1
00:00:00,440 --> 00:00:01,960
Speaker 1: You're listening to the Woody Capsule.

2
00:00:02,120 --> 00:00:05,440
Speaker 2: Oh sorry, had the podcast left on two time speed?

3
00:00:05,480 --> 00:00:07,200
Speaker 1: There sounded like a chipmunk.

4
00:00:07,360 --> 00:00:09,600
Speaker 2: It's the Will and Woody podcast.

5
00:00:09,240 --> 00:00:15,160
Speaker 3: Towards Kate Middleton. Rumors swirling, Give me a swirl sound effect? Nice, yeah,

6
00:00:15,240 --> 00:00:17,880
Speaker 3: rumors swirling. We would have organized the audiopen we haven't,

7
00:00:17,920 --> 00:00:19,880
Speaker 3: so keep throwing to have sound effects on you like that?

8
00:00:20,200 --> 00:00:27,720
Speaker 1: All right, Kate Middleton? All day.

9
00:00:28,000 --> 00:00:30,440
Speaker 3: I know we've interviewing something else with there's something in this.

10
00:00:30,840 --> 00:00:32,199
Speaker 1: So Kate Middleton's got missing?

11
00:00:34,200 --> 00:00:38,519
Speaker 3: Nice? Yeah, you're very good. After sparked rumors that she

12
00:00:38,600 --> 00:00:46,159
Speaker 3: might be pregnant. Actually stop stop, okay, not enough.

13
00:00:46,840 --> 00:00:48,800
Speaker 1: So she's been missing. What's what's up, Joe, he's taking

14
00:00:48,800 --> 00:00:49,280
Speaker 1: a job of you.

15
00:00:49,680 --> 00:00:50,839
Speaker 2: A whole page of sound effects.

16
00:00:52,840 --> 00:00:55,760
Speaker 1: We're making your redundant. We're making your redundant. Is the

17
00:00:55,840 --> 00:00:57,360
Speaker 1: trial a trial?

18
00:00:58,200 --> 00:01:00,240
Speaker 3: Yeah? So she's been going missing on the sixty four

19
00:01:00,320 --> 00:01:02,120
Speaker 3: days that nobody's seen her.

20
00:01:03,520 --> 00:01:05,720
Speaker 2: It stinks of her pregnancy, doesn't it.

21
00:01:05,840 --> 00:01:08,440
Speaker 3: Well, she might just doesn't want to have been in the

22
00:01:08,480 --> 00:01:08,920
Speaker 3: public eye.

23
00:01:09,520 --> 00:01:12,360
Speaker 4: Six sixty four days, a long time without public eye

24
00:01:12,400 --> 00:01:14,440
Speaker 4: and no post on social media or anything.

25
00:01:15,800 --> 00:01:17,600
Speaker 1: No, no, no.

26
00:01:17,080 --> 00:01:18,200
Speaker 2: She's posted on social media.

27
00:01:18,240 --> 00:01:18,520
Speaker 1: I think so.

28
00:01:18,560 --> 00:01:21,000
Speaker 3: I mean, well, look, to be honest, the last photograph

29
00:01:21,319 --> 00:01:23,759
Speaker 3: she's seen, I know it.

30
00:01:23,760 --> 00:01:25,640
Speaker 1: It was a long time ago. Yeah, sixty four days ago.

31
00:01:26,000 --> 00:01:27,959
Speaker 1: The last photo of her was in January.

32
00:01:28,080 --> 00:01:30,959
Speaker 2: So why would you have no social media? No question?

33
00:01:31,280 --> 00:01:31,640
Speaker 1: I don't know.

34
00:01:31,680 --> 00:01:33,959
Speaker 3: But I think it's funny that people jump to pregnancy. Anyway,

35
00:01:34,000 --> 00:01:39,280
Speaker 3: she did sneak off secretly to her brother's wedding in France.

36
00:01:39,800 --> 00:01:46,960
Speaker 2: Oh lovely get married.

37
00:01:47,520 --> 00:01:48,480
Speaker 1: I don't think he is French.

38
00:01:48,480 --> 00:01:50,960
Speaker 3: I think she just went over there. But anyway, so

39
00:01:50,960 --> 00:01:52,440
Speaker 3: she gone over there to get made. Everyone's going, where

40
00:01:52,440 --> 00:01:52,920
Speaker 3: the hell is she?

41
00:01:53,160 --> 00:01:53,680
Speaker 1: Who knows?

42
00:01:53,880 --> 00:01:54,440
Speaker 2: Who cares?

43
00:01:54,680 --> 00:01:55,200
Speaker 1: She's fine?

44
00:01:55,320 --> 00:01:57,520
Speaker 3: Yeah, now, but that hasn't that has excited me and

45
00:01:57,640 --> 00:02:01,160
Speaker 3: enticed me into playing totally wild guys.

46
00:02:01,160 --> 00:02:02,720
Speaker 1: But you know, there's on the creative.

47
00:02:02,320 --> 00:02:04,360
Speaker 3: Mind works, get all sorts of stories and then all

48
00:02:04,360 --> 00:02:06,200
Speaker 3: of a sudden a bit of a fire in your brain.

49
00:02:06,760 --> 00:02:10,480
Speaker 1: How about this hide and Seek live on radio?

50
00:02:11,720 --> 00:02:12,639
Speaker 2: Where we'll go.

51
00:02:14,360 --> 00:02:16,800
Speaker 4: Okay, I obviously love the game of hide and seek,

52
00:02:16,919 --> 00:02:20,920
Speaker 4: but from my memory of hide and Seek doesn't sound.

53
00:02:20,680 --> 00:02:21,160
Speaker 2: Good at all.

54
00:02:22,840 --> 00:02:26,799
Speaker 3: No, well, no, no, the most visual game doesn't sound good.

55
00:02:27,200 --> 00:02:30,399
Speaker 1: The operative word being sounded. We work on naudible medium.

56
00:02:30,560 --> 00:02:34,040
Speaker 4: Radio show is a good reason why ye been done

57
00:02:34,080 --> 00:02:36,040
Speaker 4: on radio before. We wouldn't go like, hey, let's play

58
00:02:36,040 --> 00:02:38,119
Speaker 4: the game of Ping Pong on radio because that would

59
00:02:38,120 --> 00:02:38,760
Speaker 4: be the worst thing ever.

60
00:02:39,360 --> 00:02:43,000
Speaker 2: Although tomorrow I am so damn.

61
00:02:47,440 --> 00:02:49,200
Speaker 3: Say I reckon, because you're right, it's got to be audible.

62
00:02:49,480 --> 00:02:51,200
Speaker 3: So here's what I'm going to do. I'm going to

63
00:02:51,320 --> 00:02:52,480
Speaker 3: hide somewhere in the office.

64
00:02:52,639 --> 00:02:53,600
Speaker 1: Yep. Okay.

65
00:02:53,800 --> 00:02:56,800
Speaker 3: The way this is going to work is I'm going

66
00:02:56,880 --> 00:02:59,640
Speaker 3: to tell the audience where I'm hiding. Okay, so everyone

67
00:02:59,639 --> 00:03:01,880
Speaker 3: in there can't out. I'm going to tell you where

68
00:03:01,919 --> 00:03:03,280
Speaker 3: I'm hiding. What is going to jump out?

69
00:03:03,360 --> 00:03:05,799
Speaker 2: I'm the seeker obviously, Well yeah.

70
00:03:05,639 --> 00:03:09,200
Speaker 1: Because I'm hiding. I think the process of elimination well done.

71
00:03:09,680 --> 00:03:11,840
Speaker 1: Certainly didn't because your brains, did you.

72
00:03:11,880 --> 00:03:13,440
Speaker 4: I thought the audience might have been seeking, But the

73
00:03:13,480 --> 00:03:16,320
Speaker 4: audience is not seeking to the audience, thank you very much.

74
00:03:17,960 --> 00:03:19,720
Speaker 2: This is your stupid hide and see game.

75
00:03:21,200 --> 00:03:24,799
Speaker 4: I'm the only secer in with you, So again I'll

76
00:03:24,800 --> 00:03:26,080
Speaker 4: ask a question again, why is.

77
00:03:26,080 --> 00:03:28,560
Speaker 1: This in the middle of doing that before you've talked

78
00:03:28,560 --> 00:03:28,800
Speaker 1: to me?

79
00:03:30,320 --> 00:03:32,600
Speaker 3: I okay, So I'm going to tell the audience where

80
00:03:32,600 --> 00:03:35,360
Speaker 3: I'm going to hide, right, and then the audience, you

81
00:03:35,400 --> 00:03:38,160
Speaker 3: guys in your cars are at home listening on iHeartRadio,

82
00:03:38,480 --> 00:03:39,800
Speaker 3: you guys are going to come up.

83
00:03:39,760 --> 00:03:41,640
Speaker 1: With the clues for where I am.

84
00:03:41,840 --> 00:03:45,120
Speaker 3: Okay, and then in order to find me, you are

85
00:03:45,200 --> 00:03:49,440
Speaker 3: only allowed to use the audience's the callers clues to.

86
00:03:49,400 --> 00:03:51,440
Speaker 1: Try and find me. So you can't look for me

87
00:03:51,480 --> 00:03:52,920
Speaker 1: with your eyes. You've got to look for.

88
00:03:52,880 --> 00:03:56,120
Speaker 3: Me with your ears, audible, hide and seeking.

89
00:03:57,000 --> 00:03:58,080
Speaker 1: So get the hell out of the get the hell

90
00:03:58,120 --> 00:03:58,320
Speaker 1: out of.

91
00:03:58,320 --> 00:04:02,080
Speaker 3: The studio, you're tell everyone. Yeah, that's the idea, mane.

92
00:04:02,080 --> 00:04:06,120
Speaker 3: Well done again, points for points for intelligence. Get out, mate,

93
00:04:06,760 --> 00:04:09,160
Speaker 3: all right, okay, all right, So he's as a gonna work, guys,

94
00:04:09,160 --> 00:04:10,440
Speaker 3: So I'm gonna tell you where I'm gonna hid. I'm

95
00:04:10,440 --> 00:04:11,560
Speaker 3: just gonna make sure you can't hear me. Can he

96
00:04:11,600 --> 00:04:13,440
Speaker 3: don't hear me? He can't hear me. You guys can't

97
00:04:13,480 --> 00:04:16,400
Speaker 3: hear me? Okay, perfect, all right, okay, So everybody listening

98
00:04:16,480 --> 00:04:18,039
Speaker 3: right now, what I'm going to do is I'm gonna

99
00:04:18,040 --> 00:04:20,760
Speaker 3: I'm going to double love him. So we've got I've

100
00:04:20,760 --> 00:04:23,000
Speaker 3: got the whole floor obviously to myself. He's going to think, God,

101
00:04:23,000 --> 00:04:24,320
Speaker 3: he's going to go to the boardroom. He's going to

102
00:04:24,360 --> 00:04:25,360
Speaker 3: go over there, He's going to go over there.

103
00:04:25,360 --> 00:04:26,280
Speaker 1: I'm not okay.

104
00:04:26,360 --> 00:04:27,880
Speaker 3: What I'm going to do is I'm going to come

105
00:04:27,920 --> 00:04:30,360
Speaker 3: back in here and I'm just going to hide under

106
00:04:30,400 --> 00:04:35,560
Speaker 3: the desk here in the studio. Genius, absolutely genius. So

107
00:04:37,160 --> 00:04:38,440
Speaker 3: what you now have to do?

108
00:04:38,520 --> 00:04:39,200
Speaker 2: This is your job.

109
00:04:39,240 --> 00:04:39,760
Speaker 1: Australia.

110
00:04:39,920 --> 00:04:41,760
Speaker 3: Thirteen one and six y five is the phone number

111
00:04:42,480 --> 00:04:46,680
Speaker 3: if you've got a clue which will lead Woody back

112
00:04:46,720 --> 00:04:48,800
Speaker 3: to the studio. All right, So you guys have got

113
00:04:48,800 --> 00:04:51,279
Speaker 3: to give him the clue for him to try and

114
00:04:51,320 --> 00:04:53,479
Speaker 3: figure out that I'm hiding in the studio. Make it

115
00:04:53,480 --> 00:04:55,440
Speaker 3: as harder as easy to light that producers will filter

116
00:04:55,520 --> 00:04:56,200
Speaker 3: out the best ones.

117
00:04:56,480 --> 00:04:57,560
Speaker 1: Third one and six five.

118
00:04:57,560 --> 00:04:59,040
Speaker 3: If you've got a clue for Hide and Seek, I

119
00:04:59,080 --> 00:05:00,960
Speaker 3: will be hiding in the student You have to give

120
00:05:00,960 --> 00:05:02,560
Speaker 3: Woody that clue that I'm hiding in the studio. It's

121
00:05:02,560 --> 00:05:06,160
Speaker 3: live hide and Seek right up, Mickel william I'm going

122
00:05:06,160 --> 00:05:09,799
Speaker 3: to get out of here, or am I double bluff?

123
00:05:09,839 --> 00:05:12,320
Speaker 1: Classic double bluff? Mcmhon, you've done it again. All right,

124
00:05:12,320 --> 00:05:13,480
Speaker 1: We're going to get out of here. I like being

125
00:05:13,480 --> 00:05:14,960
Speaker 1: on there too much by myself. This is too much fun.

126
00:05:15,000 --> 00:05:16,080
Speaker 1: Everyone's waving their fingers at me.

127
00:05:16,160 --> 00:05:19,200
Speaker 2: Swell the money, Swell and money driving you home.

128
00:05:19,279 --> 00:05:21,520
Speaker 4: And we are in the middle of a first, I

129
00:05:21,520 --> 00:05:24,279
Speaker 4: think a radio first. We are playing hide and Seek

130
00:05:24,320 --> 00:05:34,000
Speaker 4: on the radio. Go now, Will is currently hiding. I

131
00:05:34,000 --> 00:05:38,040
Speaker 4: think we've got him on the phone from his hiding position.

132
00:05:38,440 --> 00:05:43,159
Speaker 2: Will, Will, Gee, you've been very seeking to be better

133
00:05:43,200 --> 00:05:43,640
Speaker 2: thann't you?

134
00:05:44,880 --> 00:05:45,080
Speaker 5: Yeah?

135
00:05:45,560 --> 00:05:47,320
Speaker 2: Okay, outstanding, very whispery okay.

136
00:05:47,320 --> 00:05:48,680
Speaker 4: So the way this is working and the way this

137
00:05:48,720 --> 00:05:51,200
Speaker 4: is going to be hopefully enjoyable for the people listening

138
00:05:51,279 --> 00:05:55,600
Speaker 4: is Will, before the song explained, told everyone listening where

139
00:05:55,600 --> 00:05:56,279
Speaker 4: he is hiding.

140
00:05:57,400 --> 00:05:58,839
Speaker 2: And basically I am.

141
00:05:58,680 --> 00:06:02,920
Speaker 4: Going to receive clues from listeners as to where Will

142
00:06:03,080 --> 00:06:06,880
Speaker 4: is hiding in the office, and then based on those clues,

143
00:06:07,440 --> 00:06:10,200
Speaker 4: I am to try and find him. But I have

144
00:06:10,279 --> 00:06:12,560
Speaker 4: to use the clues to find him. I can't just

145
00:06:12,600 --> 00:06:15,760
Speaker 4: walk around the office meandering around, because that'll be boring

146
00:06:16,160 --> 00:06:17,920
Speaker 4: for everyone to listen to.

147
00:06:18,600 --> 00:06:22,839
Speaker 2: So without further ado, I believe we've got a few

148
00:06:22,880 --> 00:06:26,799
Speaker 2: people here who are going to give me my clues.

149
00:06:27,480 --> 00:06:28,320
Speaker 2: This is outstanding.

150
00:06:28,920 --> 00:06:33,400
Speaker 5: Hello James, Yeah, hello, hey.

151
00:06:32,279 --> 00:06:35,919
Speaker 2: Mate, you have a clue for me?

152
00:06:37,279 --> 00:06:40,240
Speaker 5: Yeah, I do have a clue. What I want to

153
00:06:40,240 --> 00:06:42,159
Speaker 5: say is go back to work.

154
00:06:43,320 --> 00:06:44,480
Speaker 2: Go back to work?

155
00:06:46,279 --> 00:06:49,560
Speaker 4: Okay, go back to work is something that my boss

156
00:06:49,560 --> 00:06:55,000
Speaker 4: would say. So I am going to guess first and

157
00:06:55,040 --> 00:06:56,480
Speaker 4: I will go there. Now I'm going to convert to

158
00:06:56,520 --> 00:06:58,800
Speaker 4: my mobile phone. I'm going to guess that Will is

159
00:06:58,880 --> 00:07:01,240
Speaker 4: hiding in our box's office.

160
00:07:01,960 --> 00:07:03,599
Speaker 2: So I'm just going to convert the phone.

161
00:07:04,400 --> 00:07:10,560
Speaker 5: Now, all right, I'm on the phone. Now, I'm on

162
00:07:10,600 --> 00:07:14,880
Speaker 5: the phone. Can you hear me? And I think Will

163
00:07:15,040 --> 00:07:21,520
Speaker 5: is in the bosses office. Here we go. Ah, that's true. Okay,

164
00:07:21,520 --> 00:07:24,840
Speaker 5: he's not here. No good, Okay, can I have my

165
00:07:24,920 --> 00:07:28,000
Speaker 5: second clueway?

166
00:07:28,880 --> 00:07:30,800
Speaker 2: We've got on the phone right now?

167
00:07:32,360 --> 00:07:35,640
Speaker 5: Hello, Hello, can you hear me? Will?

168
00:07:36,280 --> 00:07:36,480
Speaker 1: Yes?

169
00:07:36,560 --> 00:07:37,720
Speaker 5: Yes, it's what's what are you?

170
00:07:37,920 --> 00:07:38,080
Speaker 1: Yes?

171
00:07:38,600 --> 00:07:38,880
Speaker 3: Sorry?

172
00:07:38,880 --> 00:07:44,000
Speaker 5: Mate? Record is confused? What's the six quote? Yeah, so

173
00:07:44,240 --> 00:07:50,400
Speaker 5: he's close to your home base, swimming on top? He's

174
00:07:50,400 --> 00:07:53,720
Speaker 5: close to home base. But no, it's not screaming on top,

175
00:07:54,960 --> 00:07:55,880
Speaker 5: swimming on top.

176
00:07:57,040 --> 00:07:57,840
Speaker 3: Uh.

177
00:07:57,960 --> 00:08:00,080
Speaker 5: I'm going to guess that he is in two in

178
00:08:00,240 --> 00:08:05,600
Speaker 5: the audio boost our audio producer, Tim, I'm going to

179
00:08:05,640 --> 00:08:08,400
Speaker 5: get you in that audio booth there. So I'm just

180
00:08:08,440 --> 00:08:14,120
Speaker 5: moving to the audio booths. Now get out of here, mcbarn. Okay,

181
00:08:14,160 --> 00:08:17,160
Speaker 5: he's not. It's not in the audio boast. I hope

182
00:08:17,160 --> 00:08:24,240
Speaker 5: everyone's enjoying this. By the way, my third clue, it

183
00:08:24,400 --> 00:08:27,880
Speaker 5: could be awful. I thought you were This could be

184
00:08:27,920 --> 00:08:33,439
Speaker 5: bad because he's not designed for radio.

185
00:08:35,160 --> 00:08:35,480
Speaker 4: Radio.

186
00:08:36,160 --> 00:08:37,200
Speaker 3: I know what they've got.

187
00:08:37,280 --> 00:08:43,160
Speaker 4: You've got on the phone, Mage and Mike Clue is can.

188
00:08:43,040 --> 00:08:43,360
Speaker 3: You hear me?

189
00:08:44,080 --> 00:08:47,440
Speaker 5: Yes, I can hear your yep. My Mike Clue is

190
00:08:47,559 --> 00:08:54,160
Speaker 5: below deck exactly. You're under the bench in the studio,

191
00:08:54,840 --> 00:09:00,839
Speaker 5: and when you came back into the studio, you is.

192
00:09:00,880 --> 00:09:02,600
Speaker 3: A whole time bitch.

193
00:09:03,480 --> 00:09:07,280
Speaker 2: I don't know if that was a good thing. I

194
00:09:07,320 --> 00:09:09,240
Speaker 2: didn't everyone, which is they had that five minutes.

195
00:09:12,600 --> 00:09:15,560
Speaker 3: Oh god, that was more of the boys on the

196
00:09:15,640 --> 00:09:17,000
Speaker 3: full show podcast.

197
00:09:17,520 --> 00:09:18,360
Speaker 2: You know you want to