1 00:00:00,360 --> 00:00:03,320 Speaker 1: Jonesy and Amanda's let's. 2 00:00:03,080 --> 00:00:05,800 Speaker 2: Talk about married at first sight last night. So Bryce 3 00:00:06,400 --> 00:00:09,000 Speaker 2: used to work on our Shope and I like Bryce. 4 00:00:09,119 --> 00:00:11,200 Speaker 2: He was in the studio for nine months. And you 5 00:00:11,320 --> 00:00:13,840 Speaker 2: really in this studio you get to know a person. 6 00:00:14,040 --> 00:00:16,200 Speaker 2: You can tell if they're a bit of a dh 7 00:00:16,360 --> 00:00:17,119 Speaker 2: in the first week. 8 00:00:17,680 --> 00:00:20,160 Speaker 3: Well, they're early hours. It's a stressful environment. If things 9 00:00:20,200 --> 00:00:21,279 Speaker 3: go wrong, blah blah. 10 00:00:21,079 --> 00:00:23,200 Speaker 2: Blah, and there's no time, there's no time for a 11 00:00:23,320 --> 00:00:26,040 Speaker 2: pleasant there's no time for pleasantries. And sometimes I can 12 00:00:26,079 --> 00:00:28,360 Speaker 2: be quite curt in the studio because it's. 13 00:00:28,240 --> 00:00:30,280 Speaker 3: The pies made me cry several times. 14 00:00:30,960 --> 00:00:31,600 Speaker 1: Why do you say that? 15 00:00:31,640 --> 00:00:35,280 Speaker 2: Because I sound like a tyrant. But you drive, you 16 00:00:35,320 --> 00:00:37,960 Speaker 2: know you'll cry at the drop of barometric pressure. 17 00:00:38,120 --> 00:00:39,040 Speaker 3: That's not true. 18 00:00:39,520 --> 00:00:41,080 Speaker 1: The pies are coming off the conveyor belt. 19 00:00:41,080 --> 00:00:43,160 Speaker 2: Our job is to put the pies into the box 20 00:00:43,320 --> 00:00:44,800 Speaker 2: and ship them off to the shop. 21 00:00:46,120 --> 00:00:50,160 Speaker 3: I wonder we're getting it wrong any never even seen 22 00:00:50,200 --> 00:00:51,040 Speaker 3: the conveyor belt. 23 00:00:51,240 --> 00:00:56,000 Speaker 2: So las Bryce is married to Melissa, and in the 24 00:00:56,040 --> 00:00:58,840 Speaker 2: past he's been well, he's been accused of being a 25 00:00:58,880 --> 00:01:03,760 Speaker 2: gas lighter. He's also led Melissa down on this very 26 00:01:03,880 --> 00:01:04,720 Speaker 2: merry trail. 27 00:01:05,000 --> 00:01:08,360 Speaker 3: He said to her, I wasn't attracted to you at 28 00:01:08,360 --> 00:01:09,480 Speaker 3: the beginning. You're not my type. 29 00:01:09,600 --> 00:01:09,759 Speaker 2: Yep. 30 00:01:10,240 --> 00:01:12,119 Speaker 3: I kind of like looking in your eyes, although they're 31 00:01:12,160 --> 00:01:16,199 Speaker 3: the wrong color. Yes, they're looking a brown one. 32 00:01:17,360 --> 00:01:19,039 Speaker 1: It didn't get any better last night. 33 00:01:19,520 --> 00:01:22,360 Speaker 4: I feel like I'm a couple of steps ahead of Bryce. 34 00:01:23,319 --> 00:01:26,399 Speaker 4: My feelings are growing, and I feel it Bryce is 35 00:01:27,240 --> 00:01:29,760 Speaker 4: falling a little bit behind. I don't want to get 36 00:01:29,800 --> 00:01:32,399 Speaker 4: to that point where you know, I'm starting to fall 37 00:01:32,440 --> 00:01:33,160 Speaker 4: in love with him and. 38 00:01:33,120 --> 00:01:37,240 Speaker 5: He's not there. Have you ever said it before to anybody? 39 00:01:37,880 --> 00:01:39,880 Speaker 1: I have once? How long ago? 40 00:01:40,520 --> 00:01:44,560 Speaker 5: Twelve years? What was the response? I think it was, 41 00:01:44,600 --> 00:01:48,840 Speaker 5: thank you? What's your greatest fear that it won't be reciprocated? 42 00:01:49,560 --> 00:01:52,400 Speaker 5: So are you falling in love with him? I think 43 00:01:52,400 --> 00:01:54,080 Speaker 5: I am? Yeah. 44 00:01:54,120 --> 00:01:55,320 Speaker 1: And what does Bryce say. 45 00:01:55,760 --> 00:01:58,120 Speaker 5: To hear that now she's falling in love with it? 46 00:01:58,440 --> 00:02:00,880 Speaker 3: He is a good feeling and I love with her 47 00:02:01,000 --> 00:02:03,440 Speaker 3: just yet, No, I'm not. 48 00:02:06,000 --> 00:02:06,080 Speaker 5: So. 49 00:02:07,280 --> 00:02:10,880 Speaker 1: I'm just hoping that something clicks with me going forward. 50 00:02:12,080 --> 00:02:13,079 Speaker 3: What's wrong with him? 51 00:02:13,120 --> 00:02:14,840 Speaker 1: And is there concern from Melissa? 52 00:02:15,320 --> 00:02:16,480 Speaker 5: How do you feel hearing that? 53 00:02:16,600 --> 00:02:17,000 Speaker 2: Melissa? 54 00:02:18,560 --> 00:02:22,880 Speaker 1: It's a little concerning a little So does she still 55 00:02:23,120 --> 00:02:25,920 Speaker 1: like why would she's a week after. 56 00:02:25,800 --> 00:02:28,320 Speaker 3: Week gets humiliated by him. 57 00:02:28,560 --> 00:02:31,040 Speaker 1: Yeah, so what happened? Well, so then he wrote. 58 00:02:30,919 --> 00:02:32,760 Speaker 3: You have to decide whether to stay. 59 00:02:33,280 --> 00:02:37,120 Speaker 2: She wrote stay, He wrote leave, then crossed out leave 60 00:02:37,240 --> 00:02:38,200 Speaker 2: and put stay. 61 00:02:39,120 --> 00:02:43,239 Speaker 1: I actually decided to leave, but then I've crossed it out. 62 00:02:44,520 --> 00:02:44,800 Speaker 2: Why. 63 00:02:45,440 --> 00:02:45,960 Speaker 1: I don't know. 64 00:02:46,520 --> 00:03:01,720 Speaker 5: I'm kind of sure. How do you feel? I I 65 00:03:01,720 --> 00:03:03,560 Speaker 5: I could listen to my listen grunt all morning? 66 00:03:04,480 --> 00:03:05,440 Speaker 3: So why did he do it? 67 00:03:05,520 --> 00:03:05,960 Speaker 1: I don't know. 68 00:03:06,000 --> 00:03:09,680 Speaker 2: And Patrick, this is Patrick the personal trainer that looks 69 00:03:09,720 --> 00:03:11,880 Speaker 2: like he doesn't do any personal training on himself, but 70 00:03:12,360 --> 00:03:14,840 Speaker 2: he's busy with his client and maybe he's busy getting 71 00:03:14,840 --> 00:03:16,280 Speaker 2: people to drop and give him twenty. 72 00:03:17,120 --> 00:03:18,880 Speaker 1: He actually questioned Bryce. 73 00:03:18,800 --> 00:03:19,840 Speaker 2: I don't understand. 74 00:03:20,360 --> 00:03:22,320 Speaker 5: Do you think Melissa was going to write leave this week? 75 00:03:23,840 --> 00:03:26,760 Speaker 4: So even if you wrote leave, if you're going to be. 76 00:03:26,720 --> 00:03:31,080 Speaker 5: In another week, correct what I'm gonna And the best 77 00:03:31,080 --> 00:03:33,000 Speaker 5: thing about the experiment is I don't have to explain 78 00:03:33,080 --> 00:03:35,000 Speaker 5: to Patrick. But where here's a grid. 79 00:03:35,560 --> 00:03:38,000 Speaker 3: I don't think Bryce knows what he's doing because at 80 00:03:38,040 --> 00:03:41,200 Speaker 3: some point you were saying that, like, was he thinking 81 00:03:41,200 --> 00:03:43,200 Speaker 3: I'll save her from this terrible with people and mean 82 00:03:43,280 --> 00:03:44,880 Speaker 3: to her? I mean, he's the one who's most mean. 83 00:03:45,360 --> 00:03:47,600 Speaker 3: But as they pointed out there she's if she wrote 84 00:03:47,600 --> 00:03:49,800 Speaker 3: today they are staying anyway, Did he just do it 85 00:03:49,840 --> 00:03:52,920 Speaker 3: for drama and can't actually explain why he did it? 86 00:03:53,560 --> 00:03:56,000 Speaker 2: Yeah, I'm starting to think that, Well, he worked here 87 00:03:56,480 --> 00:03:59,160 Speaker 2: and when people would come in, when we had the 88 00:03:59,160 --> 00:04:01,040 Speaker 2: married at first sight people coming in, I think it 89 00:04:01,080 --> 00:04:04,480 Speaker 2: was the era of what was that one cyclone? Paul 90 00:04:04,760 --> 00:04:08,200 Speaker 2: Sirah Currell and Nick they came in. I think he 91 00:04:08,280 --> 00:04:11,360 Speaker 2: saw how the whole thing worked, and now he's trying 92 00:04:11,360 --> 00:04:13,560 Speaker 2: to parlay this into some sort of career. 93 00:04:13,920 --> 00:04:14,800 Speaker 3: The career is what. 94 00:04:15,120 --> 00:04:17,760 Speaker 1: I don't know. That's I don't know what you're. 95 00:04:17,640 --> 00:04:20,080 Speaker 3: Going to do because he doesn't articulate what his emotions are, 96 00:04:20,120 --> 00:04:22,000 Speaker 3: so it's not like we're getting an insight into him 97 00:04:22,000 --> 00:04:24,400 Speaker 3: in anyway. He's looking like he's being hurtful and what 98 00:04:24,480 --> 00:04:25,039 Speaker 3: career is that? 99 00:04:25,200 --> 00:04:27,280 Speaker 1: But also he's a sports guy, so is he play 100 00:04:27,320 --> 00:04:30,200 Speaker 1: it like a sport? Is it like he's into a win? Yeah, 101 00:04:30,200 --> 00:04:33,120 Speaker 1: he's in it, but what's the prize? 102 00:04:34,480 --> 00:04:37,599 Speaker 2: I don't know. So he's still our boy Bryce. I 103 00:04:37,600 --> 00:04:41,400 Speaker 2: think he's probably more my boy Bryce sometimes dropped 104 00:04:42,160 --> 00:04:43,880 Speaker 1: Jonesy and Amanda's gamation