1 00:00:01,480 --> 00:00:07,280 Speaker 1: Melbourne Christian Christian O'Connell Breakfast Show podcast. 2 00:00:07,440 --> 00:00:07,840 Speaker 2: Let's go. 3 00:00:10,640 --> 00:00:18,320 Speaker 3: Showtime? Do you ever yell Timber? Or is that just 4 00:00:18,320 --> 00:00:18,840 Speaker 3: in the movie? 5 00:00:19,400 --> 00:00:21,320 Speaker 2: What are you two doing in here today? 6 00:00:21,720 --> 00:00:23,720 Speaker 4: Seriously, stop looking around the phone. 7 00:00:24,000 --> 00:00:27,920 Speaker 1: Welcome to the Christian O'Connell Breakfast Show, Melbourne's Gold follow 8 00:00:28,040 --> 00:00:28,760 Speaker 1: four point three. 9 00:00:31,120 --> 00:00:33,920 Speaker 4: Hey, good morning, It's Monday morning, eight minutes past six. 10 00:00:33,960 --> 00:00:36,160 Speaker 4: It's the Christian O'Connell Breakfast Show. Good morning Jack. 11 00:00:36,040 --> 00:00:38,400 Speaker 3: Post, Good morning Christian O'Connell. Can I say, can we 12 00:00:38,479 --> 00:00:41,600 Speaker 3: say that you are glowing and you have a new 13 00:00:41,720 --> 00:00:44,920 Speaker 3: energy and you're a brand new man? Or would you 14 00:00:45,000 --> 00:00:45,839 Speaker 3: rather not talk about it? 15 00:00:45,840 --> 00:00:49,240 Speaker 4: Now? We can? I we weren't actually here last week. 16 00:00:49,280 --> 00:00:51,720 Speaker 4: The show was on the best of I don't at 17 00:00:51,720 --> 00:00:54,760 Speaker 4: this station. Made that entirely clear. They tried to hide 18 00:00:54,760 --> 00:00:58,240 Speaker 4: the fact they were thanky for some unknown reason. But 19 00:00:58,320 --> 00:01:01,040 Speaker 4: let's not even going to that crazy about the people 20 00:01:01,080 --> 00:01:02,920 Speaker 4: that make some of the decisions here. They let us 21 00:01:02,960 --> 00:01:05,759 Speaker 4: run the show between six and ten, So that's how 22 00:01:05,760 --> 00:01:06,160 Speaker 4: it works. 23 00:01:06,160 --> 00:01:08,440 Speaker 3: There are only a few steps away from building some 24 00:01:08,480 --> 00:01:11,679 Speaker 3: sort of AI that uses all these inputs and builds 25 00:01:11,680 --> 00:01:13,760 Speaker 3: a whole show. We don't even have to be here anymore. 26 00:01:13,760 --> 00:01:16,600 Speaker 4: I mean, we're saying that we're here now, but for 27 00:01:16,640 --> 00:01:19,000 Speaker 4: all you know, this is prerecorded as well, and the 28 00:01:19,080 --> 00:01:21,480 Speaker 4: fact we won't be back live until twenty twenty two. 29 00:01:21,520 --> 00:01:23,320 Speaker 4: I'm actually on a two year holiday at the moment. 30 00:01:24,120 --> 00:01:26,160 Speaker 4: But no, we weren't here last week and I went 31 00:01:26,200 --> 00:01:29,600 Speaker 4: away to Byron Bay to a kind of health retreat 32 00:01:29,640 --> 00:01:33,720 Speaker 4: for five days, and I did have an amazing time. 33 00:01:34,120 --> 00:01:36,479 Speaker 3: It's like in the Simpsons where mister burn comes out 34 00:01:36,480 --> 00:01:39,160 Speaker 3: of the jungle and he's and they think he's an 35 00:01:39,200 --> 00:01:42,880 Speaker 3: alien and they're super happy mister Burns. That's how I 36 00:01:42,920 --> 00:01:45,039 Speaker 3: when I ran into you on Saturday for the first 37 00:01:45,040 --> 00:01:47,680 Speaker 3: time in a week, that's how you look. You were beaming. 38 00:01:47,880 --> 00:01:49,240 Speaker 4: That's because I was at a free bar. 39 00:01:50,200 --> 00:01:50,960 Speaker 3: We were at the races. 40 00:01:51,000 --> 00:01:54,400 Speaker 4: There was beaming at a free bar. Who was miserable 41 00:01:54,440 --> 00:01:56,680 Speaker 4: at a free bar? You're not paying for all these drinks. 42 00:01:56,840 --> 00:01:59,200 Speaker 3: I thought it was all the meditation and the self 43 00:01:59,200 --> 00:02:00,200 Speaker 3: and inflection. 44 00:02:00,200 --> 00:02:03,320 Speaker 4: You know, on the inside, deeply unhappy. Still, they never 45 00:02:03,400 --> 00:02:06,360 Speaker 4: killed that. I can't be fixed. But freed bar makes 46 00:02:06,400 --> 00:02:09,120 Speaker 4: everyone go for a couple of hours, including my wife. 47 00:02:09,160 --> 00:02:11,960 Speaker 4: So we were at the racers on Saturday. A reason 48 00:02:12,000 --> 00:02:15,440 Speaker 4: why pats isn't here today. She got arrested, and shit, 49 00:02:15,480 --> 00:02:17,160 Speaker 4: we're hoping to have her back out the next couple 50 00:02:17,200 --> 00:02:20,320 Speaker 4: of days. But yeah, Patsy sadly got arrested at the weekend. 51 00:02:20,760 --> 00:02:22,680 Speaker 4: Too much celebrating. You know some women, they just get 52 00:02:22,680 --> 00:02:22,880 Speaker 4: a bit. 53 00:02:23,120 --> 00:02:25,200 Speaker 3: Yeah, you would have say they're on the news, Yeah, 54 00:02:25,200 --> 00:02:25,760 Speaker 3: getting dragged. 55 00:02:25,800 --> 00:02:27,960 Speaker 4: Yeah, we shouldn't say too much. But Patsy hopefully back 56 00:02:28,040 --> 00:02:30,840 Speaker 4: back later on this week once we've raised the bell money, 57 00:02:30,880 --> 00:02:33,239 Speaker 4: because the fifth time this has happened, So it don't 58 00:02:33,280 --> 00:02:35,480 Speaker 4: mean he too easy to spring her out today or tomorrow. 59 00:02:35,760 --> 00:02:38,200 Speaker 4: But yeah, so we were all there and this radio 60 00:02:38,240 --> 00:02:42,160 Speaker 4: station we were entertaining clients. Now at the times was there? 61 00:02:42,880 --> 00:02:43,959 Speaker 4: Did you speak to any of them? 62 00:02:44,320 --> 00:02:47,639 Speaker 3: I did? Yeah, I actually got a winning tip from 63 00:02:47,919 --> 00:02:50,320 Speaker 3: I'd now I've forgotten the company, but I should I 64 00:02:50,360 --> 00:02:52,359 Speaker 3: remember the guy. I forget where he works. 65 00:02:52,160 --> 00:02:54,919 Speaker 4: For, right, brilliant, So yeah, when he was worth entertaining 66 00:02:54,919 --> 00:02:57,320 Speaker 4: all those guys, I forget the guy or do you 67 00:02:57,320 --> 00:02:58,080 Speaker 4: even know his name? 68 00:02:58,440 --> 00:02:58,480 Speaker 5: No? 69 00:02:58,639 --> 00:03:00,799 Speaker 3: No, but I completely in a line I would easily 70 00:03:00,800 --> 00:03:01,240 Speaker 3: put great. 71 00:03:01,280 --> 00:03:02,840 Speaker 4: Yeah, because they did that once and it with clients. 72 00:03:02,880 --> 00:03:04,840 Speaker 4: They line them up and see if we can identify 73 00:03:04,880 --> 00:03:07,440 Speaker 4: any of them. So anyway, it's a free bar there, 74 00:03:07,480 --> 00:03:11,080 Speaker 4: and obviously it's the races. Despite the appalling weather for 75 00:03:11,120 --> 00:03:13,760 Speaker 4: most of it yesterday on Saturday, we still had a 76 00:03:13,760 --> 00:03:16,640 Speaker 4: good time. So my wife it's her birthday this weekend, 77 00:03:16,760 --> 00:03:18,680 Speaker 4: and she put a lot of effort into her outfit 78 00:03:18,760 --> 00:03:23,919 Speaker 4: and she she looked brilliant. And however she tucked into 79 00:03:24,120 --> 00:03:24,840 Speaker 4: the free drinks. 80 00:03:25,120 --> 00:03:25,560 Speaker 3: Yeah she was. 81 00:03:25,760 --> 00:03:27,519 Speaker 4: She was in a great mood. A great mood a 82 00:03:27,560 --> 00:03:31,760 Speaker 4: free bar. It brings out the glow and everyone. So 83 00:03:31,840 --> 00:03:33,679 Speaker 4: but my wife had I don't know if you saw 84 00:03:33,760 --> 00:03:36,800 Speaker 4: as the day went off about five o'clock, you know, 85 00:03:36,880 --> 00:03:40,600 Speaker 4: some people just suddenly like, whoa god, they've really they're 86 00:03:40,640 --> 00:03:41,160 Speaker 4: drunk now. 87 00:03:42,240 --> 00:03:45,400 Speaker 3: They continuous dancing. I mean even when you're having a 88 00:03:45,440 --> 00:03:47,560 Speaker 3: conversation with her and we're not on the dance floor, 89 00:03:47,560 --> 00:03:48,880 Speaker 3: but the dancing still. 90 00:03:49,240 --> 00:03:51,920 Speaker 4: On the spot dancing. And there wasn't a dance all there, 91 00:03:51,960 --> 00:03:54,240 Speaker 4: it's just where we were, and there was a lot 92 00:03:54,240 --> 00:03:57,480 Speaker 4: of swaying, and then this came out, that's nice to pass. 93 00:03:57,560 --> 00:04:00,360 Speaker 4: Oh god, she's really bad. What do you mean she's firing? No, no, 94 00:04:01,000 --> 00:04:03,440 Speaker 4: if you look at the clap, I turned Patsy around, 95 00:04:03,440 --> 00:04:06,040 Speaker 4: I went it's not entire to anything. It's just an 96 00:04:06,120 --> 00:04:09,880 Speaker 4: overhead overhead like this or drunken, aren't hit al weady 97 00:04:10,360 --> 00:04:14,080 Speaker 4: now stuck and do it? Cows, come on everyone, drive 98 00:04:14,240 --> 00:04:17,160 Speaker 4: me done. And I was like, we we, we won't 99 00:04:17,200 --> 00:04:19,560 Speaker 4: be here much longer. So pretty soon that she's going 100 00:04:19,640 --> 00:04:21,680 Speaker 4: to be falling over. And then sure enough she sort 101 00:04:21,720 --> 00:04:24,640 Speaker 4: of tot her backwards into where all the brodies were, 102 00:04:24,880 --> 00:04:26,440 Speaker 4: and so I went to see that, Pats to see 103 00:04:26,440 --> 00:04:28,960 Speaker 4: you next week and went, I went, you okay, She 104 00:04:29,000 --> 00:04:32,359 Speaker 4: went necessay for a few more hours, and I went, okay, well, 105 00:04:32,360 --> 00:04:34,200 Speaker 4: why don't we give it another half an hour? Ten 106 00:04:34,200 --> 00:04:35,720 Speaker 4: minutes later, you went, Chris, I don't think I can 107 00:04:35,760 --> 00:04:38,400 Speaker 4: see clearly. Can you get me out of here? Before 108 00:04:38,400 --> 00:04:38,840 Speaker 4: people say? 109 00:04:38,880 --> 00:04:38,920 Speaker 6: It? 110 00:04:38,960 --> 00:04:39,080 Speaker 1: Went? 111 00:04:39,360 --> 00:04:39,560 Speaker 7: Yeah. 112 00:04:40,120 --> 00:04:42,320 Speaker 4: It took me half an hour for us to work 113 00:04:42,360 --> 00:04:44,080 Speaker 4: our way out of there. Right, this is a. 114 00:04:44,040 --> 00:04:45,560 Speaker 3: Difficult place to get out from. 115 00:04:45,600 --> 00:04:47,640 Speaker 4: Nothing to do with that. She was falling into me. 116 00:04:48,240 --> 00:04:50,159 Speaker 4: I mean literally I had to guide her. She was 117 00:04:50,240 --> 00:04:54,520 Speaker 4: that merry. And then we get into the taxi and 118 00:04:54,680 --> 00:04:56,440 Speaker 4: twenty minutes later, because it took us while to get 119 00:04:56,440 --> 00:04:58,960 Speaker 4: out there with the traffic, the old window comes down 120 00:04:59,120 --> 00:05:03,039 Speaker 4: and the heads outside, I'm like you're not feeling well. 121 00:05:03,040 --> 00:05:09,240 Speaker 4: What I've eaten all day is a heartboard egg, a harfboard. Eck, 122 00:05:11,560 --> 00:05:14,640 Speaker 4: what is going to do? And then sure enough she 123 00:05:14,720 --> 00:05:18,960 Speaker 4: goes to mate, who's driving us. Hey, listen, mate, as 124 00:05:18,960 --> 00:05:20,919 Speaker 4: soon as it's safe, can you stop the car? He 125 00:05:21,040 --> 00:05:23,520 Speaker 4: swings into We're in foot screen now. The only place 126 00:05:23,520 --> 00:05:26,120 Speaker 4: that we can find is suddenly I see an office 127 00:05:26,120 --> 00:05:28,960 Speaker 4: works car park. There's people innocently just coming out of 128 00:05:29,000 --> 00:05:32,200 Speaker 4: brand new ring binders. Suddenly, of course, because it's still open. 129 00:05:32,279 --> 00:05:38,159 Speaker 4: It's still daytime. You enjoying new right. Suddenly Mercedes pulls up. 130 00:05:38,720 --> 00:05:41,280 Speaker 4: The rear passenger door opens and there's some lady who 131 00:05:41,360 --> 00:05:45,520 Speaker 4: had a good day. The races open, yeah, all over 132 00:05:45,880 --> 00:05:49,120 Speaker 4: the car park. So apologies to office works in Footscray. 133 00:05:49,480 --> 00:05:51,200 Speaker 4: That's my wife Chunda there okay. 134 00:05:51,400 --> 00:05:54,800 Speaker 1: The Christian O'Connell breakfast show, Melbourne's Gold one oh four 135 00:05:54,800 --> 00:05:55,279 Speaker 1: point three. 136 00:05:55,560 --> 00:05:57,520 Speaker 4: I was so excited on my way in this morning 137 00:05:57,600 --> 00:06:00,400 Speaker 4: to see that it is getting lighter again earlier in 138 00:06:00,400 --> 00:06:02,920 Speaker 4: the mornings. Even at like twenty past five this morning, 139 00:06:03,120 --> 00:06:05,760 Speaker 4: there was more light around than a week ago. So 140 00:06:06,080 --> 00:06:10,200 Speaker 4: the weather a lot better today. Obviously, VIC Racing at Saturday, 141 00:06:10,200 --> 00:06:11,960 Speaker 4: we were there out of Flemington. It was heaven the 142 00:06:12,000 --> 00:06:12,560 Speaker 4: weather was. 143 00:06:12,640 --> 00:06:14,280 Speaker 3: I didn't think it is a lot better today though, 144 00:06:14,560 --> 00:06:16,960 Speaker 3: was gonna right now? I mean that little graphic that 145 00:06:17,000 --> 00:06:19,880 Speaker 3: tells us the weather it's got three lightning strikes. 146 00:06:20,080 --> 00:06:22,080 Speaker 4: Oh no, it's beautiful out this morning. So is it 147 00:06:22,080 --> 00:06:23,200 Speaker 4: going to be crap again today? 148 00:06:23,279 --> 00:06:24,839 Speaker 3: Well, at least three lightning strikes? 149 00:06:24,880 --> 00:06:27,800 Speaker 4: So what was it? Thirty four degrees on Friday? Like 150 00:06:27,880 --> 00:06:31,240 Speaker 4: a beautiful day Thursday as well, And then suddenly when 151 00:06:31,279 --> 00:06:33,800 Speaker 4: you want a week of it for the racing, it 152 00:06:33,960 --> 00:06:36,000 Speaker 4: turned to I mean it was. It wasn't just a 153 00:06:36,040 --> 00:06:39,720 Speaker 4: downpour on Saturday. It was it was torrential rain all day. 154 00:06:40,160 --> 00:06:42,080 Speaker 4: And so why would you when we when I left 155 00:06:42,080 --> 00:06:44,919 Speaker 4: obviously scored my wife out of there to safety. What 156 00:06:44,960 --> 00:06:46,799 Speaker 4: with that hard board egg, by the way, when she'd 157 00:06:46,960 --> 00:06:49,560 Speaker 4: been sick at the taxi door, start to do the 158 00:06:49,600 --> 00:06:55,599 Speaker 4: old spot car sickness. Come on, that's not let's not 159 00:06:55,640 --> 00:06:58,040 Speaker 4: embarrass urselves with car sickness. 160 00:06:58,040 --> 00:06:59,400 Speaker 3: More than just a hard boiled egg. 161 00:06:59,480 --> 00:07:03,640 Speaker 4: Come up, No, it was it was just a variety 162 00:07:03,680 --> 00:07:05,640 Speaker 4: of colors of free drinks that you've been having, from 163 00:07:05,640 --> 00:07:07,760 Speaker 4: the apparel spritzer to champagne. 164 00:07:07,320 --> 00:07:09,479 Speaker 3: And they were putting colors in those drinks. What was 165 00:07:09,800 --> 00:07:12,440 Speaker 3: there were purple green, red. 166 00:07:12,240 --> 00:07:15,160 Speaker 4: I don't know where we were free bar and then 167 00:07:15,760 --> 00:07:17,960 Speaker 4: and it was it was this radio station often we 168 00:07:17,960 --> 00:07:19,440 Speaker 4: said before you know, they were having the art with 169 00:07:19,480 --> 00:07:22,200 Speaker 4: the conservative with the budgets. They'd step to the free bar, 170 00:07:22,280 --> 00:07:24,720 Speaker 4: which is great, okay for all the clients and advertising 171 00:07:24,760 --> 00:07:29,120 Speaker 4: on this station. However, did you see the trained sandwiches 172 00:07:29,120 --> 00:07:32,920 Speaker 4: they kept bringing around. It looked like the someone's mum 173 00:07:33,000 --> 00:07:36,880 Speaker 4: had made sandwiches. Who wants to eat an egg sandwich 174 00:07:37,800 --> 00:07:41,880 Speaker 4: was chained? And you know the smelliest sandwich in the 175 00:07:41,920 --> 00:07:45,760 Speaker 4: world is the humble egg and cress, egg and cress sandwich. 176 00:07:45,960 --> 00:07:47,040 Speaker 4: No thank you, nana. 177 00:07:47,400 --> 00:07:48,840 Speaker 3: And you know if you go to a nice cafe 178 00:07:48,880 --> 00:07:51,040 Speaker 3: they'll put it like on a nice sourdo or something. 179 00:07:51,120 --> 00:07:53,360 Speaker 3: This was just like that old school bread, old school 180 00:07:53,440 --> 00:07:54,920 Speaker 3: white bread, lunch. 181 00:07:54,920 --> 00:07:58,680 Speaker 4: School lunch sandwiches, such chunky old bread that you know 182 00:07:58,720 --> 00:08:00,600 Speaker 4: it would soak up all the more stu're in you 183 00:08:00,680 --> 00:08:04,320 Speaker 4: if you choking, plus the egg. You don't we chatting 184 00:08:04,320 --> 00:08:07,960 Speaker 4: to somebody eggs sandwich breathing your eggy breast. 185 00:08:08,200 --> 00:08:09,920 Speaker 3: It is if they ran out of money on the 186 00:08:09,920 --> 00:08:12,480 Speaker 3: free bar, that's where they put it so, summary from 187 00:08:12,600 --> 00:08:16,080 Speaker 3: sales was in charge of making the egg sandwiches cheap loaves. 188 00:08:16,200 --> 00:08:19,000 Speaker 4: You know when Cole's was closing, they wait until one 189 00:08:19,040 --> 00:08:21,680 Speaker 4: minute before closing time and they start marking everything down. 190 00:08:21,840 --> 00:08:24,960 Speaker 4: They don't throw away those loaves that no one has anymore? 191 00:08:24,720 --> 00:08:28,800 Speaker 4: Were there for the clients We've got Reno Cole's, Woolworth's 192 00:08:28,840 --> 00:08:31,400 Speaker 4: all coming. We want to treat them to some egg 193 00:08:31,400 --> 00:08:33,800 Speaker 4: and cress sandwiches. Hey, you don't want to be putting 194 00:08:33,800 --> 00:08:37,880 Speaker 4: money into Nova. Have another egg and cress sandwich? What's 195 00:08:37,880 --> 00:08:39,679 Speaker 4: that you're on? Three head? When you come over and us, 196 00:08:39,679 --> 00:08:42,480 Speaker 4: doesn't they play more egg and cress sandwiches for you? Sir? 197 00:08:43,480 --> 00:08:44,280 Speaker 4: So what happened to you? 198 00:08:44,320 --> 00:08:44,400 Speaker 5: So? 199 00:08:44,440 --> 00:08:46,160 Speaker 4: When I left, you were heading over to the bird 200 00:08:46,200 --> 00:08:48,600 Speaker 4: cage where all the beautiful people are. You have to 201 00:08:48,640 --> 00:08:51,760 Speaker 4: walk over a bridge, literally you have to walk us 202 00:08:51,800 --> 00:08:54,360 Speaker 4: over a bridge and drop into beautiful land. 203 00:08:54,559 --> 00:08:58,000 Speaker 3: That's it's like the celebrity TV world over there where 204 00:08:58,080 --> 00:09:00,880 Speaker 3: radio doesn't quite make it over or if. 205 00:09:00,720 --> 00:09:03,400 Speaker 4: They do it, they were WHOA, WHOA? Where should passed? 206 00:09:05,440 --> 00:09:10,479 Speaker 4: Who DJ? Walking around birdcage? 207 00:09:11,040 --> 00:09:14,080 Speaker 3: But did you notice my wife had made like three 208 00:09:14,200 --> 00:09:14,960 Speaker 3: new friends? 209 00:09:15,000 --> 00:09:16,360 Speaker 4: Who were those people? You were with. 210 00:09:16,600 --> 00:09:18,720 Speaker 3: I don't know, well, I know them now. 211 00:09:18,840 --> 00:09:20,520 Speaker 4: But who was the frelly top lady. 212 00:09:20,880 --> 00:09:23,240 Speaker 3: She was just a person that Bianca met on the day. 213 00:09:23,240 --> 00:09:27,040 Speaker 3: And Bianca becomes lifelong friends with people sometimes instantly. 214 00:09:27,120 --> 00:09:31,520 Speaker 4: It's like you formed a cold. I know, don't advertise 215 00:09:31,559 --> 00:09:33,680 Speaker 4: on the station. I don't even know how they got in. 216 00:09:34,440 --> 00:09:36,640 Speaker 4: It was one of those piper it was. 217 00:09:36,720 --> 00:09:38,480 Speaker 3: It was one of those friendships when the. 218 00:09:38,480 --> 00:09:42,400 Speaker 4: Guys some Kiss was straggling along and his moleskin suit. 219 00:09:43,760 --> 00:09:44,080 Speaker 4: It was. 220 00:09:44,200 --> 00:09:46,600 Speaker 3: It became one of those friendships where it's like, well, 221 00:09:46,640 --> 00:09:49,080 Speaker 3: if we all can't go together, we're not going at all. 222 00:09:49,559 --> 00:09:51,520 Speaker 3: All for one and one for all. And so we 223 00:09:51,640 --> 00:09:55,200 Speaker 3: marched over there, and then they didn't have the right accreditation, 224 00:09:55,760 --> 00:10:01,679 Speaker 3: so two of them pretended to be your wife and. 225 00:10:00,679 --> 00:10:03,839 Speaker 4: And then my wife's got impersonated. I hope they were 226 00:10:03,880 --> 00:10:05,800 Speaker 4: sick like to do the tribute well. 227 00:10:05,880 --> 00:10:08,120 Speaker 3: And then the guy from Kiss had to be you, 228 00:10:08,240 --> 00:10:09,400 Speaker 3: Christian O'Connor. 229 00:10:11,360 --> 00:10:13,199 Speaker 4: And then so how long were you there? Because you're 230 00:10:13,200 --> 00:10:14,679 Speaker 4: pretty merry when I said goodbye. Yeah. 231 00:10:14,720 --> 00:10:16,600 Speaker 3: So then we spent the last hour until they closed 232 00:10:16,600 --> 00:10:20,240 Speaker 3: the bars there, and then we went for I guess 233 00:10:20,400 --> 00:10:22,320 Speaker 3: we were really riding high on the energy of the 234 00:10:22,320 --> 00:10:25,840 Speaker 3: whole day. Bianca and I announced that the after party 235 00:10:25,840 --> 00:10:28,320 Speaker 3: will be at our house. Everybody back to our house 236 00:10:28,400 --> 00:10:31,079 Speaker 3: and then back to ours and. 237 00:10:31,000 --> 00:10:32,600 Speaker 4: Then you going, have we got enough booze for all 238 00:10:32,600 --> 00:10:33,200 Speaker 4: these people? 239 00:10:33,320 --> 00:10:36,240 Speaker 3: Well, it's in the moment you really believe it and 240 00:10:36,280 --> 00:10:38,360 Speaker 3: you're like, yes, we'll have the most fun time. Then 241 00:10:38,480 --> 00:10:40,360 Speaker 3: it takes a long time to get out of the race. 242 00:10:40,280 --> 00:10:43,319 Speaker 4: And then the energy dissipates. The energy when it gets 243 00:10:43,360 --> 00:10:45,360 Speaker 4: the last ten percent, it just goes real quick. 244 00:10:45,440 --> 00:10:47,480 Speaker 3: You sober up a little bit and you go, you 245 00:10:47,520 --> 00:10:48,079 Speaker 3: know what. 246 00:10:49,320 --> 00:10:50,840 Speaker 4: Who is pretty top leady as well? 247 00:10:51,520 --> 00:10:54,360 Speaker 3: Don't really want to have everybody over, and I'd kind 248 00:10:54,360 --> 00:10:56,560 Speaker 3: of like to call it a night now, So what 249 00:10:56,640 --> 00:10:58,439 Speaker 3: did you do? Well, then we did have to have 250 00:10:58,559 --> 00:11:01,679 Speaker 3: him over, and I'm ordering pizzas and we're going down 251 00:11:01,720 --> 00:11:04,240 Speaker 3: in the like the bottle shop to get more drinks 252 00:11:04,280 --> 00:11:06,760 Speaker 3: and trying to kick it on. But the energy never 253 00:11:06,840 --> 00:11:08,440 Speaker 3: really comes back to what you had. 254 00:11:08,520 --> 00:11:09,440 Speaker 4: The party's peaked. 255 00:11:09,559 --> 00:11:11,360 Speaker 3: The party's peaked, and everybody's and was. 256 00:11:11,360 --> 00:11:13,360 Speaker 4: Just about one of them never been on a train before. 257 00:11:13,520 --> 00:11:15,920 Speaker 3: Oh my god, So one of the girls was not 258 00:11:15,960 --> 00:11:18,360 Speaker 3: fretty top lady, Frilly top lady. I knew would be her. 259 00:11:18,400 --> 00:11:20,880 Speaker 4: There was something about her and she was loved asking 260 00:11:20,920 --> 00:11:24,520 Speaker 4: too many questions of me as well, just strange, random question. 261 00:11:24,720 --> 00:11:27,520 Speaker 3: But she was very posh. She's from the South, she's 262 00:11:27,559 --> 00:11:30,480 Speaker 3: from Paranha, Windsor, and she'd never been on a train. 263 00:11:31,240 --> 00:11:33,360 Speaker 3: And we caught the train out because it's quicker. It's 264 00:11:33,400 --> 00:11:34,640 Speaker 3: actually quicker than catching a car. 265 00:11:34,920 --> 00:11:36,360 Speaker 4: She's an adult. What do you mean she's never been 266 00:11:36,360 --> 00:11:36,760 Speaker 4: on a train. 267 00:11:36,840 --> 00:11:39,360 Speaker 3: She's lived in Melbourne for thirty years and she's never 268 00:11:39,400 --> 00:11:40,079 Speaker 3: been on a train. 269 00:11:40,240 --> 00:11:42,439 Speaker 4: And I can't accept that. 270 00:11:42,480 --> 00:11:44,800 Speaker 3: She was getting to the escalators and she was like, oh, well, 271 00:11:44,840 --> 00:11:45,840 Speaker 3: what do we do now? 272 00:11:46,160 --> 00:11:49,679 Speaker 4: What people do? How do you live under the ground? 273 00:11:51,280 --> 00:11:52,319 Speaker 4: And it was. 274 00:11:52,320 --> 00:11:55,000 Speaker 3: Really bizarre to see grown adult on a train and 275 00:11:55,760 --> 00:11:58,480 Speaker 3: looking around a train like, you know, we're on a 276 00:11:58,559 --> 00:11:59,679 Speaker 3: tuk took in Thailand. 277 00:12:01,280 --> 00:12:03,880 Speaker 4: What time did you kick them all out? Ten past nine? No, no, 278 00:12:04,040 --> 00:12:07,199 Speaker 4: maybe eleven o'clock. Wow, late night for JP. 279 00:12:07,240 --> 00:12:10,640 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four 280 00:12:10,640 --> 00:12:11,120 Speaker 1: point three. 281 00:12:11,440 --> 00:12:14,520 Speaker 4: As always are our mature and elderly producer before the 282 00:12:14,559 --> 00:12:16,560 Speaker 4: show today was there with some words of wisdom. He 283 00:12:16,600 --> 00:12:19,280 Speaker 4: said to me, I don't expect anyone to call in today, 284 00:12:19,559 --> 00:12:22,719 Speaker 4: hardly been anyone listening. Most people have taken the day off. 285 00:12:22,720 --> 00:12:25,720 Speaker 4: And with those words you really fin inspired Jack? Can 286 00:12:25,720 --> 00:12:31,160 Speaker 4: you imagine if you won't like corner in between rounds 287 00:12:31,160 --> 00:12:32,880 Speaker 4: at a big box and fine listen, there's not too many 288 00:12:32,920 --> 00:12:35,840 Speaker 4: people actually here today, So anyway, seconds out round in 289 00:12:35,920 --> 00:12:41,760 Speaker 4: round two, So is it good? It's like the Tony 290 00:12:41,840 --> 00:12:44,040 Speaker 4: Robbins of radio producers, you know, it's always there to 291 00:12:44,080 --> 00:12:44,679 Speaker 4: pep us up. 292 00:12:44,760 --> 00:12:47,400 Speaker 3: So it's how the Giants coach Leon Cameron said before 293 00:12:47,400 --> 00:12:50,559 Speaker 3: the Giants fan it's mostly Richmond fans. How they're people 294 00:12:50,600 --> 00:12:52,040 Speaker 3: love Richmond in Melbourne's it's. 295 00:12:51,920 --> 00:12:54,400 Speaker 4: More their game to be honest. But anyway, guys, head 296 00:12:54,400 --> 00:12:56,360 Speaker 4: out there, see what you got in here, but don't 297 00:12:56,360 --> 00:12:58,760 Speaker 4: bust a gut. So I'm just trying to test, is 298 00:12:58,800 --> 00:13:02,400 Speaker 4: there anyone listening? And are you actually going into work today? 299 00:13:02,480 --> 00:13:05,040 Speaker 4: Are we the only people in Melbourne at work that 300 00:13:05,120 --> 00:13:07,280 Speaker 4: can't be? So I'm sure not everyone is blessed to 301 00:13:07,280 --> 00:13:09,200 Speaker 4: be to take the Monday off today and have a 302 00:13:09,280 --> 00:13:12,080 Speaker 4: long weekend. So if you are going into work, if you, 303 00:13:12,320 --> 00:13:15,120 Speaker 4: like us, are in not off today, then please give 304 00:13:15,200 --> 00:13:16,960 Speaker 4: us a call so we can celebrate and though there 305 00:13:17,000 --> 00:13:20,240 Speaker 4: are actually people out there nine four one four three. 306 00:13:20,720 --> 00:13:21,560 Speaker 4: Rob's on the line. 307 00:13:21,600 --> 00:13:24,440 Speaker 7: Come on in, Rob, Hey, Christian, here you go. 308 00:13:24,600 --> 00:13:26,360 Speaker 4: I'm good to see you're on today. You're not off? 309 00:13:26,400 --> 00:13:27,880 Speaker 4: What are you up to? You off into work right now? 310 00:13:27,920 --> 00:13:29,120 Speaker 4: We are you already at work? Rob? 311 00:13:29,720 --> 00:13:33,800 Speaker 7: I'm already at work waiting to get in. I look 312 00:13:33,880 --> 00:13:37,080 Speaker 7: after all the Southeast water treatment plants. 313 00:13:37,360 --> 00:13:39,240 Speaker 4: Okay, so that's an important job right now. What do 314 00:13:39,280 --> 00:13:40,920 Speaker 4: you do when you say you look after them? What 315 00:13:40,920 --> 00:13:41,520 Speaker 4: do we do? Rob? 316 00:13:41,640 --> 00:13:45,920 Speaker 7: We do ground maintenance, so we do all the mowing, 317 00:13:47,000 --> 00:13:50,520 Speaker 7: brush cutting, free removal. 318 00:13:51,160 --> 00:13:53,720 Speaker 4: Yeah. And when you got you got to ride on mower. 319 00:13:54,840 --> 00:13:59,240 Speaker 7: Yeah, with a seventy five inch deck on it. 320 00:13:59,600 --> 00:14:03,040 Speaker 4: Get it. Look at this guy, men, not to exaggerate, 321 00:14:03,080 --> 00:14:05,640 Speaker 4: he's got a seventy five inch deck on him. Ladies, 322 00:14:06,240 --> 00:14:07,120 Speaker 4: former queue. 323 00:14:07,720 --> 00:14:09,400 Speaker 3: And Rob, what do you mean you're waiting to get in? 324 00:14:09,520 --> 00:14:12,480 Speaker 3: Is the is the person who usually has the keys off? Today? 325 00:14:13,559 --> 00:14:17,840 Speaker 7: Uh? Well there's we can only get in at seven o'clock. 326 00:14:18,720 --> 00:14:20,320 Speaker 4: Why are you there now? If that was me, I'll 327 00:14:20,360 --> 00:14:23,640 Speaker 4: be there at seven o'clock. No hanging around for fifteen minutes. 328 00:14:25,080 --> 00:14:32,000 Speaker 7: We do paperwork and we do the services on the 329 00:14:32,040 --> 00:14:33,760 Speaker 7: mowers and that before we get in. 330 00:14:34,080 --> 00:14:37,080 Speaker 4: Someone sounds like someone's claiming for a bit and overtime. Yeah, 331 00:14:38,440 --> 00:14:39,320 Speaker 4: it sounds a bit cut. 332 00:14:39,440 --> 00:14:41,560 Speaker 3: I mean since midnight we're. 333 00:14:41,440 --> 00:14:44,160 Speaker 4: Just crying out for radio shows. Phone insane? 334 00:14:44,320 --> 00:14:48,000 Speaker 3: You at work today? It's all above board. You can 335 00:14:48,040 --> 00:14:49,400 Speaker 3: hear me. I called in at six am. 336 00:14:49,920 --> 00:14:52,280 Speaker 4: Yeah, logs on this morning. Yep. So I want to 337 00:14:52,280 --> 00:14:53,560 Speaker 4: build those times as well. 338 00:14:54,720 --> 00:14:57,320 Speaker 7: No, no, no, it doesn't work that way. We we 339 00:14:57,440 --> 00:15:01,680 Speaker 7: actually have a deal with management. We take time and loot. 340 00:15:02,480 --> 00:15:03,960 Speaker 4: Oh I see, gotcha. 341 00:15:04,120 --> 00:15:06,240 Speaker 3: Well, so if you do, if you rock up before 342 00:15:06,280 --> 00:15:08,040 Speaker 3: seven o'clock, you can go home an hour early. 343 00:15:08,840 --> 00:15:11,280 Speaker 4: Yes, that is smart. I might start getting in here 344 00:15:11,320 --> 00:15:12,840 Speaker 4: at midnight soon. 345 00:15:13,480 --> 00:15:17,040 Speaker 3: I mean we get out pretty early. How early do 346 00:15:17,080 --> 00:15:18,960 Speaker 3: you want to What am I going to do at 347 00:15:18,960 --> 00:15:19,520 Speaker 3: seven a m. 348 00:15:19,600 --> 00:15:21,720 Speaker 4: With all that extra time? My wife is just having 349 00:15:21,760 --> 00:15:25,080 Speaker 4: to do more errands. Yeah, I asked the boss stand 350 00:15:25,120 --> 00:15:26,920 Speaker 4: the show till the other way. 351 00:15:26,960 --> 00:15:33,000 Speaker 7: That's the biggest problem. Do other stuff. 352 00:15:33,440 --> 00:15:36,000 Speaker 4: All right, listen, Rob, thank you very much for calling. 353 00:15:36,000 --> 00:15:38,680 Speaker 4: I can have a good day alright, you do, all right? 354 00:15:38,760 --> 00:15:45,560 Speaker 4: Cheers Rob Craig. Good morning, Craig. Hi, Hey doing, I'm 355 00:15:45,560 --> 00:15:47,480 Speaker 4: good Craig. So what are you up to You're obviously 356 00:15:47,640 --> 00:15:49,480 Speaker 4: like us, you're on today, not off? What do you do? 357 00:15:50,200 --> 00:15:53,200 Speaker 4: I'm a bus driver, still need our bus drivers? What 358 00:15:53,280 --> 00:15:54,400 Speaker 4: route you're going to be doing today? 359 00:15:55,080 --> 00:15:55,760 Speaker 8: Nine oh three? 360 00:15:56,000 --> 00:15:58,360 Speaker 4: The classic nine o three? Now what route is that? 361 00:15:58,480 --> 00:16:01,560 Speaker 4: Is that? Cranbourne the top of my head, cramble. 362 00:16:02,760 --> 00:16:05,920 Speaker 8: The route yourself goes from all the Electoria Altona via 363 00:16:06,520 --> 00:16:12,400 Speaker 8: Mike Hardelberg Andesenton. But today I'm just driving between Hardleberg 364 00:16:12,480 --> 00:16:13,280 Speaker 8: and Mentyne. 365 00:16:13,520 --> 00:16:15,800 Speaker 4: All right? And so do you often do on a Monday? 366 00:16:15,920 --> 00:16:18,480 Speaker 4: Is this a classic nine oh three? Always your Monday route? 367 00:16:19,600 --> 00:16:22,560 Speaker 8: Yeah? Pretty much, because yeah, my Debi's only out of 368 00:16:22,560 --> 00:16:23,760 Speaker 8: that one, now, gotcha? 369 00:16:23,840 --> 00:16:25,960 Speaker 4: What's your favorite one do you have? Do you argue going? 370 00:16:26,040 --> 00:16:28,240 Speaker 4: I'm not the nine oh three, the passengers a little 371 00:16:28,240 --> 00:16:30,320 Speaker 4: bit rough for Perferona. I'm more of a nine oh 372 00:16:30,360 --> 00:16:32,360 Speaker 4: seven man, hopefully on a Friday? Do you do you 373 00:16:32,520 --> 00:16:33,880 Speaker 4: argue over what routes you're taking? 374 00:16:35,560 --> 00:16:35,640 Speaker 7: No? 375 00:16:35,840 --> 00:16:38,040 Speaker 8: Not really? Passions are pretty good. 376 00:16:38,320 --> 00:16:40,160 Speaker 4: And are you allowed to listen to the radio on 377 00:16:40,200 --> 00:16:40,720 Speaker 4: a bus? 378 00:16:41,560 --> 00:16:43,400 Speaker 8: On the older ones? We can, Yes, I have good 379 00:16:43,480 --> 00:16:44,160 Speaker 8: radios on them. 380 00:16:44,520 --> 00:16:45,920 Speaker 3: What happened to the newer one? 381 00:16:46,000 --> 00:16:49,720 Speaker 8: Yeah? Some of them are about to I don't put 382 00:16:49,760 --> 00:16:52,160 Speaker 8: right because I said distraction for some drivers. 383 00:16:52,520 --> 00:16:55,040 Speaker 4: Oh no, this isn't right, that's awful. 384 00:16:55,800 --> 00:16:57,480 Speaker 8: All the speakers don't work near the drivers, so you 385 00:16:57,560 --> 00:16:58,840 Speaker 8: can't hear at the back, so you got to turn 386 00:16:58,880 --> 00:17:00,000 Speaker 8: them up enough to you here. 387 00:17:00,280 --> 00:17:08,080 Speaker 4: Deffinite, great system, great system. Yeah, must be really popular 388 00:17:08,119 --> 00:17:09,800 Speaker 4: at the back to sit there and have your ears 389 00:17:09,840 --> 00:17:14,000 Speaker 4: blasted out the driver listening to his radio show. That's great. Yep. 390 00:17:14,200 --> 00:17:16,000 Speaker 3: And Craig, you'll be a good gauge. Will there be 391 00:17:16,040 --> 00:17:18,240 Speaker 3: a lot of passengers today or a lot of people 392 00:17:18,280 --> 00:17:19,080 Speaker 3: take down weekend? 393 00:17:20,560 --> 00:17:24,360 Speaker 8: I really have no idea. Really, that's what I get there. 394 00:17:25,280 --> 00:17:29,359 Speaker 4: Thanks a lot, Greig, Thanks you Jeers. That's Craig. He's 395 00:17:29,400 --> 00:17:33,800 Speaker 4: on the nine three. Katie, Good morning, good morning, Good morning, Katie. 396 00:17:33,800 --> 00:17:34,600 Speaker 4: Do you have a good weekend? 397 00:17:35,320 --> 00:17:36,159 Speaker 9: Yes, thank you you. 398 00:17:36,480 --> 00:17:39,080 Speaker 4: Yeah, a lovely weekend. And you're into work. 399 00:17:38,920 --> 00:17:42,760 Speaker 9: Today, Katie, Yes, absolutely, and. 400 00:17:43,160 --> 00:17:45,760 Speaker 4: Tomorrow it's about the holiday tomorrow. Come you're not off. 401 00:17:46,520 --> 00:17:49,560 Speaker 9: Not in Geelong. We get Geelong Cup instead of Melbourne 402 00:17:49,560 --> 00:17:51,640 Speaker 9: Cup today, so. 403 00:17:51,680 --> 00:17:53,800 Speaker 4: You're not off tomorrow. I thought this was like a 404 00:17:53,880 --> 00:17:57,160 Speaker 4: statewide Vitoria regional. 405 00:17:57,800 --> 00:17:58,880 Speaker 9: It's regional, so. 406 00:17:58,800 --> 00:18:01,800 Speaker 4: Hang on, it's the race. It stops the nation apart 407 00:18:01,920 --> 00:18:03,639 Speaker 4: from the region of. 408 00:18:03,960 --> 00:18:05,200 Speaker 3: The thirty kilometer limits. 409 00:18:05,280 --> 00:18:07,320 Speaker 4: We've got our own one, thank you. We've got our 410 00:18:07,359 --> 00:18:10,080 Speaker 4: own one. We don't need your fancy Flemington thing. We 411 00:18:10,119 --> 00:18:12,400 Speaker 4: do our own stuff out here. 412 00:18:12,720 --> 00:18:13,920 Speaker 3: What's your public holiday? 413 00:18:14,520 --> 00:18:16,720 Speaker 9: The twenty third of October? 414 00:18:17,200 --> 00:18:18,880 Speaker 3: Right, so Geelong's already had their day. 415 00:18:19,560 --> 00:18:22,200 Speaker 9: Yeah, it's the Geelong cut public holiday. 416 00:18:22,359 --> 00:18:24,360 Speaker 4: I did not know. I just presumed everything. 417 00:18:24,440 --> 00:18:26,639 Speaker 9: I know because I do payroll as well, so I 418 00:18:26,680 --> 00:18:29,320 Speaker 9: know that everybody who works on Geelong Cup gets paid 419 00:18:29,400 --> 00:18:32,119 Speaker 9: public holiday rights, and people who work in Melbourne cups 420 00:18:32,280 --> 00:18:32,879 Speaker 9: get ovant. 421 00:18:35,240 --> 00:18:38,560 Speaker 3: And so where's the where are the city limits? 422 00:18:39,119 --> 00:18:40,000 Speaker 7: I actually don't know. 423 00:18:40,480 --> 00:18:43,359 Speaker 9: I'm originally I lived in Melbourne myself, so it's a 424 00:18:43,400 --> 00:18:47,040 Speaker 9: little bit weird to me. But yeah, we get Geelong 425 00:18:47,119 --> 00:18:48,080 Speaker 9: Cut down. 426 00:18:48,480 --> 00:18:53,360 Speaker 5: On the peninsula and not Melbourne Cup. 427 00:18:53,800 --> 00:18:56,000 Speaker 4: So everyone in Geelong will just be at work today 428 00:18:56,080 --> 00:18:57,480 Speaker 4: and to our business as usual. 429 00:18:58,119 --> 00:19:01,120 Speaker 3: Yeah, apologies to our JI listeners. Then that we won't 430 00:19:01,160 --> 00:19:01,760 Speaker 3: be here tomorrow. 431 00:19:01,880 --> 00:19:06,159 Speaker 4: Yeah, so you well blessed, thank you very much. But 432 00:19:06,240 --> 00:19:08,520 Speaker 4: tell me this then, So the race that stops the nation, 433 00:19:08,920 --> 00:19:11,480 Speaker 4: will you still stop work and watch the race that 434 00:19:11,480 --> 00:19:12,600 Speaker 4: stops the nation tomorrow? 435 00:19:13,320 --> 00:19:13,800 Speaker 7: Oh? 436 00:19:13,800 --> 00:19:16,359 Speaker 9: Look, I'll work in night, k I will dress up 437 00:19:16,400 --> 00:19:21,600 Speaker 9: and we'll put the rice on and wait, don't have 438 00:19:21,640 --> 00:19:23,560 Speaker 9: a glass of the residents? 439 00:19:23,600 --> 00:19:26,600 Speaker 3: Will yea? 440 00:19:26,680 --> 00:19:28,880 Speaker 4: And what do you dress up as horses? 441 00:19:30,640 --> 00:19:32,080 Speaker 3: They're dressed in nice clothes. 442 00:19:34,920 --> 00:19:37,639 Speaker 4: They like fancy dress. You know the old time is 443 00:19:37,680 --> 00:19:39,720 Speaker 4: I love that, don't they? You know we're talking horse 444 00:19:43,400 --> 00:19:45,680 Speaker 4: like fancy dress, like a jockey and a horse and 445 00:19:45,960 --> 00:19:55,000 Speaker 4: ride each other around. I'm glad we cleared that up. Okay, 446 00:19:55,200 --> 00:19:58,760 Speaker 4: all right, thanks and giving us a cool CaTiO. We've 447 00:19:58,800 --> 00:20:00,600 Speaker 4: all learned something from our chair this morning. Have a 448 00:20:00,600 --> 00:20:00,960 Speaker 4: good day. 449 00:20:01,680 --> 00:20:06,320 Speaker 1: Worries by the Christian O'Connell Breakfast Show, Melbourne's Gold one 450 00:20:06,359 --> 00:20:07,320 Speaker 1: oh four point three. 451 00:20:07,840 --> 00:20:11,040 Speaker 4: So, who like us, is on this morning? Not off? 452 00:20:11,359 --> 00:20:13,239 Speaker 4: If you're going into work, you might already be at work. 453 00:20:13,240 --> 00:20:14,960 Speaker 4: We're he spoke to a load of you that are today. 454 00:20:15,119 --> 00:20:16,600 Speaker 4: A lot of people are but the long weekend. But 455 00:20:16,720 --> 00:20:18,280 Speaker 4: I know a lot of you already at work. Katie 456 00:20:18,359 --> 00:20:20,840 Speaker 4: is a nurse. Hospitals never closed. They're all in today 457 00:20:21,359 --> 00:20:25,800 Speaker 4: nine four one four, one oh four three. Lornie, good morning. 458 00:20:26,200 --> 00:20:27,040 Speaker 5: I like Christian. 459 00:20:27,320 --> 00:20:29,119 Speaker 4: Hello, how are you do you have a good weekend. 460 00:20:30,080 --> 00:20:31,639 Speaker 9: I'm exhausted because im at work. 461 00:20:31,880 --> 00:20:34,000 Speaker 4: All right? What are you doing that you're out of breath. 462 00:20:35,119 --> 00:20:36,200 Speaker 5: I'm a stable hand. 463 00:20:36,600 --> 00:20:39,080 Speaker 4: That is hard work. You have to start very early, 464 00:20:39,160 --> 00:20:39,720 Speaker 4: the middle. 465 00:20:39,480 --> 00:20:42,200 Speaker 5: Of the night, and a little bit like you guys, 466 00:20:42,200 --> 00:20:44,679 Speaker 5: So maybe a little bit earlier because I'm always waiting 467 00:20:44,680 --> 00:20:46,760 Speaker 5: for you guys to come on here every morning. 468 00:20:47,320 --> 00:20:51,240 Speaker 4: Oh bless you, four o'clock. Listen. There's nothing like this job. 469 00:20:51,280 --> 00:20:53,920 Speaker 4: That's proper backbreaking work. This isn't He didn't even break 470 00:20:53,920 --> 00:20:55,040 Speaker 4: in a sweat doing this. 471 00:20:55,720 --> 00:20:57,520 Speaker 5: You don't need to go to the gym, that's for sure. 472 00:20:57,880 --> 00:20:59,440 Speaker 4: So you've got to lift up the hay. You got 473 00:20:59,440 --> 00:21:01,240 Speaker 4: to go a couple of horse poop. 474 00:21:01,800 --> 00:21:05,960 Speaker 5: That's what I'm doing as we speaking, picking up poop, 475 00:21:06,640 --> 00:21:10,600 Speaker 5: picking up very expensive hoop, very expensive animals here. 476 00:21:10,680 --> 00:21:12,959 Speaker 4: So what have you got? Some thoroughbreds? 477 00:21:13,640 --> 00:21:17,040 Speaker 5: We have about one hundred thoroughbreds here on this on 478 00:21:17,119 --> 00:21:18,280 Speaker 5: this in this stable. 479 00:21:18,640 --> 00:21:19,960 Speaker 4: So are they racing horses? 480 00:21:20,240 --> 00:21:21,480 Speaker 5: These are all race horses? 481 00:21:22,080 --> 00:21:25,879 Speaker 4: Wow? They are, aren't they for us? Yeah? So all 482 00:21:25,880 --> 00:21:28,240 Speaker 4: the horses out there, then the thoroughbred and the racing horses, 483 00:21:28,240 --> 00:21:30,560 Speaker 4: they are treated like royalty, aren't they. 484 00:21:30,560 --> 00:21:32,680 Speaker 5: They have many many servants. 485 00:21:40,760 --> 00:21:42,200 Speaker 4: Gloves your apple. 486 00:21:41,920 --> 00:21:44,800 Speaker 3: Today, sir, do you think the horses know that it's 487 00:21:44,800 --> 00:21:47,400 Speaker 3: a special time of year. Do they feel the occasion? 488 00:21:48,560 --> 00:21:51,680 Speaker 5: Well, I don't think they know that the Melbourne Cup's 489 00:21:51,720 --> 00:21:56,560 Speaker 5: running tomorrow. I used to bring the radio out and 490 00:21:56,600 --> 00:22:00,000 Speaker 5: listen to her and say, right, come on, get motivated. 491 00:22:01,080 --> 00:22:04,840 Speaker 5: But no, I think it's spring, so they're all feeling fantastic. 492 00:22:05,119 --> 00:22:09,080 Speaker 5: Horses love springs in the occasion, in the occasion they know. 493 00:22:13,520 --> 00:22:15,680 Speaker 5: I felt good at the cock's sight. So yeah. 494 00:22:16,320 --> 00:22:18,000 Speaker 4: And when you said they have many servants, they have 495 00:22:18,119 --> 00:22:20,840 Speaker 4: like that. You have like horse chira practice for them, don't. 496 00:22:20,600 --> 00:22:24,000 Speaker 5: They They have chiropractice, phisiotherapists. 497 00:22:24,280 --> 00:22:27,479 Speaker 3: Really, how do you do the backpracking on the horse 498 00:22:27,640 --> 00:22:28,160 Speaker 3: very hard? 499 00:22:28,800 --> 00:22:31,680 Speaker 5: It's amazing. Yeah, it's it's a big crack, true. 500 00:22:32,359 --> 00:22:34,440 Speaker 4: Yeah. And then you have you have the people as well. 501 00:22:34,680 --> 00:22:36,000 Speaker 4: Do you have the people as well? Like the horse 502 00:22:36,040 --> 00:22:38,320 Speaker 4: whispers that come out and for horses that aren't racing 503 00:22:38,400 --> 00:22:40,119 Speaker 4: very well, they literally just have a little word in 504 00:22:40,160 --> 00:22:40,560 Speaker 4: their ear. 505 00:22:41,480 --> 00:22:46,199 Speaker 5: Some some stables do that, Yeah for sure. Well, anything, 506 00:22:46,240 --> 00:22:47,640 Speaker 5: you've got to try everything you can. 507 00:22:47,880 --> 00:22:50,040 Speaker 3: And your version of that is playing gold one O 508 00:22:50,119 --> 00:22:52,200 Speaker 3: four three through the speakers at the stables. 509 00:22:52,359 --> 00:22:56,080 Speaker 5: I listened to it all morning and then he needs tote. 510 00:22:55,560 --> 00:23:03,600 Speaker 4: The winning station the final final. Now, when hey, who's 511 00:23:03,600 --> 00:23:06,000 Speaker 4: a horse, Who's who's racing today or the next day 512 00:23:06,040 --> 00:23:07,840 Speaker 4: or to that are at the stags that might be 513 00:23:07,880 --> 00:23:08,680 Speaker 4: listening right now. 514 00:23:10,160 --> 00:23:13,000 Speaker 5: Well, actually, there's a horse. It's not our trainer, but 515 00:23:13,040 --> 00:23:15,359 Speaker 5: we've got a couple of trainers that share this facility. 516 00:23:15,800 --> 00:23:18,800 Speaker 5: And there's a lovely horse racing tomorrow called Jamaican Rain. 517 00:23:19,600 --> 00:23:22,919 Speaker 5: And she's top waist and not in the cup, but 518 00:23:23,280 --> 00:23:25,360 Speaker 5: on one in one of the bigger races of the day. 519 00:23:25,600 --> 00:23:27,320 Speaker 5: And her stable name's Gracie. 520 00:23:27,400 --> 00:23:30,240 Speaker 4: So go Gracie, so Jamaican name. 521 00:23:30,359 --> 00:23:32,440 Speaker 5: He's her Rain, Jamaican Rain. 522 00:23:32,840 --> 00:23:34,719 Speaker 3: Well, it is her real name, but not her racing name. 523 00:23:34,800 --> 00:23:37,680 Speaker 4: Yeah, she doesn't know who she is. 524 00:23:38,480 --> 00:23:42,800 Speaker 5: She does. Her race name is Jamaican Range and her 525 00:23:42,800 --> 00:23:45,840 Speaker 5: but her stable name, they all her pet names is Gracie. 526 00:23:46,680 --> 00:23:50,040 Speaker 4: That's very confusing, very confusing. So what will the jockey 527 00:23:50,080 --> 00:23:51,360 Speaker 4: be yelling when he's on top of her? 528 00:23:54,880 --> 00:23:57,520 Speaker 5: A lot of bumping? I don't know what do you mean? 529 00:23:58,119 --> 00:23:59,800 Speaker 3: Like the well named is the jockey use. 530 00:23:59,720 --> 00:24:06,000 Speaker 5: Yeah, some of them will use their pick name, Grace Gracie, gotcha. 531 00:24:05,800 --> 00:24:07,119 Speaker 4: All right, Lornie, We've got to go. We've got the 532 00:24:07,160 --> 00:24:09,359 Speaker 4: news and sport. Thank you very much to listen to 533 00:24:09,400 --> 00:24:10,160 Speaker 4: the show as well. 534 00:24:10,520 --> 00:24:12,160 Speaker 10: Work everyone, Thanks. 535 00:24:12,200 --> 00:24:15,680 Speaker 1: By the Christian O'Connell Breakfast Show, Melbourne's Gold one oh 536 00:24:15,720 --> 00:24:16,440 Speaker 1: four point three. 537 00:24:16,680 --> 00:24:19,040 Speaker 4: Have it a great weekend and some of you will 538 00:24:19,080 --> 00:24:22,000 Speaker 4: be extending the weekend. Obviously we're aware that some of 539 00:24:22,040 --> 00:24:23,720 Speaker 4: you are off today, might be listening to the show 540 00:24:24,119 --> 00:24:25,720 Speaker 4: whilst you're in bed, not heading into work. There are 541 00:24:25,760 --> 00:24:27,440 Speaker 4: a lot of people, as we found out last half 542 00:24:27,520 --> 00:24:29,760 Speaker 4: now still in work. Today we're here, Jack and I 543 00:24:29,800 --> 00:24:33,240 Speaker 4: have come in. Patsy could be bothered today. She doesn't 544 00:24:33,240 --> 00:24:35,920 Speaker 4: even texted either of us. Real horrible way to worry 545 00:24:35,960 --> 00:24:37,200 Speaker 4: brunus like. 546 00:24:37,240 --> 00:24:39,200 Speaker 3: She didn't leave a no for tea on the whiteboard 547 00:24:39,240 --> 00:24:40,760 Speaker 3: at the end of last week. Hey hope you have 548 00:24:40,800 --> 00:24:43,439 Speaker 3: a relaxing break and have a good show on Monday. 549 00:24:43,600 --> 00:24:45,960 Speaker 4: But lesser and then I guess we didn't know that 550 00:24:45,960 --> 00:24:48,240 Speaker 4: that message was actually heard, you saying I won't be there, 551 00:24:48,440 --> 00:24:51,000 Speaker 4: but you guys have a great show. So on today's show. 552 00:24:51,040 --> 00:24:53,920 Speaker 4: Then ten weeks of tickets. We're in two week six. 553 00:24:54,000 --> 00:24:57,199 Speaker 4: We've got Alice Cooper VIP tickets where every single day 554 00:24:57,240 --> 00:24:58,440 Speaker 4: this week you get to go and see the great 555 00:24:58,520 --> 00:25:05,920 Speaker 4: legendary Alice Cooper live from the photographer's pits. That's good, Yeah, 556 00:25:06,840 --> 00:25:10,479 Speaker 4: I take it, because where is the photographer's pit? I mean, 557 00:25:10,560 --> 00:25:13,320 Speaker 4: I haven't seen many shows. The only time I see 558 00:25:13,320 --> 00:25:16,480 Speaker 4: the photographer they crouched down the front, aren't they looking 559 00:25:16,600 --> 00:25:19,080 Speaker 4: up with the camera. I mean you crouched down the 560 00:25:19,080 --> 00:25:20,360 Speaker 4: front with their lenses. 561 00:25:20,200 --> 00:25:22,760 Speaker 3: Security guards feet, isn't it. 562 00:25:22,080 --> 00:25:26,199 Speaker 4: And where is that well known pit? You know, we 563 00:25:26,280 --> 00:25:30,000 Speaker 4: know it that way. There's the orchestra pit, Brad Pitt 564 00:25:30,280 --> 00:25:33,440 Speaker 4: and then top ten famous pits, the photographer's pits. 565 00:25:34,280 --> 00:25:36,840 Speaker 3: And then will you be with a bunch of photographers, 566 00:25:37,359 --> 00:25:39,119 Speaker 3: you know, just standing with your hands in your pocket 567 00:25:39,119 --> 00:25:40,879 Speaker 3: while they're all trying to get photos. 568 00:25:40,480 --> 00:25:42,960 Speaker 4: A right, you can listen to you know Cooper doing 569 00:25:42,960 --> 00:25:45,800 Speaker 4: the hits. You know you're poisoning you. Sorry, don't to 570 00:25:45,920 --> 00:25:50,520 Speaker 4: just move ahead. The shoo from the old Sun. But anyway, 571 00:25:50,840 --> 00:25:54,480 Speaker 4: maybe this week when have you ever heard anyone? And 572 00:25:54,520 --> 00:25:57,640 Speaker 4: we won these amazing tickets on our radio show. We 573 00:25:57,640 --> 00:26:00,360 Speaker 4: were on stage Watson Show. Yeah we were actually better. 574 00:26:00,480 --> 00:26:04,080 Speaker 4: We're in the photographer's pit. Oh wow, the photographer's pit. 575 00:26:04,200 --> 00:26:08,320 Speaker 4: So every day you're in the photographer's pit seeing Alice Cooper. 576 00:26:10,080 --> 00:26:11,320 Speaker 4: That's he got to give away. And then one of 577 00:26:11,359 --> 00:26:13,840 Speaker 4: you gets upgraded. I know. Sorry, you're gonna have to 578 00:26:13,840 --> 00:26:15,840 Speaker 4: come out in that photographer's pit. You get to do 579 00:26:15,920 --> 00:26:17,800 Speaker 4: a meet and greet, and then you go back into 580 00:26:17,800 --> 00:26:18,000 Speaker 4: the pit. 581 00:26:18,200 --> 00:26:20,240 Speaker 3: Throw the rope ladder down and you'll scurry out of 582 00:26:20,280 --> 00:26:20,560 Speaker 3: the pit. 583 00:26:20,680 --> 00:26:23,560 Speaker 4: Yeah, you'll be the envy of the pit people. You 584 00:26:23,560 --> 00:26:26,480 Speaker 4: can be one of the glorious few of the pit people. 585 00:26:26,520 --> 00:26:29,000 Speaker 4: That's this morning at seven thirty and Monday morning Miss 586 00:26:29,080 --> 00:26:32,040 Speaker 4: hurd Lyrics bun preedition at eight o'clock. Right now, though, 587 00:26:32,080 --> 00:26:35,080 Speaker 4: the song that sums up your weekend, song that sums 588 00:26:35,160 --> 00:26:46,280 Speaker 4: up my weekend perfectly is this. It is party week, 589 00:26:46,560 --> 00:26:49,840 Speaker 4: my wife's birthday party, the much high birthday party is 590 00:26:49,880 --> 00:26:53,000 Speaker 4: this Saturday dead famous Jack and Pats are coming. Got 591 00:26:53,000 --> 00:26:56,400 Speaker 4: to come as someone deed a famous dead celebrity. Over 592 00:26:56,440 --> 00:26:58,960 Speaker 4: the weekend. I think my wife started celebrations at the 593 00:26:59,040 --> 00:27:02,480 Speaker 4: races Darby DA on Saturday. Free bar. This radio station 594 00:27:02,640 --> 00:27:06,000 Speaker 4: was entertaining clients and she enjoyed the free bar. 595 00:27:06,160 --> 00:27:07,280 Speaker 3: The party has started. 596 00:27:07,440 --> 00:27:12,119 Speaker 4: Oh boy, my wife suddenly run about half five was 597 00:27:12,440 --> 00:27:14,560 Speaker 4: wabbling okay as well, just say as it was she 598 00:27:14,640 --> 00:27:16,360 Speaker 4: was wabbling and I said, you okay, she goes, get 599 00:27:16,359 --> 00:27:17,480 Speaker 4: me out of it. Don't want people to see me 600 00:27:17,560 --> 00:27:20,199 Speaker 4: like this. That was oh wow. Patsy was trying not 601 00:27:20,240 --> 00:27:22,639 Speaker 4: to laugh and go do you need some help? And 602 00:27:22,760 --> 00:27:24,600 Speaker 4: you've done enough? Because she was drinking with her at 603 00:27:24,640 --> 00:27:27,440 Speaker 4: the free bar and it took me quite a while 604 00:27:27,440 --> 00:27:29,199 Speaker 4: to get her out because she's quite unsteady in her 605 00:27:29,240 --> 00:27:29,680 Speaker 4: high heels. 606 00:27:29,760 --> 00:27:31,240 Speaker 3: Right now, I've got an image of you and Pat. 607 00:27:31,240 --> 00:27:34,600 Speaker 3: Pat's on the feet and you on the shoulders shuffling 608 00:27:34,720 --> 00:27:35,399 Speaker 3: your wife on. 609 00:27:35,480 --> 00:27:41,800 Speaker 4: The weekend at Bernie's. So it was a long walk 610 00:27:41,880 --> 00:27:44,119 Speaker 4: navigating all the little you know, all the cars and 611 00:27:44,119 --> 00:27:45,960 Speaker 4: stuff like that. My wife had to take her shoes 612 00:27:46,000 --> 00:27:48,560 Speaker 4: off because every you're hurting in these eels and she's hammered. 613 00:27:49,040 --> 00:27:51,520 Speaker 4: We get into the taxi and ten minutes in she 614 00:27:51,600 --> 00:27:53,520 Speaker 4: asked the guy to pull over, and the only place 615 00:27:53,560 --> 00:27:55,919 Speaker 4: he could pull over pull into happened to be the 616 00:27:55,920 --> 00:27:59,639 Speaker 4: car park of Footscray office works, where her door opened 617 00:27:59,680 --> 00:28:01,640 Speaker 4: suddenly and she was sick. 618 00:28:02,200 --> 00:28:05,119 Speaker 3: She was very castick that day. Doesn't do well in cars. 619 00:28:05,240 --> 00:28:07,120 Speaker 4: Tried to tell me it was castick and that she'd 620 00:28:07,160 --> 00:28:10,040 Speaker 4: only eat in a hard boiled egg and that's why 621 00:28:10,119 --> 00:28:12,400 Speaker 4: she was on well is that? Come on, it's been 622 00:28:12,440 --> 00:28:14,280 Speaker 4: me more than you in a state up this. It's 623 00:28:14,320 --> 00:28:17,639 Speaker 4: the free bar, it's your party week. It's party week. 624 00:28:18,960 --> 00:28:22,560 Speaker 4: Apologies to Footscray office works for the mess out the 625 00:28:22,560 --> 00:28:23,280 Speaker 4: front there. 626 00:28:23,440 --> 00:28:25,479 Speaker 3: But thankfully it's raining this weekend. 627 00:28:25,520 --> 00:28:28,840 Speaker 4: It surely is and it won't be the only chunda 628 00:28:28,880 --> 00:28:31,240 Speaker 4: around Flemington and Footscrave win it over the next couple 629 00:28:31,280 --> 00:28:33,920 Speaker 4: of days. As people have cast sick there's going to 630 00:28:33,960 --> 00:28:35,800 Speaker 4: be a lot of outbreak of cast sickness this week, 631 00:28:35,840 --> 00:28:38,680 Speaker 4: people leaving the races. All right, what is the song 632 00:28:38,720 --> 00:28:39,280 Speaker 4: for you? Jack? 633 00:28:39,960 --> 00:28:44,160 Speaker 3: Well? It also stems from Saturday and talking to your 634 00:28:44,160 --> 00:28:48,440 Speaker 3: wife on Saturday. It can be best be described with 635 00:28:48,560 --> 00:28:55,040 Speaker 3: this song Breakfast at Tiffany's. 636 00:28:55,160 --> 00:28:57,080 Speaker 4: Oh. Then she tells her because she's going as autry 637 00:28:57,080 --> 00:28:59,960 Speaker 4: Hepburn this weekend. She's going as Autry Heatburn. 638 00:29:01,800 --> 00:29:04,440 Speaker 3: Give me, give me this song. I just want to 639 00:29:04,480 --> 00:29:06,800 Speaker 3: get my arguments in order. 640 00:29:07,640 --> 00:29:10,680 Speaker 4: You're not going as Eldree Hepburn. No, you can't upstage 641 00:29:10,680 --> 00:29:13,480 Speaker 4: the party girl. You know how much pressure I'm under 642 00:29:13,560 --> 00:29:15,920 Speaker 4: for this to be party of the year for my wife. 643 00:29:16,280 --> 00:29:18,640 Speaker 3: But my wife has already got her outfit She's. 644 00:29:18,520 --> 00:29:19,560 Speaker 4: Not going as Audrey Hepburne. 645 00:29:19,800 --> 00:29:22,400 Speaker 3: She's Audrey at breakfast, so she can't do that. 646 00:29:22,640 --> 00:29:24,680 Speaker 4: Why would she? I told you a couple of weeks ago. 647 00:29:24,720 --> 00:29:28,120 Speaker 4: Sarah's gonnas Audrey Hepburne. It's her party. She kind of 648 00:29:28,120 --> 00:29:31,760 Speaker 4: a younger lady there, just as Audrey hepburn El. Audrey 649 00:29:31,760 --> 00:29:35,360 Speaker 4: hepburn Ker feels awful, but she's already no. I beg you, 650 00:29:35,640 --> 00:29:37,200 Speaker 4: why do this to me? Do you hate me? 651 00:29:37,960 --> 00:29:39,200 Speaker 3: It's already dimmed a puzzle. 652 00:29:39,960 --> 00:29:43,000 Speaker 4: I'll buy her a new outfit. We'll get into this 653 00:29:43,040 --> 00:29:43,479 Speaker 4: after this. 654 00:29:43,760 --> 00:29:47,160 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 655 00:29:47,200 --> 00:29:47,800 Speaker 1: point three. 656 00:29:47,920 --> 00:29:53,000 Speaker 4: Don't do it to me. I've owned back. You have 657 00:29:53,200 --> 00:29:55,560 Speaker 4: noticed a change in me. I've been to a sanctuary. 658 00:29:55,560 --> 00:29:59,040 Speaker 4: I've worked on myself jack over the last week. Okay, 659 00:29:59,440 --> 00:30:01,960 Speaker 4: and now you come in and you tell me your 660 00:30:02,000 --> 00:30:05,680 Speaker 4: wife intends to go to my wife's birthday party. You've 661 00:30:05,680 --> 00:30:08,120 Speaker 4: heard me talking about the show the pressure under our 662 00:30:08,160 --> 00:30:11,040 Speaker 4: first party that we've hosted since moving here. Sorry, by 663 00:30:11,040 --> 00:30:12,480 Speaker 4: the wise Gold one of four point three, it's to 664 00:30:12,560 --> 00:30:16,400 Speaker 4: Christian O'Connor Breakfast Show. You're joining, You're joining a code 665 00:30:16,600 --> 00:30:19,200 Speaker 4: red hi alert situation. 666 00:30:19,360 --> 00:30:20,360 Speaker 3: I think it's that bad. 667 00:30:21,240 --> 00:30:25,479 Speaker 4: Yeah, because it's not your wife's birthday party. My wife 668 00:30:25,520 --> 00:30:27,600 Speaker 4: is going as Audrey Hepburn. I told you a couple 669 00:30:27,640 --> 00:30:28,240 Speaker 4: of weeks ago. 670 00:30:29,200 --> 00:30:31,880 Speaker 3: I have no memory of that. I have no memory 671 00:30:31,880 --> 00:30:32,400 Speaker 3: of because. 672 00:30:32,280 --> 00:30:34,440 Speaker 4: The only thing you're thinking about is working on your 673 00:30:34,440 --> 00:30:36,640 Speaker 4: guns and going to see your personal trainer. 674 00:30:37,360 --> 00:30:38,320 Speaker 3: I do not remember. 675 00:30:38,480 --> 00:30:41,600 Speaker 4: I said I had a bicep workout for you. You take 676 00:30:41,640 --> 00:30:43,560 Speaker 4: that in. I said, she's going as Audrey Hepburn. 677 00:30:43,640 --> 00:30:46,040 Speaker 3: That's interesting that you think you've told me, because. 678 00:30:46,360 --> 00:30:49,080 Speaker 4: Don't you give me that one. This is like my wife. 679 00:30:49,360 --> 00:30:51,880 Speaker 3: I know I told you well, because it was my 680 00:30:51,960 --> 00:30:52,760 Speaker 3: suggest told you. 681 00:30:52,800 --> 00:30:55,800 Speaker 4: Now you've got an all week to fix this situation. 682 00:30:56,440 --> 00:30:59,360 Speaker 4: Your wife is a kind, big heart woman. We want 683 00:30:59,400 --> 00:30:59,880 Speaker 4: not upset my. 684 00:31:00,160 --> 00:31:02,240 Speaker 3: No, and she feels terrible. But this is the thing. 685 00:31:02,720 --> 00:31:06,600 Speaker 3: The deposits been paid at the I, but it's not. 686 00:31:06,520 --> 00:31:09,600 Speaker 4: Only now really fund how much does the posit? I 687 00:31:09,640 --> 00:31:10,680 Speaker 4: don't know how much? 688 00:31:11,120 --> 00:31:13,080 Speaker 3: Well, the the outfit forty five? 689 00:31:13,120 --> 00:31:15,800 Speaker 4: I think, Okay, there's fifty dollars there, go take care 690 00:31:15,920 --> 00:31:18,360 Speaker 4: that covers an extra five. Okay, get your seven coffee. 691 00:31:19,120 --> 00:31:20,760 Speaker 3: I'll hold onto this. But this is what I want 692 00:31:20,800 --> 00:31:23,120 Speaker 3: to say about the costume that she hired. 693 00:31:23,960 --> 00:31:24,760 Speaker 4: There's no defense. 694 00:31:24,840 --> 00:31:26,000 Speaker 3: Okay, okay, my. 695 00:31:26,000 --> 00:31:29,120 Speaker 4: Wife's birthday part. There can be only one Audrey Hepbone. 696 00:31:29,480 --> 00:31:31,240 Speaker 3: And your wife doesn't have a backup. She doesn't want 697 00:31:31,240 --> 00:31:31,719 Speaker 3: to change. 698 00:31:32,080 --> 00:31:33,800 Speaker 4: She's had the dress, she's had. 699 00:31:34,000 --> 00:31:34,280 Speaker 3: She had. 700 00:31:34,640 --> 00:31:36,920 Speaker 4: Well, okay, I guess part of the gift. I said, look, 701 00:31:36,920 --> 00:31:38,719 Speaker 4: don't get a high one. You've got to look amazing. 702 00:31:39,040 --> 00:31:41,440 Speaker 4: Let's find someone who will make you a stunning black 703 00:31:41,520 --> 00:31:43,000 Speaker 4: dress that you can then wear out. 704 00:31:43,000 --> 00:31:45,640 Speaker 3: All right, Yeah, that's way better than the highway because 705 00:31:45,920 --> 00:31:49,520 Speaker 3: the higher one is like, you don't actually look like 706 00:31:49,600 --> 00:31:50,440 Speaker 3: Audrey Heavy. 707 00:31:50,280 --> 00:31:52,440 Speaker 4: Your wife will put off. Your wife is a stunning woman. 708 00:31:52,480 --> 00:31:54,040 Speaker 3: Yeah, I mean, but all the pearls and stuff, they're 709 00:31:54,080 --> 00:31:55,200 Speaker 3: just like plastic beads. 710 00:31:55,520 --> 00:31:58,960 Speaker 4: Here's the thing, right, all the effort right my wife made, 711 00:31:59,000 --> 00:32:01,000 Speaker 4: she started getting her hair and I done at seven 712 00:32:01,040 --> 00:32:02,600 Speaker 4: am on Saturday for the race. 713 00:32:02,600 --> 00:32:02,920 Speaker 5: It's right. 714 00:32:02,960 --> 00:32:05,360 Speaker 4: The women, they put all this pressure under themselves, and 715 00:32:05,360 --> 00:32:06,600 Speaker 4: I could say, you don't have to do this for me, 716 00:32:06,600 --> 00:32:08,680 Speaker 4: you look beautiful, and there she's not doing it for me. 717 00:32:08,720 --> 00:32:11,840 Speaker 4: It's to impress other women. If there is a younger lady, 718 00:32:11,960 --> 00:32:13,880 Speaker 4: and you know what the significant age. 719 00:32:13,600 --> 00:32:15,520 Speaker 3: Is yes, I know what the birthday? 720 00:32:15,640 --> 00:32:18,120 Speaker 4: You know what's the fear that's around? There's a younger 721 00:32:18,240 --> 00:32:21,560 Speaker 4: woman there as Audrey Hepburn. How relaxed do you think 722 00:32:21,600 --> 00:32:24,120 Speaker 4: my wife's going to be? That is a good point, 723 00:32:24,760 --> 00:32:27,360 Speaker 4: all right, how relaxed you think my night's going to be? 724 00:32:27,880 --> 00:32:30,880 Speaker 4: And she gets more drunk and starts asking people who 725 00:32:30,920 --> 00:32:33,400 Speaker 4: do you think looks better as Audrey Hepburn? Yeah? Have 726 00:32:33,440 --> 00:32:36,080 Speaker 4: you ever seen a party turn bad that you would 727 00:32:36,080 --> 00:32:36,840 Speaker 4: have created? This? 728 00:32:37,240 --> 00:32:40,479 Speaker 3: So my yesterday we were talking about it with my parents, 729 00:32:40,560 --> 00:32:43,120 Speaker 3: and my mum agreed that she has to change the outfit. 730 00:32:43,640 --> 00:32:45,600 Speaker 3: She said, why don't you go? Is Audrey Hepburn in 731 00:32:45,640 --> 00:32:49,280 Speaker 3: a different movie? I don't think No, I agree, I agree. 732 00:32:49,360 --> 00:32:52,560 Speaker 3: I don't think that's been shocking. And then my mum's 733 00:32:52,560 --> 00:32:55,000 Speaker 3: second suggestion was Catherine Hepburn. 734 00:32:57,080 --> 00:33:00,760 Speaker 4: All varieties of the brand name Audrey hat Bond. Okay, 735 00:33:01,040 --> 00:33:03,920 Speaker 4: it belongs to why why please? For the sake of 736 00:33:03,960 --> 00:33:06,640 Speaker 4: my wife's birthday party? I've never begged you not to 737 00:33:06,680 --> 00:33:07,480 Speaker 4: do something more. 738 00:33:08,040 --> 00:33:10,440 Speaker 3: All right, we'll go back to the drawing board, but 739 00:33:10,640 --> 00:33:13,560 Speaker 3: I want you to offer a suggestion for what Yankee 740 00:33:13,560 --> 00:33:14,200 Speaker 3: should dress as. 741 00:33:14,320 --> 00:33:17,480 Speaker 4: Fine, Okay, help me out here. Okay, so what can 742 00:33:17,680 --> 00:33:20,840 Speaker 4: Jack's wife? Guys, it's got to be a dead celebrity. 743 00:33:20,320 --> 00:33:23,640 Speaker 3: Dead celebrity, Patsy. Can we say what pats is going 744 00:33:23,680 --> 00:33:25,760 Speaker 3: on so that people don't say that Patsy is gonna 745 00:33:25,760 --> 00:33:29,360 Speaker 3: be Amy Winehouse. Can't be Amy Winehouse, can't be Eldrey Hepburn, 746 00:33:29,440 --> 00:33:32,480 Speaker 3: can't be Catherine Hepburn. What other dead celebrities? Can you 747 00:33:32,560 --> 00:33:35,800 Speaker 3: dress that? She actually doesn't want Marilyn Monroe because she 748 00:33:35,880 --> 00:33:38,160 Speaker 3: thinks there'll be already people going as Marilyn Monroe? 749 00:33:38,200 --> 00:33:41,600 Speaker 4: Al Right? Is she one hundred percent ongoing as a lady? No? 750 00:33:41,840 --> 00:33:43,760 Speaker 3: She talked about going is one of the Beatles? 751 00:33:44,200 --> 00:33:46,440 Speaker 4: Right? Okay, right, because. 752 00:33:46,160 --> 00:33:48,480 Speaker 3: The costume shop ads the sergeant Betther's outfits. 753 00:33:49,920 --> 00:33:52,280 Speaker 4: All right, help me out here? Then? So who else 754 00:33:52,280 --> 00:33:55,520 Speaker 4: she gonna so? The dead famous party? Then nine one 755 00:33:55,600 --> 00:33:57,600 Speaker 4: o four three? If you got any suggestions to help 756 00:33:57,640 --> 00:33:58,640 Speaker 4: save my wife's party? 757 00:33:58,800 --> 00:34:01,880 Speaker 1: The Christian who conne for sure Melbourne's gold one oh 758 00:34:01,960 --> 00:34:02,720 Speaker 1: four point three? 759 00:34:02,920 --> 00:34:05,600 Speaker 4: All right, So I'm in a tricky situation that wants more. 760 00:34:05,680 --> 00:34:08,280 Speaker 4: Jack Posters pushed me into with his wife Biancha this weekend. 761 00:34:08,280 --> 00:34:11,920 Speaker 4: It's my wife's birthday party. She's turning a significant age. 762 00:34:12,080 --> 00:34:14,360 Speaker 4: And this is the first sort of party we've hosted 763 00:34:14,400 --> 00:34:16,960 Speaker 4: right since he moved here eighteen months ago. The theme 764 00:34:17,040 --> 00:34:20,480 Speaker 4: is dead famous come as a dead celebrity. Jack suddenly 765 00:34:20,480 --> 00:34:24,000 Speaker 4: announced today that his wife intends to come as Audrey Hepburn. Cool. 766 00:34:24,120 --> 00:34:26,560 Speaker 4: The only problem is the lady of the party. My 767 00:34:26,640 --> 00:34:29,239 Speaker 4: wife is coming as Audrey Hepburn. There can only be 768 00:34:29,760 --> 00:34:34,440 Speaker 4: one Audrey Hepburn or their beatis I think at a party, 769 00:34:34,480 --> 00:34:37,520 Speaker 4: but not when it's a significant age at lease. 770 00:34:37,680 --> 00:34:40,799 Speaker 3: So so yeah, we're hanging up the Audrey costume. Thank 771 00:34:40,840 --> 00:34:41,680 Speaker 3: you back on the rack. 772 00:34:41,840 --> 00:34:44,040 Speaker 4: Yeah, there'll be another time you can get that out, 773 00:34:44,040 --> 00:34:47,040 Speaker 4: but you need an alternative and quickly yep, all right, 774 00:34:47,320 --> 00:34:50,160 Speaker 4: So what could Jack's wife, bianchor go as to the 775 00:34:50,200 --> 00:34:54,520 Speaker 4: dead famous party? Uh, get some text as quickly postpone 776 00:34:54,560 --> 00:34:58,640 Speaker 4: the party from month. They got some intel that a 777 00:34:58,640 --> 00:35:00,520 Speaker 4: couple of people are on the kind if you know 778 00:35:02,280 --> 00:35:05,600 Speaker 4: what's are there? Some really good ones are about to 779 00:35:05,880 --> 00:35:07,680 Speaker 4: be taken from us in the next couple of weeks. 780 00:35:07,800 --> 00:35:11,400 Speaker 4: And then this one from a listener called kingy chicks 781 00:35:11,480 --> 00:35:19,239 Speaker 4: can look strangely hot as Charlie Chaplin. So much wisdom there, 782 00:35:19,680 --> 00:35:22,680 Speaker 4: all right, thank you King Richard's on the line. Goodborn 783 00:35:22,719 --> 00:35:25,839 Speaker 4: and Richard, good morning, Christy, morning crew. 784 00:35:25,880 --> 00:35:31,840 Speaker 7: Are you check your pat Judy Gowan and Dorothy. 785 00:35:32,320 --> 00:35:34,960 Speaker 4: That's a great one. Actually, the little red shoes. 786 00:35:35,400 --> 00:35:40,759 Speaker 3: That's not bad, except you can just tell the cooking 787 00:35:40,880 --> 00:35:45,640 Speaker 3: shoes and say they no plate for get an uber. Also, 788 00:35:45,760 --> 00:35:47,200 Speaker 3: I was going to ask, are we staying over at 789 00:35:47,239 --> 00:35:52,160 Speaker 3: your place or do we come back go back home? Different? 790 00:35:52,680 --> 00:35:54,840 Speaker 4: You want to crash through it, now you want to 791 00:35:54,880 --> 00:36:00,479 Speaker 4: stay so it has always the real life crash into 792 00:36:00,480 --> 00:36:03,560 Speaker 4: the show and vice versa. Richard, thank you very much. 793 00:36:03,600 --> 00:36:05,320 Speaker 4: You call Kim. 794 00:36:06,239 --> 00:36:10,680 Speaker 10: Yes, yes, Christy uh Christy amphlet from the Divinyls. 795 00:36:11,000 --> 00:36:14,239 Speaker 4: Great one. Cool look as well. But is that one 796 00:36:14,239 --> 00:36:15,839 Speaker 4: where you'd be explaining who you are? 797 00:36:15,960 --> 00:36:19,919 Speaker 3: Yes, it's got to be instantly recognizable. Do you think 798 00:36:19,920 --> 00:36:20,200 Speaker 3: it is? 799 00:36:21,320 --> 00:36:24,760 Speaker 10: My girlfriend went to a costume party a few months 800 00:36:24,840 --> 00:36:29,000 Speaker 10: ago and went as her and everybody knew who she was. 801 00:36:29,880 --> 00:36:32,920 Speaker 3: Okay, all right, that's good. That's on the list. Kim definitely. 802 00:36:33,000 --> 00:36:34,920 Speaker 4: Yeah, good one. Kim, thank you very much, trying to 803 00:36:34,920 --> 00:36:41,000 Speaker 4: help out by Thanks mate, cheers Kelly, oh fatty Kelly, 804 00:36:41,040 --> 00:36:42,719 Speaker 4: and she's back. There we go. That's radio. You're on, 805 00:36:42,800 --> 00:36:46,040 Speaker 4: you're off. And she's back. Kelly, Oh, I know, are 806 00:36:46,040 --> 00:36:48,520 Speaker 4: you good? What are you not to Kelly? 807 00:36:49,600 --> 00:36:52,160 Speaker 5: I'm actually just picking up my grandson, was. 808 00:36:52,440 --> 00:36:54,319 Speaker 3: Little, impressing him over your head? 809 00:36:54,400 --> 00:36:56,560 Speaker 4: Yes, up and down? Does it a workout or something? 810 00:36:56,600 --> 00:37:02,920 Speaker 4: Something new? Wear forty five thing? Oh? Bless you? All right, 811 00:37:03,280 --> 00:37:06,879 Speaker 4: grandma's helping out. So listen, Kelly, what do you think? 812 00:37:07,040 --> 00:37:08,280 Speaker 4: What could you go as? 813 00:37:09,040 --> 00:37:12,120 Speaker 5: I think the great Freddie Mercury and she should go 814 00:37:12,280 --> 00:37:13,200 Speaker 5: as him. 815 00:37:13,560 --> 00:37:15,000 Speaker 7: I want to break free. 816 00:37:16,440 --> 00:37:16,640 Speaker 4: Now. 817 00:37:16,719 --> 00:37:19,319 Speaker 3: This is I haven't told Christian this yet though that 818 00:37:19,400 --> 00:37:22,320 Speaker 3: would clash with somebody else's outfit at the party. 819 00:37:22,719 --> 00:37:26,200 Speaker 4: You're going as Freddy. I'm going as Freddy baby awesomeone 820 00:37:26,360 --> 00:37:29,640 Speaker 4: to go as what kind of Freddy white pants? 821 00:37:29,719 --> 00:37:34,759 Speaker 3: And they no, I'm going to the white singleer, the 822 00:37:34,760 --> 00:37:39,799 Speaker 3: the studs around the armband and the type acid wash. 823 00:37:39,760 --> 00:37:42,720 Speaker 4: Gen Oh awesome, classic Freddy, classic Freddy. 824 00:37:42,960 --> 00:37:43,080 Speaker 1: Right? 825 00:37:43,160 --> 00:37:45,640 Speaker 4: Are you really that's a brilliant I'm just all I 826 00:37:45,640 --> 00:37:46,879 Speaker 4: needed the hair. 827 00:37:47,320 --> 00:37:49,640 Speaker 3: I guess I got to slick it back and change 828 00:37:49,680 --> 00:37:51,880 Speaker 3: color and change your talent, straighten. 829 00:37:51,480 --> 00:37:53,319 Speaker 4: Out those natural, beautiful curls of you. 830 00:37:53,560 --> 00:37:54,879 Speaker 3: I guess a lot of pair gel. 831 00:37:55,719 --> 00:37:57,480 Speaker 4: Yeah, and you're gonna have to see it. So could 832 00:37:57,560 --> 00:38:01,359 Speaker 4: you go as to Freddy's No, I don't share mine 833 00:38:02,560 --> 00:38:05,200 Speaker 4: for my wife to share, but Jack Polks can't share. 834 00:38:05,920 --> 00:38:07,880 Speaker 4: I don't want to share two Freddy's all right, So 835 00:38:07,920 --> 00:38:10,200 Speaker 4: she can't go as Freddy No, all right, So out 836 00:38:10,200 --> 00:38:14,720 Speaker 4: of the Chrissy Amflet, Judy Garland, Charlie Chaplain No not Charlie, 837 00:38:14,800 --> 00:38:16,640 Speaker 4: no kind of especially after what King he said. We're 838 00:38:16,640 --> 00:38:17,359 Speaker 4: back to square one. 839 00:38:17,520 --> 00:38:20,919 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 840 00:38:20,960 --> 00:38:21,439 Speaker 1: point three. 841 00:38:21,640 --> 00:38:23,640 Speaker 4: Thank you very much, bless you. People are still trying 842 00:38:23,680 --> 00:38:26,719 Speaker 4: to help out favorous suggestions for Jack's wife Bianca what 843 00:38:26,920 --> 00:38:28,560 Speaker 4: she could go as now she's got a change from 844 00:38:28,560 --> 00:38:32,880 Speaker 4: Audrey Headbone. We can't have two Audrey Hepbones, Mae West, 845 00:38:33,360 --> 00:38:39,000 Speaker 4: Janis Joplin, Shirley Temple, Charles Manson. That's the puppies out there, 846 00:38:39,480 --> 00:38:42,160 Speaker 4: Charles be some killer theme party. 847 00:38:42,520 --> 00:38:44,840 Speaker 3: Isn't Charles Manson still alive in prison somewhere? 848 00:38:44,880 --> 00:38:48,560 Speaker 4: I'm not sure, but if he's not, you can't want 849 00:38:48,560 --> 00:38:55,040 Speaker 4: a gear chase from Audrey Heppers. Katie Phillips is just 850 00:38:55,080 --> 00:38:58,319 Speaker 4: texted that and that's incredible. And another one here. I 851 00:38:58,360 --> 00:39:02,800 Speaker 4: love this from Dave Clear Patra ancient celebrity. Yeah, that 852 00:39:02,880 --> 00:39:06,000 Speaker 4: well known ancient celebrity. Oh what was she back in 853 00:39:06,040 --> 00:39:07,480 Speaker 4: the day that we've had all the hot gospel? What 854 00:39:07,520 --> 00:39:12,359 Speaker 4: she was wearing at Oaks Day? Cleopatra ancient celebrity? All right, 855 00:39:12,480 --> 00:39:15,560 Speaker 4: Week six on ten weeks of tickets, and it's all 856 00:39:15,600 --> 00:39:18,960 Speaker 4: about this week it's about this guy, he said, trying 857 00:39:18,960 --> 00:39:23,200 Speaker 4: to cue up the right button note ten weeks of tickets. 858 00:39:26,640 --> 00:39:36,920 Speaker 2: Welcome to night the world. 859 00:39:35,800 --> 00:39:44,439 Speaker 4: Alice Cooper's old Black Eyes is back to us. Yeah, 860 00:39:44,480 --> 00:39:48,040 Speaker 4: this week, Week six, it's all about Alice Cooper. Are 861 00:39:48,120 --> 00:39:54,320 Speaker 4: you worthy to go and see the great Alice Cooperthy 862 00:39:55,880 --> 00:40:01,399 Speaker 4: worry that they're not worthy, of course, but you might 863 00:40:01,440 --> 00:40:03,279 Speaker 4: be worthy to win tickets to go and see live 864 00:40:03,320 --> 00:40:09,000 Speaker 4: of Rod Laver in February and you'll be watching seeing 865 00:40:09,120 --> 00:40:10,200 Speaker 4: the Small. 866 00:40:11,800 --> 00:40:14,399 Speaker 3: Word. But we know about the photographers. 867 00:40:14,440 --> 00:40:18,440 Speaker 4: No, no, no, the team have kept us away from 868 00:40:18,480 --> 00:40:24,520 Speaker 4: another bit of detail. You know I've been saying, watch 869 00:40:24,520 --> 00:40:27,200 Speaker 4: it's from the photographer's pit. Yeah, you can watch a 870 00:40:27,239 --> 00:40:27,759 Speaker 4: song there. 871 00:40:28,719 --> 00:40:30,200 Speaker 3: What you get? I should in and out of a 872 00:40:30,239 --> 00:40:31,120 Speaker 3: photographer's pit? 873 00:40:31,840 --> 00:40:32,959 Speaker 4: Did you get to pick the song? 874 00:40:33,120 --> 00:40:34,680 Speaker 3: Where do you go before and after that? 875 00:40:36,680 --> 00:40:37,400 Speaker 2: You get seats? 876 00:40:37,400 --> 00:40:38,880 Speaker 4: Are they actually ever in seats. 877 00:40:40,480 --> 00:40:41,240 Speaker 7: Just what a song? 878 00:40:41,960 --> 00:40:44,239 Speaker 4: What if it's not one of your favorites? No, no, no, 879 00:40:44,239 --> 00:40:46,360 Speaker 4: no this one, no no, no, no, that one poison 880 00:40:46,480 --> 00:40:49,920 Speaker 4: keep me in the pit? Are you no? Your song's up? 881 00:40:49,960 --> 00:40:51,799 Speaker 4: Get out? Is it like you have a wristband? Look 882 00:40:51,800 --> 00:40:54,399 Speaker 4: at the swimming pool? Come on your times up? Get out? 883 00:40:54,480 --> 00:40:57,479 Speaker 4: That makes us come in the photographer's pit to get 884 00:40:57,600 --> 00:41:03,279 Speaker 4: watch a song, stitch. You can tell we've been away 885 00:41:03,320 --> 00:41:06,000 Speaker 4: for a week. They have run right the little. 886 00:41:05,840 --> 00:41:09,680 Speaker 3: My s that's still be ip. Everybody can have that. 887 00:41:09,920 --> 00:41:12,719 Speaker 4: No, of course, on where are you going for a song? 888 00:41:12,760 --> 00:41:14,839 Speaker 4: You have to the toilet. No, it's gonna photographer's pit. 889 00:41:14,920 --> 00:41:20,560 Speaker 4: I'll be right back. Watch the song from the photographers. 890 00:41:23,719 --> 00:41:29,560 Speaker 4: Great price for the End of your friends. Okay, did 891 00:41:29,640 --> 00:41:36,279 Speaker 4: you know it's a song? Awesome? Good old gold one 892 00:41:36,360 --> 00:41:38,560 Speaker 4: oh four point three. We've got your back, all right, 893 00:41:38,640 --> 00:41:42,799 Speaker 4: Get in that photographers pitch. Enjoy Alice Cooper. All right, 894 00:41:42,800 --> 00:41:44,080 Speaker 4: here's how we're going to win it. 895 00:41:45,640 --> 00:41:48,200 Speaker 3: Enjoy it world last all right. 896 00:41:48,280 --> 00:41:49,879 Speaker 4: So this is what we're going to do this week. 897 00:41:49,960 --> 00:41:52,400 Speaker 4: Then it is time for producer brand. Once a year 898 00:41:52,480 --> 00:41:55,520 Speaker 4: he does this classic comedy skit. He's from the old 899 00:41:55,560 --> 00:41:58,640 Speaker 4: school of radio that had sketches and skits and as 900 00:41:58,680 --> 00:42:01,959 Speaker 4: someone he loves the horse and the ggs and last 901 00:42:02,040 --> 00:42:04,040 Speaker 4: year we let him do this idea. It's time to 902 00:42:04,080 --> 00:42:07,239 Speaker 4: bring back Producer Brad's annual idea. And we've been away 903 00:42:07,280 --> 00:42:09,000 Speaker 4: for a week. We came back in. I did not 904 00:42:09,080 --> 00:42:11,560 Speaker 4: sign off on this, did you know? No one asked 905 00:42:11,560 --> 00:42:15,080 Speaker 4: me about the return of a song at the races. However, 906 00:42:15,520 --> 00:42:18,040 Speaker 4: we're in this situation here we are. What is today's 907 00:42:18,160 --> 00:42:24,320 Speaker 4: song at the Races? Bracing? Just to let you know, 908 00:42:24,440 --> 00:42:28,200 Speaker 4: this is voiced, written and starring producer Brad. We're away 909 00:42:28,280 --> 00:42:34,480 Speaker 4: for five days. He's putting himself in the show. Bracing. 910 00:42:34,800 --> 00:42:37,760 Speaker 11: A singer in a smoky room, jumps well. A smell 911 00:42:37,840 --> 00:42:40,880 Speaker 11: of wine and cheap perfume. Moved to the inside for 912 00:42:41,080 --> 00:42:42,160 Speaker 11: a smile and they can. 913 00:42:42,120 --> 00:42:44,919 Speaker 4: Share the night, make up the rear. They turn for home. 914 00:42:45,040 --> 00:42:46,800 Speaker 4: It goes on and on and on and on. 915 00:42:47,480 --> 00:42:51,200 Speaker 11: Strangers waiting moves to the outside, up and down the boulevard, 916 00:42:51,400 --> 00:42:54,600 Speaker 11: comes with a strong run their shadows and searching in 917 00:42:54,680 --> 00:42:57,880 Speaker 11: the night at gone street lights, and people can't go 918 00:42:58,000 --> 00:42:58,400 Speaker 11: on with it. 919 00:42:58,600 --> 00:43:01,120 Speaker 6: The kid's bombing living to us to find the muntions 920 00:43:01,400 --> 00:43:02,440 Speaker 6: hide them to wear them. 921 00:43:02,440 --> 00:43:06,560 Speaker 4: A line gets the win, all right? What's the song? 922 00:43:06,719 --> 00:43:09,200 Speaker 4: Lines are open now nine four one four one oh 923 00:43:09,320 --> 00:43:09,839 Speaker 4: four three. 924 00:43:09,960 --> 00:43:12,799 Speaker 1: You could be in that pit the Christian O'Connell Breakfast Show, 925 00:43:13,000 --> 00:43:14,920 Speaker 1: Melbourne's gold one oh four point. 926 00:43:14,800 --> 00:43:17,239 Speaker 4: Three Week six on ten weeks of tickets. It's all 927 00:43:17,280 --> 00:43:20,759 Speaker 4: about Alice Cooper. You get two tickets every single day 928 00:43:20,800 --> 00:43:22,839 Speaker 4: this week to go and see him live at Rod 929 00:43:22,960 --> 00:43:25,239 Speaker 4: Laver in February. Also going to watch a song from 930 00:43:25,320 --> 00:43:28,160 Speaker 4: the photographer's pit and you could be in the running. 931 00:43:28,200 --> 00:43:29,960 Speaker 4: One of you this Friday. Everyone who wins the tickets, 932 00:43:30,160 --> 00:43:32,200 Speaker 4: are you going to draw? You could be upgraded to VIP, 933 00:43:32,440 --> 00:43:35,440 Speaker 4: Meet and greet, meet the legendary Alice Cooper. 934 00:43:35,480 --> 00:43:45,160 Speaker 6: Worthy, Worthy, Worry Whizz. 935 00:43:44,000 --> 00:43:46,319 Speaker 4: And everyone who wins goes on the short list. Four 936 00:43:46,480 --> 00:43:49,640 Speaker 4: Gold one oh four point Three's Golden Ticket A song 937 00:43:49,920 --> 00:43:52,960 Speaker 4: at the Races. Producer Brad stars in this this week. 938 00:43:54,400 --> 00:43:56,640 Speaker 4: What's the song Racing? 939 00:43:57,000 --> 00:43:59,560 Speaker 11: A singer in a smoky room jumps well with a 940 00:43:59,640 --> 00:44:02,600 Speaker 11: smell of wine and cheap perfume. Move to the inside 941 00:44:03,040 --> 00:44:05,239 Speaker 11: for a smile and they can share the night, make 942 00:44:05,360 --> 00:44:07,680 Speaker 11: up the rear, they turn for home. It goes on 943 00:44:07,880 --> 00:44:11,040 Speaker 11: and on and on, and on strangers waiting, moves to 944 00:44:11,160 --> 00:44:14,040 Speaker 11: the outside, up and down. The ball Ofvard comes with 945 00:44:14,200 --> 00:44:17,200 Speaker 11: a strong run their shadows and searching in the night 946 00:44:17,280 --> 00:44:20,440 Speaker 11: at gone street lights and people can't go on with 947 00:44:20,560 --> 00:44:20,880 Speaker 11: it to the. 948 00:44:20,960 --> 00:44:24,000 Speaker 6: Kid's bombing living just to find the mons, hide them 949 00:44:24,080 --> 00:44:26,120 Speaker 6: somewhere in the night, gets the wind. 950 00:44:27,120 --> 00:44:28,800 Speaker 4: All right on the line right now with an answer? 951 00:44:29,160 --> 00:44:33,480 Speaker 4: Is Mekayla. Hi, I'm Mekayla. So you're trying to win 952 00:44:33,520 --> 00:44:35,640 Speaker 4: Alice Cooper tickets? Who's it for? You're the big fan? 953 00:44:36,800 --> 00:44:38,520 Speaker 5: I am a big fan, but I'm trying to win 954 00:44:38,600 --> 00:44:40,000 Speaker 5: these tickets mainly for my mom. 955 00:44:40,160 --> 00:44:42,040 Speaker 9: She's a massive fan and took me to see my 956 00:44:42,120 --> 00:44:42,600 Speaker 9: first show. 957 00:44:43,160 --> 00:44:45,239 Speaker 4: Oh brilliant. It could be you and mum and the 958 00:44:45,400 --> 00:44:47,279 Speaker 4: photographer's pit thing. 959 00:44:47,320 --> 00:44:48,239 Speaker 9: It's crossed all right? 960 00:44:48,320 --> 00:44:49,840 Speaker 4: Then what do you think the song is that was 961 00:44:49,840 --> 00:44:50,520 Speaker 4: at the races? 962 00:44:51,680 --> 00:44:53,400 Speaker 5: I don't stop believing by journey. 963 00:44:56,640 --> 00:44:58,480 Speaker 4: Yeah, well done, You and the mama off to go 964 00:44:58,640 --> 00:45:00,439 Speaker 4: and see Alice Cooper live. 965 00:45:02,239 --> 00:45:04,839 Speaker 9: Yep, yep, thank you so much. 966 00:45:05,120 --> 00:45:06,239 Speaker 4: That's all right. I hope you and your mom have 967 00:45:06,280 --> 00:45:08,399 Speaker 4: a great time. You got to watch a song from 968 00:45:08,440 --> 00:45:11,279 Speaker 4: the Photographer's pip and you also, could this Friday be 969 00:45:11,320 --> 00:45:13,480 Speaker 4: winning the VIP meat and greet where you can take 970 00:45:13,480 --> 00:45:16,360 Speaker 4: your mum to go and meet Alice Cooper. So fingers crossed, 971 00:45:16,400 --> 00:45:18,120 Speaker 4: good luck, but you want tickets and you get to 972 00:45:18,160 --> 00:45:21,000 Speaker 4: go and see one of the songs from the photographer's pit. 973 00:45:21,120 --> 00:45:24,479 Speaker 4: Well done, Thank you, all right McKenna, have a nice week. 974 00:45:25,239 --> 00:45:25,960 Speaker 5: Thank you you too. 975 00:45:26,280 --> 00:45:29,040 Speaker 4: All right. Alice Cooper's Old Black Eyes is Back. Tour. 976 00:45:29,120 --> 00:45:31,640 Speaker 4: Tickets are available now at ticker tech dot com dot au. 977 00:45:32,080 --> 00:45:33,600 Speaker 4: Coming out Path of the News and Sport. Then we 978 00:45:33,680 --> 00:45:36,719 Speaker 4: have a bump edition, some amazing ones, Big John's Top Five. 979 00:45:36,920 --> 00:45:38,640 Speaker 4: It's all about the misheard lyrics. 980 00:45:38,480 --> 00:45:41,839 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 981 00:45:41,880 --> 00:45:42,359 Speaker 1: point three. 982 00:45:42,960 --> 00:45:48,800 Speaker 6: It's just another miss heardman day, Christian O'Connell's misshard lyrics. 983 00:45:49,480 --> 00:45:51,359 Speaker 4: All right then, so as always to do some two 984 00:45:51,440 --> 00:45:54,480 Speaker 4: parts before we go into Big John's Top five or 985 00:45:54,480 --> 00:45:56,399 Speaker 4: the ones you've been sending to us over the last 986 00:45:56,520 --> 00:46:00,959 Speaker 4: seven days. The misshard lyrics. Some classic race since Hall 987 00:46:01,040 --> 00:46:04,800 Speaker 4: of famers that have gone in Hall of favor, this 988 00:46:05,040 --> 00:46:11,239 Speaker 4: recent one, hol Me hold Me Fast, ho Me farcuse. 989 00:46:14,000 --> 00:46:16,680 Speaker 4: Don't judge us, it's just funny. It just is. Don't 990 00:46:16,719 --> 00:46:17,840 Speaker 4: overthink it, okay. 991 00:46:18,800 --> 00:46:20,279 Speaker 1: Hold me, it is. 992 00:46:22,440 --> 00:46:29,640 Speaker 4: Far and what about meat Boy? Meat Boy totally forgotten? 993 00:46:29,719 --> 00:46:32,320 Speaker 4: Jack and I were trying to I have show amnesia. 994 00:46:32,719 --> 00:46:35,040 Speaker 4: Do a show you crunch into the next dage one. 995 00:46:35,080 --> 00:46:37,160 Speaker 4: I have no idea what this one is for the 996 00:46:37,200 --> 00:46:42,960 Speaker 4: beach boys, but it's a Hall of Famer. Don't throw 997 00:46:43,040 --> 00:46:45,719 Speaker 4: cocon my boy anyway. When we do the misheard lyrics, 998 00:46:45,760 --> 00:46:50,160 Speaker 4: if we agree with the miss here if not, and 999 00:46:50,320 --> 00:46:54,080 Speaker 4: of course the classics Hall of Favor, let's do it 1000 00:46:54,160 --> 00:46:56,800 Speaker 4: top five. Then from listener Big John straight away, we 1001 00:46:56,880 --> 00:47:00,680 Speaker 4: go with this seventies disco classic chic free co owt 1002 00:47:02,000 --> 00:47:09,000 Speaker 4: or is it free Cow? Straight here? Free Cow? I 1003 00:47:09,120 --> 00:47:14,319 Speaker 4: love this song. It's ruined now free Cow? Yes, that's 1004 00:47:14,360 --> 00:47:18,239 Speaker 4: our quickest miss hair ever, isn't it free cow? For 1005 00:47:18,360 --> 00:47:20,080 Speaker 4: that one? There? We're going to Sheryl Crow if it 1006 00:47:20,120 --> 00:47:31,840 Speaker 4: makes you happy. We weren't searching through thrift store jungles? 1007 00:47:32,040 --> 00:47:35,520 Speaker 4: Or is it we went searching through three store jungles? 1008 00:47:41,640 --> 00:47:41,799 Speaker 2: Up? 1009 00:47:45,120 --> 00:47:49,000 Speaker 4: Sorry, it's no free Cow. Green Day where doly a 1010 00:47:49,040 --> 00:47:51,400 Speaker 4: week goes by? Now we're not dragged back to Green Day. 1011 00:47:51,480 --> 00:48:00,560 Speaker 4: But this song I love this one. Boulevard had broken dreams. 1012 00:48:00,680 --> 00:48:03,040 Speaker 4: Sometimes I wish someone out there will find me? 1013 00:48:08,680 --> 00:48:09,080 Speaker 1: Or is it? 1014 00:48:09,280 --> 00:48:19,120 Speaker 4: Sometimes I wish someone will pillow fight me. It's a 1015 00:48:19,280 --> 00:48:23,640 Speaker 4: great one. Sometimes I wish someone will pillow fight me. 1016 00:48:31,200 --> 00:48:34,160 Speaker 4: And you go there Green Day, so to pillow fight? 1017 00:48:34,640 --> 00:48:40,160 Speaker 4: Room five makes me wonder wake up with bloodshot eyes? 1018 00:48:40,360 --> 00:48:46,000 Speaker 4: Or is it wake up and blush our eyes? No, 1019 00:48:49,760 --> 00:48:53,000 Speaker 4: go back to the hey days, Queen, somebody to love? 1020 00:48:56,560 --> 00:48:58,440 Speaker 4: But everybody wants to put me down? Or is it 1021 00:48:58,560 --> 00:49:05,120 Speaker 4: but everybody wants a puppy down. I'm gonna have to 1022 00:49:05,200 --> 00:49:12,040 Speaker 4: hear it again. It's no freak. It's no, it's no freak. 1023 00:49:12,160 --> 00:49:16,040 Speaker 4: Ow all right. Coming up next, we'll go through all 1024 00:49:16,080 --> 00:49:18,560 Speaker 4: the ones you've been sending in part two of Monday 1025 00:49:18,680 --> 00:49:21,960 Speaker 4: Morning mishurd Lyrics. If you've ever got any for this 1026 00:49:22,000 --> 00:49:23,960 Speaker 4: feature on a Monday, the biggest feature, the most popular 1027 00:49:24,000 --> 00:49:25,960 Speaker 4: one on the show with you, you can email me 1028 00:49:26,080 --> 00:49:28,200 Speaker 4: Christian at Gold one O four to three dot com 1029 00:49:28,360 --> 00:49:31,879 Speaker 4: dot au. I would say there are at least two, 1030 00:49:32,120 --> 00:49:35,000 Speaker 4: possibly three Hall of Famous coming up next as well. 1031 00:49:35,080 --> 00:49:35,600 Speaker 4: It's a good one. 1032 00:49:35,719 --> 00:49:39,080 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1033 00:49:39,120 --> 00:49:39,600 Speaker 1: point three. 1034 00:49:40,480 --> 00:49:46,360 Speaker 6: It's just another miss heard nay, Christian O'Connell's Miss hurd Lyrics. 1035 00:49:46,800 --> 00:49:49,240 Speaker 4: All right, then god one O four point three Christian 1036 00:49:49,280 --> 00:49:52,520 Speaker 4: O'Connor backforst show. Seventeen minutes past eight. Time for part 1037 00:49:52,600 --> 00:49:55,239 Speaker 4: two of your Monday morning misshard Lyrics. This is the 1038 00:49:55,320 --> 00:49:56,799 Speaker 4: round up of the ones you've been sending in over 1039 00:49:56,800 --> 00:49:58,320 Speaker 4: the last seven days. Just just of all we go 1040 00:49:58,440 --> 00:50:01,520 Speaker 4: to Evet. Thanks, thank you very much. She's got this 1041 00:50:01,640 --> 00:50:03,560 Speaker 4: one from the stereophonics. 1042 00:50:04,200 --> 00:50:07,799 Speaker 2: Lie around old day a d good cheers. 1043 00:50:07,960 --> 00:50:11,040 Speaker 4: Have a nice day, But the stereophonics she can hear 1044 00:50:11,239 --> 00:50:14,239 Speaker 4: liarra in all day? Sorry, lie around all day, have 1045 00:50:14,320 --> 00:50:16,000 Speaker 4: a nice drink of cheese. 1046 00:50:16,560 --> 00:50:19,840 Speaker 2: Lie around a day a drie good cheers. 1047 00:50:20,400 --> 00:50:22,279 Speaker 4: Yeah, I hear have a drink of cheese. 1048 00:50:22,600 --> 00:50:25,840 Speaker 2: Lie around o day a drig good cheers. 1049 00:50:26,360 --> 00:50:28,279 Speaker 3: Now I can't even what it is the real lyric there? 1050 00:50:28,440 --> 00:50:30,000 Speaker 4: Yeah, what is he? What is Kelly saying? 1051 00:50:30,680 --> 00:50:33,920 Speaker 2: Lie around ol day a drin good cheers? 1052 00:50:34,560 --> 00:50:36,160 Speaker 3: Now I can only hear drink of cheese and I 1053 00:50:36,239 --> 00:50:37,120 Speaker 3: can't hear anything else. 1054 00:50:37,200 --> 00:50:39,839 Speaker 4: I think it's have a drink cheers. But I'm hearing 1055 00:50:39,960 --> 00:50:43,600 Speaker 4: is a cheesy beer. There's a thought. 1056 00:50:44,560 --> 00:50:47,840 Speaker 2: Lie around a day a drig good cheers. 1057 00:50:48,239 --> 00:50:49,880 Speaker 4: Drink of cheese. God, chug it. 1058 00:50:49,960 --> 00:50:54,240 Speaker 2: Down, lie around old day a drie good cheers. 1059 00:50:56,920 --> 00:50:59,000 Speaker 4: Christian kind of visit Melbourne for the first time ever 1060 00:50:59,040 --> 00:51:01,560 Speaker 4: in a few weeks time. One of our podcast listeners 1061 00:51:01,760 --> 00:51:05,360 Speaker 4: over in the Old Land, inspired partly by sing it 1062 00:51:05,400 --> 00:51:06,000 Speaker 4: for Melbourne. 1063 00:51:06,600 --> 00:51:08,600 Speaker 3: Oh no, really, that's great. 1064 00:51:08,960 --> 00:51:11,880 Speaker 4: It's your legacy, Jack. Now we go to here, we 1065 00:51:11,960 --> 00:51:17,080 Speaker 4: go to next week, go to Gail, Christian. I've listening 1066 00:51:17,080 --> 00:51:21,320 Speaker 4: to Old Town Roads by Nas and Billy ray Cyrus. 1067 00:51:21,360 --> 00:51:23,120 Speaker 4: I'm very sorry to hear that. I hope things all right. 1068 00:51:23,960 --> 00:51:34,040 Speaker 4: The line is, imagine have to play that every two 1069 00:51:34,120 --> 00:51:37,439 Speaker 4: hours like our friends over at Fox and Over every 1070 00:51:37,520 --> 00:51:48,640 Speaker 4: two hours. I'd rather punch myself and the balls. But anyway, sorry, 1071 00:51:48,719 --> 00:51:51,560 Speaker 4: Old Town Roads by Nas and Billy ray Cyrus. The 1072 00:51:51,680 --> 00:51:54,759 Speaker 4: words are going to take my horse to the old 1073 00:51:54,840 --> 00:51:57,760 Speaker 4: Town Road, going to ride till I can't no more. Beautiful. 1074 00:51:58,000 --> 00:52:01,279 Speaker 4: I mean, Lennon McCartney could only dream of writing something 1075 00:52:01,360 --> 00:52:03,680 Speaker 4: as wise as that. But our friend here, Gal is 1076 00:52:03,960 --> 00:52:05,520 Speaker 4: hearing it. It's going to take my horse to the 1077 00:52:05,600 --> 00:52:08,960 Speaker 4: hotel room, going to ride so I can't take no more, 1078 00:52:09,160 --> 00:52:19,719 Speaker 4: which he thinks is very disturbing. Hotel, do we hear 1079 00:52:19,840 --> 00:52:22,160 Speaker 4: taking that Horsey up to the hotel room and then 1080 00:52:22,200 --> 00:52:22,759 Speaker 4: going to ride it. 1081 00:52:30,200 --> 00:52:32,920 Speaker 3: It's a strange way to say room, but yeah, okay, 1082 00:52:33,080 --> 00:52:35,040 Speaker 3: it's almost there, Gail. It's close enough. 1083 00:52:36,480 --> 00:52:39,399 Speaker 4: Stuart, thank you very much for your one survivor, Ei 1084 00:52:39,480 --> 00:52:48,239 Speaker 4: the Tiger. He's mishearing it. And the last known survivor 1085 00:52:48,520 --> 00:52:56,600 Speaker 4: stalks his bread in the night. Yes, that's a stucking 1086 00:52:56,680 --> 00:53:04,280 Speaker 4: up his bread in the night. That last note survivor. Yep, Stewie, 1087 00:53:04,360 --> 00:53:09,560 Speaker 4: thank you very much. Now to Chris ran Zetti, Chris John. 1088 00:53:09,600 --> 00:53:11,640 Speaker 4: Listen everyone to you guys. So on Instagram, you've been 1089 00:53:11,680 --> 00:53:13,880 Speaker 4: reading Elton John's book. Is it good? Oh? Yeah, if 1090 00:53:13,880 --> 00:53:16,000 Speaker 4: you're after a great book at the moment. The Elton 1091 00:53:16,040 --> 00:53:19,279 Speaker 4: John biography is one of the best biographies. I have 1092 00:53:19,680 --> 00:53:22,480 Speaker 4: love rock and roll biographies. The Elton John one is 1093 00:53:22,520 --> 00:53:24,680 Speaker 4: one of the very, very best I've ever read. I'm 1094 00:53:24,680 --> 00:53:26,400 Speaker 4: almost finishing it. It feels like I'll be having to 1095 00:53:26,440 --> 00:53:28,960 Speaker 4: say goodbye to a great company that is out and John. 1096 00:53:29,320 --> 00:53:35,040 Speaker 4: It is scandalous, bitchy at times. Story after story, it's incredible. 1097 00:53:35,080 --> 00:53:37,800 Speaker 4: Everything in the movie and then a load more. It 1098 00:53:37,920 --> 00:53:40,960 Speaker 4: is his voice as well. It is one of those 1099 00:53:41,000 --> 00:53:43,560 Speaker 4: books you can't put down. Last night. I was annoyed. 1100 00:53:43,600 --> 00:53:45,120 Speaker 4: I had to turn the light off and leave the 1101 00:53:45,120 --> 00:53:46,759 Speaker 4: book for a bit more. I'm almost finishing it. It's 1102 00:53:46,760 --> 00:53:50,280 Speaker 4: a great read. The only downside is lame title. 1103 00:53:50,719 --> 00:53:51,640 Speaker 3: What's it called me? 1104 00:53:52,960 --> 00:53:56,359 Speaker 4: Come on, you know, get Bernie to write you there. 1105 00:53:57,680 --> 00:53:58,640 Speaker 3: He's not a lyrics guy. 1106 00:53:58,760 --> 00:54:02,319 Speaker 4: He's a lyric that's it. That's what you could come 1107 00:54:02,480 --> 00:54:05,000 Speaker 4: up with. But it's a great book. Anyway, we're going 1108 00:54:05,000 --> 00:54:06,920 Speaker 4: with this one, Elton John. That's why he's talking about this. 1109 00:54:07,280 --> 00:54:12,120 Speaker 4: The book is very good, Elton John. I'm still standing Christian. 1110 00:54:12,160 --> 00:54:21,120 Speaker 4: I'm hearing I still salmon. Yes, I hear I still salmon. Yes. 1111 00:54:25,320 --> 00:54:30,759 Speaker 4: Let's go to cam now aka Moody. Anyway, he's got 1112 00:54:30,800 --> 00:54:36,759 Speaker 4: this one, Jimmy Barnes. I got your first letter just 1113 00:54:36,840 --> 00:54:38,960 Speaker 4: the other day, or is it? I got your Percenter 1114 00:54:39,360 --> 00:54:46,239 Speaker 4: just the other day, got your percenter just the other day. 1115 00:54:48,480 --> 00:54:53,160 Speaker 4: The Cam aka Moody very good. That's a fine one, 1116 00:54:55,960 --> 00:55:00,080 Speaker 4: all right. And finally let's go to Matt Christian and 1117 00:55:00,239 --> 00:55:09,680 Speaker 4: Kim Carn's Betty Davis eyes pincy and she knows just 1118 00:55:09,800 --> 00:55:17,360 Speaker 4: what it takes to make a pub lunch. We ready, Pincy. No, 1119 00:55:24,520 --> 00:55:26,880 Speaker 4: that's a brilliant one. And she knows just what it 1120 00:55:27,040 --> 00:55:28,520 Speaker 4: takes to make a pub lunch. 1121 00:55:29,200 --> 00:55:29,560 Speaker 2: Pincy. 1122 00:55:35,120 --> 00:55:39,520 Speaker 4: That's very good, very good. Oh I must have this 1123 00:55:39,640 --> 00:55:41,759 Speaker 4: one because there's two kids listening right now that have 1124 00:55:41,840 --> 00:55:44,320 Speaker 4: sent this one in. They've a big fan of Hugh Jackman, 1125 00:55:44,480 --> 00:55:49,319 Speaker 4: The Greatest show. Good some Pzza in Big Q. It's 1126 00:55:49,360 --> 00:55:52,439 Speaker 4: a preacher in the pulpit. They're hearing. Bear in mind, 1127 00:55:52,480 --> 00:55:55,120 Speaker 4: they're eight and ten. Okay, it's a pizza in your pooper. 1128 00:55:55,800 --> 00:56:03,160 Speaker 4: Good some pizza. I'm sorry I'm not ten on forty six, 1129 00:56:03,239 --> 00:56:06,680 Speaker 4: but that is damn funny. It's a pizza in your 1130 00:56:06,760 --> 00:56:11,120 Speaker 4: pooper P. There we go. The kids can shut it 1131 00:56:11,200 --> 00:56:15,040 Speaker 4: down this weekwn. Thank you very much, David Curry and 1132 00:56:15,200 --> 00:56:19,480 Speaker 4: the Curry kids. Well done, favor all right, that's an 1133 00:56:19,480 --> 00:56:22,680 Speaker 4: outstanding one. Thank you very much for And it's a 1134 00:56:22,719 --> 00:56:27,360 Speaker 4: pizza in you pooper p. If you've got any for 1135 00:56:27,440 --> 00:56:29,120 Speaker 4: next week. Christian at Gold one I four to three 1136 00:56:29,200 --> 00:56:30,200 Speaker 4: dot com dot au. 1137 00:56:30,320 --> 00:56:34,120 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four point. 1138 00:56:34,000 --> 00:56:38,319 Speaker 4: Three, Oh the weekend. I said this on my dad 1139 00:56:38,960 --> 00:56:43,359 Speaker 4: once a week will cut out some funny articles from 1140 00:56:43,440 --> 00:56:45,880 Speaker 4: the English newspapers that he thinks the son you know, 1141 00:56:46,000 --> 00:56:47,879 Speaker 4: might be to read out on his radio show out 1142 00:56:47,920 --> 00:56:49,680 Speaker 4: in Australia's doing his bit to make sure that I 1143 00:56:49,719 --> 00:56:53,520 Speaker 4: don't return. And it's uh, I've got some new ones here. 1144 00:56:53,600 --> 00:56:56,239 Speaker 4: He had to be fair. The last one he gave 1145 00:56:56,360 --> 00:56:58,600 Speaker 4: us was genuinely a great story. 1146 00:56:58,680 --> 00:56:59,920 Speaker 3: Yeah, but that was weeks ago. 1147 00:57:00,200 --> 00:57:02,200 Speaker 4: Yeah, so this hit rate and I was catching up 1148 00:57:02,200 --> 00:57:04,560 Speaker 4: with him yesterday. I was always doing skype. On a Sunday, 1149 00:57:04,840 --> 00:57:07,359 Speaker 4: I said, Dad, he needs some new material. He's back 1150 00:57:07,440 --> 00:57:09,960 Speaker 4: with not one, not two, but three. One of them 1151 00:57:10,280 --> 00:57:12,120 Speaker 4: is something I can't read it on air. We get 1152 00:57:12,160 --> 00:57:13,759 Speaker 4: a lot of complaints, but you know that's the old 1153 00:57:13,800 --> 00:57:17,120 Speaker 4: timer's different generation that what they think is funny. However, 1154 00:57:17,520 --> 00:57:19,800 Speaker 4: there are two ones he has for us that these 1155 00:57:19,840 --> 00:57:20,720 Speaker 4: are good actually. 1156 00:57:20,440 --> 00:57:22,680 Speaker 3: And I can't believe he's cut them out of the newspaper, 1157 00:57:22,800 --> 00:57:24,720 Speaker 3: scanning them in color and send them to you. 1158 00:57:25,040 --> 00:57:26,680 Speaker 4: Well, i'll tell you what. Recently, in the last two 1159 00:57:26,760 --> 00:57:28,840 Speaker 4: years his life has changed with how to do a 1160 00:57:29,160 --> 00:57:34,320 Speaker 4: Excel spreadsheet And my dad uses an Exceale spreadsheet every 1161 00:57:34,360 --> 00:57:36,440 Speaker 4: time he cuts the grass, he makes a note of it. 1162 00:57:36,880 --> 00:57:39,760 Speaker 4: And how many bags of clippings. I'm not joking. Another 1163 00:57:39,840 --> 00:57:44,400 Speaker 4: one who's fo himself, another one for semi retired Untillich 1164 00:57:44,440 --> 00:57:47,000 Speaker 4: Thomas ends another one for all the logs he gets 1165 00:57:47,040 --> 00:57:50,600 Speaker 4: through year by year for his wood boner. I'm not joking. 1166 00:57:51,080 --> 00:57:53,360 Speaker 3: So he can give appaired to the last winter about what. 1167 00:57:53,400 --> 00:57:56,200 Speaker 4: It's like to be semi retired. Right, I make advant myself. 1168 00:57:56,800 --> 00:57:57,520 Speaker 4: I'll keep working. 1169 00:57:57,640 --> 00:57:59,720 Speaker 3: Yeah, but my dad at the moment was saying I 1170 00:57:59,760 --> 00:58:02,160 Speaker 3: can't way to retire. I was like, what are you 1171 00:58:02,360 --> 00:58:02,800 Speaker 3: going to do? 1172 00:58:03,200 --> 00:58:03,240 Speaker 7: What? 1173 00:58:03,360 --> 00:58:05,760 Speaker 4: He actually got depressed. He miss human contact and went 1174 00:58:05,840 --> 00:58:07,920 Speaker 4: back to work. Yeah, you need to be busy, I 1175 00:58:08,000 --> 00:58:10,000 Speaker 4: think at do you know what we started this ship 1176 00:58:10,120 --> 00:58:12,880 Speaker 4: voluntary litter picking. He goes out for about twenty hours a. 1177 00:58:12,920 --> 00:58:15,400 Speaker 3: Week and then puts an Excel documents together. 1178 00:58:15,440 --> 00:58:18,480 Speaker 4: A much rubbish he picked up. So anyway, we've got 1179 00:58:18,480 --> 00:58:20,680 Speaker 4: a new one now here. It is then count's first 1180 00:58:20,720 --> 00:58:22,680 Speaker 4: headline from my dad. That's a nascary spot of the 1181 00:58:22,800 --> 00:58:27,000 Speaker 4: UK newspaper headline council buried couple the wrong way round. 1182 00:58:27,480 --> 00:58:30,080 Speaker 4: A couple have been consigned to the wrong side of 1183 00:58:30,200 --> 00:58:33,200 Speaker 4: the bed for all eternity after a mistake was made 1184 00:58:33,280 --> 00:58:36,440 Speaker 4: in their burial spot. This is a sweet story. Adjacent 1185 00:58:36,520 --> 00:58:38,920 Speaker 4: plots have been brought for a husband and wife. I 1186 00:58:38,960 --> 00:58:41,919 Speaker 4: hope he buried on the side they normally sleep in bed. 1187 00:58:42,400 --> 00:58:45,840 Speaker 4: Ah that's cute, isn't that touching? Yeah, we all have 1188 00:58:46,080 --> 00:58:47,000 Speaker 4: those set sides. 1189 00:58:47,120 --> 00:58:47,480 Speaker 3: Definitely. 1190 00:58:47,680 --> 00:58:50,520 Speaker 4: Even when my wife and I go to hotel, we'll 1191 00:58:50,520 --> 00:58:54,600 Speaker 4: always have your side. Yeah, it's I couldn't imagine it 1192 00:58:54,640 --> 00:58:57,520 Speaker 4: ever changing. And even when my wife's not in the bed, 1193 00:58:57,840 --> 00:58:59,840 Speaker 4: I don't still happy too. 1194 00:59:00,080 --> 00:59:01,240 Speaker 3: I sleep on my side. 1195 00:59:01,400 --> 00:59:02,640 Speaker 4: What is that like a prisoner? 1196 00:59:02,840 --> 00:59:03,000 Speaker 3: Who? 1197 00:59:03,160 --> 00:59:08,360 Speaker 4: So you were just having a tiny bed. So anyway, 1198 00:59:08,400 --> 00:59:10,800 Speaker 4: bless them. They'd hope to still be on the same 1199 00:59:11,000 --> 00:59:14,440 Speaker 4: side as they shake off their mortal coil. However, the 1200 00:59:14,520 --> 00:59:18,160 Speaker 4: council had other brands. However. The man died in two 1201 00:59:18,200 --> 00:59:19,880 Speaker 4: thousand and eight, he was laid to rest in the 1202 00:59:19,920 --> 00:59:23,680 Speaker 4: wrong plot. The mistake was not noticed until arrangements were 1203 00:59:23,720 --> 00:59:27,520 Speaker 4: made to bury his wife ten years later, and their 1204 00:59:27,640 --> 00:59:30,680 Speaker 4: daughter noticed it. Obviously hugely distraught because this was a 1205 00:59:30,720 --> 00:59:32,360 Speaker 4: big thing for both of them, that they want you 1206 00:59:32,440 --> 00:59:35,440 Speaker 4: buried on the right side. The council apologize, get this, 1207 00:59:36,120 --> 00:59:40,280 Speaker 4: offered two hundred bucks in compensation and to dig them, 1208 00:59:40,440 --> 00:59:42,640 Speaker 4: dig them, dig up the old. Oh they are going 1209 00:59:42,720 --> 00:59:44,520 Speaker 4: to do it. No, the daughter doesn't want it. To 1210 00:59:44,560 --> 00:59:45,120 Speaker 4: be exhumed. 1211 00:59:45,400 --> 00:59:47,040 Speaker 3: No, you don't have to take it out of the coffin, 1212 00:59:47,080 --> 00:59:48,920 Speaker 3: though you don't just have to dig him up put 1213 00:59:48,960 --> 00:59:51,920 Speaker 3: the coffin in the next Or is the coffin already 1214 00:59:51,920 --> 00:59:52,760 Speaker 3: started decomposing? 1215 00:59:52,920 --> 00:59:55,320 Speaker 4: I guess if he was buried and when was he 1216 00:59:55,400 --> 00:59:56,560 Speaker 4: was buried in two thousand and eight? 1217 00:59:57,200 --> 00:59:59,160 Speaker 3: I guess it depends how cheap your coffin is. 1218 00:59:59,280 --> 01:00:03,120 Speaker 4: Eleven years later? What do you care you're dead? 1219 01:00:03,360 --> 01:00:04,960 Speaker 3: I know, But then you're going to if it's got 1220 01:00:05,200 --> 01:00:07,640 Speaker 3: decomposing holes in it and you're looking through as you're 1221 01:00:07,640 --> 01:00:09,160 Speaker 3: pulling him out of the ground and you're looking through 1222 01:00:09,200 --> 01:00:10,320 Speaker 3: into his scale, do you want that? 1223 01:00:10,480 --> 01:00:12,760 Speaker 4: Would you want that your dad being dug up eleven 1224 01:00:12,880 --> 01:00:13,400 Speaker 4: years later? 1225 01:00:13,520 --> 01:00:16,560 Speaker 3: And then to put him in the right spot? I 1226 01:00:16,560 --> 01:00:18,520 Speaker 3: would say yes, I gotta be honest. 1227 01:00:18,560 --> 01:00:20,040 Speaker 4: I think I would actually go through with it. 1228 01:00:20,760 --> 01:00:23,880 Speaker 3: Or you can tack Grandma just like between two graves 1229 01:00:24,160 --> 01:00:25,640 Speaker 3: on the other side of Grandpa. 1230 01:00:25,960 --> 01:00:28,080 Speaker 4: Or could you just put Grandma on top of Granddad 1231 01:00:28,120 --> 01:00:30,280 Speaker 4: for one last ride to eternity? Is that too much? 1232 01:00:30,480 --> 01:00:33,840 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four 1233 01:00:33,880 --> 01:00:34,360 Speaker 1: point three. 1234 01:00:34,600 --> 01:00:36,280 Speaker 4: Last week I went away for a few days after 1235 01:00:36,320 --> 01:00:40,479 Speaker 4: Byron Bay when I was a Tellomarine airport. Two things 1236 01:00:40,520 --> 01:00:43,600 Speaker 4: I noticed a couple. It's tense, isn't it? Sometimes going 1237 01:00:43,640 --> 01:00:45,840 Speaker 4: to the airport, couples get a bit touchy with each other. 1238 01:00:45,920 --> 01:00:48,200 Speaker 4: You're right, you're rushing there? Did you get that? You 1239 01:00:48,240 --> 01:00:51,560 Speaker 4: already start it? I think sometimes in a negative mindset 1240 01:00:51,600 --> 01:00:53,200 Speaker 4: if you're not careful. And there was a couple having 1241 01:00:53,200 --> 01:00:55,200 Speaker 4: a big old ding dong, but they were doing that 1242 01:00:55,360 --> 01:00:59,479 Speaker 4: thing right where you're trying to you. But of course 1243 01:00:59,520 --> 01:01:02,000 Speaker 4: I literally took one headphone off because I see it, well. 1244 01:01:01,880 --> 01:01:04,120 Speaker 3: I love that, or just like pause what you're listening 1245 01:01:04,160 --> 01:01:07,200 Speaker 3: to so it seems like you're still got music playing. 1246 01:01:07,320 --> 01:01:09,720 Speaker 4: I consider myself like a spy like that that they've 1247 01:01:09,760 --> 01:01:12,880 Speaker 4: got no idea. But I'm now all ears. They're having 1248 01:01:12,920 --> 01:01:14,800 Speaker 4: a huge row. They're about to go, They're about to 1249 01:01:14,800 --> 01:01:17,280 Speaker 4: fly somewhere. Get on a boat and go on a cruise. Right, 1250 01:01:17,480 --> 01:01:18,560 Speaker 4: would you ever go on a cruise? 1251 01:01:18,800 --> 01:01:19,880 Speaker 3: I've been on a cruise. 1252 01:01:20,000 --> 01:01:20,560 Speaker 4: What do you think? 1253 01:01:20,680 --> 01:01:20,720 Speaker 5: No? 1254 01:01:21,000 --> 01:01:21,520 Speaker 4: Not for me. 1255 01:01:22,200 --> 01:01:24,280 Speaker 3: I can see why people love it. I felt a 1256 01:01:24,320 --> 01:01:25,000 Speaker 3: little bit trapped. 1257 01:01:25,480 --> 01:01:27,600 Speaker 4: I went on a tour. I lasted five minutes. If 1258 01:01:27,640 --> 01:01:28,880 Speaker 4: we go to my life, I will never go on 1259 01:01:28,960 --> 01:01:32,320 Speaker 4: a cruise. I'm not a cruise person. I'll see you 1260 01:01:32,360 --> 01:01:34,479 Speaker 4: in the car. She can off for the two hours. 1261 01:01:34,520 --> 01:01:37,240 Speaker 4: Do they get a complimentary lunch and everything? But anyway, 1262 01:01:37,640 --> 01:01:39,360 Speaker 4: they were having they were having a row about the 1263 01:01:39,360 --> 01:01:42,600 Speaker 4: cruise and she's all I heard was him just snap, 1264 01:01:42,640 --> 01:01:44,920 Speaker 4: well atison, I do not think a cruise will be 1265 01:01:45,040 --> 01:01:47,080 Speaker 4: very boring, and she just walked off. 1266 01:01:47,960 --> 01:01:50,280 Speaker 3: I mean, well, to be fair to him, you can't. 1267 01:01:50,440 --> 01:01:52,280 Speaker 3: I mean, if the holiday is booked, don't call it 1268 01:01:52,360 --> 01:01:53,920 Speaker 3: boring the day you're going there. 1269 01:01:53,960 --> 01:01:56,200 Speaker 4: Do you think people have actually broken up at airports? 1270 01:01:57,000 --> 01:01:59,480 Speaker 4: The only time we want on our big international today 1271 01:01:59,520 --> 01:02:04,600 Speaker 4: with another couple right married married, they broke up and 1272 01:02:05,240 --> 01:02:07,640 Speaker 4: as in got divorced whilst they away with us. 1273 01:02:08,320 --> 01:02:10,840 Speaker 3: That is a terrible thing to be a part of. 1274 01:02:11,080 --> 01:02:12,880 Speaker 4: Do you know when it happened on the first night 1275 01:02:12,920 --> 01:02:14,520 Speaker 4: in New York? None of us have ever and I'd 1276 01:02:14,560 --> 01:02:15,840 Speaker 4: never been to New York before, and it was like 1277 01:02:15,880 --> 01:02:17,320 Speaker 4: a big dream holiday. 1278 01:02:18,320 --> 01:02:20,360 Speaker 3: Because I just imagine you had the dinner with them 1279 01:02:20,400 --> 01:02:22,680 Speaker 3: and stuff. It's incredibly awkward. 1280 01:02:22,760 --> 01:02:24,480 Speaker 4: On the flight, my wife goes to me, you're not 1281 01:02:24,520 --> 01:02:27,160 Speaker 4: going to believe this, right, we should do a phone in. 1282 01:02:27,400 --> 01:02:29,880 Speaker 4: When did someone say, you're not going to believe this. 1283 01:02:30,200 --> 01:02:31,880 Speaker 4: You know what used? I always stop breathing. 1284 01:02:32,000 --> 01:02:32,920 Speaker 1: What you know? 1285 01:02:33,080 --> 01:02:35,400 Speaker 4: We're flying over the Atlantic from London to New York. 1286 01:02:35,440 --> 01:02:38,120 Speaker 4: She goes, they've been having a tough time and they've 1287 01:02:38,160 --> 01:02:40,760 Speaker 4: almost broken up, and this is the last ditch this 1288 01:02:40,880 --> 01:02:44,720 Speaker 4: holiday to save their relationship. And I go berserk. That's 1289 01:02:44,760 --> 01:02:47,200 Speaker 4: too much. We can't way too much pressure. I mean 1290 01:02:47,280 --> 01:02:49,360 Speaker 4: that they should have They should just have their own 1291 01:02:49,400 --> 01:02:51,480 Speaker 4: time now and not hang out with us. But we 1292 01:02:51,800 --> 01:02:54,200 Speaker 4: were staying in the same hotels. We're going to New York, 1293 01:02:54,240 --> 01:02:57,120 Speaker 4: then we're going to San Francisco. So the first night 1294 01:02:57,200 --> 01:03:00,280 Speaker 4: they have a blazing row. He just takes off. We 1295 01:03:00,440 --> 01:03:02,400 Speaker 4: go back to bed. She's crying. My wife goes in 1296 01:03:02,520 --> 01:03:04,720 Speaker 4: her room. She comes back to me in about two 1297 01:03:04,800 --> 01:03:06,440 Speaker 4: or three in the morning. That's knocked ot a hotel door, 1298 01:03:06,440 --> 01:03:07,880 Speaker 4: and I'll go on my wife, don't get it. We 1299 01:03:07,960 --> 01:03:11,640 Speaker 4: don't get involved. We're not women. Don't do that. The 1300 01:03:11,720 --> 01:03:13,560 Speaker 4: sister had do they open the door. She comes in. 1301 01:03:13,720 --> 01:03:15,520 Speaker 4: He hasn't come home. I now have to walk the 1302 01:03:15,560 --> 01:03:19,040 Speaker 4: streets of New York. She working. I find him. He's 1303 01:03:19,080 --> 01:03:21,120 Speaker 4: happy as anything. He says to me, I'm getting I'm 1304 01:03:21,120 --> 01:03:26,080 Speaker 4: getting a divorce. I'm so, I go, dude, what's going on. 1305 01:03:26,520 --> 01:03:28,439 Speaker 4: I ended up staying out with him another couple of hours. 1306 01:03:28,840 --> 01:03:30,600 Speaker 4: When I roll in it was like a twenty four 1307 01:03:30,640 --> 01:03:33,240 Speaker 4: hour Bars and died by New York. I then get 1308 01:03:33,480 --> 01:03:35,840 Speaker 4: told off my my wife, and we have to sit 1309 01:03:35,920 --> 01:03:37,400 Speaker 4: down in the morning and go. You two have to 1310 01:03:37,480 --> 01:03:39,320 Speaker 4: go and work this out yourself. We now need to 1311 01:03:39,360 --> 01:03:39,720 Speaker 4: split them. 1312 01:03:39,840 --> 01:03:41,600 Speaker 3: You have to split the holiday. You can't keep doing 1313 01:03:41,640 --> 01:03:42,200 Speaker 3: that every night. 1314 01:03:42,320 --> 01:03:45,480 Speaker 4: This happened about nineteen years ago. We've never gone on 1315 01:03:45,560 --> 01:03:47,880 Speaker 4: holiday with another couple since. 1316 01:03:48,320 --> 01:03:51,680 Speaker 1: The Christian O'Connell breakfast Show. Melbourne's Gold one oh four 1317 01:03:51,720 --> 01:03:52,200 Speaker 1: point three. 1318 01:03:52,480 --> 01:03:58,160 Speaker 4: All right, today's at work time waste. It's racing fever 1319 01:03:58,280 --> 01:04:02,840 Speaker 4: in Melbourne. The racers stops and nation tomorrow. Today's our 1320 01:04:02,920 --> 01:04:05,960 Speaker 4: time waster. We're looking for your horse movies. How are 1321 01:04:06,000 --> 01:04:06,439 Speaker 4: yours looking? 1322 01:04:06,560 --> 01:04:07,400 Speaker 3: I'm happy with mine? 1323 01:04:07,680 --> 01:04:15,880 Speaker 4: Okay, I've got name it forward mister ed would scissor hoops. 1324 01:04:16,640 --> 01:04:18,479 Speaker 3: That's good, It's got two in there. 1325 01:04:18,760 --> 01:04:24,440 Speaker 4: Mister ed would scissor hoops. Man with the gelding gun gelding, 1326 01:04:24,560 --> 01:04:31,160 Speaker 4: Yeah yeah, bear back to the future twenty eight He's 1327 01:04:31,320 --> 01:04:36,520 Speaker 4: later a double down okay and nope, not doing that. 1328 01:04:36,560 --> 01:04:39,160 Speaker 4: One's rubbish. Yeah, I'm done, I'm done. Yeah, okay, what 1329 01:04:39,280 --> 01:04:39,680 Speaker 4: have you got? 1330 01:04:40,760 --> 01:04:44,160 Speaker 3: Big Mama's horse, Big Mama's horse. 1331 01:04:44,280 --> 01:04:45,040 Speaker 4: So that's good. 1332 01:04:45,200 --> 01:04:49,080 Speaker 3: Yeah, sleepless in this saddle. 1333 01:04:51,760 --> 01:04:56,200 Speaker 4: Canter if you can, brilliant gold plus and a. 1334 01:04:56,280 --> 01:04:59,840 Speaker 3: Double play Eternal Equine of the Spotless. 1335 01:05:00,800 --> 01:05:03,680 Speaker 4: Oh, very very very good. 1336 01:05:03,720 --> 01:05:07,840 Speaker 3: Once more, Eternal Equine of the Spotless. Main that is 1337 01:05:08,200 --> 01:05:08,720 Speaker 3: very good. 1338 01:05:09,000 --> 01:05:12,760 Speaker 4: Yeah, god bluss, I found my other one, last one. Sorry, look, 1339 01:05:12,840 --> 01:05:13,680 Speaker 4: hoof's talking. 1340 01:05:14,360 --> 01:05:14,800 Speaker 3: That's good. 1341 01:05:14,880 --> 01:05:16,440 Speaker 4: There we go. All right, what have you got then? 1342 01:05:16,640 --> 01:05:19,720 Speaker 4: Horse movies? That's what we're looking for today. Text amn 1343 01:05:19,920 --> 01:05:23,680 Speaker 4: o four seven five three one o four three out 1344 01:05:23,760 --> 01:05:26,800 Speaker 4: work time waster is back? What have you got? Horse movies? 1345 01:05:27,360 --> 01:05:30,000 Speaker 4: Four seven five three one o four three. 1346 01:05:30,240 --> 01:05:33,800 Speaker 1: Go the Christian O'Connell Breakfast Show, Melbourne's Gold one oh 1347 01:05:33,920 --> 01:05:34,600 Speaker 1: four point three. 1348 01:05:34,840 --> 01:05:37,200 Speaker 4: Shout out to Patrina Jones. Listen right now, she says. 1349 01:05:37,240 --> 01:05:38,960 Speaker 4: Text to me, day listen, if you're up, come in 1350 01:05:39,040 --> 01:05:44,320 Speaker 4: and do the job. She's riding tomorrow. She's running winks, 1351 01:05:45,360 --> 01:05:48,200 Speaker 4: so good luck, Patsy. That's why she's off today. It's 1352 01:05:48,240 --> 01:05:52,880 Speaker 4: the last minute training whimbering up, bring up all right, 1353 01:05:52,960 --> 01:05:56,520 Speaker 4: today's at work time waster as we all go horse 1354 01:05:56,600 --> 01:06:00,280 Speaker 4: mad this week it's horse movies. You ready to mark Ready, 1355 01:06:00,720 --> 01:06:01,880 Speaker 4: You've got Klais down. 1356 01:06:02,440 --> 01:06:03,080 Speaker 3: Oh that's good. 1357 01:06:03,400 --> 01:06:08,440 Speaker 4: Silver plus, well done, Amanda Free Philly Gold very good, 1358 01:06:08,720 --> 01:06:14,120 Speaker 4: some Judy Morabin Robo Gallop. No, it's not subtle, but 1359 01:06:14,280 --> 01:06:18,600 Speaker 4: it made me laugh. Silver, fetlock stock and two smoking saddles. 1360 01:06:19,160 --> 01:06:20,360 Speaker 3: Oh, double play. 1361 01:06:20,600 --> 01:06:22,920 Speaker 4: Gold, didn't put your name on it. Always put your 1362 01:06:22,960 --> 01:06:24,720 Speaker 4: names on it so we can give you some credit. 1363 01:06:24,840 --> 01:06:30,040 Speaker 3: Mad Mare Silver cult Fiction Gold again no. 1364 01:06:30,200 --> 01:06:31,800 Speaker 4: Name, the Stallion job. 1365 01:06:32,800 --> 01:06:35,919 Speaker 3: Oh that's pretty good. Silver plus Rebecca in Wonga Park, 1366 01:06:37,280 --> 01:06:39,160 Speaker 3: the ex horse Ist. 1367 01:06:40,560 --> 01:06:47,000 Speaker 4: Bronze, Yes, but an admirable one for jewels, Imports, Nightmare 1368 01:06:47,360 --> 01:06:57,760 Speaker 4: on Elm Street, Bronze Hawk, Horseshoe over the Cuckoo's Nest, 1369 01:06:59,120 --> 01:07:04,840 Speaker 4: Silver plus ten Things I nag about you Silver, the 1370 01:07:04,960 --> 01:07:10,680 Speaker 4: Stable Guy, Gold Riding Miss Daisy. No, come on, they 1371 01:07:10,760 --> 01:07:12,200 Speaker 4: do have names like that, don't they. 1372 01:07:12,280 --> 01:07:12,440 Speaker 7: You know? 1373 01:07:12,600 --> 01:07:16,600 Speaker 4: Driving you be riding Miss Daisy? Gold, Buck to the Future, Silver, 1374 01:07:17,040 --> 01:07:17,920 Speaker 4: hoof Loose. 1375 01:07:18,560 --> 01:07:19,120 Speaker 3: Gold. 1376 01:07:20,680 --> 01:07:21,720 Speaker 4: Wayne very good. 1377 01:07:22,040 --> 01:07:23,240 Speaker 3: That's a gold plus. 1378 01:07:23,400 --> 01:07:25,160 Speaker 4: Yeah, you're not going to take any bit now. Whof 1379 01:07:25,160 --> 01:07:28,800 Speaker 4: Loose is genius? A horse called wonder Horse Shank Redemption 1380 01:07:29,640 --> 01:07:32,720 Speaker 4: No Brad No, come on we pete with hoo loose everyone. 1381 01:07:32,760 --> 01:07:36,120 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four 1382 01:07:36,200 --> 01:07:36,640 Speaker 1: point three. 1383 01:07:37,000 --> 01:07:39,160 Speaker 4: So when I was off last week of stand up 1384 01:07:39,160 --> 01:07:41,680 Speaker 4: at a hotel in Byron Bay, and a couple of 1385 01:07:41,760 --> 01:07:44,600 Speaker 4: things about my stay there. Firstly, if you ever use 1386 01:07:44,680 --> 01:07:47,240 Speaker 4: a hotel shower right that's not in the bath and 1387 01:07:47,400 --> 01:07:50,720 Speaker 4: not drench the entire room? What is about the hotel. 1388 01:07:50,480 --> 01:07:53,120 Speaker 3: Shower They don't have the proper loan in them. No, 1389 01:07:53,840 --> 01:07:55,440 Speaker 3: who fits hotel showers? 1390 01:07:55,720 --> 01:07:58,640 Speaker 4: You connect how hard how hard you try to get 1391 01:07:58,680 --> 01:08:01,360 Speaker 4: the towel on the floor to create a moat, you 1392 01:08:01,440 --> 01:08:04,680 Speaker 4: will always soak the entire floor. But anyway, whilst I'm 1393 01:08:04,720 --> 01:08:07,240 Speaker 4: in the shower for the first time, right, I noticed 1394 01:08:07,280 --> 01:08:09,560 Speaker 4: that there's a little lever and I see, oh, they've 1395 01:08:09,560 --> 01:08:12,080 Speaker 4: got blinds in here in the shower that you must 1396 01:08:12,120 --> 01:08:14,240 Speaker 4: have a view out into something, right, And because I 1397 01:08:14,280 --> 01:08:16,920 Speaker 4: didn't know my facings on the room and there were 1398 01:08:17,000 --> 01:08:18,840 Speaker 4: some rooms that look over, I didn't know that a 1399 01:08:18,920 --> 01:08:21,960 Speaker 4: lot of Byron Bay is swamp land and one of 1400 01:08:22,040 --> 01:08:24,479 Speaker 4: the windows had a view out onto basically a swamp. 1401 01:08:24,720 --> 01:08:26,640 Speaker 4: So I thought, oh, it must be whatever shower you 1402 01:08:26,680 --> 01:08:28,439 Speaker 4: can look at a swamp. Oh why would you have 1403 01:08:28,560 --> 01:08:31,800 Speaker 4: blinds that would go anywhere else? I pull the leav down, 1404 01:08:31,840 --> 01:08:34,360 Speaker 4: so I'm now looking out of the world. The world 1405 01:08:34,439 --> 01:08:35,000 Speaker 4: is looking out of me. 1406 01:08:35,640 --> 01:08:36,920 Speaker 3: It's are they full length? 1407 01:08:37,160 --> 01:08:39,720 Speaker 4: Oh yeah, I didn't realize as I mote them up. 1408 01:08:39,760 --> 01:08:43,280 Speaker 4: It's the boardwalk that went past my room, out for 1409 01:08:43,280 --> 01:08:46,360 Speaker 4: a walk at that precise moment. An elderly woman with 1410 01:08:46,439 --> 01:08:51,360 Speaker 4: a stroller and her daughter that only the daughter doesn't 1411 01:08:51,360 --> 01:08:54,439 Speaker 4: see me. She's looking at her phone. Nana Nan. She 1412 01:08:54,600 --> 01:08:56,960 Speaker 4: must have been. She must go past her every day 1413 01:08:57,080 --> 01:08:59,040 Speaker 4: hopeless one day some young buck like me. 1414 01:09:00,120 --> 01:09:02,400 Speaker 3: Tourists got off the plane this morning, an. 1415 01:09:02,320 --> 01:09:06,840 Speaker 4: Englishman delicious, she sees me literally, it'll happened with a 1416 01:09:06,880 --> 01:09:09,479 Speaker 4: split second. I went at that and put that back up. 1417 01:09:10,160 --> 01:09:12,400 Speaker 4: So she must have told her daughter as a naked 1418 01:09:12,439 --> 01:09:15,840 Speaker 4: guy just George just gone come on, mom, now, are 1419 01:09:15,880 --> 01:09:20,000 Speaker 4: you going to talk about this? Trying to talk again 1420 01:09:20,000 --> 01:09:22,640 Speaker 4: about getting you in that A A. Okay, there are 1421 01:09:22,720 --> 01:09:27,880 Speaker 4: no naked people. So when we're back, we're not here 1422 01:09:27,880 --> 01:09:31,439 Speaker 4: tomorrow Wednesday Show. If you've ever been involved in accidental nudity, 1423 01:09:31,960 --> 01:09:34,320 Speaker 4: that's on Wednesday's show. I want to hear stories about 1424 01:09:34,320 --> 01:09:37,800 Speaker 4: when you've accidentally been involved in nudity. I actually felt 1425 01:09:37,880 --> 01:09:40,439 Speaker 4: so bad, like is she going to complain that I've 1426 01:09:40,479 --> 01:09:43,400 Speaker 4: exposed myself? You know, these days you just can't help 1427 01:09:43,479 --> 01:09:46,920 Speaker 4: but think I could be a hashtag. You know, I 1428 01:09:47,040 --> 01:09:49,920 Speaker 4: didn't know whether to go to reception and almost report 1429 01:09:53,320 --> 01:09:57,040 Speaker 4: have done a bad thing. I exposed myself to a grandma. 1430 01:10:01,600 --> 01:10:05,040 Speaker 4: All right, if you've been involved in accidental nudity, email 1431 01:10:05,200 --> 01:10:08,439 Speaker 4: early to the party. Email me Christian at Gold one 1432 01:10:08,520 --> 01:10:10,800 Speaker 4: oh four to three dot com dot au. 1433 01:10:10,920 --> 01:10:14,280 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1434 01:10:14,320 --> 01:10:14,800 Speaker 1: point three. 1435 01:10:15,080 --> 01:10:17,120 Speaker 4: What is ahead of you for tomorrow? What are you 1436 01:10:17,160 --> 01:10:18,120 Speaker 4: doing in the public holiday? 1437 01:10:18,320 --> 01:10:21,080 Speaker 3: Well, Biyank has already planned it out for me. Actually 1438 01:10:21,880 --> 01:10:24,920 Speaker 3: feel like life's not set up for non planners. I'm 1439 01:10:24,920 --> 01:10:27,519 Speaker 3: a non organizer and I like to keep a free flowing, 1440 01:10:27,680 --> 01:10:29,599 Speaker 3: organic calendar. 1441 01:10:29,720 --> 01:10:32,320 Speaker 4: Yeah, we have noticed, Jack. 1442 01:10:32,520 --> 01:10:35,120 Speaker 3: I don't like to plan, like have too many things lost. 1443 01:10:35,160 --> 01:10:37,160 Speaker 4: You're breezing, you breeze in, You like that, you like 1444 01:10:37,240 --> 01:10:39,680 Speaker 4: the wind when you're here, when the wind changes and 1445 01:10:39,760 --> 01:10:41,759 Speaker 4: you're guiding. But yeah, I don't like too much planning 1446 01:10:41,760 --> 01:10:42,679 Speaker 4: on it. But what are you doing? 1447 01:10:42,720 --> 01:10:42,760 Speaker 1: So? 1448 01:10:42,880 --> 01:10:44,679 Speaker 3: I thought Tomorrow is going to be a free flowing 1449 01:10:44,720 --> 01:10:46,320 Speaker 3: day where I can choose my own adventures. 1450 01:10:46,400 --> 01:10:47,519 Speaker 4: Have you ever been married before? 1451 01:10:47,960 --> 01:10:51,040 Speaker 3: Bianca told me no. What we're doing tomorrow is she 1452 01:10:51,360 --> 01:10:54,000 Speaker 3: and her friend are going to both buy a new 1453 01:10:54,120 --> 01:10:57,240 Speaker 3: cookbook from their favorite cookbook author, and then we're all 1454 01:10:57,280 --> 01:11:00,280 Speaker 3: going to cook lunch together as a couple of double 1455 01:11:00,320 --> 01:11:00,920 Speaker 3: couple day. 1456 01:11:01,120 --> 01:11:04,360 Speaker 4: Oh no, yeah, this sounds like a bad reality show. 1457 01:11:05,120 --> 01:11:07,680 Speaker 3: Oh yeah, I don't know. It's already lucked in. 1458 01:11:08,200 --> 01:11:09,680 Speaker 4: Looks she seems so excited. 1459 01:11:10,840 --> 01:11:12,639 Speaker 3: I thought it was a day off, you know. Actually, 1460 01:11:12,720 --> 01:11:13,720 Speaker 3: because we came in. 1461 01:11:15,280 --> 01:11:17,800 Speaker 4: In a marriage, there's no such thing as a day off, 1462 01:11:18,439 --> 01:11:21,679 Speaker 4: No such thing as a day off. Even on my deathbed, 1463 01:11:21,800 --> 01:11:23,559 Speaker 4: I reckon, my wife will be telling me off about 1464 01:11:23,600 --> 01:11:25,360 Speaker 4: something I didn't get we could do. I'm just gonna 1465 01:11:25,439 --> 01:11:28,120 Speaker 4: lie here and die of typical. That'll be the last 1466 01:11:28,160 --> 01:11:32,040 Speaker 4: words I hear. Title of today's show his Smelliest Sandwich 1467 01:11:32,200 --> 01:11:35,040 Speaker 4: in the World. Hugg He's up next. Don't forget keep listening. 1468 01:11:35,080 --> 01:11:37,960 Speaker 4: You could be winning the golden ticket. We're about Wednesday. 1469 01:11:38,240 --> 01:11:40,200 Speaker 4: Enjoy your day tomorrow. Thanks for listening. 1470 01:11:40,360 --> 01:11:43,680 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's gold One Oh four 1471 01:11:43,760 --> 01:11:44,240 Speaker 1: point three,