1 00:00:01,120 --> 00:00:02,320 Speaker 1: Got anything good. 2 00:00:02,680 --> 00:00:06,840 Speaker 2: Hey, this is the Christian O'Connell show podcast. 3 00:00:10,160 --> 00:00:13,400 Speaker 3: Jack has a day off today. I know three weeks 4 00:00:13,400 --> 00:00:16,319 Speaker 3: back in we had the equivalent of almost a three 5 00:00:16,400 --> 00:00:19,840 Speaker 3: month break. That guy does almost fifteen shows. Well, actually 6 00:00:19,840 --> 00:00:23,160 Speaker 3: we had a public holiday last week. Didn't we scratch 7 00:00:23,280 --> 00:00:25,480 Speaker 3: that down? Couldn't even do three four weeks and he's 8 00:00:25,480 --> 00:00:29,240 Speaker 3: got a it's a showbiz thing. He's offul today. Well, 9 00:00:29,240 --> 00:00:32,080 Speaker 3: he begged us not to say anything. Okay, we can't 10 00:00:32,120 --> 00:00:34,960 Speaker 3: come on, but it's a showbiz thing. He's doing a 11 00:00:35,000 --> 00:00:37,800 Speaker 3: showbiz thing this weekend. It's an amazing thing. He's up 12 00:00:37,800 --> 00:00:43,159 Speaker 3: to that. Yeah, Patsy, So Patsy please. Rio came into 13 00:00:43,159 --> 00:00:45,920 Speaker 3: the studio just now. He said, Patsy looks that ragged. 14 00:00:46,200 --> 00:00:51,600 Speaker 3: He used to phrase ragged that. Well, he did you 15 00:00:52,159 --> 00:00:54,880 Speaker 3: this guy, this producer talks with the folked tongue. 16 00:00:55,120 --> 00:00:57,440 Speaker 4: I said, you look like you've had a great time. 17 00:00:57,640 --> 00:00:59,600 Speaker 3: That is not how he said it to me. 18 00:01:00,520 --> 00:01:02,880 Speaker 5: Did he say I look like I've been dragged backwards 19 00:01:02,920 --> 00:01:04,080 Speaker 5: through above wire offense. 20 00:01:04,400 --> 00:01:06,160 Speaker 3: No, he didn't say that, But I said to Rio, 21 00:01:06,160 --> 00:01:09,199 Speaker 3: I said, was this is after a night the Langham. 22 00:01:09,319 --> 00:01:12,080 Speaker 3: We shouted Patsy for night the Langham last night because actually, 23 00:01:12,080 --> 00:01:14,039 Speaker 3: you know, she came in to see Brian Adams last night. 24 00:01:14,040 --> 00:01:15,800 Speaker 3: You live all that way out in Werriby, And yeah, 25 00:01:15,880 --> 00:01:17,520 Speaker 3: obviously the elephants are going to be going over the 26 00:01:17,560 --> 00:01:19,600 Speaker 3: West Gate around about eight this morning. She's got to 27 00:01:19,600 --> 00:01:22,679 Speaker 3: be careful. That's going to affect traffic today. So how 28 00:01:22,800 --> 00:01:25,119 Speaker 3: was your man yesterday? Brian Adams, You're a megafan. 29 00:01:25,440 --> 00:01:29,520 Speaker 5: Did not disappoint. It was so so awesome. I was 30 00:01:29,560 --> 00:01:32,400 Speaker 5: saying to you before. Normally when I'm at a concert, 31 00:01:32,480 --> 00:01:35,280 Speaker 5: I'm the one that's always on my phone taking photos, 32 00:01:35,319 --> 00:01:38,760 Speaker 5: taking videos. And at one point my husband said to me, 33 00:01:39,240 --> 00:01:41,520 Speaker 5: why are you taking pictures like you know? And I said, 34 00:01:41,520 --> 00:01:44,600 Speaker 5: because I just want to so No, I just want 35 00:01:44,640 --> 00:01:45,480 Speaker 5: to something. 36 00:01:45,200 --> 00:01:47,720 Speaker 3: For the Graham's here. Bloody he looks old now, didn't he. 37 00:01:48,000 --> 00:01:48,040 Speaker 1: No. 38 00:01:48,240 --> 00:01:49,720 Speaker 5: I wanted to soak it all in. And it was 39 00:01:49,760 --> 00:01:53,000 Speaker 5: such a beautiful feeling of goodwill at Rod Laver Arena 40 00:01:53,080 --> 00:01:55,360 Speaker 5: last night. You know, it's so beautiful just to see 41 00:01:55,400 --> 00:01:58,760 Speaker 5: everyone in their element and having fun and just being. 42 00:01:58,840 --> 00:02:01,160 Speaker 3: That's the best thing about live whether it's live comedy 43 00:02:01,480 --> 00:02:04,640 Speaker 3: or live music. You're right, it's that everyone's having the 44 00:02:04,680 --> 00:02:07,080 Speaker 3: same experience and it's the same shame now with phones, 45 00:02:07,120 --> 00:02:11,800 Speaker 3: because you're not in the experience. You're somehow disconnected, looking 46 00:02:11,880 --> 00:02:14,200 Speaker 3: at the framing of it all and hoping, I hope, 47 00:02:14,639 --> 00:02:17,960 Speaker 3: capture It's right, you're not in the experience. You're behind 48 00:02:18,000 --> 00:02:19,880 Speaker 3: a lens trying to just capture it. 49 00:02:19,960 --> 00:02:22,560 Speaker 4: And you never ever go back and watch those videos. 50 00:02:22,639 --> 00:02:23,720 Speaker 3: They look terrible, they. 51 00:02:23,560 --> 00:02:25,880 Speaker 4: Look terrible, they sound terrible, and how do you. 52 00:02:25,880 --> 00:02:29,240 Speaker 3: Show them to They probably weren't there, and they don't 53 00:02:29,320 --> 00:02:32,040 Speaker 3: like it as much as you. It doesn't capture anything exactly. 54 00:02:32,200 --> 00:02:33,800 Speaker 5: That's the thing, though. I could go home and watch 55 00:02:33,919 --> 00:02:36,440 Speaker 5: you know, a million clips on my Telly, but I 56 00:02:36,560 --> 00:02:38,880 Speaker 5: wanted to be in the moment and I was last night. 57 00:02:39,160 --> 00:02:42,800 Speaker 5: It was fantastic. You apologize for it being six years 58 00:02:43,200 --> 00:02:45,720 Speaker 5: since the last time you came out, and the audience 59 00:02:45,880 --> 00:02:48,639 Speaker 5: was just up off their chairs. 60 00:02:48,320 --> 00:02:49,720 Speaker 3: The whole It is a favorite song. 61 00:02:50,000 --> 00:02:53,359 Speaker 5: Did my favorite song? Did here I Am? Which he 62 00:02:53,440 --> 00:02:55,679 Speaker 5: does not do a lot at concerts. 63 00:02:55,720 --> 00:02:58,680 Speaker 3: That we heard about thirty seconds yesterday. I know why 64 00:02:58,919 --> 00:03:02,000 Speaker 3: buzz kill Bride near the end when people needed to 65 00:03:02,080 --> 00:03:03,560 Speaker 3: pass or sorry, now I need to get to Chila 66 00:03:03,720 --> 00:03:05,080 Speaker 3: or go for a bear break. 67 00:03:05,800 --> 00:03:08,400 Speaker 5: No, it was quite early in the night. But it 68 00:03:08,480 --> 00:03:10,520 Speaker 5: was really funny. There was a group of girls just 69 00:03:10,560 --> 00:03:12,520 Speaker 5: in front of us and they had this big, long 70 00:03:12,639 --> 00:03:16,200 Speaker 5: sign and they were with their auntie, Shelley my dream, 71 00:03:16,280 --> 00:03:19,160 Speaker 5: she called herself. Anyway, on their sign it said please 72 00:03:19,360 --> 00:03:21,359 Speaker 5: Brian sign my auntie's arm. 73 00:03:23,040 --> 00:03:23,320 Speaker 3: Sign. 74 00:03:23,480 --> 00:03:24,240 Speaker 5: It was huge. 75 00:03:24,320 --> 00:03:27,359 Speaker 3: It was meeting out about eighteen people. You can't see 76 00:03:27,400 --> 00:03:30,440 Speaker 3: because so many it's got Brian Adams, please signed my arm. 77 00:03:30,680 --> 00:03:34,480 Speaker 5: That was great, and so he got her up on stage. Anyway, 78 00:03:35,520 --> 00:03:38,040 Speaker 5: he said what's your name? She said Shelley, and she goes, oh, 79 00:03:38,080 --> 00:03:41,160 Speaker 5: my dream, meaning obviously about Brian. And he goes, oh, okay, 80 00:03:41,240 --> 00:03:43,960 Speaker 5: Shelley my dream. That's a weird name. Anyway, So on 81 00:03:43,960 --> 00:03:46,240 Speaker 5: one arm on the top of one arm. 82 00:03:46,840 --> 00:03:49,640 Speaker 3: Dad years ago, and they were saying, yesterday when dull 83 00:03:49,720 --> 00:03:52,800 Speaker 3: neighbors wouldn't fight around for a slideshow the POxy holiday, 84 00:03:53,280 --> 00:03:55,800 Speaker 3: we're getting the real version of this gig. Up's like 85 00:03:55,840 --> 00:03:58,160 Speaker 3: the director's cut. Are we doing a podcast about last 86 00:03:58,200 --> 00:04:01,880 Speaker 3: night's show? And then he's Shelley Dream. You know, well, 87 00:04:01,880 --> 00:04:06,040 Speaker 3: what a funny guy, Brian. So he signed her arm. 88 00:04:06,080 --> 00:04:07,520 Speaker 5: He signed her arm so she will go and get 89 00:04:07,560 --> 00:04:09,360 Speaker 5: a tattoo today. That was fantastic. 90 00:04:09,400 --> 00:04:11,600 Speaker 3: You don't just walk in and get you have to 91 00:04:11,600 --> 00:04:13,480 Speaker 3: make an appointment. Let's go good too? Is shift the 92 00:04:13,480 --> 00:04:14,960 Speaker 3: book it in for a couple weeks. 93 00:04:14,760 --> 00:04:17,680 Speaker 5: Time she might have someone, well know, because then it'll 94 00:04:17,279 --> 00:04:19,080 Speaker 5: be worn off by that point. 95 00:04:19,279 --> 00:04:20,680 Speaker 4: She's just not going to wash her arm. 96 00:04:20,760 --> 00:04:21,239 Speaker 3: What foot? 97 00:04:21,800 --> 00:04:22,280 Speaker 4: You wouldn't? 98 00:04:22,320 --> 00:04:24,760 Speaker 5: Would you like? You go straight today and get it 99 00:04:24,839 --> 00:04:25,520 Speaker 5: like tattoo? 100 00:04:25,680 --> 00:04:27,680 Speaker 3: I knew she is going to go and get it tattooed? 101 00:04:27,920 --> 00:04:28,640 Speaker 5: You what she said? 102 00:04:28,640 --> 00:04:29,000 Speaker 6: She was? 103 00:04:29,120 --> 00:04:32,880 Speaker 3: What permanent? Brian Adams thinking about in five years time, 104 00:04:32,920 --> 00:04:34,919 Speaker 3: he's going to be vaguer and less relevant than he 105 00:04:35,040 --> 00:04:37,880 Speaker 3: is now ten years sim now Agan, who was that guy? 106 00:04:38,160 --> 00:04:40,479 Speaker 5: They will not The fans do it. They do like 107 00:04:40,600 --> 00:04:43,479 Speaker 5: script on their bodies, like you know, verses of his 108 00:04:43,640 --> 00:04:44,520 Speaker 5: songs I. 109 00:04:44,560 --> 00:04:46,880 Speaker 7: Love ptil Rose or something like That's like I feel 110 00:04:46,880 --> 00:04:48,719 Speaker 7: like that would be for our generation, getting like a 111 00:04:48,760 --> 00:04:51,640 Speaker 7: Matchbox twenty tattoo on my face or something like that. 112 00:04:51,720 --> 00:04:53,040 Speaker 3: Yeah, not everyone. 113 00:04:53,200 --> 00:04:56,520 Speaker 5: Everyone has different music tastes. Reo. Just because Brian may 114 00:04:56,560 --> 00:04:57,679 Speaker 5: not be your man. 115 00:04:57,640 --> 00:04:59,680 Speaker 3: Like he's my man, how come you haven't got a 116 00:04:59,680 --> 00:05:00,400 Speaker 3: tattoo of him? 117 00:05:00,480 --> 00:05:01,880 Speaker 5: You know what I have thought about it? 118 00:05:02,680 --> 00:05:04,560 Speaker 3: You haven't got a tattoo have you No? But you 119 00:05:04,600 --> 00:05:07,000 Speaker 3: know what, why don't you get one? I've news typewrites 120 00:05:07,080 --> 00:05:09,280 Speaker 3: or something called that would be the last thing. Why 121 00:05:09,400 --> 00:05:11,839 Speaker 3: you haven't got an acre on each ankle for the 122 00:05:11,839 --> 00:05:14,680 Speaker 3: two apples that you've won? That's more? Perhaps he kind 123 00:05:14,720 --> 00:05:16,560 Speaker 3: of tack that would look good actually. 124 00:05:16,440 --> 00:05:17,320 Speaker 5: On my upper arm. 125 00:05:17,480 --> 00:05:21,839 Speaker 3: Yeah, each gun on each gun my gun, Yes, double 126 00:05:21,839 --> 00:05:24,040 Speaker 3: Acra's double guns. Now more brand ams. 127 00:05:24,040 --> 00:05:28,080 Speaker 2: Today I am a Christian O'Connell show podcast. 128 00:05:28,279 --> 00:05:30,040 Speaker 3: I'd have to chat to people on today's show who 129 00:05:30,040 --> 00:05:33,520 Speaker 3: have actually taken signs to shows. I don't know whether 130 00:05:33,560 --> 00:05:38,920 Speaker 3: it's footy, tennis, sport. Have you ever actually made and 131 00:05:39,000 --> 00:05:42,440 Speaker 3: taken a sign? You ever done that? I have never known. 132 00:05:42,600 --> 00:05:45,080 Speaker 7: No, I don't think I've never organized. No, So like, 133 00:05:45,200 --> 00:05:46,560 Speaker 7: where do you get all the crafts from? 134 00:05:46,680 --> 00:05:48,159 Speaker 3: Yeah, you're right, and you got to get it on 135 00:05:48,160 --> 00:05:50,159 Speaker 3: the train or the tram and lug it all the 136 00:05:50,160 --> 00:05:53,520 Speaker 3: way there. And also i'd really be worried about other 137 00:05:53,560 --> 00:05:56,640 Speaker 3: people's reaction either signed and behind me as well, because 138 00:05:56,640 --> 00:05:58,919 Speaker 3: if you're holding up a big sign, also, it strikes 139 00:05:58,920 --> 00:05:59,960 Speaker 3: me as really hard work. 140 00:06:00,240 --> 00:06:02,839 Speaker 7: Yes, yeah, yeah, your arms of its workout to hold 141 00:06:02,880 --> 00:06:03,960 Speaker 7: it up the whole time. 142 00:06:04,040 --> 00:06:05,920 Speaker 3: Yeah, phats you ever taken a sign? 143 00:06:06,040 --> 00:06:08,719 Speaker 5: Yeah, we always used to religiously when we went to 144 00:06:08,760 --> 00:06:11,880 Speaker 5: Wiggles ords and I would always have like a craft 145 00:06:11,920 --> 00:06:14,800 Speaker 5: project and we'd all were always, that's so sweet, do 146 00:06:14,920 --> 00:06:17,039 Speaker 5: like an Emma big bow? And you know the Wiggles 147 00:06:17,040 --> 00:06:20,640 Speaker 5: are so they're brilliant post their fans. No, they're so good. 148 00:06:20,680 --> 00:06:23,200 Speaker 5: They always they get all of the signs at a concert. 149 00:06:23,279 --> 00:06:26,800 Speaker 5: And once she met Emma because she saw her beautiful 150 00:06:26,800 --> 00:06:28,280 Speaker 5: bow she'd made, and you know. 151 00:06:28,440 --> 00:06:30,080 Speaker 3: It's just oh, that's the best. 152 00:06:30,240 --> 00:06:31,800 Speaker 5: Kids love it. Yeah. 153 00:06:31,920 --> 00:06:34,000 Speaker 3: Yeah, I went to Girls when they were a lot younger. 154 00:06:34,000 --> 00:06:36,120 Speaker 3: This one's been ten twelve years ago. The Wiggles came 155 00:06:36,160 --> 00:06:38,480 Speaker 3: on my old radio show and they're just lovely guys, right, 156 00:06:38,520 --> 00:06:41,440 Speaker 3: they're such funny guys. And I set up my daughter's 157 00:06:41,480 --> 00:06:43,240 Speaker 3: big fans and they were doing this big show the 158 00:06:43,240 --> 00:06:46,080 Speaker 3: Hammersmith Odian, big famous music venue in London, and we'd 159 00:06:46,080 --> 00:06:48,200 Speaker 3: have tickets and there where we'd come beforehand we'd love 160 00:06:48,200 --> 00:06:50,320 Speaker 3: to meet the daughters. So I bought that my daughter's beforehand, 161 00:06:50,680 --> 00:06:52,920 Speaker 3: three of the spic Skirls. It was me three of 162 00:06:52,920 --> 00:06:58,120 Speaker 3: the Spice girls. Wow, and the Prime Minister, haven't you 163 00:06:58,360 --> 00:07:03,119 Speaker 3: shouldn't you be like looking after stuff can get nanny 164 00:07:03,160 --> 00:07:05,400 Speaker 3: or so and someone else to do. I got the 165 00:07:05,440 --> 00:07:07,240 Speaker 3: feeling as well, he didn't have any kids with it. 166 00:07:07,320 --> 00:07:10,240 Speaker 3: I got the feeling he just wants Maybe we've seen 167 00:07:10,320 --> 00:07:12,720 Speaker 3: very stressed from running a country and he just loves 168 00:07:12,760 --> 00:07:17,120 Speaker 3: those melodies. Anyway, my kids, because I'd obviously seen them 169 00:07:17,200 --> 00:07:21,000 Speaker 3: on TVs and iPads, seeing them in real life, especially 170 00:07:21,000 --> 00:07:24,640 Speaker 3: because Murray's really tough, he's like six seven lowess, my 171 00:07:24,720 --> 00:07:28,239 Speaker 3: youngest daughter burst into tears and hid behind my legs 172 00:07:28,880 --> 00:07:31,680 Speaker 3: and wouldn't stop crying for the whole thing where it 173 00:07:31,760 --> 00:07:35,600 Speaker 3: almost became I kept apologizing, it's you and they were already. 174 00:07:35,760 --> 00:07:37,880 Speaker 3: They were then trying to crouch down, which is the 175 00:07:37,920 --> 00:07:39,400 Speaker 3: worst thing to do if you if you're a kidting 176 00:07:39,400 --> 00:07:41,760 Speaker 3: scared of a big toll man. Toll Man, don't crouch 177 00:07:41,840 --> 00:07:44,480 Speaker 3: down and get in a face. It's like a giant 178 00:07:44,480 --> 00:07:47,160 Speaker 3: coming in at you to grab you with his big 179 00:07:47,160 --> 00:07:48,080 Speaker 3: long arms. 180 00:07:49,040 --> 00:07:51,920 Speaker 7: I had a very similar experience actually, because they when 181 00:07:51,920 --> 00:07:53,680 Speaker 7: I was a kid, they used to play cricket at 182 00:07:53,720 --> 00:07:56,560 Speaker 7: my dad's friends local cricket club. 183 00:07:56,840 --> 00:07:59,480 Speaker 3: Yeah, hard in batting with eating that big dinosaur out 184 00:07:59,480 --> 00:08:01,520 Speaker 3: for you a dinosaur. 185 00:08:01,520 --> 00:08:03,520 Speaker 7: And there's a picture of me with the with Greg 186 00:08:03,560 --> 00:08:07,120 Speaker 7: and Anthony and sobbing like bored, kidding what you're terrified 187 00:08:07,520 --> 00:08:10,280 Speaker 7: to terrified because I was like, how do they get 188 00:08:10,280 --> 00:08:12,000 Speaker 7: from the real life? 189 00:08:12,080 --> 00:08:13,080 Speaker 3: It was just from their mind. 190 00:08:13,200 --> 00:08:16,440 Speaker 7: Yeah, I think I've got the photo someone, I'll find. 191 00:08:16,240 --> 00:08:19,640 Speaker 3: It perhaentsly, I am genuinely interested about the elephants that 192 00:08:19,680 --> 00:08:23,440 Speaker 3: are moving from parkdal Melbourne Zoo all the way out 193 00:08:23,480 --> 00:08:26,960 Speaker 3: to Wearriby. How do they actually move all the elephants out? 194 00:08:27,080 --> 00:08:30,720 Speaker 5: So they've got a custom They've got a custom made 195 00:08:30,880 --> 00:08:34,720 Speaker 5: create that they've built especially for them, and they're kind 196 00:08:34,760 --> 00:08:37,280 Speaker 5: of like doing one at a time, so they've done. 197 00:08:38,200 --> 00:08:42,400 Speaker 3: What a time like Friday, Derek's gonna go Saturday, Maureeno 198 00:08:42,600 --> 00:08:44,480 Speaker 3: Sunday would take a break from a lip shift and 199 00:08:44,520 --> 00:08:46,640 Speaker 3: all those elephants, how do you get an elephant in 200 00:08:46,640 --> 00:08:47,120 Speaker 3: the crate? 201 00:08:47,800 --> 00:08:50,120 Speaker 5: You know, it's funny because the story is in their 202 00:08:50,120 --> 00:08:53,480 Speaker 5: old son today. He actually apparently just walked in there 203 00:08:53,760 --> 00:08:58,800 Speaker 5: without like needing a carrot or just elephants, carrots, carrots? 204 00:08:59,000 --> 00:09:00,720 Speaker 3: What about don't take I'm not even sure. 205 00:09:02,280 --> 00:09:04,280 Speaker 5: Whenever it was the size of them, like you know 206 00:09:04,400 --> 00:09:06,240 Speaker 5: with the dog with the pigs here. They didn't even 207 00:09:06,280 --> 00:09:07,679 Speaker 5: need to like coax him. 208 00:09:07,720 --> 00:09:10,840 Speaker 3: But the biggest strong things that cate must be reinforced. 209 00:09:11,000 --> 00:09:12,000 Speaker 3: He could just smash the crate. 210 00:09:12,080 --> 00:09:14,360 Speaker 5: Yeah massive. Anyway, he must have a ramp and he 211 00:09:14,480 --> 00:09:16,040 Speaker 5: just walks up in it. And then they. 212 00:09:17,600 --> 00:09:24,319 Speaker 3: Must have a when you're designing this craig, make sure 213 00:09:24,320 --> 00:09:27,480 Speaker 3: he's got a ramp or an elevator or left. 214 00:09:29,480 --> 00:09:31,880 Speaker 5: And then just drive him along the freeway. He had 215 00:09:31,920 --> 00:09:33,120 Speaker 5: a police escort. 216 00:09:33,920 --> 00:09:36,000 Speaker 3: Oh, I wish i'd seen this. Did they do this 217 00:09:36,040 --> 00:09:39,000 Speaker 3: overnight while we're asleep? Because a bit more? Damn it, 218 00:09:39,080 --> 00:09:41,679 Speaker 3: they should have done that prime time. They could have 219 00:09:41,760 --> 00:09:44,920 Speaker 3: had like you kids and have been waiting pad. In 220 00:09:44,960 --> 00:09:47,280 Speaker 3: my mind, I want the elephant's head out the top 221 00:09:47,320 --> 00:09:50,160 Speaker 3: of the crate and it's trunk and trunk like the 222 00:09:50,200 --> 00:09:51,559 Speaker 3: Queen to the way. 223 00:09:52,520 --> 00:09:55,880 Speaker 5: So little well, not so little luck Shy, the fifteen 224 00:09:55,920 --> 00:09:58,640 Speaker 5: year old Asian elephant bull. He's out there. He's had 225 00:09:58,640 --> 00:09:59,679 Speaker 5: his first night, so. 226 00:09:59,600 --> 00:10:03,640 Speaker 3: He's already weerriby, he's already be terrified. Yeah, for those 227 00:10:03,679 --> 00:10:12,080 Speaker 3: strange noises on the locals, especially very nafy suburbs up 228 00:10:12,080 --> 00:10:14,280 Speaker 3: bloody in the Gaza strip. Where are we right now? 229 00:10:15,080 --> 00:10:17,280 Speaker 5: He's out on the Savanna. Wharry belongs. 230 00:10:20,320 --> 00:10:23,240 Speaker 3: Next to even Gonnao out there the human Zoo, as 231 00:10:23,240 --> 00:10:24,640 Speaker 3: we call it, Weerriby. 232 00:10:24,960 --> 00:10:27,760 Speaker 2: The Christian O'Connell Show podcast. 233 00:10:28,160 --> 00:10:29,800 Speaker 3: All right, let's get in two double thumbs up. This 234 00:10:29,840 --> 00:10:31,319 Speaker 3: is every Friday on the show, we go around the 235 00:10:31,320 --> 00:10:33,720 Speaker 3: team and we talk about what we're into at the moment. Patsy, 236 00:10:33,760 --> 00:10:34,520 Speaker 3: what's it for you? 237 00:10:34,640 --> 00:10:37,880 Speaker 5: Yeah, we've found a couple of really great shows. Well, 238 00:10:37,920 --> 00:10:40,080 Speaker 5: the first is Will Ferrell. It's not a show so 239 00:10:40,160 --> 00:10:43,559 Speaker 5: much as movie. Will Ferrell's new movie with Reese Witherspoon, 240 00:10:43,720 --> 00:10:46,600 Speaker 5: You're Quarterly Invited, which is on Prime now. 241 00:10:46,679 --> 00:10:47,160 Speaker 3: Is this good? 242 00:10:47,280 --> 00:10:48,040 Speaker 5: It's fantastic. 243 00:10:48,160 --> 00:10:50,680 Speaker 3: I love Will Ferrell, but I have seen some of 244 00:10:50,679 --> 00:10:54,320 Speaker 3: the reviews of this and well, Rotten Tomatoes it was 245 00:10:54,360 --> 00:10:55,120 Speaker 3: thirty percent. 246 00:10:55,280 --> 00:10:58,480 Speaker 5: Yeah, look it's no. It is no Step Brothers, which 247 00:10:58,520 --> 00:11:01,160 Speaker 5: I think is his classy but I don't. 248 00:11:01,000 --> 00:11:04,040 Speaker 3: Step Brother's old school and commands school. 249 00:11:04,120 --> 00:11:07,120 Speaker 5: My god. Yes, but I mean, I don't think it's 250 00:11:07,240 --> 00:11:12,040 Speaker 5: fair to compare everything to not every movie is going 251 00:11:12,120 --> 00:11:13,520 Speaker 5: you're like smashing. 252 00:11:13,240 --> 00:11:16,040 Speaker 3: Good already giving it praise. This is supposed to be 253 00:11:16,080 --> 00:11:18,320 Speaker 3: like the very best thing you've seen. Rather, so don't 254 00:11:18,360 --> 00:11:21,520 Speaker 3: compare it to his other funny stuff in thee of 255 00:11:21,559 --> 00:11:23,840 Speaker 3: its own. This one he overslept for this one. 256 00:11:24,679 --> 00:11:28,800 Speaker 5: That's great. Reese Witherspoon is fantastic in this. She plays 257 00:11:28,840 --> 00:11:34,400 Speaker 5: a really feisty kind of power. I wanted to say, babe, 258 00:11:34,440 --> 00:11:36,960 Speaker 5: but I won't. Girl Boss, Yes, girl. 259 00:11:36,760 --> 00:11:38,880 Speaker 3: Boss, someone to speak on the radio. 260 00:11:39,760 --> 00:11:43,400 Speaker 5: There's a hilarious scene with an alligator. If you love. 261 00:11:45,600 --> 00:11:45,680 Speaker 8: Me? 262 00:11:45,720 --> 00:11:47,080 Speaker 3: Why didn't you start with that? 263 00:11:47,559 --> 00:11:47,959 Speaker 2: Oh? 264 00:11:48,000 --> 00:11:50,760 Speaker 3: Wow? How to play big in Australia? All the old 265 00:11:51,280 --> 00:11:54,040 Speaker 3: simpleton's out there love it? How does she cure the 266 00:11:54,040 --> 00:11:58,680 Speaker 3: Australian market chucker? Random scene there wrestling with an alligator, a. 267 00:11:58,720 --> 00:12:01,320 Speaker 5: Little bit wedding crashes, but you'll love it. It's on Prime. 268 00:12:01,600 --> 00:12:04,160 Speaker 5: The other thing that we've discovered on Prime as well 269 00:12:04,200 --> 00:12:05,480 Speaker 5: actually is Hot Ones. 270 00:12:05,880 --> 00:12:08,560 Speaker 3: Oh that's so good. I think it's actually the best 271 00:12:08,640 --> 00:12:10,040 Speaker 3: chat show in the world right now. 272 00:12:10,360 --> 00:12:10,600 Speaker 2: It is. 273 00:12:11,000 --> 00:12:13,640 Speaker 3: The questions he asks are really really good. 274 00:12:13,720 --> 00:12:16,120 Speaker 5: But it's brilliant. So if you're not across it, it's 275 00:12:16,920 --> 00:12:19,840 Speaker 5: the guy who hosts it. What's his name, Sean Evans, 276 00:12:20,360 --> 00:12:23,200 Speaker 5: So he'll have a guest on and really big guests 277 00:12:23,320 --> 00:12:27,760 Speaker 5: like Brian Kranston and Bear Grills and Melissa McCarthy, and 278 00:12:27,800 --> 00:12:32,160 Speaker 5: he lines up about twelve different hot sources that are 279 00:12:32,200 --> 00:12:36,400 Speaker 5: on varied degrees of the is it the Scovell scale, 280 00:12:36,720 --> 00:12:40,760 Speaker 5: so the Scoville scale, like the hottest thing, hottest pepper 281 00:12:40,840 --> 00:12:45,040 Speaker 5: or whatever measures about two million whatever the measuring scale 282 00:12:45,040 --> 00:12:48,040 Speaker 5: on the Scoville scale, And he'll like build it up 283 00:12:48,080 --> 00:12:50,560 Speaker 5: and they've got to like have this interview which is 284 00:12:50,600 --> 00:12:54,199 Speaker 5: really quite in depth at times, and have these chicken wings. 285 00:12:54,240 --> 00:12:55,559 Speaker 4: Yeah, they're crying. 286 00:12:58,040 --> 00:12:59,960 Speaker 3: To stop those two the Yeah. 287 00:13:00,160 --> 00:13:03,960 Speaker 5: I saw Melissa McCarthy last weekend. She was she's got 288 00:13:03,960 --> 00:13:06,600 Speaker 5: like milk in a pump bottle, and she's got bread 289 00:13:06,679 --> 00:13:09,480 Speaker 5: fridge breadsticks and like trying to work. 290 00:13:09,880 --> 00:13:11,120 Speaker 3: Now, that show massive. 291 00:13:11,280 --> 00:13:14,160 Speaker 7: He bought that show back for eighty two and a 292 00:13:14,200 --> 00:13:15,160 Speaker 7: half million dollars. 293 00:13:15,240 --> 00:13:16,880 Speaker 4: It just started as a YouTube show. 294 00:13:16,960 --> 00:13:17,679 Speaker 3: You're kidding. 295 00:13:17,840 --> 00:13:20,439 Speaker 7: He's brought back the rights last year eighty two and 296 00:13:20,480 --> 00:13:22,040 Speaker 7: a half million dollars. 297 00:13:22,160 --> 00:13:25,000 Speaker 3: I mean, it is massive, and it's such a simple 298 00:13:25,080 --> 00:13:27,320 Speaker 3: idea where you think it's throwaway, but it's not. His 299 00:13:27,480 --> 00:13:29,640 Speaker 3: questions are really well thought out. I do mean it 300 00:13:29,760 --> 00:13:32,320 Speaker 3: is the best chat show I actually provoked. Now to Norton, 301 00:13:32,320 --> 00:13:34,440 Speaker 3: I've been a big Graham Norton fan for years. But 302 00:13:34,480 --> 00:13:36,880 Speaker 3: I actually think it's better now that the interviews are 303 00:13:37,040 --> 00:13:40,400 Speaker 3: very funny. Then you've got this other craziness of Conan O'Brien. 304 00:13:40,440 --> 00:13:43,920 Speaker 3: One is so funny because ConA is actually frothing and 305 00:13:44,000 --> 00:13:46,760 Speaker 3: Cona's just got a face made for comedy like that 306 00:13:46,800 --> 00:13:50,200 Speaker 3: bit ginger. Yeah, and so the cybing frothing and he's 307 00:13:50,240 --> 00:13:53,479 Speaker 3: actually crying because you know when you have HoTT Yeah, 308 00:13:53,520 --> 00:13:58,000 Speaker 3: it's you. Actually you starts your eyeings water. Conan's face 309 00:13:58,200 --> 00:14:02,720 Speaker 3: goes rest on a ginger head man, Irish man. It's 310 00:14:02,760 --> 00:14:05,400 Speaker 3: an incredible look. But yeah, perhaps a great one for 311 00:14:05,720 --> 00:14:07,840 Speaker 3: people to watch. That Hot Ones is very very good. 312 00:14:08,520 --> 00:14:12,120 Speaker 2: The Christian O'Connell Show podcast. 313 00:14:11,679 --> 00:14:14,320 Speaker 3: We're doing double thumbs up. This is every Friday. We 314 00:14:14,440 --> 00:14:17,240 Speaker 3: go around the team share the things that we're into 315 00:14:17,240 --> 00:14:19,480 Speaker 3: in the moment. Could be a new TV show, a movie, 316 00:14:19,520 --> 00:14:21,680 Speaker 3: an app, a book. You do the same as well. 317 00:14:21,720 --> 00:14:23,360 Speaker 3: You can text me what are you really enjoying at 318 00:14:23,360 --> 00:14:26,360 Speaker 3: the moment? Oh false seventy five three one oh four 319 00:14:26,480 --> 00:14:31,160 Speaker 3: three doing these hours? You want mister Bias to know 320 00:14:31,240 --> 00:14:33,920 Speaker 3: that I am a big fan of naps and even 321 00:14:33,920 --> 00:14:36,840 Speaker 3: when I'm not doing these hours, i am still a 322 00:14:36,880 --> 00:14:37,880 Speaker 3: fan of naps. 323 00:14:38,000 --> 00:14:39,040 Speaker 4: Is that your double thumbs up? 324 00:14:39,120 --> 00:14:42,360 Speaker 3: Ye just naps. Shout out to big old nana nap 325 00:14:42,400 --> 00:14:45,520 Speaker 3: in the afternoon, Big old, syrupy honeyed sleep that you 326 00:14:45,520 --> 00:14:48,600 Speaker 3: get in a nice summer's afternoon. It's the best. Sometimes 327 00:14:48,600 --> 00:14:51,280 Speaker 3: you might hear someone in a distance cutting the grass 328 00:14:51,280 --> 00:14:53,040 Speaker 3: but not too close what it keeps you awake? Or 329 00:14:53,200 --> 00:14:56,320 Speaker 3: you might hear a small light aircraft just going over 330 00:14:56,480 --> 00:14:57,760 Speaker 3: there's purring in the distance. 331 00:14:58,760 --> 00:15:01,160 Speaker 5: Do you go to bid though, or on the couch 332 00:15:01,240 --> 00:15:01,720 Speaker 5: or what do you do? 333 00:15:01,960 --> 00:15:02,480 Speaker 3: Anywhere? 334 00:15:02,920 --> 00:15:03,200 Speaker 5: Wow? 335 00:15:03,760 --> 00:15:07,120 Speaker 3: It anywhere anywhere. I can be on a plane on 336 00:15:07,160 --> 00:15:10,239 Speaker 3: a runway and it's about to take off, I can start. 337 00:15:10,320 --> 00:15:13,440 Speaker 3: I've napped on planes on runways. My family are like, 338 00:15:13,640 --> 00:15:16,520 Speaker 3: how can anyone be that relaxed? You can nap on 339 00:15:16,560 --> 00:15:19,440 Speaker 3: a plane on a runway as it's going into the air. 340 00:15:19,680 --> 00:15:22,640 Speaker 3: But anyway, when I was on holiday in Thailand in 341 00:15:22,680 --> 00:15:26,320 Speaker 3: the New Year, right, my nap game weren't even higher. 342 00:15:26,640 --> 00:15:29,240 Speaker 3: And I tell you why. These days online you see 343 00:15:29,240 --> 00:15:31,520 Speaker 3: a lot of videos dourning on Instagram and TikTok or 344 00:15:31,600 --> 00:15:34,560 Speaker 3: trying to tenx your productivity. I'm not interested in that. 345 00:15:34,880 --> 00:15:38,160 Speaker 3: I'm more on tenxing your chill. I'm more about ten xing. 346 00:15:38,640 --> 00:15:42,440 Speaker 3: You're napping all right, and this is a game changer. 347 00:15:42,480 --> 00:15:44,600 Speaker 3: So I kept saying to my wife, why won napping 348 00:15:45,040 --> 00:15:48,120 Speaker 3: in a much better way? We're on holiday? And I realized, 349 00:15:48,240 --> 00:15:50,760 Speaker 3: because it was ya and so humid, we have a 350 00:15:50,800 --> 00:15:55,880 Speaker 3: fan on every afternoon. So bother said, be this. How 351 00:15:55,880 --> 00:15:58,320 Speaker 3: do I bring the fan with me? And then I 352 00:15:58,400 --> 00:16:04,240 Speaker 3: found this amazing app, the fan app every afternoon. It's 353 00:16:04,280 --> 00:16:06,480 Speaker 3: next to me. The noise of it, I don't know 354 00:16:06,480 --> 00:16:09,120 Speaker 3: what it is, psychologically, the noise of it. I feel 355 00:16:09,120 --> 00:16:11,160 Speaker 3: like there's one on me. No, no, white noise is this? 356 00:16:12,520 --> 00:16:15,040 Speaker 3: I don't know white noise? Close your eyes, Guy's the 357 00:16:15,120 --> 00:16:18,520 Speaker 3: power of radio. It's a free outwit now because I've 358 00:16:18,520 --> 00:16:21,600 Speaker 3: got the free questions. Sorry, stay with us, real you 359 00:16:21,640 --> 00:16:22,280 Speaker 3: go to yours quickly. 360 00:16:22,360 --> 00:16:26,600 Speaker 4: Let me just get this, okay, my double thumbs, Patsy. 361 00:16:26,800 --> 00:16:27,840 Speaker 4: Have you watched Severance? 362 00:16:28,400 --> 00:16:28,680 Speaker 2: No? 363 00:16:29,120 --> 00:16:29,240 Speaker 7: You? 364 00:16:29,360 --> 00:16:31,120 Speaker 4: Oh my good? Have you heard about it? 365 00:16:31,200 --> 00:16:31,400 Speaker 3: Yes? 366 00:16:31,440 --> 00:16:32,560 Speaker 5: I have heard about it. 367 00:16:32,840 --> 00:16:33,920 Speaker 3: Oh, here we go, I've gone back. 368 00:16:34,400 --> 00:16:35,280 Speaker 5: Here we go back to. 369 00:16:42,320 --> 00:16:45,680 Speaker 3: Look at that. It's an actual fan. Actually does feel like, yeah, yeah, 370 00:16:46,080 --> 00:16:47,480 Speaker 3: that's just a medium one. Now if I want to 371 00:16:47,480 --> 00:16:49,360 Speaker 3: crank it for a big one, oh you're crazy. Oh 372 00:16:49,440 --> 00:16:51,560 Speaker 3: my god, I'm in a turbine. 373 00:16:51,200 --> 00:16:53,840 Speaker 4: Now, could you just get a buy a fan though. 374 00:16:54,280 --> 00:16:55,280 Speaker 3: I can take this anywhere. 375 00:16:55,520 --> 00:16:56,760 Speaker 4: You can take a fan anywhere. 376 00:16:56,800 --> 00:16:57,720 Speaker 3: That's loathed. 377 00:16:59,000 --> 00:16:59,960 Speaker 5: That's really annoying. 378 00:17:00,240 --> 00:17:01,080 Speaker 3: It's not annoying. 379 00:17:01,120 --> 00:17:04,080 Speaker 4: That is it is a quite a brist I love that. 380 00:17:04,080 --> 00:17:06,720 Speaker 3: That is how you ten x your nap game or 381 00:17:06,800 --> 00:17:09,800 Speaker 3: friends anything that. Patty, you would have seen this when 382 00:17:09,800 --> 00:17:11,920 Speaker 3: it came out. One of my daughters this week introduced 383 00:17:11,920 --> 00:17:14,600 Speaker 3: me to it, right, and it is Upper Middle Bogan. 384 00:17:15,119 --> 00:17:19,159 Speaker 3: Not seen it before. It's funny, funny, funny show. Glenn 385 00:17:19,200 --> 00:17:22,040 Speaker 3: Robbins comedy Master. He's so good in that, the whole 386 00:17:22,080 --> 00:17:25,520 Speaker 3: cast of great and obviously he's got Patrick from Connin 387 00:17:25,520 --> 00:17:30,239 Speaker 3: from Accounts. Yes, Patrick, no big star in his own right. 388 00:17:30,840 --> 00:17:33,760 Speaker 3: He was groating that very very funny Upper Middle Bogan 389 00:17:34,400 --> 00:17:36,080 Speaker 3: is really good. And also I'm getting a kick out 390 00:17:36,080 --> 00:17:38,840 Speaker 3: of because it's filmed here in Melbourne, seeing some of 391 00:17:38,840 --> 00:17:42,000 Speaker 3: the locations as well, suburbs stay using yeah for the 392 00:17:42,040 --> 00:17:45,119 Speaker 3: for the Bogan part, Yeah, but yeah, really really enjoying that. 393 00:17:45,240 --> 00:17:49,080 Speaker 3: And with the super Bowl on Monday, I read a 394 00:17:49,119 --> 00:17:51,680 Speaker 3: great book two weeks all two weeks ago called Out 395 00:17:51,680 --> 00:17:56,359 Speaker 3: of Darkness. It's about Aaron Rodgers, who's a quarterback, one 396 00:17:56,359 --> 00:17:58,520 Speaker 3: of the most famous quarterbacks in America at the moment, 397 00:17:58,800 --> 00:18:01,360 Speaker 3: and he's been a quarterback for years. I'm not a 398 00:18:01,400 --> 00:18:04,480 Speaker 3: massive American football fan, but I watched the Super Bowl 399 00:18:04,520 --> 00:18:06,640 Speaker 3: and I like reading books about it and the strategy 400 00:18:06,680 --> 00:18:10,520 Speaker 3: and the psychology. His book Out of Darkness is almost 401 00:18:10,560 --> 00:18:12,879 Speaker 3: as good as one of my favorite books I've gifted 402 00:18:12,880 --> 00:18:15,639 Speaker 3: to so many friends is the Andre Agassi book Open. 403 00:18:15,680 --> 00:18:18,760 Speaker 3: I brought Jack a copy Hamish Blay. I love that book. 404 00:18:19,119 --> 00:18:21,480 Speaker 3: It's almost as good as that. It's a really really 405 00:18:21,560 --> 00:18:24,280 Speaker 3: interesting book. It's called out of Darkness because last year 406 00:18:24,320 --> 00:18:27,560 Speaker 3: Aaron Rodgers went to a darkness retreat where he shut 407 00:18:27,600 --> 00:18:30,320 Speaker 3: into a room in the middle of nowhere for seventy 408 00:18:30,320 --> 00:18:33,000 Speaker 3: two hours. It literally is proper darkness. 409 00:18:33,320 --> 00:18:35,240 Speaker 4: And what was he trying to pick a new team 410 00:18:35,400 --> 00:18:36,119 Speaker 4: or something like that. 411 00:18:36,240 --> 00:18:38,560 Speaker 3: Ye, yeah, yeah, bad choice. Out of the darkness he 412 00:18:38,600 --> 00:18:39,480 Speaker 3: went over to New York. 413 00:18:41,359 --> 00:18:43,400 Speaker 4: Yeah, that would be going very well. 414 00:18:45,200 --> 00:18:47,359 Speaker 3: But the book is very good. And the same author 415 00:18:47,359 --> 00:18:49,600 Speaker 3: who wrote Out of Darkness did a great book about 416 00:18:49,680 --> 00:18:52,640 Speaker 3: Bill Belichick. It's on the Great sports Coaches Ever, which 417 00:18:52,720 --> 00:18:54,720 Speaker 3: is a really really good read as well. Ria. What 418 00:18:54,760 --> 00:18:55,720 Speaker 3: are you into at the moment? 419 00:18:55,800 --> 00:18:58,560 Speaker 7: Guys, you have to watch Severance. I know it's been 420 00:18:58,680 --> 00:19:00,880 Speaker 7: out for a little while, but sees and twos here. 421 00:19:00,960 --> 00:19:02,520 Speaker 3: People are raving about it. Is it good to know? 422 00:19:02,600 --> 00:19:05,760 Speaker 3: It's produced by directed. 423 00:19:05,320 --> 00:19:09,680 Speaker 7: By Ben Steeler Adam Scott from Step Brothers Patsy alumni. 424 00:19:09,680 --> 00:19:11,960 Speaker 4: And it's one of those shows I think every five. 425 00:19:12,000 --> 00:19:15,440 Speaker 3: What is it sci fi? Because it looks very stylish, it's. 426 00:19:15,400 --> 00:19:17,240 Speaker 4: Very you know what Black Mirror. 427 00:19:16,960 --> 00:19:21,400 Speaker 7: If you ever watched sort of Got that psychological thriller, 428 00:19:22,160 --> 00:19:23,680 Speaker 7: it's it's the premise of. 429 00:19:23,640 --> 00:19:29,520 Speaker 3: It, did you hear song a bit racy edge of 430 00:19:29,600 --> 00:19:30,119 Speaker 3: your suit? 431 00:19:30,520 --> 00:19:32,760 Speaker 7: The premise of it is you go to work and 432 00:19:32,880 --> 00:19:35,720 Speaker 7: you get your memory split, so you've got a work 433 00:19:35,800 --> 00:19:37,520 Speaker 7: person and your real life. 434 00:19:38,720 --> 00:19:42,600 Speaker 3: Building hockey's already started. That That is a very split mind. 435 00:19:43,400 --> 00:19:44,240 Speaker 4: But it's incredible. 436 00:19:44,640 --> 00:19:47,040 Speaker 7: It's I think every few years there comes a show 437 00:19:47,119 --> 00:19:50,440 Speaker 7: that is just a cut above the rest succession, Breaking Bad, 438 00:19:50,480 --> 00:19:53,120 Speaker 7: the Sopranos, This, this is, this is it. 439 00:19:53,119 --> 00:19:55,120 Speaker 4: It is brilliant, beyond words. 440 00:19:55,720 --> 00:19:57,360 Speaker 3: In between shows at moment, So I'll check it out 441 00:19:58,560 --> 00:19:59,920 Speaker 3: on Apple plus Apple. 442 00:20:00,280 --> 00:20:04,920 Speaker 2: All Right, The Christian O'Connell show podcast. 443 00:20:05,040 --> 00:20:07,600 Speaker 3: Good Morning to Jerry Christian. We're watching Madam, the new 444 00:20:07,680 --> 00:20:13,640 Speaker 3: Channel nine show starring the great Rachel Griffith. Yes, good morning, Richard. 445 00:20:13,680 --> 00:20:16,159 Speaker 3: I'm threequarters away through The Walking Dead. I got a 446 00:20:16,200 --> 00:20:19,320 Speaker 3: couple of seasons into it and it just became increasingly grim. 447 00:20:19,400 --> 00:20:22,520 Speaker 3: And also timing is everything sometimes in life. It was 448 00:20:22,600 --> 00:20:25,720 Speaker 3: during COVID. It was just like COVID was miserable. My 449 00:20:26,000 --> 00:20:28,199 Speaker 3: Escape TV show is even more bleak. There was just 450 00:20:28,240 --> 00:20:31,560 Speaker 3: too much bleakness, and even Richard, you're saying that, to 451 00:20:31,560 --> 00:20:33,320 Speaker 3: be honest, I just want to finish it now so 452 00:20:33,400 --> 00:20:36,080 Speaker 3: and can get out of the zombie headspace. I keep 453 00:20:36,119 --> 00:20:38,400 Speaker 3: having to do a refresher in between episodes are too 454 00:20:38,400 --> 00:20:40,760 Speaker 3: heavy of watching the reruns off The Peep Show, which 455 00:20:40,800 --> 00:20:43,280 Speaker 3: still makes me laugh out there. It's funny mentioned Peep 456 00:20:43,320 --> 00:20:47,239 Speaker 3: Show because Jesse Armstrong won. The main writers of that 457 00:20:47,320 --> 00:20:53,200 Speaker 3: show created succession. Yeah. Yeah, book Shantaram, amazing story, Christian, 458 00:20:53,240 --> 00:20:56,399 Speaker 3: you'd love it. Oussie Guy escapes Pentridge Prison and flees 459 00:20:56,440 --> 00:20:59,159 Speaker 3: to India. Christian earlier were talking about people trying to 460 00:20:59,160 --> 00:21:03,160 Speaker 3: get rock stars tattoos of their signature. Last twenty years, 461 00:21:03,160 --> 00:21:06,600 Speaker 3: I'm been trying to get Robbie Williams attention and get 462 00:21:06,640 --> 00:21:09,159 Speaker 3: his signature on my arm. I haven't going to do 463 00:21:09,240 --> 00:21:12,040 Speaker 3: it next next time you're interviewing him, can you ask 464 00:21:12,119 --> 00:21:13,879 Speaker 3: him to keep a look out for me? Do you 465 00:21:13,920 --> 00:21:15,640 Speaker 3: know what if you really want to get it done, 466 00:21:15,680 --> 00:21:17,680 Speaker 3: if I'm interviewing one on one and it's in person, 467 00:21:17,920 --> 00:21:20,360 Speaker 3: I'll invite you to come along so you can quickly 468 00:21:20,800 --> 00:21:23,240 Speaker 3: sign your arm and then we'll actually organized to tourist 469 00:21:23,520 --> 00:21:25,400 Speaker 3: in the studio. Is if Robbie wants to do it, 470 00:21:25,560 --> 00:21:27,960 Speaker 3: you can get your own. Who was the footy player 471 00:21:27,960 --> 00:21:32,879 Speaker 3: we had? He was paying for the pies at the 472 00:21:32,880 --> 00:21:35,119 Speaker 3: time and he got shunned around a bit. Yes, just 473 00:21:35,160 --> 00:21:39,400 Speaker 3: like mishappened. He forgot the rules your own during the game. 474 00:21:39,920 --> 00:21:43,840 Speaker 3: Any who's he? Good morning, Christian? Driving him well this morning? 475 00:21:43,920 --> 00:21:47,600 Speaker 3: I know you love hearing about stranger unusual car Regiro plates. 476 00:21:48,400 --> 00:21:51,080 Speaker 3: The guy in front of me was w T F Man. 477 00:21:54,400 --> 00:21:57,240 Speaker 3: That's on Stacy now producicating. You've got something that's lit 478 00:21:57,280 --> 00:21:58,560 Speaker 3: you up this week? What does it make? 479 00:21:59,080 --> 00:22:02,320 Speaker 1: This will change any ones life because it's the best 480 00:22:02,359 --> 00:22:04,840 Speaker 1: health hack I've ever come across, and you can get 481 00:22:04,880 --> 00:22:05,560 Speaker 1: it from kmart. 482 00:22:05,840 --> 00:22:09,280 Speaker 3: Oh yeah, you to go there, Ancho? 483 00:22:09,440 --> 00:22:12,720 Speaker 1: Is it seven dollars to change your life. It is 484 00:22:12,760 --> 00:22:15,879 Speaker 1: a four hundred and fifty mil oil spray and poor bottle. 485 00:22:16,160 --> 00:22:21,000 Speaker 1: Now getting to the health part. When you spray oil 486 00:22:21,200 --> 00:22:25,280 Speaker 1: onto a pan, you get about four grams of calories. Right, 487 00:22:25,680 --> 00:22:27,720 Speaker 1: If you have too many calories, it's not very good. 488 00:22:28,080 --> 00:22:28,720 Speaker 5: So this spray. 489 00:22:28,760 --> 00:22:29,720 Speaker 1: But do you spray. 490 00:22:29,560 --> 00:22:32,280 Speaker 3: For okay to doctor obvious. Yeah, I think the world 491 00:22:32,320 --> 00:22:33,640 Speaker 3: is up to what calories are. 492 00:22:33,680 --> 00:22:38,439 Speaker 1: Now, if you pour just free poor a oil, it 493 00:22:38,480 --> 00:22:40,680 Speaker 1: can be like fifty calories in one teas. 494 00:22:40,960 --> 00:22:43,920 Speaker 3: I doubt that. I don't speak the problem in people's 495 00:22:43,960 --> 00:22:46,159 Speaker 3: health and stuff that is the oil they're eating. 496 00:22:46,400 --> 00:22:49,240 Speaker 1: Well, yeah, if you're cooking food and the food's got like. 497 00:22:49,200 --> 00:22:51,000 Speaker 3: A load of calories, you can buy those cans of 498 00:22:51,040 --> 00:22:52,880 Speaker 3: spray anyway. That's why I use out in the barbecues 499 00:22:52,920 --> 00:22:55,080 Speaker 3: that olive oil sprays in an aerosol. 500 00:22:55,200 --> 00:22:57,680 Speaker 1: Sometimes they say aerosols not that good for your health. 501 00:22:57,720 --> 00:22:59,680 Speaker 1: There can be a couple of bugs and whatnot in there. 502 00:22:59,760 --> 00:23:02,080 Speaker 3: This so bugs in my ugs? 503 00:23:02,280 --> 00:23:04,879 Speaker 1: Not bugs, I mean like bad You know what are 504 00:23:04,880 --> 00:23:07,320 Speaker 1: they called chemicals? I would say, yeah, where. 505 00:23:07,160 --> 00:23:07,560 Speaker 9: Is this right? 506 00:23:07,760 --> 00:23:10,000 Speaker 3: The acquisation of mate from a producer who should have 507 00:23:10,000 --> 00:23:13,240 Speaker 3: done the legal training about defamation. But anyway, I'm not 508 00:23:13,280 --> 00:23:14,320 Speaker 3: sure that's true. 509 00:23:15,040 --> 00:23:18,480 Speaker 1: Not true, not true. But this one glass bottle and 510 00:23:18,520 --> 00:23:21,159 Speaker 1: you can clean it really easily, and it's seven dollars 511 00:23:21,240 --> 00:23:23,400 Speaker 1: and you can get it a camut and it'll change 512 00:23:23,400 --> 00:23:24,200 Speaker 1: your health for life. 513 00:23:24,720 --> 00:23:26,720 Speaker 3: All right, we won't be going to you because Jack's away. 514 00:23:26,720 --> 00:23:28,280 Speaker 3: I think I've got to too many producers. 515 00:23:28,680 --> 00:23:31,440 Speaker 2: Christian Condor Show Podcast. 516 00:23:31,200 --> 00:23:33,720 Speaker 3: Twenty minutes time, Well tell you about this morning's naked 517 00:23:33,760 --> 00:23:35,959 Speaker 3: hour Weavery Friday on the show. From it, we let 518 00:23:36,000 --> 00:23:38,320 Speaker 3: you pick all the music. We turned the show into 519 00:23:38,320 --> 00:23:41,720 Speaker 3: one giant jukebox. We give you a theme before that. 520 00:23:41,800 --> 00:23:43,840 Speaker 3: This idea comes out of a meeting where we have 521 00:23:43,880 --> 00:23:47,520 Speaker 3: an after the show yesterday that suddenly went sideways when 522 00:23:47,600 --> 00:23:52,880 Speaker 3: one of the people present did an impression of a 523 00:23:52,960 --> 00:23:57,520 Speaker 3: car alarm. But this impression of a car alarm sounded 524 00:23:57,760 --> 00:24:00,720 Speaker 3: like a car alarm. It literally may all of us 525 00:24:00,760 --> 00:24:03,680 Speaker 3: in the studio having the meeting after the show yesterday. Jump. 526 00:24:03,760 --> 00:24:05,240 Speaker 3: This is Sarah works on a show. 527 00:24:05,320 --> 00:24:06,359 Speaker 8: I'm just going to see if I can do it 528 00:24:06,359 --> 00:24:06,959 Speaker 8: with that warming up. 529 00:24:10,160 --> 00:24:13,400 Speaker 3: Yeah, you ever heard you ever heard an impression of 530 00:24:13,440 --> 00:24:16,840 Speaker 3: something an object that good? They were just playing this again. 531 00:24:16,840 --> 00:24:20,040 Speaker 3: This is literally from our meeting yesterday morning post show. 532 00:24:20,240 --> 00:24:21,280 Speaker 8: I'm just going to see if I can do it 533 00:24:21,320 --> 00:24:22,000 Speaker 8: with that warming up. 534 00:24:25,400 --> 00:24:27,080 Speaker 3: Warm up? I mean, what was the warm up I'm 535 00:24:27,080 --> 00:24:28,720 Speaker 3: gonna do? How do you warm up for somebody? How 536 00:24:28,760 --> 00:24:29,960 Speaker 3: do you even discover you can do that? 537 00:24:30,240 --> 00:24:31,639 Speaker 4: How do you stumble up? 538 00:24:31,760 --> 00:24:33,800 Speaker 3: I think she saw her car being broken into. She's 539 00:24:34,000 --> 00:24:35,320 Speaker 3: in the pub, doesn't want to go out there. It 540 00:24:35,400 --> 00:24:36,199 Speaker 3: just starts to do this. 541 00:24:36,240 --> 00:24:37,240 Speaker 8: I'm just going to see if I can do it 542 00:24:37,280 --> 00:24:37,840 Speaker 8: with that warming up. 543 00:24:40,200 --> 00:24:43,160 Speaker 7: It's even the perfect It sounds more like a car 544 00:24:43,240 --> 00:24:44,760 Speaker 7: alarm than a carl. 545 00:24:45,000 --> 00:24:49,520 Speaker 3: This is a car alarm, not as good. That sounds shriller. 546 00:24:49,960 --> 00:24:51,359 Speaker 3: This is Sarah, our producer. 547 00:24:51,440 --> 00:24:52,480 Speaker 8: I'm just going to see if I can do it 548 00:24:52,480 --> 00:24:53,080 Speaker 8: with that warming up. 549 00:24:55,920 --> 00:25:01,760 Speaker 3: Put them together. I want that on my actual car 550 00:25:01,840 --> 00:25:04,840 Speaker 3: now on my phone as well, just an alarm if 551 00:25:04,840 --> 00:25:06,040 Speaker 3: anyone ever steals it as. 552 00:25:05,960 --> 00:25:09,640 Speaker 5: Well, she do it with it like what chats She takes. 553 00:25:09,440 --> 00:25:11,520 Speaker 3: Something with her throat as she was doing it. 554 00:25:11,600 --> 00:25:13,840 Speaker 7: Yeah, because we're just standing around having a normal meeting. 555 00:25:13,920 --> 00:25:16,520 Speaker 7: I don't even remember how we got on do a 556 00:25:16,560 --> 00:25:17,080 Speaker 7: car aline. 557 00:25:17,280 --> 00:25:19,159 Speaker 3: And also when someone says, oh, I couldn't do an 558 00:25:19,160 --> 00:25:21,320 Speaker 3: impression with car alum I just thought it wouldn't be 559 00:25:21,359 --> 00:25:21,680 Speaker 3: that good. 560 00:25:22,640 --> 00:25:24,800 Speaker 7: Ye that, But she stands there and she sort of 561 00:25:24,880 --> 00:25:28,840 Speaker 7: leaves her body with her eyes go huge back of 562 00:25:28,880 --> 00:25:31,800 Speaker 7: the channeling something almost like an exorcism. 563 00:25:32,040 --> 00:25:32,840 Speaker 3: That would be Goldberg. 564 00:25:34,040 --> 00:25:36,280 Speaker 4: And then she just screams and she chops her throat. 565 00:25:37,600 --> 00:25:40,600 Speaker 3: Is do not try this at home. It's a prose only. Yeah, 566 00:25:40,600 --> 00:25:40,920 Speaker 3: it was. 567 00:25:41,000 --> 00:25:43,800 Speaker 4: It was impressive and terrifying at the same time. 568 00:25:44,320 --> 00:25:47,600 Speaker 3: So this morning, can you do an impression of something 569 00:25:47,720 --> 00:25:50,840 Speaker 3: and object anything? Nine four one four one o four 570 00:25:50,960 --> 00:25:53,639 Speaker 3: three Everyone that comes in their win surprise Rio, you 571 00:25:53,640 --> 00:25:55,919 Speaker 3: can do an impression of your you aretaining alarm. Oh, 572 00:25:56,040 --> 00:25:59,359 Speaker 3: these days too many things make alarms to let us 573 00:25:59,359 --> 00:26:02,080 Speaker 3: know they've done the job. They're hinde for the microwave, 574 00:26:02,520 --> 00:26:05,399 Speaker 3: the oven, Oh mate, you're an oven, my washing machine? 575 00:26:05,440 --> 00:26:07,560 Speaker 7: Does my head in It does like it's a thirty 576 00:26:07,560 --> 00:26:11,320 Speaker 7: second almost like a Beehoven three part er. It's so long, 577 00:26:11,359 --> 00:26:13,160 Speaker 7: and just as soon as you think it's done, there's 578 00:26:13,200 --> 00:26:16,080 Speaker 7: more of the song to go and it drives me insane. 579 00:26:16,119 --> 00:26:19,080 Speaker 7: But because it happens so much now it's it's burnt 580 00:26:19,119 --> 00:26:22,280 Speaker 7: into my brain against my will. Here well, so I 581 00:26:22,280 --> 00:26:25,120 Speaker 7: can I can see, I know it perfectly say if 582 00:26:25,160 --> 00:26:28,720 Speaker 7: you go please d d D ding ding ding ding 583 00:26:28,840 --> 00:26:32,919 Speaker 7: ding ding ding ding ding ding d d D. 584 00:26:34,920 --> 00:26:38,639 Speaker 4: Didn't this is trthy mad. 585 00:26:38,720 --> 00:26:40,159 Speaker 3: You sat there just having a bit to it or 586 00:26:40,280 --> 00:26:42,600 Speaker 3: take away or beer, and then they're just going, yeah, yeah, 587 00:26:42,600 --> 00:26:44,760 Speaker 3: I'll get to it when I'm ready thirty four seconds. 588 00:26:44,920 --> 00:26:48,679 Speaker 7: Then then then then then then then. 589 00:26:50,080 --> 00:26:52,280 Speaker 3: Like this, this would have lasted about two minutes before 590 00:26:52,280 --> 00:26:53,199 Speaker 3: I put my foot through it. 591 00:26:53,600 --> 00:26:54,720 Speaker 4: And do you think it's done here? 592 00:26:55,920 --> 00:26:58,480 Speaker 3: No, that's for you. Do you know? I have a 593 00:26:58,520 --> 00:27:01,200 Speaker 3: theory that the people that des didn't get the jobs 594 00:27:01,200 --> 00:27:03,680 Speaker 3: at NASA, that they dreamt off at university or Tafe 595 00:27:03,720 --> 00:27:06,399 Speaker 3: all right or r and then now like how what 596 00:27:06,480 --> 00:27:09,320 Speaker 3: did you do your degree? Because I hate a humble brand, 597 00:27:09,320 --> 00:27:11,520 Speaker 3: but I'm having a great time working at NASA. I'm 598 00:27:11,560 --> 00:27:13,840 Speaker 3: looking for Elil Musk and his rocket program. What are 599 00:27:13,880 --> 00:27:16,359 Speaker 3: you doing? Well, I'm working for a washing machine company. 600 00:27:17,320 --> 00:27:19,240 Speaker 3: This is what they do to take out their. 601 00:27:20,040 --> 00:27:25,359 Speaker 2: Yes, Christian O'Connell show, go on podcast. 602 00:27:25,359 --> 00:27:30,880 Speaker 3: Less dumpster fire more so elmost fire put on a poster, 603 00:27:31,040 --> 00:27:33,640 Speaker 3: You're welcome, thank you. How does he do it? 604 00:27:34,359 --> 00:27:38,000 Speaker 7: Although, let's hold fire on the dumpster fire. Maybe before 605 00:27:38,000 --> 00:27:38,399 Speaker 7: you hear this. 606 00:27:38,880 --> 00:27:42,800 Speaker 3: Oh yeah, you're right, Yes, yeah, it would appear that 607 00:27:42,880 --> 00:27:45,280 Speaker 3: yesterday this idea of peaks with Sarah who watch the 608 00:27:45,280 --> 00:27:48,399 Speaker 3: show doing an amazing impression of a human car alarm. 609 00:27:48,840 --> 00:27:51,320 Speaker 3: I'm looking at the phone lines in who's lined up? 610 00:27:52,280 --> 00:27:55,480 Speaker 3: Feral cat? Now I don't even know if that's a 611 00:27:55,560 --> 00:27:58,199 Speaker 3: nickname for one of our six hour listeners, because some 612 00:27:58,240 --> 00:28:03,200 Speaker 3: of them came me a bit fairly. There's a time rate, 613 00:28:03,200 --> 00:28:05,720 Speaker 3: so I don't know what it is. All right, okay, 614 00:28:05,800 --> 00:28:08,160 Speaker 3: so what can you do? An impression of not? Who 615 00:28:08,160 --> 00:28:10,240 Speaker 3: do you do? What do you do? Nine four one 616 00:28:10,280 --> 00:28:13,320 Speaker 3: four one o four three? That's gonna know. Now here's 617 00:28:13,359 --> 00:28:15,160 Speaker 3: the So I've got to go. I gotta hi, patsis 618 00:28:15,400 --> 00:28:16,360 Speaker 3: you do a dentist drill? 619 00:28:16,440 --> 00:28:17,240 Speaker 5: I do a dentist drill? 620 00:28:17,280 --> 00:28:17,720 Speaker 8: You ready? 621 00:28:17,880 --> 00:28:23,240 Speaker 3: Yeah? That's good. That's actually really good. What about the 622 00:28:23,280 --> 00:28:27,960 Speaker 3: old sucker thing? Let's do them together. You do the drill? 623 00:28:28,040 --> 00:28:33,920 Speaker 3: Do the socker would be dent that's horrible noise early 624 00:28:33,920 --> 00:28:36,560 Speaker 3: in the morning for you're listeners. All right, now, let's 625 00:28:36,560 --> 00:28:40,160 Speaker 3: go to Tyler. He was almost ready then, Tyler. Yeah, 626 00:28:40,160 --> 00:28:41,800 Speaker 3: I'm good. So what can you do, Tyer? 627 00:28:42,360 --> 00:28:45,120 Speaker 10: I can do a bird or a duckling, I guess, 628 00:28:45,160 --> 00:28:48,000 Speaker 10: or a Benby Chick broad range. 629 00:28:48,080 --> 00:28:51,600 Speaker 3: I like you keep it broad you can die in 630 00:28:51,640 --> 00:28:53,120 Speaker 3: as you start doing it. 631 00:28:53,960 --> 00:28:56,160 Speaker 6: And people like pick up on certain things, so it's 632 00:28:56,160 --> 00:28:57,720 Speaker 6: whatever they choose. I guess right. 633 00:28:57,720 --> 00:28:59,200 Speaker 3: It's like when you see a work of art, isn't 634 00:28:59,200 --> 00:29:01,280 Speaker 3: it We will see something different, and I believe we're 635 00:29:01,280 --> 00:29:03,280 Speaker 3: about to hear a work of art right now, Tyler, 636 00:29:03,400 --> 00:29:09,040 Speaker 3: in your own time, Off you go, mate, Oh it's 637 00:29:09,040 --> 00:29:12,600 Speaker 3: baby chicks. This is beautiful. I'm down by a pond 638 00:29:12,640 --> 00:29:15,920 Speaker 3: on a summer's day across the road. No, no, no, 639 00:29:15,960 --> 00:29:23,960 Speaker 3: by the pond craze trading. Oh my, that is that 640 00:29:24,160 --> 00:29:26,640 Speaker 3: is really good, Tyler. That's very very good. Going to 641 00:29:26,680 --> 00:29:29,560 Speaker 3: send your prize. Well done, appreciate it. Have a low weekend. 642 00:29:29,640 --> 00:29:35,200 Speaker 3: That actually was brilliant. Mary, good morning, Hello hello Mary. 643 00:29:35,600 --> 00:29:38,160 Speaker 3: Now Mary, I'm let to believe that you can do 644 00:29:38,200 --> 00:29:43,360 Speaker 3: an impression of a sneeze. Excellent. This is what Marcone 645 00:29:43,400 --> 00:29:46,680 Speaker 3: had in mind when he created radio. Okay, Mary, I 646 00:29:46,720 --> 00:29:53,160 Speaker 3: love this. Off you go, mate, maybe go again? Yeah 647 00:29:53,240 --> 00:29:55,400 Speaker 3: yeah yeah yeah. Just to check. First of all, have 648 00:29:55,480 --> 00:29:57,160 Speaker 3: you had a fall, because it's Mary could have had 649 00:29:57,200 --> 00:30:00,360 Speaker 3: a fall, marry you right, No, I'm still good. Oh no, okay, 650 00:30:00,400 --> 00:30:08,640 Speaker 3: yeah yeah, and again the sneeze. 651 00:30:05,960 --> 00:30:08,160 Speaker 4: When were just coming here? Like where what when. 652 00:30:08,680 --> 00:30:10,920 Speaker 3: When you're ringing you work and you're not sick, you 653 00:30:11,080 --> 00:30:13,600 Speaker 3: chuck got the old dump. 654 00:30:15,640 --> 00:30:18,240 Speaker 6: It started early in life. I can't remember a time 655 00:30:18,280 --> 00:30:22,080 Speaker 6: when I couldn't do it as a student. I did 656 00:30:22,120 --> 00:30:24,520 Speaker 6: it in class. So we all the kids, one at 657 00:30:24,520 --> 00:30:27,520 Speaker 6: a time could say bless you, and then none would crack. 658 00:30:27,360 --> 00:30:34,040 Speaker 3: And crazy times all right, Mary didn't need their origin story. 659 00:30:34,040 --> 00:30:36,200 Speaker 3: Re okay, just because you're sat in Jack's chair, don't 660 00:30:36,200 --> 00:30:39,880 Speaker 3: always follow those really boring follow up questions, he chucks. 661 00:30:39,920 --> 00:30:44,480 Speaker 2: In Christian O'Connell show on podcast. 662 00:30:44,200 --> 00:30:46,320 Speaker 3: We're asked you this morning, not who do you do 663 00:30:47,200 --> 00:30:50,360 Speaker 3: when the world does not need more shouty impressions on already? 664 00:30:50,400 --> 00:30:53,160 Speaker 3: What it does need, what it does need is you 665 00:30:53,240 --> 00:30:56,720 Speaker 3: doing impressions of things so far this morning. Let's play 666 00:30:56,720 --> 00:31:03,400 Speaker 3: about the tape. Some incredible impressions of things. Baby chicks, 667 00:31:04,960 --> 00:31:14,800 Speaker 3: not somebody sneezing, feral cat speaks for herself, tennis, human 668 00:31:14,840 --> 00:31:18,440 Speaker 3: tennis with the lady's mouth. How do we max that out? 669 00:31:18,480 --> 00:31:21,360 Speaker 3: I'll tell you how we got this keeps on elevating, 670 00:31:21,400 --> 00:31:25,960 Speaker 3: this transcending already high giddy heights, Mick, what I'm real us? 671 00:31:26,000 --> 00:31:28,400 Speaker 3: Just Stura was just laughing a work and I'm looking 672 00:31:28,400 --> 00:31:31,800 Speaker 3: like put the corner. It is good to have a laugh, 673 00:31:31,800 --> 00:31:34,120 Speaker 3: and it's also good to put the callers through. Both 674 00:31:34,120 --> 00:31:37,920 Speaker 3: are good both when you're on the live radio, Mick, 675 00:31:37,960 --> 00:31:39,320 Speaker 3: good morning. What can you do for us? 676 00:31:40,880 --> 00:31:43,960 Speaker 2: I can do a school fire evacuation alarm? 677 00:31:44,160 --> 00:31:55,000 Speaker 3: Okay, off you go, Mick, Mick, no, sorry me participating 678 00:31:55,040 --> 00:31:58,920 Speaker 3: actually said it's uncanny, it's brilliant. It's not. No, it's not. 679 00:31:59,200 --> 00:32:02,720 Speaker 3: It sounds like somebody trying and failing to impression that 680 00:32:02,840 --> 00:32:05,000 Speaker 3: just not. No one's going, No one's leaving any building 681 00:32:05,080 --> 00:32:05,520 Speaker 3: right now. 682 00:32:05,840 --> 00:32:07,720 Speaker 4: She wanted you to do a warning that it wasn't 683 00:32:07,760 --> 00:32:10,120 Speaker 4: a real don't worry. 684 00:32:10,360 --> 00:32:14,240 Speaker 3: He just did that. No one's fleeing Tullamarine right now? Okay, 685 00:32:17,920 --> 00:32:23,400 Speaker 3: what's whatever? All right? That's try and make me know. 686 00:32:24,160 --> 00:32:27,120 Speaker 3: Let's go to Tessa here, come on in, Tess, Hi, 687 00:32:27,360 --> 00:32:27,920 Speaker 3: how are you going? 688 00:32:27,960 --> 00:32:28,200 Speaker 11: Guys? 689 00:32:28,240 --> 00:32:29,560 Speaker 3: Do you mind if I call you Test? Or you 690 00:32:29,600 --> 00:32:30,120 Speaker 3: were Tessa? 691 00:32:30,880 --> 00:32:31,640 Speaker 6: I love Test? 692 00:32:32,000 --> 00:32:33,960 Speaker 3: Okay, great. I just had a feeling. It's a gift, 693 00:32:34,000 --> 00:32:35,800 Speaker 3: you know, it's not a chanting people, and I guess 694 00:32:35,840 --> 00:32:37,720 Speaker 3: what their name is based on. 695 00:32:37,680 --> 00:32:40,320 Speaker 11: What they said, it's actually terre there on polish. 696 00:32:40,360 --> 00:32:44,960 Speaker 3: So oh, long line of tests. 697 00:32:45,000 --> 00:32:48,720 Speaker 6: Didn't have any any dogs cats when I was little, 698 00:32:48,760 --> 00:32:51,720 Speaker 6: so I had chickens and I do it the best 699 00:32:51,760 --> 00:32:55,920 Speaker 6: impersonation of the chicken rooster. So are you ready? 700 00:32:56,000 --> 00:32:58,000 Speaker 3: Oh yeah, we're ready. I love I love the setup 701 00:32:58,000 --> 00:32:58,920 Speaker 3: as well. This is great. 702 00:32:59,440 --> 00:33:11,520 Speaker 11: Okay, that is so good, so good. 703 00:33:11,920 --> 00:33:13,720 Speaker 3: We are shapes by environment. 704 00:33:15,120 --> 00:33:19,800 Speaker 6: I do voices, so I do all. 705 00:33:19,560 --> 00:33:20,080 Speaker 11: Sorts of thing. 706 00:33:20,720 --> 00:33:21,200 Speaker 3: What do you mean? 707 00:33:21,280 --> 00:33:21,320 Speaker 1: What? 708 00:33:21,480 --> 00:33:23,640 Speaker 3: What else did you when you say you do voices. 709 00:33:24,240 --> 00:33:25,160 Speaker 9: Just animal noise? 710 00:33:25,960 --> 00:33:30,600 Speaker 3: Don't give us another two of your best ones? What's that? 711 00:33:33,040 --> 00:33:35,480 Speaker 3: I think the pigeon and the elephant are the hardest 712 00:33:35,560 --> 00:33:44,840 Speaker 3: animals and impressions of you're trying to do a pigeon picture. 713 00:33:44,920 --> 00:33:46,440 Speaker 3: That's that's actually a pretty good pigeon. 714 00:33:46,640 --> 00:33:48,200 Speaker 11: Yea, yeah, I faded them. 715 00:33:48,920 --> 00:33:57,800 Speaker 3: That surprised, not surprised at all, Right, Tessa laugh, that's 716 00:33:57,840 --> 00:34:00,560 Speaker 3: what I should end every show as well. Still, quick, 717 00:34:00,760 --> 00:34:05,960 Speaker 3: how are you? Thank you? Tessa? I love you too, 718 00:34:06,040 --> 00:34:08,800 Speaker 3: Test Tessa, thank you very much. Quick with the fingers 719 00:34:08,840 --> 00:34:14,480 Speaker 3: rear Kelly, good morning morning. Kicking goals. Today is kicking 720 00:34:14,560 --> 00:34:17,479 Speaker 3: goals and Kelly, what can you do do for us? Mate? 721 00:34:18,160 --> 00:34:34,640 Speaker 10: I'm a truck's engine break like the Jake breaks. Yeah. Okay, 722 00:34:34,920 --> 00:34:35,960 Speaker 10: the best things ever heard? 723 00:34:36,280 --> 00:34:41,879 Speaker 3: You pressed? Are we in totage. I'm at the Colisseum 724 00:34:42,120 --> 00:34:46,640 Speaker 3: double thumbs up to that on Core porf My word, incredible. 725 00:34:47,040 --> 00:34:51,600 Speaker 3: What a gift, such a gift. Wow, that was great. 726 00:34:52,520 --> 00:34:53,640 Speaker 10: Drivers, So I heard it a lot. 727 00:34:53,920 --> 00:34:57,000 Speaker 3: Yeah, yeah, very good, Thank you very much, Kelly. All right, 728 00:34:57,040 --> 00:34:59,520 Speaker 3: then we've got we've got coming up next. Naked Out 729 00:34:59,640 --> 00:35:02,200 Speaker 3: is coming up next. We're from eight o'clock on a Friday. 730 00:35:02,200 --> 00:35:03,759 Speaker 3: We turn the show up to you. We turned into 731 00:35:03,800 --> 00:35:05,839 Speaker 3: big giant jukebox. We give you a theme. You pick 732 00:35:05,840 --> 00:35:09,000 Speaker 3: all the songs. Theme today. Okay, the theme today is 733 00:35:09,120 --> 00:35:18,400 Speaker 3: songs with in in the title Cabese songs within in 734 00:35:19,040 --> 00:35:20,080 Speaker 3: the title. 735 00:35:21,520 --> 00:35:25,520 Speaker 2: Hi concept the Christian O'Connell show podcast. 736 00:35:25,920 --> 00:35:29,319 Speaker 3: All right, so Naked Out today, this is where every 737 00:35:29,320 --> 00:35:31,239 Speaker 3: Friday we let you pick all the songs. We give 738 00:35:31,239 --> 00:35:36,799 Speaker 3: you a theme. It's songs within in the title. How 739 00:35:36,840 --> 00:35:40,279 Speaker 3: many songs do you think have the word song like 740 00:35:40,480 --> 00:35:48,000 Speaker 3: Daniel's song? Oh yeah, just one obviously song anyway, look 741 00:35:49,239 --> 00:35:52,600 Speaker 3: at least this one, all right, Patsy, something within in 742 00:35:52,640 --> 00:35:53,200 Speaker 3: the title. 743 00:35:53,480 --> 00:35:57,239 Speaker 5: Yes, this was a cult song when I was going 744 00:35:57,320 --> 00:36:00,120 Speaker 5: to Uni. Blister in the Sun by the Violent Fain. 745 00:36:00,280 --> 00:36:08,040 Speaker 3: Great song, brilliant, shout Patsy Love. 746 00:36:08,120 --> 00:36:11,239 Speaker 5: It couldn't find many fun facts this week on this one. 747 00:36:11,520 --> 00:36:14,160 Speaker 5: That's okay, but I did find that it was used 748 00:36:14,320 --> 00:36:17,000 Speaker 5: in an ad for Windy's in America. 749 00:36:17,200 --> 00:36:19,719 Speaker 3: Could you couldn't find anyone, So don't chuck us on 750 00:36:19,840 --> 00:36:24,640 Speaker 3: about And this is a perfect example. Vibes are high. 751 00:36:25,200 --> 00:36:27,400 Speaker 3: Please don't pick up the phone oka and bring the 752 00:36:27,480 --> 00:36:29,799 Speaker 3: vibes down. We crank it on a Friday. We run 753 00:36:29,800 --> 00:36:33,040 Speaker 3: the wheels off the show. All right, let's go to 754 00:36:33,560 --> 00:36:35,040 Speaker 3: first of all, some of the people who are texting 755 00:36:35,080 --> 00:36:37,720 Speaker 3: in d Light's brilliant song from the late eighties, Groove 756 00:36:37,960 --> 00:36:45,200 Speaker 3: is in the Heart. There's a bit in this song. 757 00:36:47,880 --> 00:36:53,520 Speaker 3: It's my favorite worth playing just so you can all 758 00:36:53,520 --> 00:37:00,800 Speaker 3: do that a karaoke in their tonight. Phil Collins big intro. 759 00:37:03,920 --> 00:37:06,000 Speaker 3: If you got subwhoppers in the car, this would be 760 00:37:06,000 --> 00:37:12,160 Speaker 3: a great one. The face bins are rocking. Oh yeah, 761 00:37:12,239 --> 00:37:19,360 Speaker 3: the cure. It's just how we begin or do we 762 00:37:19,440 --> 00:37:21,880 Speaker 3: end the show with this? But it has to be 763 00:37:21,920 --> 00:37:23,960 Speaker 3: in the mix. Marie, thank you very much for this, 764 00:37:24,760 --> 00:37:27,880 Speaker 3: I love a debt. She has not got a Friday Churney. 765 00:37:28,800 --> 00:37:32,879 Speaker 3: It's all Sunday night misery songs. Yes, is she ever 766 00:37:32,960 --> 00:37:34,840 Speaker 3: going to write a toe tapper? We can sing in 767 00:37:34,880 --> 00:37:38,040 Speaker 3: the shower, Come on it, ow write the nose, Cheery 768 00:37:38,080 --> 00:37:41,200 Speaker 3: uppy one, you know, cheer up? Yay, just call it 769 00:37:41,200 --> 00:37:54,960 Speaker 3: ale cheer up? What about Mickey boy? Yeah, all of 770 00:37:55,000 --> 00:37:57,719 Speaker 3: those would sound great during the next hour. Let's see 771 00:37:57,800 --> 00:38:01,840 Speaker 3: what the callers have got. Leo, good morning, Good morning guys. 772 00:38:01,880 --> 00:38:02,640 Speaker 2: How are we there? 773 00:38:02,680 --> 00:38:05,239 Speaker 3: We're good, Leo? And have you ear an a good week? 774 00:38:05,320 --> 00:38:06,440 Speaker 3: What can we play you today? 775 00:38:06,960 --> 00:38:07,080 Speaker 6: Oh? 776 00:38:07,120 --> 00:38:10,719 Speaker 10: We're a great one for from the seventies. Staying alive. 777 00:38:17,400 --> 00:38:22,040 Speaker 4: Stay? Oh yeah, staying staying. I think it's just I 778 00:38:22,040 --> 00:38:22,799 Speaker 4: think it might be right. 779 00:38:23,120 --> 00:38:26,320 Speaker 3: Actually, Pats, you're right. This is sort of pedantry with 780 00:38:26,440 --> 00:38:29,480 Speaker 3: expect from the postman. So well done keeping that unnecessary 781 00:38:29,520 --> 00:38:32,239 Speaker 3: flame going. You're right, it's an ink. Maybe that's a 782 00:38:32,320 --> 00:38:40,640 Speaker 3: future topic, songs with ink in came down? No, Leo, Sorry, Scott, 783 00:38:40,680 --> 00:38:44,200 Speaker 3: good morning, Good morning, Yes Scott, you're good. Are you 784 00:38:44,280 --> 00:38:49,280 Speaker 3: wear abe? No? Actually? Geelong? Oh god? Oh, update the records. 785 00:38:49,320 --> 00:38:50,759 Speaker 3: I see you wear aby and I said look out 786 00:38:50,760 --> 00:38:54,359 Speaker 3: for the elephants. They're coming one by one making their 787 00:38:54,400 --> 00:38:59,400 Speaker 3: way from Parkville to Wearribe. Those lucky elephants head out west. 788 00:39:00,040 --> 00:39:03,520 Speaker 3: And now what can we play you? I reckon we 789 00:39:03,560 --> 00:39:07,840 Speaker 3: go Paul Kerry Gris when you walk in the room, 790 00:39:08,120 --> 00:39:08,960 Speaker 3: great song. 791 00:39:14,280 --> 00:39:14,840 Speaker 2: Walking. 792 00:39:16,200 --> 00:39:21,640 Speaker 3: I'll be a luscious production and vibe to this song, Scott, 793 00:39:21,680 --> 00:39:25,280 Speaker 3: have a lovely weekend. Brilliant song. Let's now go to Shannon. 794 00:39:25,320 --> 00:39:28,840 Speaker 3: Good morning, Shannon, Sharon, good morning. 795 00:39:29,200 --> 00:39:29,399 Speaker 2: Hi. 796 00:39:31,760 --> 00:39:35,200 Speaker 3: Yeah, sorry about that, Shannon, always back me up. QB one, 797 00:39:34,880 --> 00:39:38,880 Speaker 3: Q one, QB one. Okay, worry about there's some training 798 00:39:38,920 --> 00:39:44,000 Speaker 3: going on on air, Sharon. As I said, Sharon, what 799 00:39:44,280 --> 00:39:47,399 Speaker 3: what can we play you? Shaza in the Silver Night 800 00:39:47,480 --> 00:40:00,040 Speaker 3: by White Snake work on this? Yeah, I know. It 801 00:40:00,040 --> 00:40:01,799 Speaker 3: feels like a creepy guy at the end of the 802 00:40:01,800 --> 00:40:02,960 Speaker 3: bar with leather cats on. 803 00:40:03,280 --> 00:40:03,480 Speaker 2: You know. 804 00:40:06,360 --> 00:40:13,600 Speaker 3: Oh that's where Sharon is right now. Eight o'clock. All right, Matt, 805 00:40:13,640 --> 00:40:14,800 Speaker 3: what have you got for us? 806 00:40:15,080 --> 00:40:15,200 Speaker 1: Hey? 807 00:40:15,280 --> 00:40:18,040 Speaker 3: Yeah, let's go back to the eighties with YouTube pride 808 00:40:18,360 --> 00:40:24,840 Speaker 3: in the name of love tune. Brilliant you two so 809 00:40:24,960 --> 00:40:34,759 Speaker 3: one of my favorites list. That is a brilliant ont. Matt, 810 00:40:34,840 --> 00:40:36,760 Speaker 3: Thank you very much. You cool. Have a lovely weekend 811 00:40:36,840 --> 00:40:39,800 Speaker 3: thanks to joining the show, Matt and then finally Squeeze 812 00:40:39,800 --> 00:40:41,960 Speaker 3: with one last one, Adrian. What can we play you 813 00:40:43,480 --> 00:40:44,240 Speaker 3: this morning? 814 00:40:44,320 --> 00:40:46,520 Speaker 10: We'd like to hear and my boy wants to tell 815 00:40:46,560 --> 00:40:47,360 Speaker 10: you what the song is. 816 00:40:47,920 --> 00:40:50,040 Speaker 2: It's in the dark. 817 00:40:51,080 --> 00:40:53,920 Speaker 3: Oh my god, bless you. What great musical taste you've got, 818 00:40:53,920 --> 00:40:55,359 Speaker 3: young man. What is your name, sir? 819 00:40:56,719 --> 00:40:57,080 Speaker 5: Harvey? 820 00:40:57,960 --> 00:41:02,640 Speaker 3: Harvey Harvey? Great name. 821 00:41:04,440 --> 00:41:04,600 Speaker 7: Have you? 822 00:41:04,960 --> 00:41:08,320 Speaker 3: Ahvey Sadam loud to speak up, boy, always on the radio, 823 00:41:13,120 --> 00:41:15,640 Speaker 3: next generation of the Boss fans. I love it. My 824 00:41:15,719 --> 00:41:18,600 Speaker 3: work is complete, My work is complete. Well done. You're 825 00:41:18,680 --> 00:41:25,719 Speaker 3: raising him right, well done, Dad. I could take a 826 00:41:25,760 --> 00:41:28,040 Speaker 3: guess that is seven or eight. Let's get them back on. 827 00:41:29,080 --> 00:41:34,560 Speaker 3: Harvey Harvey. Yeah, yes, I tell you, I've got so 828 00:41:34,640 --> 00:41:37,279 Speaker 3: many gifts. I've just got these gifts. 829 00:41:37,600 --> 00:41:41,320 Speaker 2: The Christian O'Connell Show podcast. 830 00:41:40,640 --> 00:41:42,799 Speaker 3: In time Waste of coming up in fifteen minutes time. 831 00:41:44,040 --> 00:41:48,200 Speaker 3: The show is always here for any weird, unusual, strange 832 00:41:49,520 --> 00:41:52,480 Speaker 3: car retro plates that you spot this morning. One of 833 00:41:52,520 --> 00:41:57,600 Speaker 3: you saw one w T F. Man, it's a lot 834 00:41:57,600 --> 00:41:57,959 Speaker 3: in it. 835 00:41:58,000 --> 00:41:59,200 Speaker 7: Is it like the name of is it like a 836 00:41:59,239 --> 00:42:01,640 Speaker 7: superhero thing or is it something like an exclamation? 837 00:42:01,800 --> 00:42:05,719 Speaker 3: You know what? WTF stands for what the funk? Yeah, 838 00:42:06,120 --> 00:42:08,000 Speaker 3: I think it's that, or it might be something else, 839 00:42:08,040 --> 00:42:12,080 Speaker 3: but I can only presume. I just presume, Welcome to Australia, 840 00:42:12,640 --> 00:42:16,319 Speaker 3: that it is. It's that, Caitlin, you saw one as well. 841 00:42:16,320 --> 00:42:17,320 Speaker 3: What have you seen recently? 842 00:42:17,760 --> 00:42:19,960 Speaker 1: On the West Gate? I saw boo bun? 843 00:42:20,680 --> 00:42:23,920 Speaker 3: Oh very neat spelled properly, Yeah. 844 00:42:23,400 --> 00:42:25,880 Speaker 1: Properly and everything. How do you spell that bow bao 845 00:42:26,440 --> 00:42:27,040 Speaker 1: and then bun? 846 00:42:27,160 --> 00:42:30,560 Speaker 3: Yeah we were tough one, isn't it? And three k's 847 00:42:30,600 --> 00:42:32,839 Speaker 3: in there? And do you think that was someone who 848 00:42:32,880 --> 00:42:35,080 Speaker 3: works in a Boo bun place or do you think 849 00:42:35,120 --> 00:42:36,800 Speaker 3: they're just someone who loves boo. 850 00:42:36,600 --> 00:42:40,280 Speaker 1: Bun's absolutely someone that loves Boo buns. I went past 851 00:42:40,480 --> 00:42:44,440 Speaker 1: the person driving and yeah, they look like they enjoyed them. 852 00:42:44,560 --> 00:42:46,279 Speaker 3: I would have done the same thing. Don't you love 853 00:42:46,360 --> 00:42:48,920 Speaker 3: peering in? If someone's cut you up and tracks we 854 00:42:49,000 --> 00:42:51,560 Speaker 3: were driving slowly, you will do that little ride by 855 00:42:51,640 --> 00:42:54,360 Speaker 3: peer in like and I'll go to my old lady. 856 00:42:56,680 --> 00:42:58,960 Speaker 3: It's not always an old lady, all right, more often 857 00:42:58,960 --> 00:43:00,960 Speaker 3: and not. Sometimes you know, went behind, or you just 858 00:43:00,960 --> 00:43:03,160 Speaker 3: seies a couple of fingers and you're like, there's just 859 00:43:03,239 --> 00:43:07,120 Speaker 3: some hands. Where are they they asleep. They slipped down 860 00:43:07,239 --> 00:43:10,160 Speaker 3: into the seat there where we did this. Last year 861 00:43:10,200 --> 00:43:12,200 Speaker 3: we had some great ones, certain car red shows that 862 00:43:12,239 --> 00:43:15,759 Speaker 3: you've seen. I have a Tickford XR goot and it's 863 00:43:15,960 --> 00:43:18,120 Speaker 3: sang it f A N G one T. 864 00:43:18,640 --> 00:43:22,040 Speaker 9: My number fight is b z y mum, and my 865 00:43:22,200 --> 00:43:23,040 Speaker 9: husband is b. 866 00:43:23,200 --> 00:43:24,319 Speaker 2: Z y d I D. 867 00:43:24,640 --> 00:43:27,680 Speaker 10: The first one is hot dad, and the other one's 868 00:43:27,719 --> 00:43:32,239 Speaker 10: my wife's car and her number fight is schnook them right. 869 00:43:32,280 --> 00:43:34,239 Speaker 3: What have you seen or is it you? Nine four 870 00:43:34,280 --> 00:43:37,160 Speaker 3: one four one four three. By the way, the guy 871 00:43:37,200 --> 00:43:39,200 Speaker 3: that called in who had his red show that was 872 00:43:39,600 --> 00:43:41,440 Speaker 3: fang it. Do you remember you also said he'd been 873 00:43:41,440 --> 00:43:43,680 Speaker 3: pulled over by the police and the guy the officer went, 874 00:43:43,680 --> 00:43:47,120 Speaker 3: when is only fanging it? Which is not meant meant 875 00:43:47,160 --> 00:43:49,640 Speaker 3: to criticized driving safely. 876 00:43:50,120 --> 00:43:52,920 Speaker 2: The Christian O'Connell show You Two Guy is. 877 00:43:52,920 --> 00:43:55,839 Speaker 3: The Name of Love eight twenty seven, Christian O'Connell's show 878 00:43:56,000 --> 00:43:59,399 Speaker 3: on gold Time Wasted coming up five minutes time at 879 00:43:59,400 --> 00:44:03,560 Speaker 3: the side of pasts news Right now, Red Joe, watch 880 00:44:03,640 --> 00:44:06,840 Speaker 3: what have you seen? Christian? I listened every morning in Adelaide, 881 00:44:06,840 --> 00:44:09,560 Speaker 3: Good Morning Adelaide and any other listeners we have in Adelaide. 882 00:44:11,400 --> 00:44:13,000 Speaker 3: I listened to the showing them one in while delivering 883 00:44:13,040 --> 00:44:17,040 Speaker 3: tires around the suburbs of Adelaide. Thank you Gavin on 884 00:44:17,120 --> 00:44:20,479 Speaker 3: behalf of all your customers. Christian, I've noticed a blue 885 00:44:20,560 --> 00:44:29,640 Speaker 3: Nisshund with the number plate that simply says Winnings. Oh, 886 00:44:29,880 --> 00:44:34,440 Speaker 3: thank you Gavin, Christian. Just monday, I saw this and 887 00:44:34,480 --> 00:44:40,239 Speaker 3: I thought of the show Knits, just knits, as your 888 00:44:40,239 --> 00:44:44,120 Speaker 3: photo of it knits and Christian, I saw this one 889 00:44:44,360 --> 00:44:48,840 Speaker 3: came up. Oh yeah, as I said, it's Goye Patsy. 890 00:44:48,880 --> 00:44:50,480 Speaker 3: I was looking for a giant mega dog in the 891 00:44:50,520 --> 00:44:55,880 Speaker 3: back seats. Are they doing cart now, Hanko. Some of 892 00:44:55,920 --> 00:45:01,319 Speaker 3: these people have put a lot of thought into what 893 00:45:01,440 --> 00:45:03,000 Speaker 3: they know what it means, but the rest of us 894 00:45:03,000 --> 00:45:05,160 Speaker 3: striving never going to cry this. Imagine this play long 895 00:45:05,239 --> 00:45:08,600 Speaker 3: mediing team. Would you know what this meant? From Helen 896 00:45:08,680 --> 00:45:16,000 Speaker 3: him h L N B A K H. Helen's back, 897 00:45:16,400 --> 00:45:18,000 Speaker 3: Helen back, Helen back. 898 00:45:18,120 --> 00:45:21,320 Speaker 9: Oh, her name's Helen. 899 00:45:21,760 --> 00:45:22,560 Speaker 4: That's kind of clever. 900 00:45:22,960 --> 00:45:23,359 Speaker 3: The mine. 901 00:45:23,440 --> 00:45:26,080 Speaker 4: What the line between Bogan and Genius is? 902 00:45:26,480 --> 00:45:31,319 Speaker 3: Yes, very fine on this? Uh, Christian, I saw this. 903 00:45:31,960 --> 00:45:34,640 Speaker 3: It was a cattle truck trailer and it had vegan. 904 00:45:34,760 --> 00:45:42,120 Speaker 3: Oh that's right, that's that's cheeky. Christian. My neighbor after 905 00:45:42,160 --> 00:45:45,160 Speaker 3: my an anonymous has an SS commodore. He is full 906 00:45:45,200 --> 00:45:51,319 Speaker 3: Bogan with the plates. Get ass, How is that legal? Get? 907 00:45:51,360 --> 00:45:52,320 Speaker 3: How is that legal? 908 00:45:52,400 --> 00:45:55,920 Speaker 7: Maybe he works in the donkey industry. 909 00:45:57,800 --> 00:46:02,239 Speaker 3: He's an ass collector, he's a handler. Yeah, Christian, I've 910 00:46:02,239 --> 00:46:08,040 Speaker 3: seen this number plate around town gonuts. Oh boy, it's 911 00:46:08,080 --> 00:46:09,800 Speaker 3: not even a fine line. You know what you said earlier? 912 00:46:09,960 --> 00:46:10,920 Speaker 3: This this for Bogan. 913 00:46:11,040 --> 00:46:12,160 Speaker 4: Do they have these in England? 914 00:46:12,200 --> 00:46:14,719 Speaker 3: Sort of? No? For good reason. You just get a 915 00:46:14,800 --> 00:46:19,720 Speaker 3: random plate for good reason. Pierre, good morning, Good morning, Christian. 916 00:46:19,760 --> 00:46:21,600 Speaker 3: How are you going. I'm good. Welcome to the show, Pierre. 917 00:46:21,640 --> 00:46:23,080 Speaker 3: What's the red show that you spotted? 918 00:46:23,719 --> 00:46:25,600 Speaker 2: Well, as you were talking about it, I was driving 919 00:46:25,640 --> 00:46:28,560 Speaker 2: behind the ways the false truck with a wholes and everything, 920 00:46:28,680 --> 00:46:30,319 Speaker 2: saying we suck one. 921 00:46:30,719 --> 00:46:33,720 Speaker 3: That's great. That is spot on. That's a very good one, Pierre, 922 00:46:33,719 --> 00:46:35,879 Speaker 3: that's a great one. Have a lovely weekend. Pre thanks 923 00:46:35,880 --> 00:46:37,000 Speaker 3: for calling mate, you two. 924 00:46:37,120 --> 00:46:37,560 Speaker 10: Thank you. 925 00:46:38,120 --> 00:46:41,680 Speaker 3: Brendan, good morning Brendan. You know, mate, Brendon, what have 926 00:46:41,680 --> 00:46:42,160 Speaker 3: you ever seen? 927 00:46:43,040 --> 00:46:47,239 Speaker 10: We're dropping behind a rare the Alpha Romeo Spider and 928 00:46:47,520 --> 00:46:50,720 Speaker 10: the number plate was in c Wincy. 929 00:46:50,640 --> 00:46:54,200 Speaker 3: That's great in Wincy Spider. Very good for the Alpha. 930 00:46:54,520 --> 00:46:57,880 Speaker 3: Very nice, Brendan, that's a smart one, it is. Yeah, 931 00:46:57,880 --> 00:47:00,200 Speaker 3: thank you very much. Brendan Bell. Good morning. 932 00:47:00,760 --> 00:47:01,200 Speaker 7: Hey guys. 933 00:47:01,239 --> 00:47:02,680 Speaker 10: How are we on this amazing Friday? 934 00:47:03,080 --> 00:47:05,840 Speaker 3: We are great on this amazing Friday. Amazing Bell. What 935 00:47:05,920 --> 00:47:06,440 Speaker 3: have you seen? 936 00:47:06,480 --> 00:47:06,680 Speaker 7: Bell? 937 00:47:07,239 --> 00:47:09,320 Speaker 6: The funniest one I've ever seen was on a sexy 938 00:47:09,360 --> 00:47:14,520 Speaker 6: little black Porsche saying was his oh that that cuts. 939 00:47:14,640 --> 00:47:16,560 Speaker 3: It's double cuts. You use the Porsche and then you 940 00:47:16,600 --> 00:47:19,799 Speaker 3: get a joke about it as well a sledge forever. Bell. 941 00:47:20,040 --> 00:47:22,600 Speaker 3: Very good, Thank you very much. Enjoy your weekend so much. 942 00:47:22,680 --> 00:47:23,480 Speaker 6: You two see later. 943 00:47:23,640 --> 00:47:30,600 Speaker 3: Bye. Marie, Hello, Hi, Hi Marie morning Marie, Ye. 944 00:47:30,880 --> 00:47:31,480 Speaker 10: Good morning. 945 00:47:33,040 --> 00:47:34,279 Speaker 6: I thought a number plate. 946 00:47:34,360 --> 00:47:36,920 Speaker 10: It was on a mobile. 947 00:47:36,880 --> 00:47:42,719 Speaker 6: Hearing kissed car then and the number plate was are 948 00:47:42,840 --> 00:47:46,040 Speaker 6: you deaf? But if you ride it. 949 00:47:45,400 --> 00:47:49,040 Speaker 3: It's a bit rude. People might be sensitive about that. 950 00:47:49,280 --> 00:47:54,960 Speaker 3: You don't, you know, it doesn't help. You wouldn't have 951 00:47:55,040 --> 00:47:57,759 Speaker 3: an ambulance with are you dead on the back? You know, 952 00:47:57,960 --> 00:47:59,080 Speaker 3: it would be a bit much. 953 00:48:00,080 --> 00:48:04,880 Speaker 6: If you write it down, it's actually rude as a. 954 00:48:06,840 --> 00:48:09,719 Speaker 3: Very good double meaning. I like it. Marie, Thank you. 955 00:48:10,719 --> 00:48:14,160 Speaker 2: What the Christian o'connall show podcast. 956 00:48:14,600 --> 00:48:17,279 Speaker 3: Now Barbara is texting me again. Barbas were telling me 957 00:48:17,400 --> 00:48:19,799 Speaker 3: that she wanted my name Anonymous. 958 00:48:19,840 --> 00:48:22,480 Speaker 4: I just remember, did you say Sharon? 959 00:48:23,520 --> 00:48:27,280 Speaker 3: Karen? Karen? Now, Karen text me early about her neighbour's 960 00:48:27,360 --> 00:48:31,759 Speaker 3: commodore ss with get ass as the red shoe. She 961 00:48:31,800 --> 00:48:40,680 Speaker 3: said Christian and I think it means get s s Karen. Sure, sure, Okay, 962 00:48:40,960 --> 00:48:43,240 Speaker 3: that's what it means. Sure, it's an advert for the 963 00:48:43,239 --> 00:48:51,200 Speaker 3: the old classic car. The commodore says, sure, all right, 964 00:48:51,239 --> 00:48:53,160 Speaker 3: time for the time wasted day up for grabs the 965 00:48:53,239 --> 00:48:55,760 Speaker 3: best in show two hundred and fifty dollars in cash 966 00:48:56,120 --> 00:48:58,759 Speaker 3: thanks to survivors. So you may have noticed, if you're 967 00:48:58,760 --> 00:49:01,720 Speaker 3: been driving around over the last weeks, this radio station 968 00:49:02,239 --> 00:49:06,880 Speaker 3: is recruiting brand new listeners. If you are not happy 969 00:49:06,880 --> 00:49:09,440 Speaker 3: with how you're currently being serviced by your radio station, 970 00:49:09,960 --> 00:49:12,279 Speaker 3: make the switch to Gold. One oh four point three 971 00:49:12,960 --> 00:49:18,239 Speaker 3: black posters, splash of yellow, Oh my god, grungey but 972 00:49:18,400 --> 00:49:26,480 Speaker 3: with color, yes, yes, grungey color and vibrant it pops out. Yeah, 973 00:49:26,640 --> 00:49:30,520 Speaker 3: what's that? There's various slogans actually really sort of talking 974 00:49:30,560 --> 00:49:34,439 Speaker 3: about the difference between inferior radio stations like Nova and Fox. 975 00:49:34,480 --> 00:49:37,120 Speaker 3: To be honest, and kiss and then superior ones like 976 00:49:37,200 --> 00:49:40,200 Speaker 3: this one. So Rio, some of the slogans at the 977 00:49:40,239 --> 00:49:42,080 Speaker 3: marketing team here at Gold have come up with it. 978 00:49:42,200 --> 00:49:43,399 Speaker 3: You can see all around town. 979 00:49:43,800 --> 00:49:51,880 Speaker 7: Less drama, more Nirvana, less asap, more ac DC, less Tata, 980 00:49:52,239 --> 00:49:53,879 Speaker 7: more green day and so forth. 981 00:49:54,000 --> 00:49:55,839 Speaker 3: Less, get ass, more getter. 982 00:49:55,800 --> 00:49:58,040 Speaker 9: Ss exactly, exactly. 983 00:49:58,280 --> 00:50:00,200 Speaker 3: So two weeks ago we were telling you about this 984 00:50:00,239 --> 00:50:02,040 Speaker 3: and a time waster was why don't you come up 985 00:50:02,040 --> 00:50:05,160 Speaker 3: with your own ones. Some of the best ones are 986 00:50:05,200 --> 00:50:08,440 Speaker 3: actually up on billboards or the market team have used yours. 987 00:50:08,800 --> 00:50:12,239 Speaker 3: Adrian less stress, more inexcess is up right now all 988 00:50:12,280 --> 00:50:17,439 Speaker 3: over Melbourne. Josh less traffic, Jam, more Pearl jam, David les, 989 00:50:17,480 --> 00:50:18,800 Speaker 3: Pauline more Hanson. 990 00:50:18,960 --> 00:50:19,560 Speaker 4: That's brilliant. 991 00:50:19,560 --> 00:50:22,440 Speaker 3: I can't believe they put that out. Sandra, less politics, 992 00:50:22,520 --> 00:50:24,840 Speaker 3: more Stevenicks in the run up to the election and 993 00:50:24,840 --> 00:50:27,960 Speaker 3: next governments. Sandra, very good. So it's time wants more 994 00:50:27,960 --> 00:50:30,320 Speaker 3: to ask you, have you got any new marketing slogans 995 00:50:30,440 --> 00:50:33,160 Speaker 3: for this radio station and they could go up on 996 00:50:33,200 --> 00:50:35,960 Speaker 3: the billboards if if they do, we give you some prizes. 997 00:50:36,440 --> 00:50:40,080 Speaker 3: All right, I've got a couple of new ones. Less commode, 998 00:50:40,320 --> 00:50:44,600 Speaker 3: more depeche modes, what's code commode is a portable potty 999 00:50:44,760 --> 00:50:52,080 Speaker 3: for elderly people. Less gallstones, more rolling stones, the developing, Yes, 1000 00:50:54,040 --> 00:51:00,479 Speaker 3: less chart less chart music, you know, less chart more heart, yes, 1001 00:51:00,800 --> 00:51:07,560 Speaker 3: silvar less smooth dig another station, less smooth, more groove, 1002 00:51:07,840 --> 00:51:14,120 Speaker 3: oh god less shock jock more yacht rock. 1003 00:51:16,440 --> 00:51:19,319 Speaker 4: Yeah, Christopher Cross. 1004 00:51:19,000 --> 00:51:21,520 Speaker 3: You got it my friend? Yes, oh my god, McDonald 1005 00:51:21,640 --> 00:51:24,200 Speaker 3: cross fod freedom. 1006 00:51:24,400 --> 00:51:25,640 Speaker 2: I can't believe. 1007 00:51:25,360 --> 00:51:29,360 Speaker 3: She's not in love with me. Less early nights, small 1008 00:51:29,560 --> 00:51:38,680 Speaker 3: crazy nights, Yeah, kiss come on, yeah exactly, that's early nights, 1009 00:51:38,719 --> 00:51:44,560 Speaker 3: more crazy nights, crazy crazy, crazyzy nights. This city loves 1010 00:51:44,640 --> 00:51:49,520 Speaker 3: kiss Yes, not kiss FM, kiss the bad, less kiss FM, 1011 00:51:49,640 --> 00:51:54,000 Speaker 3: more kiss Gene Simmons. You know the grand Final you 1012 00:51:54,040 --> 00:51:56,360 Speaker 3: love them here. It's a huge one, one of the 1013 00:51:56,360 --> 00:51:59,080 Speaker 3: big all right, what have you got? 1014 00:51:59,440 --> 00:52:02,080 Speaker 9: Less meat, more ronan keating. 1015 00:52:02,440 --> 00:52:04,880 Speaker 3: Oh yeah, that's very good, gold less r. 1016 00:52:04,920 --> 00:52:07,200 Speaker 9: G, Bargie, more Phonzie and Barnzy. 1017 00:52:07,360 --> 00:52:09,799 Speaker 3: Oh no, that's the best one that genuinely should go 1018 00:52:09,880 --> 00:52:10,200 Speaker 3: up there. 1019 00:52:11,120 --> 00:52:13,200 Speaker 9: Less old cranks, more hoober steak. 1020 00:52:13,440 --> 00:52:15,879 Speaker 3: No, no one wants more Hoover stank. I'd say more 1021 00:52:15,920 --> 00:52:20,120 Speaker 3: stink with Hoover stank. And no one is crying out 1022 00:52:20,120 --> 00:52:24,200 Speaker 3: for the station that stank what about. 1023 00:52:25,640 --> 00:52:28,040 Speaker 4: Less jack post more Rio was host? 1024 00:52:28,239 --> 00:52:34,400 Speaker 3: Oh zing, Oh he went there, Oh he did sister sizzle. 1025 00:52:35,880 --> 00:52:38,480 Speaker 7: Wow, I'll do it for half the price. 1026 00:52:42,160 --> 00:52:44,680 Speaker 3: All right, what have you got there? Marketing slogans for go? 1027 00:52:44,960 --> 00:52:48,040 Speaker 3: Text them in four seventy five three one oh four 1028 00:52:48,120 --> 00:52:50,080 Speaker 3: three The best one's morning will give you two hundred 1029 00:52:50,080 --> 00:52:51,200 Speaker 3: and fifty dollars in camp. 1030 00:52:51,480 --> 00:52:54,760 Speaker 2: The Christian o'connal show podcast. 1031 00:52:57,200 --> 00:52:59,240 Speaker 3: All over town, Big billboard to at the moment advertising 1032 00:52:59,280 --> 00:53:03,040 Speaker 3: this radio less tatan, more green day. You see slogans 1033 00:53:03,120 --> 00:53:05,880 Speaker 3: like that this morning once more, you can turn marketeer. 1034 00:53:06,680 --> 00:53:08,800 Speaker 3: Have you got the next slogan for this radio station? 1035 00:53:08,880 --> 00:53:11,120 Speaker 3: For our billboards? Best one this one? Don't we give 1036 00:53:11,120 --> 00:53:14,479 Speaker 3: you two hundred and fifty dollars thanks to Survivor Rio? 1037 00:53:14,560 --> 00:53:18,439 Speaker 3: You're ready to mark, I'm ready less can ye more? 1038 00:53:18,520 --> 00:53:23,120 Speaker 3: Colin Hay. That is really good, really good? Like that. 1039 00:53:24,400 --> 00:53:26,400 Speaker 3: Don't put your name on the seven five one, but 1040 00:53:26,440 --> 00:53:31,799 Speaker 3: that's great, less credit, debt, more jone jets, silver, less 1041 00:53:31,800 --> 00:53:36,200 Speaker 3: smelly feet, more sesame straight thing? Do we play sesame 1042 00:53:36,239 --> 00:53:40,800 Speaker 3: streets anyway? Gets him in the door? Who cares klay, 1043 00:53:41,560 --> 00:53:46,160 Speaker 3: less fart and more Dolly Partner. Come on, guys, that's 1044 00:53:46,360 --> 00:53:51,959 Speaker 3: ross no talk back more nickelback, Oh, Silver, Andy well done, less, 1045 00:53:52,000 --> 00:53:57,440 Speaker 3: Triple m more, Boney m Andre well done, less Maga 1046 00:53:57,520 --> 00:54:05,520 Speaker 3: more Abba less, Sham more, Wham god less, Jackie More, 1047 00:54:05,600 --> 00:54:09,840 Speaker 3: christian O, well done, Sonia, Silver Miners, let what less. 1048 00:54:10,680 --> 00:54:17,600 Speaker 3: He loves Jackie's spirit. Oh, he loves their outfits every day. Yeah, 1049 00:54:17,640 --> 00:54:18,600 Speaker 3: what's patio? 1050 00:54:18,800 --> 00:54:21,560 Speaker 4: Pat You're right at the top of the totem. 1051 00:54:22,600 --> 00:54:27,520 Speaker 3: Yes, let's go smaller than Boss silver less fraud and persury. 1052 00:54:27,640 --> 00:54:29,560 Speaker 3: And aren't we all looking for a radio station that's 1053 00:54:29,640 --> 00:54:36,480 Speaker 3: less fraud and persury more Freddie Mercury, high degree of difficulty, 1054 00:54:36,600 --> 00:54:40,200 Speaker 3: very gold plus, well done, Sanford, what a hell of 1055 00:54:40,239 --> 00:54:46,960 Speaker 3: a name? Yeah, lets Rick rolled more gold, World, DJ 1056 00:54:47,080 --> 00:54:51,919 Speaker 3: Daniel Johnson less Voodoo more, Hoodoo, Gurus silver plus. That's 1057 00:54:51,960 --> 00:54:56,840 Speaker 3: from Sam Rachel's gone less Bean mean more Queen silver less, 1058 00:54:56,880 --> 00:55:01,439 Speaker 3: marketing lies more Betty Davis eye God, these are so good. 1059 00:55:01,480 --> 00:55:06,120 Speaker 3: Who's that? Matt well done? Can and Jackie O, question Mark, 1060 00:55:06,440 --> 00:55:08,000 Speaker 3: I'd rather a studio. 1061 00:55:08,360 --> 00:55:10,120 Speaker 4: Oh he's playing with the format. 1062 00:55:10,680 --> 00:55:13,759 Speaker 3: Very good. Yeah, World and Andrew and Nana Wadding less, 1063 00:55:13,760 --> 00:55:25,120 Speaker 3: Boomgates more dire Straits, less filthy, banter more private Dancer 1064 00:55:30,920 --> 00:55:33,879 Speaker 3: Kelly Kelly did that one. That's great, Lee has got less, 1065 00:55:34,000 --> 00:55:36,120 Speaker 3: Lil Wayne more, Taylor Dane. 1066 00:55:36,440 --> 00:55:37,920 Speaker 4: Yes, who's Taylor? 1067 00:55:38,239 --> 00:55:38,359 Speaker 3: Yes? 1068 00:55:38,520 --> 00:55:38,719 Speaker 2: Yeah? 1069 00:55:39,719 --> 00:55:46,000 Speaker 3: Sorry sorry, less Ariana more, Nirvana from late all right, Rio, 1070 00:55:46,000 --> 00:55:48,239 Speaker 3: Who's the best show? So many brilliant ones. Thank you 1071 00:55:48,440 --> 00:55:50,640 Speaker 3: very much to everyone who's actually texted him in. Some 1072 00:55:50,800 --> 00:55:52,640 Speaker 3: of those may well be used the next couple of weeks. 1073 00:55:52,760 --> 00:55:53,879 Speaker 4: We showed up our marketing team. 1074 00:55:54,000 --> 00:55:56,640 Speaker 9: Yes, Kelly has got to be our winner with less 1075 00:55:56,640 --> 00:55:58,120 Speaker 9: Filthy Dancer less. 1076 00:55:58,160 --> 00:56:00,480 Speaker 3: Oh my god, sorry Kelly. Let's all you got to 1077 00:56:00,520 --> 00:56:03,520 Speaker 3: do is just read it back. Well, to be honest, 1078 00:56:03,560 --> 00:56:06,200 Speaker 3: I'd get the same service with him. So, actually, where's jack? 1079 00:56:06,280 --> 00:56:08,239 Speaker 3: Feels like he's got the spirit of Jackie boy. You 1080 00:56:08,320 --> 00:56:10,799 Speaker 3: did so well today and you had to clever him 1081 00:56:10,840 --> 00:56:12,000 Speaker 3: ten minutes ago as well. 1082 00:56:13,400 --> 00:56:13,840 Speaker 4: Stupid? 1083 00:56:14,239 --> 00:56:16,280 Speaker 3: Oh well, less three I more Jackie 1084 00:56:16,280 --> 00:56:20,120 Speaker 2: O Christian O'Connell Show Podcast