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Speaker 1: Welcome.

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Speaker 2: I've got a new microphone. It's sounding. It's good. We're

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Speaker 2: that guys, We aren't that, We're bag. People are listening

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Speaker 2: to so much depth. Yeah, it's really low.

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Speaker 3: Dregon people listening when I'm just talking like with my

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Speaker 3: normal human voice. Yeah, there's simmer dreaking. People are going like, wow,

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Speaker 3: The boys said, chrisper.

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Speaker 2: In there right now.

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Speaker 1: You think that people on.

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Speaker 2: So they listened to the last podcast and I reckon

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Speaker 2: Tom back as well. Tommy's here. I never left. That's true.

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Speaker 2: We had a two week break instead the chaffey. He's

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Speaker 2: not angry about it at all. But you think there's

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Speaker 2: a genuine like people are going one hundred percent.

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Speaker 1: You guys said, speak a lot. There's a there's a

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Speaker 1: lot of lower end. There's lower end.

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Speaker 4: And if you're wearing like nice headphones, if the last

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Speaker 4: podcast just played and then this one.

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Speaker 2: Played, you're finding like it's nice.

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Speaker 3: Really your voice haund a nice too. You guys have

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Speaker 3: a lot of good what's it called tenor in your voices?

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Speaker 2: Or tremblay? What's it called with the tremblay?

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Speaker 1: Is it a combination of cremble and treble?

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Speaker 2: That's what I've done. What's it called when he tremblay,

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Speaker 2: you've got good verbatim. Vibratoto is what I was looking for.

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Speaker 4: Vibrato is a singing term, and I think verbratum was

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Speaker 4: a floppy.

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Speaker 5: Disc Jesus as such.

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Speaker 3: You know who probably isn't a great father, a guy

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Speaker 3: who tried to rob a nail salon in Atlanta, Georgia. Now,

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Speaker 3: I'm just going to play you the audio of this

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Speaker 3: robbery attempt because he just didn't get the fear and

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Speaker 3: intimidation that he was going for when he tried to

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Speaker 3: rob this now salon.

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Speaker 1: Which is key pivotal to a robbery.

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Speaker 4: It's the number one skipread butter you've got and then

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Speaker 4: you can take whatever you want.

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Speaker 2: This guy did not nail that.

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Speaker 6: Everybody, get out the book, everybody, give.

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Speaker 4: Me everything.

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Speaker 7: Good.

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Speaker 8: He's been struck back smoke.

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Speaker 4: He was saying, give me your money, get on the ground,

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Speaker 4: and then give me anything.

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Speaker 2: And then he said, where's my money?

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Speaker 3: You actually, if you listen closely, like a woman actually

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Speaker 3: answers the phone during the robbery, so he's so not scared.

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Speaker 3: She takes her phone call. And then one woman just

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Speaker 3: gets up from her appointment and.

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Speaker 1: Actually walks out of the stoor straight past him.

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Speaker 3: And then eventually pass straight past him. And then eventually

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Speaker 3: he just goes with that better move on.

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Speaker 1: He left.

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Speaker 2: He left in an embarrassment, got no money.

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Speaker 4: Was he learning a valet clava or something, because you

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Speaker 4: can ever rob again at the end of his robbing days.

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Speaker 1: If I saw that guy coming.

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Speaker 3: Up the robbers guild or the group or whatever, he's

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Speaker 3: a mockery about it.

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Speaker 2: But no, he didn't ever mask on.

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Speaker 3: He had a hat, sunglasses, and he made it look

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Speaker 3: like he was holding a gun. He did the old

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Speaker 3: jumper over my hand drig, which all the women in

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Speaker 3: the jump.

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Speaker 2: You know, the old a jumper. Here, It's like, no, man,

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Speaker 2: it's just your hand.

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Speaker 1: What I've never heard of that.

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Speaker 2: Robbers go for that sometimes over the.

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Speaker 1: Head, the old jumper over the hand drig.

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Speaker 3: It's not a classic bank robbery move. But if they

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Speaker 3: call your bluff, if they call your bluff you're in

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Speaker 3: big dress.

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Speaker 2: Yes, absolutely, So that's what's happened.

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Speaker 3: Well that that, and I think when I looked at

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Speaker 3: this this vision, it was only women in the nail salon,

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Speaker 3: and I have the view that women just deal much

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Speaker 3: better in a robbery situation. They don't get scared as

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Speaker 3: much as men do. And to further prove my point, interesting, Yeah,

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Speaker 3: thirteen one oh sixty five is our number.

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Speaker 2: Yeah, I want to hear some stories of how a

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Speaker 2: man dealt with a robbery.

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Speaker 3: Yeah, So you can dub a man in or you

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Speaker 3: can confess as to how you dealt with the situation.

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Speaker 2: Yeap, But just how badly did.

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Speaker 3: It go for you when you were involved in the robbery,

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Speaker 3: Because I heard a story recently from our good friend

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Speaker 3: Hugh Van Coleenberge. He was in a situation where he

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Speaker 3: was maybe about to be robbed, and this is how

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Speaker 3: he dealt with it.

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Speaker 9: We're down at a beach house and it's reasonably secluded,

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Speaker 9: and when it's dark at night, it's really really dark,

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Speaker 9: and all of a sudden on the front door, someone

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Speaker 9: is smashing our doors so hard, like going to break

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Speaker 9: it down, Like it was like that trying to break

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Speaker 9: into our house. And I went to say, who's there,

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Speaker 9: in like a really manly voice, and what does that

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Speaker 9: sound like?

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Speaker 1: Who there?

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Speaker 3: How would you if you were going for a scared

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Speaker 3: boys like to dry and scare someone up, what would

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Speaker 3: you do?

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Speaker 7: Well?

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Speaker 1: I certainly wouldn't ask who it was. I mean, that's

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Speaker 1: is like, you don't need to know who it is you.

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Speaker 2: Let's go to Steve.

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Speaker 3: Now, Steve, you want to dove yourself in here, mate,

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Speaker 3: you were part of a robbery.

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Speaker 10: Well, we were staying in a motel with the wife

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Speaker 10: and kids and a lady he thought she was getting

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Speaker 10: into her own room, was trying to get into our

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Speaker 10: range and banging on the glass door. And I've told

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Speaker 10: the curtains back, not knowing what to expect, and I've

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Speaker 10: done the big Shrek raw at her and she's falling

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Speaker 10: over backwards, her head on the outside and knocked herself up.

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Speaker 3: You could you do a Soclardy of Steve and give

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Speaker 3: us a rendition of the big Shrek rule that you

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Speaker 3: went for?

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Speaker 10: You have to okay, ready, yere we go, right?

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Speaker 3: So you really you just growl well in your in

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Speaker 3: your head say if that was a genuine scary rubber,

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Speaker 3: why a growl?

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Speaker 10: Well, it was two o'clock in the morning and scared

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Speaker 10: her away.

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Speaker 1: Sure did she say she hit her head though, Steve?

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Speaker 1: Do you said she hit her head though?

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Speaker 2: There?

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Speaker 11: Right?

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Speaker 10: She fell over, knocked herself out cold yet liable there?

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Speaker 2: Oh jeez, sorry, I hated to get get serious. But

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Speaker 2: I think you do.

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Speaker 4: No, you do, I think you I think there are

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Speaker 4: stories of robbers suing people house owners because they're like

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Speaker 4: they're they're unsafe.

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Speaker 2: Oh no, I've heard.

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Speaker 4: Yeah, so if you fall through it, if you fall

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Speaker 4: through someone's roof and you're going to go and rob

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Speaker 4: them and their roof isn't safe to crawl on.

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Speaker 3: No, I heard there was a robber in America who

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Speaker 3: robbed a It was like a milk barrow or something

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Speaker 3: slipped over and did his back.

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Speaker 2: Yeah, and then sued the milk bar.

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Speaker 1: Yes, because it was like a slippery floor.

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Speaker 2: Yeah, incredible. Sorry, did Steve get sooned? Did we find out?

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Speaker 10: In the end?

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Speaker 2: Off goes.

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Speaker 1: We gotta ask him, Steve, did you get sued? Did

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Speaker 1: she see you?

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Speaker 10: It happened up the next morning and she was gone.

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Speaker 10: There was no one there there.

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Speaker 1: How do you know she knocked herself out then.

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Speaker 10: Because I had to go out and help her up.

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Speaker 2: Let's go to Angela.

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Speaker 3: Angel this is about your husband during a robbery, or

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Speaker 3: during what he thought was a robbery.

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Speaker 12: Wow, well, what I.

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Speaker 8: Thought was the robbery as well, because I.

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Speaker 13: Was my business.

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Speaker 8: I'm sitting on my bed and I saw a silhouette

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Speaker 8: of a person walking up to my front bedroom window,

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Speaker 8: and I got quite scared. So I've yelled out to

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Speaker 8: my husband, you know, there's someone at our at our window.

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Speaker 8: Someone at our window. So I didn't know where he went.

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Speaker 8: But as I went outside to find who the culprit was,

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Speaker 8: I yelled out to a couple of kids who I said,

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Speaker 8: you know, was this you?

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Speaker 7: Was this?

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Speaker 2: Hum?

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Speaker 8: And I've grabbed them. And then I turned over at

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Speaker 8: the gate and my husband's standing there with his song.

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Speaker 2: With his thong.

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Speaker 4: Do what he went to go? And that was the

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Speaker 4: first thing you could grab. He just took his shoe off.

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Speaker 8: I have no idea. Maybe he was planning to take

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Speaker 8: them on a holiday.

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Speaker 3: Yeah, yeah, true, Yeah yeah yeah, nice good cut, bad

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Speaker 3: cup playing the good cup.

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Speaker 2: Let's go to Nyama.

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Speaker 3: Nayah, you encountered a Oh you just encountered a bad

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Speaker 3: rubber and you want to share that story with us?

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Speaker 9: Oh?

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Speaker 14: Yeah. I was in Hardenberg and I was I just

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Speaker 14: finished a double shift and I was really tired, and

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Speaker 14: some guy comes up to me like, you give me

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Speaker 14: your money, you know whatever, and I was just couldn't

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Speaker 14: be bothered, so I said, well stab me. Then and yeah,

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Speaker 14: he just sort of like oh and they walked away.

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Speaker 7: Ah.

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Speaker 4: Now, if you haven't heard of whom Martin Brundle is,

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Speaker 4: I don't blame you. He's an F one commentator. But

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Speaker 4: I suppose it's gone beyond that. Even if you're not

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Speaker 4: into F one, even if you're not into sport, it

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Speaker 4: doesn't matter because obviously F one has sort of become

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Speaker 4: the celebrity sports, but it's become the sport to be

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Speaker 4: seen at.

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Speaker 2: Go to Monica, you know, get a champagne, what you can.

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Speaker 1: Yeah, you can go to Monica. It does happen all

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Speaker 1: over the world.

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Speaker 2: But yes, that is Monica is the one.

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Speaker 4: You know what I'm saying, Well, yeah, no, go anywhere

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Speaker 4: in the world. And he does these these grid walks, right,

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Speaker 4: so all the celebs sort of mingle on the grid

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Speaker 4: before the rays, and he walks through the grid. And

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Speaker 4: obviously he's quite small. He's quite he's small and portly, right,

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Speaker 4: that's what you should know. So he's you don't see him,

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Speaker 4: and he's down there with his microphone pointing it in

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Speaker 4: these A grade celebrities faces. They don't see him coming,

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Speaker 4: and he accosts them and they're like live on television.

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Speaker 4: So here here's him, for example, approaching Owen Wilson. And

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Speaker 4: this is just an example of how fleeting and flat

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Speaker 4: these interviews are.

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Speaker 11: Oh In Martin Brundles sky TV, can you have a

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Speaker 11: quick word of you as what I think?

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Speaker 2: This is your second Grand Prix, this is my second

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Speaker 2: I went to one in Spain. Yeah, okay, good.

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Speaker 11: Well that's always interesting to know, isn't it.

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Speaker 1: The Martin well done his answer one question. They go,

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Speaker 1: oh my god, I'm live.

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Speaker 4: I've got to answer something, and they just turn their

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Speaker 4: backs very very quickly. He may just to bail out,

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Speaker 4: bail up Brad Pitt for a little bit.

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Speaker 11: Listen to this one, Brad Martin Brundle Skype one.

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Speaker 2: How are you doing?

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Speaker 7: Hey?

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Speaker 11: Can you tell us a bit about this movie?

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Speaker 1: No, not yet top secret.

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Speaker 2: You've enjoyed the weekend.

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Speaker 1: I've seen you so much this weekend. Thank you, mam me?

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Speaker 7: All right? Good?

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Speaker 11: Somebody grabbing hold of my shoulder and I think obviously

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Speaker 11: they're known as Pitt stops.

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Speaker 1: If they don't want you to talk.

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Speaker 2: To Brad Pitt's ah with the gg.

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Speaker 9: They are.

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Speaker 1: They are really really funny.

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Speaker 4: It's worth going on YouTube and watching the compilations of

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Speaker 4: him trying to talk to these truly A grade stars.

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Speaker 2: It's awesome.

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Speaker 4: And he had another one recently on the weekend, and

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Speaker 4: it was Kara Delvin. Carra Delvin's the she's an actress

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Speaker 4: model the brows.

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Speaker 2: Yeah, very strong, strong secret model.

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Speaker 4: Actress Tourya's secret was she's solutely strong, strong brow game.

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Speaker 2: That's how I know her. Very good brows, Yeah, enviable brows.

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Speaker 2: I would say movie. Uh, shocking sci fi that I saw.

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Speaker 1: Yeah, she's done some bad STU.

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Speaker 4: Anyway, she's on the grid and this is Martin Brundle trying.

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Speaker 2: To talk to her. Have a listen to this.

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Speaker 11: She doesn't want to talk. But everybody is to talk

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Speaker 11: on the greed. That's the deal. Now everybody talks on

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Speaker 11: the grid.

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Speaker 1: Can we have a quick chat?

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Speaker 4: Skyf one?

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Speaker 11: Good to see you on the grid, he said. He said, Well,

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Speaker 11: the dear.

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Speaker 2: Is, everybody has to speak on the grid.

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Speaker 11: But you know, hey, you're anything okay? All right, Well,

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Speaker 11: I'm sure it would have been extremely interesting.

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Speaker 2: A little bit of a bird on the way out there.

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Speaker 1: But you can just hear it in that grand there.

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Speaker 4: She says, I actually can't hear you yeah, right, and

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Speaker 4: hence why he burns her afterwards, because he's trying to

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Speaker 4: have a conversation with somebody and somebody saying to you,

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Speaker 4: I'm sorry, I can't hear you, very Frustrated's possibly the

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Speaker 4: most frustrating thing in the world, and in fact, depending

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Speaker 4: on the person that you say it to, can lead

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Speaker 4: to a very quick hang up. So what I want

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Speaker 4: to do up next to prove that because I think

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Speaker 4: if you say, for example, if you call your partner

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Speaker 4: and you say that you start talking to them, and

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Speaker 4: all of a sudden they go, I'm sorry, I can't

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Speaker 4: hear you.

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Speaker 1: For me, it's a pretty.

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Speaker 2: Quick hang up. Men would can me very quickly, very quickly.

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Speaker 1: It's like, well, you're going to call me back. It's

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Speaker 1: obviously not urgent.

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Speaker 4: Just call me when you got a bed a line,

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Speaker 4: because I can't bother going through the frustration of moving rooms,

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Speaker 4: et cetera. On the other hand, if you call one

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Speaker 4: of your parents and they're not doing anything, if you

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Speaker 4: say I can't hear you, I mean they can be

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Speaker 4: at this for minutes.

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Speaker 2: My dad would move suburbs, leave it with me, drive.

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Speaker 1: Stay on the line, I'll call my partner.

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Speaker 4: Sem as I said, it is sort of coming into

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Speaker 4: bedtime bath time at home with our daughter Max.

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Speaker 2: So she won't even pick up the phone.

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Speaker 1: Mate, I'm going to be looking again.

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Speaker 2: Yeah, we don't want to tell her this is a prank.

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Speaker 1: But Hi, how are you going?

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Speaker 7: You're good?

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Speaker 2: How are you are you?

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Speaker 7: Oh?

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Speaker 2: You just dropped out there? Can you hear me?

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Speaker 7: Yeah?

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Speaker 5: Can you hear you?

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Speaker 7: Hello?

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Speaker 1: Hello?

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Speaker 14: Hello?

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Speaker 7: Hello? Yes, I'm here.

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Speaker 2: Hello ooh send me there?

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Speaker 1: No hello?

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Speaker 2: Pretty quick, pretty quick, pretty quick.

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Speaker 1: I think she actually went a lot longer than I.

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Speaker 2: Thought she were. Really Yeah, that was fifteen seconds. You

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Speaker 2: only said can you hear me twice?

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Speaker 1: Yeah?

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Speaker 4: But I you know, normally if she's got the baby

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Speaker 4: one on one and you call someone and whatever, it's up,

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Speaker 4: whatever's are you just go?

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Speaker 1: Sorry, as you said, I'm surprised she answered the phone.

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Speaker 2: Yeah. True.

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Speaker 1: Now, look, let's get the other end of.

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Speaker 4: The spectrum, because I think this is where it's going

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Speaker 4: to get really interesting.

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Speaker 2: You want to call you dad and he except dad's unemployed,

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Speaker 2: recently unemployed. Yeah, it's got a lot of time on

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Speaker 2: his hands.

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Speaker 1: Yeah.

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Speaker 3: I mean we got seventeen minutes to go in the show.

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Speaker 3: This could be a seventeen minute phone call that everyone's

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Speaker 3: going to hear because.

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Speaker 2: He won't want to get up the phone. He will

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Speaker 2: push hard to try and find reception.

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Speaker 15: Here we go, Hello, Hey Dad, here going, I'm going, well,

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Speaker 15: what how are you?

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Speaker 7: Hello? Sorry?

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Speaker 2: Can you hear me?

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Speaker 7: Yeah? Yeah, yeah, yep, yep, h.

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Speaker 2: Hello, So just checking the email?

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Speaker 7: Okay, yep, the itinery?

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Speaker 2: Hello? So can you hear me, Dad?

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Speaker 7: I can hear you? The thing you should have disappear?

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Speaker 7: I lost you again? Hello, Dad?

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Speaker 2: Can you hear me? Hello? Can you hear me?

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00:14:31,680 --> 00:14:31,840
Speaker 3: Dad?

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00:14:32,440 --> 00:14:40,880
Speaker 7: I can hear you? Yes, okay, going, well, but now

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00:14:40,920 --> 00:14:54,840
Speaker 7: I've lost you okay, Yeah. Do you want to phone back? Hello?

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Speaker 2: Sorry that dad? Can you hear me?

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Speaker 7: I can? But then you disappear.

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Speaker 2: I was just calling about the email about the guard.

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Speaker 7: Yeah, and you've disappeared again. Hello, Hello, Hello, Hello, Hello?

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Speaker 2: Sorry? Can you hear me?

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Speaker 15: This is a recording? Come on, you're better better a

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Speaker 15: conversation than this old You're getting boring.

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Speaker 7: I'm sorry, Jesus you're having.

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Speaker 3: The purpose of this goal was to see how long

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Speaker 3: you would stay on the line through the frustration of

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Speaker 3: not being able to hear me, and you just refuse

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Speaker 3: to hang up.

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Speaker 1: You clocked up two minutes.

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Speaker 4: Wow, a bit of a quick day at the station,

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00:16:11,120 --> 00:16:13,359
Speaker 4: A quiet day at home, more like it.

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Speaker 1: Nothing more pressing to retirement.

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Speaker 15: How much excitement can you pack in in one day?

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Speaker 1: Oh brilliant.

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Speaker 3: Just so you know, Will's Will's partner Sam hung up

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Speaker 3: after about ten seconds, obviously seconds.

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Speaker 7: Yeah right, I've got the record.

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00:16:33,800 --> 00:16:38,080
Speaker 1: Took her out, relations and clips to very.

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Speaker 7: Good, very good. So what's happening?

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Speaker 9: Oh God?

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Speaker 1: Now, guys, I want to introduce this idea.

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Speaker 4: It's called the PRAM four hundred four hundred meter race,

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00:16:57,240 --> 00:16:59,400
Speaker 4: all thanks to Demazon. When cold and flu strikes, de

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Speaker 4: did Demison gets it done?

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Speaker 1: Ores for the directions for use.

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Speaker 2: Now I love the idea.

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Speaker 3: Demoson they bloody love the od They heard me a

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Speaker 3: couple of months ago talking to you.

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Speaker 2: I've I've got this new daughter, Remy. She's beautiful.

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Speaker 3: She's nine months old, and that means for nine months

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Speaker 3: I have been running exclusively with a PRAM around athletics tracks.

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Speaker 3: With that kind of experience, I now, with one hundred

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Speaker 3: percent conviction and confidence, believe that my PRAM handling is

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Speaker 3: second to none. I take those turns like a demon.

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Speaker 3: Will and a lot of the time anyone watching is

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Speaker 3: honestly blown away by my athletic prefactory.

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Speaker 2: Is spriinging with a baby in a pram. Yeah they

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Speaker 2: might be a little bit worried about that, but hey,

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Speaker 2: I'm a bit of a rogue. I'm a bit of

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Speaker 2: a maverick. Now.

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Speaker 3: The other thing I want to mention is it's not

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Speaker 3: a speed thing, because when I like.

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Speaker 2: It race, no, no, no, but it's it's like speed to me.

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Speaker 2: It's my pram handling.

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Speaker 3: So my idea that I've spoken to Demoson about is, yeh,

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Speaker 3: let's put together a demas. Let's put together a four

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00:17:57,080 --> 00:18:00,560
Speaker 3: hundred meter race with other celebrities, Okay, other people that

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00:18:00,600 --> 00:18:03,480
Speaker 3: think they're faster than me, like an invitational, Like an invitational,

390
00:18:03,800 --> 00:18:06,520
Speaker 3: but it's a it's a handicapped or staggered.

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Speaker 2: Start, like the Hunger Games. I don't know how much

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00:18:09,200 --> 00:18:11,600
Speaker 2: they run in the Hunger Games without the killing about

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Speaker 2: the babies.

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Speaker 1: It's a four hundred meter race.

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Speaker 3: It'd be a shocking movie, But it's the Hunger Games.

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00:18:21,560 --> 00:18:24,240
Speaker 3: If she just got dragged away to ass track and

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Speaker 3: got told her run four hundred meters, film over.

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Speaker 2: I watched that, Okay, So is it a handicapped, So

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Speaker 2: take speed out of her.

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00:18:35,640 --> 00:18:37,399
Speaker 3: The people will run a four hundred you get your

401
00:18:37,640 --> 00:18:40,000
Speaker 3: gauge their speed, get their speed, and then that staggers

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00:18:40,000 --> 00:18:42,320
Speaker 3: their start. So where we start means that we should

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00:18:42,320 --> 00:18:43,720
Speaker 3: all finish even.

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00:18:44,240 --> 00:18:46,360
Speaker 1: Close to even close to right, yeah, at a.

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00:18:46,280 --> 00:18:49,280
Speaker 3: Pram, And that brings in the pram handling factor, and

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00:18:49,320 --> 00:18:50,960
Speaker 3: that's where I believe I will be the best.

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00:18:50,760 --> 00:18:54,520
Speaker 4: Will Okay, So if you're fresh to this idea and

408
00:18:54,560 --> 00:18:56,840
Speaker 4: you're thinking yourself, gee, whiz, boys might be a bit

409
00:18:56,880 --> 00:18:58,520
Speaker 4: brisky running with babies in.

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00:18:58,520 --> 00:19:01,080
Speaker 2: Prams, not with my handling, not lot, You're not alone.

411
00:19:01,160 --> 00:19:04,480
Speaker 4: And the fact that Wood he puts his daughter at

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00:19:04,480 --> 00:19:06,200
Speaker 4: that level of risk is up to him.

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00:19:06,359 --> 00:19:09,439
Speaker 2: She's strapped in and I'm very good obviously she's strapped in.

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00:19:10,280 --> 00:19:14,040
Speaker 4: Goes without saying, but yeah, I think that I think

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00:19:14,080 --> 00:19:15,919
Speaker 4: that we've got an issue with running. Like if we

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00:19:15,960 --> 00:19:18,520
Speaker 4: ask people to the invitational to run a four hundred

417
00:19:18,520 --> 00:19:20,720
Speaker 4: meter raise with their baby in a pram, I just

418
00:19:20,760 --> 00:19:21,280
Speaker 4: think we're going to.

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Speaker 2: Have yourshoes okay. Yeah, And I know you're not going.

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Speaker 1: To hear that from me because he's stubborn.

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00:19:26,640 --> 00:19:28,480
Speaker 3: Well, I just think you know, if you want to

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Speaker 3: be in the race, then you should be able to

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00:19:29,920 --> 00:19:32,120
Speaker 3: say that my handling ability is good enough to keep

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Speaker 3: my baby safe, and that's all part of it.

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00:19:33,720 --> 00:19:37,959
Speaker 4: But if the baby goes flying, well look, okay, well

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00:19:38,320 --> 00:19:41,240
Speaker 4: before you say that, I've got Justin Quill here, who's

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00:19:41,240 --> 00:19:45,800
Speaker 4: a partner at major law firm Thompson Quilly. Welcome to

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00:19:45,800 --> 00:19:47,080
Speaker 4: the show mate, Great to have you on.

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Speaker 16: Yeah, great to be here, guys, I must have been.

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Speaker 16: I'm a little flat because when I got the call

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Speaker 16: from your producer, first I thought, I thought it was

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Speaker 16: a bear finally ringing up to go with that idea

433
00:19:58,160 --> 00:20:02,520
Speaker 16: I had last time, which was quill and changing the program.

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00:20:03,160 --> 00:20:05,639
Speaker 16: Then then I was told no, not that, and then

435
00:20:05,680 --> 00:20:09,480
Speaker 16: they pitched the idea of this celebrity celebrity PRAM race. Yes,

436
00:20:10,200 --> 00:20:11,840
Speaker 16: I thought, And then I was up and about again

437
00:20:11,840 --> 00:20:15,480
Speaker 16: because I've got an eleven week old baby, Justin, and

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00:20:15,560 --> 00:20:18,320
Speaker 16: I thought, oh, just finally the someone's understanding I'm a

439
00:20:18,359 --> 00:20:20,879
Speaker 16: celebrity and they invited me to be on the celebrity.

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00:20:21,000 --> 00:20:23,119
Speaker 1: You can come to the invitational, Quillly, you can.

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00:20:22,960 --> 00:20:24,920
Speaker 4: Come to the I mean, if you post this, what's

442
00:20:24,960 --> 00:20:27,360
Speaker 4: what's what's the invitational? Like time, what do you working

443
00:20:27,440 --> 00:20:28,880
Speaker 4: Quilli needs to post to be part of the race.

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00:20:28,920 --> 00:20:30,800
Speaker 3: It's not a bad time. It's just do you think

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00:20:30,800 --> 00:20:32,280
Speaker 3: you've got a handling the pram?

446
00:20:32,920 --> 00:20:38,280
Speaker 16: You look better than you firstly, second, second, can I

447
00:20:38,320 --> 00:20:40,280
Speaker 16: get Can I jump straight into why? I really know

448
00:20:40,320 --> 00:20:42,840
Speaker 16: you're wrong and you right? You can mean on some

449
00:20:42,920 --> 00:20:45,119
Speaker 16: legal advice about whether this is a good idea.

450
00:20:44,920 --> 00:20:47,320
Speaker 4: Right, yeah, pretty much? Well just the baby factor. I

451
00:20:47,320 --> 00:20:48,960
Speaker 4: need you to get to that, okay.

452
00:20:49,080 --> 00:20:52,200
Speaker 16: Yeah, it's not sorry, I know I feel like I'm

453
00:20:52,240 --> 00:20:54,600
Speaker 16: always preferring these ideas you come up with. But it's

454
00:20:54,680 --> 00:20:58,800
Speaker 16: not a good idea. Were babies flying. They're pretty vulnerable.

455
00:20:59,119 --> 00:21:05,000
Speaker 16: Dead babies not great like that. It's not about time.

456
00:21:05,520 --> 00:21:08,040
Speaker 16: But you can't call something a race and not and

457
00:21:08,040 --> 00:21:11,840
Speaker 16: not have it about time. I'm telling you now, if

458
00:21:11,840 --> 00:21:17,920
Speaker 16: I'm in the race, yeah, I'm racing. Frankly, I don't

459
00:21:17,960 --> 00:21:21,919
Speaker 16: trust myself to put my young jackson's life of real scare.

460
00:21:22,119 --> 00:21:25,240
Speaker 2: Yeah, okay, think for myself.

461
00:21:25,480 --> 00:21:28,440
Speaker 4: Yeah, saved you yourself, but you've saved us from ourselves,

462
00:21:28,440 --> 00:21:30,679
Speaker 4: which is what you do best. Justin Quill, their partner

463
00:21:30,720 --> 00:21:33,440
Speaker 4: and major law firm Thompson Geara joins us and I'm

464
00:21:33,480 --> 00:21:35,000
Speaker 4: glad on the phone.

465
00:21:34,720 --> 00:21:35,960
Speaker 1: I think we all needed it.

466
00:21:36,040 --> 00:21:37,640
Speaker 4: I think you can mind us the first two minutes

467
00:21:37,640 --> 00:21:40,320
Speaker 4: where he promotes himself, but the advice afterwards is sound.

468
00:21:40,440 --> 00:21:42,320
Speaker 2: I'll still do the race, but just not with a

469
00:21:42,359 --> 00:21:43,040
Speaker 2: real baby.

470
00:21:43,880 --> 00:21:45,879
Speaker 4: I think we can go ahead with the race, Woods,

471
00:21:45,920 --> 00:21:47,680
Speaker 4: I think we can. I just think we need to

472
00:21:47,720 --> 00:21:51,320
Speaker 4: remove the real babies from the race, okay, and and

473
00:21:51,119 --> 00:21:53,600
Speaker 4: and look, if I'm being honest, I've had a little

474
00:21:53,600 --> 00:21:55,639
Speaker 4: bit of a quiet word to the sponsor to the

475
00:21:55,680 --> 00:21:58,040
Speaker 4: Demison and I don't think they're huge on real babies

476
00:21:58,080 --> 00:21:59,000
Speaker 4: in the race either.

477
00:21:59,240 --> 00:21:59,720
Speaker 2: Were they?

478
00:22:00,240 --> 00:22:02,160
Speaker 3: I didn't tell me that. Well, I didn't tell me that.

479
00:22:02,280 --> 00:22:06,399
Speaker 3: What about a small goat or something? What can we

480
00:22:06,400 --> 00:22:06,920
Speaker 3: put in there?

481
00:22:07,400 --> 00:22:09,399
Speaker 4: Look, the PRAM for one hundred invitation is going to

482
00:22:09,440 --> 00:22:11,800
Speaker 4: go ahead, all thanks to Demison right now though, because

483
00:22:11,800 --> 00:22:14,840
Speaker 4: it is a Monday, we both have to read from

484
00:22:14,840 --> 00:22:20,240
Speaker 4: our diaries to show my diary, I know your secret

485
00:22:21,480 --> 00:22:25,600
Speaker 4: secret alight. So apparently the producers fine is very entertaining.

486
00:22:26,400 --> 00:22:29,880
Speaker 4: We have rejigged it, however, because we realized we needed

487
00:22:29,880 --> 00:22:33,080
Speaker 4: to tap out, so we both got the gong. So

488
00:22:33,520 --> 00:22:35,720
Speaker 4: if we didn't, the other ones going on for too long,

489
00:22:36,600 --> 00:22:39,160
Speaker 4: then they get the gong now, we've both got our diaries. Well, Woods,

490
00:22:39,200 --> 00:22:41,600
Speaker 4: you've got your diary in front of you. I've asked

491
00:22:41,760 --> 00:22:44,760
Speaker 4: my partner Sam to take photos of my old diaries

492
00:22:44,800 --> 00:22:45,840
Speaker 4: because they were in storage.

493
00:22:45,880 --> 00:22:48,400
Speaker 2: Do you let her read your diaries? I don't really care.

494
00:22:48,720 --> 00:22:51,320
Speaker 4: She took six photos, so she's talking about she took

495
00:22:51,359 --> 00:22:52,760
Speaker 4: about seven or eight photos.

496
00:22:53,000 --> 00:22:55,960
Speaker 2: Ye, I'm going to say six of them were automatically deleted.

497
00:22:56,040 --> 00:22:58,280
Speaker 4: This is from the diary that she's found. Is from

498
00:22:58,280 --> 00:23:00,560
Speaker 4: when I was twenty one and oh, this is going

499
00:23:00,640 --> 00:23:04,080
Speaker 4: to be good. When I was studying in Europe. So

500
00:23:04,119 --> 00:23:06,040
Speaker 4: I was a bit of a naughty boy. So I've

501
00:23:06,040 --> 00:23:08,879
Speaker 4: only got a couple that I can read, but we

502
00:23:08,920 --> 00:23:09,640
Speaker 4: want to crack into.

503
00:23:09,720 --> 00:23:12,600
Speaker 2: Yeah, but one that we can read them.

504
00:23:12,720 --> 00:23:17,159
Speaker 4: Yeah, yeah, okay, let's oh yeah, my diaries tend to

505
00:23:17,200 --> 00:23:19,879
Speaker 4: be a little bit Jane Austen, All right, here we go.

506
00:23:21,359 --> 00:23:22,320
Speaker 2: This is twenty one year old.

507
00:23:22,359 --> 00:23:22,520
Speaker 7: Year.

508
00:23:22,600 --> 00:23:23,359
Speaker 1: This is twenty one year old.

509
00:23:23,400 --> 00:23:25,199
Speaker 4: This is from This is the fourth of the fourth

510
00:23:25,560 --> 00:23:26,720
Speaker 4: twenty eleven.

511
00:23:27,080 --> 00:23:30,000
Speaker 2: Wow. Wow, Okay, here we go.

512
00:23:30,880 --> 00:23:39,080
Speaker 4: Venice was the pits, right, Vennis was the pits. Never

513
00:23:39,119 --> 00:23:41,840
Speaker 4: go to Venice anyway, so I won't mention it much.

514
00:23:43,040 --> 00:23:45,040
Speaker 4: If I need to remember it, please refer to the

515
00:23:45,080 --> 00:23:46,119
Speaker 4: email chronicles.

516
00:23:49,200 --> 00:23:51,399
Speaker 1: I don't know what that talks like.

517
00:23:51,480 --> 00:23:55,399
Speaker 2: That are the emails chronicles? Do you mean you're just

518
00:23:55,480 --> 00:23:56,240
Speaker 2: your inbox?

519
00:23:56,480 --> 00:24:01,320
Speaker 3: Why do you call your inbox your chronicles?

520
00:24:01,320 --> 00:24:02,040
Speaker 2: Twenty one?

521
00:24:04,600 --> 00:24:06,240
Speaker 1: That's fair enough.

522
00:24:06,840 --> 00:24:08,720
Speaker 4: I know there's a lot more, but I think i'll

523
00:24:08,960 --> 00:24:10,400
Speaker 4: I think i'll take it going there.

524
00:24:10,640 --> 00:24:13,119
Speaker 1: I think I'll take it going there because it.

525
00:24:13,960 --> 00:24:16,520
Speaker 2: Yeah, a very different people, all right.

526
00:24:16,600 --> 00:24:21,040
Speaker 3: Anyways, just just checking the chronicles.

527
00:24:21,280 --> 00:24:22,280
Speaker 2: You mean you were inbox?

528
00:24:23,680 --> 00:24:23,960
Speaker 11: All right?

529
00:24:24,000 --> 00:24:25,639
Speaker 2: You want to turn me? When to stop? I'll flick?

530
00:24:26,200 --> 00:24:30,199
Speaker 3: Oh yeah, I saw my mine's on my computer, So

531
00:24:30,320 --> 00:24:31,760
Speaker 3: I just flick and.

532
00:24:32,480 --> 00:24:36,239
Speaker 1: Pretty upbeat and oh, generally five years old.

533
00:24:36,240 --> 00:24:39,720
Speaker 3: Al right, it's not there, agay. So I also like

534
00:24:39,800 --> 00:24:43,520
Speaker 3: I tend to talk to myself. That's that's my diary theme. Anyway,

535
00:24:43,600 --> 00:24:47,320
Speaker 3: we go, hello mate, well done. This morning I was

536
00:24:47,359 --> 00:24:49,639
Speaker 3: absolutely farting the house down and wasn't feeling great, but

537
00:24:49,680 --> 00:24:52,160
Speaker 3: I still went through my morning workout bloody.

538
00:24:52,160 --> 00:24:52,639
Speaker 2: Proud of you.

539
00:24:52,720 --> 00:24:55,600
Speaker 3: Cobber just called myself Cobber, which was a bit odd,

540
00:24:55,880 --> 00:24:57,479
Speaker 3: But I do like that. I'm starting to look at

541
00:24:57,480 --> 00:25:00,280
Speaker 3: myself as a friend. I would totally be friends with me.

542
00:25:00,880 --> 00:25:01,639
Speaker 2: I don't think I'm.

543
00:25:01,600 --> 00:25:10,919
Speaker 3: Very needy and generally speaking. Woods, Yeah, I can you

544
00:25:11,000 --> 00:25:11,240
Speaker 3: hear it?

545
00:25:11,280 --> 00:25:18,960
Speaker 2: I mean, I tell you what. It's a hard game, William.

546
00:25:19,760 --> 00:25:21,400
Speaker 2: It's gone viral everywhere this thing.

547
00:25:21,480 --> 00:25:24,200
Speaker 3: It's a really simple game that we started playing, I'm

548
00:25:24,200 --> 00:25:25,920
Speaker 3: gonna say three months ago.

549
00:25:27,040 --> 00:25:27,840
Speaker 2: Really basic.

550
00:25:28,040 --> 00:25:31,560
Speaker 3: We open a can into the microphone here, okay, and

551
00:25:31,640 --> 00:25:32,840
Speaker 3: you have to tell us.

552
00:25:33,240 --> 00:25:35,800
Speaker 2: Is it a soft drink we have opened or is

553
00:25:35,840 --> 00:25:36,680
Speaker 2: it a beer?

554
00:25:37,400 --> 00:25:42,200
Speaker 3: One simple, Woods, So seems seems simple, William. But after

555
00:25:42,240 --> 00:25:44,639
Speaker 3: we did it on air for again, I'm gonna say

556
00:25:44,640 --> 00:25:49,160
Speaker 3: we did on air for over a month. Only one person, ever, yes,

557
00:25:49,480 --> 00:25:50,920
Speaker 3: has got five in a row.

558
00:25:50,960 --> 00:25:51,720
Speaker 2: Her name is Zoe.

559
00:25:52,920 --> 00:25:53,600
Speaker 15: Are you ready?

560
00:25:54,840 --> 00:25:55,040
Speaker 7: Oh?

561
00:25:55,359 --> 00:25:56,640
Speaker 12: As ready as well as a bee?

562
00:25:56,920 --> 00:26:01,320
Speaker 1: Okay, I think we're ready. Okay, should put an end

563
00:26:01,440 --> 00:26:03,160
Speaker 1: to ken you hear it?

564
00:26:03,400 --> 00:26:04,639
Speaker 2: Can five?

565
00:26:06,760 --> 00:26:06,960
Speaker 7: Oh?

566
00:26:07,920 --> 00:26:08,760
Speaker 14: I think it's a beer.

567
00:26:16,080 --> 00:26:17,800
Speaker 4: So yeah, you need to get five in a row

568
00:26:18,080 --> 00:26:20,119
Speaker 4: as well, because I mean that was easy to get.

569
00:26:20,160 --> 00:26:22,520
Speaker 4: Because you got fifty fifty five in a row, it's

570
00:26:22,560 --> 00:26:24,840
Speaker 4: something like point three percent chance that you'rectually going to

571
00:26:24,960 --> 00:26:29,040
Speaker 4: nail that she got five in a row listening on

572
00:26:29,080 --> 00:26:30,679
Speaker 4: her bluetooth in her car.

573
00:26:30,920 --> 00:26:32,240
Speaker 1: I think she was in the rain.

574
00:26:32,640 --> 00:26:33,320
Speaker 2: Extraordinary.

575
00:26:33,320 --> 00:26:34,960
Speaker 4: It was in the rain as well as a little

576
00:26:34,960 --> 00:26:37,119
Speaker 4: bit like Dave's Aharacis on Anzac Day one year. But

577
00:26:37,160 --> 00:26:40,640
Speaker 4: it was in the rain, and and she could barely hear,

578
00:26:40,840 --> 00:26:43,119
Speaker 4: but she but she had this power where she actually

579
00:26:43,200 --> 00:26:45,800
Speaker 4: could hear. The difference between a can opening is whether

580
00:26:45,800 --> 00:26:48,680
Speaker 4: it was beer or soft drink. And I mean there's

581
00:26:48,680 --> 00:26:50,840
Speaker 4: a claim that our EP captain poop Pants, once upon

582
00:26:50,840 --> 00:26:51,760
Speaker 4: a time did it as well.

583
00:26:51,800 --> 00:26:54,600
Speaker 2: But could smell the America all sorts of doubt he

584
00:26:54,680 --> 00:26:55,680
Speaker 2: was here, he could smell.

585
00:26:56,040 --> 00:26:57,800
Speaker 1: What kind of person do you think I am?

586
00:26:57,880 --> 00:27:00,679
Speaker 3: You were right next to the cans mate on the lines.

587
00:27:01,080 --> 00:27:03,040
Speaker 3: You know, I think you've got a good sn on you,

588
00:27:03,440 --> 00:27:04,280
Speaker 3: and you can smell.

589
00:27:04,680 --> 00:27:05,720
Speaker 2: You can smell.

590
00:27:08,240 --> 00:27:11,840
Speaker 4: All of a sudden, just a pot just opened the

591
00:27:11,880 --> 00:27:14,760
Speaker 4: door there. I think you're a cheat with a huge nose.

592
00:27:15,200 --> 00:27:20,640
Speaker 4: That's that's what you wanted to Don't ever ask.

593
00:27:20,480 --> 00:27:21,679
Speaker 1: An open ended question in this.

594
00:27:24,920 --> 00:27:27,600
Speaker 2: Obviously it would be a bit bridge coming from me.

595
00:27:27,600 --> 00:27:30,640
Speaker 1: Look at the really did you put him down?

596
00:27:31,359 --> 00:27:34,080
Speaker 2: Well he deserves it anyway. So that was two months ago.

597
00:27:34,119 --> 00:27:37,760
Speaker 3: Now that video went like I mean, I don't want

598
00:27:37,760 --> 00:27:40,280
Speaker 3: to throw around the term viral, but well.

599
00:27:40,240 --> 00:27:42,560
Speaker 4: I'm not on the toks. But I think on TikTok

600
00:27:43,119 --> 00:27:47,640
Speaker 4: things have the propensity for virality more so than they

601
00:27:47,720 --> 00:27:50,080
Speaker 4: do on your grams and your new books of the.

602
00:27:50,080 --> 00:27:57,840
Speaker 2: World, Nice Summer Bro. Social media really is the virility of.

603
00:28:00,880 --> 00:28:05,440
Speaker 4: Something that's quite small and spontaneous and fun incredibly boring.

604
00:28:05,600 --> 00:28:08,399
Speaker 4: But the point is we're on the Talks and this

605
00:28:08,600 --> 00:28:11,199
Speaker 4: was this, this TikTok that we put up. Do you

606
00:28:11,200 --> 00:28:14,120
Speaker 4: call the videos on TikTok tiktoks?

607
00:28:14,680 --> 00:28:15,960
Speaker 1: Do you call it a TikTok.

608
00:28:15,640 --> 00:28:19,040
Speaker 2: Or do you call it a video videos video?

609
00:28:19,720 --> 00:28:20,960
Speaker 1: Do you don't call it a TikTok?

610
00:28:21,600 --> 00:28:21,840
Speaker 7: No?

611
00:28:22,000 --> 00:28:24,200
Speaker 4: I suppose I don't call it an Instagram. When I

612
00:28:24,320 --> 00:28:25,080
Speaker 4: used to gram that.

613
00:28:26,359 --> 00:28:26,920
Speaker 2: I grammed it.

614
00:28:27,000 --> 00:28:29,440
Speaker 1: Yeah, but you ground that, and I think you're learning

615
00:28:29,480 --> 00:28:29,960
Speaker 1: that quickly.

616
00:28:31,359 --> 00:28:34,520
Speaker 4: I think we both are. But but yes, but our

617
00:28:34,560 --> 00:28:37,400
Speaker 4: digital producer kV is not a loser. She's getting there,

618
00:28:37,440 --> 00:28:40,080
Speaker 4: but she's not. She's still kind of you know, mixes

619
00:28:40,080 --> 00:28:42,640
Speaker 4: it with the kids. She's on the tiktoks and this

620
00:28:42,640 --> 00:28:45,720
Speaker 4: this video went pretty well, didn't it. kV talk to

621
00:28:45,800 --> 00:28:48,040
Speaker 4: us about how many views this video got on the

622
00:28:48,080 --> 00:28:49,160
Speaker 4: tic on the Talks.

623
00:28:49,800 --> 00:28:52,480
Speaker 17: So that one where we had the winner got a

624
00:28:52,560 --> 00:28:57,000
Speaker 17: million views? Yeah, yeah, a bunch of videos up there

625
00:28:57,040 --> 00:28:59,800
Speaker 17: and totally like we've got ten million views.

626
00:28:59,680 --> 00:29:04,040
Speaker 4: Or something I'd call ten million views by that was

627
00:29:04,080 --> 00:29:06,040
Speaker 4: with poo pans when he gets the five cans in

628
00:29:06,120 --> 00:29:06,760
Speaker 4: can you hear it?

629
00:29:06,880 --> 00:29:08,400
Speaker 2: I think you could smell it anyway, I'm not going

630
00:29:08,400 --> 00:29:09,040
Speaker 2: to go over that.

631
00:29:10,880 --> 00:29:12,840
Speaker 1: Ask yourself can I spell it? Or could he hear it?

632
00:29:12,880 --> 00:29:15,960
Speaker 3: But that's the reason we're telling you in a very

633
00:29:16,040 --> 00:29:17,040
Speaker 3: long winded form.

634
00:29:17,640 --> 00:29:20,400
Speaker 2: But the video enviral to a first show back, guys.

635
00:29:20,400 --> 00:29:25,360
Speaker 3: Is because a huge musician like this person is genuinely massive.

636
00:29:25,400 --> 00:29:28,640
Speaker 3: They get over twenty two million streams a month for

637
00:29:28,680 --> 00:29:29,280
Speaker 3: their music.

638
00:29:29,440 --> 00:29:32,880
Speaker 2: Wow is that big? I think so could handed this form.

639
00:29:33,520 --> 00:29:36,160
Speaker 4: It seems like a lot of streams, I mean the

640
00:29:36,240 --> 00:29:38,680
Speaker 4: virility of a streaming.

641
00:29:38,720 --> 00:29:41,360
Speaker 3: But they saw it, they saw the video, they commented

642
00:29:41,400 --> 00:29:43,120
Speaker 3: and they said they want to do it.

643
00:29:43,120 --> 00:29:44,080
Speaker 1: It's a big dog.

644
00:29:44,360 --> 00:29:47,360
Speaker 4: It's this dog like it's a very big dog. Are

645
00:29:47,360 --> 00:29:49,080
Speaker 4: I talking like a John Mayer type dog?

646
00:29:49,520 --> 00:29:53,920
Speaker 3: Bigger, much bigger than, much bigger than. And I can

647
00:29:54,000 --> 00:29:58,200
Speaker 3: confer they are going to be playing can you Hear It?

648
00:29:58,440 --> 00:30:02,120
Speaker 2: Thursday? This week. They're going to be on the show.

649
00:30:02,240 --> 00:30:03,600
Speaker 2: It is locked in.

650
00:30:04,400 --> 00:30:08,480
Speaker 3: But to get excited for a huge celebrity musician.

651
00:30:08,800 --> 00:30:10,120
Speaker 1: Ah, that's too big.

652
00:30:10,120 --> 00:30:10,800
Speaker 2: I've gone too big.

653
00:30:10,800 --> 00:30:14,280
Speaker 3: I'd say, only the same staircase a couple of steps below,

654
00:30:15,120 --> 00:30:18,160
Speaker 3: anyway to get excited for the musician playing Thursday. We

655
00:30:18,200 --> 00:30:19,640
Speaker 3: want to give you guys a chance to have a

656
00:30:19,680 --> 00:30:20,640
Speaker 3: crack at the five as well.

657
00:30:20,680 --> 00:30:26,720
Speaker 1: So a couple of steps below, Elton John say.

658
00:30:26,480 --> 00:30:30,040
Speaker 3: Same lift, couple of floors blow to get excited about

659
00:30:30,040 --> 00:30:32,760
Speaker 3: this musician playing on Thursday.

660
00:30:32,760 --> 00:30:34,680
Speaker 2: We're allowing you guys.

661
00:30:34,680 --> 00:30:36,760
Speaker 4: Sorry before before before we let somebody have a crack

662
00:30:36,800 --> 00:30:40,600
Speaker 4: at this. This muso thinks that they can do the

663
00:30:40,680 --> 00:30:42,360
Speaker 4: can you hear at five can challenge?

664
00:30:42,360 --> 00:30:43,320
Speaker 2: That's why they reached out.

665
00:30:43,240 --> 00:30:45,960
Speaker 4: To it, because they are a Museoh like they've got

666
00:30:46,240 --> 00:30:51,040
Speaker 4: their ears enable them special sonic powers where they can

667
00:30:51,080 --> 00:30:53,200
Speaker 4: they've been able to differentiate.

668
00:30:52,680 --> 00:30:55,040
Speaker 2: Or I don't know their reason, and just why.

669
00:30:54,960 --> 00:30:57,520
Speaker 4: Come in here just swinging it saying I want to

670
00:30:57,520 --> 00:30:58,840
Speaker 4: crack this yep, and I.

671
00:30:58,920 --> 00:31:00,680
Speaker 3: Get to put that to the test on Thursday on

672
00:31:00,760 --> 00:31:03,360
Speaker 3: this show. All right, So but again, yeah, to celebrate,

673
00:31:03,400 --> 00:31:05,280
Speaker 3: we're giving you guys a chance. We've got Grace here

674
00:31:05,400 --> 00:31:09,560
Speaker 3: on thirteen one oh sixty five. Hello Grace, Hi guy, Now,

675
00:31:09,560 --> 00:31:10,800
Speaker 3: why do you think.

676
00:31:10,880 --> 00:31:11,640
Speaker 2: You'd be good at this.

677
00:31:11,680 --> 00:31:14,200
Speaker 3: By the way, that the key to nailing this is

678
00:31:14,200 --> 00:31:15,120
Speaker 3: getting five in a row.

679
00:31:15,160 --> 00:31:16,240
Speaker 2: That's what we believe means.

680
00:31:16,280 --> 00:31:17,920
Speaker 3: You're not guessing if you get five in a row,

681
00:31:18,000 --> 00:31:19,440
Speaker 3: why do you think you can nail it?

682
00:31:20,200 --> 00:31:24,520
Speaker 12: Well? I drink both quite, you know, frequently more drink

683
00:31:24,600 --> 00:31:26,800
Speaker 12: than the other. So I feel like I'll be able

684
00:31:26,800 --> 00:31:27,360
Speaker 12: to smash it.

685
00:31:27,800 --> 00:31:30,600
Speaker 3: Okay, okay, And who do you think the big celebrity

686
00:31:30,640 --> 00:31:31,920
Speaker 3: is it's going to be playing on Thursday?

687
00:31:31,920 --> 00:31:32,880
Speaker 2: If you had to think about.

688
00:31:32,760 --> 00:31:35,480
Speaker 12: That, well, I thought it was Elton John two, but

689
00:31:35,760 --> 00:31:38,840
Speaker 12: it's not. My second guess was Adel I feel like

690
00:31:38,880 --> 00:31:40,800
Speaker 12: she'd do something like this, and you think.

691
00:31:40,600 --> 00:31:43,360
Speaker 4: She just this is the thing, like this celeb has

692
00:31:43,440 --> 00:31:46,000
Speaker 4: just hit us up and said, hey, guys, can I

693
00:31:46,040 --> 00:31:46,560
Speaker 4: have a can?

694
00:31:46,600 --> 00:31:48,040
Speaker 2: I have a cracket? Can you hear it?

695
00:31:48,120 --> 00:31:48,520
Speaker 1: Adele?

696
00:31:49,440 --> 00:31:50,400
Speaker 2: My lips are sealed?

697
00:31:51,640 --> 00:31:51,840
Speaker 11: Is that?

698
00:31:52,080 --> 00:31:53,120
Speaker 1: Is that? Is that a clue?

699
00:31:53,200 --> 00:31:54,920
Speaker 2: My lip is it?

700
00:31:55,360 --> 00:31:55,840
Speaker 12: Maybe?

701
00:31:56,200 --> 00:31:59,360
Speaker 2: Is it? Or they don't even realize that was a song.

702
00:31:59,640 --> 00:32:03,080
Speaker 3: Anyway, Grace, let's have a go at you going for

703
00:32:03,200 --> 00:32:03,880
Speaker 3: five cans?

704
00:32:03,920 --> 00:32:04,400
Speaker 2: You ready to go?

705
00:32:05,160 --> 00:32:05,680
Speaker 12: I'm ready?

706
00:32:05,760 --> 00:32:07,680
Speaker 2: Okay, here you go, Grace, here's your first can.

707
00:32:16,840 --> 00:32:18,080
Speaker 12: That's a bee.

708
00:32:19,280 --> 00:32:25,360
Speaker 2: That was a mean, that's how this is.

709
00:32:27,000 --> 00:32:29,640
Speaker 4: Only one person has done the five can can you

710
00:32:29,680 --> 00:32:32,719
Speaker 4: hear it? Challenge guys, But all you need to know

711
00:32:32,880 --> 00:32:35,479
Speaker 4: is that an A grade musician, someone with twenty million

712
00:32:35,520 --> 00:32:38,920
Speaker 4: streams a month, has reached out and said they want

713
00:32:38,920 --> 00:32:39,440
Speaker 4: to play this.

714
00:32:39,600 --> 00:32:42,200
Speaker 1: It's not Adele. I can tell Grace that is that, right? Woods.

715
00:32:42,200 --> 00:32:43,400
Speaker 1: Can we rule out Adele.

716
00:32:43,240 --> 00:32:44,120
Speaker 2: I said my lips.

717
00:32:44,360 --> 00:32:46,200
Speaker 1: Well, we can rule out Elton, John, we can rule

718
00:32:46,800 --> 00:32:48,640
Speaker 1: rule out the Boss, Bruce Springsteen.

719
00:32:48,880 --> 00:32:50,200
Speaker 2: I'm happy to rule out both of them.

720
00:32:50,280 --> 00:32:55,680
Speaker 3: And Marsden and Marsden writer, I can confirm it's not

721
00:32:55,760 --> 00:32:56,760
Speaker 3: John Marsden.

722
00:32:56,440 --> 00:32:58,200
Speaker 2: The writer of the war begins tomorrow.

723
00:33:04,200 --> 00:33:08,080
Speaker 4: For the next four weeks, every single day here on

724
00:33:08,120 --> 00:33:12,240
Speaker 4: Will and Woodie, we have a whole row, a whole

725
00:33:12,360 --> 00:33:12,920
Speaker 4: row of.

726
00:33:12,920 --> 00:33:15,760
Speaker 1: Tickets to give away to go and see this woman.

727
00:33:21,720 --> 00:33:24,480
Speaker 2: Free, free Taylor tickets.

728
00:33:24,840 --> 00:33:25,840
Speaker 16: Can't wait to see you.

729
00:33:27,120 --> 00:33:30,000
Speaker 3: I've never had more people reach out to me and

730
00:33:30,120 --> 00:33:32,320
Speaker 3: ask me to try and sort them out with Taylor

731
00:33:32,360 --> 00:33:33,040
Speaker 3: Swift tickets.

732
00:33:33,120 --> 00:33:35,000
Speaker 2: Yeah, thinking that I was some big dog in the

733
00:33:35,120 --> 00:33:35,800
Speaker 2: radio industry.

734
00:33:35,880 --> 00:33:38,560
Speaker 4: Yeah yeah, yeah, well than for any other event than

735
00:33:39,840 --> 00:33:43,000
Speaker 4: I like not even to pull my finger Powder Finger

736
00:33:43,080 --> 00:33:44,680
Speaker 4: cover band show you played, they got.

737
00:33:44,600 --> 00:33:46,280
Speaker 2: A lot of demand, a lot of demand. This is

738
00:33:46,520 --> 00:33:47,360
Speaker 2: just a clip faction.

739
00:33:48,120 --> 00:33:50,560
Speaker 3: These tickets are impossible to get and we don't have one,

740
00:33:50,600 --> 00:33:51,120
Speaker 3: we don't.

741
00:33:50,960 --> 00:33:52,000
Speaker 2: Have two tickets.

742
00:33:52,040 --> 00:33:55,280
Speaker 3: We have a whole row to give away every single day, Yes,

743
00:33:55,280 --> 00:33:55,880
Speaker 3: for four weeks.

744
00:33:55,920 --> 00:33:58,400
Speaker 1: It's a really it is a really big deal, isn't it.

745
00:33:58,440 --> 00:33:58,800
Speaker 2: I think?

746
00:33:59,280 --> 00:33:59,520
Speaker 7: Yeah?

747
00:33:59,760 --> 00:34:03,600
Speaker 4: Yeah, well I heard before that Quantas had to reschedule

748
00:34:03,720 --> 00:34:07,400
Speaker 4: or rebook planes just to get people to the Eastern

749
00:34:07,440 --> 00:34:11,359
Speaker 4: Seaboards so they can actually go and see her. Extra

750
00:34:11,400 --> 00:34:13,480
Speaker 4: flights out of Brisbane, extra flights out of Adelaide. If

751
00:34:13,520 --> 00:34:15,359
Speaker 4: we do give you the tickets to go and see

752
00:34:15,360 --> 00:34:17,520
Speaker 4: her in Sydney and Melbourne and you're in another city

753
00:34:17,719 --> 00:34:22,200
Speaker 4: in the country, we'll do your flights as well. Pretty extraordinary,

754
00:34:22,680 --> 00:34:24,520
Speaker 4: it is. I don't know how we've stumbled into these,

755
00:34:24,560 --> 00:34:27,040
Speaker 4: to be honest, I don't know. It might be who knows,

756
00:34:27,080 --> 00:34:28,120
Speaker 4: who knows, how cares.

757
00:34:28,160 --> 00:34:30,239
Speaker 3: So we have a number to call here, and that

758
00:34:30,280 --> 00:34:32,120
Speaker 3: person that we're calling is about to win a whole

759
00:34:32,239 --> 00:34:34,120
Speaker 3: row to a Taylor Swift concert.

760
00:34:34,719 --> 00:34:46,080
Speaker 2: Yeah wow, answer, Hi? Is that is that Evelyn?

761
00:34:47,760 --> 00:34:48,120
Speaker 1: Do you know?

762
00:34:49,560 --> 00:34:50,880
Speaker 2: Do you know who this is?

763
00:34:51,600 --> 00:34:51,880
Speaker 3: Oh?

764
00:34:51,960 --> 00:34:55,560
Speaker 8: My god, I want to say.

765
00:34:55,360 --> 00:34:58,520
Speaker 12: But I don't want myself.

766
00:34:59,000 --> 00:35:00,400
Speaker 4: It's not like Will and wood either.

767
00:35:01,239 --> 00:35:05,319
Speaker 2: It's not like William Wood. It is Will it is

768
00:35:05,760 --> 00:35:09,600
Speaker 2: Why are you getting so excited? Are you a big

769
00:35:09,600 --> 00:35:10,400
Speaker 2: fan of us or something?

770
00:35:10,680 --> 00:35:10,879
Speaker 6: Oh?

771
00:35:11,120 --> 00:35:12,400
Speaker 4: Freaking you're over amazing?

772
00:35:16,200 --> 00:35:17,000
Speaker 1: Makes me nervous?

773
00:35:17,480 --> 00:35:19,759
Speaker 2: Can I put your speaker?

774
00:35:20,920 --> 00:35:21,239
Speaker 6: I don't know?

775
00:35:21,440 --> 00:35:23,440
Speaker 4: But hey, this is us?

776
00:35:23,560 --> 00:35:25,080
Speaker 1: Who is us? Who else is the.

777
00:35:27,840 --> 00:35:29,839
Speaker 2: Daughter? Your daughters are there as well?

778
00:35:30,239 --> 00:35:30,439
Speaker 7: Yeah?

779
00:35:30,520 --> 00:35:33,080
Speaker 12: Yeah, okay, they will come over so we can.

780
00:35:32,960 --> 00:35:35,000
Speaker 2: Listen to you to us?

781
00:35:35,200 --> 00:35:38,960
Speaker 4: Okay, yeah, yeah, yeah, yeah, because you're having your Will

782
00:35:39,000 --> 00:35:41,000
Speaker 4: and Woody having a Will and Woody listener party.

783
00:35:41,040 --> 00:35:41,480
Speaker 1: Is that right?

784
00:35:42,760 --> 00:35:45,480
Speaker 12: I don't know Instagram videos?

785
00:35:46,880 --> 00:35:52,320
Speaker 2: You like our Instagram videos? Okay, my god? Okay, off speaker,

786
00:35:52,360 --> 00:35:53,920
Speaker 2: off speaker. You've been banned from speaker?

787
00:35:54,280 --> 00:35:55,239
Speaker 1: Back on back on.

788
00:35:56,920 --> 00:35:57,560
Speaker 2: Off speaker.

789
00:36:00,360 --> 00:36:02,400
Speaker 1: Okay, okay, let's get down to brass tacks. So you're

790
00:36:02,400 --> 00:36:05,200
Speaker 1: a big faner villain. You're also obviously a big fan

791
00:36:05,280 --> 00:36:07,600
Speaker 1: of a certain pop star.

792
00:36:08,680 --> 00:36:10,920
Speaker 4: Yes, yes, yes.

793
00:36:10,680 --> 00:36:13,440
Speaker 2: We are. Did you did your queue up for tickets?

794
00:36:13,480 --> 00:36:14,640
Speaker 2: Did you miss out on tickets?

795
00:36:14,640 --> 00:36:16,200
Speaker 16: To my god?

796
00:36:16,520 --> 00:36:18,839
Speaker 10: Okay, Wednesday was my day off and we were here

797
00:36:18,920 --> 00:36:20,280
Speaker 10: with like three laptops.

798
00:36:20,320 --> 00:36:22,160
Speaker 12: My daughter had to go to work, so she left

799
00:36:22,200 --> 00:36:25,399
Speaker 12: her we had two iphis, three phones. We didn't even

800
00:36:25,400 --> 00:36:31,239
Speaker 12: get through. Wow did we stayed for Melbourne nothing? And

801
00:36:31,280 --> 00:36:33,560
Speaker 12: then my son thought it was funny to say that

802
00:36:33,600 --> 00:36:35,480
Speaker 12: he got tickets and he was going to sell them

803
00:36:35,480 --> 00:36:36,160
Speaker 12: over pass to it.

804
00:36:36,280 --> 00:36:38,520
Speaker 10: So we just said that we were going to report.

805
00:36:38,960 --> 00:36:39,320
Speaker 1: Sorry.

806
00:36:39,360 --> 00:36:41,360
Speaker 4: Your son said that he got tickets and he was

807
00:36:41,400 --> 00:36:43,400
Speaker 4: going to sell them back to you an inflated price.

808
00:36:43,840 --> 00:36:46,680
Speaker 4: I love him, yes, and that was all the hopes

809
00:36:46,800 --> 00:36:47,719
Speaker 4: that was obviously.

810
00:36:48,400 --> 00:36:51,040
Speaker 2: He was actually trying to get tickets a beautiful way.

811
00:36:52,640 --> 00:36:54,279
Speaker 4: You can probably take your daughters and your son because

812
00:36:54,280 --> 00:36:57,200
Speaker 4: you've got a whole row of tickets to Taylor Swift deevil.

813
00:37:08,000 --> 00:37:08,280
Speaker 7: Kidding.

814
00:37:08,400 --> 00:37:10,800
Speaker 4: I'm also very glad we kept you on speakerphone. That

815
00:37:10,840 --> 00:37:15,799
Speaker 4: would have viscerrat us. That was truly beautiful to hear

816
00:37:15,800 --> 00:37:23,719
Speaker 4: you you was a better way to thank you I

817
00:37:23,760 --> 00:37:32,080
Speaker 4: would be saying. I went, oh my god, that was

818
00:37:32,080 --> 00:37:32,560
Speaker 4: a pleasure.

819
00:37:32,920 --> 00:37:35,440
Speaker 1: That was truly truly, that was as much fun for

820
00:37:35,560 --> 00:37:36,279
Speaker 1: me as it was for you.

821
00:37:36,440 --> 00:37:38,840
Speaker 4: I'm sure you're going, mate, it's a whole road tickets

822
00:37:38,840 --> 00:37:40,240
Speaker 4: for you, your daughters, your.

823
00:37:40,120 --> 00:37:43,600
Speaker 1: Son, Tyler Swift.

824
00:37:44,800 --> 00:37:48,440
Speaker 2: Enjoy You're welcome.

825
00:37:53,880 --> 00:37:57,839
Speaker 4: Yeah, it's it's really not us it's it's everybody here.

826
00:37:57,920 --> 00:38:01,560
Speaker 4: The network chances a whole row of tickets to you

827
00:38:01,719 --> 00:38:04,399
Speaker 4: see Taylors. You're doing these famously sold out shows. She

828
00:38:05,000 --> 00:38:07,799
Speaker 4: you could not buy one of these dars a million.

829
00:38:07,480 --> 00:38:08,200
Speaker 1: People in the wedding.

830
00:38:09,320 --> 00:38:10,520
Speaker 2: She tried for three days.

831
00:38:10,600 --> 00:38:11,400
Speaker 1: Unbelievable.

832
00:38:11,440 --> 00:38:13,000
Speaker 2: Well, we've got rows. I'll tell you why no one

833
00:38:13,000 --> 00:38:13,400
Speaker 2: can get them.

834
00:38:13,400 --> 00:38:15,719
Speaker 4: We've got rows and rows of tickets to go and

835
00:38:15,840 --> 00:38:18,640
Speaker 4: see Taylor's Swift. We're gonna be giving them away every day.

836
00:38:18,760 --> 00:38:20,760
Speaker 4: So make sure you're listening every morning at eight o'clock,

837
00:38:20,880 --> 00:38:23,160
Speaker 4: all across the workday while you work. We are your

838
00:38:23,200 --> 00:38:24,720
Speaker 4: home of Taylor Swift. Here had kiss?

839
00:38:26,239 --> 00:38:30,080
Speaker 2: Oh, go back? What are you gonna make sick?

840
00:38:30,320 --> 00:38:30,520
Speaker 7: No?

841
00:38:30,719 --> 00:38:32,799
Speaker 4: Well, we're talking about otters, And isn't it an otter

842
00:38:32,960 --> 00:38:38,600
Speaker 4: in the in the animal sexual world? In the homosexual

843
00:38:38,800 --> 00:38:39,879
Speaker 4: is a ripped Harry guy.

844
00:38:40,120 --> 00:38:43,040
Speaker 2: Yeah, you taught me that. That's awesome. I didn't know that.

845
00:38:43,520 --> 00:38:45,319
Speaker 2: So when you brought a bottles before, like Hugh, Jack

846
00:38:45,440 --> 00:38:49,439
Speaker 2: could be a will Oh yeah, I think I'm ripped though.

847
00:38:49,880 --> 00:38:54,919
Speaker 5: Nah, but you fit fit because there's a bear a bear,

848
00:38:55,080 --> 00:38:56,400
Speaker 5: I'm not a I mean, you're.

849
00:38:56,280 --> 00:38:58,960
Speaker 2: Not a bear. What would I be? Tom?

850
00:39:00,200 --> 00:39:03,520
Speaker 1: Flimminger. Well, you're too old to be a twink, damn it.

851
00:39:03,560 --> 00:39:04,480
Speaker 2: But it used to be a twink.

852
00:39:04,840 --> 00:39:08,560
Speaker 3: Yeah, recovering twink or washed up twink, washed up twin.

853
00:39:08,719 --> 00:39:10,200
Speaker 2: Jim Bro? What's a jim Bro?

854
00:39:11,239 --> 00:39:11,399
Speaker 7: Oh?

855
00:39:11,480 --> 00:39:17,000
Speaker 2: Sorry, as I said it, I think.

856
00:39:16,960 --> 00:39:18,800
Speaker 4: The name is on the tin, but I could be

857
00:39:18,840 --> 00:39:20,680
Speaker 4: an otter. That's cute because we were just saying that.

858
00:39:21,120 --> 00:39:23,880
Speaker 4: And orders have life partners and they when the seas

859
00:39:23,880 --> 00:39:25,799
Speaker 4: get really rough, they hold their life partner's hands.

860
00:39:25,840 --> 00:39:28,319
Speaker 2: They don't get lost from them. Super cute, very good.

861
00:39:28,360 --> 00:39:29,120
Speaker 2: You reckon one of those.

862
00:39:30,760 --> 00:39:33,480
Speaker 4: This is annoying what that they're being held on to

863
00:39:33,680 --> 00:39:35,640
Speaker 4: because they've seen the storm. The storm is a chance

864
00:39:35,680 --> 00:39:36,520
Speaker 4: to break free from them.

865
00:39:36,520 --> 00:39:38,080
Speaker 3: Well, I'm just thinking that when I go to bed

866
00:39:38,120 --> 00:39:40,200
Speaker 3: with my partner, she prefers to hug for longer, and

867
00:39:40,239 --> 00:39:42,440
Speaker 3: I love a hug initially, but then I'm like getting

868
00:39:42,520 --> 00:39:42,839
Speaker 3: very hot.

869
00:39:42,920 --> 00:39:44,719
Speaker 2: Yeah, we need to go to our separate sides. Yeah.

870
00:39:44,719 --> 00:39:46,880
Speaker 4: So my question is I've been telling you this for

871
00:39:46,880 --> 00:39:47,880
Speaker 4: a while, but carry on.

872
00:39:48,080 --> 00:39:48,680
Speaker 2: Do you think the.

873
00:39:48,640 --> 00:39:50,880
Speaker 3: Odders there's one who's like, I want to link arms

874
00:39:50,960 --> 00:39:51,880
Speaker 3: the entire time.

875
00:39:52,640 --> 00:39:55,040
Speaker 2: No, I think it's they say both love it.

876
00:39:55,640 --> 00:39:59,040
Speaker 4: I think so I think I think it's mutually beneficial

877
00:39:59,080 --> 00:40:01,120
Speaker 4: for them to have a life part now in terms

878
00:40:01,120 --> 00:40:04,480
Speaker 4: of like the survival of the species. Because they're mammals,

879
00:40:04,960 --> 00:40:07,960
Speaker 4: they've got to nurture their young together. It's better that

880
00:40:08,040 --> 00:40:08,720
Speaker 4: they stay together.

881
00:40:08,719 --> 00:40:10,200
Speaker 3: Do you think you pick an arm? Do you think like,

882
00:40:10,440 --> 00:40:13,200
Speaker 3: do you say to an odder, I'm aliety, I.

883
00:40:13,120 --> 00:40:14,000
Speaker 1: Think you are left.

884
00:40:14,160 --> 00:40:16,000
Speaker 2: I think you have to adapt. This is what we're

885
00:40:16,000 --> 00:40:18,319
Speaker 2: talking about for the first podcast. Back is this in

886
00:40:18,320 --> 00:40:21,480
Speaker 2: a podcast? Yeah, we're talking about I've.

887
00:40:21,320 --> 00:40:25,359
Speaker 13: Seen photos of certain zoos in the Honor enclosure. They

888
00:40:25,400 --> 00:40:28,440
Speaker 13: have holes in the perspex glass or in the glass

889
00:40:28,480 --> 00:40:30,840
Speaker 13: get out where odders will put their hands through and

890
00:40:30,880 --> 00:40:32,520
Speaker 13: you can you can go near the glass and you

891
00:40:32,640 --> 00:40:34,520
Speaker 13: put your hand out and you can hold their hands.

892
00:40:34,560 --> 00:40:37,839
Speaker 2: Really, that is beautiful.

893
00:40:37,160 --> 00:40:39,560
Speaker 13: That just that I don't know what.

894
00:40:41,719 --> 00:40:45,240
Speaker 2: Yes, zoos in Americas lovely beautiful. So again my question remains,

895
00:40:45,400 --> 00:40:47,480
Speaker 2: do you think do you think what heart breaking?

896
00:40:47,480 --> 00:40:49,040
Speaker 1: Because they're looking for a hands.

897
00:40:49,239 --> 00:40:51,680
Speaker 4: So are you saying they like, simulate a storm in

898
00:40:51,719 --> 00:40:54,960
Speaker 4: the enclosure and then they're like it's getting a bit rocky,

899
00:40:55,040 --> 00:40:56,440
Speaker 4: find a hand, and then you put your hand.

900
00:40:56,600 --> 00:40:59,920
Speaker 1: It's torture head. You're close to being canceled.

901
00:40:59,760 --> 00:41:04,320
Speaker 2: And just put their hands through this. That's so nasty,

902
00:41:04,440 --> 00:41:04,919
Speaker 2: so quick.

903
00:41:05,040 --> 00:41:08,160
Speaker 4: So how can an animal that's so cute be referred

904
00:41:08,160 --> 00:41:10,759
Speaker 4: to as like a ripped a ripped hairy guys? That

905
00:41:10,920 --> 00:41:13,840
Speaker 4: because it's like because odds are quite fit creatures.

906
00:41:15,640 --> 00:41:17,000
Speaker 2: The athletic prowess is pretty.

907
00:41:18,719 --> 00:41:20,120
Speaker 1: Athletic prowess is awful.

908
00:41:20,200 --> 00:41:22,839
Speaker 2: I would not. I just don't you just look fit?

909
00:41:22,960 --> 00:41:25,400
Speaker 4: I don't think that my thank you, I appreciate that,

910
00:41:25,440 --> 00:41:28,560
Speaker 4: but I don't think that my i't if you've got

911
00:41:28,560 --> 00:41:30,480
Speaker 4: me an otto ibi, I'm just not I'm not nimble,

912
00:41:31,680 --> 00:41:33,080
Speaker 4: but you look like you could be nimble.

913
00:41:33,160 --> 00:41:37,400
Speaker 2: There was a storm. I'll definitely use to keep myself alive.

914
00:41:37,480 --> 00:41:38,600
Speaker 1: What's that in Google images?

915
00:41:38,920 --> 00:41:39,720
Speaker 2: Use here as a ladder.

916
00:41:39,880 --> 00:41:41,360
Speaker 3: So if you're saying, if you're in the Titanic and

917
00:41:41,360 --> 00:41:44,120
Speaker 3: there was the door, Jack and Rose, would you would

918
00:41:44,160 --> 00:41:44,920
Speaker 3: you push her off the door?

919
00:41:44,960 --> 00:41:48,360
Speaker 2: Wouldn't you?

920
00:41:45,920 --> 00:41:50,400
Speaker 1: You probably wouldn't make the door.

921
00:41:52,280 --> 00:41:54,080
Speaker 4: Because I'd be a faster swimmer and I'd be out

922
00:41:54,080 --> 00:41:55,759
Speaker 4: the door, and then I'd be propelling it away from it.

923
00:41:55,840 --> 00:41:57,239
Speaker 2: You're in honor. That's a classic odd to play.

924
00:41:57,320 --> 00:41:59,520
Speaker 1: No, a classic gotta play would be to hold her hands.

925
00:41:59,280 --> 00:42:00,680
Speaker 2: Oh yeah, no, good point.

926
00:42:01,520 --> 00:42:02,680
Speaker 1: It's googling Gayda.

927
00:42:02,880 --> 00:42:03,640
Speaker 2: That's what that looks like.

928
00:42:03,880 --> 00:42:09,960
Speaker 5: It looks like you, I see, I see yeah, Jim Bro,

929
00:42:11,600 --> 00:42:13,960
Speaker 5: Jim Bro, you're not sleek.

930
00:42:14,040 --> 00:42:14,920
Speaker 2: I like being anodder.

931
00:42:15,239 --> 00:42:15,479
Speaker 1: Yeah.

932
00:42:15,680 --> 00:42:18,040
Speaker 2: Nice, that's a compliment. Thank you appreciate that to me.

933
00:42:18,800 --> 00:42:20,480
Speaker 4: Now, this is the first show back, so probably need

934
00:42:20,480 --> 00:42:24,240
Speaker 4: to cover off a few things. First of all, Captain

935
00:42:24,239 --> 00:42:26,960
Speaker 4: Pok Pans's nose not that big because it's not like

936
00:42:27,000 --> 00:42:27,839
Speaker 4: a it's not like.

937
00:42:27,760 --> 00:42:29,239
Speaker 2: A nose that you look at and go wow, he's

938
00:42:29,239 --> 00:42:30,040
Speaker 2: got a schnolls on him.

939
00:42:30,160 --> 00:42:32,279
Speaker 3: I genuinely meant that that I think he's got a

940
00:42:32,320 --> 00:42:33,400
Speaker 3: great scent of smell.

941
00:42:33,520 --> 00:42:36,759
Speaker 4: Yes, well he's into his wine, yes, wow, Wow, here

942
00:42:36,800 --> 00:42:37,000
Speaker 4: we go.

943
00:42:37,040 --> 00:42:38,160
Speaker 2: He's taken exception with it.

944
00:42:38,680 --> 00:42:40,480
Speaker 1: Man, it wasn't below the belt. It wasn't below the

945
00:42:40,480 --> 00:42:42,319
Speaker 1: belt shot. It was a live on airshot as well.

946
00:42:42,360 --> 00:42:44,840
Speaker 2: A man with my schnolls could not throw stones like that.

947
00:42:44,960 --> 00:42:45,360
Speaker 1: You know that.

948
00:42:45,560 --> 00:42:47,200
Speaker 2: I know that everyone in this team knows that.

949
00:42:47,320 --> 00:42:49,480
Speaker 13: So then it was either you're attacking my nose or

950
00:42:49,520 --> 00:42:52,080
Speaker 13: you're attacking my keen sense of smell of a beer,

951
00:42:52,080 --> 00:42:54,280
Speaker 13: which is equally as hurtful.

952
00:42:54,840 --> 00:42:57,840
Speaker 3: That's I apologize for because that's exactly what I was attacking.

953
00:42:58,560 --> 00:43:00,880
Speaker 3: I saw you, I wasn't sad Day or Sunday ed

954
00:43:01,680 --> 00:43:07,000
Speaker 3: Sunday Sunday tracksuit pants full beer. I think there was

955
00:43:07,040 --> 00:43:09,280
Speaker 3: a beer, like a half open beer in your pocket

956
00:43:09,320 --> 00:43:10,840
Speaker 3: and you're in your padagon, your jacket.

957
00:43:10,880 --> 00:43:13,160
Speaker 1: Were you wearing your going out track?

958
00:43:13,320 --> 00:43:17,359
Speaker 2: Is actually quite nice?

959
00:43:17,360 --> 00:43:18,000
Speaker 1: What do you mean?

960
00:43:18,760 --> 00:43:19,480
Speaker 7: It was a nice.

961
00:43:19,320 --> 00:43:21,759
Speaker 4: Talking about them for a long time, and I just

962
00:43:22,160 --> 00:43:23,880
Speaker 4: you know, I was trying to be really nice and

963
00:43:23,880 --> 00:43:26,439
Speaker 4: I was like, Wow, that's an amazing But the whole

964
00:43:26,480 --> 00:43:28,640
Speaker 4: time I was thinking, you're looking an absolute funck with

965
00:43:28,760 --> 00:43:34,080
Speaker 4: well apparently really what they can what color are they?

966
00:43:34,280 --> 00:43:35,319
Speaker 2: Like? Like a navy blue?

967
00:43:35,480 --> 00:43:37,680
Speaker 1: Like a navy blue tracksuit?

968
00:43:39,320 --> 00:43:39,440
Speaker 9: There.

969
00:43:39,960 --> 00:43:40,920
Speaker 2: I didn't pay too much.

970
00:43:42,160 --> 00:43:44,560
Speaker 4: But I think that's probably the That's what you want though, Like,

971
00:43:44,640 --> 00:43:46,600
Speaker 4: if you're wearing tracksuit pants, you don't want people going

972
00:43:47,239 --> 00:43:49,439
Speaker 4: ship that guy was wearing tracksuits. Would he's walked away

973
00:43:49,440 --> 00:43:51,080
Speaker 4: from an interaction with you in the middle of the

974
00:43:51,080 --> 00:43:53,799
Speaker 4: street and he didn't realize you were wearing tracksuit pants

975
00:43:53,800 --> 00:43:54,920
Speaker 4: and you were wearing tracksuit pants.

976
00:43:55,320 --> 00:43:55,919
Speaker 1: That's what you.

977
00:43:55,840 --> 00:43:58,640
Speaker 2: Want to Mimi behind as I left me and I

978
00:43:58,680 --> 00:43:59,960
Speaker 2: discussed that it was very in traxic.

979
00:44:01,400 --> 00:44:02,600
Speaker 1: We did you actually did?

980
00:44:02,680 --> 00:44:04,600
Speaker 2: Yeah, yeah, yeah, yeah. We had a good laugh about it.

981
00:44:04,680 --> 00:44:06,399
Speaker 1: Oh wow, Okay, what.

982
00:44:06,400 --> 00:44:09,000
Speaker 13: He said, I looked like Matthew Perry post friends.

983
00:44:10,160 --> 00:44:13,480
Speaker 2: Ship that is not was not cured.

984
00:44:15,560 --> 00:44:15,840
Speaker 14: Ship.

985
00:44:18,000 --> 00:44:22,360
Speaker 4: You had a bad one, so the track is bad.

986
00:44:22,800 --> 00:44:23,640
Speaker 2: That's what you're going for.

987
00:44:24,640 --> 00:44:27,800
Speaker 4: Like you were at your worst though, beard beer pocket

988
00:44:29,520 --> 00:44:30,520
Speaker 4: beer in your pocket.

989
00:44:30,600 --> 00:44:33,000
Speaker 1: I mean he looked very You looked as well.

990
00:44:32,880 --> 00:44:35,279
Speaker 13: To yourself, like you had about fifteen coffees and you

991
00:44:35,280 --> 00:44:36,080
Speaker 13: were bouncing a bit.

992
00:44:36,160 --> 00:44:36,399
Speaker 1: I did.

993
00:44:36,440 --> 00:44:38,279
Speaker 3: I had fifteen coffees because I did a flight of

994
00:44:38,320 --> 00:44:40,320
Speaker 3: coffees at this very trendy coffee place.

995
00:44:40,320 --> 00:44:41,880
Speaker 1: Which is a weird way of saying that.

996
00:44:41,920 --> 00:44:43,799
Speaker 2: You had like a paddle of coffees, So that would

997
00:44:43,800 --> 00:44:47,080
Speaker 2: have I would have had seven.

998
00:44:46,520 --> 00:44:49,880
Speaker 4: Which is still I mean, I've brought you down to

999
00:44:49,960 --> 00:44:54,319
Speaker 4: a paddle of coffees which still comfortably sits in the

1000
00:44:54,320 --> 00:44:55,400
Speaker 4: pocket of you.

1001
00:44:55,560 --> 00:44:59,040
Speaker 1: Just had four long blacks. I had four black coffees.

1002
00:44:59,239 --> 00:45:01,160
Speaker 1: I have my normal I had flights of coffee.

1003
00:45:01,239 --> 00:45:04,120
Speaker 2: I had a normal long black, my normal morning long black.

1004
00:45:04,400 --> 00:45:06,479
Speaker 1: I'm the coffee I'm normally the coffee winker.

1005
00:45:06,560 --> 00:45:09,200
Speaker 2: What's going three more long black? So four long blacks?

1006
00:45:09,680 --> 00:45:12,480
Speaker 3: And then I had to try a beer coffee, which

1007
00:45:12,520 --> 00:45:16,280
Speaker 3: is a nitrogen coffee, so it looks like a nitro brew.

1008
00:45:16,239 --> 00:45:20,799
Speaker 2: Is what it's called. So that's that six coffees. Then

1009
00:45:20,840 --> 00:45:22,120
Speaker 2: I saw it. I saw it.

1010
00:45:22,120 --> 00:45:24,160
Speaker 13: He was in a lame way, bouncing.

1011
00:45:24,920 --> 00:45:25,640
Speaker 1: A drug out.

1012
00:45:29,239 --> 00:45:32,360
Speaker 2: Really aggressively. Yeah, and eating nuts. Yeah, I got a

1013
00:45:32,360 --> 00:45:32,879
Speaker 2: bag of nuts.

1014
00:45:32,960 --> 00:45:33,799
Speaker 1: Why did you do that?

1015
00:45:34,960 --> 00:45:39,440
Speaker 3: Eat the nuts or or the flight of coffees. We

1016
00:45:39,560 --> 00:45:42,600
Speaker 3: just sort of we're in the area and I was like, oh,

1017
00:45:42,600 --> 00:45:44,680
Speaker 3: this is that place where you can do flights of coffee.

1018
00:45:44,760 --> 00:45:47,359
Speaker 4: You're talking to me about the about the mental load

1019
00:45:47,400 --> 00:45:49,360
Speaker 4: that you're sharing with mim and like all of a sudden,

1020
00:45:49,440 --> 00:45:51,200
Speaker 4: you're just in the area.

1021
00:45:51,239 --> 00:45:51,520
Speaker 1: I think.

1022
00:45:51,640 --> 00:45:54,880
Speaker 18: Don't think you're doing fine for time and space mate

1023
00:45:55,760 --> 00:45:59,080
Speaker 18: on Sunday, have to turn you enough time to sit

1024
00:45:59,160 --> 00:46:00,920
Speaker 18: down and drink five coffee is one of the man

1025
00:46:01,080 --> 00:46:01,919
Speaker 18: nitrogen in it.

1026
00:46:02,320 --> 00:46:06,760
Speaker 1: And then you just walked around Cullingwood. You're fine.

1027
00:46:07,320 --> 00:46:08,719
Speaker 4: Give any of the union might need to pick up

1028
00:46:08,719 --> 00:46:10,960
Speaker 4: a bit more mental load made or give me the tip.

1029
00:46:11,800 --> 00:46:13,759
Speaker 4: What's your mental load for today? I'm going to go one.

1030
00:46:14,440 --> 00:46:16,600
Speaker 1: If I can have the perfect amount of coffee.

1031
00:46:16,840 --> 00:46:19,440
Speaker 2: It's given myself energy for my jobs that night. I

1032
00:46:19,600 --> 00:46:22,560
Speaker 2: was pre load, right right, preloading? Yeah, fair enough.

1033
00:46:22,640 --> 00:46:24,200
Speaker 3: If you want to actually listen to a great chat

1034
00:46:24,239 --> 00:46:25,920
Speaker 3: about mental If you don't know what mental load is,

1035
00:46:26,360 --> 00:46:28,360
Speaker 3: go to the Imperfect, Well, listen to our podcast.

1036
00:46:28,400 --> 00:46:31,560
Speaker 2: That podcast is great to already that's what they're doing here,

1037
00:46:31,680 --> 00:46:34,560
Speaker 2: Got Perfect. After this is finished, where it's about to.

1038
00:46:36,040 --> 00:46:38,320
Speaker 3: You're about to stop listening and you're thinking to yourself,

1039
00:46:38,360 --> 00:46:40,319
Speaker 3: oh no, what amt we listen to it now? Click

1040
00:46:40,360 --> 00:46:43,719
Speaker 3: onto Imperfect, yes and listen to it should just be

1041
00:46:43,760 --> 00:46:46,080
Speaker 3: listened as mental load. And it's Hugh van Coleenberg and

1042
00:46:46,120 --> 00:46:50,200
Speaker 3: his wife talking about mental load, yeah, and like giving

1043
00:46:50,239 --> 00:46:52,719
Speaker 3: each other jobs with it. It's sounds boring, but it's

1044
00:46:52,760 --> 00:46:53,960
Speaker 3: amazing extraordinary.

1045
00:46:53,960 --> 00:46:56,480
Speaker 4: I think it's I think if anyone, particularly you've got children,

1046
00:46:56,560 --> 00:46:58,160
Speaker 4: you'll like it's called Hugh and Penny.

1047
00:46:58,200 --> 00:47:00,080
Speaker 1: The elephant in the relationship.

1048
00:47:00,160 --> 00:47:04,480
Speaker 2: Is that's a great way to sell it. Actually, how

1049
00:47:04,480 --> 00:47:05,160
Speaker 2: would you sell this?

1050
00:47:05,320 --> 00:47:06,320
Speaker 1: They've got more tail.

1051
00:47:06,160 --> 00:47:08,719
Speaker 2: Shrift tickets to that'sself good.

1052
00:47:09,960 --> 00:47:13,920
Speaker 4: I'd call it otters, track suits and the elephant.

1053
00:47:14,640 --> 00:47:17,000
Speaker 1: Oh yeah, you're nearly there, aren't there? Your class?

1054
00:47:17,520 --> 00:47:19,279
Speaker 2: The order in the tracksuit pants, The order in the

1055
00:47:19,320 --> 00:47:22,160
Speaker 2: track said pants. Yeah, blanded.

1056
00:47:22,160 --> 00:47:22,480
Speaker 7: The jet