1 00:00:00,280 --> 00:00:03,840 Speaker 1: It's a special Will and Woody podcast Mini. We've got 2 00:00:03,840 --> 00:00:05,320 Speaker 1: a prank call idea right now. 3 00:00:05,600 --> 00:00:07,960 Speaker 2: We're inspired Will by a story saw in the UK 4 00:00:08,039 --> 00:00:10,720 Speaker 2: today about a woman who received a note on a 5 00:00:10,840 --> 00:00:13,840 Speaker 2: door from a neighbor, effectively saying, I can see you're 6 00:00:13,920 --> 00:00:16,160 Speaker 2: naked in the shower there. 7 00:00:16,320 --> 00:00:18,720 Speaker 1: Can you put a blind down or something? That's what 8 00:00:18,760 --> 00:00:19,440 Speaker 1: the notes on a door? 9 00:00:19,520 --> 00:00:21,320 Speaker 3: Which is fair enough? Which is fair which is absolutely 10 00:00:21,360 --> 00:00:21,840 Speaker 3: fair enough. 11 00:00:22,000 --> 00:00:24,040 Speaker 1: Yeah, I agree with you. I agree with you. 12 00:00:24,120 --> 00:00:26,439 Speaker 2: So it's not such a stretch, Will for you to 13 00:00:26,840 --> 00:00:29,880 Speaker 2: call a random number. I've got a random number here 14 00:00:30,040 --> 00:00:33,519 Speaker 2: and just try and convince this random person that you 15 00:00:33,600 --> 00:00:34,600 Speaker 2: are the next door neighbor. 16 00:00:35,680 --> 00:00:37,200 Speaker 3: Yes, and that you challenge. 17 00:00:37,640 --> 00:00:39,559 Speaker 1: Which is a bit of a challenge or it. 18 00:00:40,120 --> 00:00:41,839 Speaker 2: But then you have to say to them that you 19 00:00:41,880 --> 00:00:45,080 Speaker 2: can also you can see them naked through the window, 20 00:00:45,280 --> 00:00:48,159 Speaker 2: and you want them to either put down some blinds 21 00:00:48,280 --> 00:00:50,960 Speaker 2: or stop being nude in the room where you can 22 00:00:51,000 --> 00:00:56,200 Speaker 2: see them. What's the point, No point, Just want to 23 00:00:56,240 --> 00:00:58,520 Speaker 2: see if you can do it and you win. Here, 24 00:00:59,080 --> 00:01:00,959 Speaker 2: by the way, the metric to win is if they 25 00:01:01,000 --> 00:01:04,880 Speaker 2: agree to put the blinds down or stop getting nudes 26 00:01:05,000 --> 00:01:08,600 Speaker 2: in a particular room, that's still win. But again, distress, 27 00:01:08,800 --> 00:01:10,920 Speaker 2: there is no point to this, but I think it'd 28 00:01:10,920 --> 00:01:12,840 Speaker 2: be pretty funny listening to you trying to convince them 29 00:01:12,840 --> 00:01:13,360 Speaker 2: you're the neighbor. 30 00:01:13,800 --> 00:01:16,240 Speaker 1: Okay, okay, darl, I mean all right, let's do it. 31 00:01:24,840 --> 00:01:28,000 Speaker 3: Good afternoon Ronnie speaking, Brodney speaking? 32 00:01:28,040 --> 00:01:28,319 Speaker 1: Is it? 33 00:01:29,040 --> 00:01:31,039 Speaker 3: Yes? Yes it is Brodniy Has you going? My name 34 00:01:31,080 --> 00:01:35,080 Speaker 3: Stephen Heavyes. I'm killing from just up the road from you, mate. Yeah, yeah, 35 00:01:35,160 --> 00:01:35,880 Speaker 3: here's go mate. 36 00:01:35,920 --> 00:01:36,120 Speaker 1: Yeah? 37 00:01:36,120 --> 00:01:38,759 Speaker 3: Really well, how are you so afternoon? Yeah? Not too bad? 38 00:01:38,760 --> 00:01:44,920 Speaker 3: I thinks buddy lockdown's your buddy, annoying mate? No good mate, 39 00:01:44,959 --> 00:01:45,640 Speaker 3: no good at all. 40 00:01:45,720 --> 00:01:47,960 Speaker 2: What can I help you with? I'm just at work, sorry, Bud. 41 00:01:48,080 --> 00:01:50,800 Speaker 3: Oh showry Rodney. Yeah, look matter, hope you don't mind. 42 00:01:50,800 --> 00:01:53,040 Speaker 3: I've got your number of share all who lives a 43 00:01:53,080 --> 00:01:56,520 Speaker 3: couple of doors down from you. I don't think you did. 44 00:01:56,560 --> 00:01:58,120 Speaker 3: Only give me a number out to anyone who listened 45 00:01:58,160 --> 00:02:01,040 Speaker 3: to me. Yeah, no, she know, she she said, for 46 00:02:01,040 --> 00:02:02,920 Speaker 3: a while, she passed it on Jeremy. 47 00:02:03,720 --> 00:02:06,200 Speaker 2: Nah, do think you might have got the wrong number. 48 00:02:06,240 --> 00:02:07,000 Speaker 3: I'm sorry, but I don't. 49 00:02:07,040 --> 00:02:08,480 Speaker 1: I don't even know with Cheryl. 50 00:02:08,320 --> 00:02:09,760 Speaker 3: What straight you live on, Rodney. 51 00:02:10,960 --> 00:02:12,360 Speaker 2: I'm not going to release that inform. 52 00:02:13,400 --> 00:02:17,000 Speaker 3: That's totally fair enough. I personally live on Johnson Street. 53 00:02:17,680 --> 00:02:20,919 Speaker 3: You're obviously not on Johnson Street. We wanted No, I'm 54 00:02:20,960 --> 00:02:25,160 Speaker 3: not sorry, Bush, that's all right, that's all right, Ron. Well, 55 00:02:25,160 --> 00:02:30,960 Speaker 3: I enjoy your afternoons. Called the wrong person, thanks, Rodney. 56 00:02:31,880 --> 00:02:35,239 Speaker 1: Appalling, absolutely abysmal. 57 00:02:35,840 --> 00:02:37,440 Speaker 3: I thought Steven had in there for a second. 58 00:02:37,720 --> 00:02:40,280 Speaker 2: Yeah, the voice is good. Look the voice and the 59 00:02:40,360 --> 00:02:41,359 Speaker 2: character is good. 60 00:02:42,040 --> 00:02:42,560 Speaker 3: With bluff. 61 00:02:42,880 --> 00:02:44,520 Speaker 2: Well, yeah, I love how you had a crack at 62 00:02:44,520 --> 00:02:45,920 Speaker 2: the stems right at the end there and just shot 63 00:02:45,919 --> 00:02:50,280 Speaker 2: for Johnson Street, of all the streets you're gonna lived. 64 00:02:50,120 --> 00:02:54,360 Speaker 3: On anyway, Chili Charley from gave me. 65 00:02:55,919 --> 00:02:58,160 Speaker 2: That's obviously not that's not a very common name either, 66 00:02:58,720 --> 00:03:00,960 Speaker 2: shot with a Cheryl. There's no sherl that lives on 67 00:03:01,000 --> 00:03:03,240 Speaker 2: his street anyway. Do you want another chance? 68 00:03:04,160 --> 00:03:06,040 Speaker 1: Do you want a second? 69 00:03:06,320 --> 00:03:09,200 Speaker 3: I feel like you think that Stephen Habs is too ridiculous, Joe, 70 00:03:09,240 --> 00:03:11,360 Speaker 3: Like you know, it wasn't your your name. If your 71 00:03:11,400 --> 00:03:13,000 Speaker 3: neighbor called you up and it's like, you know, mate, 72 00:03:13,000 --> 00:03:14,840 Speaker 3: Stephen has here, I can see you in the newe. 73 00:03:14,720 --> 00:03:16,200 Speaker 1: You'd probably call the police. 74 00:03:17,320 --> 00:03:19,880 Speaker 3: Potentially, Like, do you think he's a bit ridiculous? Maybe 75 00:03:19,880 --> 00:03:21,120 Speaker 3: I should you scale back a bit? 76 00:03:21,200 --> 00:03:22,640 Speaker 2: No, I think he sounds like a real person. I 77 00:03:22,639 --> 00:03:24,760 Speaker 2: think he sounds Yeah. I think I'm happy with him. 78 00:03:24,800 --> 00:03:25,200 Speaker 1: I'm happy. 79 00:03:25,639 --> 00:03:27,359 Speaker 3: You need to get better, Steve. What do you reckon 80 00:03:27,440 --> 00:03:29,280 Speaker 3: he does for a living? Like? I just can't picture 81 00:03:29,280 --> 00:03:32,440 Speaker 3: his gun in the street. Electrician, he's an electrician. He's 82 00:03:32,440 --> 00:03:32,960 Speaker 3: just sparky. 83 00:03:33,040 --> 00:03:35,480 Speaker 1: Yeah, he's a little sparking. Yeah, perfect choice to worry 84 00:03:35,520 --> 00:03:36,440 Speaker 1: us out anyway. 85 00:03:36,480 --> 00:03:38,280 Speaker 2: Let's go to a song. You can work on your 86 00:03:38,320 --> 00:03:41,360 Speaker 2: character during the song. You can figure out your backstory 87 00:03:41,600 --> 00:03:43,520 Speaker 2: to this made up person. But let's go to a 88 00:03:43,560 --> 00:03:45,320 Speaker 2: song made a second crack up next. 89 00:03:45,320 --> 00:03:47,200 Speaker 3: Maybe he was an orphans the child Stephen. 90 00:03:47,600 --> 00:03:50,040 Speaker 2: No one cares if he had a good upbringing or not. 91 00:03:50,920 --> 00:03:52,760 Speaker 2: Let's make the second crack of a call up things. 92 00:03:52,760 --> 00:03:55,400 Speaker 3: He loves his swings in the playground, Stephen. Sometimes it 93 00:03:55,440 --> 00:03:58,240 Speaker 3: takes him back to that child he didn't have. 94 00:03:58,360 --> 00:04:00,640 Speaker 2: Now he's sounding more creepy. 95 00:04:00,800 --> 00:04:01,600 Speaker 1: Let's go to a song. 96 00:04:01,880 --> 00:04:04,600 Speaker 3: We're just joining us zero from one on the prank front. 97 00:04:05,080 --> 00:04:07,240 Speaker 3: We're trying to convince somebody that I am their neighbor. 98 00:04:07,520 --> 00:04:10,400 Speaker 3: Stephen heavers her neighbor. He's just killing them up. As 99 00:04:10,400 --> 00:04:12,080 Speaker 3: a Curties she called it and known you can see 100 00:04:12,080 --> 00:04:14,640 Speaker 3: them in their window, and he's like to put their 101 00:04:14,680 --> 00:04:17,480 Speaker 3: blinds down. And now that would be easy enough if 102 00:04:17,480 --> 00:04:19,240 Speaker 3: it didn't sound like I'd been hitting the face with 103 00:04:19,279 --> 00:04:19,760 Speaker 3: the spanner. 104 00:04:20,200 --> 00:04:22,919 Speaker 2: And it's a pretty weird call to get to be honest, like, 105 00:04:23,000 --> 00:04:24,760 Speaker 2: regardless of the weird voice. 106 00:04:25,360 --> 00:04:27,400 Speaker 3: It's a curtious call. Stephen's a nice guy. It's just 107 00:04:27,400 --> 00:04:28,880 Speaker 3: saying like, look, mate, at the end of the day, 108 00:04:28,880 --> 00:04:30,560 Speaker 3: I don't want to have to see the old rasty 109 00:04:30,600 --> 00:04:33,480 Speaker 3: trombone in the front window. It's totally fair enough. 110 00:04:33,960 --> 00:04:36,320 Speaker 2: Speaking of rusty trombone, I've got one more challenge for you, 111 00:04:36,720 --> 00:04:39,919 Speaker 2: just because I know you're full of euphemisms, like honestly, 112 00:04:40,080 --> 00:04:42,120 Speaker 2: they fall out of you like coins out of a 113 00:04:42,200 --> 00:04:45,240 Speaker 2: rich man's purse. I want you to try and get 114 00:04:45,240 --> 00:04:47,920 Speaker 2: as many euphemisms for the male appendage into this. 115 00:04:47,880 --> 00:04:53,400 Speaker 3: Call, oh right, like the grizzle stick like the grizzle. 116 00:04:53,720 --> 00:04:55,920 Speaker 1: I don't give away now, mate, don't give him away. Now. 117 00:04:57,800 --> 00:04:59,600 Speaker 3: I've got a gentleman that I can see his honeypot, 118 00:04:59,600 --> 00:05:00,560 Speaker 3: clever the front winder. 119 00:05:01,839 --> 00:05:04,440 Speaker 1: How many times you can use a euphemism like that. 120 00:05:04,520 --> 00:05:06,360 Speaker 2: I'm going to get our audio producer, Tim to put 121 00:05:06,360 --> 00:05:09,760 Speaker 2: a being underneath the call every time you use one, 122 00:05:10,080 --> 00:05:11,520 Speaker 2: which obviously they won't be able to hear. 123 00:05:12,120 --> 00:05:14,360 Speaker 3: Oh, good luck to me. So as many times as 124 00:05:14,400 --> 00:05:18,520 Speaker 3: I can say there's a lollipop without actually saying the 125 00:05:18,600 --> 00:05:19,480 Speaker 3: naughty words there. 126 00:05:19,640 --> 00:05:21,159 Speaker 1: Yeah, family friendly show of course. 127 00:05:21,440 --> 00:05:34,599 Speaker 3: Right here we go. Hello, Oh yeah, jad Liam speaking, yeah, 128 00:05:34,640 --> 00:05:37,760 Speaker 3: speaking Lam. My name is Stephen. He has been killing 129 00:05:37,800 --> 00:05:38,680 Speaker 3: from next door. 130 00:05:41,240 --> 00:05:41,960 Speaker 1: From next door. 131 00:05:42,120 --> 00:05:46,760 Speaker 3: Yeah, that's right, right. I'm just calling because my wife 132 00:05:46,800 --> 00:05:49,640 Speaker 3: and I have had a few issues recently, and this 133 00:05:49,720 --> 00:05:53,360 Speaker 3: is really just a courtesy call because we've actually been 134 00:05:53,360 --> 00:06:00,400 Speaker 3: able to see any your property recently. Okay, So you 135 00:06:00,440 --> 00:06:04,520 Speaker 3: know the window you've got at the front of your house. Yeah, yeah, 136 00:06:04,560 --> 00:06:09,200 Speaker 3: so we can see straight through there. Okay, and there's 137 00:06:09,200 --> 00:06:12,799 Speaker 3: someone who's nude who's offering the window. 138 00:06:13,480 --> 00:06:15,279 Speaker 1: There is someone nude right now in the window? 139 00:06:15,279 --> 00:06:17,960 Speaker 3: Are they? No? Not right now? No, I'm actually not 140 00:06:18,040 --> 00:06:19,680 Speaker 3: I'm actually not at home right now. I'm not doing 141 00:06:19,720 --> 00:06:24,000 Speaker 3: the job perspecting. Just when we wake up in the morning, 142 00:06:24,640 --> 00:06:27,000 Speaker 3: sometimes there's someone and you're looking at the window and 143 00:06:27,000 --> 00:06:29,760 Speaker 3: there's someone wearing only a smile in the window, you know, 144 00:06:29,800 --> 00:06:33,760 Speaker 3: their own attire. L Yeah, right, I think you can 145 00:06:33,839 --> 00:06:35,840 Speaker 3: understand that it's not the sort of thing that you 146 00:06:35,880 --> 00:06:39,640 Speaker 3: want to wake up seeing a stranger action Jackson at 147 00:06:39,640 --> 00:06:42,400 Speaker 3: that time. Do you do you know that? Do you 148 00:06:42,440 --> 00:06:44,880 Speaker 3: know who that might be? Well for the old boy. 149 00:06:44,920 --> 00:06:51,520 Speaker 3: Actually it's your old boy, he said, what's his name? Liam? Look, 150 00:06:51,560 --> 00:06:53,560 Speaker 3: it doesn't really matter. I just don't have to wake 151 00:06:53,640 --> 00:06:56,320 Speaker 3: up and see acorn andy in the window at seven 152 00:06:56,360 --> 00:06:58,800 Speaker 3: o'clock in the morning. It's just not the sort of 153 00:06:58,839 --> 00:07:01,000 Speaker 3: thing that particularly my wife, you know, she doesn't need 154 00:07:01,040 --> 00:07:02,880 Speaker 3: to see a beaver buster at that time of the morning. 155 00:07:03,279 --> 00:07:07,200 Speaker 3: And to be perfectly frank with your lamb, it's far 156 00:07:07,240 --> 00:07:11,000 Speaker 3: more impressive Bosnian beef stick than mine is. So I'd 157 00:07:11,000 --> 00:07:15,160 Speaker 3: appreciate it if he could just get a towel around 158 00:07:15,200 --> 00:07:22,520 Speaker 3: him and the one eyed German and we could Yeah, 159 00:07:22,160 --> 00:07:24,960 Speaker 3: we'll go on that. That'd be great. I'm happy to 160 00:07:24,960 --> 00:07:26,720 Speaker 3: have an old chat with your old man as well, 161 00:07:26,720 --> 00:07:29,920 Speaker 3: because you know, and sometimes he wakes up, you know, 162 00:07:29,920 --> 00:07:32,720 Speaker 3: it started a day like most folks, doing his homo erectus, 163 00:07:33,040 --> 00:07:35,600 Speaker 3: and all of a sudden, Yeah, I've got to explain 164 00:07:35,640 --> 00:07:38,760 Speaker 3: to my wife why, you know, the tent's not necessarily 165 00:07:38,800 --> 00:07:42,240 Speaker 3: pegged first thing in the morning as well. So if 166 00:07:42,240 --> 00:07:45,320 Speaker 3: he could just do a job of parking your hooded warrior. 167 00:07:45,360 --> 00:07:48,360 Speaker 3: That'll be huge and then we can wake up to 168 00:07:48,600 --> 00:07:51,280 Speaker 3: waking up with the birds and other natural things. And 169 00:07:51,320 --> 00:07:53,920 Speaker 3: not to say that Richard and the twins aren't necessarily welcome, 170 00:07:54,880 --> 00:07:58,320 Speaker 3: but it would be nice if we could just look 171 00:07:58,320 --> 00:08:00,720 Speaker 3: at it. We're not a bit to sunshine. 172 00:08:01,200 --> 00:08:03,480 Speaker 1: I may not agree with you, that's fair enough. 173 00:08:03,560 --> 00:08:05,520 Speaker 3: Yeah, beautiful. Right, Well, I'll leave you to have a 174 00:08:05,600 --> 00:08:07,000 Speaker 3: chat with your old man. I'm not sure how any 175 00:08:07,120 --> 00:08:10,520 Speaker 3: time to keep the round stak in the pants or 176 00:08:10,600 --> 00:08:11,640 Speaker 3: you know, at the end of the day, he's got 177 00:08:11,640 --> 00:08:15,920 Speaker 3: to get know before he gets in the shower. So 178 00:08:16,640 --> 00:08:19,040 Speaker 3: the best of us, but I'll getting neurd before a shower. 179 00:08:19,080 --> 00:08:20,480 Speaker 3: It doesn't happen to the best of its lamb, It 180 00:08:20,520 --> 00:08:22,760 Speaker 3: just happens to normal person. Most people take their clothes 181 00:08:22,760 --> 00:08:27,760 Speaker 3: off before a shower. Mate, don't be an idiot, all right, Liam. 182 00:08:28,560 --> 00:08:29,880 Speaker 3: So I'll leave it to you to sort out the 183 00:08:29,880 --> 00:08:34,400 Speaker 3: snapper slapper in the window and we'll go about our day. 184 00:08:35,320 --> 00:08:37,960 Speaker 1: No worry, buddy, Hey Liam, before you go, mate, it's willing. 185 00:08:38,000 --> 00:08:45,320 Speaker 1: What are you here? How about you? Liam? Just throwing 186 00:08:45,360 --> 00:08:47,400 Speaker 1: your old man under the bus. Yeah, it's got to 187 00:08:47,440 --> 00:08:53,559 Speaker 1: be my dad. Oh yeah, look, well something I was 188 00:08:53,559 --> 00:08:58,480 Speaker 1: gonna n up to. Fair enough, fair enough, Oh very 189 00:08:58,480 --> 00:08:59,040 Speaker 1: good stuff. 190 00:08:59,240 --> 00:08:59,880 Speaker 3: Has your lockdown? 191 00:09:00,760 --> 00:09:02,480 Speaker 1: Oh mate, look it's yes all right. 192 00:09:03,360 --> 00:09:06,679 Speaker 3: It's been a bit off work with Yeah yeah we 193 00:09:07,040 --> 00:09:08,600 Speaker 3: managed that. We What are you doing? What do you 194 00:09:08,640 --> 00:09:11,719 Speaker 3: what do you do at home to two fists of sweet. 195 00:09:13,120 --> 00:09:17,360 Speaker 1: Clearly getting maked in your front window? More of the 196 00:09:17,440 --> 00:09:20,720 Speaker 1: boys on the Full Show podcast. You know you want 197 00:09:20,760 --> 00:09:20,880 Speaker 1: to