1 00:00:00,080 --> 00:00:02,800 Speaker 1: Hates well the Mardy hope you're having a wonderful drive 2 00:00:03,120 --> 00:00:05,200 Speaker 1: home Friday. Our third hell of a time to be alive. 3 00:00:05,280 --> 00:00:07,880 Speaker 1: Ursula Carlson's going to join us really really shortly, and 4 00:00:07,960 --> 00:00:12,959 Speaker 1: Woods is not joining us right now. We're trying. I mean, 5 00:00:13,000 --> 00:00:14,960 Speaker 1: he's in Africa. He's about to go on, I'm a 6 00:00:14,960 --> 00:00:16,079 Speaker 1: sleepy to get me out of here. 7 00:00:16,000 --> 00:00:16,279 Speaker 2: But I can. 8 00:00:16,480 --> 00:00:18,919 Speaker 1: I can hear him already yelling that from whatever room 9 00:00:19,040 --> 00:00:21,680 Speaker 1: is in over there right now as he painfully tries 10 00:00:21,720 --> 00:00:23,720 Speaker 1: to figure out how his audio mixer works so that 11 00:00:23,760 --> 00:00:26,000 Speaker 1: he can join the feed here guys. But and I 12 00:00:26,120 --> 00:00:29,120 Speaker 1: mean that because this isn't just a standard Friday show. 13 00:00:29,200 --> 00:00:31,400 Speaker 1: We've got huge guests, but we also have the interview 14 00:00:31,480 --> 00:00:35,120 Speaker 1: right now that he's been wanting for ten years. So look, Woods, 15 00:00:35,159 --> 00:00:36,920 Speaker 1: if you can hear me, I'm not sure what part 16 00:00:37,000 --> 00:00:41,880 Speaker 1: of your audio equipment's working, but tough titties, because right 17 00:00:41,920 --> 00:00:46,160 Speaker 1: now I have got the one and only Russell Crowe 18 00:00:46,200 --> 00:00:47,159 Speaker 1: who joins us right now. 19 00:00:47,200 --> 00:00:49,319 Speaker 3: And Willem Woody, Hello, mate, how you doing? 20 00:00:49,320 --> 00:00:50,040 Speaker 2: We'll welcome to it. 21 00:00:50,200 --> 00:00:54,160 Speaker 1: Welcome to Will doesn't have the same ring to it 22 00:00:54,240 --> 00:00:55,520 Speaker 1: I said, I said, welcome to Will. 23 00:00:55,560 --> 00:00:58,000 Speaker 2: It doesn't have the same ring to it. 24 00:00:58,000 --> 00:00:59,960 Speaker 1: It's a bit embarrassing that I'm doing this by myself 25 00:01:00,200 --> 00:01:02,280 Speaker 1: as it's scary for you because I've been wanting to 26 00:01:02,320 --> 00:01:05,319 Speaker 1: interview for you for a very very long time. So 27 00:01:05,560 --> 00:01:07,120 Speaker 1: I'm pump to talk to You've got a brand new film. 28 00:01:07,160 --> 00:01:10,679 Speaker 1: It's called The Pope's Exorcist. It's in Cinema's April six, 29 00:01:10,920 --> 00:01:16,320 Speaker 1: where you play the Pope's chief exorcist. And yet despite 30 00:01:16,360 --> 00:01:19,399 Speaker 1: all the money and wealth and prowess behind the Vatican, 31 00:01:19,800 --> 00:01:23,520 Speaker 1: you take a scooter from Italy to Spain. 32 00:01:24,400 --> 00:01:27,760 Speaker 3: He's a priest. What are you expecting to be in 33 00:01:27,800 --> 00:01:28,640 Speaker 3: a private Jane. 34 00:01:28,959 --> 00:01:31,280 Speaker 2: Yeah, absolutely, that's the deal these days. 35 00:01:31,640 --> 00:01:33,520 Speaker 4: Actually, I'm not sure that there was a scene. I'm 36 00:01:33,520 --> 00:01:35,600 Speaker 4: not sure if it's still in the movie. I don't 37 00:01:35,600 --> 00:01:37,920 Speaker 4: think it is still in the movie. But at one 38 00:01:38,000 --> 00:01:41,039 Speaker 4: point in time, you know, the the Pope says, I'll 39 00:01:41,120 --> 00:01:43,360 Speaker 4: arrange a flight and he's like, no, no, no, yeah, 40 00:01:45,840 --> 00:01:46,080 Speaker 4: I'm not. 41 00:01:46,319 --> 00:01:46,960 Speaker 3: A fan of flying. 42 00:01:48,000 --> 00:01:49,280 Speaker 2: Have you been on one of them? 43 00:01:49,480 --> 00:01:49,680 Speaker 3: Yeah? 44 00:01:49,720 --> 00:01:53,760 Speaker 4: Yeah, you know, man, I've been a motorbike rider for 45 00:01:54,240 --> 00:01:57,360 Speaker 4: a large my life and I've done I've done motorbike 46 00:01:57,440 --> 00:02:01,480 Speaker 4: rides of seven thousand kilometers. Mate, you know, Harley Davison 47 00:02:01,520 --> 00:02:04,200 Speaker 4: going around around the outback, you know, at two wheels 48 00:02:04,480 --> 00:02:07,240 Speaker 4: is no problem for me. We actually I really enjoyed 49 00:02:07,240 --> 00:02:08,519 Speaker 4: that they found such a cool scooter. 50 00:02:08,639 --> 00:02:10,880 Speaker 1: Right, So it wasn't your request that you that you 51 00:02:10,919 --> 00:02:12,519 Speaker 1: got on a scooter. It was it was part of 52 00:02:12,520 --> 00:02:12,919 Speaker 1: the script. 53 00:02:12,960 --> 00:02:14,160 Speaker 2: You weren't like it, No. 54 00:02:13,960 --> 00:02:20,080 Speaker 4: No, no, that I added the scooter because it was 55 00:02:20,160 --> 00:02:22,919 Speaker 4: just a thing of like being so symbolic of Rome, 56 00:02:23,040 --> 00:02:27,360 Speaker 4: you know. And I also just liked the idea, and 57 00:02:27,400 --> 00:02:29,160 Speaker 4: it seems a lot of other people are going with me. 58 00:02:29,240 --> 00:02:31,959 Speaker 4: I just like the visual idea of a priest on 59 00:02:32,040 --> 00:02:32,639 Speaker 4: a Lambretta. 60 00:02:33,080 --> 00:02:34,880 Speaker 2: This is not the first time that somebody brought this 61 00:02:34,960 --> 00:02:35,240 Speaker 2: up with. 62 00:02:35,240 --> 00:02:37,640 Speaker 4: You, mate, I put I put images up on social 63 00:02:37,680 --> 00:02:38,640 Speaker 4: media and the explode. 64 00:02:39,040 --> 00:02:42,640 Speaker 2: You know, it was just like the idea. Who knew 65 00:02:42,639 --> 00:02:44,280 Speaker 2: that it's outrageous? 66 00:02:44,480 --> 00:02:46,160 Speaker 1: Well, you're talking about the last time you're in Rome, 67 00:02:46,600 --> 00:02:48,760 Speaker 1: and obviously a time that I know you from being 68 00:02:48,760 --> 00:02:51,040 Speaker 1: in Rome. Is obviously that the Gladiator movie was all 69 00:02:51,320 --> 00:02:53,640 Speaker 1: set in Rome from a long time ago. But the 70 00:02:53,680 --> 00:02:57,760 Speaker 1: difference was that obviously Father Gabrielle's has got an accent 71 00:02:57,840 --> 00:03:01,200 Speaker 1: that comes with him, you know, sounds is there a 72 00:03:01,240 --> 00:03:04,000 Speaker 1: reason that Maximus didn't come with an Italian accent or 73 00:03:04,360 --> 00:03:06,679 Speaker 1: a Roman motive at the time. 74 00:03:06,760 --> 00:03:08,919 Speaker 4: See, I think that's a different period of time because 75 00:03:08,960 --> 00:03:09,840 Speaker 4: I did suggest it. 76 00:03:09,919 --> 00:03:13,200 Speaker 2: You know, it is Maximus with an Italian accent. 77 00:03:13,720 --> 00:03:15,400 Speaker 3: Yeah, but no, no, but he wasn't. 78 00:03:15,240 --> 00:03:18,840 Speaker 2: Italian fair enough, he was suspend Yeah yeah. 79 00:03:18,639 --> 00:03:21,440 Speaker 4: Yeah, So I actually said to Ridley in one meeting, 80 00:03:21,480 --> 00:03:26,120 Speaker 4: I want to do this character like it's Antonio Banderis 81 00:03:26,160 --> 00:03:31,720 Speaker 4: with slightly better elocution, and sorry, can you give me 82 00:03:31,840 --> 00:03:34,480 Speaker 4: just went absolutely not, but you're not doing that. 83 00:03:34,720 --> 00:03:37,160 Speaker 3: There's no way you're doing that. However, you be a bit. 84 00:03:37,880 --> 00:03:40,280 Speaker 1: Can you give me a bit of Maximus with is 85 00:03:40,320 --> 00:03:41,800 Speaker 1: Antonio Benderoz please? 86 00:03:42,480 --> 00:03:43,640 Speaker 3: No Ah. 87 00:03:43,960 --> 00:03:46,600 Speaker 4: You know, but times have changed in twenty plus years 88 00:03:46,600 --> 00:03:48,200 Speaker 4: on or twenty four years on. 89 00:03:48,760 --> 00:03:51,720 Speaker 3: You know, people are more inclined to. 90 00:03:53,360 --> 00:03:56,120 Speaker 4: Just understand that, you know, this is an Italian character 91 00:03:56,200 --> 00:03:57,880 Speaker 4: should be honored as an Italian man. 92 00:03:57,920 --> 00:03:58,080 Speaker 5: You know. 93 00:03:58,160 --> 00:04:01,840 Speaker 4: So look so far, you know people have responded to 94 00:04:01,880 --> 00:04:04,920 Speaker 4: that really well, there's a certain pathos I think, yeah, 95 00:04:05,080 --> 00:04:07,960 Speaker 4: that comes with the accent when you know, put in. 96 00:04:09,160 --> 00:04:11,200 Speaker 1: Well as an exorcist as well, you got to get 97 00:04:11,200 --> 00:04:14,080 Speaker 1: those You've got to reach those levels as an Exorcist, right, 98 00:04:14,120 --> 00:04:16,480 Speaker 1: and everything sounds better when you're yelling in Italian. It's 99 00:04:16,520 --> 00:04:19,479 Speaker 1: probably the best language. It's probably the best language to 100 00:04:19,560 --> 00:04:22,560 Speaker 1: yell in, isn't it. They managed to get a the 101 00:04:22,560 --> 00:04:24,400 Speaker 1: word pathos. They managed to get a sense of drama 102 00:04:24,400 --> 00:04:25,440 Speaker 1: out of their speech that nobody. 103 00:04:26,000 --> 00:04:28,880 Speaker 4: I just think it's such a beautiful, milituous sound, the 104 00:04:28,920 --> 00:04:29,680 Speaker 4: Italian accent. 105 00:04:29,880 --> 00:04:31,320 Speaker 2: Yeah, yeah, I agree. 106 00:04:31,640 --> 00:04:33,520 Speaker 1: And now mate, you, I want to talk a little 107 00:04:33,520 --> 00:04:37,000 Speaker 1: bout the project of yours because you. My junior producer 108 00:04:37,040 --> 00:04:39,360 Speaker 1: analyst text me this morning and she was like, Russell 109 00:04:39,400 --> 00:04:41,799 Speaker 1: Crowe's texting me what the dead? 110 00:04:42,200 --> 00:04:45,440 Speaker 2: Ha ha, And I was like, what is Russell texting 111 00:04:45,480 --> 00:04:45,919 Speaker 2: you about? 112 00:04:46,480 --> 00:04:48,880 Speaker 1: And You've got some shows coming up which I wasn't across, 113 00:04:48,920 --> 00:04:50,520 Speaker 1: so into a garden part is going to be touring. 114 00:04:51,040 --> 00:04:53,480 Speaker 1: You're playing everywhere as well Byron Sydney. I saw you 115 00:04:53,560 --> 00:04:55,120 Speaker 1: playing the New SB and Melbourn as well, which will 116 00:04:55,160 --> 00:04:56,320 Speaker 1: be hot, gey g if people get a chance to 117 00:04:56,320 --> 00:04:56,880 Speaker 1: get down there. 118 00:04:57,120 --> 00:04:59,560 Speaker 4: It's been a long time since I've done yeah, getting 119 00:04:59,560 --> 00:05:02,720 Speaker 4: on the road in Australia. Yeah, probably like since twenty 120 00:05:02,800 --> 00:05:05,680 Speaker 4: fourteen or something like that. Yeah, but in the intervening years, 121 00:05:05,720 --> 00:05:09,039 Speaker 4: you know, I've been doing these shows in New York, 122 00:05:09,200 --> 00:05:13,000 Speaker 4: Los Angeles, London, Leeds, south of France, you know, so 123 00:05:13,760 --> 00:05:14,960 Speaker 4: it's time to bring it home. 124 00:05:15,600 --> 00:05:17,680 Speaker 1: Bloody exciting indoor gardenparty dot com. If you want to 125 00:05:17,680 --> 00:05:19,680 Speaker 1: see Russell, I imagine you guys are all touring around 126 00:05:19,760 --> 00:05:24,880 Speaker 1: on green vespers as well. There's a cheap shot anyway. Look, 127 00:05:24,920 --> 00:05:27,280 Speaker 1: we are more with Russell Crowe. Right up next. Russell 128 00:05:27,360 --> 00:05:30,640 Speaker 1: Woody is in Africa. He's missed his interview and I 129 00:05:30,640 --> 00:05:32,400 Speaker 1: don't know how much it would kill him, so I 130 00:05:32,400 --> 00:05:34,360 Speaker 1: would love it if you could if we can call 131 00:05:34,440 --> 00:05:36,160 Speaker 1: him up next, that's the very least we could do. 132 00:05:36,200 --> 00:05:37,240 Speaker 3: I reckon, Yeah, let's give him. 133 00:05:37,279 --> 00:05:39,640 Speaker 4: Let's give him a call, so we'll if he doesn't 134 00:05:39,640 --> 00:05:40,880 Speaker 4: pick up, can we leave a message? 135 00:05:40,920 --> 00:05:41,240 Speaker 3: All right? 136 00:05:41,360 --> 00:05:42,480 Speaker 2: Stay with us, Russell Crowe. 137 00:05:42,520 --> 00:05:44,640 Speaker 1: More with him right up next on Willim Woody as 138 00:05:44,680 --> 00:05:47,120 Speaker 1: he calls Woods in Africa and we finally get him 139 00:05:47,120 --> 00:05:48,920 Speaker 1: on the show because it has been a long time 140 00:05:48,960 --> 00:05:49,799 Speaker 1: where he hasn't spoken. 141 00:05:49,960 --> 00:05:50,960 Speaker 2: He will join his guys. 142 00:05:51,000 --> 00:05:51,440 Speaker 5: I hope. 143 00:05:53,080 --> 00:05:54,840 Speaker 1: Well and what he Happy Friday brought to you by 144 00:05:54,839 --> 00:05:58,000 Speaker 1: Celebrations this afternoon, guys, Woods is in Africa. I've said 145 00:05:58,000 --> 00:05:59,440 Speaker 1: for the last ten minutes that I hoping he's going 146 00:05:59,480 --> 00:06:01,479 Speaker 1: to be joining us. A part of me feels as 147 00:06:01,520 --> 00:06:04,040 Speaker 1: if he's probably electrocuted himself trying to figure out how 148 00:06:04,040 --> 00:06:06,120 Speaker 1: to work the mixer that we sent him over with 149 00:06:06,160 --> 00:06:09,840 Speaker 1: to Africa. And it's devastating because right now, for ten 150 00:06:09,920 --> 00:06:11,800 Speaker 1: years in radio, he's been wanting to speak to one 151 00:06:11,800 --> 00:06:14,880 Speaker 1: person and one person only, and that's Russell Crowe. And 152 00:06:15,000 --> 00:06:17,560 Speaker 1: Russell Crowe joins me right now, Russell, welcome back to 153 00:06:17,600 --> 00:06:18,119 Speaker 1: weather Woddy. 154 00:06:18,320 --> 00:06:19,039 Speaker 3: Thank you very much. 155 00:06:19,200 --> 00:06:19,520 Speaker 2: Russell. 156 00:06:19,520 --> 00:06:21,000 Speaker 1: I've got one more favorite to ask if you've got 157 00:06:21,000 --> 00:06:22,960 Speaker 1: a sec My friend Wood's about to go into the 158 00:06:23,000 --> 00:06:26,160 Speaker 1: jungle in Africa. He's shitting himself. He's a massive fan 159 00:06:26,240 --> 00:06:30,000 Speaker 1: of yours. If is there any chance you give McCall 160 00:06:30,080 --> 00:06:31,080 Speaker 1: and just wish him good luck? 161 00:06:31,680 --> 00:06:34,040 Speaker 4: Yeah, let's give Let's give him a call so we'll 162 00:06:34,240 --> 00:06:36,240 Speaker 4: if he doesn't pick up, can we leave a message? 163 00:06:36,400 --> 00:06:38,599 Speaker 2: I reckon, Yeah, I reckon, we can leave a message. 164 00:06:38,600 --> 00:06:39,559 Speaker 2: I think that's a great idea. 165 00:06:39,760 --> 00:06:44,120 Speaker 1: Yeah, he's favorite movie in the whole world is probably Gladiator. 166 00:06:45,360 --> 00:06:47,520 Speaker 5: Just so you know, you have. 167 00:06:47,640 --> 00:06:50,920 Speaker 6: Reached laugh, You've reached Woody. And unfortunately I can't get 168 00:06:50,920 --> 00:06:53,760 Speaker 6: to the town. But I will endeavor to get back 169 00:06:53,760 --> 00:06:54,480 Speaker 6: to you when I can. 170 00:06:54,720 --> 00:06:57,440 Speaker 5: Cheers, Hey, Woody, how are you doing. 171 00:06:57,440 --> 00:06:58,240 Speaker 3: It's Russell Crowe. 172 00:06:59,760 --> 00:07:03,760 Speaker 4: I'm on Will's radio show and he's doing really well 173 00:07:03,800 --> 00:07:07,240 Speaker 4: without year around. Actually mate, he's doing He's doing very good. 174 00:07:07,320 --> 00:07:11,280 Speaker 4: So look, while you're in Africa, I would just say, 175 00:07:11,360 --> 00:07:14,360 Speaker 4: take advantage of everybody you meet, every conversation, you know, 176 00:07:14,480 --> 00:07:17,000 Speaker 4: do some networking, you know, just in case things don't 177 00:07:17,000 --> 00:07:19,400 Speaker 4: work out so well for you back here. Now that 178 00:07:19,440 --> 00:07:22,280 Speaker 4: Will's taken over and everybody's seen that he actually operates 179 00:07:22,320 --> 00:07:26,559 Speaker 4: perfectly well as a solo act, not as a duo. 180 00:07:26,760 --> 00:07:28,800 Speaker 4: But anyway, I don't want to scare you about that 181 00:07:28,800 --> 00:07:31,880 Speaker 4: you're about to go into the jungle with I'm a celebrity. 182 00:07:32,000 --> 00:07:35,400 Speaker 4: Get me out of here, and you know, I know, 183 00:07:35,680 --> 00:07:38,200 Speaker 4: and so doas Will know that you're going to have a. 184 00:07:38,240 --> 00:07:43,960 Speaker 7: Terrible time, absolutely shit time, and then you're going to 185 00:07:44,000 --> 00:07:44,880 Speaker 7: come back and try. 186 00:07:44,760 --> 00:07:46,640 Speaker 3: And pretend that it was really good. 187 00:07:46,880 --> 00:07:49,960 Speaker 4: Anyway, mate, all the best, have fun over there and 188 00:07:50,880 --> 00:07:52,240 Speaker 4: donate the dried insects. 189 00:07:52,280 --> 00:07:55,120 Speaker 2: Amazing you. 190 00:07:56,520 --> 00:07:58,640 Speaker 1: I didn't tell his revoland but he has a serious 191 00:07:58,680 --> 00:08:01,840 Speaker 1: insecurity about me doing radio show by myself, so you 192 00:08:02,680 --> 00:08:05,400 Speaker 1: and he was like he was in therapy before going 193 00:08:05,440 --> 00:08:07,200 Speaker 1: to the jungle about the fact that he was going 194 00:08:07,240 --> 00:08:09,640 Speaker 1: to lose me and his partner. So well done on 195 00:08:09,720 --> 00:08:12,280 Speaker 1: pressing that button and probably sending him into a meltdown 196 00:08:12,320 --> 00:08:13,559 Speaker 1: before he actually goes in solo. 197 00:08:14,120 --> 00:08:16,600 Speaker 3: That's what I'm here for, Russell. 198 00:08:16,600 --> 00:08:18,880 Speaker 2: It's great to talk The Pop's Exorcist. 199 00:08:18,920 --> 00:08:20,440 Speaker 1: You can go and check it out wherever, well at 200 00:08:20,480 --> 00:08:22,200 Speaker 1: the cinemas, which is buddy exciting to get back into 201 00:08:22,200 --> 00:08:23,520 Speaker 1: the movies, guys, I keep saying that. And the other 202 00:08:23,520 --> 00:08:25,000 Speaker 1: great thing is live music which is out and about 203 00:08:25,000 --> 00:08:26,840 Speaker 1: as well indoor garden party, dot com, fielding on Cee. 204 00:08:26,920 --> 00:08:28,840 Speaker 1: Russell's doing the whole country is to get a chance 205 00:08:28,840 --> 00:08:30,800 Speaker 1: to see him all over the country in a range 206 00:08:30,840 --> 00:08:33,640 Speaker 1: of different locations there, mate, thanks so much for joining. 207 00:08:33,679 --> 00:08:36,040 Speaker 1: It's been a pleasure. Good luck with the film, it's 208 00:08:36,080 --> 00:08:39,120 Speaker 1: been awesome, Thank you very much. The Pops Exorcist is 209 00:08:39,160 --> 00:08:44,960 Speaker 1: in cinemas on April six, and right up next. 210 00:08:45,640 --> 00:08:48,080 Speaker 2: I mean, gee whiz, hopefully Woody joins us. 211 00:08:48,240 --> 00:08:50,400 Speaker 1: I mean, I mean I hope so I also hope 212 00:08:50,400 --> 00:08:53,640 Speaker 1: he doesn't hear that before before we get to play 213 00:08:53,679 --> 00:08:55,480 Speaker 1: it to him on air. I'll try and get a 214 00:08:55,480 --> 00:08:56,880 Speaker 1: message out to him, guys, I mean told that the 215 00:08:56,960 --> 00:08:57,840 Speaker 1: comms are getting better. 216 00:08:58,000 --> 00:09:00,720 Speaker 2: He's just missed the best interview. He just missed his 217 00:09:00,760 --> 00:09:01,920 Speaker 2: favorite person to interview. 218 00:09:02,280 --> 00:09:04,480 Speaker 1: And then that person called him and left him a 219 00:09:04,559 --> 00:09:07,400 Speaker 1: voice message to stay suffering your jocks. The show is 220 00:09:07,440 --> 00:09:10,600 Speaker 1: better without you. I mean, I mean, I don't believe 221 00:09:10,600 --> 00:09:12,760 Speaker 1: in things happening for a reason. But that's poetry. That 222 00:09:12,920 --> 00:09:15,959 Speaker 1: is that is good gear. Woods hopefully back with his 223 00:09:16,040 --> 00:09:19,520 Speaker 1: up next, and hopefully we get a chance to well 224 00:09:19,600 --> 00:09:24,560 Speaker 1: laugh in his face. It's the money Woods joining us 225 00:09:24,559 --> 00:09:25,000 Speaker 1: from Africa. 226 00:09:25,040 --> 00:09:27,360 Speaker 2: Hopefully up next. He goes into the armis Left Jungle Tomorrow. 227 00:09:27,400 --> 00:09:30,240 Speaker 1: It's kiss hang it up to and everyone, It's Will 228 00:09:30,280 --> 00:09:31,800 Speaker 1: and Mordy on your Friday. 229 00:09:31,840 --> 00:09:33,559 Speaker 2: Hope you're having a brilliant drive home. 230 00:09:33,800 --> 00:09:37,680 Speaker 1: Woods is broadcasting live from Africa as he goes into 231 00:09:37,679 --> 00:09:40,280 Speaker 1: the imas Cleb get me out of here jungle. 232 00:09:40,000 --> 00:09:42,160 Speaker 2: Tomorrow, Woods, are you there? Have I still got you? 233 00:09:42,960 --> 00:09:43,160 Speaker 3: Yes? 234 00:09:43,280 --> 00:09:43,720 Speaker 5: You got me? 235 00:09:43,800 --> 00:09:44,960 Speaker 8: Baby, We're good. 236 00:09:45,000 --> 00:09:47,400 Speaker 9: I've got no idea where in South Africa I am, because, 237 00:09:47,440 --> 00:09:50,080 Speaker 9: as I've said, I've been bagged and taken to all 238 00:09:50,160 --> 00:09:53,160 Speaker 9: these different locations because this all needs to be very secret. 239 00:09:53,320 --> 00:09:55,520 Speaker 9: But yes, You've got me, and I'm coming through clearly. 240 00:09:55,559 --> 00:09:59,160 Speaker 2: I think when you say you've been bagged, yeah. 241 00:09:59,040 --> 00:10:02,000 Speaker 8: Yeah, Like every where I go, I get a bag. 242 00:10:01,760 --> 00:10:02,559 Speaker 2: Put over my head. 243 00:10:02,640 --> 00:10:02,920 Speaker 5: Wow. 244 00:10:03,280 --> 00:10:03,800 Speaker 2: Yeah. 245 00:10:04,000 --> 00:10:06,719 Speaker 9: And then I get transported in these cars and all 246 00:10:06,720 --> 00:10:09,439 Speaker 9: the windows are blacked out, and I've been really trying 247 00:10:09,480 --> 00:10:12,120 Speaker 9: hard to leave Nesan them you know where you go 248 00:10:12,480 --> 00:10:15,280 Speaker 9: Nisan Yeah, yeah, yeah, and he like listens for certain things. 249 00:10:15,480 --> 00:10:17,720 Speaker 8: Yeah yeah, yeah, yeah, I've been trying to do that. Anyway, 250 00:10:17,720 --> 00:10:19,520 Speaker 8: it turns out that's quite difficult. 251 00:10:21,000 --> 00:10:21,120 Speaker 5: Now. 252 00:10:21,120 --> 00:10:25,480 Speaker 1: It woulds because you are in Africa. We had a 253 00:10:25,480 --> 00:10:27,840 Speaker 1: few tech difficulties getting your line up and running today, 254 00:10:28,360 --> 00:10:30,240 Speaker 1: and that means that you missed that on an interview 255 00:10:30,240 --> 00:10:33,880 Speaker 1: that I had. And I mean, there's no real easy 256 00:10:33,920 --> 00:10:38,000 Speaker 1: way to say this. We've been wanting to interview this 257 00:10:38,040 --> 00:10:40,120 Speaker 1: person for ten years. You in particular, has been wanting 258 00:10:40,160 --> 00:10:41,640 Speaker 1: to interview this person for ten years. 259 00:10:42,440 --> 00:10:44,880 Speaker 8: Are you joking? You didn't You did not interview Russell Crowe. 260 00:10:44,920 --> 00:10:46,560 Speaker 8: I know you're joking. I know this is a joke. 261 00:10:46,720 --> 00:10:48,520 Speaker 9: It's a big stitch up, and quite frankly, I'm a 262 00:10:48,520 --> 00:10:49,640 Speaker 9: little bit stressed right now. 263 00:10:49,960 --> 00:10:50,680 Speaker 8: You are joking. 264 00:10:51,160 --> 00:10:54,400 Speaker 2: No, mate, we had Russell Bran. Yeah, we did. 265 00:10:54,760 --> 00:10:58,480 Speaker 4: My name is Maximus Decimus Meridius, Commander of the Armies 266 00:10:58,520 --> 00:11:00,720 Speaker 4: of the North, General Felix. 267 00:11:00,480 --> 00:11:02,800 Speaker 2: Pions, Maximus Decimus Murdius. 268 00:11:03,160 --> 00:11:05,800 Speaker 1: Why was on this show? We tried to get you 269 00:11:05,840 --> 00:11:11,920 Speaker 1: on and I still I was like, guys, it's been 270 00:11:12,000 --> 00:11:16,360 Speaker 1: ten years. The first is his number one choice of 271 00:11:16,440 --> 00:11:19,000 Speaker 1: person and we you know it's Russell Crowe. 272 00:11:19,000 --> 00:11:22,000 Speaker 2: Man, he's on. Yeah, he's on a tight time. 273 00:11:22,679 --> 00:11:24,560 Speaker 8: So you're one on one with Crow. You're one on 274 00:11:24,559 --> 00:11:25,440 Speaker 8: one with Russell Crowe. 275 00:11:25,640 --> 00:11:25,840 Speaker 5: Yeah. 276 00:11:27,640 --> 00:11:28,920 Speaker 8: Yeah, was he incredible? 277 00:11:29,040 --> 00:11:33,360 Speaker 2: He actually was pretty pretty amazing. Yeah, yeah, mate. 278 00:11:33,400 --> 00:11:35,880 Speaker 1: I actually got an amazing answer out of him about 279 00:11:35,920 --> 00:11:38,720 Speaker 1: something because he's shooting his brand new movie in it's 280 00:11:38,760 --> 00:11:41,400 Speaker 1: called The Pope's Exorcist and he's playing it. He's playing 281 00:11:41,679 --> 00:11:44,360 Speaker 1: the Vatican's Exorcist, right, so I'm sure you've. 282 00:11:44,280 --> 00:11:46,520 Speaker 2: Seen the shorts. You love him. I asked him this question. 283 00:11:46,600 --> 00:11:48,319 Speaker 1: I was like, well, the last time you were in Rome, 284 00:11:48,520 --> 00:11:52,120 Speaker 1: like as a character, you were playing Maximus Decimus Murdius. Oh, no, 285 00:11:52,520 --> 00:11:55,680 Speaker 1: you've got the accent for this, you know, Vatican priest 286 00:11:55,720 --> 00:11:58,719 Speaker 1: that you're playing. Why don't you have the accent for Maximus? 287 00:12:00,040 --> 00:12:00,280 Speaker 5: Wow? 288 00:12:00,520 --> 00:12:01,000 Speaker 3: Yeah? Wow? 289 00:12:01,120 --> 00:12:03,760 Speaker 8: Really hit him right between the eyes there, will you 290 00:12:03,800 --> 00:12:08,840 Speaker 8: do an accent? I have a great film, is what he said. 291 00:12:08,880 --> 00:12:10,280 Speaker 8: He's a bit of a he's a bit of a criticism. 292 00:12:10,280 --> 00:12:11,720 Speaker 2: You're talking about the last time you're in Rome? 293 00:12:12,000 --> 00:12:14,240 Speaker 1: Is there a reason that Maximus didn't come with an 294 00:12:14,280 --> 00:12:17,840 Speaker 1: Italian accent or a Roman motive at the time. 295 00:12:18,120 --> 00:12:20,200 Speaker 4: I think that's a different period of time, because I 296 00:12:20,240 --> 00:12:21,199 Speaker 4: did suggest it, you. 297 00:12:21,120 --> 00:12:24,320 Speaker 2: Know, Maximus with an Italian accent? 298 00:12:24,880 --> 00:12:27,839 Speaker 3: Yeah, but no, no, but he wasn't fair enough. 299 00:12:28,000 --> 00:12:31,440 Speaker 4: He was yeah, yeah, yeah, So I actually said to 300 00:12:31,520 --> 00:12:34,120 Speaker 4: Ridley in one meeting, I want to do this character 301 00:12:35,559 --> 00:12:41,720 Speaker 4: like it's Antonio Banderas with slightly better elocution, and sorry, 302 00:12:41,720 --> 00:12:45,560 Speaker 4: can you give me just absolutely not, You're not doing that. 303 00:12:45,640 --> 00:12:46,960 Speaker 3: There's no way you're doing that. 304 00:12:47,480 --> 00:12:49,600 Speaker 1: However, you a bit of can you give me a 305 00:12:49,600 --> 00:12:52,599 Speaker 1: bit of Maximus with is Antonio Benderaz? 306 00:12:52,640 --> 00:12:52,920 Speaker 3: Please? 307 00:12:53,600 --> 00:12:57,440 Speaker 2: No? Oh, he's too good. 308 00:12:57,920 --> 00:12:58,880 Speaker 8: He wasn't going to give that to you. 309 00:12:58,920 --> 00:13:01,000 Speaker 9: I don't believe we're you're supposed to be a fan 310 00:13:01,120 --> 00:13:04,960 Speaker 9: of Gladiator. They chant Spaniard and you were asking him 311 00:13:05,080 --> 00:13:06,560 Speaker 9: why didn't you have an Italian accent? 312 00:13:06,600 --> 00:13:07,360 Speaker 8: What is wrong with you? 313 00:13:07,480 --> 00:13:09,360 Speaker 1: Yeah? That was Yeah, that was a that was a 314 00:13:09,360 --> 00:13:12,840 Speaker 1: ball drop but but then at the end of the interview, 315 00:13:13,080 --> 00:13:16,360 Speaker 1: I got this moment with him, and yeah, the producers 316 00:13:16,400 --> 00:13:17,880 Speaker 1: have told you not to check your phone for a 317 00:13:17,920 --> 00:13:20,600 Speaker 1: reason because I did get him to call you. 318 00:13:21,280 --> 00:13:23,640 Speaker 8: Piss off. Piss off, seriously. 319 00:13:24,640 --> 00:13:28,200 Speaker 6: Go and you have reached laugh, You've reached Woody. And 320 00:13:28,280 --> 00:13:30,280 Speaker 6: unfortunately I can't get to the phone right now, but 321 00:13:30,360 --> 00:13:32,720 Speaker 6: I will endeavor to get back to you when I can. 322 00:13:32,920 --> 00:13:35,640 Speaker 5: Cheers, Hey, Woody, how you doing. 323 00:13:35,679 --> 00:13:39,280 Speaker 3: It's Russell Crowe? What are you doing? 324 00:13:39,440 --> 00:13:41,840 Speaker 2: I'll pay way up next, I'll pay. 325 00:13:44,400 --> 00:13:46,640 Speaker 1: Don't listen to it during the song. Don't listen to 326 00:13:46,679 --> 00:13:48,360 Speaker 1: it during the song. You're gonna listen to it live 327 00:13:49,000 --> 00:13:49,800 Speaker 1: right up next. 328 00:13:49,679 --> 00:13:52,240 Speaker 2: Okay, don't go to her. Woody. Lie from Africa. 329 00:13:52,280 --> 00:13:54,480 Speaker 1: And on the other side, he gets a voice note 330 00:13:54,480 --> 00:13:58,640 Speaker 1: from his idol, Russell Crowe. Goody, So everyone, it's well 331 00:13:58,640 --> 00:14:00,960 Speaker 1: and hope you're having a wonderful drive. Woods broadcast with 332 00:14:01,000 --> 00:14:05,199 Speaker 1: Life from Africa. He's going to the Ima celeb Jungle tomorrow, Woods, 333 00:14:05,200 --> 00:14:07,800 Speaker 1: And your number one answer as to who you would 334 00:14:07,840 --> 00:14:09,679 Speaker 1: like to see in the jungle celeb wise has been 335 00:14:09,720 --> 00:14:10,920 Speaker 1: the one and only Russell. 336 00:14:10,640 --> 00:14:14,839 Speaker 2: Crowe, obviously boyhood hero of. 337 00:14:14,800 --> 00:14:17,560 Speaker 1: Yours and mine, and still a hero of yours and mine, Like, 338 00:14:17,720 --> 00:14:20,400 Speaker 1: truly the person that you have wanted to interview for 339 00:14:20,480 --> 00:14:22,600 Speaker 1: ten years in this job and we've never interviewed his, 340 00:14:22,720 --> 00:14:25,400 Speaker 1: Russell Crowe. We had him on the show an hour 341 00:14:25,440 --> 00:14:27,920 Speaker 1: ago and we couldn't get onto you. 342 00:14:28,520 --> 00:14:30,400 Speaker 8: I'm just so devastated. 343 00:14:30,560 --> 00:14:34,160 Speaker 9: Ye, Like, Will's not exaggerating here. I have called out 344 00:14:34,240 --> 00:14:37,200 Speaker 9: Russell Crowe how many times on air, twenty times, like please, Russell, 345 00:14:37,240 --> 00:14:39,120 Speaker 9: I just love to talk to you. And then I 346 00:14:39,200 --> 00:14:42,240 Speaker 9: keep doing these interviews and saying that my dream camp 347 00:14:42,280 --> 00:14:44,120 Speaker 9: mate in the jungle in South Africa is. 348 00:14:44,120 --> 00:14:47,080 Speaker 8: Russell Crowe as well, which I know is ridiculous. 349 00:14:46,680 --> 00:14:48,560 Speaker 9: But I hold this small flame that maybe he's going 350 00:14:48,600 --> 00:14:51,120 Speaker 9: to be in there waiting for me. Turns out that's 351 00:14:51,120 --> 00:14:53,680 Speaker 9: not the case, though, because you interviewed in without me. 352 00:14:54,000 --> 00:14:57,240 Speaker 1: No, and he looks he's definitely not in some remote 353 00:14:57,320 --> 00:15:00,440 Speaker 1: African town like you are. And he looked like, you know, 354 00:15:00,480 --> 00:15:03,600 Speaker 1: pretty well set up with some nice liquor behind him 355 00:15:03,600 --> 00:15:09,320 Speaker 1: in a beautiful penthouse somewhere. Yeah, mate, let's get down 356 00:15:09,320 --> 00:15:11,880 Speaker 1: to be because obviously you couldn't get your text sorted out. 357 00:15:11,920 --> 00:15:14,040 Speaker 2: I'm not sure what was going on. I was devastating. 358 00:15:14,080 --> 00:15:14,280 Speaker 5: I was. 359 00:15:14,440 --> 00:15:17,640 Speaker 2: Everyone was devastated for you. We still are. But but yeah, 360 00:15:17,720 --> 00:15:20,400 Speaker 2: I couldn't. He obviously had to call you, so I 361 00:15:20,440 --> 00:15:23,160 Speaker 2: got him to call you. Oh my god, your phone 362 00:15:23,280 --> 00:15:23,640 Speaker 2: was off. 363 00:15:23,840 --> 00:15:25,960 Speaker 1: But he did leave you a voice message before you 364 00:15:26,040 --> 00:15:27,720 Speaker 1: go into the jungle and going into the arms slope, 365 00:15:27,720 --> 00:15:29,360 Speaker 1: get me out of hit jungle tomorrow. And I was like, 366 00:15:29,400 --> 00:15:31,520 Speaker 1: you know what, what better pump up could it be 367 00:15:32,000 --> 00:15:34,160 Speaker 1: than Russell Crowe leaving a voice message for you? 368 00:15:34,280 --> 00:15:34,440 Speaker 5: Right? 369 00:15:35,480 --> 00:15:37,320 Speaker 8: Yeah, of course said. 370 00:15:39,680 --> 00:15:42,360 Speaker 2: You have reached shock, You've reached. 371 00:15:42,560 --> 00:15:44,440 Speaker 6: And unfortunately I can't get to the phone right now, 372 00:15:44,640 --> 00:15:46,760 Speaker 6: but I will endeavor to get back to you when 373 00:15:46,800 --> 00:15:47,120 Speaker 6: I can. 374 00:15:47,360 --> 00:15:50,040 Speaker 5: Cheers, Hey, Woody, how you doing. 375 00:15:50,080 --> 00:15:50,880 Speaker 3: It's Russell Crowe. 376 00:15:52,480 --> 00:15:56,440 Speaker 4: I'm on Will's radio show and he's doing really well 377 00:15:56,480 --> 00:15:59,840 Speaker 4: without you around. Actually, mate, he's doing He's doing very good. 378 00:16:00,040 --> 00:16:03,920 Speaker 4: So look, while you're in Africa, I would just say, 379 00:16:04,040 --> 00:16:07,000 Speaker 4: take advantage of everybody you meet, every conversation, you know, 380 00:16:07,120 --> 00:16:09,640 Speaker 4: do some networking, you know, just in case things don't 381 00:16:09,640 --> 00:16:10,760 Speaker 4: work out so well for you. 382 00:16:10,920 --> 00:16:11,360 Speaker 3: Back here. 383 00:16:11,760 --> 00:16:13,960 Speaker 4: Now, the Will's taken over and everybody's seen that he 384 00:16:14,000 --> 00:16:18,160 Speaker 4: actually operates perfectly well as a as a solo act, 385 00:16:18,480 --> 00:16:20,320 Speaker 4: not as a duo. But anyway, I don't want you 386 00:16:20,600 --> 00:16:22,480 Speaker 4: to scare you about that. You're about to go into 387 00:16:22,520 --> 00:16:25,480 Speaker 4: the jungle with I'm a celebrity. Get me out of here, 388 00:16:25,600 --> 00:16:29,840 Speaker 4: and you know, I know, and so doas Will know 389 00:16:29,920 --> 00:16:30,480 Speaker 4: that you're going to. 390 00:16:30,520 --> 00:16:36,360 Speaker 7: Have a terrible time, absolutely ship time, and then you're 391 00:16:36,360 --> 00:16:38,520 Speaker 7: going to come back and try and pretend that it 392 00:16:38,600 --> 00:16:39,280 Speaker 7: was really good. 393 00:16:39,520 --> 00:16:42,600 Speaker 4: Anyway, mate, all the best have fun over there and 394 00:16:43,520 --> 00:16:44,800 Speaker 4: donate the drive insects. 395 00:16:46,120 --> 00:16:50,320 Speaker 8: Ah, God, he's good. He's good. 396 00:16:50,680 --> 00:16:53,520 Speaker 1: Absolutely, torch you. 397 00:16:54,680 --> 00:16:58,800 Speaker 2: I love him so much that he that he's good. 398 00:17:00,040 --> 00:17:02,760 Speaker 9: He still that's still a win for me. 399 00:17:03,040 --> 00:17:03,720 Speaker 8: That's still a win. 400 00:17:05,320 --> 00:17:06,520 Speaker 2: He's pretty much cut down. 401 00:17:07,040 --> 00:17:08,879 Speaker 9: Can you hit me right between the eyes and my 402 00:17:08,960 --> 00:17:10,840 Speaker 9: number one the insecurity, which is the show is better 403 00:17:10,880 --> 00:17:12,919 Speaker 9: without me. He slammed me with that one. And then 404 00:17:12,960 --> 00:17:14,640 Speaker 9: he said, you're going to have an awful time, But yes, 405 00:17:14,720 --> 00:17:18,719 Speaker 9: will I still love the man. I still love him. 406 00:17:18,720 --> 00:17:22,720 Speaker 9: I still see him like a father. Can you send 407 00:17:22,720 --> 00:17:22,960 Speaker 9: me that? 408 00:17:23,240 --> 00:17:25,480 Speaker 1: Send me the audio on your phone you get it's 409 00:17:25,480 --> 00:17:27,040 Speaker 1: a voice smail on your phone. 410 00:17:27,600 --> 00:17:29,280 Speaker 8: I don't know how to get it. I don't know 411 00:17:29,320 --> 00:17:29,960 Speaker 8: what's going. 412 00:17:29,800 --> 00:17:36,440 Speaker 2: On from Hold that random from you for the rest of. 413 00:17:36,400 --> 00:17:39,439 Speaker 8: Your life, please, no, please send it to me, all 414 00:17:39,520 --> 00:17:39,880 Speaker 8: right mate? 415 00:17:39,920 --> 00:17:42,560 Speaker 1: Well, anyway, I hope you enjoyed that brook Bone is 416 00:17:42,560 --> 00:17:44,240 Speaker 1: going to join us. Right up next to Wards is 417 00:17:44,280 --> 00:17:46,960 Speaker 1: live from Africa in the jungles. He goes to the ARMSLEP, 418 00:17:47,000 --> 00:17:49,560 Speaker 1: get me out of here jungle. Tomorrow you're listening to 419 00:17:49,560 --> 00:17:50,560 Speaker 1: Will Kiss