1 00:00:00,920 --> 00:00:02,320 Speaker 1: This is gem nation we. 2 00:00:04,360 --> 00:00:04,440 Speaker 2: Have. 3 00:00:04,519 --> 00:00:06,360 Speaker 3: You've been watching Celebrity Apprentice at all? 4 00:00:06,440 --> 00:00:07,440 Speaker 1: Let me check my notes. 5 00:00:08,840 --> 00:00:10,280 Speaker 3: No, I watch. 6 00:00:10,080 --> 00:00:13,360 Speaker 2: It because there's a bit of by the grace of 7 00:00:13,400 --> 00:00:15,520 Speaker 2: God go I on that show. 8 00:00:15,600 --> 00:00:21,160 Speaker 1: That's why I don't watch Bradiacs r Us because of Mastermind. 9 00:00:21,280 --> 00:00:22,320 Speaker 3: I see our destiny. 10 00:00:22,400 --> 00:00:26,360 Speaker 1: You and I on that show, Brenda, let me check no. 11 00:00:26,400 --> 00:00:27,280 Speaker 3: Because I think we'd be. 12 00:00:28,880 --> 00:00:32,440 Speaker 1: It's terrible. You and I would fight the whole time, but. 13 00:00:32,440 --> 00:00:35,040 Speaker 3: We wouldn't be together. We wouldn't. They wouldn't break us up. 14 00:00:35,080 --> 00:00:35,800 Speaker 3: We'd have to. 15 00:00:35,720 --> 00:00:38,440 Speaker 1: Be honest like we are here. We still fight. 16 00:00:38,880 --> 00:00:41,320 Speaker 4: And also, you know what they do. They keep you 17 00:00:41,360 --> 00:00:43,879 Speaker 4: awake till yes, for all hours. We would do our 18 00:00:43,880 --> 00:00:46,559 Speaker 4: breakfast show. We go in there, they'd say, hurry up, 19 00:00:46,560 --> 00:00:49,159 Speaker 4: here's a task. Hurry up and relax, hurry up, hurry up. No, 20 00:00:49,240 --> 00:00:50,320 Speaker 4: don't do anything for eight hours. 21 00:00:50,320 --> 00:00:52,479 Speaker 1: Now do it now. And they make they string you 22 00:00:52,520 --> 00:00:54,200 Speaker 1: out so that you look insane. 23 00:00:54,400 --> 00:00:57,000 Speaker 2: What I get when I watch this show is it's 24 00:00:57,080 --> 00:01:01,440 Speaker 2: people in between jobs out on the show. If you're 25 00:01:01,440 --> 00:01:03,680 Speaker 2: out of work, then you can go and do this show. 26 00:01:03,800 --> 00:01:06,520 Speaker 1: Because it's too hard. Otherwise, what about Willyn Woody Radio Duo? 27 00:01:06,800 --> 00:01:07,400 Speaker 3: They retired. 28 00:01:07,400 --> 00:01:13,520 Speaker 2: Now they're on the radio, yes anyway, but they're on 29 00:01:13,600 --> 00:01:14,200 Speaker 2: the way up. 30 00:01:15,120 --> 00:01:17,520 Speaker 3: We're already there, I believe. 31 00:01:17,240 --> 00:01:18,720 Speaker 1: Are we Well, I'm not going on it and you 32 00:01:18,760 --> 00:01:19,480 Speaker 1: can do what you like. 33 00:01:20,920 --> 00:01:27,240 Speaker 2: Well when you're working at top Shop, yes year, and that's. 34 00:01:27,120 --> 00:01:30,720 Speaker 1: What I'm doing. Do you want to fleecy. 35 00:01:32,319 --> 00:01:32,639 Speaker 3: Anyway? 36 00:01:32,680 --> 00:01:35,440 Speaker 2: I was watching it last night. But I love Darren 37 00:01:35,480 --> 00:01:37,679 Speaker 2: McMullen on the show. So he's a classic example of 38 00:01:37,680 --> 00:01:39,960 Speaker 2: someone in between jobs. He was on the voice, he 39 00:01:40,120 --> 00:01:43,320 Speaker 2: was on other things, other things, and now he's got 40 00:01:43,360 --> 00:01:44,920 Speaker 2: to do this. Now he's got to sing for his sapper. 41 00:01:45,160 --> 00:01:47,440 Speaker 2: And he is a great TV presenter. He should be 42 00:01:47,480 --> 00:01:47,880 Speaker 2: on TV. 43 00:01:48,120 --> 00:01:49,920 Speaker 4: Do people go on that show to reinvent? You don't 44 00:01:49,920 --> 00:01:51,720 Speaker 4: get to give you but you don't get to give 45 00:01:51,760 --> 00:01:54,040 Speaker 4: your SOB story. It's not like I say, but look 46 00:01:54,040 --> 00:01:56,120 Speaker 4: what you have to go through to give your SOB story. 47 00:01:56,440 --> 00:02:01,800 Speaker 4: Quite happy just to give a SOB story without the exercise. 48 00:02:00,400 --> 00:02:02,600 Speaker 3: The amount of time. And I've done two reality shows. 49 00:02:02,640 --> 00:02:05,040 Speaker 3: That's it. I can't do anymore good. I can use 50 00:02:05,160 --> 00:02:07,080 Speaker 3: no more because it's hard work. 51 00:02:07,000 --> 00:02:09,680 Speaker 4: That it is, and particularly with the hours that we do. 52 00:02:09,880 --> 00:02:11,400 Speaker 4: We get up early in the morning, we do an 53 00:02:11,560 --> 00:02:15,680 Speaker 4: entire show. I also do the living Room, but that 54 00:02:15,840 --> 00:02:18,200 Speaker 4: at least is funny show. 55 00:02:18,360 --> 00:02:19,799 Speaker 3: It's a show and you know what's going to happen. 56 00:02:19,840 --> 00:02:21,080 Speaker 3: You're not going to get sights from it. 57 00:02:21,560 --> 00:02:23,320 Speaker 2: You know when we went on Dancing with the Stars, 58 00:02:23,639 --> 00:02:26,040 Speaker 2: you had to do all that dancing and then at 59 00:02:26,080 --> 00:02:28,320 Speaker 2: the end of it you could get the flick from the. 60 00:02:28,160 --> 00:02:30,200 Speaker 4: Show stressful and you had to learn a new skill. 61 00:02:31,400 --> 00:02:33,919 Speaker 4: And same with the printers. Go out, phone your friends 62 00:02:33,960 --> 00:02:37,160 Speaker 4: and ask for money. Draw on a big whiteboard. That's 63 00:02:37,200 --> 00:02:38,280 Speaker 4: what you have to do. 64 00:02:39,040 --> 00:02:40,480 Speaker 1: I can't draw on a white board. 65 00:02:40,560 --> 00:02:41,760 Speaker 3: Fail at the whiteboard. 66 00:02:42,320 --> 00:02:44,760 Speaker 2: But I do wonder about the show because you've got 67 00:02:44,840 --> 00:02:47,680 Speaker 2: characters like Churia Pitt, who I really admire. 68 00:02:47,360 --> 00:02:49,120 Speaker 1: Who's a woman of massive integrity. 69 00:02:49,360 --> 00:02:52,040 Speaker 2: I often am reading her story about when she was 70 00:02:52,160 --> 00:02:55,560 Speaker 2: running through that bush fire in Western Australia. Her skin 71 00:02:55,720 --> 00:02:57,920 Speaker 2: is on fire. Most of them I would have just 72 00:02:57,960 --> 00:03:00,120 Speaker 2: laid down and died. If I was just running in 73 00:03:00,120 --> 00:03:02,720 Speaker 2: the street, I'd lay down and die. She's running through 74 00:03:02,720 --> 00:03:05,000 Speaker 2: a bush by the only way she can keep going 75 00:03:05,320 --> 00:03:06,959 Speaker 2: is to the other way to survive. 76 00:03:07,040 --> 00:03:07,880 Speaker 3: She's got to keep going. 77 00:03:08,120 --> 00:03:12,000 Speaker 4: And not only that, post that incident, she has made 78 00:03:12,040 --> 00:03:16,639 Speaker 4: her life one of service, of meaning, of giving lessons 79 00:03:16,639 --> 00:03:20,080 Speaker 4: to people about if I can survive this, if I 80 00:03:20,120 --> 00:03:24,360 Speaker 4: can find a future in this, if I can reinvent 81 00:03:24,440 --> 00:03:27,440 Speaker 4: myself in this, so can you. You can put up 82 00:03:27,440 --> 00:03:29,400 Speaker 4: with bullying at school. She works a lot with teens. 83 00:03:29,440 --> 00:03:32,480 Speaker 4: I just admire her so much from her life story. 84 00:03:32,760 --> 00:03:34,280 Speaker 1: So as she going on the show. 85 00:03:34,160 --> 00:03:37,440 Speaker 2: She's doing well on the show, but others don't like 86 00:03:37,480 --> 00:03:37,960 Speaker 2: her on the. 87 00:03:37,920 --> 00:03:40,080 Speaker 3: Show because she's good. I'm sure because she's good. 88 00:03:40,320 --> 00:03:44,840 Speaker 2: Enter Math's contestant Beck. You remember Beck. There is Cannon 89 00:03:45,200 --> 00:03:47,440 Speaker 2: on th You breed of TV people now, so what 90 00:03:47,560 --> 00:03:50,720 Speaker 2: I think TV executives now look at what someone has 91 00:03:50,760 --> 00:03:54,800 Speaker 2: as far as an Instagram following on how they resonate in. 92 00:03:55,000 --> 00:03:57,680 Speaker 3: The world of Instagram. The thing about Instagram. 93 00:03:57,200 --> 00:03:59,880 Speaker 2: Fame and the fame you get when you're on the 94 00:04:00,080 --> 00:04:03,280 Speaker 2: in the media is that the Instagram fame is to 95 00:04:03,320 --> 00:04:03,840 Speaker 2: a silo. 96 00:04:03,960 --> 00:04:06,840 Speaker 3: It's just to one person. It's one on one. Radio 97 00:04:06,880 --> 00:04:09,360 Speaker 3: fame is different in the radio. I don't feel famous 98 00:04:09,400 --> 00:04:11,000 Speaker 3: being on the radio. Radio is just radio. 99 00:04:12,160 --> 00:04:14,200 Speaker 2: I don't feel any different from when I started at 100 00:04:14,200 --> 00:04:15,560 Speaker 2: six KAK thirty. 101 00:04:15,440 --> 00:04:17,760 Speaker 1: And your wardrobes are the same, it's exactly the same. 102 00:04:18,040 --> 00:04:19,479 Speaker 3: So that's a different set of fame. 103 00:04:19,760 --> 00:04:24,240 Speaker 2: So on this show, the dynamic has changed because now Ronnie, 104 00:04:24,720 --> 00:04:28,080 Speaker 2: who was on the block, he's another reality TV. 105 00:04:28,120 --> 00:04:30,800 Speaker 3: So called star. So they're formed this alliance. 106 00:04:30,839 --> 00:04:33,719 Speaker 2: On the Celebrity Apprentice show, which we've never seen before, 107 00:04:34,000 --> 00:04:36,479 Speaker 2: they got little poor old Samantha Jay chucked off the 108 00:04:36,520 --> 00:04:41,040 Speaker 2: show because they ganged up on her, and then last 109 00:04:41,120 --> 00:04:42,720 Speaker 2: night she reappeared. 110 00:04:43,240 --> 00:04:43,760 Speaker 3: How bad? 111 00:04:43,880 --> 00:04:47,120 Speaker 2: How fake must you be if you're accused of being 112 00:04:47,240 --> 00:04:50,640 Speaker 2: fake by someone from Married at First Sight? Actually really 113 00:04:50,680 --> 00:04:51,799 Speaker 2: sad to lose Benji. 114 00:04:51,920 --> 00:04:53,880 Speaker 3: He's such a pleasure to work with. 115 00:04:54,520 --> 00:04:55,920 Speaker 1: However, Churia's just. 116 00:04:55,920 --> 00:04:58,760 Speaker 2: Made comments about how happy she is to leave, which 117 00:04:58,800 --> 00:05:01,160 Speaker 2: has showed me how fake she really is as a person, 118 00:05:01,360 --> 00:05:03,360 Speaker 2: and I couldn't be happy to see the back. 119 00:05:03,279 --> 00:05:03,680 Speaker 4: End of it. 120 00:05:04,480 --> 00:05:06,080 Speaker 1: Does she call fake? 121 00:05:06,320 --> 00:05:09,760 Speaker 3: You know you're on a TV show. You were on 122 00:05:09,800 --> 00:05:12,240 Speaker 3: a TV show to get married to pump up your so. 123 00:05:12,360 --> 00:05:16,240 Speaker 1: Card, and you're calling to re a pit fake? Wow? 124 00:05:16,600 --> 00:05:19,640 Speaker 1: Ohware much so when you're at top Shop next year 125 00:05:19,760 --> 00:05:21,440 Speaker 1: and you come in and say I've got a new gig, 126 00:05:24,600 --> 00:05:26,800 Speaker 1: I've broke it a deal. I'll practice drawing on a 127 00:05:26,839 --> 00:05:27,479 Speaker 1: whiteboard