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Speaker 1: This is Will and Woody.

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Speaker 2: Hey, good afternoon everyone. It is Will and Moody getting

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Speaker 2: you guys home on a Friday. We are doing it again, woods.

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Speaker 2: Can we prove six degrees of separation? Can we get

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Speaker 2: Keanu Reeves on the show in six phone calls or less?

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Speaker 2: After five o'clock? Mate, we're making call too.

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Speaker 1: And we are in a great spot. We have got

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Speaker 1: the mobile number of great Australian actor Lockey Hume. You'd

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Speaker 1: know him from Offspring, you'd know him from Preacher, which

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Speaker 1: is on Stan at the moment. He worked with Keanu

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Speaker 1: Reeves on the Matrix movies. He was in them.

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Speaker 2: Yeah, I'm I have surprised myself. Wow at how at

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Speaker 2: how well we've done here. Yeah, we could have Reeves

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Speaker 2: on the show at five point thirty today. That's very unlikely, Okay,

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Speaker 2: hugely unlikely. But nevertheless, we're in a great spot. Make

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Speaker 2: sure you're tuning in for that. We've got a secret

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Speaker 2: celebrity's going to be joining us in the studio. We'll

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Speaker 2: be blindfolded in about twenty minutes and right up next

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Speaker 2: I imagine there'll be a number of people. If you've

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Speaker 2: got a wedding dress that you've used once, spent a

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Speaker 2: lot of money on it, and it just gathers dust

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Speaker 2: in your closet. You're gonna want to stay tuned because

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Speaker 2: we've got a hell of an opportunity for you. The

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Speaker 2: story broke today of a woman doing a whole bunch

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Speaker 2: of stuff in her wedding dress to basically try and

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Speaker 2: get value for money. So she's spent thousands of bucks

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Speaker 2: on this thing, she's only used it once, and so

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Speaker 2: she's like, what the hell I need to get some

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Speaker 2: value out of this. His photos of are kayaking or

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Speaker 2: stand stand up paddle boarding in the dress, doing everything

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Speaker 2: she possibly can to at least feel like she got

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Speaker 2: some value.

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Speaker 1: I imagine this is the case for a lot of

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Speaker 1: women though. That's right, But you do you spend how

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Speaker 1: woud you just spend on a wedding dress?

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Speaker 2: Well, I know you can spend tens of thousands of

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Speaker 2: bucks on a dress I.

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Speaker 1: Say average, say five thousand dollars on a wedding dress,

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Speaker 1: and then you wear it once and then it just

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Speaker 1: sits in your closet.

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Speaker 2: It gathers dust. And that's why today we're doing something

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Speaker 2: world first on this show Radios first ever wedding dress

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Speaker 2: exchange text text text change, Yes, tex text change.

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Speaker 1: What an incredible opportunity for any woman that is listening

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Speaker 1: to us right now has a wedding dress that's just

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Speaker 1: in the closet If you want to make a bit

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Speaker 1: of a profit off that.

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Speaker 2: Yeah, a little bit of a cheeky buck. Oh no,

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Speaker 2: not a buck. We haven't got bucks, no bucks, there's

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Speaker 2: no cash here.

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Speaker 1: We've got items to exchange with you. Yes, thirteen one

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Speaker 1: oh sixty five is our number. Yes, you just call us.

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Speaker 1: You say you've got this wedding dress, you no longer

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Speaker 1: need it.

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Speaker 2: Yeah, it's been gathering dust in the closet.

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Speaker 1: We negotiate on here. I have got a number of items. Yes,

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Speaker 1: here next to me. They are of incredible value.

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Speaker 2: No, let's be honest. The whole point of this, the

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Speaker 2: whole point of this segment is to prove that the

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Speaker 2: dresses no longer have any value, Like, okay, these don't

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Speaker 2: have extraordinary value in here. That being said, if I

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Speaker 2: own something in my closet that I haven't used in

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Speaker 2: twenty years, won't use in twenty years, but need to

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Speaker 2: get something out of it, I'd traded for anything, And

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Speaker 2: I think that's what we're about to find out for

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Speaker 2: one at six ' five. Give us a call if

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Speaker 2: you've got a dress and you'd like to be part

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Speaker 2: of radio's first ever wedding dress exchange. Woods has a

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Speaker 2: collection a collection of items in here which are on

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Speaker 2: the training table, and I cannot wait to see what

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Speaker 2: someone is willing to trade a ten thousand dollars dress ball.

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Speaker 2: If you've got an old wedding dress you only wore

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Speaker 2: at once, it's gathering dust in your closet, give us

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Speaker 2: a call and see if we can do your deal.

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Speaker 2: It's radio's first ever wedding dress exchange.

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Speaker 3: Text text text change, text change.

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Speaker 2: It's now. The deal is that I reckon, given how

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Speaker 2: much money these women paid for I reckon these this

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Speaker 2: is the best deal we will ever do.

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Speaker 1: I agree. I agree that there's these expensive items are

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Speaker 1: of no use to these women now no more, and

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Speaker 1: we're going to capitalize on that. We've got a number

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Speaker 1: of items here to negotiate with.

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Speaker 2: And these are just items that you've grabbed from around

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Speaker 2: the office.

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Speaker 1: Yeah, but I'm good at that stealing. You've got bridges here,

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Speaker 1: bridget what what's that address? Have you got?

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Speaker 4: Hello, I've got a nineteen ninety two beautiful white down

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Speaker 4: off the shoulder with a lot of bling. All are

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Speaker 4: consta what's.

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Speaker 2: They're never going to use it again?

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Speaker 1: What's what's the what's the market value when you bought

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Speaker 1: a Bridge?

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Speaker 4: Oh look, it's that two and a half sound back then,

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Speaker 4: which was a lot of money.

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Speaker 1: But you know, can I say, okay, well it's about

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Speaker 1: to turn around, because we're going to offer you some

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Speaker 1: amazing items. Bridge, what are your thoughts for your wedding dress?

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Speaker 1: A stapler, staple? Wait wait, sorry, Bridge, before you before

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Speaker 1: you answer, A stapler with seventy six staples already in there.

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Speaker 4: Oh look, I think you may need to do it

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Speaker 4: just a bit better than that.

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Speaker 1: Okay, okay, counter offer. We we keep the staple in there,

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Speaker 1: and we also throw in a pair of chopsticks.

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Speaker 4: Oh look, that would go really well in my head

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Speaker 4: to hold my hair up.

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Speaker 1: Yeah, they're specifically for the hair. Actually, I'm just being.

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Speaker 4: Oh, that's very, very tempting. But I think you can

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Speaker 4: still do just a little bit better.

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Speaker 2: She's playing hardball woods.

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Speaker 1: I think, look, I appreciate you, Bridge, but you're too

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Speaker 1: hard to deal with. It's too hard to do.

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Speaker 2: With Olivia loties that chopsticks when you're not using it

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Speaker 2: ever again, it just lies there. Who cares your wedding

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Speaker 2: was in the nineties, it was thirty years ago. Let

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Speaker 2: it go. I thought chopsticks in a stable was a

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Speaker 2: very reasonable offer.

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Speaker 1: Thank you will. We got Robin here, Robin, tell us

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Speaker 1: about your wedding dress.

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Speaker 4: Mine is a twenty and fourteen rafa el Kucha.

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Speaker 2: Oh hello Cucca.

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Speaker 5: Yeah. So also, I'm going to listening to the last one.

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Speaker 4: We could jump jump the gun. I need a new

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Speaker 4: big screen TV.

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Speaker 5: What are you going to do to it?

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Speaker 1: Well, if you like big screen TVs, Robin, I'll tell

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Speaker 1: you what I can do for you. I can get you.

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Speaker 5: An egg timer that's nowhere near good enough.

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Speaker 4: Boy, No take off.

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Speaker 1: No, Robin?

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Speaker 2: What else? What else are you doing with the dress

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Speaker 2: right now? No one else is making you a deal

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Speaker 2: for it?

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Speaker 5: Yeah, but I don't need another egg timer you've got.

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Speaker 1: How about this? When you do get that big screen TV? Robins,

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Speaker 1: huge problem with those TVs, as claim them. How about

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Speaker 1: I get you a box of tissues?

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Speaker 3: Robin?

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Speaker 1: Hello, boys, come on, what can we do some honest

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Speaker 1: business here?

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Speaker 2: Late?

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Speaker 1: Seriously, I mean that g wherez I just.

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Speaker 2: Can't believe what's like. They're deluded as to what their

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Speaker 2: position is. You have no bargaining power. You will never

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Speaker 2: use this. No one else wants it. It's gathering dust.

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Speaker 2: We're making. We're trying to do a good trade, of

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Speaker 2: fair trade. Who wants to come to the table.

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Speaker 1: Yeah, we've got Alex here. Alex, tell us about your

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Speaker 1: wedding dress.

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Speaker 6: I was about seventy five, one hundred and nine. It's

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Speaker 6: a Bizarro corture.

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Speaker 4: It's beautiful and look beautiful on your boy.

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Speaker 1: Beautiful. We do like the courtures.

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Speaker 3: Very good.

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Speaker 1: Okay, I tell you what. I tell you what, Alex.

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Speaker 1: I'm going to throw in the whole pot. I'm going

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Speaker 1: to throw in the whole pot. Alex. Now, do you

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Speaker 1: want to just have the gamble and it's a bit

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Speaker 1: of a surprise pot or John me to go through

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Speaker 1: the items.

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Speaker 4: Surprise pot would be great. But if you could throw

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Speaker 4: him like some concert tickets or something that are just

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Speaker 4: really sweetened the deal, you know what.

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Speaker 2: I reckon. We can give you a couple of ticks.

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Speaker 2: I reckon, we can get you a couple of ticks.

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Speaker 1: Who's your favorite artists?

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Speaker 2: No, let's not do a favorite. Let's not do a

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Speaker 2: favorite artists. There might be is anybody coming to town

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Speaker 2: anytime soon that we shall be aware of. Let me

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Speaker 2: just get in.

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Speaker 1: Yeah, we've got tickets to the dog show this weekend, Alex.

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Speaker 4: I hate dog.

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Speaker 1: Yeah, I hate dog Ax. Well, you could go there

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Speaker 1: and throw tomatoes.

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Speaker 2: That with you, Alex, Alex, what about the next artist

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Speaker 2: that I get offered tickets to at a gig? I

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Speaker 2: promise I will give them to you.

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Speaker 1: Perfect look it in for.

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Speaker 2: A seven and a half thousand dollars wedding dress.

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Speaker 5: Yeah?

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Speaker 2: Yeah, and the pot.

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Speaker 5: Yeah, you've got it absolutely.

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Speaker 2: Standing standing. Tell her what's in the pot?

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Speaker 1: So, just to remind you, Alex, that is now a

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Speaker 1: verbal contract, so you cannot reneg on that deal. That's

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Speaker 1: seven and a half dresses as good as ours in

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Speaker 1: the pot, I mean the surprise pot. Hours. You've got

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Speaker 1: a box of tissues, a Harris coffee cup, two boxing gloves,

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Speaker 1: one cushion, and a map of the Pacific Central.

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Speaker 2: Thank you for seven thousand dollars wedding dress. Outstanding business,

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Speaker 2: Alex Woods. I can sniff a business model coming on.

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Speaker 5: My friend Will and Woody's secret celebs.

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Speaker 2: Ruels have engagement in pretty simple here woulds you and

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Speaker 2: I have got three minutes to guess who the celeb

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Speaker 2: in the studio is? Where blindfolded? Are you ready to go?

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Speaker 1: By the way, I'm absolutely ready to go. I always

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Speaker 1: get an initial sniff, so bring in the celebrity.

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Speaker 2: When you say yourn initial sniff that sounds.

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Speaker 1: Rank when they walk past.

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Speaker 2: It's an incidental sniff because they walk behind you. You

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Speaker 2: don't actually walk up to them and smell them.

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Speaker 1: They made a snake sound. Will do they? That's interesting?

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Speaker 2: Interesting? Time starts now, three minutes on the clock. What

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Speaker 2: was your whip? By the way, would you go?

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Speaker 1: Really good? Really really great level of perfume?

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Speaker 2: That's great?

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Speaker 1: So I think it's a female. Are you fle.

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Speaker 5: God?

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Speaker 1: The voice is softly spoken?

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Speaker 2: Are you trying to hide your voice secrets to them?

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Speaker 2: It's true? Who's your favorite person in the Australian media?

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Speaker 1: Boys? So she has awful taste, that's what we mean.

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Speaker 2: Are you over the age of thirty? Okay? All right, okay,

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Speaker 2: narrowing down?

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Speaker 1: So are you an actress?

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Speaker 2: New actress over the age of thirty? Oh god, okay,

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Speaker 2: let's think you can.

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Speaker 1: Cats do it?

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Speaker 2: Cats do it. You're just going to start shooting names

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Speaker 2: like Last Time because it starts to get a little

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Speaker 2: bit annoying.

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Speaker 1: Nicole Kidman, not Nicole Kidman, and not not catch Virginia Gay.

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Speaker 2: Ended up in this whole last Time an hour owing question. Okay,

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Speaker 2: can I ask? I don't know if it's gonna be

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Speaker 2: too specific? TV or film?

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Speaker 7: Both?

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Speaker 1: Okay, okay, okay?

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Speaker 2: Are you on? Are you on our TVs right now?

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Speaker 2: Over thirty on our TVs right now? Actress not presenter as.

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Speaker 1: The show started in the last year. Yes, well hang

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Speaker 1: on maybe yes, but yes, but no but okay, yes, okay,

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Speaker 1: it'll be bringing the show back. Oh oh, what what?

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Speaker 1: My mum's favorite TV show ever has recently rebooted.

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Speaker 2: What's it called? What's it called?

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Speaker 1: I don't know, but I don't forget, but I know

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Speaker 1: what stars called. I know what the stars called?

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Speaker 2: Who is it? Secret?

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Speaker 5: Thought?

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Speaker 2: Jane, so much fun? You were really good at that.

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Speaker 1: It was the guest no about when the show started.

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Speaker 1: That's right. That was a bit of a gift.

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Speaker 2: Where blindfold a secrets LB comes in the studio, we

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Speaker 2: have to guess who it is. I can't believe we've

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Speaker 2: pulled this off. I think both our moms would be

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Speaker 2: livid to know that it took us as long as

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Speaker 2: it did, because we've got secret thorn in the studio

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Speaker 2: open Sea change, which is back. Yes, yes, so thought

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Speaker 2: that was the last year that sea changed, that sea

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Speaker 2: change on.

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Speaker 7: The av Now you're testing my magical hopeless because what's.

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Speaker 2: The greatest transition that you've got to get used to

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Speaker 2: because obviously not going from a horse and carts driving

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Speaker 2: around and it was year two thousand years ago.

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Speaker 6: Our social media is a big thing huge it wasn't

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Speaker 6: and of course the whole kind of an overpopulation of

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Speaker 6: the climate changes which was just very pertinent to the

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Speaker 6: sea change sea.

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Speaker 2: It's funny you mentioned social media actually because you'd be

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Speaker 2: pumped that Kerry I'm strong would have an Instagram now.

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Speaker 2: I mean he used to be a big fan of

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Speaker 2: it back in the day.

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Speaker 1: I thanks Will, I had a huge crush. I thought

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Speaker 1: you're right as well, cigarette but Carrie was very less. Well,

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Speaker 1: you got the blonde brunette thing going on there, so

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Speaker 1: I get it, I finding myself.

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Speaker 7: We did also, of course, have a big disputation about

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Speaker 7: about diver Dan and Max Connors, who were the two

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Speaker 7: who were the two boys in town. Laura's boys, and

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Speaker 7: there was all there was.

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Speaker 6: That was a big water cooler conversation.

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Speaker 7: I remember in the day as well.

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Speaker 1: He was hot totally.

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Speaker 7: He was gorgeous, but Max was gorgeous too. I mean,

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Speaker 7: I can't I couldn't pick, how did you? It's like

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Speaker 7: picking between two kinds of delicious cheese or something. That's

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Speaker 7: not a very good analogy, but if you knew how

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Speaker 7: much I love cheese, it would be.

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Speaker 2: It sounds like it's going to be awesome. I mean

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Speaker 2: when we say the same for John Howard, I mean

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Speaker 2: he's back another.

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Speaker 8: With John how it would be that he'd be some

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Speaker 8: sort of triple cream breeze. Yeah, because you know, he's

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Speaker 8: rich and he's one of the most talented actors I've

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Speaker 8: ever worked with.

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Speaker 1: Love John.

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Speaker 2: He is the show. He's back twenty years of figuring

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Speaker 2: out now nineteen years you guys been away from it

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Speaker 2: crazy Tuesday eight forty Channel night.

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Speaker 1: Yes, that's right.

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Speaker 7: Thanks, thank you so much for having means great.

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Speaker 2: Mate. Right now, you and I meant to be doing

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Speaker 2: a segment called That's Mine, which is a wonderful segment.

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Speaker 2: I love it, but I'm moving it to one side

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Speaker 2: because I had an impromptu sense that I'm an absolutely

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Speaker 2: stitch you up here, and I think it's a great

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Speaker 2: opportunity to do it.

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Speaker 1: Why why, why? Please? I was looking forward to the weekends. No,

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Speaker 1: let's play that's mine. It's a good game, it's a

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Speaker 1: great game. I was just talking to you about it

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Speaker 1: during the side.

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Speaker 2: And I lied. Now tonight, you're tonight you're going to

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Speaker 2: a dinner party.

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Speaker 1: Yes, yes, it was not a dinner party, but it's

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Speaker 1: a bit of do you know friends, Yeah, din with friends.

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Speaker 2: Yeah. Now I know this because I was also invited along.

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Speaker 2: I can't go. But one of the requirements for the

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Speaker 2: dinner party is that you took a date.

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Speaker 1: Yeah, yeah, yeah, Well it wasn't a requirement. They like,

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Speaker 1: they were sort of suggesting, like, I think it'd be

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Speaker 1: good if you took a day, if you brought a

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Speaker 1: date along with So it's gonna be weird if you're

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Speaker 1: the only one that doesn't have a partner, that's right, everyone.

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Speaker 2: Else is going to have one. I know that you've

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Speaker 2: thought about a few different people. No one's really lined

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Speaker 2: up for you. You were not walking into work today

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Speaker 2: and you said to me, mate, I just can't think

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Speaker 2: of a date. What do you with me? Tonight.

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Speaker 1: No, it's not that there's people I could. I'm just

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Speaker 1: not sure that I know the other people and it

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Speaker 1: might be a bit weird.

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Speaker 2: You're rambling.

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Speaker 1: What do we doing on the back foot? What are

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Speaker 1: we doing?

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Speaker 2: I think we should try and find your day. Look,

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Speaker 2: watch's dinner tonight.

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Speaker 1: I can go in time from seven, so I'll probably

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Speaker 1: be there at seven.

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Speaker 2: You're so nervous. Okay, So look, here's the deal I

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Speaker 2: think right now? Thirty one six five ladies? Are we

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Speaker 2: just doing ladies?

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Speaker 1: By the way, i'd take a dude. Can we We

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Speaker 1: might have to call Lockie. He's Locky in case. That's

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Speaker 1: the house I'm going to If this is okay.

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Speaker 2: Yeah, we'll call him in the song. Okay, thirty one

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Speaker 2: six five is a phone number here? Who wants to

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Speaker 2: be Woodi's date tonight?

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Speaker 1: Jesus Christ.

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Speaker 2: Now before I didn't want this to be a total torching.

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Speaker 2: Is there is there a requirement that you would like

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Speaker 2: to have gone the person? Yes?

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Speaker 1: Good dinner chat good. I think you have to call

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Speaker 1: up now. But I'm not just going to give it

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Speaker 1: away as a free b Yeah, you've got to have

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Speaker 1: good dinner banter. So give us a topic that you

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Speaker 1: bring up at the dinner and I will choose you

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Speaker 1: based on the topic you'd bring up at dinner.

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Speaker 2: Okay. I also thought that there might be some room

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Speaker 2: for us to play in in terms of like a

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Speaker 2: party trick is something that's pretty valuable at a dinner party,

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Speaker 2: something that you can pull out, whether it's a story

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Speaker 2: you've got. Okay, you know, can you do one of

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Speaker 2: those put this make in your mouth and tied into

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Speaker 2: a not sort of a thing.

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Speaker 1: Oh no, but I don't want to take a buddy

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Speaker 1: of clown.

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Speaker 2: I'm not saying you take a clown, but it's a

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Speaker 2: nice little thing, you know, if I had a bit

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Speaker 2: of a kicker at the dinner party, because if they

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Speaker 2: just rock up, they haven't got any assets in there,

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Speaker 2: you know.

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Speaker 1: No, I know, but like you've also got to be

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Speaker 1: able to just be calm, and you know, of course

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Speaker 1: I haven't caught up with these friends for a long time. Yeah,

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Speaker 1: I find take a circus performer and starts doing.

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Speaker 2: They're not need to be a series perform But I'm

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Speaker 2: just saying it's nice for them to have something out

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Speaker 2: of their sleeve. Okay, Yeah, sure, So let's drill down

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Speaker 2: to the criteria thirty Mine is six five. If you

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Speaker 2: want to be What's Date, you've got to have good

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Speaker 2: dinner banter. Yeah, so tell us a topic that you

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Speaker 2: bring up at dinner. Yep, And what's your party trick?

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Speaker 1: Sure, that's the a bit of asking on the cab.

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Speaker 2: That's the expector.

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Speaker 1: Sure, yeah, what are you doing?

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Speaker 2: Give us the cool? Take you up next. You want

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Speaker 2: to be what He's date tonight? It's happening right up

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Speaker 2: next to Willing what he Kids? This is a dead

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Speaker 2: set stitch up here. You thought we were doing something

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Speaker 2: else right now. But here's the deal mate, I actually

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Speaker 2: think I'm helping you out. You've got a date tonight.

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Speaker 1: I've got a dinner. Sorry, you've got a dinner. You

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Speaker 1: don't have a date night, have a date tonight. It's

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Speaker 1: three couples that I've got the dinner with, and then

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Speaker 1: and then me.

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00:18:09,040 --> 00:18:11,439
Speaker 2: And you're the seventh wheel. Yeah, and you're saying here

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Speaker 2: for like you know, you're just you know, it's hard

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Speaker 2: to organize a date last minute, but you can to go,

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Speaker 2: but you just don't want to be one out. So

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Speaker 2: I'm helping you out here.

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Speaker 4: Bro.

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Speaker 2: Thirty one or six five is a phone number do

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Speaker 2: you want to be? What is day to night? What

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Speaker 2: time is it? By the way, you got to be

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Speaker 2: available at seven?

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Speaker 1: Well it's from seven, so he can be a bit

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Speaker 1: later than that. I guess.

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Speaker 2: OKAYI will you pick them up?

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Speaker 1: Well to ben where they live?

399
00:18:36,080 --> 00:18:37,960
Speaker 2: Well, I'm not you know, I'm not driving to mill Duran,

400
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Speaker 2: And I've asked people to call it with a party

401
00:18:39,640 --> 00:18:40,960
Speaker 2: trick as well, just to see if you know, they've

402
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Speaker 2: got a little bit of some subsubstance to them and

403
00:18:42,760 --> 00:18:44,800
Speaker 2: they can be a bit more fun. Sure, Jordan's called

404
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Speaker 2: on thirty one or six five? Jordan, you want to

405
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Speaker 2: be what he's date tonight?

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Speaker 1: Of course I would wouldn't. Oh, thanks, thanks, Jordan. I

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Speaker 1: appreciate that. What's your party trick? Jordan?

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Speaker 4: I can do magic.

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Speaker 1: Everybody loves magic.

410
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Speaker 2: Everyone loves magic.

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Speaker 1: What's sort of magic? What's your best magic trick? Jordan?

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Speaker 1: I can levitate, I can bend four. You can levitate?

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Speaker 2: Wow? Yeah, well, Jordan, I appreciate the call. But you're

414
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Speaker 2: also a man, so.

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Speaker 1: No, you're definitely not old Jordan.

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Speaker 2: We've got Amy here better than this. We've got Amy

417
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Speaker 2: who's gold on thirteen one oh sixty five. Amy you

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Speaker 2: want to be Woody's date tonight?

419
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Speaker 3: Absolutely?

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Speaker 1: Why not?

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Speaker 2: Okay, So you're available at seven o'clock tonight, certainly? Am okay, great,

422
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Speaker 2: Let's kick it off with what's your party trick? What

423
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Speaker 2: have you got?

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Speaker 6: I can rip a phone book in.

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Speaker 1: Half get out? Actually?

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Speaker 5: Yeah, absolutely, including the.

427
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Speaker 2: Cover, yes, right down the middle when it's closed.

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00:19:48,720 --> 00:19:51,840
Speaker 1: That's phenomenal. That's that's phenomenal. Well, you're definitely in the lead.

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Speaker 1: I mean, it's only Jordan. You're compete in this pretty easy.

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Speaker 2: You're in commeting with a man, Amy, what's your I

431
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Speaker 2: mean one of your requirements, Woods was what's what's your

432
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Speaker 2: what's your dinner party? Chat?

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Speaker 4: Like?

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00:20:03,560 --> 00:20:06,160
Speaker 1: Yeah, like a conversation starter, Amy, you have any of them?

435
00:20:06,840 --> 00:20:09,720
Speaker 1: Oh damn, damn. I definitely thought of the party tricks,

436
00:20:09,720 --> 00:20:13,520
Speaker 1: but probably start off with what's going on around? What's

437
00:20:13,560 --> 00:20:14,640
Speaker 1: going on around?

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Speaker 3: Yeah?

439
00:20:16,880 --> 00:20:24,160
Speaker 1: No, that's good, what's going on around there?

440
00:20:25,240 --> 00:20:27,000
Speaker 2: Because things are about to get spicy.

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Speaker 1: Woods.

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00:20:27,400 --> 00:20:29,639
Speaker 2: This is a phone call we've had from a woman

443
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Speaker 2: called NICKI totally totally unpromptu and unorganized. Nikki is Nikki

444
00:20:38,080 --> 00:20:39,760
Speaker 2: from the Bachelor this year?

445
00:20:40,760 --> 00:20:51,200
Speaker 1: Oh? Hi, you what he's into Bachelorette?

446
00:20:51,280 --> 00:20:53,360
Speaker 4: So I thought that, you know, hopefully he's not lack

447
00:20:53,400 --> 00:20:54,800
Speaker 4: chosen intolerance.

448
00:20:54,560 --> 00:20:54,639
Speaker 3: Like.

449
00:20:58,119 --> 00:21:03,320
Speaker 2: Nik don't want to draw too many adults here, joined

450
00:21:03,359 --> 00:21:05,840
Speaker 2: Jim any dots here? But can I am I putting

451
00:21:05,840 --> 00:21:07,879
Speaker 2: a line through you and my Bachelor sweep now.

452
00:21:09,200 --> 00:21:11,439
Speaker 4: Not yet, not yet, babe town. But you know, I

453
00:21:11,480 --> 00:21:13,679
Speaker 4: just thought Wood. You know, Matt's hot, but Wood, he's

454
00:21:13,720 --> 00:21:15,080
Speaker 4: hotter than a menopausal woman.

455
00:21:15,240 --> 00:21:21,240
Speaker 1: So like w it's a very strong compliment. I appreciate that.

456
00:21:22,240 --> 00:21:26,040
Speaker 1: So I'm just trying. I'm just trying to put I think.

457
00:21:26,760 --> 00:21:31,840
Speaker 2: My birthday, birthday, your birthday. Thanks, guys, I think we

458
00:21:31,880 --> 00:21:33,520
Speaker 2: can put you and two together here. I just don't

459
00:21:33,520 --> 00:21:36,320
Speaker 2: think Nik's allowed to say it, but I don't reckon.

460
00:21:36,160 --> 00:21:38,760
Speaker 1: He ends up with mad So So, Nikki, you're you're

461
00:21:38,760 --> 00:21:40,920
Speaker 1: currently in the Bachelor, you're stilling. You haven't been you

462
00:21:41,119 --> 00:21:41,919
Speaker 1: haven't been voted out?

463
00:21:43,119 --> 00:21:44,280
Speaker 4: No I haven't.

464
00:21:44,280 --> 00:21:46,399
Speaker 1: He's still in the match. And you're happy to go

465
00:21:46,440 --> 00:21:49,160
Speaker 1: on a date with me a channel ten? Happy about

466
00:21:49,200 --> 00:21:51,560
Speaker 1: this channel friend date?

467
00:21:51,840 --> 00:21:56,199
Speaker 2: Like a friend date, a friend date, you know, like

468
00:21:56,359 --> 00:21:59,880
Speaker 2: if it doesn't work out with Matt, woulds like yeah?

469
00:22:00,119 --> 00:22:02,520
Speaker 1: Because everyone you've got to have your safety there there.

470
00:22:02,640 --> 00:22:05,879
Speaker 2: Of course, Nikki, the question I've been asking everyone is

471
00:22:05,960 --> 00:22:06,880
Speaker 2: what's your party tree?

472
00:22:07,760 --> 00:22:12,439
Speaker 4: Or are you ready to bustle up? I can do

473
00:22:12,480 --> 00:22:13,320
Speaker 4: a man voice.

474
00:22:13,480 --> 00:22:16,600
Speaker 1: Okay, oh, this could be confronting. I go for it,

475
00:22:16,680 --> 00:22:19,360
Speaker 1: Nikky okay anyway?

476
00:22:19,560 --> 00:22:21,840
Speaker 9: All right, Hey, what do you MAKEE?

477
00:22:21,920 --> 00:22:32,360
Speaker 2: Take us down on a date? Ni screw Maddie?

478
00:22:32,720 --> 00:22:33,000
Speaker 3: Wow?

479
00:22:33,160 --> 00:22:35,760
Speaker 2: You that's great stuff. You have a date with Nikki

480
00:22:35,800 --> 00:22:36,360
Speaker 2: in the Bachelor?

481
00:22:36,560 --> 00:22:39,639
Speaker 1: All right, we'll talk legity, I'll text you. I'll text

482
00:22:39,680 --> 00:22:42,320
Speaker 1: you and what did you tell?

483
00:22:42,640 --> 00:22:43,680
Speaker 2: Extraordinary scene?

484
00:22:43,880 --> 00:22:44,560
Speaker 1: Thanks for calling?

485
00:22:44,760 --> 00:22:49,080
Speaker 2: Wow, you've got his sloppy seconds tonight from seven o'clock Mate.

486
00:22:49,240 --> 00:22:51,800
Speaker 2: All week we're putting the theory of six degrees of

487
00:22:51,840 --> 00:22:55,320
Speaker 2: separation to the test. Can we get Keanu Reeves on

488
00:22:55,359 --> 00:22:58,119
Speaker 2: this show by making six fine calls? And yesterday we

489
00:22:58,240 --> 00:23:00,920
Speaker 2: made our first call to a listener called Jay.

490
00:23:04,560 --> 00:23:05,080
Speaker 5: Lovely Man.

491
00:23:05,160 --> 00:23:07,000
Speaker 1: You didn't get his mobile number when you ed.

492
00:23:09,760 --> 00:23:14,360
Speaker 5: I did get a guy named Locke Locky Locky Hume.

493
00:23:14,520 --> 00:23:17,480
Speaker 1: Lockey Hume and Locky Hume. You'd know him from Offspring.

494
00:23:17,480 --> 00:23:19,120
Speaker 1: He's on a show at the moment on stand called

495
00:23:19,160 --> 00:23:22,399
Speaker 1: Preacher and how's this? He was in the Mad Trix

496
00:23:22,640 --> 00:23:26,360
Speaker 1: with Keanu Reeves. We've got his mobile number. We're gonna

497
00:23:26,359 --> 00:23:28,560
Speaker 1: be calling him right up next, and I reckon, will

498
00:23:29,320 --> 00:23:31,960
Speaker 1: I reckon he could have Keanu's number. I reckon Keanu

499
00:23:32,000 --> 00:23:33,960
Speaker 1: could be on the show in under half an hour.

500
00:23:34,000 --> 00:23:36,520
Speaker 2: It's actually not all that far fetched that he could

501
00:23:36,520 --> 00:23:40,160
Speaker 2: have his number, which is incredibly exciting. We call Keanu

502
00:23:40,440 --> 00:23:42,840
Speaker 2: before the tu and celebrate with a great song. We

503
00:23:42,880 --> 00:23:44,760
Speaker 2: all go home on a Friday. Bob's your uncle, sixty

504
00:23:45,040 --> 00:23:47,040
Speaker 2: separation all over, Thanks very much for my mother, for

505
00:23:47,040 --> 00:23:49,280
Speaker 2: the roses beautiful, it'd be great stuff. A right, we'll

506
00:23:49,280 --> 00:23:50,800
Speaker 2: make the second call up next and find out if

507
00:23:50,840 --> 00:23:54,399
Speaker 2: Locky Hume's gonna help us out. And Woods, We've got

508
00:23:54,400 --> 00:24:01,440
Speaker 2: a date with Destiny in Touch with you.

509
00:24:01,720 --> 00:24:07,320
Speaker 3: Sixer Greaser Separation six cars Get Kanus.

510
00:24:06,720 --> 00:24:13,040
Speaker 1: Sixer Greaser Separation six phone calls to get to Keanu Reeves.

511
00:24:13,040 --> 00:24:15,840
Speaker 1: Get Keanu Reeves on this show. We're up to call

512
00:24:15,920 --> 00:24:18,280
Speaker 1: number two, and we are in a great spot. We

513
00:24:18,320 --> 00:24:22,320
Speaker 1: have got Lucky Hume's number. He's the guy from Offspring.

514
00:24:22,800 --> 00:24:25,240
Speaker 1: He's on a show on standing moment called Preacher. Yep,

515
00:24:25,720 --> 00:24:28,280
Speaker 1: got his number. Let's just crack him. Let's call him.

516
00:24:28,280 --> 00:24:30,320
Speaker 1: I reckon, He's gonna have Keanu Reeves's number. This guy,

517
00:24:30,520 --> 00:24:34,399
Speaker 1: I am feeling good. He was in the matrix.

518
00:24:34,400 --> 00:24:36,800
Speaker 2: Oh no, man, if we get locky, hume, we are

519
00:24:36,840 --> 00:24:40,760
Speaker 2: in a wonderful, wonderful spot. I'm as pumped as you are.

520
00:24:40,920 --> 00:24:42,760
Speaker 2: He could give it to us straight up. We could

521
00:24:42,760 --> 00:24:44,840
Speaker 2: be going to a song and then calling Keanu Reeves.

522
00:24:45,119 --> 00:24:45,600
Speaker 1: Let's do it.

523
00:24:45,640 --> 00:24:53,320
Speaker 5: Dial But you have called is not connected. Please check

524
00:24:53,359 --> 00:24:56,959
Speaker 5: the number before calling again. The number you have called

525
00:24:57,160 --> 00:24:58,000
Speaker 5: is not connected.

526
00:24:58,600 --> 00:24:59,560
Speaker 1: Is there a number missing?

527
00:25:00,640 --> 00:25:03,560
Speaker 2: Have you got an ending in? Sorry? Five seven six? Yeah?

528
00:25:03,640 --> 00:25:07,280
Speaker 1: Yep? Yeah, five seven six? Is that the full number?

529
00:25:07,359 --> 00:25:07,560
Speaker 4: Yep?

530
00:25:08,520 --> 00:25:13,120
Speaker 2: Or maybe just maybe just retype it in and okay, yeah,

531
00:25:13,280 --> 00:25:15,200
Speaker 2: try again? Sorry everyone, take two.

532
00:25:18,680 --> 00:25:21,960
Speaker 5: But you have called is not connected. Please check the

533
00:25:22,040 --> 00:25:25,840
Speaker 5: number before calling again. The number you have called is

534
00:25:25,880 --> 00:25:29,240
Speaker 5: not connected. Please check the number before calling again.

535
00:25:30,320 --> 00:25:31,160
Speaker 1: Is it ten digits?

536
00:25:31,320 --> 00:25:32,040
Speaker 2: Yeah, it's right.

537
00:25:32,520 --> 00:25:36,240
Speaker 1: I'm just double checking myself. So what happens now?

538
00:25:37,640 --> 00:25:39,920
Speaker 2: Well, we cooked it's not It's either not like you

539
00:25:39,960 --> 00:25:43,280
Speaker 2: hear his number or j sold as an absolute lemon yesterday?

540
00:25:44,800 --> 00:25:45,159
Speaker 1: Okay?

541
00:25:46,119 --> 00:25:48,600
Speaker 2: This is that's bad? Is that a Is that a call?

542
00:25:48,640 --> 00:25:49,600
Speaker 2: Do we account that as a call?

543
00:25:49,960 --> 00:25:52,200
Speaker 1: Well? No, because if I feel like if no one

544
00:25:52,280 --> 00:25:54,200
Speaker 1: picked out, well it wasn't a call because it didn't call.

545
00:25:54,840 --> 00:25:56,159
Speaker 1: It's a it's a if it's a if it's a

546
00:25:56,240 --> 00:25:57,080
Speaker 1: number that doesn't exist.

547
00:25:57,160 --> 00:25:59,359
Speaker 2: It's still at one phone. We're still at one phone call.

548
00:25:59,560 --> 00:26:01,119
Speaker 1: Yeah, but we have to make a call today.

549
00:26:01,280 --> 00:26:04,439
Speaker 2: Yes, I know that we've just cooked out goose on

550
00:26:04,480 --> 00:26:05,119
Speaker 2: that so.

551
00:26:06,640 --> 00:26:11,280
Speaker 1: Okay, Well, surely someone listening right now, surely hopefully fingers

552
00:26:11,280 --> 00:26:15,880
Speaker 1: crossed thirteen one oh sixty five. If anyone who's listening

553
00:26:15,960 --> 00:26:18,440
Speaker 1: right now and they've got Lockey Hume's numbers, I still

554
00:26:18,440 --> 00:26:20,359
Speaker 1: want to shoot for Hume. I just think Hume is

555
00:26:20,400 --> 00:26:23,440
Speaker 1: the perfect link. He was in he was in the.

556
00:26:23,320 --> 00:26:27,600
Speaker 2: Matrix with Are we agreed to go down this path? Yeah?

557
00:26:27,640 --> 00:26:29,200
Speaker 1: And then and then it breaks the chain doesn't And

558
00:26:29,280 --> 00:26:30,439
Speaker 1: if we don't go for Locky Hume.

559
00:26:30,400 --> 00:26:33,960
Speaker 2: Well I just think Chaine or no chain. We need

560
00:26:34,040 --> 00:26:36,000
Speaker 2: Human's number like great, because we need to get back

561
00:26:36,000 --> 00:26:37,840
Speaker 2: into this position. We were talking to actors and like

562
00:26:37,880 --> 00:26:40,040
Speaker 2: people who have been in the bees with Keano, so agree,

563
00:26:40,040 --> 00:26:42,200
Speaker 2: I'm happy to go to the well again thirteen one

564
00:26:42,200 --> 00:26:44,760
Speaker 2: and six five. I mean again, Sorry Australa, we're putting

565
00:26:44,760 --> 00:26:47,320
Speaker 2: a lot of your hair. You wonder what we do here?

566
00:26:49,119 --> 00:26:50,920
Speaker 2: We have It has been a bit of a clck

567
00:26:51,000 --> 00:26:53,639
Speaker 2: up today, and you know, Jay, appreciate your efforts. We're

568
00:26:53,640 --> 00:26:55,640
Speaker 2: in a bad situation show band.

569
00:26:56,040 --> 00:26:59,840
Speaker 1: Honestly, Ja has sold us a Lemon as you said,

570
00:27:00,040 --> 00:27:03,639
Speaker 1: well not on thirteen one six five. We've got to recover.

571
00:27:04,280 --> 00:27:08,000
Speaker 1: Has anyone got Locky Hume's number? Locke Hume if you're listening,

572
00:27:08,320 --> 00:27:09,960
Speaker 1: I know, give us a call.

573
00:27:11,400 --> 00:27:13,440
Speaker 2: Mate, love to hear from you. Try to pull off

574
00:27:13,480 --> 00:27:14,760
Speaker 2: six degrees of separation.

575
00:27:14,880 --> 00:27:15,720
Speaker 1: I mean, you'd.

576
00:27:15,440 --> 00:27:18,000
Speaker 2: Think we would learn our lesson with this sort of stuff.

577
00:27:19,600 --> 00:27:24,399
Speaker 1: Three trying to get in touch with you.

578
00:27:24,640 --> 00:27:29,920
Speaker 3: Six s greas of separation, six cars get kanus six

579
00:27:30,280 --> 00:27:31,800
Speaker 3: greas of separation.

580
00:27:32,320 --> 00:27:35,800
Speaker 2: All right, No can the music that's suspenseful and interesting.

581
00:27:35,840 --> 00:27:38,560
Speaker 2: We are not in a suspenseful nor an interesting spot.

582
00:27:38,640 --> 00:27:41,560
Speaker 2: This is this is dire times. Our first call was

583
00:27:41,680 --> 00:27:43,879
Speaker 2: to a guy called Jay. Yes, he sold us in

584
00:27:43,920 --> 00:27:47,200
Speaker 2: absolute Lemonwoods. He thought he had he thought he had

585
00:27:47,240 --> 00:27:50,000
Speaker 2: Locky Hume's number. Locky hum the Aussie actor who worked

586
00:27:50,040 --> 00:27:53,560
Speaker 2: on the Matrix side by side CoA stuard with Keanu Reeves.

587
00:27:53,560 --> 00:27:55,399
Speaker 2: We thought we were a hops given to jump away

588
00:27:55,440 --> 00:27:59,720
Speaker 2: from Keanu. Yes, and he's given us a numbering disconnected.

589
00:28:00,000 --> 00:28:03,240
Speaker 1: That's right. So again I obviously decided nothing against Jay obviously.

590
00:28:03,000 --> 00:28:04,240
Speaker 2: Humor he's a show band.

591
00:28:04,359 --> 00:28:06,359
Speaker 1: Were Oh, it's definitely banned from the show, don't get

592
00:28:06,400 --> 00:28:09,040
Speaker 1: me wrong. But obviously Locke Hume's changed his number over

593
00:28:09,040 --> 00:28:11,359
Speaker 1: the last you know, fifteen twenty years whatever it is,

594
00:28:11,800 --> 00:28:16,160
Speaker 1: but not surprising Will over the song. I just received

595
00:28:16,200 --> 00:28:17,440
Speaker 1: a text message from my mum.

596
00:28:18,000 --> 00:28:21,680
Speaker 2: Yes, I'm really really anxious about this Woods No think

597
00:28:21,720 --> 00:28:24,000
Speaker 2: about it. If you had said to me early on,

598
00:28:24,040 --> 00:28:26,119
Speaker 2: I'll tell you what, we'll get us to Keanu Reeves

599
00:28:26,119 --> 00:28:31,080
Speaker 2: and text from your mom. Well, we're in big, big trouble.

600
00:28:31,359 --> 00:28:33,199
Speaker 1: No, mum's just texted. She doesn't want to come on

601
00:28:33,240 --> 00:28:35,760
Speaker 1: the show. But mum's just texted and she said she's

602
00:28:35,800 --> 00:28:38,400
Speaker 1: pretty sure that dad yes has Locky Hums.

603
00:28:38,440 --> 00:28:43,320
Speaker 2: Oh great, so it's not your mum's dad. I always forgiven.

604
00:28:43,600 --> 00:28:44,960
Speaker 1: I don't know anything about you.

605
00:28:45,040 --> 00:28:48,040
Speaker 2: Want to waste a phone call. We've only got six calls.

606
00:28:48,080 --> 00:28:50,200
Speaker 1: No one else has called Will. No one else has

607
00:28:50,240 --> 00:28:52,520
Speaker 1: Locky Hume's number. I think we're rocking a hard place.

608
00:28:52,520 --> 00:28:55,200
Speaker 2: We look, we have to make a phone call today and.

609
00:28:55,480 --> 00:28:58,280
Speaker 1: Mum's very really wrong of all the White Law family

610
00:28:58,680 --> 00:29:00,520
Speaker 1: Mum is the one, probably the only one I trust

611
00:29:01,000 --> 00:29:04,320
Speaker 1: all right out. But you know I agree with you.

612
00:29:04,400 --> 00:29:05,080
Speaker 2: That's true.

613
00:29:06,560 --> 00:29:07,440
Speaker 1: Can we call dad?

614
00:29:08,840 --> 00:29:12,160
Speaker 2: Mum said, she's your second phone call? Yes, second second

615
00:29:12,160 --> 00:29:14,880
Speaker 2: phone call of six only six phone calls. You want

616
00:29:14,880 --> 00:29:16,560
Speaker 2: to waste it on your dad? I don't think it'll

617
00:29:16,560 --> 00:29:18,400
Speaker 2: be a waste. I don't think it'll be a What

618
00:29:18,440 --> 00:29:20,160
Speaker 2: are the chances? Give me one out of ten?

619
00:29:20,640 --> 00:29:23,440
Speaker 1: Because Mum's involved with this, I'm saying where we're eighty

620
00:29:23,480 --> 00:29:24,840
Speaker 1: at least eighty percent.

621
00:29:25,040 --> 00:29:27,040
Speaker 2: Eighty percent. Your Dad's got Locky Hume's number.

622
00:29:27,440 --> 00:29:29,560
Speaker 1: Here's my thing. I think Mum's right. My concern is

623
00:29:29,560 --> 00:29:32,160
Speaker 1: that Dad's lost the number. So that's the risk.

624
00:29:32,200 --> 00:29:35,320
Speaker 2: Here is the whole operation. Why that you want to

625
00:29:35,360 --> 00:29:37,360
Speaker 2: call your dad? You want to call him on the

626
00:29:37,360 --> 00:29:38,840
Speaker 2: show right now? Right now?

627
00:29:38,960 --> 00:29:40,840
Speaker 1: I think he's at work. But let's just call it

628
00:29:41,800 --> 00:29:42,080
Speaker 1: all right?

629
00:29:42,080 --> 00:29:43,440
Speaker 2: Well? Have have we got another song?

630
00:29:45,120 --> 00:29:45,239
Speaker 3: Right?

631
00:29:45,680 --> 00:29:48,000
Speaker 2: I think we just need to prep ourselves for this

632
00:29:48,040 --> 00:29:50,080
Speaker 2: and maybe think about another backup Mike. If somebody else

633
00:29:50,080 --> 00:29:51,360
Speaker 2: a chance to get in touch with they got lock

634
00:29:51,400 --> 00:29:54,880
Speaker 2: Of Hume's number, then we'll call you dad. A disastrous

635
00:29:54,960 --> 00:29:57,200
Speaker 2: ternative events and a comedy of errors has led us

636
00:29:57,240 --> 00:30:00,280
Speaker 2: to the point where our second phone call of only

637
00:30:00,320 --> 00:30:03,600
Speaker 2: six phone calls to get to Keanu Reeves is what

638
00:30:03,800 --> 00:30:04,480
Speaker 2: his dad.

639
00:30:05,720 --> 00:30:08,480
Speaker 1: Does sound out rageous, It sounds hang on, hear me

640
00:30:08,520 --> 00:30:11,600
Speaker 1: out Australia because my mum texted me when when when

641
00:30:11,640 --> 00:30:13,480
Speaker 1: we tried to call human it was the wrong number.

642
00:30:13,640 --> 00:30:16,040
Speaker 1: Mom texted me and said she reckons that Dad's gone us.

643
00:30:16,480 --> 00:30:19,120
Speaker 1: Mummy is never wrong, Well mummies, no, no, she is

644
00:30:19,200 --> 00:30:22,440
Speaker 1: never wrong. The concern here, Yes, is my dad losing

645
00:30:22,440 --> 00:30:24,840
Speaker 1: the number? Yes, but there's only one way to find

646
00:30:24,840 --> 00:30:27,040
Speaker 1: out will nobody else has got lock of HSU. But

647
00:30:27,160 --> 00:30:28,960
Speaker 1: we've put the call out. We have to make a

648
00:30:29,000 --> 00:30:32,720
Speaker 1: phone call today. I've tried Australia. I've tried. I've tried

649
00:30:32,720 --> 00:30:35,480
Speaker 1: to get us somewhere else. It's called Dad's. I think

650
00:30:35,480 --> 00:30:36,880
Speaker 1: he's at work. Let's go pick up.

651
00:30:42,200 --> 00:30:42,680
Speaker 3: Steve White.

652
00:30:42,720 --> 00:30:45,560
Speaker 1: Lord, Hey Dad, how are you going? It's woody okay?

653
00:30:45,560 --> 00:30:46,400
Speaker 6: What how are you?

654
00:30:46,680 --> 00:30:48,640
Speaker 1: Very good? Thank you? I'm just Steve.

655
00:30:48,880 --> 00:30:49,960
Speaker 2: Will here you going? Mate?

656
00:30:50,120 --> 00:30:50,600
Speaker 4: I will.

657
00:30:52,360 --> 00:30:53,360
Speaker 5: Thank you there.

658
00:30:53,480 --> 00:30:54,520
Speaker 3: What's happening? Boys?

659
00:30:54,600 --> 00:30:55,320
Speaker 2: Just doing the show?

660
00:30:56,200 --> 00:30:58,480
Speaker 1: Yep, which is which is why we should keep this brief.

661
00:30:59,240 --> 00:31:01,840
Speaker 1: Mum just next to me and told me you've got

662
00:31:01,840 --> 00:31:03,240
Speaker 1: Locky Hume's number, Is that right?

663
00:31:04,840 --> 00:31:08,960
Speaker 2: I did, yes, for some things I did have.

664
00:31:08,880 --> 00:31:10,840
Speaker 1: Because didn't you have to yet to send him something?

665
00:31:11,000 --> 00:31:16,320
Speaker 2: I think yes, I think he did give me quite

666
00:31:16,320 --> 00:31:20,040
Speaker 2: important you. Sorry, but this is actually quite important. You're

667
00:31:20,080 --> 00:31:22,760
Speaker 2: a key cog in like two weeks worth of me.

668
00:31:23,040 --> 00:31:23,880
Speaker 1: You're relying on me.

669
00:31:24,120 --> 00:31:27,240
Speaker 2: Well, I said, that's exactly what I said. We need

670
00:31:27,480 --> 00:31:29,880
Speaker 2: Locky Humes on it. It's absolutely pivotal to us trying

671
00:31:29,880 --> 00:31:34,000
Speaker 2: to get pressure pressure. There's plenty of pressure. Mate. You're

672
00:31:34,000 --> 00:31:35,760
Speaker 2: live on radio and we need a phone number.

673
00:31:36,320 --> 00:31:38,240
Speaker 4: Hang on, we have it.

674
00:31:39,240 --> 00:31:41,760
Speaker 1: Did you put in your phone? Surely?

675
00:31:41,920 --> 00:31:42,120
Speaker 5: No?

676
00:31:42,360 --> 00:31:43,640
Speaker 2: I didn't didn't know.

677
00:31:43,720 --> 00:31:43,960
Speaker 5: I don't.

678
00:31:44,000 --> 00:31:45,440
Speaker 1: I wouldn't put in the part, but I couldn't.

679
00:31:45,440 --> 00:31:46,080
Speaker 4: Hang on, just check.

680
00:31:46,120 --> 00:31:47,560
Speaker 2: Why would you look put it in your phone?

681
00:31:48,080 --> 00:31:51,280
Speaker 1: Well, I'm just not tech savvy like you younger people are.

682
00:31:52,080 --> 00:31:54,720
Speaker 1: And it could be in the car.

683
00:31:54,920 --> 00:31:56,360
Speaker 5: Actually, I think it is in the car.

684
00:31:56,440 --> 00:32:00,880
Speaker 1: I think it is in the car. Sorry, no, no, no,

685
00:32:00,920 --> 00:32:02,600
Speaker 1: that's okay, in the car back.

686
00:32:02,640 --> 00:32:03,520
Speaker 2: I'll just walk down there.

687
00:32:03,720 --> 00:32:05,480
Speaker 1: Okay, you're right.

688
00:32:05,680 --> 00:32:07,240
Speaker 4: Sorry, is this we live?

689
00:32:08,400 --> 00:32:11,800
Speaker 2: You're currently on the radio trying to speed up. Tell

690
00:32:11,840 --> 00:32:12,880
Speaker 2: us a joke while you're walking.

691
00:32:12,920 --> 00:32:18,040
Speaker 9: If you'd like oh no, no, Jack, no, Jack, Okay.

692
00:32:18,840 --> 00:32:22,600
Speaker 2: I'm here. Do you think I should phone you back?

693
00:32:22,720 --> 00:32:26,160
Speaker 1: Or well it's like I mean, it's more just like

694
00:32:26,200 --> 00:32:27,720
Speaker 1: you know, for the people listening, they're getting a bit

695
00:32:27,720 --> 00:32:31,600
Speaker 1: bored listening to you look for a phone number. We

696
00:32:31,640 --> 00:32:33,440
Speaker 1: can go to a song or you are you.

697
00:32:33,760 --> 00:32:35,160
Speaker 2: No, no, no, no, no, no, good.

698
00:32:35,200 --> 00:32:38,600
Speaker 1: I got it. You've got it. Seriously, I've got it

699
00:32:39,600 --> 00:32:42,760
Speaker 1: in the car dad. You've done it again. You've done

700
00:32:42,760 --> 00:32:43,160
Speaker 1: it again.

701
00:32:43,960 --> 00:32:45,960
Speaker 5: There's no two lucky Humes out there, or.

702
00:32:48,320 --> 00:32:50,680
Speaker 2: I wouldn't have thought so. But this is this, is

703
00:32:50,720 --> 00:32:51,600
Speaker 2: it what you.

704
00:32:51,600 --> 00:32:52,040
Speaker 1: Wanted to do?

705
00:32:52,200 --> 00:32:53,440
Speaker 4: What do you want me? Do you want me?

706
00:32:53,480 --> 00:32:54,120
Speaker 7: The texted through?

707
00:32:54,320 --> 00:32:55,840
Speaker 1: We'll put you through to the producers.

708
00:32:55,840 --> 00:32:57,320
Speaker 2: I don't know if I trust you. Maybe just take

709
00:32:57,320 --> 00:32:59,160
Speaker 2: a photo paper.

710
00:33:01,120 --> 00:33:05,080
Speaker 1: The responsibility is unbelievable, trembling. We'll put you through to

711
00:33:05,120 --> 00:33:07,240
Speaker 1: the producer's dad. But we are we are back on track.

712
00:33:07,280 --> 00:33:13,440
Speaker 1: We've got Hume's numbers. Is going to be.

713
00:33:15,360 --> 00:33:16,160
Speaker 3: Question one?

714
00:33:16,240 --> 00:33:17,280
Speaker 1: Question is for a reward?

715
00:33:18,400 --> 00:33:20,640
Speaker 2: No, the reward is that we won't lose our jobs

716
00:33:20,640 --> 00:33:22,680
Speaker 2: for having two minutes of dead air while an old

717
00:33:22,680 --> 00:33:23,840
Speaker 2: man looked for a number in a car.

718
00:33:24,960 --> 00:33:33,840
Speaker 1: That word before man say his team.

719
00:33:34,160 --> 00:33:39,160
Speaker 2: Wow, well not completely. I mean last time we were

720
00:33:39,200 --> 00:33:41,600
Speaker 2: pumped ma getting a locky human number, it turned out

721
00:33:41,640 --> 00:33:44,680
Speaker 2: to be not connected. I am happy to leave it

722
00:33:44,760 --> 00:33:46,680
Speaker 2: until Monday, though. He seemed pretty governant.

723
00:33:46,840 --> 00:33:49,360
Speaker 1: No, definitely, No, there's a legit story behind that. It's

724
00:33:49,360 --> 00:33:51,640
Speaker 1: where we're good to go Monday morning, Locke Hume on

725
00:33:51,680 --> 00:33:53,360
Speaker 1: the show Tuesday.

726
00:33:52,960 --> 00:33:57,240
Speaker 2: Ke Absolutely, that's right. I was meant to be going

727
00:33:57,280 --> 00:33:59,760
Speaker 2: home to see my girlfriend, have a nice line on

728
00:33:59,760 --> 00:34:01,920
Speaker 2: the can netflix and chill. That's sort of business bit

729
00:34:01,920 --> 00:34:05,480
Speaker 2: of dinner, and I was really keen on that. And

730
00:34:05,520 --> 00:34:07,440
Speaker 2: then about ten minutes ago, I got a message from

731
00:34:07,440 --> 00:34:09,719
Speaker 2: a maid of mine who messaged me and said, mate,

732
00:34:09,760 --> 00:34:12,080
Speaker 2: got a free ticket reserve seat at the footy. Ooh,

733
00:34:12,680 --> 00:34:14,239
Speaker 2: pretty hard to turn down. I haven't seen the guy

734
00:34:14,239 --> 00:34:20,759
Speaker 2: in a while. Messaged yeah during that song, messaged my girlfriend,

735
00:34:21,120 --> 00:34:23,239
Speaker 2: told of the situation, said look, I'll probably go to

736
00:34:23,239 --> 00:34:25,680
Speaker 2: the football. It's a hard thing to pass up on.

737
00:34:26,480 --> 00:34:36,080
Speaker 2: And she's messaged me back just then with that's fine.

738
00:34:38,480 --> 00:34:40,080
Speaker 2: There are alarm sounding words.

739
00:34:40,560 --> 00:34:42,640
Speaker 1: That's one of the worst things to hear. I reckon

740
00:34:43,000 --> 00:34:46,239
Speaker 1: that's fine. Oh, it's not fine at all.

741
00:34:47,160 --> 00:34:49,520
Speaker 2: It's the furthest thing from fine. I would much rather

742
00:34:49,600 --> 00:34:52,520
Speaker 2: hear I hate you and that's a horrible thing to

743
00:34:52,520 --> 00:34:52,880
Speaker 2: do to me.

744
00:34:53,120 --> 00:34:55,560
Speaker 1: Well, that's what you're saying. Yeah, that's exactly what you say.

745
00:34:55,760 --> 00:34:57,719
Speaker 2: Actually, that is exactly what you say.

746
00:34:57,840 --> 00:34:58,160
Speaker 1: Yeah.

747
00:34:58,239 --> 00:35:01,560
Speaker 2: I'd love to hear from some other people, right, because

748
00:35:02,120 --> 00:35:05,239
Speaker 2: I need to make myself feel better. But also I

749
00:35:05,280 --> 00:35:11,560
Speaker 2: think that there are code words in relationships that sound

750
00:35:11,640 --> 00:35:19,319
Speaker 2: alarm bells. Oh. You know, when your partner says them

751
00:35:19,320 --> 00:35:26,080
Speaker 2: to you. On the surface, they might seem okay, I mean,

752
00:35:26,120 --> 00:35:28,560
Speaker 2: like on on. You know, if you read that text message, Hey,

753
00:35:28,560 --> 00:35:29,640
Speaker 2: you want to go to the football with a good

754
00:35:29,640 --> 00:35:31,560
Speaker 2: friend of mine. Haven't seen him in ages? That's fine.

755
00:35:31,600 --> 00:35:35,720
Speaker 2: You'd be like, sweet party, where's my beer? For everybody else?

756
00:35:35,960 --> 00:35:39,680
Speaker 2: You know for a fact that that means probably not

757
00:35:39,680 --> 00:35:41,120
Speaker 2: worth me returning home afterwards.

758
00:35:41,480 --> 00:35:43,640
Speaker 1: No, definitely not. I had an next girlfriend who used

759
00:35:43,640 --> 00:35:46,319
Speaker 1: to say to me, and this is always my my

760
00:35:46,400 --> 00:35:49,560
Speaker 1: alarm bells would go off. She'd say, yeah, yeah, do

761
00:35:49,640 --> 00:35:55,440
Speaker 1: whatever you want, do whatever.

762
00:35:55,080 --> 00:35:57,680
Speaker 2: You want, but I want to six five. Love to

763
00:35:57,680 --> 00:35:59,239
Speaker 2: hear from you, guys, what are the words that sound

764
00:35:59,280 --> 00:36:01,640
Speaker 2: alarm bells in your relationship? Will take it right up there.

765
00:36:01,840 --> 00:36:04,239
Speaker 2: I'd love to hear from you, what are the words

766
00:36:04,800 --> 00:36:12,560
Speaker 2: that sound alarm bells in your relationship? About ten minutes ago,

767
00:36:12,560 --> 00:36:14,840
Speaker 2: I messaged my girlfriend. We had a night together on

768
00:36:14,880 --> 00:36:17,920
Speaker 2: the couch lined up. A good friend of mine, Darren,

769
00:36:18,000 --> 00:36:21,399
Speaker 2: messaged me and said, well, lovely bloke. I haven't seen

770
00:36:21,480 --> 00:36:23,600
Speaker 2: him in a while, old school friend. He said, mate,

771
00:36:23,840 --> 00:36:25,680
Speaker 2: ticks to the foot tonight. How do you feel about it?

772
00:36:25,680 --> 00:36:27,840
Speaker 2: He had a reserve seat. I said, dads, I love it.

773
00:36:28,040 --> 00:36:31,759
Speaker 2: Message my girlfriend, I said, this woman to do and

774
00:36:32,160 --> 00:36:40,840
Speaker 2: I feel like her message. She said that's fine. Pretty

775
00:36:40,920 --> 00:36:44,480
Speaker 2: much meant I honestly hope that you go to hell

776
00:36:45,080 --> 00:36:48,799
Speaker 2: as soon as you possibly can and burn there. Yeah. Yeah,

777
00:36:48,840 --> 00:36:49,520
Speaker 2: in a lot of pain.

778
00:36:50,160 --> 00:36:52,920
Speaker 1: Yeah. Question for you, are you still going to go

779
00:36:53,000 --> 00:36:53,480
Speaker 1: to the footing?

780
00:36:53,960 --> 00:36:54,520
Speaker 2: Absolutely?

781
00:36:54,760 --> 00:36:55,280
Speaker 1: Absolutely?

782
00:36:55,440 --> 00:36:57,120
Speaker 2: Bring on hellwards beautiful.

783
00:36:57,640 --> 00:37:00,759
Speaker 1: We'll hear about that on Monday. Would be single, two

784
00:37:00,840 --> 00:37:03,880
Speaker 1: boys single, look out, we've got Rebecca here. On thirteen

785
00:37:03,880 --> 00:37:10,080
Speaker 1: when I was hey, Rebecca will love his girlfriends? Rebecca,

786
00:37:10,520 --> 00:37:14,040
Speaker 1: what's the what's the word in your relationship that sounds

787
00:37:14,040 --> 00:37:14,600
Speaker 1: the alarm?

788
00:37:15,239 --> 00:37:18,399
Speaker 4: So I have to The first one is whatever? So

789
00:37:18,600 --> 00:37:21,239
Speaker 4: if I ask him, you know, oh can I go

790
00:37:21,280 --> 00:37:21,920
Speaker 4: and do whatever?

791
00:37:22,080 --> 00:37:23,760
Speaker 1: And his entwer is whatever.

792
00:37:23,880 --> 00:37:24,719
Speaker 5: So I don't.

793
00:37:26,480 --> 00:37:27,359
Speaker 1: I've had that arm before.

794
00:37:27,440 --> 00:37:30,200
Speaker 2: Yeah, whatever, whatever's a classic passive one, Rebecca, thanks to

795
00:37:30,239 --> 00:37:32,960
Speaker 2: the call, much appreciated. It's a stinker, and that whatever,

796
00:37:33,160 --> 00:37:34,880
Speaker 2: whatever from anyone is is awful.

797
00:37:35,200 --> 00:37:37,440
Speaker 1: We've got Matt here. Now, Matt, what words sound the

798
00:37:37,480 --> 00:37:41,000
Speaker 1: alarm for you? All right, fells, let me just start

799
00:37:41,040 --> 00:37:43,560
Speaker 1: with My wife's a lawyer, so every every word she

800
00:37:43,640 --> 00:37:48,640
Speaker 1: says triggers an alarm. But what are you doing?

801
00:37:49,239 --> 00:37:54,560
Speaker 2: What are you doing? Now? You love it?

802
00:37:55,280 --> 00:37:57,240
Speaker 1: I don't. Was that in the diary?

803
00:37:58,360 --> 00:38:06,919
Speaker 2: Oh yeah, I'm going to make a broad, sweeping stereotype here.

804
00:38:07,280 --> 00:38:10,640
Speaker 2: What is it with women and diaries? Yeah?

805
00:38:10,680 --> 00:38:13,799
Speaker 1: I don't really, they're obsessed with diaries other and you

806
00:38:13,800 --> 00:38:14,760
Speaker 1: can't do anything that's.

807
00:38:14,600 --> 00:38:16,320
Speaker 2: Outside the anything it's outside.

808
00:38:16,560 --> 00:38:18,560
Speaker 1: Oh god, shoot me, I did something different to what

809
00:38:18,600 --> 00:38:19,399
Speaker 1: the diary said.

810
00:38:19,560 --> 00:38:21,600
Speaker 2: No, oh my god, I want to mind going for

811
00:38:21,640 --> 00:38:23,319
Speaker 2: a walk. And now, well you know that we're meant

812
00:38:23,360 --> 00:38:25,239
Speaker 2: to be having dinner at seven o'clock, you can have

813
00:38:25,320 --> 00:38:26,160
Speaker 2: it at seven thirty.

814
00:38:26,160 --> 00:38:27,520
Speaker 1: Did you put walk in the diary?

815
00:38:27,719 --> 00:38:30,240
Speaker 2: God? Walk was the worst example.

816
00:38:29,840 --> 00:38:32,480
Speaker 1: By the way, an example, but you make a good point. Still.

817
00:38:32,719 --> 00:38:35,360
Speaker 2: It's true, though, if you did anything that's not in

818
00:38:35,400 --> 00:38:38,879
Speaker 2: the diary, then you you can't do it?

819
00:38:39,080 --> 00:38:40,960
Speaker 1: No, I know. It's like they think it's illegal or

820
00:38:40,960 --> 00:38:43,040
Speaker 1: something to do something outside of the bloody diary. Got

821
00:38:43,160 --> 00:38:44,400
Speaker 1: Zoey here, Zooey.

822
00:38:44,160 --> 00:38:46,360
Speaker 2: Before we go on, zoe You do you get annoyed

823
00:38:46,360 --> 00:38:47,920
Speaker 2: when someone does something it's not in the diary.

824
00:38:49,120 --> 00:38:53,080
Speaker 4: Oh look, I always ask if it's in the calendar.

825
00:38:53,400 --> 00:38:54,439
Speaker 1: I will same thing.

826
00:38:54,719 --> 00:38:57,800
Speaker 2: I will love that on something that's a topic for

827
00:38:57,920 --> 00:38:59,560
Speaker 2: Monday Women and diaries. Pencil it in.

828
00:38:59,600 --> 00:39:04,080
Speaker 1: Producers as what are the words that's sand and alarm

829
00:39:04,120 --> 00:39:05,000
Speaker 1: in your relationship?

830
00:39:05,040 --> 00:39:05,239
Speaker 3: Though?

831
00:39:06,320 --> 00:39:09,719
Speaker 4: Oh look, my fiance definitely knows if he asks something.

832
00:39:09,760 --> 00:39:13,760
Speaker 4: I'm like, yeah, that's fine. I don't care, but he knows.

833
00:39:14,280 --> 00:39:16,720
Speaker 4: I'm yeah, it's it's trouble.

834
00:39:22,520 --> 00:39:24,000
Speaker 1: Can we talk more about you tonight?

835
00:39:24,040 --> 00:39:26,960
Speaker 2: Will No, we cannot. I buried it. I just got

836
00:39:26,960 --> 00:39:27,719
Speaker 2: a text message.

837
00:39:27,960 --> 00:39:30,640
Speaker 1: Oh okay, no, Race, We'll bear it.

838
00:39:31,480 --> 00:39:32,960
Speaker 2: I appreciate that. I thought you were going to tatch

839
00:39:33,000 --> 00:39:33,279
Speaker 2: me there.

840
00:39:33,640 --> 00:39:35,600
Speaker 1: No, no, no, no, I appreciate that. You know, things

841
00:39:35,640 --> 00:39:36,800
Speaker 1: can get a bit shaky.

842
00:39:37,000 --> 00:39:39,280
Speaker 2: Yeah, she just said it sounds like what he's pushing

843
00:39:39,320 --> 00:39:39,719
Speaker 2: things there.

844
00:39:40,160 --> 00:39:41,560
Speaker 1: Yeah yeah, and I was.

845
00:39:42,160 --> 00:39:44,239
Speaker 2: But I love her and you love her as well.

846
00:39:44,560 --> 00:39:46,520
Speaker 1: I love I love I love your girlfriend.

847
00:39:46,920 --> 00:39:49,759
Speaker 2: Not that I've held onto this all show you guys.

848
00:39:49,760 --> 00:39:52,960
Speaker 2: I wanted to play this the entire radio show. Woods

849
00:39:52,960 --> 00:39:55,640
Speaker 2: and I did quite quite a big deal like a

850
00:39:55,680 --> 00:39:59,399
Speaker 2: commercial shoot today for Harris Coffee went really well. It went,

851
00:39:59,440 --> 00:40:02,040
Speaker 2: It went really well, you would He had one of

852
00:40:02,080 --> 00:40:04,960
Speaker 2: the biggest gaffes I have ever heard in my life.

853
00:40:04,960 --> 00:40:07,440
Speaker 2: And I spoke to the audio guy after the shoot,

854
00:40:08,040 --> 00:40:10,360
Speaker 2: and I've got the audio of what you said in

855
00:40:10,440 --> 00:40:12,600
Speaker 2: front of about thirty people. Go way to play for

856
00:40:12,640 --> 00:40:15,279
Speaker 2: you guys, going to be happening right up next. It

857
00:40:15,320 --> 00:40:17,200
Speaker 2: was your metaphor for a coffee.

858
00:40:17,280 --> 00:40:18,879
Speaker 1: No no, no, no no, that kind said a lot of that.

859
00:40:21,040 --> 00:40:22,600
Speaker 2: We're about to get off the airwaves, but I've got

860
00:40:22,600 --> 00:40:24,880
Speaker 2: a little cookie for you guys before we go, because deez,

861
00:40:24,920 --> 00:40:27,000
Speaker 2: this gave me a good gig. All this morning. Woods

862
00:40:27,040 --> 00:40:31,480
Speaker 2: and I were hosting this morning the Office Barista Championships

863
00:40:31,480 --> 00:40:33,399
Speaker 2: for Harris Coffee. Right, so big deal. People have flown

864
00:40:33,440 --> 00:40:35,239
Speaker 2: in from all over the country. Harris Coffee for those

865
00:40:35,239 --> 00:40:38,440
Speaker 2: guys in from all over the country worth five thousand

866
00:40:38,480 --> 00:40:40,560
Speaker 2: big ones. Right, so all you have to do is

867
00:40:40,560 --> 00:40:42,959
Speaker 2: this make a coffee five thousand bucks. Was the chance

868
00:40:42,960 --> 00:40:45,719
Speaker 2: to win. It's in front of the client, so the

869
00:40:45,719 --> 00:40:49,200
Speaker 2: client's there. There's about twenty or thirty people in the room.

870
00:40:49,520 --> 00:40:51,440
Speaker 2: They've brought in all their friends and family to come

871
00:40:51,480 --> 00:40:54,800
Speaker 2: and watch them compete. Woods you and I are hosting

872
00:40:54,800 --> 00:40:57,279
Speaker 2: this thing. There's cameras on us. Everybody can hear. This

873
00:40:57,320 --> 00:40:59,440
Speaker 2: is quite vocal. Now I'm going to play the audio

874
00:40:59,480 --> 00:41:03,560
Speaker 2: for you. But I need to get you clearly had

875
00:41:03,600 --> 00:41:06,440
Speaker 2: a planned gag, which is a big no no between us,

876
00:41:06,520 --> 00:41:07,719
Speaker 2: particularly this sort of thing.

877
00:41:07,840 --> 00:41:09,759
Speaker 1: Yes, you warned me against it, so I didn't buy

878
00:41:09,840 --> 00:41:12,600
Speaker 1: you beforehand because not vet it with me. I was

879
00:41:12,640 --> 00:41:15,840
Speaker 1: that confident. I spoke to the Wiz digital producer. The

880
00:41:15,880 --> 00:41:18,520
Speaker 1: Wiz he gave me the pearl, So you do were

881
00:41:18,520 --> 00:41:20,960
Speaker 1: in I could see you sniggering in the corner, and

882
00:41:20,960 --> 00:41:22,680
Speaker 1: I knew it was going to go badly. I knew

883
00:41:22,760 --> 00:41:24,480
Speaker 1: he gave me a great one liner. He gave you

884
00:41:24,480 --> 00:41:26,360
Speaker 1: the one line as a metaphor about what makes a

885
00:41:26,360 --> 00:41:26,880
Speaker 1: good coffee.

886
00:41:26,880 --> 00:41:29,160
Speaker 2: That's right, and I have it. I now have caught

887
00:41:29,200 --> 00:41:31,319
Speaker 2: up with the Wiz about this because I needed to

888
00:41:31,360 --> 00:41:34,719
Speaker 2: hear what you actually had planned to go with. So

889
00:41:34,800 --> 00:41:39,360
Speaker 2: what you meant to say was that I don't believe

890
00:41:39,400 --> 00:41:41,680
Speaker 2: you were saying this anyway. But of all these people,

891
00:41:41,719 --> 00:41:46,040
Speaker 2: your gag was guys, a good coffee is like a

892
00:41:46,080 --> 00:41:50,440
Speaker 2: good man. He's rich, he's hot, and he keeps you

893
00:41:50,520 --> 00:41:52,399
Speaker 2: up all night. That was the gag.

894
00:41:52,440 --> 00:41:55,040
Speaker 1: Good and good gag, not a bad gag, really good.

895
00:41:54,920 --> 00:41:56,360
Speaker 2: To get the crown going and everything.

896
00:41:56,680 --> 00:41:58,719
Speaker 1: So when you hear I went, I went to go

897
00:41:58,840 --> 00:42:02,560
Speaker 1: and say the line and I forgot it. I've forgotten

898
00:42:02,560 --> 00:42:06,399
Speaker 1: the metaphor halfway through and then I improvised you.

899
00:42:07,440 --> 00:42:11,480
Speaker 2: You revised badly. So this this is what you said

900
00:42:12,040 --> 00:42:16,799
Speaker 2: this morning at the office Brewster jamionships of this.

901
00:42:17,320 --> 00:42:23,080
Speaker 1: Five thousand dollars. As my dad used to say, a

902
00:42:23,160 --> 00:42:28,120
Speaker 1: good coffee is like a good man. It's rich, it's dark,

903
00:42:29,160 --> 00:42:30,480
Speaker 1: and it keeps you up all night.

904
00:42:32,320 --> 00:42:44,480
Speaker 9: Okay, awkward laughter in the background, the sponsor walked out, Oh,

905
00:42:44,920 --> 00:42:47,719
Speaker 9: I'll never go for a joke again a sponsored event.

906
00:42:47,800 --> 00:42:53,239
Speaker 2: Thank you so much. Been a pleasure to be on

907
00:42:53,320 --> 00:42:55,400
Speaker 2: your air Lives. We're gonna get out of it.

908
00:42:55,400 --> 00:42:57,360
Speaker 1: We're getting close to Keanu Reeves as well. We are

909
00:42:57,360 --> 00:43:00,400
Speaker 1: getting very close. We call Lucky Hume on Monday, yes,

910
00:43:00,440 --> 00:43:02,759
Speaker 1: and then stay with us because I guarantee you we

911
00:43:02,800 --> 00:43:05,080
Speaker 1: are going to get Keanu Reeves next week at some stage.

912
00:43:05,160 --> 00:43:08,680
Speaker 2: Absolutely, guys, have a wonderful night, find yourself a good man,

913
00:43:09,160 --> 00:43:12,600
Speaker 2: and we will. We will see you on Monday from.

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00:43:13,960 --> 00:43:14,840
Speaker 5: See what you're hearing.

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00:43:15,040 --> 00:43:18,280
Speaker 7: Find us on Instagram and Facebook search Will and Woody