2: Burn yourself.

658
00:29:46,160 --> 00:29:48,960
Speaker 1: The boys are bad in a row on who that

659
00:29:49,160 --> 00:29:49,960
Speaker 1: it's will and money.

660
00:29:50,120 --> 00:29:53,040
Speaker 2: Yes, if you've just joined us.

661
00:29:53,560 --> 00:29:56,560
Speaker 1: I made the mistake of letting a good friend in

662
00:29:56,640 --> 00:29:58,960
Speaker 1: on the fact that I was nervous about meeting up

663
00:29:59,000 --> 00:30:00,840
Speaker 1: with somebody else later tonight.

664
00:30:02,200 --> 00:30:07,080
Speaker 2: His name's Matt Preston. Wow, chef, I said to you

665
00:30:07,320 --> 00:30:08,040
Speaker 2: what he that?

666
00:30:08,120 --> 00:30:09,960
Speaker 1: I asked Matt a couple of weeks ago to go

667
00:30:10,160 --> 00:30:13,800
Speaker 1: this gig with me as an offhand comment. He said, yes,

668
00:30:14,240 --> 00:30:16,000
Speaker 1: I haven't heard from him since, and so I needed

669
00:30:16,000 --> 00:30:19,880
Speaker 1: to send a confirmation text. Yes you since swiped my

670
00:30:20,000 --> 00:30:23,440
Speaker 1: phone and asked people to draft the text, and this

671
00:30:23,800 --> 00:30:25,400
Speaker 1: was the end result.

672
00:30:26,120 --> 00:30:29,040
Speaker 3: Hey, Presto, see you tonight, mate. I'll bring the facts,

673
00:30:29,120 --> 00:30:33,320
Speaker 3: you bring the snacks. I'll pick you up cravat seven. Oh,

674
00:30:33,480 --> 00:30:38,760
Speaker 3: that's good, he wears cravat. No, I'll pick you up cravat.

675
00:30:46,000 --> 00:30:46,200
Speaker 9: Mate.

676
00:30:46,240 --> 00:30:48,480
Speaker 3: That's a great message. That is a great message. He's

677
00:30:48,520 --> 00:30:55,240
Speaker 3: a busy guy. It's only been an hour. It's been

678
00:30:55,280 --> 00:30:58,200
Speaker 3: an hour, it's five. That's not that much for a

679
00:30:58,280 --> 00:31:00,840
Speaker 3: busy guy like Matt Preston, who knows what he's doing.

680
00:31:01,040 --> 00:31:03,560
Speaker 3: He might be filming the new season a master cheff.

681
00:31:03,600 --> 00:31:06,320
Speaker 3: He might be talking about new flavors with George Colin Barras.

682
00:31:06,560 --> 00:31:07,240
Speaker 4: He could be doing.

683
00:31:08,760 --> 00:31:11,800
Speaker 1: About to go out to a gig and then just

684
00:31:11,920 --> 00:31:15,280
Speaker 1: realize that we've made fun of his cravats on air. Well, look,

685
00:31:15,360 --> 00:31:16,360
Speaker 1: both of us rejected me.

686
00:31:16,600 --> 00:31:17,480
Speaker 4: Both of us are throwing.

687
00:31:18,880 --> 00:31:20,640
Speaker 2: There will need to be some form of replicasion for

688
00:31:20,720 --> 00:31:21,120
Speaker 2: you doing this.

689
00:31:21,960 --> 00:31:25,760
Speaker 1: There will need my relations a reward if he writes

690
00:31:25,800 --> 00:31:30,520
Speaker 1: back yep, agreed, agreed, Yeah, agreed, Okay, no, no, if

691
00:31:30,920 --> 00:31:33,360
Speaker 1: he rejects me as a result of this, yes, there

692
00:31:33,440 --> 00:31:34,760
Speaker 1: needs to be some form of replicassion.

693
00:31:34,800 --> 00:31:36,880
Speaker 4: It's fine. I'm that confident that message will kill then.

694
00:31:37,000 --> 00:31:40,360
Speaker 4: Otherwise I'll reward you if it goes well, good, excellent.

695
00:31:40,400 --> 00:31:49,040
Speaker 1: Let's still waiting on that text from Matthew Preston, if

696
00:31:49,080 --> 00:31:52,480
Speaker 1: you're listening that you know what, He's probably not listening,

697
00:31:52,520 --> 00:31:54,600
Speaker 1: is he know? I am? I mean, this is my

698
00:31:54,680 --> 00:31:56,880
Speaker 1: one chance anyway you find out if his text about

699
00:31:56,880 --> 00:31:57,720
Speaker 1: you guys are draft for.

700
00:31:57,720 --> 00:31:59,880
Speaker 4: The text, I'm confident. I'm very confident.

701
00:32:00,720 --> 00:32:03,680
Speaker 3: While we are awaiting that text message, Will, let's get

702
00:32:03,720 --> 00:32:05,480
Speaker 3: into a little bit of international news.

703
00:32:06,760 --> 00:32:07,280
Speaker 2: How's this.

704
00:32:07,640 --> 00:32:10,760
Speaker 4: I think this is a great sign for the world.

705
00:32:11,400 --> 00:32:16,800
Speaker 3: Kim Jong un has invited a whole bunch of South

706
00:32:17,080 --> 00:32:19,360
Speaker 3: Korean delegates to dinner.

707
00:32:20,920 --> 00:32:24,280
Speaker 4: Oh my god, isn't that It's it's good, it's amazing.

708
00:32:24,400 --> 00:32:26,720
Speaker 3: I think it's a huge step that that that he's

709
00:32:26,840 --> 00:32:30,840
Speaker 3: looking for a middle ground or a conversation to stop

710
00:32:30,920 --> 00:32:31,800
Speaker 3: all the madness.

711
00:32:32,520 --> 00:32:36,560
Speaker 1: Having said that, well, what interesting is obviously they're they're

712
00:32:36,560 --> 00:32:38,600
Speaker 1: all Korean at the table, so they've all got you know,

713
00:32:38,760 --> 00:32:43,120
Speaker 1: the significant salient features of you know, Koreans.

714
00:32:43,480 --> 00:32:45,040
Speaker 4: Might play the game North or South.

715
00:32:46,920 --> 00:32:52,120
Speaker 1: Common, but they're divided, same people but just you know,

716
00:32:53,440 --> 00:32:54,840
Speaker 1: just can't get it right. Get It's sad.

717
00:32:55,120 --> 00:32:57,360
Speaker 3: What I also find interesting, Will is put yourself in

718
00:32:57,440 --> 00:32:59,520
Speaker 3: the shoes of one of the South Korean delegates.

719
00:33:00,200 --> 00:33:03,760
Speaker 4: You've been invited to Kim Jong UN's house to go

720
00:33:03,880 --> 00:33:05,960
Speaker 4: to dinner. How are you feeling?

721
00:33:07,120 --> 00:33:07,320
Speaker 1: Yeah?

722
00:33:07,880 --> 00:33:08,200
Speaker 5: What was it?

723
00:33:08,400 --> 00:33:10,880
Speaker 1: Was it at his place? Was it in North Korea?

724
00:33:11,000 --> 00:33:13,760
Speaker 1: You've had a little bit of mayo there? Yeah, right, yeah, nervous, so.

725
00:33:15,640 --> 00:33:18,120
Speaker 2: You would have you know how you would be.

726
00:33:20,960 --> 00:33:23,640
Speaker 3: Let's just say for a second, yes, it is Kim

727
00:33:23,720 --> 00:33:26,440
Speaker 3: Jong UN's little modest house that I'm sure he has

728
00:33:26,480 --> 00:33:29,640
Speaker 3: in your career. You would be so scared you say

729
00:33:29,720 --> 00:33:32,640
Speaker 3: something wrong. He could absolutely blow his lid like this.

730
00:33:33,240 --> 00:33:33,840
Speaker 2: God damn it.

731
00:33:33,920 --> 00:33:36,040
Speaker 1: How many time time to tell you you don't use

732
00:33:36,080 --> 00:33:36,880
Speaker 1: the WMDs.

733
00:33:36,920 --> 00:33:38,960
Speaker 2: I tell you see they said, no, I have woit

734
00:33:39,080 --> 00:33:39,680
Speaker 2: ten years on.

735
00:33:40,520 --> 00:33:41,360
Speaker 1: It's very perfect.

736
00:33:41,360 --> 00:33:44,360
Speaker 2: I mean, yeah, he's probably got a pool with sharks

737
00:33:44,360 --> 00:33:46,400
Speaker 2: with laser beabs. There's not that about it, no doubt.

738
00:33:46,520 --> 00:33:48,560
Speaker 3: You take the chicken breast that he had his eyes

739
00:33:48,600 --> 00:33:51,719
Speaker 3: on bomb you're dead, Yeah, well yeah, but they are.

740
00:33:51,800 --> 00:33:56,480
Speaker 3: Piece made me think that, well, you know, when you

741
00:33:56,640 --> 00:33:58,880
Speaker 3: are nervous for a dinner, and I'm not talking about

742
00:33:58,920 --> 00:34:01,680
Speaker 3: going to Kim Jong UN's place, but for whatever reason,

743
00:34:01,720 --> 00:34:04,400
Speaker 3: you're really nervous about a dinner. I think going to

744
00:34:04,520 --> 00:34:08,239
Speaker 3: meet the in laws for the first time. Think going

745
00:34:08,280 --> 00:34:10,480
Speaker 3: out to dinner with your boss or think going out

746
00:34:10,480 --> 00:34:13,800
Speaker 3: to dinner with Matt Preston for you, potentially it's nice.

747
00:34:14,080 --> 00:34:15,160
Speaker 1: That is his sign.

748
00:34:16,640 --> 00:34:18,560
Speaker 2: That's a dig. He is an unfair dig.

749
00:34:18,760 --> 00:34:19,200
Speaker 1: Let me go on.

750
00:34:19,760 --> 00:34:21,719
Speaker 3: When you are nervous for a dinner, I feel like

751
00:34:21,840 --> 00:34:25,880
Speaker 3: things always go wrong just because you're so shaky and

752
00:34:26,080 --> 00:34:26,840
Speaker 3: so nervous.

753
00:34:27,280 --> 00:34:29,680
Speaker 4: That's when you really stuff up. And I want to know.

754
00:34:29,760 --> 00:34:32,840
Speaker 3: I'm thirteen one oh six y five. We're sort of

755
00:34:32,920 --> 00:34:35,719
Speaker 3: like putting ourselves in the shoes of these South Korean delegates.

756
00:34:35,920 --> 00:34:38,000
Speaker 3: When you are nervous for a dinner. Have you been

757
00:34:38,120 --> 00:34:42,000
Speaker 3: nervous for a dinner and then completely stuffed up? You

758
00:34:42,160 --> 00:34:46,600
Speaker 3: said something wrong, you physically spilt something on someone. You've

759
00:34:46,600 --> 00:34:50,280
Speaker 3: got a mutual friend Will it's got a new girlfriend

760
00:34:50,320 --> 00:34:50,680
Speaker 3: at the moment.

761
00:34:50,760 --> 00:34:52,040
Speaker 4: It's very exciting for him.

762
00:34:52,080 --> 00:34:52,839
Speaker 1: His name is Rat.

763
00:34:53,320 --> 00:34:56,600
Speaker 4: Well, I wasn't gonna say, well, it's the Rat. It's

764
00:34:56,680 --> 00:34:57,040
Speaker 4: the Rat.

765
00:34:57,239 --> 00:35:00,439
Speaker 3: And he was particularly nervous about meeting his old friend's

766
00:35:00,560 --> 00:35:04,120
Speaker 3: parents for the first time. And they're all sitting around

767
00:35:04,120 --> 00:35:07,000
Speaker 3: the table, but there are siblings there, or.

768
00:35:07,000 --> 00:35:09,640
Speaker 1: Not just siblings. The girl that he's going out with

769
00:35:09,880 --> 00:35:13,279
Speaker 1: is one of five other girls who all rocked up

770
00:35:13,320 --> 00:35:15,759
Speaker 1: with their partners and the first time that he met

771
00:35:15,800 --> 00:35:20,120
Speaker 1: the family, and he goes for he actually he says.

772
00:35:19,880 --> 00:35:22,319
Speaker 3: That he waits minutes until he goes for his first

773
00:35:22,320 --> 00:35:24,000
Speaker 3: bit of fodcs. He tries to I don't want to

774
00:35:24,040 --> 00:35:26,319
Speaker 3: go for the sauce exactly. I'm trying to be courteous here,

775
00:35:26,360 --> 00:35:30,000
Speaker 3: and then he goes right, the kipler potatoes are clear,

776
00:35:30,120 --> 00:35:31,040
Speaker 3: So he gets up.

777
00:35:31,040 --> 00:35:36,240
Speaker 4: He leans over, tries to fork one of the kipler.

778
00:35:37,600 --> 00:35:39,640
Speaker 2: You can't spoon a kippler you got you got to

779
00:35:39,680 --> 00:35:40,759
Speaker 2: secure it, and.

780
00:35:40,840 --> 00:35:44,520
Speaker 3: Apparently it flicked off the table and then down a hallway,

781
00:35:44,640 --> 00:35:47,160
Speaker 3: and then he had to go on the man the

782
00:35:47,280 --> 00:35:48,759
Speaker 3: kipler from the other end of the hall.

783
00:35:48,920 --> 00:35:50,279
Speaker 4: Potato thirteen one oh.

784
00:35:50,360 --> 00:35:52,480
Speaker 3: Six ' five Give us a call with other stories

785
00:35:52,480 --> 00:35:55,239
Speaker 3: about how you're stuffed up at a dinner that you

786
00:35:55,320 --> 00:35:56,400
Speaker 3: were really nervous about.

787
00:35:56,560 --> 00:35:58,719
Speaker 1: Yes, give us guy next? Is really what he still

788
00:35:58,719 --> 00:36:03,000
Speaker 1: waiting on that jiggy text me from Master Chef Judgement

789
00:36:03,080 --> 00:36:04,879
Speaker 1: Preston which we sent million hour and a half ago

790
00:36:05,040 --> 00:36:07,480
Speaker 1: now which you guys dictated, which used his name and

791
00:36:07,600 --> 00:36:10,040
Speaker 1: what he wears as a joke, so you know the

792
00:36:10,120 --> 00:36:10,760
Speaker 1: thing has crossed.

793
00:36:10,960 --> 00:36:15,200
Speaker 3: Positive minds will positive mind thirteen one oh sixty five

794
00:36:15,400 --> 00:36:18,920
Speaker 3: right now, though, we're asking what went wrong at an

795
00:36:18,960 --> 00:36:20,720
Speaker 3: important dinner?

796
00:36:21,040 --> 00:36:23,000
Speaker 1: Yeah, Or if you've planned a dinner and you're nervous

797
00:36:23,080 --> 00:36:25,719
Speaker 1: and you know they just going wrong with me, They

798
00:36:25,840 --> 00:36:27,480
Speaker 1: just pulled out because your friend wrote a text me.

799
00:36:27,719 --> 00:36:29,240
Speaker 4: You could have caught up for this bit, Sarah.

800
00:36:30,600 --> 00:36:31,839
Speaker 6: Yes, hello boys again.

801
00:36:31,880 --> 00:36:33,000
Speaker 7: I spoke with you yesterday.

802
00:36:34,719 --> 00:36:38,840
Speaker 1: Back to the show. You've you've cooked a dinner you

803
00:36:38,920 --> 00:36:39,480
Speaker 1: were nervous for.

804
00:36:40,840 --> 00:36:44,200
Speaker 5: Yes, I went to dinner with my boss and his wife,

805
00:36:44,239 --> 00:36:46,080
Speaker 5: who went to a really nice Turkish restaurant.

806
00:36:46,400 --> 00:36:49,279
Speaker 6: They're like for dinner, I'm like odd the vegetable potter.

807
00:36:49,280 --> 00:36:50,640
Speaker 5: They're like, do you don't eat meat?

808
00:36:50,640 --> 00:36:52,719
Speaker 6: I'm like, no, how about chicken?

809
00:36:53,200 --> 00:36:54,239
Speaker 5: No, how about lamb?

810
00:36:54,520 --> 00:36:56,280
Speaker 1: I don't eat dead animals?

811
00:36:56,320 --> 00:37:00,960
Speaker 6: And I yelled it quite loud. Wow, everyone wok in

812
00:37:01,040 --> 00:37:03,880
Speaker 6: the restaurants like, excuse me.

813
00:37:04,920 --> 00:37:08,200
Speaker 1: I took offense to it pretty badly. Well, if you're

814
00:37:08,200 --> 00:37:12,040
Speaker 1: going to yell out I don't eat dead animals, I

815
00:37:12,160 --> 00:37:14,000
Speaker 1: take your point. I mean, I mean that's the life choice,

816
00:37:14,040 --> 00:37:15,640
Speaker 1: and good on you for doing that, of.

817
00:37:15,719 --> 00:37:17,160
Speaker 4: Course, but it really puts me off.

818
00:37:17,200 --> 00:37:19,120
Speaker 3: If I'm able to dip into my big Lamb Chasley

819
00:37:19,400 --> 00:37:21,759
Speaker 3: or something like I don't want to be thinking about that.

820
00:37:21,840 --> 00:37:22,320
Speaker 4: Dead animals.

821
00:37:22,480 --> 00:37:23,279
Speaker 2: You eat dead animals, do you?

822
00:37:24,320 --> 00:37:27,400
Speaker 4: Well, I don't need a live ones. That's what if

823
00:37:27,440 --> 00:37:29,160
Speaker 4: that's what you're asking. I mean, that's my line. I'm

824
00:37:29,160 --> 00:37:30,640
Speaker 4: not about you savage from a human being.

825
00:37:32,400 --> 00:37:35,120
Speaker 1: I famously did. I famously did it when I went.

826
00:37:35,239 --> 00:37:36,960
Speaker 1: It was a girl that left her number for me

827
00:37:37,080 --> 00:37:38,560
Speaker 1: at a restaurant that I was working out.

828
00:37:38,600 --> 00:37:40,000
Speaker 4: Oh look, I do have a smooth.

829
00:37:44,239 --> 00:37:46,040
Speaker 2: Just a standard Tuesday for will.

830
00:37:47,280 --> 00:37:49,600
Speaker 4: I was, well, mister Bill, all your number. I can

831
00:37:49,680 --> 00:37:50,160
Speaker 4: never tell.

832
00:37:52,280 --> 00:37:54,080
Speaker 1: I was well out of my death. And it turned

833
00:37:54,080 --> 00:37:56,000
Speaker 1: because it turned out I knew that the girl that

834
00:37:56,080 --> 00:38:00,160
Speaker 1: had given me a number, she she was like six

835
00:38:00,239 --> 00:38:01,719
Speaker 1: years older than me, seven years older than me, but

836
00:38:01,840 --> 00:38:05,440
Speaker 1: she didn't know that look, and she was friends one

837
00:38:05,480 --> 00:38:06,600
Speaker 1: of my mate's older brothers.

838
00:38:06,960 --> 00:38:07,799
Speaker 2: And I got the date.

839
00:38:07,840 --> 00:38:11,440
Speaker 1: I was so nervous, and she asked if I wanted.

840
00:38:11,280 --> 00:38:13,840
Speaker 2: Tapis and I didn't know what tapis was.

841
00:38:15,239 --> 00:38:18,640
Speaker 1: Oh, so I said yes, And all these little plates

842
00:38:18,680 --> 00:38:21,560
Speaker 1: came out and I just I just had to wait

843
00:38:22,239 --> 00:38:24,080
Speaker 1: to try and see which one was mine.

844
00:38:25,040 --> 00:38:26,799
Speaker 2: Oh then yeah, And then she.

845
00:38:26,960 --> 00:38:29,760
Speaker 4: Said, hey, it obviously dawned on her. You're actually fifteen

846
00:38:29,800 --> 00:38:30,160
Speaker 4: years old.

847
00:38:30,160 --> 00:38:30,440
Speaker 1: Aren't you.

848
00:38:31,160 --> 00:38:32,960
Speaker 4: Yeah, she said it, and.

849
00:38:32,920 --> 00:38:36,719
Speaker 2: I'm like, oh yeah, I know, yeah, God, what did

850
00:38:36,760 --> 00:38:37,080
Speaker 2: you think?

851
00:38:37,400 --> 00:38:39,440
Speaker 1: She then, by the way, I had, I was on

852
00:38:39,640 --> 00:38:42,359
Speaker 1: my peas, so I couldn't drink, but got pressured into

853
00:38:42,400 --> 00:38:44,439
Speaker 1: a beer and then she had to drive me home

854
00:38:44,560 --> 00:38:47,839
Speaker 1: because I had yeah, oh yeah.

855
00:38:48,000 --> 00:38:49,800
Speaker 2: And then so she found out. She said, where's your castle,

856
00:38:49,920 --> 00:38:53,840
Speaker 2: my red peas, and was like, don't worry for the

857
00:38:53,920 --> 00:38:54,480
Speaker 2: kiss though.

858
00:38:56,920 --> 00:38:59,440
Speaker 1: I turned such a hart that the cheek was like

859
00:38:59,560 --> 00:39:01,840
Speaker 1: a moon, so much cheek.

860
00:39:02,560 --> 00:39:03,640
Speaker 4: I've got a stuff now.

861
00:39:05,200 --> 00:39:07,120
Speaker 3: Staff few stuffed up at an important dinner.

862
00:39:08,520 --> 00:39:09,160
Speaker 1: Yes, I did.

863
00:39:09,840 --> 00:39:10,360
Speaker 4: What happened?

864
00:39:11,440 --> 00:39:15,200
Speaker 6: Okay, so pretty much. I was with my ex boyfriend

865
00:39:15,560 --> 00:39:18,520
Speaker 6: and he asked my comfort dinner. I met his mum

866
00:39:18,640 --> 00:39:21,600
Speaker 6: the first day, and literally I bought a red bottle

867
00:39:21,640 --> 00:39:23,520
Speaker 6: of red wine because she loves red wine, I heard,

868
00:39:25,680 --> 00:39:27,640
Speaker 6: decided to for it, like I offered the pour it,

869
00:39:28,280 --> 00:39:31,120
Speaker 6: and then, of course, maybe because I was so nervous,

870
00:39:31,320 --> 00:39:33,560
Speaker 6: poured the red wine all over her brand new dress

871
00:39:33,600 --> 00:39:38,920
Speaker 6: that cost one hundred and twenty dollars. Oh and like

872
00:39:39,080 --> 00:39:41,400
Speaker 6: literally the whole dinner. The rest of it was just

873
00:39:41,680 --> 00:39:42,400
Speaker 6: so awkward.

874
00:39:42,480 --> 00:39:43,440
Speaker 5: She kept bringing it up.

875
00:39:43,520 --> 00:39:45,560
Speaker 6: But like now, every time that I see here she

876
00:39:45,680 --> 00:39:48,000
Speaker 6: just brings up that day and it was just like

877
00:39:48,200 --> 00:39:49,720
Speaker 6: the most embarrassing thing.

878
00:39:50,280 --> 00:39:52,560
Speaker 2: It happened to you what red wine was, mate?

879
00:39:52,600 --> 00:39:54,120
Speaker 1: I mean I was still struggling out there.

880
00:39:56,400 --> 00:39:59,920
Speaker 4: Thanks Matt Preston, let's talk.

881
00:40:01,800 --> 00:40:02,680
Speaker 1: I've got a text.

882
00:40:03,280 --> 00:40:03,920
Speaker 4: Unbelievable.

883
00:40:04,000 --> 00:40:06,200
Speaker 3: So Will was a little bit distracted during that because

884
00:40:06,239 --> 00:40:07,080
Speaker 3: it has received.

885
00:40:08,080 --> 00:40:10,840
Speaker 2: It happened during then just as there was talking, I

886
00:40:11,000 --> 00:40:11,600
Speaker 2: got a text.

887
00:40:12,239 --> 00:40:13,840
Speaker 4: Surely we go to a break, Let's build this up

888
00:40:13,840 --> 00:40:16,319
Speaker 4: a little bit. Let's go to a break, let's come back.

889
00:40:17,000 --> 00:40:19,759
Speaker 4: This could still be a rejection, no doubt that it

890
00:40:19,800 --> 00:40:20,239
Speaker 4: could still be.

891
00:40:20,680 --> 00:40:25,120
Speaker 1: I can still be a rejection. Yeah, I can see

892
00:40:25,200 --> 00:40:27,239
Speaker 1: the preview of the start of the message. Can you

893
00:40:27,280 --> 00:40:31,160
Speaker 1: give me that it's ambiguous? Well it's thankfully not you

894
00:40:31,200 --> 00:40:35,200
Speaker 1: know new phone who dis as disgusted earlier. But yes,

895
00:40:35,400 --> 00:40:37,719
Speaker 1: up next we'll find out whether you've ruined my one

896
00:40:37,840 --> 00:40:41,240
Speaker 1: chance to go to a gig with master Chief's Matt Preston.

897
00:40:41,400 --> 00:40:43,360
Speaker 2: Oh god, I'll be angry.

898
00:40:44,520 --> 00:40:47,640
Speaker 4: I I come confident what's up next?

899
00:40:48,760 --> 00:40:51,160
Speaker 1: And if you listen to the whole show, I came

900
00:40:51,200 --> 00:40:55,560
Speaker 1: on the air, you know, and and and made myself credibly.

901
00:40:55,320 --> 00:40:57,240
Speaker 2: Vulnerable again for whatever reason.

902
00:40:57,400 --> 00:41:00,439
Speaker 1: But I threw up a little bit of a hay Mary.

903
00:41:00,600 --> 00:41:02,600
Speaker 1: A couple of weeks ago, after.

904
00:41:04,360 --> 00:41:10,399
Speaker 2: I'd said to Master Chef's Matt Preston the big Deal,

905
00:41:12,280 --> 00:41:14,040
Speaker 2: probably the biggest, one of the biggest faces in.

906
00:41:14,040 --> 00:41:17,560
Speaker 1: Australian television, part of one of the great programs that

907
00:41:17,600 --> 00:41:20,920
Speaker 1: we've all enjoyed for a long time. I managed to

908
00:41:22,000 --> 00:41:24,759
Speaker 1: bump into him and he mentioned that he was keen

909
00:41:24,960 --> 00:41:27,000
Speaker 1: on going to go and see a gig with me.

910
00:41:27,520 --> 00:41:29,120
Speaker 1: He was he was keen on an artist. That is

911
00:41:29,239 --> 00:41:29,640
Speaker 1: not true.

912
00:41:29,680 --> 00:41:31,160
Speaker 2: He did not say that he was keen on the gig.

913
00:41:32,160 --> 00:41:34,960
Speaker 1: He was keen on an artist, the artist Lee Fields.

914
00:41:35,120 --> 00:41:39,600
Speaker 1: He's here tonight in Australia. iBook tickets. I then thought,

915
00:41:39,719 --> 00:41:43,640
Speaker 1: you know what, it's a one off Matt. I managed

916
00:41:43,680 --> 00:41:44,799
Speaker 1: to come over as Matt's number.

917
00:41:45,560 --> 00:41:47,879
Speaker 2: How I got that? No no matter, I asked Matt,

918
00:41:47,880 --> 00:41:48,040
Speaker 2: and he.

919
00:41:48,040 --> 00:41:50,480
Speaker 3: Said, yes, huge, And I was with you at the time.

920
00:41:50,520 --> 00:41:51,799
Speaker 3: It was a big mom We had a big night

921
00:41:51,840 --> 00:41:53,480
Speaker 3: that night, champagne showers all around.

922
00:41:53,360 --> 00:41:53,600
Speaker 1: We did.

923
00:41:53,680 --> 00:41:54,880
Speaker 2: And I told him what date it was.

924
00:41:54,920 --> 00:41:55,560
Speaker 1: He said he was keen.

925
00:41:56,800 --> 00:41:57,799
Speaker 2: That was about two weeks ago.

926
00:41:59,520 --> 00:42:01,120
Speaker 1: And then I came to you before the show.

927
00:42:04,120 --> 00:42:06,840
Speaker 3: To take over and you well, look, you haven't had

928
00:42:06,880 --> 00:42:09,640
Speaker 3: any any contact back from him. So I said to you, mate,

929
00:42:09,640 --> 00:42:11,080
Speaker 3: you need to ad a confirmation text. And then you

930
00:42:11,160 --> 00:42:13,920
Speaker 3: started throwing out these just desperate, awful text messages, and

931
00:42:13,960 --> 00:42:15,160
Speaker 3: I said, mate, let me help you out.

932
00:42:15,600 --> 00:42:17,000
Speaker 1: Let me help you out and throw it to the

933
00:42:17,080 --> 00:42:19,719
Speaker 1: listeners and let them draft a text message line by line.

934
00:42:19,800 --> 00:42:21,720
Speaker 1: So the overall product.

935
00:42:21,640 --> 00:42:25,200
Speaker 3: Was this, Hey, presto, see you tonight, mate. I'll bring

936
00:42:25,280 --> 00:42:27,640
Speaker 3: the facts, you bring the snacks. I'll pick you up

937
00:42:27,760 --> 00:42:33,360
Speaker 3: cravat seven. Oh that's good, he wears cravat like that. No,

938
00:42:33,680 --> 00:42:35,000
Speaker 3: i'll pick you up cravat.

939
00:42:41,239 --> 00:42:44,759
Speaker 2: I think you can actually hear my heartbreak in that?

940
00:42:45,000 --> 00:42:46,279
Speaker 3: Well, no, I think what you can here is an

941
00:42:46,280 --> 00:42:49,600
Speaker 3: amazing text message. Now you ten minutes ago or five

942
00:42:49,640 --> 00:42:52,880
Speaker 3: minutes ago, received a message you have a drone?

943
00:42:53,160 --> 00:42:53,319
Speaker 1: Mike?

944
00:42:53,960 --> 00:42:54,960
Speaker 4: Can we hear the drone here?

945
00:42:55,280 --> 00:42:58,040
Speaker 1: You've received a message an hour and twenty minutes later,

946
00:42:58,120 --> 00:43:00,239
Speaker 1: which I imagine is him probably sitting with his best

947
00:43:00,239 --> 00:43:02,480
Speaker 1: friend of his wife, going how do I get out

948
00:43:02,520 --> 00:43:04,000
Speaker 1: of this? These guys have made me a little like

949
00:43:04,080 --> 00:43:06,400
Speaker 1: an idiot, and they've taken the piece out of both.

950
00:43:06,280 --> 00:43:07,440
Speaker 2: My name and what I wear.

951
00:43:07,719 --> 00:43:08,760
Speaker 1: So how do I come across.

952
00:43:09,280 --> 00:43:13,040
Speaker 4: Don't be so nigative fun. It's a bit of light fun.

953
00:43:14,520 --> 00:43:20,120
Speaker 1: Okay. So dinner for three, which is what I booked previously,

954
00:43:20,400 --> 00:43:22,600
Speaker 1: will probably now just be me and it would be

955
00:43:22,600 --> 00:43:23,160
Speaker 1: dinner for two.

956
00:43:23,840 --> 00:43:24,720
Speaker 2: I'm going with the whiz.

957
00:43:26,000 --> 00:43:29,399
Speaker 1: Yeah, but here we go visit.

958
00:43:31,719 --> 00:43:32,200
Speaker 2: Are you ready?

959
00:43:33,000 --> 00:43:33,120
Speaker 1: Well?

960
00:43:33,200 --> 00:43:35,640
Speaker 4: Yeah, I'm opening it now really too fast?

961
00:43:35,640 --> 00:43:36,000
Speaker 1: Through the way.

962
00:43:36,040 --> 00:43:47,400
Speaker 4: There's more about you? Oh no on no, okay, I apologize.

963
00:43:47,480 --> 00:43:50,680
Speaker 1: Shit, he said. I thought it was Sunday and I

964
00:43:50,760 --> 00:43:52,880
Speaker 1: thought you'd burnt me for a hot date when I

965
00:43:52,920 --> 00:43:56,080
Speaker 1: didn't hear from you for a while. No, I'm up

966
00:43:56,120 --> 00:43:58,040
Speaker 1: in the Dandy Long's filming tonight.

967
00:43:58,400 --> 00:44:00,759
Speaker 4: No, that's not so.

968
00:44:01,400 --> 00:44:03,040
Speaker 1: If you can organize someone else, that would be great.

969
00:44:03,160 --> 00:44:07,080
Speaker 1: I don't finish too later. Sorry exclamation mark. And then

970
00:44:08,719 --> 00:44:10,120
Speaker 1: and then let me know what he's like.

971
00:44:11,480 --> 00:44:17,279
Speaker 4: So, I mean, here's here's the interesting thing.

972
00:44:17,440 --> 00:44:19,040
Speaker 1: I don't know if I want to hear what it's interesting.

973
00:44:19,800 --> 00:44:20,320
Speaker 5: We have to.

974
00:44:20,760 --> 00:44:21,960
Speaker 2: This has to be heartlifting.

975
00:44:23,200 --> 00:44:24,160
Speaker 1: Well it's not, you're not.

976
00:44:24,360 --> 00:44:29,800
Speaker 4: It's is there a chance he's made up? You're working?

977
00:44:30,600 --> 00:44:32,400
Speaker 1: You know, there's every chance, you.

978
00:44:32,480 --> 00:44:35,399
Speaker 4: Know, because the message, you know, every chance.

979
00:44:36,640 --> 00:44:40,239
Speaker 1: I thought you'd already ditch me because I's.

980
00:44:39,440 --> 00:44:40,360
Speaker 2: Just it stinks.

981
00:44:41,120 --> 00:44:44,600
Speaker 3: Hang on now, I like it, guy, and tell me

982
00:44:44,719 --> 00:44:46,920
Speaker 3: I got to he thought it was Sunday, and Sunday

983
00:44:47,040 --> 00:44:49,480
Speaker 3: is a more reasonable time to have a gig. I

984
00:44:49,560 --> 00:44:52,759
Speaker 3: think it's unfortunate that he's stuffed at the time, and

985
00:44:52,800 --> 00:44:55,280
Speaker 3: I think it's nothing to do with my message there should.

986
00:44:57,000 --> 00:44:59,120
Speaker 1: I knew that it was March sixth I said that

987
00:44:59,200 --> 00:45:01,920
Speaker 1: in the previous eggs, So that means he's had to

988
00:45:01,960 --> 00:45:02,840
Speaker 1: weasel his lay out of.

989
00:45:02,840 --> 00:45:05,560
Speaker 2: It because you've completely put it and you're agreed to this.

990
00:45:05,760 --> 00:45:08,640
Speaker 1: You agreed that if we went the other.

991
00:45:08,520 --> 00:45:09,800
Speaker 2: Way, that needs to be punished for it.

992
00:45:09,960 --> 00:45:11,520
Speaker 4: No, that's fair, all right, punish me.

993
00:45:12,520 --> 00:45:13,239
Speaker 1: I have to think about that.

994
00:45:13,320 --> 00:45:13,920
Speaker 4: Oh I don't know.

995
00:45:15,719 --> 00:45:18,600
Speaker 1: Okay, Just so you all know, I have written back

996
00:45:18,640 --> 00:45:20,560
Speaker 1: to Matt after he rejected me. I've just said, no,

997
00:45:20,640 --> 00:45:23,840
Speaker 1: one's an all mate. Sorry for the mix up. Not

998
00:45:23,880 --> 00:45:25,360
Speaker 1: a huge mix up. We can found the date, but

999
00:45:25,440 --> 00:45:27,279
Speaker 1: sorry for the mix up. I'll say I've got a

1000
00:45:27,360 --> 00:45:31,680
Speaker 1: friend who's keen on the ticket anyway, which I don't,

1001
00:45:32,040 --> 00:45:33,759
Speaker 1: But that means that he doesn't feel bad for the

1002
00:45:33,800 --> 00:45:35,160
Speaker 1: fact that I spent eighty dollars on him with it.

1003
00:45:35,400 --> 00:45:37,880
Speaker 1: You know what, am I gonna do. What am I

1004
00:45:37,880 --> 00:45:38,160
Speaker 1: gonna do?

1005
00:45:38,560 --> 00:45:40,240
Speaker 2: Sending sending my bank details?

1006
00:45:41,560 --> 00:45:43,960
Speaker 3: That would be funny, now, Oh yeah, that would be

1007
00:45:44,400 --> 00:45:47,000
Speaker 3: sending your bank details and going no stress here in

1008
00:45:47,080 --> 00:45:48,200
Speaker 3: my bank details.

1009
00:45:50,000 --> 00:45:51,120
Speaker 2: Any bugs for the ticket?

1010
00:45:52,719 --> 00:45:57,239
Speaker 4: I mean, that'd be really funny. Do that, mate? Good news.

1011
00:45:58,080 --> 00:46:00,160
Speaker 3: I've got a little game for us to play now,

1012
00:46:00,480 --> 00:46:03,000
Speaker 3: which Oregon's going to get you back into a great mood.

1013
00:46:03,480 --> 00:46:07,200
Speaker 2: It involves words and using your words.

1014
00:46:07,000 --> 00:46:10,680
Speaker 4: And you love that. Here's the deal. There's been a

1015
00:46:10,800 --> 00:46:12,480
Speaker 4: story in international cricket.

1016
00:46:12,560 --> 00:46:14,600
Speaker 3: Now, if you're not a fan of cricket, don't worry

1017
00:46:14,640 --> 00:46:17,080
Speaker 3: because it doesn't really have anything to do with cricket.

1018
00:46:17,560 --> 00:46:19,719
Speaker 4: But basically, the Australian.

1019
00:46:19,200 --> 00:46:22,080
Speaker 3: Team is over in South Africa at the moment and

1020
00:46:22,920 --> 00:46:27,520
Speaker 3: there's been some CCTV footage that has caught vision of

1021
00:46:27,760 --> 00:46:28,240
Speaker 3: the vice.

1022
00:46:28,160 --> 00:46:29,120
Speaker 4: Captain David Warner.

1023
00:46:29,160 --> 00:46:32,479
Speaker 3: He's the Australian captain and a South African player called

1024
00:46:32,640 --> 00:46:38,800
Speaker 3: Quintin de Kock who are aggressively sledging each other in

1025
00:46:38,960 --> 00:46:39,480
Speaker 3: the tunnel.

1026
00:46:39,920 --> 00:46:42,120
Speaker 4: Yeah, and then it goes to the point where David

1027
00:46:42,200 --> 00:46:43,680
Speaker 4: Warner has to be held.

1028
00:46:43,480 --> 00:46:48,719
Speaker 3: Back because he's so angry about something that Dakock has said. Now,

1029
00:46:48,800 --> 00:46:51,080
Speaker 3: what I would like to do for a little bit

1030
00:46:51,120 --> 00:46:53,600
Speaker 3: of fun on a Tuesday. Wilbur is, we're going to

1031
00:46:53,680 --> 00:46:56,880
Speaker 3: go to a song. But I think given that this story,

1032
00:46:58,080 --> 00:47:00,880
Speaker 3: well you know, just just given you've got the facts

1033
00:47:00,920 --> 00:47:02,920
Speaker 3: of the story, now, I want the two of us

1034
00:47:03,360 --> 00:47:07,040
Speaker 3: to both come up with headlines as to how.

1035
00:47:08,360 --> 00:47:09,719
Speaker 4: How you good describe this story.

1036
00:47:09,800 --> 00:47:11,920
Speaker 3: So we're just coming up with headlines for this story,

1037
00:47:11,960 --> 00:47:13,920
Speaker 3: which is David Warner and Quintin.

1038
00:47:13,680 --> 00:47:16,719
Speaker 4: De Kock sledging each other and all we're doing that.

1039
00:47:16,880 --> 00:47:18,759
Speaker 4: We're doing that. So we're going to go back and

1040
00:47:18,960 --> 00:47:21,640
Speaker 4: forth between each other. We're going to have a.

1041
00:47:21,719 --> 00:47:25,000
Speaker 3: Song to think about headlines. If we were the editor

1042
00:47:25,000 --> 00:47:28,200
Speaker 3: of a newspaper, how we'd headlined the story. Okay, all right, okay,

1043
00:47:28,560 --> 00:47:30,000
Speaker 3: and you know what, if you're dying to tell us

1044
00:47:30,040 --> 00:47:32,520
Speaker 3: one thirteen one oh sixty five, join the boys.

1045
00:47:33,160 --> 00:47:34,000
Speaker 4: That's a bit of fun.

1046
00:47:34,360 --> 00:47:37,160
Speaker 1: We are taking calls right now thirty one oh six

1047
00:47:37,280 --> 00:47:41,480
Speaker 1: five words because there's been a story, controversial story. I

1048
00:47:41,520 --> 00:47:44,919
Speaker 1: should say that there's quite a bit of heat around this. Yeah,

1049
00:47:45,000 --> 00:47:45,600
Speaker 1: fair bit of heat.

1050
00:47:45,880 --> 00:47:48,880
Speaker 3: But the headline, I mean, the dot points are basically

1051
00:47:49,080 --> 00:47:51,320
Speaker 3: the Australian cricket team is currently in South Africa and

1052
00:47:51,400 --> 00:47:54,240
Speaker 3: there's been a bit of some nasty words said between

1053
00:47:54,360 --> 00:47:58,280
Speaker 3: David Warner who's the Australian cricketer, and South African cricketer

1054
00:47:58,520 --> 00:48:02,320
Speaker 3: Quintin at Deakock. And basically I just thought we'd have

1055
00:48:02,320 --> 00:48:06,120
Speaker 3: a little bit of fun here and we were with

1056
00:48:06,200 --> 00:48:08,440
Speaker 3: all of us, the listeners and us just come up

1057
00:48:08,480 --> 00:48:13,560
Speaker 3: with how we would headline this particular story. For example,

1058
00:48:15,440 --> 00:48:20,680
Speaker 3: you could say no warning before reveal of dec that

1059
00:48:20,800 --> 00:48:21,880
Speaker 3: would that would be.

1060
00:48:23,440 --> 00:48:24,040
Speaker 4: A good one.

1061
00:48:25,000 --> 00:48:29,040
Speaker 3: Cock gets caught in the tunnel because CCTV caught them.

1062
00:48:29,920 --> 00:48:33,440
Speaker 3: To Cock goes soft after Warner throws a punch would also.

1063
00:48:35,840 --> 00:48:38,400
Speaker 4: Good one. Another one him Cock has a bat but

1064
00:48:38,600 --> 00:48:42,280
Speaker 4: hits with his voice. There's another one. He's a batsman.

1065
00:48:43,040 --> 00:48:45,440
Speaker 4: That's why Cook gets caught behind.

1066
00:48:45,640 --> 00:48:53,400
Speaker 3: Also de cock goes too hard could also be another example.

1067
00:48:54,600 --> 00:48:55,560
Speaker 4: Did you have a couple of.

1068
00:48:57,520 --> 00:49:04,680
Speaker 1: Take that I want to put any they're all similar

1069
00:49:04,680 --> 00:49:07,440
Speaker 1: to that's the point.

1070
00:49:10,600 --> 00:49:10,839
Speaker 3: Fun.

1071
00:49:11,280 --> 00:49:12,880
Speaker 1: You know what, I'm not even gonna go do it.

1072
00:49:14,760 --> 00:49:16,480
Speaker 4: I want to take sam at the cock of Quintin

1073
00:49:16,560 --> 00:49:20,800
Speaker 4: was not okay.

1074
00:49:21,040 --> 00:49:22,440
Speaker 2: So yeah, we've got Mark.

1075
00:49:22,520 --> 00:49:25,680
Speaker 4: Let's go to Mark. People get involved in Mark. You've

1076
00:49:25,719 --> 00:49:27,520
Speaker 4: given us a call mate, you've got a headline.

1077
00:49:28,440 --> 00:49:34,920
Speaker 7: Yeah, it was no love tunnel for the cock Yeah beautiful, So.

1078
00:49:37,600 --> 00:49:39,719
Speaker 1: Hank, anyone whose fibe you had a you had a

1079
00:49:39,760 --> 00:49:42,640
Speaker 1: headline for this David Warner Quentin to Cox story.

1080
00:49:43,719 --> 00:49:45,239
Speaker 2: Yeah, how you guys going good May?

1081
00:49:46,320 --> 00:49:49,759
Speaker 5: Yeah? Good? So I thought the Cox sledge warners w

1082
00:49:49,960 --> 00:49:50,520
Speaker 5: A R N.

1083
00:49:50,719 --> 00:49:53,360
Speaker 1: D warn the Cox sledge warned.

1084
00:49:54,600 --> 00:49:54,799
Speaker 10: Yeah.

1085
00:49:56,040 --> 00:49:58,719
Speaker 5: And then and then as the Warner got over and

1086
00:49:58,920 --> 00:50:00,640
Speaker 5: he gave it the co warning.

1087
00:50:00,840 --> 00:50:04,640
Speaker 9: Oh the cock sledge water very good. You used one

1088
00:50:04,719 --> 00:50:11,600
Speaker 9: of there. You've used Quentin's name there, did.

1089
00:50:11,640 --> 00:50:12,719
Speaker 1: You You got?

1090
00:50:13,200 --> 00:50:13,439
Speaker 8: Really?

1091
00:50:13,480 --> 00:50:14,880
Speaker 2: Mate, You've got car here.

1092
00:50:15,719 --> 00:50:18,160
Speaker 1: You've got so many what I just to cock blows.

1093
00:50:19,080 --> 00:50:20,560
Speaker 1: I mean, you've got you've got.

1094
00:50:22,440 --> 00:50:24,719
Speaker 4: Came came you your headline the.

1095
00:50:24,760 --> 00:50:31,600
Speaker 1: Story warnering cock fighting? Yeah, yeah, yeah, pretty good. And

1096
00:50:31,640 --> 00:50:32,040
Speaker 1: I like that.

1097
00:50:32,200 --> 00:50:35,000
Speaker 2: And I like how the producers have gone for the angle.

1098
00:50:37,040 --> 00:50:41,680
Speaker 1: That's so predictable. We'll go for the rooster gag. Came

1099
00:50:41,800 --> 00:50:46,680
Speaker 1: here came Oh you're right, Ryan, how would your headline

1100
00:50:46,680 --> 00:50:47,040
Speaker 1: the story?

1101
00:50:48,000 --> 00:50:48,680
Speaker 8: Good boys?

1102
00:50:48,800 --> 00:50:50,800
Speaker 3: I would go with the cop blocker.

1103
00:50:54,000 --> 00:50:56,080
Speaker 2: You know again, I'd like to We've had too much fun,

1104
00:50:56,200 --> 00:50:57,560
Speaker 2: but I'll beat in the gun.

1105
00:50:58,520 --> 00:51:00,799
Speaker 1: I've beat in the gun as well.

1106
00:51:01,160 --> 00:51:05,160
Speaker 2: Early anyway, I started to push each other buttons.

1107
00:51:12,440 --> 00:51:14,160
Speaker 4: God, I've got an.

1108
00:51:14,640 --> 00:51:17,080
Speaker 1: I'm glad to have mate. I mean, again, you ruined

1109
00:51:17,120 --> 00:51:20,200
Speaker 1: my one chance to go out with a celeb if

1110
00:51:20,239 --> 00:51:21,920
Speaker 1: you just try meant to go and I meant to

1111
00:51:21,920 --> 00:51:23,680
Speaker 1: go to a gig with Matt Preston's tonight. I hadn't

1112
00:51:23,680 --> 00:51:25,560
Speaker 1: written him in follow up text. I let what you

1113
00:51:25,600 --> 00:51:28,680
Speaker 1: write the text with your help. So thanks to those

1114
00:51:28,719 --> 00:51:31,920
Speaker 1: people that manage to make a joke out of his

1115
00:51:32,040 --> 00:51:36,279
Speaker 1: name and what he wears. And he's come back with an.

1116
00:51:35,520 --> 00:51:40,160
Speaker 3: Excuse good year though it's pretty funny stuff, good puns. Anyway,

1117
00:51:40,200 --> 00:51:41,759
Speaker 3: we won't talk about that again. Let's not talk about

1118
00:51:41,760 --> 00:51:43,080
Speaker 3: that again, but I will try and push about it

1119
00:51:43,120 --> 00:51:46,280
Speaker 3: another way. When your mate steals your phone and writes

1120
00:51:46,280 --> 00:51:48,520
Speaker 3: a message for you to Mad Preston which makes him

1121
00:51:48,560 --> 00:51:49,080
Speaker 3: cancel you.

1122
00:51:50,600 --> 00:51:57,480
Speaker 1: That's low, very low. I'm not sure I enjoy radio anymore.

1123
00:52:00,000 --> 00:52:02,200
Speaker 2: It's a good gig, it's a good big.

1124
00:52:03,040 --> 00:52:05,719
Speaker 4: It's a good gig. Speaking to gigs. You're still going to.

1125
00:52:08,200 --> 00:52:09,399
Speaker 2: Eighty clams as well.

1126
00:52:09,960 --> 00:52:13,440
Speaker 1: I mean, if anybody wants to take the ticket, I'd

1127
00:52:13,480 --> 00:52:14,080
Speaker 1: love you to come.

1128
00:52:14,280 --> 00:52:16,000
Speaker 4: It's not bad. She would have do like a you

1129
00:52:16,040 --> 00:52:17,879
Speaker 4: know thirty one and sixty five. You want a ticket

1130
00:52:17,920 --> 00:52:19,760
Speaker 4: to lee Field, give.

1131
00:52:19,719 --> 00:52:20,200
Speaker 8: Us a call.

1132
00:52:21,239 --> 00:52:23,279
Speaker 1: I can't. I can't push your buttons now. We're just

1133
00:52:23,320 --> 00:52:24,239
Speaker 1: going to go straight out.

1134
00:52:24,160 --> 00:52:25,880
Speaker 4: Over and still a friend of the show. Matt Preston,

1135
00:52:25,920 --> 00:52:28,239
Speaker 4: there's no doubt about it. There's no doubt about it

1136
00:52:28,840 --> 00:52:32,120
Speaker 4: all right, But onwards and upwards.

1137
00:52:31,880 --> 00:52:32,719
Speaker 2: We've been Wheeler Woody.

1138
00:52:32,760 --> 00:52:35,120
Speaker 6: I have a great up there's a fresh way to

1139
00:52:35,239 --> 00:52:36,760
Speaker 6: drives home with Will and Woody