1 00:00:00,200 --> 00:00:03,960 Speaker 1: Happy Tuesday. It's jam Nation podcast time with Jonesy and 2 00:00:03,960 --> 00:00:04,840 Speaker 1: Amanda Well. 3 00:00:04,840 --> 00:00:06,440 Speaker 2: We're going to talk to Terrea pit on the show. 4 00:00:06,559 --> 00:00:08,280 Speaker 2: She's on Celebrity Apprentice. 5 00:00:08,320 --> 00:00:11,080 Speaker 1: I watched that young guy that left last night. He's 6 00:00:11,119 --> 00:00:13,560 Speaker 1: a model, but he doesn't look like a model. 7 00:00:13,360 --> 00:00:14,200 Speaker 2: A model citizen. 8 00:00:15,040 --> 00:00:18,119 Speaker 1: He's a model citizen. Is that who they're getting on 9 00:00:18,120 --> 00:00:20,560 Speaker 1: that jour now? Model citizens? 10 00:00:20,920 --> 00:00:23,919 Speaker 2: Tribal drum is beating for time to leave the party. 11 00:00:24,320 --> 00:00:26,040 Speaker 2: There seem to be two types of people in the world, 12 00:00:26,120 --> 00:00:28,720 Speaker 2: those who leave a party and tell no one, those 13 00:00:28,720 --> 00:00:31,320 Speaker 2: who have to say goodbye to everyone. It often seems 14 00:00:31,320 --> 00:00:34,080 Speaker 2: that people from Colum are partnered with people from Colin B. 15 00:00:34,360 --> 00:00:36,320 Speaker 1: You're a part of the column B brigade. 16 00:00:36,400 --> 00:00:37,920 Speaker 2: So are you, Brendan Jones. 17 00:00:38,360 --> 00:00:41,760 Speaker 1: The pub test a very very contentious issue today. 18 00:00:42,159 --> 00:00:44,560 Speaker 2: Sox soxshoe shoe or sox shoe sock shoe? 19 00:00:44,920 --> 00:00:46,840 Speaker 1: Which one passes the pub test for you? 20 00:00:47,360 --> 00:00:50,320 Speaker 2: And the Moda Lisa was vandalized. We bring up to 21 00:00:50,360 --> 00:00:52,240 Speaker 2: speed with all the news in the art world. 22 00:00:52,120 --> 00:00:55,240 Speaker 1: And more grief from our lord Alan Sugar interview. People 23 00:00:55,440 --> 00:00:57,680 Speaker 1: seem to think that we've gone down the wrong path 24 00:00:57,720 --> 00:00:59,720 Speaker 1: by putting him on our show. I think not. I 25 00:00:59,760 --> 00:01:01,720 Speaker 1: still and by our decision, And I think he was 26 00:01:01,760 --> 00:01:04,240 Speaker 1: great on as show. He loved us, he loved us. 27 00:01:04,280 --> 00:01:06,240 Speaker 1: He was eating out of the palm of our hairs. 28 00:01:06,240 --> 00:01:06,479 Speaker 2: Sorry. 29 00:01:07,000 --> 00:01:09,760 Speaker 1: Also will check in on our Gets My Gollies hotline. Gee. 30 00:01:09,760 --> 00:01:21,679 Speaker 1: It's an action packed podcast, enjoyed everybody about a miracle 31 00:01:21,720 --> 00:01:24,200 Speaker 1: of recording. We have so many requests. 32 00:01:23,680 --> 00:01:26,360 Speaker 3: For them to do it again, Mistress Amanda and MS Killer. 33 00:01:27,040 --> 00:01:28,640 Speaker 4: Amanda doesn't work alone. 34 00:01:30,440 --> 00:01:33,800 Speaker 1: Friend making the tools of the train. I've heard them 35 00:01:33,840 --> 00:01:38,760 Speaker 1: describe him as a drunken idiot, the legendary part Jonesy, 36 00:01:39,720 --> 00:01:41,360 Speaker 1: Amanda the actress. 37 00:01:41,400 --> 00:01:43,840 Speaker 2: Congratulations, we're the READI right now. 38 00:01:44,319 --> 00:01:46,199 Speaker 1: Jonsey and Amanda, you're doing a great job. 39 00:01:46,720 --> 00:01:49,720 Speaker 4: It could be for anyone but Selfie Giant Now. 40 00:01:49,640 --> 00:01:51,360 Speaker 5: The time good radio. 41 00:01:51,600 --> 00:01:59,320 Speaker 1: Sorry but it's a tangled twist set and Amanda, Shoot Timy, we're. 42 00:01:59,160 --> 00:01:59,720 Speaker 6: On the air. 43 00:02:00,120 --> 00:02:01,720 Speaker 1: Well, hello, Amanda, how are you today? 44 00:02:02,160 --> 00:02:02,480 Speaker 2: Well? 45 00:02:02,680 --> 00:02:05,440 Speaker 1: Did you enjoy our little movie date yesterday? That was nice? 46 00:02:05,760 --> 00:02:10,440 Speaker 2: You know, post COVID, well before COVID, if we were 47 00:02:10,480 --> 00:02:12,640 Speaker 2: going to be doing an interview with an actor, we 48 00:02:12,680 --> 00:02:14,880 Speaker 2: would go and see a film. We'd get a preview, 49 00:02:14,919 --> 00:02:18,000 Speaker 2: which is always lovely and then during COVID all that stopped. 50 00:02:18,040 --> 00:02:19,680 Speaker 2: Let's just start it up again. This week. We're going 51 00:02:19,720 --> 00:02:22,600 Speaker 2: to see the new Elvis film with Tom Hanks. Well, 52 00:02:22,840 --> 00:02:24,440 Speaker 2: we're going to be interviewing Tom Haynes. 53 00:02:24,480 --> 00:02:26,680 Speaker 1: What about that. The last time I was in the 54 00:02:26,800 --> 00:02:29,519 Speaker 1: sphere of Tom Hanks was when his wife was a 55 00:02:29,600 --> 00:02:33,079 Speaker 1: Channel nine. Rita was a Channel nine, and that's when 56 00:02:33,120 --> 00:02:35,840 Speaker 1: the COVID started, that's right, and she gave it to 57 00:02:35,919 --> 00:02:39,600 Speaker 1: Richard Wilkins. And there was a period where they were 58 00:02:39,600 --> 00:02:42,359 Speaker 1: asking me how much time I spent with Richard Wilkins 59 00:02:42,600 --> 00:02:44,400 Speaker 1: was and I said did you touch him? And I said, well, 60 00:02:44,680 --> 00:02:47,040 Speaker 1: I gave him a man hug. And you remember that 61 00:02:47,120 --> 00:02:50,720 Speaker 1: then Christian Wilkins. You had to isolate from Christian Wilkins. 62 00:02:50,800 --> 00:02:53,320 Speaker 1: You had to do the show for ars. Yes, So 63 00:02:53,400 --> 00:02:57,359 Speaker 1: that was the last time. Amazing realm. 64 00:02:57,639 --> 00:03:00,600 Speaker 2: Well, and remember then the Vegemite where he so Tom 65 00:03:00,680 --> 00:03:02,600 Speaker 2: was the first celebrity really to get COVID and he 66 00:03:02,680 --> 00:03:05,960 Speaker 2: got in Australia. Was extraordinary. Yeah, he said, but don't worry, 67 00:03:06,120 --> 00:03:08,080 Speaker 2: I'm being taken care of. And he had a picture 68 00:03:08,080 --> 00:03:10,040 Speaker 2: of him with Vegiemike Toast. Someone said, dude, that's not 69 00:03:10,080 --> 00:03:12,440 Speaker 2: how you VISSI too much pull back. 70 00:03:12,480 --> 00:03:13,360 Speaker 1: It's not actual grease. 71 00:03:13,440 --> 00:03:16,200 Speaker 2: Anyway. We're talking to him on Monday. But we saw 72 00:03:16,240 --> 00:03:20,120 Speaker 2: the film yesterday that's based on a best seller book 73 00:03:20,120 --> 00:03:23,680 Speaker 2: where the Crawdads sing. This was a very very famous book, 74 00:03:23,680 --> 00:03:29,080 Speaker 2: and Reese Witherspoon has has taken this. She's an executive producer. No, 75 00:03:29,160 --> 00:03:30,440 Speaker 2: we're talking to the actress in the film. 76 00:03:30,520 --> 00:03:31,040 Speaker 1: I liked her. 77 00:03:31,200 --> 00:03:34,360 Speaker 2: Yeah, I think Daisy Edgar jonesy Edgar Jones, I think 78 00:03:34,480 --> 00:03:35,000 Speaker 2: that's her name. 79 00:03:35,040 --> 00:03:36,280 Speaker 1: It's it's a good story. 80 00:03:36,320 --> 00:03:36,480 Speaker 7: Hey. 81 00:03:36,480 --> 00:03:38,360 Speaker 2: Do you know though, can I have a gripe? This 82 00:03:38,400 --> 00:03:41,360 Speaker 2: isn't with the film which I loved. You and I 83 00:03:41,440 --> 00:03:44,520 Speaker 2: parked in the city in a parking station. We got 84 00:03:44,560 --> 00:03:47,360 Speaker 2: there at about five to ten. We left at maybe 85 00:03:47,440 --> 00:03:51,040 Speaker 2: ten past twelve sixty eight dollars each. 86 00:03:51,160 --> 00:03:54,280 Speaker 1: I couldn't believe that. Wow, And if work wasn't paying 87 00:03:54,320 --> 00:03:56,400 Speaker 1: for it, I've just ridden my motorbike straight out. But 88 00:03:56,400 --> 00:03:58,040 Speaker 1: they got cameras everywhere these days. 89 00:03:59,480 --> 00:04:01,080 Speaker 2: Good pace two hours? 90 00:04:01,160 --> 00:04:02,080 Speaker 1: Yeah, it's nuts. 91 00:04:02,080 --> 00:04:06,080 Speaker 2: But can I bring something up here? You? We had, Yes, 92 00:04:06,120 --> 00:04:07,880 Speaker 2: I did, and we handed them to Milly here this 93 00:04:07,920 --> 00:04:09,800 Speaker 2: morning and said, Millie, can you put this Reugh petty 94 00:04:09,800 --> 00:04:12,400 Speaker 2: cash or whatever happens. And you said to her, and 95 00:04:12,800 --> 00:04:14,440 Speaker 2: I'm going to bring it up. People don't like it 96 00:04:14,440 --> 00:04:16,880 Speaker 2: when you do this. You said, don't lose it. 97 00:04:17,839 --> 00:04:18,839 Speaker 1: I just said, don't lose it. 98 00:04:19,920 --> 00:04:22,720 Speaker 2: What you know, these are professional people we deal with. 99 00:04:23,200 --> 00:04:25,600 Speaker 2: Remember when you had to get some stuff mailed from 100 00:04:25,640 --> 00:04:27,920 Speaker 2: reception downstairs and you'd pass it to someone here and say, 101 00:04:28,040 --> 00:04:31,880 Speaker 2: don't lose it. So nice, but you'd say don't lose it. 102 00:04:31,920 --> 00:04:34,680 Speaker 1: I'd say, do you want me to do it yourself myself? 103 00:04:35,000 --> 00:04:37,000 Speaker 1: Or are you capable of doing this? 104 00:04:37,360 --> 00:04:39,719 Speaker 2: Terrible? When I was to do the show for Melbourne, 105 00:04:39,720 --> 00:04:42,800 Speaker 2: when I was hosting various television programs and I do 106 00:04:42,839 --> 00:04:44,919 Speaker 2: a show occasionally from Melbourne and I was given a 107 00:04:44,920 --> 00:04:47,400 Speaker 2: pass for the Melbourne studio, that was when I first 108 00:04:47,400 --> 00:04:49,880 Speaker 2: started talking about your generation ten years ago. And you 109 00:04:49,920 --> 00:04:52,760 Speaker 2: said when I was given the pass, oh, don't lose it. 110 00:04:53,200 --> 00:04:54,680 Speaker 1: Never said bad it did. 111 00:04:56,320 --> 00:04:58,919 Speaker 2: You've got to trust people because you put doubt in 112 00:04:58,960 --> 00:05:02,440 Speaker 2: people's minds. And thing that parents do to children is 113 00:05:02,440 --> 00:05:04,520 Speaker 2: they set up the trope of you're the kid that 114 00:05:04,560 --> 00:05:07,480 Speaker 2: loses stuff, You're the kid that breaks stuff, You're the 115 00:05:07,560 --> 00:05:10,320 Speaker 2: kid that can't handle their emotions. You have to stop 116 00:05:10,400 --> 00:05:12,440 Speaker 2: with the narrative or else it becomes reality. 117 00:05:12,560 --> 00:05:18,000 Speaker 1: Have you lost that pass? No, you're welcome. Oh, you're 118 00:05:18,040 --> 00:05:22,480 Speaker 1: about to lose it. Action Pack shattered that your reap. 119 00:05:22,560 --> 00:05:24,680 Speaker 1: It's going to be Joining's other show. But let's get 120 00:05:24,720 --> 00:05:26,000 Speaker 1: down Celebrity Apprentice. 121 00:05:26,040 --> 00:05:28,200 Speaker 2: That's right, But let's go down to the Magnificent seven. 122 00:05:28,200 --> 00:05:28,680 Speaker 2: Are you ready? 123 00:05:28,800 --> 00:05:29,560 Speaker 1: Question one? 124 00:05:29,839 --> 00:05:32,760 Speaker 2: We're inhaled. What gas gives you a squeaky voice? 125 00:05:35,440 --> 00:05:38,120 Speaker 1: Podcast? We're into the Magnificent seven. There are seven questions? 126 00:05:38,120 --> 00:05:39,560 Speaker 1: Can you go all the way and answer all seven 127 00:05:39,640 --> 00:05:41,760 Speaker 1: questions correctly? If you do that, Amanda will say. 128 00:05:41,680 --> 00:05:42,800 Speaker 2: Is Ron Moss coming back? 129 00:05:42,920 --> 00:05:44,440 Speaker 1: But it's about getting questions seven right. 130 00:05:44,560 --> 00:05:48,480 Speaker 2: It's going to Susan in port Hacking. Hello, Susan, oh 131 00:05:48,560 --> 00:05:52,160 Speaker 2: Hi Jones and Amanda Susan. Questionable one when inhaled, what 132 00:05:52,240 --> 00:05:55,680 Speaker 2: gas gives you a squeaky voice? Helium? Helium? 133 00:05:56,200 --> 00:06:01,039 Speaker 1: Which country does the tasty year oss come from? 134 00:06:01,240 --> 00:06:01,560 Speaker 8: Grief? 135 00:06:02,520 --> 00:06:04,800 Speaker 2: See, we shouldn't have food questions at this time. 136 00:06:06,279 --> 00:06:08,000 Speaker 1: Greece before best thing in the world. 137 00:06:08,680 --> 00:06:10,520 Speaker 2: I've heard of Euros in Greece, but I was at home, 138 00:06:11,320 --> 00:06:21,760 Speaker 2: just was greasy. Let's play riff raff, understand, got to 139 00:06:21,800 --> 00:06:26,680 Speaker 2: keep Has it finished this song we're going to play. 140 00:06:26,720 --> 00:06:28,839 Speaker 2: This is the famous song with a famous riff. Have 141 00:06:28,880 --> 00:06:29,279 Speaker 2: a listen. 142 00:06:36,080 --> 00:06:37,760 Speaker 1: Yeah, that's great. 143 00:06:37,920 --> 00:06:38,760 Speaker 2: What's that song? 144 00:06:40,960 --> 00:06:42,480 Speaker 8: I've heard it that I can't name it. 145 00:06:42,560 --> 00:06:55,040 Speaker 1: You know it's again, It's again. Whooo yeah, Susan. 146 00:06:55,080 --> 00:06:56,719 Speaker 4: Does that help you? 147 00:06:56,760 --> 00:07:02,800 Speaker 1: No? Sorry, let's go to a feener in Castle Hill. Hello, Athena, Hi, 148 00:07:02,880 --> 00:07:05,359 Speaker 1: how are you good? Thanks Athena, Athena, do what are 149 00:07:05,400 --> 00:07:05,839 Speaker 1: you giggling? 150 00:07:05,960 --> 00:07:06,080 Speaker 3: Thin? 151 00:07:06,120 --> 00:07:08,440 Speaker 1: If someone said something funny, share it with the class. 152 00:07:09,200 --> 00:07:11,720 Speaker 9: No, I've boys on this show and I'm only one 153 00:07:11,760 --> 00:07:13,960 Speaker 9: of your young listeners and i was like, I'm twenty 154 00:07:13,960 --> 00:07:14,640 Speaker 9: three right now. 155 00:07:15,280 --> 00:07:16,120 Speaker 1: Twenty three year olds. 156 00:07:16,960 --> 00:07:19,240 Speaker 2: Well that's good. We like listeners of all ages. We 157 00:07:19,280 --> 00:07:20,280 Speaker 2: have a lot of twenty three year. 158 00:07:20,160 --> 00:07:22,160 Speaker 1: Olds, and we going to adjust the show to appeal 159 00:07:22,200 --> 00:07:24,120 Speaker 1: to your demographic. If you want, Athena, do you want 160 00:07:24,160 --> 00:07:26,400 Speaker 1: us to talk about kid leroy or no? 161 00:07:26,400 --> 00:07:27,640 Speaker 9: No, I don't know what that is. 162 00:07:27,680 --> 00:07:29,000 Speaker 10: Please just do whatever you're doing. 163 00:07:29,000 --> 00:07:29,520 Speaker 11: That's the first. 164 00:07:30,280 --> 00:07:32,000 Speaker 2: But do you want to hear the song again? Have 165 00:07:32,040 --> 00:07:32,400 Speaker 2: a listen. 166 00:07:39,520 --> 00:07:40,360 Speaker 1: You're just loving it. 167 00:07:40,840 --> 00:07:41,840 Speaker 2: Do you know what the song is? 168 00:07:41,840 --> 00:07:49,080 Speaker 9: By any chance, I'm gonna tega Shanzark? Sorry, ACDC, call again, 169 00:07:49,480 --> 00:07:49,880 Speaker 9: come back. 170 00:07:49,920 --> 00:07:50,440 Speaker 1: Anytime. 171 00:07:50,560 --> 00:07:53,040 Speaker 2: All right, that's riff raff? What is that song. 172 00:07:54,840 --> 00:07:57,640 Speaker 1: For Rendy the Magnificent seven. We'll have to question number three. 173 00:07:57,920 --> 00:07:59,520 Speaker 2: Oh, I've got to play this intro again. 174 00:08:00,480 --> 00:08:06,360 Speaker 1: Yeah, and your last Oh, got to keep out the 175 00:08:06,400 --> 00:08:09,040 Speaker 1: riff ground Kim is in Wiseman's Fairy. 176 00:08:09,160 --> 00:08:11,960 Speaker 2: Hello Kim, good morning guys. 177 00:08:12,000 --> 00:08:13,000 Speaker 1: How are you very well? 178 00:08:13,040 --> 00:08:13,200 Speaker 7: Right? 179 00:08:13,240 --> 00:08:14,960 Speaker 2: I haven't listened to this riff. 180 00:08:21,960 --> 00:08:22,200 Speaker 1: Kim? 181 00:08:22,440 --> 00:08:24,360 Speaker 2: What is it? 182 00:08:24,080 --> 00:08:24,280 Speaker 1: God? 183 00:08:24,960 --> 00:08:25,720 Speaker 12: I had it? 184 00:08:25,720 --> 00:08:30,520 Speaker 4: It's free? God, I've lost it again. 185 00:08:32,160 --> 00:08:34,160 Speaker 1: Graham's a big thing boyt Hi Graham. 186 00:08:34,200 --> 00:08:37,080 Speaker 2: We know it's free. That's the band. What's the although 187 00:08:37,120 --> 00:08:37,720 Speaker 2: it costs me? 188 00:08:38,720 --> 00:08:45,560 Speaker 1: It's all right now, say for being so entertaining as well, Graham. 189 00:08:45,679 --> 00:08:47,440 Speaker 1: It's the intro, Brad, I apologize. 190 00:08:47,600 --> 00:08:50,080 Speaker 2: It's the intro four times in ten minutes. 191 00:08:50,120 --> 00:08:52,120 Speaker 1: This is a radio station, not a place of entertainment. 192 00:08:52,280 --> 00:08:54,120 Speaker 1: That's right. I forgot. 193 00:08:54,200 --> 00:08:56,199 Speaker 2: Well, let's have a debate as to whether that intro 194 00:08:56,360 --> 00:08:56,959 Speaker 2: is entertained. 195 00:08:56,960 --> 00:08:58,000 Speaker 1: Do you like the intro? Graham? 196 00:08:58,640 --> 00:08:59,400 Speaker 7: I love the intro. 197 00:08:59,640 --> 00:09:02,079 Speaker 2: Do you like hearing it as often as you hear it? Graham? 198 00:09:02,679 --> 00:09:03,480 Speaker 8: Probably not as often? 199 00:09:03,960 --> 00:09:05,840 Speaker 2: G Graham's on my site. 200 00:09:05,880 --> 00:09:08,839 Speaker 1: Well, you know, Graham, really if people got the question 201 00:09:08,960 --> 00:09:11,680 Speaker 1: quicker that we wouldn't have to play, so it's your So, really, 202 00:09:13,080 --> 00:09:17,200 Speaker 1: if you're looking for someone to blame, look into the mirror, Graham. 203 00:09:17,280 --> 00:09:20,960 Speaker 2: Question number four, there's an insect named after Beyonce. What 204 00:09:21,040 --> 00:09:23,240 Speaker 2: is it? Is it a fly? Be a praying mantis? 205 00:09:23,280 --> 00:09:24,080 Speaker 2: Or see a butterfly? 206 00:09:26,000 --> 00:09:29,680 Speaker 9: I'm going to take a guess at this one, sorry, Graham. 207 00:09:31,240 --> 00:09:36,200 Speaker 1: Question number four for Alex of Campbelltown. Hello, Alex h. 208 00:09:37,760 --> 00:09:39,960 Speaker 2: Fly. I'm looking at a picture of it now. It's 209 00:09:40,000 --> 00:09:43,440 Speaker 2: called a skeptia Beyonce ya aa. It was named after 210 00:09:43,480 --> 00:09:48,360 Speaker 2: her because it's got a golden butt, golden arches, and 211 00:09:49,080 --> 00:09:54,600 Speaker 2: hopefully no nuggets. Question five. If I'm an no file, 212 00:09:55,440 --> 00:09:57,400 Speaker 2: what am I a lover of? I'm one of these 213 00:09:58,080 --> 00:09:59,520 Speaker 2: on the weekends. 214 00:10:00,440 --> 00:10:02,800 Speaker 6: Outdoors. 215 00:10:04,360 --> 00:10:07,000 Speaker 2: Thank you for flattering me, But no, Adam's in penrith 216 00:10:07,160 --> 00:10:10,679 Speaker 2: hi Adam, very well, what are the clues? Can we 217 00:10:10,760 --> 00:10:11,959 Speaker 2: give you? An enaphile? 218 00:10:12,120 --> 00:10:15,080 Speaker 1: Amanda's one of these? She's not an outdoors type. You 219 00:10:15,080 --> 00:10:16,560 Speaker 1: do like to go outdoors that day. 220 00:10:17,960 --> 00:10:20,040 Speaker 2: With this? No, I like to do this. 221 00:10:20,200 --> 00:10:21,840 Speaker 1: With the company of your own heart. 222 00:10:21,720 --> 00:10:24,520 Speaker 2: With friends, or in a restaurant. If I'm an by yourself, 223 00:10:24,559 --> 00:10:27,120 Speaker 2: If I'm an na fhile, What am I a lover of? 224 00:10:27,720 --> 00:10:29,959 Speaker 2: Friday night? Saturday night? One have a nice thing to do? 225 00:10:30,679 --> 00:10:31,240 Speaker 6: Great food? 226 00:10:32,040 --> 00:10:34,120 Speaker 2: Oh very similar? 227 00:10:34,200 --> 00:10:35,319 Speaker 1: Do you do this on a Sunday? 228 00:10:35,920 --> 00:10:38,720 Speaker 2: Sometimes? I do arounduring the week. 229 00:10:38,600 --> 00:10:43,440 Speaker 1: And you're in me on Sunday night, James, I love you. 230 00:10:45,320 --> 00:10:47,920 Speaker 2: I thought I was phoning Alan Jones. Graham's in d 231 00:10:48,080 --> 00:10:49,120 Speaker 2: Why Hello Graham? 232 00:10:50,000 --> 00:10:50,800 Speaker 10: Hello Jones? 233 00:10:50,960 --> 00:10:53,319 Speaker 2: And Amanda If I'm an n phile? What am I 234 00:10:53,360 --> 00:10:56,440 Speaker 2: a lover of? I love my? Why why? 235 00:10:57,600 --> 00:11:02,600 Speaker 1: Juria Pit is currently starring on which reality TV series? Graham? 236 00:11:03,040 --> 00:11:03,720 Speaker 4: I'm sorry? 237 00:11:04,040 --> 00:11:08,640 Speaker 1: Juria Pit is currently starring on which reality TV series? 238 00:11:09,360 --> 00:11:11,880 Speaker 4: That would be celebrity? Get me out of here? 239 00:11:14,000 --> 00:11:15,520 Speaker 1: So confident? John Picked? 240 00:11:15,559 --> 00:11:16,240 Speaker 2: Hello John? 241 00:11:17,040 --> 00:11:17,520 Speaker 8: How are you? 242 00:11:17,520 --> 00:11:18,120 Speaker 5: Ama? 243 00:11:18,480 --> 00:11:21,720 Speaker 2: Very well? Thank you? Jia Pitt is currently starring on 244 00:11:21,720 --> 00:11:24,240 Speaker 2: which reality TV series. The first word is celebrity, but 245 00:11:24,240 --> 00:11:26,560 Speaker 2: it's not get me out of here apprentice. 246 00:11:26,679 --> 00:11:30,920 Speaker 1: Yes, young fellow. Last night I've been watching it Jared left, 247 00:11:31,360 --> 00:11:34,040 Speaker 1: and I've said to my wife and family, I said, 248 00:11:34,120 --> 00:11:36,559 Speaker 1: has anyone ever heard of this guy before? Not one 249 00:11:36,600 --> 00:11:40,080 Speaker 1: of them. The whole demographic, so my daughter, my youngest son, 250 00:11:40,360 --> 00:11:43,199 Speaker 1: so the demograph from nineteen to fifty four, not one 251 00:11:43,240 --> 00:11:44,040 Speaker 1: person who heard of that guy? 252 00:11:44,240 --> 00:11:45,480 Speaker 2: Was his claim to fame. 253 00:11:45,960 --> 00:11:48,319 Speaker 1: I don't know he's a model or something, but he's 254 00:11:48,360 --> 00:11:51,200 Speaker 1: not even really a good looking guy. I just don't know. 255 00:11:51,320 --> 00:11:56,480 Speaker 2: Well, we wish him well. Question No. Teria pits on 256 00:11:56,520 --> 00:11:59,560 Speaker 2: the show to that Jody Hayden has been thrust into 257 00:11:59,559 --> 00:12:01,880 Speaker 2: the spot She is the partner of. 258 00:12:01,760 --> 00:12:04,439 Speaker 4: Whom Jody Hayden. 259 00:12:04,240 --> 00:12:08,400 Speaker 2: Joy Hayden, going about a business, happened to fall in 260 00:12:08,400 --> 00:12:11,360 Speaker 2: love with someone who's been who has lived in the 261 00:12:11,400 --> 00:12:16,120 Speaker 2: public eye, but he's now stepped into the biggest position. Yes, 262 00:12:16,360 --> 00:12:17,720 Speaker 2: Anthony partner. 263 00:12:17,800 --> 00:12:20,280 Speaker 1: They're just like being together for hell two years, two years, 264 00:12:20,400 --> 00:12:22,959 Speaker 1: two three years, and now Kira Billy has sweets that gig. 265 00:12:23,679 --> 00:12:25,400 Speaker 2: Well we wait to see. Would you like it? 266 00:12:25,679 --> 00:12:28,240 Speaker 1: Yeah, I'd love that to You've got. 267 00:12:28,120 --> 00:12:31,120 Speaker 2: Your own career, your own life, and suddenly you're thrust 268 00:12:31,120 --> 00:12:32,280 Speaker 2: into spotlight. 269 00:12:32,400 --> 00:12:36,480 Speaker 1: Like that movie Long Shot with Seth Rogan and Charlie's 270 00:12:36,480 --> 00:12:39,400 Speaker 1: there on? Is that it or Zoey Deshinal she's the 271 00:12:39,720 --> 00:12:42,840 Speaker 1: President of the United States and then he and like 272 00:12:42,920 --> 00:12:44,360 Speaker 1: she becomes president and he's. 273 00:12:44,720 --> 00:12:47,240 Speaker 2: Who Seth Rogan is the first man? 274 00:12:47,640 --> 00:12:50,280 Speaker 1: Yeah, yeah, I'd like to be about that, would you? 275 00:12:50,600 --> 00:12:50,760 Speaker 11: Yeah? 276 00:12:50,760 --> 00:12:54,160 Speaker 1: I think you'd be all right. Would you like that, John, 277 00:12:53,679 --> 00:12:56,640 Speaker 1: Actually like the intro too for the rip? Thank you? 278 00:12:56,440 --> 00:12:59,559 Speaker 2: Do you like hearing it a lot? John? Would you 279 00:12:59,600 --> 00:13:00,000 Speaker 2: want to hear it? 280 00:13:00,280 --> 00:13:01,280 Speaker 1: Just now? Listen? 281 00:13:02,640 --> 00:13:07,480 Speaker 2: Okay, what's out of Jersey's annoyed at? Oh? 282 00:13:09,920 --> 00:13:12,320 Speaker 1: Got to keep out the wrist growing because it's out 283 00:13:12,320 --> 00:13:13,040 Speaker 1: of context. 284 00:13:13,720 --> 00:13:14,880 Speaker 2: There's never a context. 285 00:13:14,880 --> 00:13:17,440 Speaker 1: Congratulations to you, John, You've won one hundred and fifty 286 00:13:17,440 --> 00:13:20,840 Speaker 1: dollars to spend on any day cookware. Create delicious meals 287 00:13:20,840 --> 00:13:25,040 Speaker 1: with your kitchen's most powerful tool, the microwave, a Murphy 288 00:13:25,160 --> 00:13:27,920 Speaker 1: three and one charger save and easy charging for your 289 00:13:27,960 --> 00:13:30,680 Speaker 1: home or office. And Jonesy Demanda character choice for you 290 00:13:30,720 --> 00:13:33,360 Speaker 1: the color in some stayed La pencils? John, anything else 291 00:13:33,400 --> 00:13:38,200 Speaker 1: you'd like to add to that? John? Carry about? 292 00:13:38,240 --> 00:13:39,679 Speaker 2: Thank you? John? Would you like to hear the riff 293 00:13:39,760 --> 00:13:40,840 Speaker 2: raff theme one more time? 294 00:13:41,280 --> 00:13:42,280 Speaker 1: You know? I know what you're doing. 295 00:13:42,360 --> 00:13:46,520 Speaker 2: You don't like things out of order? When your stage 296 00:13:50,240 --> 00:13:52,520 Speaker 2: to keep the whist growning, you're rubbing your face. It's 297 00:13:52,559 --> 00:13:54,199 Speaker 2: not fun, is it? It's not fun? 298 00:13:54,440 --> 00:13:56,680 Speaker 1: Don't don't do me to me? 299 00:13:59,400 --> 00:14:01,920 Speaker 2: Jonesy Germation Podcast. 300 00:14:04,360 --> 00:14:09,719 Speaker 1: There's no sound. I'm on, Oh silly me combing through 301 00:14:09,720 --> 00:14:13,679 Speaker 1: the jermanak our Big Book of Musical Facts. On this day. 302 00:14:13,679 --> 00:14:17,240 Speaker 1: In nineteen sixty six seventy six, The Who gave themselves 303 00:14:17,240 --> 00:14:21,040 Speaker 1: a place in the Guinness Book of Records for what Loudness, Yes, 304 00:14:21,800 --> 00:14:23,640 Speaker 1: loudest performance of a rock band. 305 00:14:23,680 --> 00:14:25,840 Speaker 2: I wish I'd been there, you know, I love them. 306 00:14:25,680 --> 00:14:27,400 Speaker 1: Loud twenty decibels. 307 00:14:27,480 --> 00:14:29,200 Speaker 2: I would have had my hands of my ears saying 308 00:14:29,280 --> 00:14:31,520 Speaker 2: stop it, turn it, stop it just showing off. 309 00:14:31,720 --> 00:14:34,280 Speaker 1: And this became a thing. Was after that. In nineteen 310 00:14:34,360 --> 00:14:37,600 Speaker 1: eighty ACDC went on their back in Black tour and 311 00:14:37,640 --> 00:14:40,160 Speaker 1: performed a number of shows that are whopping one hundred 312 00:14:40,160 --> 00:14:41,040 Speaker 1: and thirty. 313 00:14:40,720 --> 00:14:42,960 Speaker 2: Decibels then, and you did it the following year. 314 00:14:43,080 --> 00:14:44,760 Speaker 1: But it bit them on the bum because remember in 315 00:14:44,800 --> 00:14:46,520 Speaker 1: twenty sixteen and they had to cancel a bunch of 316 00:14:46,600 --> 00:14:52,000 Speaker 1: shows because Brian Johnson, the Leitzinger had gone deaf. Kiss 317 00:14:52,920 --> 00:14:56,080 Speaker 1: have the record for the loudest band in two thousand 318 00:14:56,120 --> 00:14:59,480 Speaker 1: and nine performing in Canada. They go to one hundred 319 00:14:59,480 --> 00:15:02,960 Speaker 1: and thirty decibels during the show. It was so loud 320 00:15:03,120 --> 00:15:05,120 Speaker 1: that the city official had to tell their front of 321 00:15:05,160 --> 00:15:08,920 Speaker 1: house sound engineer to turn the volume donny. And that 322 00:15:09,080 --> 00:15:11,760 Speaker 1: was it. So now now what, well, now it's not 323 00:15:11,800 --> 00:15:12,320 Speaker 1: too loud. 324 00:15:12,400 --> 00:15:13,520 Speaker 2: Now, who's going to do it? 325 00:15:13,640 --> 00:15:14,040 Speaker 1: Well, no one? 326 00:15:14,040 --> 00:15:15,160 Speaker 2: Who's going to be the loudest? 327 00:15:15,200 --> 00:15:17,320 Speaker 1: Now, well, what's the point. You don't want to go 328 00:15:17,320 --> 00:15:18,480 Speaker 1: to a show and it's too loud. 329 00:15:18,320 --> 00:15:20,040 Speaker 2: Well that's it, But no one does. No one wants 330 00:15:20,080 --> 00:15:21,000 Speaker 2: to go and be deafened. 331 00:15:21,200 --> 00:15:23,240 Speaker 1: Or if they say it's too loud, you're too old? 332 00:15:23,400 --> 00:15:24,000 Speaker 1: Am I? Right? 333 00:15:25,080 --> 00:15:25,160 Speaker 7: No? 334 00:15:25,280 --> 00:15:27,080 Speaker 2: I felt like this when I was fifteen. 335 00:15:27,160 --> 00:15:32,240 Speaker 1: Two playing who not in You? And in your triple 336 00:15:32,280 --> 00:15:37,400 Speaker 1: pay for you? Right now? She had three shua WSFM. 337 00:15:37,400 --> 00:15:40,040 Speaker 1: Hello there, it's Junesy demanded the who ain't get fooled again? 338 00:15:40,080 --> 00:15:43,520 Speaker 1: Becoming windy today? Father cloudy? Eighteen in the city, seventeen 339 00:15:43,520 --> 00:15:45,080 Speaker 1: in our west. Right now it is eleven degrees. 340 00:15:45,160 --> 00:15:47,160 Speaker 2: That's what happens when they definitely you go the who? 341 00:15:47,240 --> 00:15:51,160 Speaker 2: What who? It's very good, Thank you, Brandon? What an't 342 00:15:51,200 --> 00:15:54,520 Speaker 2: just going to work on old folks? I did sound 343 00:15:54,560 --> 00:15:55,840 Speaker 2: like an old coop? Then, didn't I? 344 00:15:55,960 --> 00:15:58,640 Speaker 1: You did? You did well? You know, I'm not a 345 00:15:58,640 --> 00:16:00,280 Speaker 1: big fan of people that made little store or he's 346 00:16:00,280 --> 00:16:01,160 Speaker 1: out of the song. 347 00:16:01,480 --> 00:16:03,320 Speaker 2: You know the song, Randon, I'm sorry for I'm not 348 00:16:03,360 --> 00:16:04,680 Speaker 2: living up to your expectations. 349 00:16:04,920 --> 00:16:08,080 Speaker 1: It's lazy, lazy, radio, it's like doing on this day information. 350 00:16:08,800 --> 00:16:10,600 Speaker 2: Well, if I can't think of something great to say 351 00:16:10,600 --> 00:16:11,960 Speaker 2: that will please you old. 352 00:16:11,800 --> 00:16:13,840 Speaker 1: Us, be quiet, You'll just go up to the ABC. 353 00:16:14,120 --> 00:16:15,400 Speaker 2: Sit here quite over to you. 354 00:16:15,400 --> 00:16:17,560 Speaker 1: What would you say, Well, no, don't be quiet, because 355 00:16:17,600 --> 00:16:19,840 Speaker 1: we've got more grief from something we did on the 356 00:16:19,960 --> 00:16:23,320 Speaker 1: radio via Instagram that we need to defend and would 357 00:16:23,360 --> 00:16:25,680 Speaker 1: you believe it's not about drinking each other's blood and 358 00:16:25,760 --> 00:16:27,280 Speaker 1: we've moved on from that. By the way, people stop 359 00:16:27,360 --> 00:16:29,560 Speaker 1: at the complaints. It was two weeks ago. That was 360 00:16:29,600 --> 00:16:31,160 Speaker 1: a lifetime passed you by. 361 00:16:31,240 --> 00:16:35,280 Speaker 2: Now you know I have If you have, you're out. 362 00:16:35,400 --> 00:16:39,040 Speaker 1: You can follow us on Instagram. Jonesy Demanda is that it? 363 00:16:39,040 --> 00:16:42,600 Speaker 1: It's Jonesy Demander, Jones Amanda. So there's a bit of 364 00:16:42,600 --> 00:16:46,160 Speaker 1: grief because of our Thursday Mystery footy Tipper. Oh Lord 365 00:16:46,200 --> 00:16:48,800 Speaker 1: Alan Sugar, Lord Alan Sugar And for those that don't know, 366 00:16:48,840 --> 00:16:51,640 Speaker 1: on Thursday we have a mystery footy Tipper. We used 367 00:16:51,640 --> 00:16:53,280 Speaker 1: to have Eron Mollin. She used to be our regular 368 00:16:53,320 --> 00:16:54,440 Speaker 1: footy tipper, but. 369 00:16:54,520 --> 00:16:56,280 Speaker 2: We've had stacks left. 370 00:16:56,720 --> 00:16:59,480 Speaker 1: I don't know where she went, but we now have 371 00:16:59,520 --> 00:17:02,160 Speaker 1: a mystery what tip, which is kind of fun. Prime 372 00:17:02,200 --> 00:17:04,639 Speaker 1: Minister Scott Morrison when he was Prime Minister. He's one 373 00:17:04,680 --> 00:17:07,600 Speaker 1: of them. Darris Summers was doing quite well with no 374 00:17:07,680 --> 00:17:11,000 Speaker 1: idea about football. We've had Brad Fitler, We've had Billy Slater, 375 00:17:11,280 --> 00:17:14,719 Speaker 1: We've had some big, big names. And then on Thursday 376 00:17:15,200 --> 00:17:19,600 Speaker 1: we had Lord Alan Sugar. He's the boss of Celebrity Apprentice. 377 00:17:19,760 --> 00:17:24,159 Speaker 2: He's also a bit of a you know, I really thought, oh, 378 00:17:24,400 --> 00:17:26,000 Speaker 2: you thought we had incredible chemistry. 379 00:17:26,320 --> 00:17:29,359 Speaker 1: There was a chemistry with you, me and Alan, and 380 00:17:29,600 --> 00:17:33,760 Speaker 1: he loved being on the show. The wrong bloke here, 381 00:17:33,840 --> 00:17:37,080 Speaker 1: you know. He then went on to pile derision on 382 00:17:37,119 --> 00:17:40,639 Speaker 1: the Great Game of Rugby League. I thought it was 383 00:17:40,640 --> 00:17:41,600 Speaker 1: a radio station. 384 00:17:41,720 --> 00:17:44,960 Speaker 2: They were talking about the audacity to call it football 385 00:17:45,000 --> 00:17:46,240 Speaker 2: when in fact they don't. 386 00:17:46,080 --> 00:17:50,520 Speaker 1: Use their feet. They throw this oversized lemon around they 387 00:17:50,560 --> 00:17:54,000 Speaker 1: and we called football. Well you might call it soccer. 388 00:17:54,680 --> 00:17:55,720 Speaker 1: We call that football. 389 00:17:56,240 --> 00:18:00,280 Speaker 2: So he embraced the embraced it the challenge with two hands, and. 390 00:18:00,200 --> 00:18:02,360 Speaker 1: He would have got eight out of eight. 391 00:18:02,440 --> 00:18:03,840 Speaker 2: Can you believe that if. 392 00:18:03,680 --> 00:18:07,600 Speaker 1: It weren't for him picking a draw between my side 393 00:18:07,640 --> 00:18:11,040 Speaker 1: the Sharks and your side, the rooster Sharks versus the Roosters. 394 00:18:11,680 --> 00:18:13,760 Speaker 1: I'm a shark, support a man as a rooster supporter. 395 00:18:16,040 --> 00:18:18,080 Speaker 2: I want the Sharks and I want the Roosters to win. 396 00:18:19,160 --> 00:18:20,920 Speaker 1: Oh, I'm sorry. I don't want to need to stay 397 00:18:21,000 --> 00:18:28,239 Speaker 1: with your relationship there in partnership, so I'll say so. 398 00:18:28,400 --> 00:18:30,359 Speaker 2: Him saying it was a draw was the only reason 399 00:18:30,400 --> 00:18:32,000 Speaker 2: he didn't get eight out of eight for a guy 400 00:18:32,000 --> 00:18:33,600 Speaker 2: who said, I don't know what you're talking about about. 401 00:18:33,600 --> 00:18:35,159 Speaker 2: You've picked the wrong guy. This is boring. 402 00:18:35,240 --> 00:18:37,000 Speaker 1: I don't know it's the best in the business. 403 00:18:37,160 --> 00:18:37,640 Speaker 2: Wow. 404 00:18:37,840 --> 00:18:40,639 Speaker 1: Sorry anyway, some feedback on Instagram from Gail Corrigan. It 405 00:18:40,760 --> 00:18:44,480 Speaker 1: was painful had to change stations. Your programming is lacking. 406 00:18:45,600 --> 00:18:48,840 Speaker 2: That's how we felt, Gail. We didn't want to be 407 00:18:48,920 --> 00:18:51,720 Speaker 2: here on come on, we have to go through the 408 00:18:51,760 --> 00:18:52,280 Speaker 2: horror of that. 409 00:18:52,440 --> 00:18:54,840 Speaker 1: So do you you know I feel there's a strange 410 00:18:54,880 --> 00:18:58,440 Speaker 1: inevitability that you, me and Lord Alan Sugar will cross 411 00:18:58,480 --> 00:18:59,160 Speaker 1: paths again. 412 00:18:59,440 --> 00:19:02,040 Speaker 2: Do you feel with another footage tipping comp I just 413 00:19:02,119 --> 00:19:03,960 Speaker 2: I just feel that will be I'm not going on 414 00:19:04,000 --> 00:19:05,360 Speaker 2: Celebrity Apprentice. You're on your own. 415 00:19:05,760 --> 00:19:07,960 Speaker 1: No, come on, I'm not going to seeing Will and Woody. 416 00:19:08,200 --> 00:19:11,080 Speaker 2: I'm not going to beg my friends for money. 417 00:19:15,320 --> 00:19:16,480 Speaker 1: Well I'm your only friend. 418 00:19:16,600 --> 00:19:18,960 Speaker 2: Yeah, and you're as tired as you're not getting. 419 00:19:22,080 --> 00:19:26,600 Speaker 1: It's sorry, Gail Corrigan, Sorry girl, but lacking. 420 00:19:26,720 --> 00:19:28,760 Speaker 2: I hope you've come back to us. Gale. Don't let 421 00:19:28,760 --> 00:19:30,280 Speaker 2: Lord Allan's sugar colors. 422 00:19:30,760 --> 00:19:33,240 Speaker 1: That's only one thing out of the million things that 423 00:19:33,280 --> 00:19:33,880 Speaker 1: we've done wrong. 424 00:19:34,080 --> 00:19:41,200 Speaker 2: Irritating podcast. Well, yesterday Labor have announced they've reached the 425 00:19:41,359 --> 00:19:44,600 Speaker 2: seventy six seat majority. This means that they don't need 426 00:19:44,600 --> 00:19:46,439 Speaker 2: to negotiate with the cross benches. This is in the 427 00:19:46,480 --> 00:19:50,400 Speaker 2: lower House. So the Victorian MP Josh Burns has retained 428 00:19:50,440 --> 00:19:52,760 Speaker 2: his seat in McNamara, which is what has given pushed 429 00:19:52,760 --> 00:19:56,040 Speaker 2: the Labor over the line of being able to govern 430 00:19:56,160 --> 00:20:00,480 Speaker 2: in a majority. So yesterday there were changes in the position. 431 00:20:00,640 --> 00:20:04,000 Speaker 2: Peter Dutton has taken over the Liberal leadership. Susan Lay 432 00:20:04,080 --> 00:20:09,760 Speaker 2: has taken over as deputy leader. Susan is spelled subs. 433 00:20:09,200 --> 00:20:11,920 Speaker 1: An su like Sussen. 434 00:20:12,080 --> 00:20:16,000 Speaker 2: Yeah, there's three s's in her name. And apparently she 435 00:20:16,200 --> 00:20:18,680 Speaker 2: changed the spelling of her first name because it believed 436 00:20:19,720 --> 00:20:25,120 Speaker 2: it would alter her personality based on numerology, so she said, 437 00:20:25,119 --> 00:20:27,240 Speaker 2: and she's now sixty. But she said in an interview 438 00:20:27,240 --> 00:20:31,159 Speaker 2: a number of years ago that when she finished school 439 00:20:31,680 --> 00:20:35,080 Speaker 2: she thought she would change her name to change her personality. 440 00:20:35,119 --> 00:20:36,920 Speaker 2: I worked out that if you add an S, I 441 00:20:36,920 --> 00:20:39,480 Speaker 2: would have an incredibly exciting, interesting life and nothing would 442 00:20:39,480 --> 00:20:41,359 Speaker 2: ever be boring. She said, It's that simple, and as 443 00:20:41,400 --> 00:20:43,159 Speaker 2: it worked well, she said, once I'd added the S, 444 00:20:43,200 --> 00:20:44,520 Speaker 2: it was really hard to take it away. 445 00:20:44,640 --> 00:20:44,840 Speaker 7: Well. 446 00:20:44,880 --> 00:20:47,400 Speaker 2: She is now Deputy Leader of the Liberal Party of Australia. 447 00:20:47,520 --> 00:20:49,960 Speaker 1: Should I add an extra S to my name to 448 00:20:50,000 --> 00:20:51,000 Speaker 1: make it more exciting? 449 00:20:51,160 --> 00:20:51,640 Speaker 2: Brenzen? 450 00:20:53,119 --> 00:20:54,480 Speaker 1: Why I was sitting in Jonesy's. 451 00:20:54,600 --> 00:20:56,800 Speaker 2: Oh okay, yeah, I went to school and I hope 452 00:20:56,800 --> 00:20:58,359 Speaker 2: that I don't mind me mentioning their names. This was 453 00:20:58,520 --> 00:21:00,399 Speaker 2: how many fifty years ago there was Amy down the 454 00:21:00,480 --> 00:21:02,440 Speaker 2: road from us who were friends of ours. Their surname 455 00:21:02,520 --> 00:21:05,080 Speaker 2: was Trees and the dad's name was Fred Trees. He 456 00:21:05,119 --> 00:21:06,879 Speaker 2: went to a neurologist and he changed his name to 457 00:21:06,920 --> 00:21:10,200 Speaker 2: something like Michael Redgrave or something Michael Redgrave or something 458 00:21:10,240 --> 00:21:13,720 Speaker 2: like that, a different first name and second name. I thought, 459 00:21:13,720 --> 00:21:14,439 Speaker 2: what do the kids do? 460 00:21:14,680 --> 00:21:15,760 Speaker 1: Is he in witness protection? 461 00:21:16,320 --> 00:21:17,200 Speaker 2: It never occurred? 462 00:21:17,560 --> 00:21:19,720 Speaker 1: Was he was he in affiliating him? 463 00:21:19,760 --> 00:21:23,760 Speaker 2: Now? All he was gang affiliated in the streets of Beaker. 464 00:21:25,200 --> 00:21:26,960 Speaker 1: All these years I never met. 465 00:21:28,920 --> 00:21:32,240 Speaker 2: The Nationals had a spill David Little Proud is new 466 00:21:32,400 --> 00:21:33,720 Speaker 2: is now the leader of the NATS. 467 00:21:33,800 --> 00:21:35,000 Speaker 1: And that's a made up name, is. 468 00:21:35,040 --> 00:21:37,480 Speaker 2: It David Little Proud? 469 00:21:37,880 --> 00:21:38,000 Speaker 3: Well? 470 00:21:38,040 --> 00:21:41,200 Speaker 2: What about Perrin Davy? She is the Deputy of the 471 00:21:41,280 --> 00:21:43,080 Speaker 2: Nationals now p e r A. N. 472 00:21:43,160 --> 00:21:43,480 Speaker 1: Davy. 473 00:21:43,840 --> 00:21:47,240 Speaker 2: Her story is interesting. During the Night go On during 474 00:21:47,280 --> 00:21:49,720 Speaker 2: the nineteen nineties, she worked as an extra. She was 475 00:21:49,800 --> 00:21:53,000 Speaker 2: with a casting agency and she appeared in Home and Away, 476 00:21:53,080 --> 00:21:57,119 Speaker 2: East Street, water Rats, the movie Two Hands. She played 477 00:21:57,119 --> 00:21:59,640 Speaker 2: one of the hands. She was in Heavenly Creatures. 478 00:21:59,680 --> 00:22:01,040 Speaker 1: What was water Ats a floater? 479 00:22:01,520 --> 00:22:04,679 Speaker 2: Well? Possibly so, with the giant chalk outline around him. 480 00:22:04,720 --> 00:22:07,240 Speaker 1: There's a lot of people that ended up being floating 481 00:22:07,280 --> 00:22:07,920 Speaker 1: dead bodies. 482 00:22:07,960 --> 00:22:10,400 Speaker 2: In good news, I've got a gig for your water Rats. 483 00:22:10,560 --> 00:22:11,640 Speaker 2: Bad news. You're in the dream. 484 00:22:11,680 --> 00:22:14,120 Speaker 1: Next minute you've got Colin Friel's breathing dead. 485 00:22:14,600 --> 00:22:18,120 Speaker 2: Not Colin. He was in Waterts before he was thinking 486 00:22:18,200 --> 00:22:19,080 Speaker 2: of Colin Firth. 487 00:22:20,520 --> 00:22:23,679 Speaker 1: Now Colin free light in it. And then he left. 488 00:22:24,080 --> 00:22:27,000 Speaker 1: Steve Bisley took over and he was great, and then 489 00:22:27,359 --> 00:22:30,160 Speaker 1: Jayla Guy came along Water Rats. I tried to get 490 00:22:30,160 --> 00:22:31,320 Speaker 1: on water Rats as a floater. 491 00:22:31,560 --> 00:22:33,040 Speaker 2: That was my dream. 492 00:22:33,160 --> 00:22:33,960 Speaker 1: That was my aldermate. 493 00:22:34,000 --> 00:22:35,919 Speaker 2: Am did you audition it week after weeks. 494 00:22:35,960 --> 00:22:38,080 Speaker 1: I used to I used to buck for that. 495 00:22:38,280 --> 00:22:42,440 Speaker 2: You would float face up and gurning, which was the giveaway. Well, 496 00:22:42,480 --> 00:22:46,840 Speaker 2: you can't hide this, he's gesturing to his face. 497 00:22:47,840 --> 00:22:48,400 Speaker 1: What do you think? 498 00:22:49,119 --> 00:22:51,080 Speaker 2: I'm just telling people that you're showing off. They may 499 00:22:51,080 --> 00:22:55,440 Speaker 2: not know. But what was funny? Yesterday people were saying, 500 00:22:55,440 --> 00:22:58,280 Speaker 2: because this means with David Little Proud now as leader 501 00:22:58,320 --> 00:23:01,440 Speaker 2: of the NATS, this means means that Barnaby Joyce is out, 502 00:23:01,800 --> 00:23:04,720 Speaker 2: he's no longer the leader. And people were saying, yesterday, 503 00:23:04,760 --> 00:23:07,800 Speaker 2: put out your beat troops's and I saw, I saw 504 00:23:07,840 --> 00:23:12,320 Speaker 2: on Buda advocate. It says Peter Dutton, pops by Barnaby 505 00:23:12,359 --> 00:23:14,360 Speaker 2: Joyce's offers to wish him luck for the leadership. Spil 506 00:23:14,400 --> 00:23:19,159 Speaker 2: It's a picture of a beetroot and potato. What a 507 00:23:19,200 --> 00:23:20,480 Speaker 2: political stew there? In? 508 00:23:23,400 --> 00:23:24,840 Speaker 1: Is e anyone called carrot in there? 509 00:23:25,560 --> 00:23:25,600 Speaker 12: No? 510 00:23:25,720 --> 00:23:30,080 Speaker 1: Apparently not. There's a couple of questions that I have 511 00:23:30,160 --> 00:23:30,520 Speaker 1: to ask you. 512 00:23:30,680 --> 00:23:32,800 Speaker 2: I don't answer questions, Just answer it a question. 513 00:23:32,880 --> 00:23:35,400 Speaker 1: Okay, what's in it for me? Dollars? 514 00:23:35,440 --> 00:23:36,520 Speaker 7: A dollar reward? 515 00:23:38,240 --> 00:23:40,840 Speaker 1: Every morning we have ten thousand dollars up for grabs 516 00:23:40,920 --> 00:23:43,640 Speaker 1: right here, right now. You can win that money. It's 517 00:23:43,680 --> 00:23:46,240 Speaker 1: happened once twice right time. 518 00:23:46,359 --> 00:23:47,400 Speaker 2: I know you like the words. 519 00:23:47,520 --> 00:23:50,600 Speaker 1: I love the word thrice. But basically ten seconds, ten 520 00:23:50,680 --> 00:23:52,960 Speaker 1: questions in sixty seconds, it can be done. 521 00:23:53,040 --> 00:23:55,600 Speaker 2: The person who answers question ten correctly wins the money. 522 00:23:55,640 --> 00:23:57,120 Speaker 2: So it doesn't matter how many of you get right. 523 00:23:57,359 --> 00:23:59,520 Speaker 2: It's the person who answers question ten in the time 524 00:23:59,680 --> 00:24:00,800 Speaker 2: who takes home the money. 525 00:24:00,920 --> 00:24:06,040 Speaker 1: Dallas is in Bosley Park. Hello, Dallas, Hi, Dallas, first 526 00:24:06,040 --> 00:24:06,800 Speaker 1: cab off the rank. 527 00:24:06,920 --> 00:24:09,119 Speaker 2: Yes, Dallas, you are caller number one. We have a 528 00:24:09,119 --> 00:24:11,520 Speaker 2: bank of callers to take your place if you hesitate 529 00:24:11,640 --> 00:24:15,040 Speaker 2: or you're wrong. Are you ready to start? All right, 530 00:24:15,080 --> 00:24:17,400 Speaker 2: We've got ten questions, We've got sixty seconds. Here we go. 531 00:24:18,119 --> 00:24:20,200 Speaker 2: Question one, how many holes do you find in a 532 00:24:20,240 --> 00:24:21,160 Speaker 2: standard bowling ball? 533 00:24:22,280 --> 00:24:22,520 Speaker 7: Three? 534 00:24:22,880 --> 00:24:25,600 Speaker 2: Question two? Which is the only bird that walks upright? 535 00:24:29,000 --> 00:24:30,399 Speaker 1: Susan's in French as forest? 536 00:24:30,440 --> 00:24:34,800 Speaker 2: Which is the only bird that walks upright? Question three? 537 00:24:34,880 --> 00:24:39,720 Speaker 2: What flavor is the liquor shamboard? The liquor shamboard? 538 00:24:41,040 --> 00:24:43,760 Speaker 1: Winch Elizabeth in redvert. 539 00:24:43,359 --> 00:24:50,000 Speaker 2: What flavor is the liquor shamboard? Kerry n Spring wat 540 00:24:50,119 --> 00:24:52,640 Speaker 2: Try again? What flavor is loqure shamboard? 541 00:24:56,520 --> 00:24:57,639 Speaker 1: Sarah's in arm Cliff. 542 00:24:57,680 --> 00:24:59,480 Speaker 2: What flavor is lo cure shamboard? 543 00:25:03,280 --> 00:25:04,359 Speaker 1: Jeff Sing Glenn Wood? 544 00:25:04,400 --> 00:25:06,480 Speaker 2: What flavor is the cure? Shamboord? 545 00:25:07,560 --> 00:25:08,000 Speaker 6: Raspberry? 546 00:25:08,280 --> 00:25:10,200 Speaker 2: Question four? Who won the voice on Sunday Night? 547 00:25:13,240 --> 00:25:14,560 Speaker 1: Jeremy is in red Ford? 548 00:25:14,560 --> 00:25:15,880 Speaker 2: Who won the voice on Sunday Night? 549 00:25:17,560 --> 00:25:18,080 Speaker 3: No idea? 550 00:25:20,160 --> 00:25:21,440 Speaker 2: Who won a voice on Sunday Night? 551 00:25:24,240 --> 00:25:24,600 Speaker 1: Tony? 552 00:25:24,640 --> 00:25:26,439 Speaker 2: Would you have known Tony Lucky? 553 00:25:26,520 --> 00:25:28,640 Speaker 1: It was Lucky. There was a bit of a bit 554 00:25:28,640 --> 00:25:30,720 Speaker 1: of a bit of a pylon that he was the 555 00:25:30,720 --> 00:25:32,679 Speaker 1: only white guy that got selected, and he was the 556 00:25:32,920 --> 00:25:36,240 Speaker 1: least singer. Least singer, he wasn't a good singer compared 557 00:25:36,240 --> 00:25:39,560 Speaker 1: to the other people of color, apparently, I'm surprised at that, 558 00:25:40,960 --> 00:25:44,320 Speaker 1: but he was a the poorer singer. 559 00:25:44,480 --> 00:25:47,520 Speaker 2: Well, I would have thought in the music industry it's 560 00:25:47,520 --> 00:25:49,240 Speaker 2: more inclusive than a lot of other industry. 561 00:25:49,440 --> 00:25:51,600 Speaker 1: I think so too. Maybe there's a storm in the teacup. 562 00:25:51,720 --> 00:25:53,720 Speaker 2: Next question, though, how do you pronounce? Would you have 563 00:25:53,720 --> 00:25:54,800 Speaker 2: said liquor or the cure? 564 00:25:55,960 --> 00:25:58,280 Speaker 1: I would say liquor? How do you hold your. 565 00:25:58,200 --> 00:26:06,119 Speaker 2: Liquor down in the HR department? Well, my Instagram feed, 566 00:26:06,280 --> 00:26:10,640 Speaker 2: I follow animals, I follow border collies, I follow. 567 00:26:10,560 --> 00:26:13,040 Speaker 1: Do you actually follow any comedy. Do you follow any 568 00:26:13,040 --> 00:26:13,640 Speaker 1: people at all? 569 00:26:13,720 --> 00:26:13,800 Speaker 7: No? 570 00:26:14,359 --> 00:26:16,879 Speaker 2: Most, No, A lot of food. I follow food Miguel 571 00:26:16,920 --> 00:26:20,200 Speaker 2: Maestra obviously, but I follow a woman called Kat can cook, 572 00:26:20,600 --> 00:26:23,320 Speaker 2: and she does this great thing called Hungry Lady salads. 573 00:26:23,880 --> 00:26:27,879 Speaker 2: We're big, fantastic salads. And now my algorithm just shows 574 00:26:27,960 --> 00:26:31,480 Speaker 2: me lots of people making salads, and I'm happy for it. 575 00:26:31,640 --> 00:26:34,160 Speaker 1: You really fly by the city of your pants. 576 00:26:33,840 --> 00:26:35,560 Speaker 2: You know. Ge if someone looked at my search history, 577 00:26:35,600 --> 00:26:36,520 Speaker 2: what trouble I'd be in? 578 00:26:37,160 --> 00:26:37,360 Speaker 1: Its? 579 00:26:37,440 --> 00:26:39,439 Speaker 2: Sobernign people making salads. 580 00:26:39,480 --> 00:26:41,520 Speaker 1: You also follow the Wolf of Wall Street as well, 581 00:26:41,600 --> 00:26:45,200 Speaker 1: So who's he? Well, I don't play KOI I don't 582 00:26:45,200 --> 00:26:49,000 Speaker 1: know what you're talking about. Boats and bikinis. Come on, that. 583 00:26:49,040 --> 00:26:53,480 Speaker 2: Might be yours, Brendan maybe yes. But this woman I 584 00:26:53,480 --> 00:26:57,119 Speaker 2: who assume her name is Kat, she it's Kat, she does. 585 00:26:57,560 --> 00:26:59,960 Speaker 2: She put up this post yesterday that wasn't about cookie, 586 00:27:00,119 --> 00:27:03,040 Speaker 2: and it really spoke to me. She said, I don't 587 00:27:03,040 --> 00:27:04,880 Speaker 2: know who needs to hear this, but you can leave 588 00:27:04,920 --> 00:27:08,000 Speaker 2: a party without saying goodbye to everyone you know at 589 00:27:08,000 --> 00:27:10,600 Speaker 2: that party. You can actually say goodbye to no one. 590 00:27:10,880 --> 00:27:13,040 Speaker 2: If you've used up all your social energy, you can 591 00:27:13,160 --> 00:27:15,400 Speaker 2: just leave. Everyone will be fine. 592 00:27:16,440 --> 00:27:17,240 Speaker 1: The smoke bomb. 593 00:27:17,800 --> 00:27:18,680 Speaker 2: Is that what that's called. 594 00:27:18,840 --> 00:27:22,040 Speaker 1: Yeah, yeah, it's a good one to do. 595 00:27:22,080 --> 00:27:24,719 Speaker 2: I mean, why smoke bomb? Leave it smell and go. 596 00:27:25,000 --> 00:27:28,160 Speaker 1: No, you you just and you're in a conversation. Sometimes 597 00:27:28,200 --> 00:27:30,040 Speaker 1: what I'll do is I'll have a beer in the 598 00:27:30,080 --> 00:27:32,040 Speaker 1: hand and I said, just told this old people, I'm 599 00:27:32,040 --> 00:27:34,280 Speaker 1: going to the loo. And then I don't say I'm 600 00:27:34,280 --> 00:27:37,080 Speaker 1: going to the loo at my house. But and then 601 00:27:37,119 --> 00:27:37,920 Speaker 1: you're out of the house. 602 00:27:38,400 --> 00:27:40,679 Speaker 2: You're You're big and loud when you go, so you 603 00:27:40,840 --> 00:27:43,600 Speaker 2: like a dance. You're one of the people who like, yeah, mate, 604 00:27:43,600 --> 00:27:46,320 Speaker 2: I'm going, I'm going. You like to tell everyone you're heading. 605 00:27:46,560 --> 00:27:49,240 Speaker 1: That's not true. I think it depends if if it's 606 00:27:49,280 --> 00:27:51,840 Speaker 1: a great party and I'm leaving, I might do a 607 00:27:51,840 --> 00:27:53,080 Speaker 1: bit of a Sammy Davis Jr. 608 00:27:53,440 --> 00:27:55,879 Speaker 2: Say hey mate, hey, hey, thank you for having me 609 00:27:55,920 --> 00:27:56,560 Speaker 2: pointed everyone. 610 00:27:56,560 --> 00:27:59,000 Speaker 1: Hey, yeah bye, bought Alan sugar. I'll see you next 611 00:27:59,000 --> 00:28:00,719 Speaker 1: week some golf. 612 00:28:01,640 --> 00:28:04,520 Speaker 2: My husband accuses me of saying, we decide we should go, 613 00:28:05,240 --> 00:28:07,840 Speaker 2: and then I spend a long time saying goodbye. 614 00:28:07,960 --> 00:28:10,040 Speaker 1: Yes, and you know what you do? You come up 615 00:28:10,040 --> 00:28:12,040 Speaker 1: to me if we're at a shindig, like a couple 616 00:28:12,080 --> 00:28:13,560 Speaker 1: of weeks ago at a shinding came as. 617 00:28:13,520 --> 00:28:16,280 Speaker 2: It I'm leaving, okay, said my goodbye. 618 00:28:16,400 --> 00:28:19,199 Speaker 1: No, no, and then then it took another half an 619 00:28:19,240 --> 00:28:20,400 Speaker 1: hour for you to get out of there. 620 00:28:20,800 --> 00:28:23,200 Speaker 2: That's not my fault. People want to start, people want 621 00:28:23,200 --> 00:28:24,360 Speaker 2: to be a part, and I want to say I 622 00:28:24,359 --> 00:28:25,840 Speaker 2: didn't get to talk to you. I'm heading off now, 623 00:28:25,840 --> 00:28:27,280 Speaker 2: and they well, what about blah blah blah. Think no, 624 00:28:27,359 --> 00:28:29,720 Speaker 2: I've left it too late. So I like the idea 625 00:28:29,880 --> 00:28:33,000 Speaker 2: because you do feel obligated to say goodbye to everyone, 626 00:28:33,160 --> 00:28:36,040 Speaker 2: and I like this is quite freeing. If you've used 627 00:28:36,119 --> 00:28:39,680 Speaker 2: up all your social energy, you can just leave. Everyone 628 00:28:39,680 --> 00:28:41,240 Speaker 2: will be fine. And it's so true. 629 00:28:41,320 --> 00:28:43,240 Speaker 1: If you're at someone's house, is there only three of 630 00:28:43,280 --> 00:28:45,400 Speaker 1: you there, you could have kind of get up before 631 00:28:45,440 --> 00:28:50,200 Speaker 1: dessert and just run away where we saw of scaling 632 00:28:50,200 --> 00:28:50,880 Speaker 1: the back fence. 633 00:28:51,000 --> 00:28:53,160 Speaker 2: I think the tribal drama is going to beat for this. 634 00:28:53,320 --> 00:28:55,280 Speaker 2: Let's call it time to leave the party. 635 00:28:55,680 --> 00:28:57,600 Speaker 11: I got to get out of here. I've got to 636 00:28:57,600 --> 00:28:58,240 Speaker 11: get out of here. 637 00:28:59,360 --> 00:29:03,640 Speaker 2: Do you know someone who leaves the party strangely, who 638 00:29:03,840 --> 00:29:07,840 Speaker 2: leaves before it's over, who leaves too late? Your partner? 639 00:29:07,880 --> 00:29:09,360 Speaker 2: Maybe they go you crazy. 640 00:29:09,480 --> 00:29:12,200 Speaker 1: The stay is the worst. The stay is say. 641 00:29:12,240 --> 00:29:15,720 Speaker 2: About what's that? I throw water on the fire and 642 00:29:15,720 --> 00:29:19,520 Speaker 2: I didn't even have a fireplace. I set my hair 643 00:29:19,600 --> 00:29:20,120 Speaker 2: on fire. 644 00:29:20,280 --> 00:29:23,360 Speaker 1: My wife family does the driveway farewell that they just 645 00:29:23,400 --> 00:29:25,760 Speaker 1: stand in the driveway and talk for another half hour. 646 00:29:26,120 --> 00:29:28,840 Speaker 1: How can you be no one wraps up the conversation. 647 00:29:30,040 --> 00:29:32,520 Speaker 1: So I'm putting out bins and you're putting the cat 648 00:29:32,600 --> 00:29:34,040 Speaker 1: out and they're still out of the driveway. 649 00:29:34,080 --> 00:29:37,160 Speaker 2: Because Harley likes to leave earlier than I do it usually, 650 00:29:37,200 --> 00:29:39,960 Speaker 2: so he says, okay, let's go, And so he's sitting 651 00:29:39,960 --> 00:29:42,360 Speaker 2: in the car at the front while I'm getting another 652 00:29:42,360 --> 00:29:43,520 Speaker 2: glass of wine inside. 653 00:29:43,680 --> 00:29:45,680 Speaker 1: You sitting in the car till nine in the morning. 654 00:29:47,320 --> 00:29:49,640 Speaker 2: Share the horrors? Time to leave the party? 655 00:29:49,640 --> 00:29:54,479 Speaker 1: What if you got podcast? And it's good to know 656 00:29:54,720 --> 00:29:56,960 Speaker 1: that you can leave a party without saying goodbye? 657 00:29:57,080 --> 00:29:59,920 Speaker 2: Well, isn't it crazy that sometimes you need to be told? 658 00:30:00,280 --> 00:30:03,960 Speaker 2: I saw it was a TikTok yesterday from a woman 659 00:30:04,000 --> 00:30:06,520 Speaker 2: I follow on Instagram called cap can Cook. She's a 660 00:30:06,560 --> 00:30:08,640 Speaker 2: I think she used to be a caterer. But she says, 661 00:30:09,080 --> 00:30:11,560 Speaker 2: you know you can leave a party without saying goodbye 662 00:30:11,680 --> 00:30:13,760 Speaker 2: if if you stop all your social energies, just leave 663 00:30:13,800 --> 00:30:15,600 Speaker 2: and everyone will be fine. But isn't it funny how 664 00:30:15,640 --> 00:30:18,040 Speaker 2: sometimes you need to be told that. I feel a 665 00:30:18,080 --> 00:30:21,479 Speaker 2: compulsion to have to say goodbye to everyone, and you know, 666 00:30:21,560 --> 00:30:23,080 Speaker 2: thank you, thank you, thank you, even though I know 667 00:30:23,160 --> 00:30:24,720 Speaker 2: Harley's waiting in the car and desperate to go. 668 00:30:24,920 --> 00:30:26,280 Speaker 1: Don't you get a lot of people say, haven't you 669 00:30:26,360 --> 00:30:27,040 Speaker 1: left already? 670 00:30:28,160 --> 00:30:31,160 Speaker 2: You know you've overstayed this by a week. The kids 671 00:30:31,160 --> 00:30:32,800 Speaker 2: are doing their exams. Now it's time time. 672 00:30:32,880 --> 00:30:34,880 Speaker 1: Your husbands sitting out in the car. He's been there 673 00:30:34,920 --> 00:30:39,320 Speaker 1: for two days go home. Tribal dramas, beating time to 674 00:30:39,400 --> 00:30:40,240 Speaker 1: leave the party. 675 00:30:40,520 --> 00:30:42,440 Speaker 11: I got to get out of here. I got to 676 00:30:42,480 --> 00:30:43,080 Speaker 11: get out of here. 677 00:30:43,360 --> 00:30:44,720 Speaker 1: And Andrew was joined us. 678 00:30:44,720 --> 00:30:49,520 Speaker 2: Hello, andrews, very well, are you a good party leaver? 679 00:30:51,120 --> 00:30:51,320 Speaker 7: Yeah? 680 00:30:53,160 --> 00:30:55,560 Speaker 4: Take catches later and I'll get the kids in the car. 681 00:30:56,160 --> 00:30:58,480 Speaker 4: But then forty five minutes later, I was still waiting 682 00:30:58,520 --> 00:31:00,960 Speaker 4: for the while, and the kids are absolutely because they 683 00:31:00,960 --> 00:31:02,280 Speaker 4: didn't even want to leave the party. 684 00:31:02,960 --> 00:31:06,160 Speaker 2: So you've strapped them in the car and you're waiting waiting. 685 00:31:06,360 --> 00:31:07,480 Speaker 2: Oh that's a terrible thing. 686 00:31:07,760 --> 00:31:09,960 Speaker 1: Is this the driveway chat? Andrew? 687 00:31:11,560 --> 00:31:15,720 Speaker 4: There's the driveway chat and the front doorstep chat. Then 688 00:31:16,120 --> 00:31:17,040 Speaker 4: the car chair. 689 00:31:17,960 --> 00:31:20,160 Speaker 2: Also there's someone else comes to the window to say. 690 00:31:20,040 --> 00:31:23,240 Speaker 1: And there's always someone in your family, and they'll start 691 00:31:23,280 --> 00:31:26,120 Speaker 1: up a conversation just as you've wrapped up the conversation. 692 00:31:26,600 --> 00:31:29,440 Speaker 1: So you start up, you've wrapped the conversation. You're about 693 00:31:29,440 --> 00:31:32,400 Speaker 1: to go. What sort of car is there? What's it 694 00:31:32,480 --> 00:31:34,160 Speaker 1: a mile for gallons? Do you get in the fuel 695 00:31:34,160 --> 00:31:36,160 Speaker 1: of your car? And you're, oh, God, I can't. 696 00:31:35,920 --> 00:31:37,200 Speaker 2: Do that's something you would do. 697 00:31:37,280 --> 00:31:39,920 Speaker 1: No, it's not, it is. I'm great. I'm like Tommy 698 00:31:39,960 --> 00:31:40,480 Speaker 1: Lee Jones. 699 00:31:40,520 --> 00:31:43,240 Speaker 2: I'm going to give so I'm not. You're mister chatty 700 00:31:43,320 --> 00:31:44,640 Speaker 2: Kathy all the time. 701 00:31:45,160 --> 00:31:48,560 Speaker 1: I can't help if I'm gregarious. But when I need 702 00:31:48,600 --> 00:31:53,240 Speaker 1: to be, I leave. Alisha is with us. Hello, Alisha, Hi, Hey. 703 00:31:53,160 --> 00:31:56,000 Speaker 2: You going Alisha? Are you good at leaving the party? 704 00:31:57,200 --> 00:31:59,400 Speaker 9: I'm not too bad, I thought. My uncle, I think 705 00:31:59,520 --> 00:32:04,880 Speaker 9: takes a on this one. At our engagement party years ago, 706 00:32:05,160 --> 00:32:07,400 Speaker 9: when he decided he'd had enough, which told me about 707 00:32:07,480 --> 00:32:10,600 Speaker 9: nine thirty ten o'clock, he just wrapped the power sock 708 00:32:10,640 --> 00:32:13,320 Speaker 9: at our hole that the DJ was using and wrapped 709 00:32:13,360 --> 00:32:14,040 Speaker 9: everybody out. 710 00:32:14,160 --> 00:32:16,600 Speaker 4: So I did clappy and time to go party over. 711 00:32:17,040 --> 00:32:20,560 Speaker 2: It wasn't even himself, it wasn't even his party, No, 712 00:32:20,640 --> 00:32:21,400 Speaker 2: but he wanted. 713 00:32:21,200 --> 00:32:23,680 Speaker 4: To go, so he just thought it was time for everybody. 714 00:32:24,360 --> 00:32:25,719 Speaker 9: Pretty much ended the party. 715 00:32:25,880 --> 00:32:28,120 Speaker 1: But is it is at is his venue? 716 00:32:29,080 --> 00:32:29,640 Speaker 11: No? 717 00:32:29,640 --> 00:32:31,920 Speaker 9: No, no, he just wanted to go home and that 718 00:32:32,080 --> 00:32:33,120 Speaker 9: was his way to it. 719 00:32:33,160 --> 00:32:36,600 Speaker 1: Well, they could have just gone he got a snug out, 720 00:32:36,640 --> 00:32:37,600 Speaker 1: no one would have noticed. 721 00:32:37,840 --> 00:32:41,120 Speaker 2: Yeah he killed the Yeah, funny about that. 722 00:32:41,240 --> 00:32:43,920 Speaker 1: Full out the juke box and clap his hands. Okay, 723 00:32:45,280 --> 00:32:46,200 Speaker 1: nothing to see here. 724 00:32:47,120 --> 00:32:49,720 Speaker 2: Wow, wow, Uncle of the bride. 725 00:32:49,760 --> 00:32:52,320 Speaker 1: That is that is terrible because not only are you 726 00:32:52,400 --> 00:32:55,120 Speaker 1: announcing your you're leaving to everyone, you've ruined it for 727 00:32:55,120 --> 00:32:55,760 Speaker 1: everyone else. 728 00:32:56,040 --> 00:32:58,000 Speaker 2: Okay, we're going to take more of your calls. Time 729 00:32:58,080 --> 00:33:01,880 Speaker 2: to leave the party. Jonesy and and podcast. 730 00:33:05,840 --> 00:33:08,880 Speaker 1: You were in the same clothes as yesterday, yesterday, same 731 00:33:08,920 --> 00:33:11,600 Speaker 1: as the day before. It takes the pressure off. You know, 732 00:33:11,920 --> 00:33:14,480 Speaker 1: you can leave a party without saying goodbye to everyone. 733 00:33:14,760 --> 00:33:17,560 Speaker 1: I remember that next time around at quintin Bryce's house. 734 00:33:18,160 --> 00:33:20,760 Speaker 2: And everyone's gone to bed six hours before and you're 735 00:33:20,760 --> 00:33:21,720 Speaker 2: going through the china. 736 00:33:22,360 --> 00:33:24,680 Speaker 1: Why would I go through her china although she's got 737 00:33:24,680 --> 00:33:27,320 Speaker 1: a great set. Actual, yes, this is really good. 738 00:33:27,840 --> 00:33:30,600 Speaker 2: Well I read something yesterday that said you can leave 739 00:33:30,600 --> 00:33:33,440 Speaker 2: a party without having to say goodbye. You can leave. 740 00:33:34,280 --> 00:33:36,120 Speaker 2: You can just say goodbye to no one. If you've 741 00:33:36,200 --> 00:33:38,160 Speaker 2: used up all your social energy, you can just leave. 742 00:33:38,240 --> 00:33:40,960 Speaker 2: Everyone will be fine, which is a revelation because I 743 00:33:41,000 --> 00:33:43,120 Speaker 2: do feel socially obligated. You do not. 744 00:33:44,960 --> 00:33:48,320 Speaker 1: Just to rack off. You're like Sammy Davis Junior, Dean Martin, 745 00:33:48,480 --> 00:33:50,680 Speaker 1: Jerry Lewis or combined. Hey kid, yeah, good on you 746 00:33:50,760 --> 00:33:53,040 Speaker 1: see on the sunshine, Yeah, see on the flip side, kid, 747 00:33:53,080 --> 00:33:55,720 Speaker 1: Yeah yeah, get me another broad drink, will you? That's you. 748 00:33:55,920 --> 00:33:58,640 Speaker 2: I think everyone listening to this realizes you're describing yourself. 749 00:34:00,040 --> 00:34:02,000 Speaker 1: I can't help if I'm engaging and people miss me 750 00:34:02,040 --> 00:34:03,920 Speaker 1: when I'm gone, So it's easy for me not to 751 00:34:03,960 --> 00:34:07,800 Speaker 1: say that. I'm going try, try. 752 00:34:08,680 --> 00:34:11,520 Speaker 2: I can't even say these words out loud. Tribal drum 753 00:34:11,560 --> 00:34:13,320 Speaker 2: is beating for time to leave the party. 754 00:34:13,520 --> 00:34:15,440 Speaker 11: I got to get out of here. I've got to 755 00:34:15,480 --> 00:34:16,080 Speaker 11: get out of here. 756 00:34:16,920 --> 00:34:17,799 Speaker 1: Phoebe has joined. 757 00:34:17,920 --> 00:34:21,120 Speaker 2: Hello, Phoebe Ah, good morning guys. 758 00:34:21,160 --> 00:34:23,480 Speaker 10: You know, when we go to leave the party, my 759 00:34:23,560 --> 00:34:26,760 Speaker 10: husband says, all right, let's go Johnny Farnham farewell Tour, 760 00:34:27,080 --> 00:34:28,879 Speaker 10: which means I'm going to take the next forty five 761 00:34:28,880 --> 00:34:30,720 Speaker 10: minutes absolutely everyone. 762 00:34:31,000 --> 00:34:33,560 Speaker 1: Yeah, it's like you're at the wedding where you have 763 00:34:33,600 --> 00:34:36,040 Speaker 1: to say goodbye where the bride and groom go around 764 00:34:36,040 --> 00:34:38,680 Speaker 1: the circle. Is that right, in a circle say goodbye? 765 00:34:39,320 --> 00:34:41,120 Speaker 10: I think maybe because when you get a bit older, 766 00:34:41,160 --> 00:34:43,799 Speaker 10: you don't see everyone so on. So it's like, all right, 767 00:34:43,840 --> 00:34:45,960 Speaker 10: we'll see your next party, which could be a bit longer. 768 00:34:46,560 --> 00:34:49,000 Speaker 1: So does your husband factor this in? So he goes 769 00:34:49,040 --> 00:34:50,640 Speaker 1: to the party and he knows that he's going to 770 00:34:50,640 --> 00:34:51,719 Speaker 1: put in another forty five. 771 00:34:51,880 --> 00:34:53,520 Speaker 2: He goes in, says hello, and then wait at the 772 00:34:53,560 --> 00:34:54,279 Speaker 2: door for you to leave. 773 00:34:55,480 --> 00:34:55,920 Speaker 7: That's right. 774 00:34:55,960 --> 00:34:58,319 Speaker 10: Well, but you know the other thing he does when 775 00:34:58,400 --> 00:35:01,480 Speaker 10: he's ready to go, he says, hey, we're better head 776 00:35:01,480 --> 00:35:02,520 Speaker 10: old fees is ready to go. 777 00:35:02,800 --> 00:35:03,840 Speaker 1: I'm like, I'm not ready to go. 778 00:35:04,200 --> 00:35:08,760 Speaker 2: Yeah yeah, yeah, yeah, I hate that, that old trick. 779 00:35:08,960 --> 00:35:10,920 Speaker 1: Yeah yeah. And my wife's done that to me a 780 00:35:10,960 --> 00:35:13,080 Speaker 1: few times. She would just suddenly say I'm going I go. Well, 781 00:35:12,920 --> 00:35:16,000 Speaker 1: we'll hang on, and it's like, you know, she's an assassin. 782 00:35:16,160 --> 00:35:17,520 Speaker 1: I said, what have you just killed someone? We're going 783 00:35:17,560 --> 00:35:18,920 Speaker 1: to get what have you done? Why do we have 784 00:35:18,960 --> 00:35:19,239 Speaker 1: to leave? 785 00:35:19,280 --> 00:35:21,400 Speaker 2: Some Phoebe saying though that her husband says, we have 786 00:35:21,480 --> 00:35:23,200 Speaker 2: to go because Phoebe wants to go home. 787 00:35:23,280 --> 00:35:24,160 Speaker 1: Oh that's a good one too. 788 00:35:24,280 --> 00:35:26,600 Speaker 2: That's what Phoebe just said. That she gets thrown under 789 00:35:26,640 --> 00:35:29,240 Speaker 2: the bus, a bus that's leaving in forty minutes. 790 00:35:29,320 --> 00:35:31,399 Speaker 1: It's like that old school thing, you know. Amanda wants 791 00:35:31,480 --> 00:35:33,520 Speaker 1: to stay over. Hey, Mum, can Amanda stay over? She 792 00:35:33,560 --> 00:35:35,160 Speaker 1: wants to know if she can stay out? Yeah, and 793 00:35:35,200 --> 00:35:37,120 Speaker 1: Mom says, oh, yeah, okay, but you look like a 794 00:35:37,120 --> 00:35:38,160 Speaker 1: little bit of a needy. 795 00:35:38,000 --> 00:35:41,920 Speaker 2: Yeah, and I'm sixty. Well, thank you for all your calls. 796 00:35:42,000 --> 00:35:45,560 Speaker 1: Thanks Phoebe. Let's get on down to the Jones and 797 00:35:45,560 --> 00:35:47,640 Speaker 1: demand of arms in the pub test a big one today. 798 00:35:47,840 --> 00:35:51,080 Speaker 2: Controversial today. This has been going off on Twitter. Is 799 00:35:51,120 --> 00:35:52,000 Speaker 2: everyone ready. 800 00:35:52,080 --> 00:35:53,440 Speaker 1: How to spot a psychopath? 801 00:35:53,600 --> 00:35:58,439 Speaker 2: No, not that one. Do you do sock shoe sock 802 00:35:58,480 --> 00:36:01,640 Speaker 2: shoe or sock socks shoeshoe? And if you're a sock, 803 00:36:02,040 --> 00:36:04,760 Speaker 2: if you're a sox sox shoe shoe person. The idea 804 00:36:04,760 --> 00:36:09,880 Speaker 2: that anyone does SOX sox shoe shoe is unfathomable. I 805 00:36:09,920 --> 00:36:13,880 Speaker 2: can't imagine while you do SOX shoe sock shoe unless 806 00:36:13,920 --> 00:36:17,360 Speaker 2: you're in the army, or unless say, the ground is 807 00:36:17,440 --> 00:36:20,040 Speaker 2: wet and you don't want to put a sock down 808 00:36:20,040 --> 00:36:23,399 Speaker 2: on it fair enough. That's the dance I can think 809 00:36:23,440 --> 00:36:25,560 Speaker 2: of it. But there are some people here who do that. 810 00:36:26,000 --> 00:36:29,879 Speaker 1: However, years ago, I was watching TMZ not TMZ turn 811 00:36:29,920 --> 00:36:31,840 Speaker 1: a classic movie, you turn a classic movies in that 812 00:36:31,880 --> 00:36:34,239 Speaker 1: show All in the Family, And this has been going 813 00:36:34,280 --> 00:36:36,600 Speaker 1: around for a long time. So this was on the show. 814 00:36:38,160 --> 00:36:39,040 Speaker 6: What you're doing here? 815 00:36:40,600 --> 00:36:45,080 Speaker 1: What about the other foot? Don't no soka, I'll get toys. 816 00:36:47,280 --> 00:36:49,480 Speaker 1: So you know that the whole world puts on a 817 00:36:49,520 --> 00:36:51,359 Speaker 1: sock and a sock and a shoe. 818 00:36:51,080 --> 00:36:55,359 Speaker 4: And I like to take care of one foot at 819 00:36:55,360 --> 00:36:55,719 Speaker 4: a time. 820 00:36:58,640 --> 00:36:59,880 Speaker 1: That's the dumbest thing. 821 00:37:05,520 --> 00:37:07,680 Speaker 2: It upsets me to think that people do that. 822 00:37:08,480 --> 00:37:11,480 Speaker 1: Yeah, you gotta go a sock sock because if situation happens, 823 00:37:11,800 --> 00:37:13,839 Speaker 1: you've got to get out. But then again, what if 824 00:37:13,840 --> 00:37:15,560 Speaker 1: you got packetry at home and you've just got socks, 825 00:37:15,600 --> 00:37:17,400 Speaker 1: and you've got a murderer chasing you with a chainsaw? 826 00:37:17,440 --> 00:37:19,799 Speaker 2: Would you rather have one shoe than no shoe? See, 827 00:37:19,800 --> 00:37:21,319 Speaker 2: that's the thing. If you've at least got one shoe 828 00:37:21,320 --> 00:37:22,120 Speaker 2: and you've got to hop. 829 00:37:22,480 --> 00:37:25,520 Speaker 1: You're not gonna slip. 830 00:37:24,840 --> 00:37:26,880 Speaker 2: If you have to hop over broken glass rather than 831 00:37:26,920 --> 00:37:27,920 Speaker 2: running on your socks. 832 00:37:28,320 --> 00:37:31,279 Speaker 1: Bruce Willison die had had no shoes. I remember you 833 00:37:31,360 --> 00:37:32,480 Speaker 1: just had bloodied feet. 834 00:37:32,960 --> 00:37:34,680 Speaker 2: Well, that's not what we're discussing here. 835 00:37:35,280 --> 00:37:37,759 Speaker 1: Okay, maybe I've gone off piece, but what I'm saying 836 00:37:37,840 --> 00:37:40,120 Speaker 1: is you would always just go sock sock shoeshoe. 837 00:37:40,200 --> 00:37:42,319 Speaker 2: I think it's habit. So which is your habit? Do 838 00:37:42,360 --> 00:37:46,160 Speaker 2: you do sock shoe sock shoe or do you do 839 00:37:46,280 --> 00:37:48,120 Speaker 2: sock sock shoeshoe? 840 00:37:48,320 --> 00:37:51,000 Speaker 1: It's like what we do cereal, putting milk in first 841 00:37:51,000 --> 00:37:53,640 Speaker 1: and then the cereal on top. You put the cereal 842 00:37:53,680 --> 00:37:55,680 Speaker 1: in first and you put the milk on top. You 843 00:37:55,719 --> 00:37:56,279 Speaker 1: don't do it the other. 844 00:37:56,360 --> 00:37:57,640 Speaker 2: That's another day's debate. 845 00:37:57,840 --> 00:37:59,720 Speaker 1: That's a bigg is shoe for tomorrow. 846 00:37:59,400 --> 00:38:01,879 Speaker 2: Socks shoe, sock shoe or sox sock shoe shoe? Which 847 00:38:01,920 --> 00:38:03,479 Speaker 2: one of these passes the pub test? 848 00:38:03,840 --> 00:38:05,520 Speaker 1: We'll settle this right here, right now. 849 00:38:07,480 --> 00:38:10,560 Speaker 2: Podcast. Well, our next guess is one of Australia's most 850 00:38:10,600 --> 00:38:14,000 Speaker 2: admired and widely recognized people. She's the real life superwoman 851 00:38:14,440 --> 00:38:16,600 Speaker 2: who you know, is the endurance athlete who survived a 852 00:38:16,640 --> 00:38:21,640 Speaker 2: wildfire during Ultra marathon bushfires over here. Well, these days 853 00:38:21,640 --> 00:38:25,080 Speaker 2: she's fighting it out on celebrity apprentice to reappeared. 854 00:38:25,120 --> 00:38:28,719 Speaker 8: Hello, Hello, thanks for having me guys. 855 00:38:28,880 --> 00:38:31,920 Speaker 1: Although Cheria, when you were running through that bushfire wildfire, 856 00:38:31,960 --> 00:38:33,919 Speaker 1: you didn't care what it was called you at the time, 857 00:38:34,000 --> 00:38:36,840 Speaker 1: So I apologize for that. 858 00:38:36,840 --> 00:38:39,160 Speaker 8: That's so fine. Look, it's always good to get things right. 859 00:38:39,239 --> 00:38:41,680 Speaker 1: Yeah, let's not worry about semantics. I'm on fire. 860 00:38:43,520 --> 00:38:46,040 Speaker 2: How did you feel when they approached you about this show? 861 00:38:46,160 --> 00:38:49,600 Speaker 2: Because it looks tough. You've got to ask friends for money, 862 00:38:49,640 --> 00:38:52,399 Speaker 2: You've got to tell fellow people that you don't like them. 863 00:38:52,440 --> 00:38:54,280 Speaker 2: It's not easy. 864 00:38:54,680 --> 00:38:57,840 Speaker 8: No, it wasn't It was. It definitely wasn't easy. And 865 00:38:57,880 --> 00:39:01,480 Speaker 8: when you watch the episode, you know, I think a 866 00:39:01,520 --> 00:39:02,960 Speaker 8: lot of the time it doesn't show all of the 867 00:39:03,000 --> 00:39:07,480 Speaker 8: work and effort and time that goes into preparing for 868 00:39:07,600 --> 00:39:10,239 Speaker 8: one of their tasks. But I think I did it 869 00:39:10,280 --> 00:39:13,280 Speaker 8: originally because of the opportunity to raise money for charity. 870 00:39:14,239 --> 00:39:16,440 Speaker 8: And I've got a really great charity, Into Plaster, I've 871 00:39:16,440 --> 00:39:20,120 Speaker 8: worked with for almost a decade now, So I think 872 00:39:20,160 --> 00:39:21,640 Speaker 8: that was what got me over the line. 873 00:39:21,800 --> 00:39:24,239 Speaker 2: And what do they do tell us about into Plast. 874 00:39:24,440 --> 00:39:29,880 Speaker 8: Yeah, Interoplass provides reconstructive surgery to people who really need it. 875 00:39:29,920 --> 00:39:33,000 Speaker 8: In developing countries. So that means if you're a burn 876 00:39:33,120 --> 00:39:36,400 Speaker 8: survivor in a developing country, Into Class can help re 877 00:39:36,520 --> 00:39:39,520 Speaker 8: mediate that. If you're born with cleft with or cleft palate, 878 00:39:40,080 --> 00:39:42,520 Speaker 8: if you're a woman and you've had asset thrown on you, 879 00:39:43,200 --> 00:39:46,040 Speaker 8: so pretty much everything and anything that can be helped 880 00:39:46,560 --> 00:39:49,759 Speaker 8: with reconstructing surgery, that's what Into Class does. 881 00:39:49,920 --> 00:39:50,320 Speaker 2: Amazing. 882 00:39:51,400 --> 00:39:54,040 Speaker 8: Yeah, they're amazing, They're incredible. That is such important work. 883 00:39:54,680 --> 00:39:57,120 Speaker 1: You on the show. You're just doing great. Although I 884 00:39:57,120 --> 00:39:59,359 Speaker 1: do worry you end up in that boardroom more often 885 00:39:59,400 --> 00:40:01,760 Speaker 1: than not. Why is that it's not fair? 886 00:40:03,080 --> 00:40:03,480 Speaker 7: I know. 887 00:40:03,800 --> 00:40:07,400 Speaker 8: Look, there's been five tasks and I've been in the 888 00:40:07,440 --> 00:40:12,200 Speaker 8: boardroom for four of them, so I don't really know 889 00:40:12,239 --> 00:40:15,799 Speaker 8: why I was in the boardroom so often. But that's 890 00:40:15,880 --> 00:40:18,120 Speaker 8: just how I guess. That's just how it played out. 891 00:40:18,760 --> 00:40:22,080 Speaker 2: And are you enjoying the process? To us just looks like, oh, 892 00:40:22,160 --> 00:40:24,480 Speaker 2: to be so hard. You knew what you were getting 893 00:40:24,480 --> 00:40:27,440 Speaker 2: yourself in for. But was it tougher than you imagined? 894 00:40:28,680 --> 00:40:30,840 Speaker 8: It was a lot tougher than I imagine. The days 895 00:40:30,880 --> 00:40:35,680 Speaker 8: were a lot longer, the amount of work and time 896 00:40:35,800 --> 00:40:39,640 Speaker 8: and imput and energy that you had to put into 897 00:40:39,680 --> 00:40:43,960 Speaker 8: each task was. It was really full long. It was 898 00:40:44,120 --> 00:40:47,000 Speaker 8: quite a stressful, stressful period of time. But on the 899 00:40:47,000 --> 00:40:50,280 Speaker 8: other hand, you know, I made a lot of great friends. 900 00:40:50,280 --> 00:40:52,560 Speaker 8: I met a lot of cool people. I got to 901 00:40:52,600 --> 00:40:54,319 Speaker 8: raise a lot of money for my charity. And it 902 00:40:54,360 --> 00:40:56,680 Speaker 8: was something that was a little bit different and a 903 00:40:56,680 --> 00:40:59,520 Speaker 8: little bit fun. And so I think I've done. I'll 904 00:40:59,560 --> 00:41:04,799 Speaker 8: never do reality TV again. I'm happy. I'm happy I 905 00:41:04,960 --> 00:41:06,799 Speaker 8: tried it out with Celebrity Apprentice. 906 00:41:07,120 --> 00:41:10,200 Speaker 1: And you haven't this feud between Beck from Marretive First 907 00:41:10,200 --> 00:41:14,360 Speaker 1: Sight and yourself I've been reading about that. Is that true? No? 908 00:41:14,680 --> 00:41:18,000 Speaker 8: I don't. I don't think that's true. Well, when you 909 00:41:18,440 --> 00:41:21,440 Speaker 8: when you're project manager, you have to choose two people 910 00:41:21,880 --> 00:41:24,239 Speaker 8: to bring into the boardroom with you. That's the rules 911 00:41:24,280 --> 00:41:26,880 Speaker 8: of Celebrity Apprentice. And when I came back in, I 912 00:41:26,960 --> 00:41:30,560 Speaker 8: chose Beck and Gamble, so that that was the extent 913 00:41:30,640 --> 00:41:31,240 Speaker 8: of the feud. 914 00:41:33,080 --> 00:41:35,359 Speaker 2: And what about Lord Sugar. We had him on our show. 915 00:41:36,160 --> 00:41:40,160 Speaker 2: He is a cranky old bugger. He couldn't give two rats. 916 00:41:40,520 --> 00:41:42,200 Speaker 2: How do you feel when you have to confront him? 917 00:41:43,320 --> 00:41:46,840 Speaker 8: Yeah, he's a bit of a cranky old bugger And 918 00:41:46,880 --> 00:41:48,840 Speaker 8: you get really nervous when you go into the boardroom 919 00:41:48,840 --> 00:41:50,840 Speaker 8: with all even though we're all adults. It kind of 920 00:41:50,840 --> 00:41:53,160 Speaker 8: feels like at school when you get sent to the 921 00:41:53,160 --> 00:41:54,560 Speaker 8: principal's office. 922 00:41:54,960 --> 00:41:57,719 Speaker 1: I like that he's assistant that the girl with the 923 00:41:57,880 --> 00:42:01,360 Speaker 1: smoke and hot hair does. She never says anything. She's amazing. 924 00:42:02,320 --> 00:42:04,040 Speaker 8: She was my favorite person on the whole. 925 00:42:05,520 --> 00:42:06,240 Speaker 2: She said nothing. 926 00:42:06,719 --> 00:42:07,160 Speaker 7: Outfit. 927 00:42:07,600 --> 00:42:10,680 Speaker 8: She's glamorous, stylish, she put all. 928 00:42:10,560 --> 00:42:13,360 Speaker 1: Of us to shape, and she doesn't say a word. 929 00:42:13,760 --> 00:42:15,640 Speaker 1: Or your ear. It's always great to talk to you. 930 00:42:15,800 --> 00:42:19,719 Speaker 1: Celebrity Apprentice Channel nine and nine now Sunday through Wednesdays. 931 00:42:20,360 --> 00:42:22,360 Speaker 1: Coming to the studio again next time. We'd love to 932 00:42:22,360 --> 00:42:22,680 Speaker 1: see you. 933 00:42:23,600 --> 00:42:25,320 Speaker 8: I'd love to see you guys too. And thanks so 934 00:42:25,480 --> 00:42:27,480 Speaker 8: much for having me in for chatting with me this morning. 935 00:42:27,480 --> 00:42:28,440 Speaker 8: I really appreciate it. 936 00:42:28,440 --> 00:42:30,080 Speaker 2: Well, we love you and you take care, good luck 937 00:42:30,080 --> 00:42:30,520 Speaker 2: on the show. 938 00:42:31,320 --> 00:42:35,040 Speaker 8: Thanks guys, Bye, jam when. 939 00:42:35,400 --> 00:42:38,920 Speaker 11: Gone, I want you to get on right now. I'm 940 00:42:38,960 --> 00:42:39,880 Speaker 11: taking crazy. 941 00:42:40,000 --> 00:42:45,440 Speaker 2: Now go to your windows, stick your head on a yell, hell. 942 00:42:47,880 --> 00:42:49,759 Speaker 1: Down to the Jonesy demand of arms for the pub 943 00:42:49,840 --> 00:42:54,719 Speaker 1: test today. Sock shoe, sock shoe or sock socks shoeshoes. 944 00:42:54,719 --> 00:42:55,359 Speaker 2: It's a big one. 945 00:42:55,480 --> 00:42:56,480 Speaker 1: Does it pass the pubes? 946 00:42:56,640 --> 00:43:00,399 Speaker 2: This is being debated long and hard on Twitter. Do 947 00:43:00,440 --> 00:43:03,160 Speaker 2: you put on a sock and a shoe and a 948 00:43:03,200 --> 00:43:04,799 Speaker 2: sock and a shoe, or do you put on a 949 00:43:04,800 --> 00:43:06,120 Speaker 2: sock on a sock and a shoe and a shoe. 950 00:43:06,120 --> 00:43:06,480 Speaker 2: What do you do? 951 00:43:06,560 --> 00:43:09,640 Speaker 1: Brendan, I go socks, sock, sock, shu shoe. 952 00:43:09,920 --> 00:43:13,480 Speaker 2: You have three socks, got three legs like Jake the 953 00:43:13,560 --> 00:43:16,400 Speaker 2: bean see that would be painful. I haven't do it 954 00:43:16,440 --> 00:43:17,440 Speaker 2: three times in the morning. 955 00:43:17,440 --> 00:43:20,640 Speaker 1: Crazy Grimshaw, our bestest friend in the world. She is 956 00:43:20,680 --> 00:43:25,279 Speaker 1: the oracle of sense, says sock sock shoeshoe always don't 957 00:43:25,320 --> 00:43:28,799 Speaker 1: want my other foot to be abandoned. Tracy, you've nailed it. 958 00:43:28,840 --> 00:43:32,360 Speaker 2: But some people say they do sock shoes sock shoe. 959 00:43:32,440 --> 00:43:35,359 Speaker 2: That's nuts, all right, what about you sox shoe sock 960 00:43:35,400 --> 00:43:39,480 Speaker 2: shoe or sock sox shoe shoe, sock shoe and sock shoe. 961 00:43:39,520 --> 00:43:42,480 Speaker 4: And then I'm a sock sock person. 962 00:43:42,560 --> 00:43:44,800 Speaker 7: I don't want cold feet, skinny. 963 00:43:45,000 --> 00:43:46,279 Speaker 1: I would go sock sock. 964 00:43:47,360 --> 00:43:49,759 Speaker 4: But now that I'm a fat tailers, the. 965 00:43:49,840 --> 00:43:53,040 Speaker 6: One that's made me sock shoes, sock. 966 00:43:53,239 --> 00:43:56,560 Speaker 12: Suck, sock, shu shoe all the way, mox shoe, sock shoe, 967 00:43:56,600 --> 00:43:59,120 Speaker 12: my partner being fine, the sociopaths for doing it that way. 968 00:43:59,280 --> 00:44:04,439 Speaker 4: O sox socks shoes shoe some that's sock shoe file 969 00:44:04,480 --> 00:44:06,200 Speaker 4: of cereal check Instagram. 970 00:44:07,200 --> 00:44:07,960 Speaker 6: Something else. 971 00:44:09,600 --> 00:44:10,200 Speaker 1: Is a break? 972 00:44:10,440 --> 00:44:12,040 Speaker 2: What does the weight gain have to do? 973 00:44:12,360 --> 00:44:16,680 Speaker 1: Because you gout, but you've still the toy store, so 974 00:44:16,719 --> 00:44:18,600 Speaker 1: you've got one inside at the time. 975 00:44:18,680 --> 00:44:22,680 Speaker 2: But because leaning down and then swapping to the other side. 976 00:44:23,080 --> 00:44:27,080 Speaker 1: Yes, yes, so you can only do one thing and 977 00:44:25,760 --> 00:44:28,439 Speaker 1: a time. And what about the other guy socks shoes 978 00:44:28,520 --> 00:44:31,400 Speaker 1: socks you then he does the laces. That seems a 979 00:44:31,400 --> 00:44:31,840 Speaker 1: bit odd. 980 00:44:31,920 --> 00:44:33,760 Speaker 2: Back again to the cereal before the milk. 981 00:44:34,120 --> 00:44:35,840 Speaker 1: Don't even get me started on. 982 00:44:35,719 --> 00:44:38,760 Speaker 2: That, do you me interrupting for a second. 983 00:44:38,960 --> 00:44:39,520 Speaker 1: What's the matter? 984 00:44:39,600 --> 00:44:40,320 Speaker 2: What's that smell? 985 00:44:40,840 --> 00:44:43,080 Speaker 1: Oh, it's jim Y Ray. He's eating his little breakfast. 986 00:44:43,239 --> 00:44:45,359 Speaker 1: It's easy around this time of day, though he has 987 00:44:45,440 --> 00:44:47,480 Speaker 1: grain one. Well. You see the other day he was 988 00:44:47,480 --> 00:44:51,279 Speaker 1: eating an apple. What you're eating an apple? It's the 989 00:44:51,280 --> 00:44:53,479 Speaker 1: weirdest I've ever seen anyone eat an apple. He had 990 00:44:53,520 --> 00:44:57,600 Speaker 1: the apple like he was snow White presenting it. You know, 991 00:44:57,600 --> 00:45:00,200 Speaker 1: the witch was presenting it to snow White. So it 992 00:45:00,200 --> 00:45:02,560 Speaker 1: in the palm of his hand, but not sideways. With 993 00:45:02,600 --> 00:45:04,799 Speaker 1: the core would go horizontal. 994 00:45:05,600 --> 00:45:07,319 Speaker 2: The core was into it, up and down. 995 00:45:07,320 --> 00:45:09,719 Speaker 1: It was like a monkey a horse. I was just 996 00:45:09,760 --> 00:45:11,719 Speaker 1: going with the flow. I walked in, said what are 997 00:45:11,719 --> 00:45:12,840 Speaker 1: you doing? You didn't even walk in. 998 00:45:12,960 --> 00:45:15,400 Speaker 3: I just like appeared behind me in a puff of smoke, 999 00:45:16,160 --> 00:45:16,919 Speaker 3: just started roast. 1000 00:45:17,080 --> 00:45:19,359 Speaker 2: What's happening today? Normally have grain waves. I wish you'd 1001 00:45:19,400 --> 00:45:22,760 Speaker 2: get some brain waves. This I'm smelling. 1002 00:45:22,920 --> 00:45:24,440 Speaker 3: I found this really cool thing of the shop. So 1003 00:45:24,480 --> 00:45:27,880 Speaker 3: it's baked beans, but it's veggimi flavor. 1004 00:45:29,239 --> 00:45:33,239 Speaker 2: I've seen these advertised vegemite sauce or vegemite beans. 1005 00:45:33,880 --> 00:45:36,520 Speaker 3: I think it's just vegimie infused. 1006 00:45:38,280 --> 00:45:42,360 Speaker 1: Eating a whole You've got a whole tin of baked 1007 00:45:42,360 --> 00:45:43,680 Speaker 1: beans and you're in a small studio. 1008 00:45:43,960 --> 00:45:45,319 Speaker 2: It does smell. What does it taste like? 1009 00:45:45,440 --> 00:45:47,480 Speaker 3: It tastes It tastes like baked beans, and then like 1010 00:45:47,520 --> 00:45:49,360 Speaker 3: the after taste is veggimighty. 1011 00:45:49,800 --> 00:45:53,240 Speaker 2: Well, yeah, that's what it says on the can, baked beans, 1012 00:45:53,400 --> 00:45:58,240 Speaker 2: rich tomato and vegimi. It's what everyone's always dreamed of taste. 1013 00:45:58,719 --> 00:46:00,799 Speaker 2: I've got some spoons here from Ticked Octucker. Let me 1014 00:46:00,840 --> 00:46:01,319 Speaker 2: grab these. 1015 00:46:01,360 --> 00:46:02,960 Speaker 1: It's pretty sure. 1016 00:46:03,000 --> 00:46:05,640 Speaker 3: It's a little bit sloppy, though have you have you 1017 00:46:05,719 --> 00:46:08,600 Speaker 3: heated it up at least up might be a bit 1018 00:46:08,640 --> 00:46:09,200 Speaker 3: of dribble in it. 1019 00:46:09,239 --> 00:46:14,440 Speaker 2: But see Brendan can eat anything, and even he's. 1020 00:46:14,280 --> 00:46:16,719 Speaker 1: Playing all right, would you choose it? 1021 00:46:16,880 --> 00:46:17,880 Speaker 2: Now? 1022 00:46:18,320 --> 00:46:22,040 Speaker 1: If I was like in a prep doomsday prepper bunker 1023 00:46:22,040 --> 00:46:24,280 Speaker 1: and I had nothing else to eat but Ryan, I'd. 1024 00:46:24,120 --> 00:46:26,799 Speaker 2: Probably eat those nothing but Ryan, Well, you know. 1025 00:46:27,000 --> 00:46:28,680 Speaker 1: We gets to the stage where you have to canibalize 1026 00:46:28,719 --> 00:46:29,040 Speaker 1: each other. 1027 00:46:29,080 --> 00:46:30,759 Speaker 2: What I would choose baked beans as well. 1028 00:46:31,640 --> 00:46:33,160 Speaker 1: But if there was no baked beans, I. 1029 00:46:33,080 --> 00:46:36,040 Speaker 2: Don't mind these, because it's baked beans without the sweetness 1030 00:46:36,080 --> 00:46:39,680 Speaker 2: of the of the sauce. It's like a more savory sauce. 1031 00:46:39,800 --> 00:46:42,239 Speaker 2: It's like it's in bonnox or that you might find it. 1032 00:46:42,360 --> 00:46:45,560 Speaker 2: It's like it's in a a barbecue sauce that doesn't 1033 00:46:45,560 --> 00:46:46,440 Speaker 2: have any sugar in it. 1034 00:46:48,440 --> 00:46:49,319 Speaker 3: Well, don't hog it. 1035 00:46:49,440 --> 00:46:55,680 Speaker 1: Sorry, don't bowguart his beans eating your Breakfast. 1036 00:46:57,320 --> 00:47:03,719 Speaker 2: Podcast. Well, how extraordinary that the NRA, the National Rifle Association, 1037 00:47:04,160 --> 00:47:08,520 Speaker 2: went ahead with their big symposium, their big convention on 1038 00:47:08,560 --> 00:47:10,720 Speaker 2: the weekend at the end of a week where nineteen 1039 00:47:10,800 --> 00:47:14,759 Speaker 2: children and two teachers had been killed. Donald a number 1040 00:47:14,800 --> 00:47:17,719 Speaker 2: of musicians actually pulled out Don McClain pulled out. Why 1041 00:47:17,719 --> 00:47:19,640 Speaker 2: he was going to perform there in the first place, 1042 00:47:20,719 --> 00:47:22,239 Speaker 2: but he pulled out. A couple of people pulled out 1043 00:47:22,239 --> 00:47:25,440 Speaker 2: at the last minute. Donald Trump stills in a bold 1044 00:47:25,480 --> 00:47:29,400 Speaker 2: display of disrespect as is written here. He took to 1045 00:47:29,440 --> 00:47:34,920 Speaker 2: the stage. He bashed gun control. He hailed all firearms. 1046 00:47:35,160 --> 00:47:37,640 Speaker 1: For me, it just seems the most atrocious thing could happen, 1047 00:47:37,880 --> 00:47:40,719 Speaker 1: and the more he leans into it, people like him 1048 00:47:40,719 --> 00:47:41,080 Speaker 1: for it. 1049 00:47:41,440 --> 00:47:44,480 Speaker 2: Don't you think that's crazy some people. He even hailed 1050 00:47:44,640 --> 00:47:47,840 Speaker 2: the firearms, including the kind of military style assault weapons 1051 00:47:47,840 --> 00:47:51,480 Speaker 2: that killed those people last week. He mangled the pronunciation 1052 00:47:51,560 --> 00:47:55,240 Speaker 2: of the victim's names, which he read interspersed with cheesy 1053 00:47:55,280 --> 00:47:59,080 Speaker 2: funeral toll sounds. But he wrapped up his speech you 1054 00:47:59,120 --> 00:48:02,360 Speaker 2: know that dance he'd he clenches his feast and moves 1055 00:48:02,360 --> 00:48:04,080 Speaker 2: his hands from side to side with the white man's 1056 00:48:04,080 --> 00:48:10,080 Speaker 2: over by. So he ends his speech doing that dance 1057 00:48:10,160 --> 00:48:19,000 Speaker 2: to this song Salmon Dave Well. The estate of Isaac Hayes, 1058 00:48:19,120 --> 00:48:21,760 Speaker 2: who co wrote that song, had put out a tweet 1059 00:48:21,920 --> 00:48:24,600 Speaker 2: saying the estate and family of Isaac Hayes did not 1060 00:48:24,719 --> 00:48:27,160 Speaker 2: approve and would never approve the use of hold on 1061 00:48:27,200 --> 00:48:30,520 Speaker 2: I'm coming by Donald Trump this weekend at the NRA convention. 1062 00:48:31,040 --> 00:48:33,319 Speaker 2: Our condolences go out to the victims and families of 1063 00:48:33,400 --> 00:48:38,240 Speaker 2: Vivaldi and the mass shooting victims everywhere. So once again, 1064 00:48:38,320 --> 00:48:42,040 Speaker 2: this isn't the first time he has done this where 1065 00:48:42,080 --> 00:48:44,759 Speaker 2: he's used music without musicians' permission and they've said, you 1066 00:48:44,760 --> 00:48:47,319 Speaker 2: know what, I don't give you permission. I don't like it. 1067 00:48:47,400 --> 00:48:50,279 Speaker 1: Well, look on the list. You've got Elton John, We've 1068 00:48:50,280 --> 00:48:57,760 Speaker 1: got Adele, the Guns N' Roses. 1069 00:48:56,840 --> 00:49:07,279 Speaker 13: CCR, who was a Neil Young, Ero Smith and Tom 1070 00:49:07,320 --> 00:49:07,759 Speaker 13: Petty and. 1071 00:49:07,800 --> 00:49:13,080 Speaker 2: Prince all of those performers, all their estates have said, 1072 00:49:13,239 --> 00:49:16,760 Speaker 2: back off, that's his music. So even after one musician 1073 00:49:16,800 --> 00:49:19,000 Speaker 2: who says don't do it, he doesn't seek permission. 1074 00:49:18,640 --> 00:49:20,200 Speaker 1: What about a concert of people that won't play a 1075 00:49:20,200 --> 00:49:25,000 Speaker 1: Trump concert? Musicians that Donald Trump can use that. These 1076 00:49:25,040 --> 00:49:27,799 Speaker 1: are the artists that have given him permission are Kid Rock, 1077 00:49:33,239 --> 00:49:39,040 Speaker 1: Three Doors Down and this Superstar. 1078 00:49:42,239 --> 00:49:45,440 Speaker 2: Now that's a show. 1079 00:49:47,520 --> 00:49:49,080 Speaker 1: Just fell into play. 1080 00:49:49,280 --> 00:49:58,000 Speaker 2: Oh wow, so Donald Trump ceased and please Jonesy and Amanda. 1081 00:49:57,440 --> 00:50:05,480 Speaker 1: Podcast I'm you started it. 1082 00:50:05,760 --> 00:50:07,759 Speaker 2: Well, you know how we were talking before about sox 1083 00:50:07,800 --> 00:50:10,960 Speaker 2: sock shoe shoe or sox shoe sock shoe. You know 1084 00:50:11,040 --> 00:50:12,960 Speaker 2: another one that people debate. I'm not even going to 1085 00:50:13,000 --> 00:50:16,120 Speaker 2: get into the demon she tea whether you put the 1086 00:50:16,200 --> 00:50:21,960 Speaker 2: jam on, but you know the debate about whether you 1087 00:50:22,040 --> 00:50:24,720 Speaker 2: put hot water or milk into your tea cup first. 1088 00:50:25,160 --> 00:50:27,800 Speaker 2: I was watching a program about the history of China, 1089 00:50:28,320 --> 00:50:34,040 Speaker 2: not the place bone, China and tea cups, and the 1090 00:50:34,160 --> 00:50:38,200 Speaker 2: history of the difference was because only the really rich 1091 00:50:38,239 --> 00:50:43,040 Speaker 2: people could afford the beautiful porcelain or the richer china, 1092 00:50:43,560 --> 00:50:46,399 Speaker 2: which was more sturdy, which meant you could pour hot 1093 00:50:46,400 --> 00:50:48,839 Speaker 2: water directly into it. The people who didn't have as 1094 00:50:48,880 --> 00:50:51,839 Speaker 2: much money, they risked it shattering if they put hot 1095 00:50:51,840 --> 00:50:53,960 Speaker 2: water in first, so they put the milk in first. 1096 00:50:54,320 --> 00:50:58,440 Speaker 2: So that's how that difference began. It it depended on 1097 00:50:58,520 --> 00:51:00,520 Speaker 2: how rich you were, and therefore the quality of you 1098 00:51:00,800 --> 00:51:02,320 Speaker 2: of your drinking vessel. 1099 00:51:03,120 --> 00:51:07,320 Speaker 1: Well, what we've solved that one. 1100 00:51:07,680 --> 00:51:12,520 Speaker 3: I've actually I've got a Ryan just pops, drink a Ryan. No, no, 1101 00:51:12,560 --> 00:51:14,800 Speaker 3: I don't drink tear or anything like that. But I 1102 00:51:14,840 --> 00:51:17,920 Speaker 3: have a friend who bought a KitKat just made me 1103 00:51:17,960 --> 00:51:20,640 Speaker 3: think of this, and unwrapped the kit cat and then 1104 00:51:20,719 --> 00:51:22,960 Speaker 3: just bit straight into it so like didn't break off 1105 00:51:22,960 --> 00:51:23,600 Speaker 3: the little things. 1106 00:51:23,840 --> 00:51:26,280 Speaker 1: He just bit into it like a savage, big chunk. 1107 00:51:26,760 --> 00:51:29,160 Speaker 2: The whole point of a KitKat is you savor one 1108 00:51:29,320 --> 00:51:30,120 Speaker 2: stick at a time. 1109 00:51:31,360 --> 00:51:32,759 Speaker 1: Yeah, and this is coming from a guy that eats 1110 00:51:32,760 --> 00:51:33,319 Speaker 1: an apple in. 1111 00:51:33,280 --> 00:51:33,920 Speaker 2: A weird way. 1112 00:51:34,120 --> 00:51:39,360 Speaker 1: Well, maybe maybe that friend was me. But suddenly piping in, Now. 1113 00:51:39,719 --> 00:51:41,160 Speaker 2: Well it's interesting information. 1114 00:51:41,440 --> 00:51:45,480 Speaker 1: It comes in here reads baked beans, baked beans and sauce. 1115 00:51:45,520 --> 00:51:46,719 Speaker 1: So you guys slob it all over. 1116 00:51:46,719 --> 00:51:47,600 Speaker 3: It's had to check it out. 1117 00:51:49,080 --> 00:51:50,319 Speaker 1: And now you just piping in? 1118 00:51:51,000 --> 00:51:53,439 Speaker 2: That would that would put me off enormously watching someone 1119 00:51:53,480 --> 00:51:54,560 Speaker 2: eat a kitcat like that. 1120 00:51:54,719 --> 00:51:56,080 Speaker 1: It's like you're playing a harmonica. 1121 00:51:56,280 --> 00:51:58,719 Speaker 2: Yeah, it would look like a pan flutes. Then I'd 1122 00:51:58,760 --> 00:51:59,480 Speaker 2: run from that too. 1123 00:51:59,760 --> 00:52:01,360 Speaker 1: Is this friend of yours go with the big finger, 1124 00:52:02,440 --> 00:52:04,759 Speaker 1: the big finger, the kit cat big finger? Are you 1125 00:52:04,880 --> 00:52:06,399 Speaker 1: talking about it? Just the big one? 1126 00:52:06,640 --> 00:52:06,759 Speaker 10: Oh? 1127 00:52:06,920 --> 00:52:08,400 Speaker 2: What's that? Do you just buy one big thing? 1128 00:52:08,480 --> 00:52:11,080 Speaker 1: There's just one big big fingers Like Land of the 1129 00:52:11,080 --> 00:52:13,080 Speaker 1: Giants had a kit cat in one of them. But 1130 00:52:13,120 --> 00:52:13,640 Speaker 1: that cat. 1131 00:52:13,840 --> 00:52:18,360 Speaker 2: Surely that's a crunchy. Surely that KitKat is the nature 1132 00:52:18,360 --> 00:52:19,120 Speaker 2: of how it's packaged. 1133 00:52:19,800 --> 00:52:21,520 Speaker 1: It's one of those big Yeah. 1134 00:52:21,400 --> 00:52:23,640 Speaker 2: But I'm sure that that already exists in another form. 1135 00:52:23,680 --> 00:52:24,520 Speaker 2: Of confectionery. 1136 00:52:24,840 --> 00:52:28,960 Speaker 1: No, it's a big finger. Okay, can you get down 1137 00:52:29,000 --> 00:52:30,600 Speaker 1: to seven some research. 1138 00:52:30,680 --> 00:52:32,960 Speaker 2: I can't bring one in tomorrow. We'd appreciate it, Ryan, 1139 00:52:32,960 --> 00:52:40,280 Speaker 2: thank you well. The Mona Lisa has been vandalized Leonardo 1140 00:52:40,320 --> 00:52:42,600 Speaker 2: da Vinci's art work. Do you know whats official name is? 1141 00:52:42,760 --> 00:52:43,920 Speaker 2: La Joconda? 1142 00:52:44,320 --> 00:52:45,480 Speaker 1: I did. I went to art school. 1143 00:52:46,000 --> 00:52:48,200 Speaker 2: Look do you want me to continue with this story? 1144 00:52:48,360 --> 00:52:49,080 Speaker 1: You asked me a question. 1145 00:52:49,120 --> 00:52:54,320 Speaker 2: It was a rhetorical question. Anyway, it was vandalized in Paris. 1146 00:52:54,760 --> 00:52:57,600 Speaker 2: A man dressed as an old lady jump from a wheelchair. 1147 00:52:57,760 --> 00:52:59,680 Speaker 2: So there's a little old lady in a wheelchair like 1148 00:52:59,680 --> 00:53:02,560 Speaker 2: whistle Mother, being wheeled along, and he jumps out of 1149 00:53:02,560 --> 00:53:05,840 Speaker 2: the wheelchair and attempts to smash the bulletproof glass. His 1150 00:53:06,040 --> 00:53:09,719 Speaker 2: smeared cake on the glass, threw roses everywhere, and then 1151 00:53:09,719 --> 00:53:13,600 Speaker 2: he was tackled by security and returned removed from the museum. 1152 00:53:13,840 --> 00:53:15,919 Speaker 1: So he looks a little bit like Mick Jagger. 1153 00:53:15,960 --> 00:53:18,719 Speaker 2: Well dressed as an elderly woman. Look, he does a 1154 00:53:18,760 --> 00:53:20,239 Speaker 2: little bit. I think that's a wig though. 1155 00:53:20,360 --> 00:53:22,399 Speaker 1: Yeah, but he's got what for mek or this guy, 1156 00:53:22,440 --> 00:53:24,480 Speaker 1: because Mick has quite they had a hair for his. 1157 00:53:24,520 --> 00:53:26,640 Speaker 2: Age so look at him on this one. There's bulletproof 1158 00:53:26,719 --> 00:53:28,520 Speaker 2: glass in front of her. And I'll tell you why 1159 00:53:28,760 --> 00:53:32,399 Speaker 2: in a minute. But he smeared cake all over and 1160 00:53:32,880 --> 00:53:37,680 Speaker 2: what he says is his motive was, well, he called out, 1161 00:53:37,719 --> 00:53:40,560 Speaker 2: there are people who were destroying the earth. Think about it, 1162 00:53:40,640 --> 00:53:43,399 Speaker 2: he said. All the artists tell you to think about 1163 00:53:43,440 --> 00:53:45,879 Speaker 2: the earth. All artists think about the earth. That's why 1164 00:53:45,920 --> 00:53:50,440 Speaker 2: I did this, think about the planet. So poor old 1165 00:53:50,440 --> 00:53:52,680 Speaker 2: Mona Lisa, she's left with crumbs on a face, not 1166 00:53:52,719 --> 00:53:54,880 Speaker 2: as she's smiling. She's just had a nice piece of cake. 1167 00:53:55,280 --> 00:53:57,080 Speaker 2: But he's saying, tell all the artists, Well, tell that 1168 00:53:57,120 --> 00:54:01,000 Speaker 2: to da Vinci's dead mate. But this isn't the first 1169 00:54:01,040 --> 00:54:05,840 Speaker 2: time she's been vandalized. The most recent one two thousand 1170 00:54:05,880 --> 00:54:07,920 Speaker 2: and nine. A Russian woman through a ceramic cup at 1171 00:54:07,920 --> 00:54:11,520 Speaker 2: the portrait, apparently frustrated because she had a disability. She 1172 00:54:11,640 --> 00:54:15,880 Speaker 2: was frustrated. No, I've got this wrong. She threw a 1173 00:54:15,920 --> 00:54:21,160 Speaker 2: cup because she couldn't obtain French citizenshiph. 1174 00:54:20,440 --> 00:54:22,719 Speaker 1: You just can't use Mona Lisa for any cross. Well, 1175 00:54:22,840 --> 00:54:25,040 Speaker 1: this is another one, Oh Council bdnight, I'm going to 1176 00:54:25,040 --> 00:54:25,799 Speaker 1: throw something at it. 1177 00:54:25,920 --> 00:54:29,040 Speaker 2: Nineteen seventy four, The painting was on display in the 1178 00:54:29,080 --> 00:54:32,680 Speaker 2: Tokyo National Museum. A woman with a disability was upset 1179 00:54:32,680 --> 00:54:35,960 Speaker 2: by the museum's inaccessibility, and she tried to spray red 1180 00:54:36,000 --> 00:54:40,000 Speaker 2: paint on the canvas. In nineteen fifty six, the painting 1181 00:54:40,040 --> 00:54:42,160 Speaker 2: was damaged by two attacks, one with acid, another with 1182 00:54:42,200 --> 00:54:44,600 Speaker 2: a rock that chipped some of the pigment from the picture. 1183 00:54:45,040 --> 00:54:48,440 Speaker 2: And because of that, the Mona Lisa is now behind bulletproof. 1184 00:54:48,040 --> 00:54:50,279 Speaker 1: And in calas Or. When did Da Vinci paint it? 1185 00:54:50,200 --> 00:54:53,560 Speaker 2: It was last Wednesday, sixteen hundreds. 1186 00:54:53,719 --> 00:54:56,680 Speaker 1: I know he's dead, according to you, Well, I. 1187 00:54:56,600 --> 00:54:57,680 Speaker 2: Gave you some news you didn't know. 1188 00:54:58,160 --> 00:54:58,719 Speaker 1: Do you know what? 1189 00:54:58,760 --> 00:55:00,880 Speaker 2: The crime though? That made her legend. This is what 1190 00:55:01,000 --> 00:55:04,680 Speaker 2: made her so famous. In nineteen eleven, she was stolen 1191 00:55:04,719 --> 00:55:07,520 Speaker 2: from the walls of the louver by an Italian handyman. 1192 00:55:07,960 --> 00:55:10,360 Speaker 2: He was hired by the museum to make some protective 1193 00:55:10,400 --> 00:55:13,600 Speaker 2: glass cases for some of other famous works. He hid 1194 00:55:13,600 --> 00:55:16,560 Speaker 2: in a closet at the museum overnight and removed the 1195 00:55:16,600 --> 00:55:19,000 Speaker 2: painting from the wall and just carried it out of 1196 00:55:19,000 --> 00:55:21,879 Speaker 2: the building because he said he wanted to return her 1197 00:55:21,960 --> 00:55:23,120 Speaker 2: to Italy. 1198 00:55:22,960 --> 00:55:24,600 Speaker 1: Of course, and that's what she belonged. 1199 00:55:24,640 --> 00:55:28,000 Speaker 2: That made Mona Lisa, a household name. I wonder if 1200 00:55:28,040 --> 00:55:30,040 Speaker 2: she was in on it in Sta Fame. 1201 00:55:30,400 --> 00:55:33,000 Speaker 1: Oh, the painting was in on it anyway. 1202 00:55:33,000 --> 00:55:35,120 Speaker 2: She was restored four years later to the walls of 1203 00:55:35,160 --> 00:55:36,880 Speaker 2: the Louver in France. 1204 00:55:37,320 --> 00:55:38,759 Speaker 1: Have you ever seen it? You've gone along to see 1205 00:55:38,760 --> 00:55:39,120 Speaker 1: the montain? 1206 00:55:39,239 --> 00:55:41,160 Speaker 2: No, to my shame. I've been to the Louver and 1207 00:55:41,200 --> 00:55:44,000 Speaker 2: the que was so big, painting so small. I was 1208 00:55:44,040 --> 00:55:46,480 Speaker 2: went to the gift shop and bought a postcard cut 1209 00:55:46,560 --> 00:55:47,160 Speaker 2: to the chase. 1210 00:55:47,800 --> 00:55:48,520 Speaker 1: That's my girl. 1211 00:55:48,560 --> 00:56:01,800 Speaker 2: I went and smeared the postcards instead. Our favorite goolie 1212 00:56:01,800 --> 00:56:04,120 Speaker 2: of the year. When's twenty thousand dollars cash? And he 1213 00:56:04,120 --> 00:56:06,160 Speaker 2: hears supply of chocolate from Darryl Lee. We do have 1214 00:56:06,200 --> 00:56:09,160 Speaker 2: a number nine oh six one seven, nine eight four. 1215 00:56:09,320 --> 00:56:11,720 Speaker 1: What have we got today, Amanda? 1216 00:56:11,840 --> 00:56:16,120 Speaker 6: My girly is that when you are paying for something 1217 00:56:16,200 --> 00:56:18,960 Speaker 6: at any shop, cup of coffee, anything you pay for 1218 00:56:19,360 --> 00:56:22,960 Speaker 6: most people tap these days and they don't take a receipt. 1219 00:56:23,200 --> 00:56:28,200 Speaker 6: Maybe seventy percent of the staff who point the f 1220 00:56:28,280 --> 00:56:31,640 Speaker 6: plus machine. It's you don't show you the amount you're 1221 00:56:31,680 --> 00:56:35,520 Speaker 6: actually paying, and that really gets an arguable. 1222 00:56:35,560 --> 00:56:38,160 Speaker 2: It's a very good point. That's a few tap and 1223 00:56:38,200 --> 00:56:39,799 Speaker 2: then they take the thing away and you think, I've 1224 00:56:39,800 --> 00:56:41,000 Speaker 2: got no idea how much you was. 1225 00:56:41,080 --> 00:56:44,040 Speaker 1: In my local shop and it was seventy bucks. I 1226 00:56:44,080 --> 00:56:47,000 Speaker 1: bought bread and milk and that was it. It was 1227 00:56:47,040 --> 00:56:50,080 Speaker 1: supposed to be not seventy bucks. And I went a 1228 00:56:50,200 --> 00:56:52,120 Speaker 1: on a minute. I said that's wrong, and he says, 1229 00:56:52,120 --> 00:56:56,480 Speaker 1: oh yeah, and it's wrong. I know the cost of 1230 00:56:56,560 --> 00:56:58,640 Speaker 1: living has gone up, but bread and milk and a 1231 00:56:58,640 --> 00:57:00,680 Speaker 1: banana isn't seventy You. 1232 00:57:00,600 --> 00:57:03,600 Speaker 2: Do like those gold tip bananas, though, don't you very nice? 1233 00:57:03,640 --> 00:57:04,439 Speaker 2: What else have we got? 1234 00:57:05,200 --> 00:57:08,360 Speaker 7: What gets my gruel is if people on a freeway 1235 00:57:08,680 --> 00:57:11,160 Speaker 7: one hundred and ten is what you're supposed to be doing, 1236 00:57:11,400 --> 00:57:15,880 Speaker 7: but no, they're doing ninety, holding everyone else up and 1237 00:57:16,560 --> 00:57:17,520 Speaker 7: mord to the points. 1238 00:57:17,520 --> 00:57:20,680 Speaker 12: They're doing it in the middle lane. Get in the left, 1239 00:57:20,760 --> 00:57:24,400 Speaker 12: lame people, unless you're overtaking, and get out of my way. 1240 00:57:24,760 --> 00:57:28,120 Speaker 12: If you're on a freeway doing the freaking speed limit, 1241 00:57:28,840 --> 00:57:29,200 Speaker 12: thank you. 1242 00:57:29,840 --> 00:57:32,000 Speaker 2: I think they've probably heard her through the glass. 1243 00:57:32,480 --> 00:57:33,040 Speaker 1: I'm just like that. 1244 00:57:33,200 --> 00:57:33,600 Speaker 2: Thank you. 1245 00:57:34,040 --> 00:57:34,200 Speaker 7: Well. 1246 00:57:34,200 --> 00:57:36,200 Speaker 1: It's a good point out of the beat with the 1247 00:57:36,200 --> 00:57:37,960 Speaker 1: good review. Dip Dat's money. You can always call the 1248 00:57:38,000 --> 00:57:40,919 Speaker 1: hotline number nine oh six one seven nine eighty four 1249 00:57:41,200 --> 00:57:42,160 Speaker 1: it's seven to night. 1250 00:57:44,040 --> 00:57:46,680 Speaker 2: A favorite caller, email a Facebook friend, when's three hundred 1251 00:57:46,720 --> 00:57:50,840 Speaker 2: dollars to spend at dinner at Hurricanes Grill Feasted, Hurricanes 1252 00:57:50,880 --> 00:57:53,440 Speaker 2: Girl restaurants in Darling Harbor, Brighton and Circular Key. 1253 00:57:53,560 --> 00:57:55,600 Speaker 1: You also get the jonesy demand of fridge magnet and 1254 00:57:55,640 --> 00:57:56,560 Speaker 1: branded tea towel. 1255 00:57:56,960 --> 00:57:59,120 Speaker 2: Now, last week we had Lord's Sugar on as our 1256 00:57:59,160 --> 00:58:02,800 Speaker 2: celebrity and our tipper. He didn't take to us, really don't. 1257 00:58:02,880 --> 00:58:08,000 Speaker 1: I think he enjoyed a very alaric and behavior. 1258 00:58:08,080 --> 00:58:14,160 Speaker 2: Of course, you know, well, it was so charming listening 1259 00:58:14,160 --> 00:58:16,280 Speaker 2: to him do the footy tips and he's leading the 1260 00:58:16,320 --> 00:58:18,520 Speaker 2: pole too, by the way, he's leading our foot tips. 1261 00:58:18,520 --> 00:58:20,680 Speaker 1: And he would have got a perfect round if he 1262 00:58:20,720 --> 00:58:22,880 Speaker 1: hadn't picked a drawer between your side and my son 1263 00:58:22,880 --> 00:58:24,080 Speaker 1: and the roosters and the sharks. 1264 00:58:24,520 --> 00:58:27,280 Speaker 2: So we did get some feedback though on Instagram about 1265 00:58:27,280 --> 00:58:31,280 Speaker 2: our chat from Gail. She said it was painful had 1266 00:58:31,280 --> 00:58:33,840 Speaker 2: to change stations. Your program is lacking. 1267 00:58:33,920 --> 00:58:36,320 Speaker 1: Yeah, we've dedicated the show to Gail as Gail come back, 1268 00:58:36,400 --> 00:58:47,760 Speaker 1: because really I love that she hasn't come back. 1269 00:58:47,960 --> 00:58:52,720 Speaker 2: We're so desperate for you to come back, Brendan very much. 1270 00:58:53,240 --> 00:58:55,320 Speaker 1: Go and sew you wild. It's plenty. 1271 00:58:55,360 --> 00:58:57,200 Speaker 2: We've given a Man of the match because we wanted 1272 00:58:57,200 --> 00:58:59,439 Speaker 2: to come back well ugly feels an. Next, the trip 1273 00:58:59,480 --> 00:59:01,800 Speaker 2: of a lifetime begins. Listen out for the cuter call 1274 00:59:01,840 --> 00:59:03,160 Speaker 2: to get on the standby list. 1275 00:59:03,400 --> 00:59:03,920 Speaker 1: Very good. 1276 00:59:05,080 --> 00:59:07,040 Speaker 2: We will be back at six o'clock for jam nation, 1277 00:59:07,640 --> 00:59:08,360 Speaker 2: right au T. 1278 00:59:08,920 --> 00:59:09,720 Speaker 5: That's enough. 1279 00:59:09,800 --> 00:59:12,320 Speaker 1: Good day to you. Well, thank god, that's over. 1280 00:59:12,480 --> 00:59:16,160 Speaker 9: Good, good bite, wipe the two. 1281 00:59:17,360 --> 00:59:17,760 Speaker 8: You're right. 1282 00:59:18,000 --> 00:59:21,360 Speaker 5: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 1283 00:59:21,360 --> 00:59:32,520 Speaker 5: wherever you get your podcasts. Jonesy and Amanda Podcast. 1284 00:59:32,720 --> 00:59:35,360 Speaker 2: Catch up on what you've missed on the free iHeartRadio 1285 00:59:35,440 --> 00:59:35,720 Speaker 2: app