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Speaker 1: Hey, guys, how you going welcome Stuffy to behind the scenes. Yes,

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Speaker 1: this buddy, Hey Fever storm.

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Speaker 2: What's funny?

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Speaker 1: Now?

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Speaker 2: What's funny is me and Button push to tell me?

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Speaker 3: Before we were literally copying a massive rand from will abatter.

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Speaker 2: No, no, see when.

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Speaker 3: The thunderstorms come, hey Fever doesn't and he said, have

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Speaker 3: funked me?

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Speaker 1: I'm rarely fuctor I.

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Speaker 2: Get and then literally two minutes later, the big fellow

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Speaker 2: has not stop sneaks and sniffing and.

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Speaker 1: Getting a fucked hard by the half over.

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Speaker 2: Fucked anyway, We've got to know, we've got to go.

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Speaker 2: We've got to sort you about with some sort of

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Speaker 2: anti hista mean, because.

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Speaker 1: You I need to have my anti Histaman game before

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Speaker 1: we get into the awesome Darren Hayes altio that we're

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Speaker 1: out here. Will do you mind if I tell Woody

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Speaker 1: about the text message that you gave me last night. No,

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Speaker 1: I don't think that's a good idea. I think that

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Speaker 1: might be an off mind like sort of a yeah,

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Speaker 1: I mean it's legal. Yeah, yeah, okay, you can tell it.

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Speaker 2: I reckon, I reckon maybe let's oh.

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Speaker 4: Yeah okay, really yeah, really yeah, I really want to

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Speaker 4: hear it now.

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Speaker 5: Yeah, it's definitely an off Mike job.

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Speaker 1: Really yeah, wow, you probably I was just ask him,

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Speaker 1: tom if you knew someone who could have sucked me

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Speaker 1: in the local area. It's interested into the open relationship sphere,

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Speaker 1: as you would have heard on the show today.

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Speaker 2: But no, if you haven't heard it, you should have

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Speaker 2: listen to it.

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Speaker 3: Tommy that it was an awesome chat very well, honestly, like,

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Speaker 3: I'm sure you're probably probably listening to this.

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Speaker 1: Ping open relationships here.

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Speaker 3: Yeah, no way, open relationship. You're probably thinking that you've

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Speaker 3: listened to this right now. Listening to Tommy talk about

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Speaker 3: open relationships. It's just a really interesting perspective to hear.

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Speaker 1: I've answered those questions many times at a house party, so.

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Speaker 2: Yeah, you would get bad parties.

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Speaker 1: It's fascinating. It really is fascinating. And the logic on

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Speaker 1: paper is so much more logical than the logic that

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Speaker 1: and that, you know, sort of like a I would

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Speaker 1: say a rule across life in general, like the logic

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Speaker 1: that your gutter your emotions users is insanity. And for

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Speaker 1: a lot of relationships, the idea of you know, emotionally

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Speaker 1: being caught up with someone because you're indebted to them

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Speaker 1: is insanity. And there's a lot of reason behind what

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Speaker 1: you're saying, whether or not whether or not that makes

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Speaker 1: it easy, whether or not that makes it manageable, whether

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Speaker 1: it make that makes it makes it possible for a

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Speaker 1: lot of people. Then I'm not saying that, but you know,

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Speaker 1: on paper, it's like, gee whizdy makes a lot of

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Speaker 1: sense for straight people.

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Speaker 3: Yeah, you do say that a lot danger four straight people.

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Speaker 2: No boobs, Boobs are great.

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Speaker 1: Boobs are pretty great now, boobs anyway, squeakings are great. Yeah,

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Speaker 1: all the things to chime in with. Now, last time

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Speaker 1: we left you, we were talking about Tina Arena. I've

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Speaker 1: got a number, Rob Mills Game a number. And then

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Speaker 1: we got to the point where junior producer analyst was

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Speaker 1: going to call Tenda Arena on my behalf because that

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Speaker 1: though I don't care if she's not keen, that's her buddy. Jobs,

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Speaker 1: it's your job, you don't It's not a matter.

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Speaker 2: Of a little bit outside of job description, not at all.

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Speaker 1: She books the guests, she's going to call Tenda Arena.

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Speaker 1: It's a guest.

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Speaker 2: You know.

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Speaker 5: Sometimes Ed has to pull superior superior, and I think

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Speaker 5: this is one he might have.

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Speaker 2: To deal with. I think poops should make the call.

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Speaker 1: Oh you want poop Pants to call her? Yeah? Yeah.

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Speaker 1: Traditionally you've only booked two guests though ed that was

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Speaker 1: doing by this Brook Blerton who he had a personal

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Speaker 1: interest in.

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Speaker 6: Uh.

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Speaker 1: And then there's the NASCAR driver, the only fans chick.

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Speaker 1: There's two guests. The most meticulous guest sheets you've ever

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Speaker 1: seen in your life. It was like a bloody Encyclopedia

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Speaker 1: Britannica on these people every time, complete with photos. Did

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Speaker 1: he book his current partner? Did you did you book Georgie? Yes,

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Speaker 1: you booked, you book Georgie? Oh, there you go. She

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Speaker 1: was on the list now now, so look, I don't

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Speaker 1: care who calls her, but I'm not calling her because

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Speaker 1: my relationship with Tina Arena is on the line here.

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Speaker 3: I think things got really interesting when off air and

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Speaker 3: very unprofessionally. We stole more of Darren Hayes's time when

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Speaker 3: he was on the show, and.

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Speaker 1: Because I know that he could, I saw because they did.

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Speaker 1: They did a Tina Arena This is your Life recently

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Speaker 1: on Channel seven and Darren Hayes, who knew that, was

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Speaker 1: back on dB By the way, anyway, nine.

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Speaker 2: Months road back up at the Helm.

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Speaker 1: I couldn't recognize who it was.

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Speaker 2: That was not what's her name from the more.

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Speaker 1: She used to do Sunrise Yeah, Mel, No, I don't

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Speaker 1: think it was Mel. I don't think it was Mel.

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Speaker 1: I don't think it Mel. Yeah, I think it was

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Speaker 1: Mel anyway, Mel Doyle, Doyley Doyle. Yeah, anyway, So she

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Speaker 1: was doing this is Your Life that Tina arendas Darren

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Speaker 1: has goes out there and sings chains.

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Speaker 3: Oh wow, So so you know, you know for sure

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Speaker 3: that Darren is good friends with Tina Arena. So when

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Speaker 3: we had Darren on the show.

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Speaker 1: Is there like that is just awesome, Like you cut

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Speaker 1: no no world that any man on this planet is

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Speaker 1: covering Tina Arena change. That's possibly the most vocal gymnastics

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Speaker 1: you can ever possibly pull in any song. Like, I

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Speaker 1: don't reckon Whitney Houston would be ballsy enough to come

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Speaker 1: out and sing that song right now. That is unbelievable.

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Speaker 1: And he goes on National TV and sings that. God,

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Speaker 1: I love that guy. Will McMahon talk about someone more

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Speaker 1: than he talks about Darren? I love darn Ayes.

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Speaker 3: Yeah, that or Stephen Frye or a guy called Sam

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Speaker 3: Harris was the threat.

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Speaker 2: Actually, Alan du Bouton is probably.

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Speaker 1: Up there as well. No, Tara bar Elaine de Berton

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Speaker 1: and Tara brock Barack, those of Will's people. But but

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Speaker 1: so much it. So you knew Robert Jordan.

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Speaker 2: Robert Jordan wrote The Will.

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Speaker 1: Of Tom oh Worst.

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Speaker 2: Anyway, you knew, you knew that, Darren Hayes.

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Speaker 1: The greatest fantasy series ever written. Anyways, right up there

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Speaker 1: with the greatest fantasy series ever written. Have you read it?

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Speaker 3: No, no one else in the team's heard of it,

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Speaker 3: but I'm sure it was amazing. Anyway, Yes, your knew

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Speaker 3: Darren new Tena, And you asked Darren, well a very

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Speaker 3: pointed question.

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Speaker 1: Hey, we're gonna I need some advice quickly. I've got

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Speaker 1: Tina Arena's number. Yeah, how how is she going to

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Speaker 1: respond to a cold call? Good luck? Really really good luck?

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Speaker 1: Oh really?

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Speaker 2: Okay, I think you should definitely do it. Now, that's

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Speaker 2: the exact response I wanted to do.

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Speaker 1: Why why why? Why?

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Speaker 7: Well?

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Speaker 1: You know you know Tina, I don't. I don't. That's

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Speaker 1: the point. I just love her. I've I've like, my

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Speaker 1: most listened to record this year has been Don't ask.

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Speaker 1: I can't stop listening to.

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Speaker 7: I mean, it's a brilliant record.

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Speaker 1: That record was why.

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Speaker 7: I mean we had that record. We had the same

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Speaker 7: mix engineer mixed the first Savage Garden record.

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Speaker 1: Really, I can't stop listening to it. It's so good.

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Speaker 1: And I just I got her number recently, and I

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Speaker 1: just want to call her and get around there. But

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Speaker 1: I know she's at the moment.

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Speaker 7: She's just very no bs. So you know, imagine how

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Speaker 7: someone would react for the day and do that.

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Speaker 1: I'm not going to ruin a day, though, Like I'm

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Speaker 1: going to Ben, can you give me a hand, Like,

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Speaker 1: how do I be nice to her? How do I like?

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Speaker 1: Can I what would what she like? What's she into?

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Speaker 7: She terrifies me?

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Speaker 1: Okay's the best in the world.

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Speaker 7: You've don't ask for advice from me.

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Speaker 2: Yeah, every time she walks through any.

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Speaker 1: Ignifan isn't she damn? Okay? Okay, all right, look, okay,

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Speaker 1: thank you, thank you. So based off that reaction you,

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Speaker 1: I couldn't be further away from calling Tina, but I

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Speaker 1: want to make contact with her.

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Speaker 2: Yeah, you actually hard.

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Speaker 1: Now you have to admit with me like producers in

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Speaker 1: this instance, chump change excuse me, producers the chump change

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Speaker 1: here they are the pillars of this radio. They are

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Speaker 1: chip for the mill, as far as I'm concerned, Like

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Speaker 1: we have.

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Speaker 2: That analogy, the mill doesn't run without the chips.

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Speaker 1: Sure, there's no doubt, there's no doubt about that. But

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Speaker 1: like you know, Tina a Rena, she's seen one producer,

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Speaker 1: she's seen a billion of them. She's not going to

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Speaker 1: remember the fact that it's a producer that's called her

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Speaker 1: and torched it. Right, So they didn't go in the

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Speaker 1: black book. Your names on the tin, our bloody names

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Speaker 1: are up there with us in suits.

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Speaker 2: So you're saying, if the car goes badly.

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Speaker 1: She's gone to remember it's one of us.

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Speaker 2: If it's a producer, then she may not, but she.

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Speaker 1: Might just go, how'd you get this number? No analy

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Speaker 1: can use a fake name.

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Speaker 3: So you can't even say you're a producer from a

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Speaker 3: different show, right, you could wouldn't do that.

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Speaker 1: But you know, maybe a fake name Will. It's also true,

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Speaker 1: I could. Why don't you say you're a producer from

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Speaker 1: Will and Woody.

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Speaker 2: That's also a good suggestion. Gee, the producers are good.

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Speaker 5: They ed kirkwood.

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Speaker 2: Yeah, so your poop pads.

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Speaker 1: Captain.

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Speaker 2: Analysts.

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Speaker 1: I'll say I'm Brook blurt and he's still going to

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Speaker 1: defend it. No, don't do that. We love Brook.

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Speaker 2: That's say your producer. Just say just it's Gary.

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Speaker 1: Here, Gary here from William Woody.

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Speaker 2: I wouldn't say.

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Speaker 6: Willam Woody generic you're not even saying, because.

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Speaker 1: Then it sounds fake. It needs ground.

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Speaker 3: I'd say it's Gary from Zack Anddom.

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Speaker 1: What's all for? Because then if she says yes, then.

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Speaker 2: Well then I say Zack and Dom. I used to

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Speaker 2: work for scond Tom I now worked for will and Woody.

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Speaker 1: That's in the.

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Speaker 6: Interviews for Gary from the BBC. If we could get

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Speaker 6: you on Radio one tomorrow. Yeah, sure, that sounds great.

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Speaker 6: Sorry about that, I said Radio one BBC.

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Speaker 1: I actually meant Woody for the driver. I can't lure

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Speaker 1: her in with something decent.

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Speaker 3: But my only problem, though, is if you say you're

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Speaker 3: Gary from William Woody and this phone call goes badly,

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Speaker 3: I still think she's got a bad taste in her

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Speaker 3: mouth on will and Woody.

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Speaker 2: I think you need to hide that, but I need Hi.

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Speaker 5: It's Gary from Kiss Afternoon Drive Show.

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Speaker 2: That's that's yeah. Don't say because once you once she

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Speaker 2: hears names, that's when it's worry.

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Speaker 3: I say kiss FM from Afternoons ship, I produced the

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Speaker 3: after drift.

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Speaker 5: Quickly she redirects you to her.

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Speaker 8: Email.

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Speaker 1: Yeah, and you think, is if again no offense to

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Speaker 1: the old chip for the mill here, But if I

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Speaker 1: say I'm a producer, it's going to be very swiftly handled.

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Speaker 1: I mean, you've had a lot more calls than me,

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Speaker 1: and this instance old. But I imagine the handball was

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Speaker 1: swift and fast.

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Speaker 5: It's swift and fast.

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Speaker 8: So I think your challenge is can you book Tina

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Speaker 8: Arena for Will and Woods as a producer.

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Speaker 1: But now I don't need to prove myself as a producer.

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Speaker 1: We all make a great producer. I don't need to

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Speaker 1: prove myself. No, no, no, no no no. I think

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Speaker 1: now that I know because I only get one chance

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Speaker 1: of this right now.

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Speaker 2: I know, same as the producers every time they call

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Speaker 2: the big dog.

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Speaker 1: Yeah, yeah, I get that they don't call big dogs

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Speaker 1: though they've all they've all all scurried away from this.

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Speaker 1: Now I think I need to call her as me

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Speaker 1: so that I can keep her on the phone. Got

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Speaker 1: enough clout, No, but I can think it's Will from

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Speaker 1: Will and Woody. Rob Mills gave me a number like

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Speaker 1: honestly's double.

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Speaker 2: Just hit her between you can't do that.

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Speaker 5: We would never book a guest and said, this person gave.

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Speaker 8: That that that's like, that's like deep, deep source work.

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Speaker 1: But it's a millsy Like if you guys, are you

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Speaker 1: know a chip for the mill, then millsy is the

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Speaker 1: oil that keeps the mill right.

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Speaker 2: Well did Darren Hayes though it was like you cold

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Speaker 2: call her? Good luck? He was like, she will not.

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Speaker 1: Do we need to come up with something for this,

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Speaker 1: do we need to? I think I think we need a.

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Speaker 3: Excuse me, what, no, no, But I think we need

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Speaker 3: a stage like a random I mean a stage of

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Speaker 3: random bumping.

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Speaker 1: I think we need an elaborate I think we need

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Speaker 1: a much more elaborate plan. I think what we found

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Speaker 1: out is after speaking to Darren, she's not going to

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Speaker 1: accept a.

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Speaker 2: Cold call and then it's over.

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Speaker 1: We need I think we need somebody else on side.

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Speaker 1: I reckon we need like Kylie Minogue. I think we

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Speaker 1: need somebody to call her.

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Speaker 2: You take Danny.

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Speaker 1: I'd take Danny of course, could send her a nice

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Speaker 1: Christmas gift.

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Speaker 2: We've only got any numbers.

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Speaker 1: He won't know where she lives. He's already regrettably given

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Speaker 1: me her number. I had to blackmail Millsy. You know this,

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Speaker 1: I think I think that we need to I think

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Speaker 1: we're gonna need another celebrity to tires in here. I

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Speaker 1: think we need another celebrity to call her. The fact

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Speaker 1: that Darren said that he's terrified.

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Speaker 2: Of her, he didn't say it was terrified.

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Speaker 1: I'm pretty sure he used those words.

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Speaker 2: Really, I wasn't listening to the grab before.

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Speaker 1: He said he was like, good luck. She's Tina Arena.

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Speaker 1: She's the best singer in the world. I wilt every

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Speaker 1: time she walks in a room.

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Speaker 2: I saw her perform recently before Billy Joel. She was very,

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Speaker 2: very good.

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Speaker 1: She's amazing.

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Speaker 2: She was amazing. Yep.

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Speaker 1: I think we need some more help. I think we

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Speaker 1: put this down in the kay. We can't if anyone

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Speaker 1: has any ideas. We've got the number, that's what that's all.

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Speaker 1: You know. We've got Tina Arena's number. How do we

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Speaker 1: make this work where we come off as good guys?

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Speaker 1: Can we save her somehow?

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Speaker 3: We might have Tina Arena's nephew or niece listening to

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Speaker 3: us right now, and if you are that person, let us.

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Speaker 2: Let us know where she lives.

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Speaker 3: No, Sorry, I think we're onto something there.

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Speaker 5: I think we need some bite.

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Speaker 1: We need we're talking about we need a lura and

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Speaker 1: we need some we need money.

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Speaker 2: Can we need money? Why we need money to pay her?

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Speaker 5: No, I'm just I'm just thinking. Do you know Arena

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Speaker 5: was massive in the UK? Right, chains was huge?

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Speaker 3: Yeah?

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Speaker 8: Maybe there's maybe we con a little regional radio host

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Speaker 8: in the UK to give her a call.

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Speaker 5: Sending sending someone smaller for now, but will.

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Speaker 2: They have enough clown to keep her on the phone.

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Speaker 2: A regional radio show from the UK.

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Speaker 8: Well, they're pretty big over it and they're not. It

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Speaker 8: doesn't mean regional like means here people per capital woulds gotcha?

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Speaker 2: Gotcha?

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Speaker 1: I actually spoke to the guy who does the Capital

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Speaker 1: f M radio show in London, Roman Camp, who's spand

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Speaker 1: our ballet guy's son. If I got Roman to call

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Speaker 1: it and be like hey, because they're probably buds, Yeah,

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Speaker 1: hey there's this show in Australia.

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Speaker 2: Yes, yes, I like it. You're still still text him.

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Speaker 1: Roman, we'll kick that. We might need another elaborate