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Speaker 1: The tap of where Nightmare strikes again. Again, not going

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Speaker 1: to give anything away. Are you going to hear that

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Speaker 1: in the show? But I mean, harrowing story that was.

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Speaker 2: That was one of the ones that you want to forget,

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Speaker 2: you want to because it was so so scary.

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Speaker 3: Yes, nice, the tap of were nightmare?

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Speaker 2: Harrowing stuff.

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Speaker 1: It's an enemy absolutely not, well absolutely not, but sounds

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Speaker 1: like the tap of where Nightmare has struck a number

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Speaker 1: of times. But that's all we're going to say about it.

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Speaker 1: You're going to have to hear that in Household Mysteries.

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Speaker 1: We hear people's household mysteries totally wild stuff.

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Speaker 3: But again we're I'm going to go into it, so

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Speaker 3: we do.

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Speaker 2: We're taking more calls on household Household Mysteries because we're

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Speaker 2: after another cold case. Yes to crack.

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Speaker 3: Oh yeah, so DM if you've got a mystery.

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Speaker 2: But I think we've got on. I think we've found one.

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Speaker 3: Yeah, you know, I can't have too many. I love

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Speaker 3: this stuff.

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Speaker 1: I'd love to have a number of case files on

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Speaker 1: my desk at home, do you know what I mean?

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Speaker 1: And I can just sort of float between them like

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Speaker 1: Matthew Connor hate in Yeah, that's how I want to be.

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Speaker 1: I just want to have his apartment, ship everywhere, no.

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Speaker 2: Furniture, a few case files open.

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Speaker 1: And photos on walls. That's how it's ont of my

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Speaker 1: life to be.

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Speaker 2: You just have a coffee there and you just kind

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Speaker 2: of yeah, and then you have sex with your best

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Speaker 2: mate's wife in his kitchen.

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Speaker 1: Look at sim.

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Speaker 4: Kitchen.

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Speaker 2: Totally wild scene. The actress involved there, Woody Harrelson's wife

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Speaker 2: injective name. She's very good, really really good scene.

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Speaker 1: She's very good actress.

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Speaker 2: Yeah, I might rewatch that.

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Speaker 3: Worth rewatching handy now worth mentioning as well.

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Speaker 2: Not just that scene. By the way, so sick. Doesn't

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Speaker 2: sound like we were just talking about that scene now,

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Speaker 2: j he did a bit.

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Speaker 5: I mean I enjoyed it.

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Speaker 1: The actresses called Alexandre.

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Speaker 2: That No, that's a different one. That's favorite scene.

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Speaker 1: That's what he has an affair with Alexander do Doria.

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Speaker 2: Oh god. Michelle Monaghan.

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Speaker 1: Michelle Monighan is a brilliant actress. I forget what else

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Speaker 1: she's in, but she's she's one of those everywhere actresses.

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Speaker 1: She's been in a loft, but it's hard to pinpoint, yes,

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Speaker 1: what she's actually been in, but she's good.

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Speaker 2: Now, Alexandre d Doria is also in White Lotus.

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Speaker 1: Yes, I think she is. Yeah, but I think you're right.

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Speaker 1: And now we've got a new podcast which is going

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Speaker 1: to be in which is going to be in well

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Speaker 1: probably above this or a below this, which is good.

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Speaker 1: Stims bloody, it's a couple of DILF.

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Speaker 3: So I'm a future a future to be dilf.

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Speaker 1: You're a current deal.

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Speaker 2: The f part of the dial equation recently. But you know,

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Speaker 2: it doesn't imply that you're that people would like to

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Speaker 2: people would like to Yeah, yeah, that's great.

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Speaker 1: That's a great place to me. But yeah, we're just

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Speaker 1: talking about baby effectively sort of trying to sponge as

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Speaker 1: much information off you have. I used that word correctly.

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Speaker 3: Give it to me, mate, you bloody bar just give

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Speaker 3: it to me.

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Speaker 1: You should have gone bloody would what I'm there? Mate?

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Speaker 2: Oh no, what is it?

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Speaker 1: Siri?

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Speaker 6: Hey, sirih you bitch.

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Speaker 2: She's a sponged you. She's just sponged you from her

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Speaker 2: from her live.

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Speaker 1: Mething else to say.

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Speaker 2: I'm just trying to think about that. I was enjoying

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Speaker 2: watching the train Wreck, which was you in the last

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Speaker 2: little while. Yeah, dyl stilemma is very interesting chat with

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Speaker 2: Dr Love. Can I just say as well, shout out

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Speaker 2: from me today and you'rebviously going to hear this in

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Speaker 2: the show. A little bit later on, we had.

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Speaker 1: What I tried to remove completely as much information from

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Speaker 1: you as possible, perfect a sponge, remove completely as to

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Speaker 1: a sponge.

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Speaker 2: Yeah, yeah, you haven't used that correctly.

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Speaker 1: Yeah, I'm just because I'm trying to remove all of

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Speaker 1: your knowledge and get it into my brain, trying to

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Speaker 1: expunge the information.

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Speaker 2: Now you know you're not I am. That's the body

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Speaker 2: you're trying to. You're trying to absorb information and exponge

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Speaker 2: ex sponge ex sponge. Yeah. Right, So the sentence they

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Speaker 2: used so when I said before, Siri has exponged.

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Speaker 1: You perfect, Yeah, well Moe wasn't perfect, but it was

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Speaker 1: still like, oh, yeah, I can see what you're going for.

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Speaker 2: I think you said a sponge.

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Speaker 1: Yeah, yeah, I didn't think you picked up that. I

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Speaker 1: did say it wrong. I did say it wrong.

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Speaker 2: I quick shout out out to Cat who called the show.

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Speaker 2: You'll hear a call in the show. She was great.

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Speaker 2: She was really great, one of the great calls we've had.

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Speaker 1: So just note that, damn Cat.

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Speaker 2: When it horror, not when a cat calls, but a

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Speaker 2: woman called cat calls.

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Speaker 1: You've got to note that down.

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Speaker 2: Speaking of cats, actually, before we wrap.

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Speaker 1: This up, don't go to that fact.

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Speaker 2: Well, our audio producer Tim told us that if a

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Speaker 2: cat falls out of a seventh story building or higher,

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Speaker 2: it has a higher chance of survival than a cat

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Speaker 2: which falls out of a lower than seventh story.

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Speaker 1: Because, according to him, because it obviously gets to a

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Speaker 1: point where it's terminal velocity, but the higher up it goes.

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Speaker 2: Explaining to everyone terminal velocity for everyone who doesn't know

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Speaker 2: what that is is the peak speed that something can

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Speaker 2: fall at. So after a while, once you take into

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Speaker 2: account gravity and wind resistance, et cetera, you reach a

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Speaker 2: speed that you can't get any faster than when when

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Speaker 2: your fought. When it comes to things falling, and.

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Speaker 1: The idea is when the cat reaches that, it's better

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Speaker 1: if it reaches it with still more area to drop

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Speaker 1: or height to drop, because then it relaxes and figures

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Speaker 1: out how am I.

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Speaker 2: Going to play this? We don't know that that's what No,

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Speaker 2: Tim didn't know. Tim didn't say that poop that was

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Speaker 2: poop Pants's theory, but that they figure it out when

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Speaker 2: they get de terminal velocity. Yeah, yeah, so you and

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Speaker 2: I would like to road test this.

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Speaker 1: Don't put my name a big cat lover. I'm a

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Speaker 1: cat lover.

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Speaker 2: You put your cat for I did not.

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Speaker 1: I did not drink about that. I didn't know. I

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Speaker 1: didn't know.

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Speaker 2: I didn't You said my cat. He said we could

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Speaker 2: take Lenny up to the sky deck.

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Speaker 1: I didn't say Lenny. I said Benny, who is another cat?

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Speaker 1: I love my cat, and I would never make jokes

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Speaker 1: to that.

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Speaker 2: Survive, Yeah, because we know if it's more than seven stories,

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Speaker 2: he's got a very high chance of survival. It's like skydecks,

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Speaker 2: hundreds of flaws. Yeah, survived.

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Speaker 1: Tim didn't say high chance. He just said high your chance.

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Speaker 1: I think it's still a very good chance to die.

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Speaker 2: If you check with Tim, Tim, does the cat live?

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Speaker 2: He doesn't know. What does your fact say then that

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Speaker 2: there are a higher chance of living? And how do

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Speaker 2: you know this?

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Speaker 1: No one else can hear this back and forth?

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Speaker 2: Wa, No, he's coming in now.

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Speaker 5: So I don't know how I know it. It's just

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Speaker 5: it's almost guaranteed to be wrong. But the fact that

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Speaker 5: I knew it.

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Speaker 7: Was only it was that what's your theory as to

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Speaker 7: why it works.

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Speaker 2: Then more than seven stories.

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Speaker 5: I think I've had it explain to me that the

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Speaker 5: terminal philocity and they're able to rotate themselves in the air.

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Speaker 3: Oh, so how do they want to rotate themselves feet first.

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Speaker 2: So they can land first? Use this because they're quite light,

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Speaker 2: very light, so they use the natural suspension in their joints.

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Speaker 5: I should stress we should really not encourage anyone to

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Speaker 5: throw cats out of any height.

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Speaker 2: No, well, we don't need to. We don't need to

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Speaker 2: because we've got a perfect test subject in Woody's cat, Lenny,

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Speaker 2: who he suggested.

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Speaker 1: Would be a good one.

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Speaker 5: I'm also walking away from that experience as well. I

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Speaker 5: didn't suggest that that's a bad idea.

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Speaker 2: You'll be on audio for the day. We'll obviously have

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Speaker 2: a mic on Lenny.

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Speaker 1: We love Lenny, We love Lenny.

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Speaker 2: Lenny game. We go bro go brotrap to him, and

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Speaker 2: we'll need some sort of sensor to know when he

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Speaker 2: reaches terminal velocity. You know, when he's falling at one

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Speaker 2: hundred and fifty ks an hour, that'll probably be sperometer.

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Speaker 1: I've got a s speed goat on him.

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Speaker 3: You could put it on his wrist, but you know

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Speaker 3: we're not doing it.

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Speaker 1: I'm not entertaining this.

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Speaker 2: Because I obviously have to think about how we launched

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Speaker 2: him off the building as well, which would be the

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Speaker 2: story arc.

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Speaker 1: Yeah, well what.

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Speaker 2: Are you thinking?

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Speaker 1: I'm not thinking anything canon. No, not canon. I think

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Speaker 1: you'd have to delicately if you were to do it,

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Speaker 1: have to delicately put them over the edge, because to

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Speaker 1: give him the best chance to relax at terminal velocity,

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Speaker 1: if you cannon themnd, what the hell was that? Whereas

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Speaker 1: if you explained to him mate is anyway, we're not

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Speaker 1: doing it. You shouldn't be joking about it.

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Speaker 2: He might need a near piece of something so he

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Speaker 2: could talk to him on the way down.

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Speaker 1: He doesn't listen to me, So we.

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Speaker 2: Need to get Mimi involved, obviously unfortunately, and she's the

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Speaker 2: one we're hiding it from. But if Mim got involved,

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Speaker 2: then she listened to him. She put a near piece

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Speaker 2: in there. MIM's on the top deck. We'd have to

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Speaker 2: blindfold Mim though, because she could she could only find

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Speaker 2: out just as the experiment started, so she had to

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Speaker 2: get up there. Mim maybe think she's going on romantic

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Speaker 2: dinner with you. Whatever blindfold comes up we've got you

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Speaker 2: out on the top level. He's about to drop after

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Speaker 2: seven stories, you can talk to him. Ready, ready to go.

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Speaker 2: Women have seven stories, because after he falls seven stories,

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Speaker 2: then he's you know, no, I think you want.

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Speaker 1: To be changed to him. The whole time they're like, relax, relax, relaxed,

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Speaker 1: Try and relax, try and relax, you know what I mean.

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Speaker 2: But it takes him seven stories to stop rotating him whatever.

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Speaker 1: Oh yeah, yeah, yeah, but I think that could even

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Speaker 1: go down to five stories if Mims and going like Mim, sorry, Lenny,

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Speaker 1: everything's we're all under control here.

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Speaker 3: Let's get your palls forward, mate, get Could they go skydiving?

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Speaker 2: Yeah, that's a bad idea. You know, they're safe as

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Speaker 2: houses skydiving.

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Speaker 1: And then the two of them are together and she

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Speaker 1: can just sort.

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Speaker 2: Of you're getting Mimi is thirty eight? How many? He's

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Speaker 2: very pregnant?

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Speaker 1: Right, very pregnant. You're talking about throwing.

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Speaker 2: Cats off a Roof's a pregnant woman out of a plane.

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Speaker 2: Sick man, George. I knew you'd take it there. And

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Speaker 2: that's where that's where we're wrap it. That's where rap.

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Speaker 8: This is the Will and Woody podcast.

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Speaker 1: You and me new podcast. It's called this Tilemas Delf dilemmas.

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Speaker 1: You and me, no doubt were dilf's. I'm about to

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Speaker 1: be a dilf. You're already a dilf. So we're doing

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Speaker 1: a potty you just get it where you get your

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Speaker 1: Will and Woody podcast from where effectively, because you've had

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Speaker 1: ten weeks experience.

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Speaker 2: You come to me asking questions.

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Speaker 1: Yeah, there's just a few things that I'm overthinking. I'm

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Speaker 1: a bit of an overthinker, so I it's got a

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Speaker 1: whole bunch of questions that I fire at you and

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Speaker 1: we have a chat about it. So the first one

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Speaker 1: of those podcasts will be out tonight at some stage.

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Speaker 1: So just look up Will and Woody. But one of

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Speaker 1: the things that came up Will on the podcast that

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Speaker 1: we recorded yesterday was your very passionate opinion around how

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Speaker 1: to transport the baby.

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Speaker 2: This is purely onic total. This is just my experience

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Speaker 2: with SIM so far. Even though the pramers a closs

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Speaker 2: like they are. I was aggressive, There's no doubt about that.

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Speaker 1: Is the pramers that are listening there, they.

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Speaker 2: Are, they are.

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Speaker 1: You've had twenty four hours with it, so you're you're

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Speaker 1: doubling down here. You think that. So we're talking about

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Speaker 1: newborn babies here where you can obviously either choose to

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Speaker 1: have it in the strap on the sling or put

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Speaker 1: the baby in a pram.

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Speaker 2: You think, would you rather strap or stroll woods? That's

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Speaker 2: what it comes down to. I think the stramping, you know,

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Speaker 2: I think the stramp is among us. Well, it's it's

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Speaker 2: it's sort of unset. We don't need to say anything.

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Speaker 1: You look at it, obs it's so obvious that strappers.

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Speaker 2: Well, there's a camaraderie, there's a brotherhood.

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Speaker 1: Sure.

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Speaker 2: I think amongst the strappers, I think the strollers, I

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Speaker 2: pity them. Yeah, I think at the end of the day,

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Speaker 2: I feel sorry for them. And I think I think

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Speaker 2: if you, if you think about the times that you've

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Speaker 2: seen a guy, a dad with a pram, you pity

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Speaker 2: them too, just just like honestly think about it. You're

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Speaker 2: having your you're having your coffee. It's cold outside, it's blustery.

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Speaker 2: A guy rocks up with his pram. He doesn't know

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Speaker 2: what he's doing. His new dad struggles to get the

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Speaker 2: door open.

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Speaker 1: They do.

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Speaker 2: He's struggling with the door. It's awkward with the pram

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Speaker 2: as well.

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Speaker 1: Someone needs to help carry the pram out.

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Speaker 2: The baby's baby's screaming, he's got to crane his neck

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Speaker 2: or goodly, well, what's the baby first of all doing?

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Speaker 2: Can I get the dummy in there? And they go,

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Speaker 2: what do you want? Made's like, can I get a table?

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Speaker 2: Where am I going to put the pram?

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Speaker 1: It's a nightmare, impractical. I agree with he's a nightmare.

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Speaker 1: I don't think their dogs.

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Speaker 2: He's a loser because let me just flip it on

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Speaker 2: you for a second. Here, all right, you're at the

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Speaker 2: same cafe. Guy with a sling walks in. I mean

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Speaker 2: he can eat dished out of high five, he's got

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Speaker 2: both hands accessible, babies crying, whack it on the ars

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Speaker 2: a couple.

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Speaker 1: Of times, or you do that sometimes some dads do that. Bob,

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Speaker 1: just bo bob.

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Speaker 2: Keep the music coming from a George. You bop him.

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Speaker 2: You're bopping geesel oh the coffee. My hands are even

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Speaker 2: free to sign an autography. I'm a hot dad. All

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Speaker 2: of a sudden, it covers the gut as well.

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Speaker 1: Sling, which yeah, sure, I mean you know I could

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Speaker 1: go rock climbing with a baby.

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Speaker 2: Might be too far, That might have been too far,

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Speaker 2: but you know, I could I could do practically, I'm ready.

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Speaker 1: You can hold bags, I could get on the tools.

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Speaker 1: You could play cards, you could get on the tools.

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Speaker 1: You could do a bit of hammering of nails. Look,

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Speaker 1: thank you, Will is obviously very passionately one way. I'm

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Speaker 1: I'm still look I'm closer towards the sling obviously, the

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Speaker 1: strap obviously, because you are in my ear constantly. I

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Speaker 1: really need to hear a defense for the strollers out there.

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Speaker 2: It's a universal truth.

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Speaker 1: Thirteen one oh sixty five is our number where we're

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Speaker 1: going strappers or strollers, and we're just talking about dads here.

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Speaker 1: So between the dads who decide to strap on the

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Speaker 1: baby and the dads who decided to put the baby

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Speaker 1: in the pram, what is sexier? Okay?

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Speaker 2: So if you idea the women's that's all we're doing

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Speaker 2: it for.

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Speaker 1: What that's all you're doing it for? Just the ladies? Okay,

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Speaker 1: So all your practicality arguments were just null and voice.

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Speaker 1: You just do it because you think you look hod nice.

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Speaker 1: Thanks for spending three minutes talking about her.

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Speaker 2: Talking slings or strollers here Woods, what's sexier? Thirteen one

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Speaker 2: oh six five, Late Ma, I'd love to see a stroller,

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Speaker 2: try and lay a claim here. You talks wow.

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Speaker 1: Seriously, yeah, passionately one way. I really want to hear

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Speaker 1: a fight from the strollers here.

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Speaker 2: Let me let me there's two people we know that

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Speaker 2: a fan of the stroller that's not name names Tom

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Speaker 2: Bear legend, but talk where in the suburbs in the winter.

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Speaker 1: He loves that.

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Speaker 2: Yeah, And our new boss Ab loves the stroller.

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Speaker 1: See you passionately, he's a passionate stroller.

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Speaker 3: I haven't been out with him with his child.

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Speaker 2: But you said to me in the meeting room, absolute talk.

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Speaker 1: If he's listening, I didn't say that, but I'd say

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Speaker 1: if you leaned one way, it's probably towards talk. Anyway,

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Speaker 1: we do well before we go to the calls here.

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Speaker 1: We do have a new podcast called Dilve's Dilemmas. We

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Speaker 1: are the Dilves there. I'm about to have a baby.

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Speaker 1: You've had a baby for ten weeks, so we just

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Speaker 1: sort of shoot the breeze about baby things. And last

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Speaker 1: night again you're showing your passion again here, but you're

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Speaker 1: even more aggressive on our first podcast recording. This is

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Speaker 1: purely on total.

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Speaker 2: This is just my experience with sim so far. Even

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Speaker 2: though the pramers like they are. There's no doubt about that.

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Speaker 1: He's the pramers that are listening. There they are, they are,

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Speaker 1: So that podcast will come out tonight. So just look

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Speaker 1: up Willim Woody where you get your podcast from if.

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Speaker 2: You want to see a hot dad with a stroller

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Speaker 2: with a strap on by the way, Instagram, will and Woody,

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Speaker 2: careful with your words.

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Speaker 1: Let's go to and here thirteen one oh sixty five,

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Speaker 1: and we're asking the question strappers the strollers. So we're

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Speaker 1: talking dads when they're doing that, what's sexier? What's better?

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Speaker 9: Oh?

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Speaker 10: The stroller all the way?

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Speaker 8: Why why you've got the toys to keep the babies quiet?

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Speaker 10: Or if they need to be changed?

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Speaker 8: What are you going on your shoulder when you go places?

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Speaker 1: That's the storage on the prems.

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Speaker 2: That's a practical argument.

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Speaker 1: But yeah, it's it's a good argument. It's a good argument.

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Speaker 2: Because we're talking like sexy vibe right talking, we're still

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Speaker 2: talking sexy vibe.

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Speaker 1: I think we live in a world where practical is sexy.

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Speaker 2: No, that's a good point where okay, sure, so like

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Speaker 2: if you're your dad, you've got your stroller, you put

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Speaker 2: your toys in the bottom and you've got to bend

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Speaker 2: down there and unzipped the little carry thing and then

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Speaker 2: you know, figure out it's you know, but where are

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Speaker 2: you putting your toys when I've got the baby strapped

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Speaker 2: on the front, backpack, baby duel will all of a sudden,

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Speaker 2: James Bond got my nappies in the back, baby on

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Speaker 2: the front. Ye catch me see if you can? And

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Speaker 2: I can still get on the tools.

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Speaker 1: We've covered that you can get on the tools you.

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Speaker 2: Never get on the climber ladder. Let's go to I

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Speaker 2: can still do your worry.

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Speaker 1: We've got we've got another stroller here with dad.

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Speaker 3: Why do you choose to stroll over strapped, Jaden?

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Speaker 11: My ball was all for the strap up until my

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Speaker 11: youngest had a nappy explosion while strapped.

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Speaker 1: To me, they can pooh on your world. Here we

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Speaker 1: go watch it because there's nothing more unsexy. I would

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Speaker 1: imagine get a dad walking around with a Pooh explosion

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Speaker 1: on him.

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Speaker 2: Uh no, no, no, that's fair enough. I'm willing standing

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Speaker 2: down there because the other thing, the other thing that

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Speaker 2: you get there, Jayden, is also you know when they vomit,

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Speaker 2: I mean it's straight on you because their faces is India.

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Speaker 2: So they just vomit on you. So this is But

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Speaker 2: but what's what's sexy? It woods a clean guy or

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Speaker 2: a guy covered in vomiting? Ship Am I right? I'm

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Speaker 2: probably a clean guy again, Probably there's something manly about it.

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Speaker 2: You know, my baby shot on me again.

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Speaker 1: I guess you do get like that. I guess if

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Speaker 1: I see you, I say, you're a real warrior.

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Speaker 2: Yeah, that's what's My baby just threw up on me.

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Speaker 2: I didn't even notice.

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Speaker 1: You might also have a cool level of I don't care.

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Speaker 1: I don't care that I'm covered in pooh and that's

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Speaker 1: and that's hot.

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Speaker 2: That's it from what I understand. You know what's funny?

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Speaker 2: And I mean, Jayden, I mean it's it's it's a

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Speaker 2: it's a shame that you're that you're soft as you are.

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Speaker 2: But the newborns, the baby's the poo doesn't.

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Speaker 12: Smell, yeah, Jaden, it doesn't smell.

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Speaker 1: Yes, I can't.

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Speaker 2: It's another nice poo.

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Speaker 1: I'm coming from no place to make an assertion like that,

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Speaker 1: But I just can't see.

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Speaker 2: Alex, Alex, what do you reckon?

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Speaker 13: Lads?

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Speaker 2: How are we a are you a strapper? Astrollerl Well?

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Speaker 11: See I'm not.

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Speaker 7: I'm a straight man aspiring Dilf to be one day.

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Speaker 7: So okay my opinion. So I do a bit of

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Speaker 7: running around town the strollers that doesn't run with the strollers. Yeah,

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Speaker 7: that's hot.

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Speaker 1: Yeah, I agree with that. I wanted to get a

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Speaker 1: jogging prem My fiance MIM didn't allow it because I

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Speaker 1: was full on mountain bike wheels on it.

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Speaker 14: Yeah.

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Speaker 1: Yeah, very expensive. That's hot, Will, Yeah, I got one

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Speaker 1: of them, do you really?

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Speaker 2: Yeah, I've got one to it. Yeah, but it's just

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Speaker 2: a power player. I just keep it tucked up in

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Speaker 2: the shed because I don't buddy need it, mate, because

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Speaker 2: I've got the buddy strap on it just gathering us.

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Speaker 1: Can you jog with a strapper on?

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Speaker 2: Now? You can't. You can't jog. You can't run with

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Speaker 2: a baby's trap to You don't even this discussion and

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Speaker 2: we talk about a little bit more on the podcast

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Speaker 2: as well, Dilftelemma's Will and Woody where you get your podcasts.

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Speaker 2: We also end up in the area of has anybody

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Speaker 2: ever confused one strap on for another? Did that make

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Speaker 2: the cut? Analyse it? Did?

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Speaker 1: Wow?

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Speaker 2: Wow? Poop Pants is livid.

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Speaker 1: Must have all got through all got through the Will

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Speaker 1: and Woody podcast.

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Speaker 2: Good a question thirty one oh six five, feel free

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Speaker 2: to join the conversation. How much should you talk about

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Speaker 2: what you're doing in the bedroom before you do it

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Speaker 2: in the bedroom? Soon as your question, does the discussion

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Speaker 2: beforehand ruin the spontaneity of it?

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Speaker 1: And so I we're not talking consent because consent is

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Speaker 1: one hundred percent all the time necessary. We're more talking

439
00:20:47,080 --> 00:20:50,719
Speaker 1: about should you chat about the specifics yes, of what

440
00:20:50,760 --> 00:20:51,199
Speaker 1: you want to do?

441
00:20:51,280 --> 00:20:54,240
Speaker 2: Consent should be the first question. Yeah, of many oh.

442
00:20:54,119 --> 00:20:56,200
Speaker 1: No, yeah, and consent with this is there's no debate

443
00:20:56,240 --> 00:20:58,560
Speaker 1: over consent. Consent that's going on.

444
00:20:58,640 --> 00:21:01,960
Speaker 2: Yes, But then after that does the discussion around what

445
00:21:02,000 --> 00:21:04,840
Speaker 2: you're doing or what you're going to ruin it? That's

446
00:21:04,840 --> 00:21:07,320
Speaker 2: the question. And interestingly, the reason I'm asking it is

447
00:21:07,720 --> 00:21:11,720
Speaker 2: not from some weird article on Dolly Doctor. It's actually

448
00:21:11,960 --> 00:21:17,159
Speaker 2: an article from Sean Bean, who did an interview with

449
00:21:17,240 --> 00:21:20,640
Speaker 2: The Times UK recently. Now Sean Ben, if you don't

450
00:21:20,640 --> 00:21:23,520
Speaker 2: know who he is, he's a sort of good looking,

451
00:21:23,680 --> 00:21:28,760
Speaker 2: middle aged, weathered style actor. He tends to play the villain,

452
00:21:28,840 --> 00:21:31,920
Speaker 2: tends to die a lot. To jog your memory, hears

453
00:21:32,000 --> 00:21:37,720
Speaker 2: him playing Alec Trevillian in GoldenEye dying, and hears him

454
00:21:37,720 --> 00:21:43,440
Speaker 2: in Lord of the Rings dying and that he dies

455
00:21:43,480 --> 00:21:45,080
Speaker 2: as Bori mir and Lord of the Rings gets shot

456
00:21:45,119 --> 00:21:47,080
Speaker 2: by arrows and then hears him dying in Game of

457
00:21:47,119 --> 00:21:47,760
Speaker 2: Thrones as well.

458
00:21:49,200 --> 00:21:49,360
Speaker 11: Star.

459
00:21:50,400 --> 00:21:52,480
Speaker 2: Yeah, so he dies a lot. We all know who

460
00:21:52,480 --> 00:21:55,760
Speaker 2: he is, right, Sorry. So Sean Bean has done an

461
00:21:55,760 --> 00:22:00,879
Speaker 2: interview with The Times UK about the intimacy coordinators that

462
00:22:00,920 --> 00:22:02,640
Speaker 2: they have on set. So these are the people that

463
00:22:03,320 --> 00:22:08,080
Speaker 2: help to facilitate the sex scenes. Yeah, people do, and.

464
00:22:08,040 --> 00:22:10,040
Speaker 1: They turn it into for one of a better word

465
00:22:10,040 --> 00:22:13,040
Speaker 1: to dance like there there there are steps to a choreography.

466
00:22:13,119 --> 00:22:15,560
Speaker 3: Yeah, there isn't a move that's made.

467
00:22:15,440 --> 00:22:18,000
Speaker 1: That is out of the choreography. Yes, and this is

468
00:22:18,000 --> 00:22:20,560
Speaker 1: to protect actors within sex scenes.

469
00:22:20,800 --> 00:22:23,359
Speaker 2: Yeah, that's right. So it's a yeah. I think part

470
00:22:23,400 --> 00:22:25,919
Speaker 2: of the role is the is the protection part of it.

471
00:22:25,960 --> 00:22:27,560
Speaker 2: The other part of it is obviously to make it

472
00:22:27,600 --> 00:22:31,480
Speaker 2: either more realistic or more and he he said, and

473
00:22:32,040 --> 00:22:35,919
Speaker 2: he said it spoiled the spontaneity of the sex scene.

474
00:22:36,040 --> 00:22:38,000
Speaker 2: And he and I'll quote him, he said, I think

475
00:22:38,040 --> 00:22:41,080
Speaker 2: the natural way lovers behave would be ruined by someone

476
00:22:41,160 --> 00:22:44,720
Speaker 2: bringing it right down to a technical exercise with a.

477
00:22:44,640 --> 00:22:48,280
Speaker 1: Movie being Yeah, you know, yeah.

478
00:22:47,880 --> 00:22:50,719
Speaker 2: It's interesting. It's also interesting. I mean it's funny. Like

479
00:22:50,920 --> 00:22:53,320
Speaker 2: all the movies that I just mentioned there, he plays

480
00:22:53,320 --> 00:22:56,720
Speaker 2: an alpha male who if he was going to be

481
00:22:56,800 --> 00:22:59,199
Speaker 2: in a sex scene, like he's playing it in a

482
00:22:59,200 --> 00:23:01,320
Speaker 2: lot of the time meta evil alpha male.

483
00:23:02,880 --> 00:23:03,200
Speaker 1: I don't know.

484
00:23:03,240 --> 00:23:04,760
Speaker 2: I think it's a very easy thing for a guy

485
00:23:04,840 --> 00:23:07,639
Speaker 2: to say in that scenario with a very dominant figure,

486
00:23:08,040 --> 00:23:10,399
Speaker 2: And it irks me a little bit that he's calling

487
00:23:10,440 --> 00:23:14,000
Speaker 2: for more spontaneity in those moments, in those.

488
00:23:13,880 --> 00:23:15,040
Speaker 1: Scenes, because its right off.

489
00:23:15,280 --> 00:23:17,960
Speaker 2: When we had ang Gary Rice in the studio, the

490
00:23:17,960 --> 00:23:23,000
Speaker 2: Australian actress who did Mayor of Eastown with Kate Winslet,

491
00:23:23,200 --> 00:23:24,920
Speaker 2: she that was one of the first times they'd used

492
00:23:24,920 --> 00:23:27,479
Speaker 2: in the intimacy coordinated in Hollywood. She was saying how

493
00:23:27,800 --> 00:23:28,879
Speaker 2: much sake for she felt?

494
00:23:28,960 --> 00:23:32,320
Speaker 1: Yeah, yeah, totally. Bean has no perspective on being the

495
00:23:34,040 --> 00:23:35,639
Speaker 1: I don't know what to call it here, but someone

496
00:23:35,640 --> 00:23:39,480
Speaker 1: who would feel pressured into doing things.

497
00:23:40,040 --> 00:23:42,159
Speaker 2: Think about a medieval woman, I mean, what sort of

498
00:23:42,440 --> 00:23:45,640
Speaker 2: she's not having a transparent discussion beforehand about what sort

499
00:23:45,640 --> 00:23:49,360
Speaker 2: of sex they're having. Yeah, yeah, yeah, So I don't know, Yeah,

500
00:23:49,400 --> 00:23:51,600
Speaker 2: it's you and I very much aligned on this point.

501
00:23:51,800 --> 00:23:53,480
Speaker 2: It's a bit wild for him to be saying that,

502
00:23:53,680 --> 00:23:57,200
Speaker 2: given the roles that he normally plays. But beyond that,

503
00:23:57,320 --> 00:23:59,920
Speaker 2: beyond the Hollywood world, do you what do you th

504
00:24:00,119 --> 00:24:02,080
Speaker 2: would because I know we've spoken about this off him

505
00:24:02,359 --> 00:24:04,720
Speaker 2: when you were single. I know you sort of this

506
00:24:04,760 --> 00:24:06,440
Speaker 2: is a while ago, you sort of in that patch

507
00:24:06,480 --> 00:24:09,040
Speaker 2: where you were finding that you were, you know, hooking

508
00:24:09,119 --> 00:24:11,720
Speaker 2: up with pe. We didn't know them well, you know, i'd.

509
00:24:11,640 --> 00:24:14,639
Speaker 1: Get to know beforehand over a number of dates a

510
00:24:14,640 --> 00:24:17,840
Speaker 1: few months before even even pondering the thought of taking

511
00:24:17,840 --> 00:24:22,280
Speaker 1: it physical. But go on with your line of questioning,

512
00:24:23,320 --> 00:24:26,240
Speaker 1: you wouldn't even know that, you wouldn't even get a

513
00:24:26,359 --> 00:24:29,119
Speaker 1: name jumping on the good foot and doing.

514
00:24:29,000 --> 00:24:35,840
Speaker 6: The bad thing, outrageous assertion leading the witness your honor.

515
00:24:36,480 --> 00:24:39,120
Speaker 2: But we've had to skip the discussion about it where

516
00:24:39,280 --> 00:24:41,080
Speaker 2: you Okay, so you might know them a little bit,

517
00:24:41,680 --> 00:24:45,920
Speaker 2: But the importance of talking to them beforehand about what

518
00:24:46,240 --> 00:24:49,440
Speaker 2: was what you were both agreeing to. Yes, you both

519
00:24:49,440 --> 00:24:51,520
Speaker 2: agreed to sleep with each other, but what are the

520
00:24:51,600 --> 00:24:54,479
Speaker 2: various different steps in that is important? Interesting?

521
00:24:54,640 --> 00:24:57,080
Speaker 1: Interestingly, I got told and I think this is not

522
00:24:57,119 --> 00:24:59,120
Speaker 1: to bring back bean because we're talking about something different now,

523
00:24:59,160 --> 00:25:02,520
Speaker 1: but interesting. I was told by someone that it was

524
00:25:02,560 --> 00:25:05,479
Speaker 1: a bit of a turn off that I that I

525
00:25:05,680 --> 00:25:08,960
Speaker 1: was before doing anything, was saying are you okay with that?

526
00:25:09,000 --> 00:25:10,800
Speaker 1: Are you're okay with that? You're okay with that? And

527
00:25:10,920 --> 00:25:13,600
Speaker 1: I think to some people it was just like, we're

528
00:25:13,600 --> 00:25:15,760
Speaker 1: good to go here, let's just do what you want,

529
00:25:15,840 --> 00:25:17,560
Speaker 1: know what I mean? But I was so conscious and

530
00:25:17,560 --> 00:25:19,720
Speaker 1: that was again more of a consensual thing because it

531
00:25:19,760 --> 00:25:21,560
Speaker 1: was with someone that you didn't.

532
00:25:21,359 --> 00:25:23,120
Speaker 2: Know that well. I mean, sure you'd had you know,

533
00:25:23,280 --> 00:25:26,200
Speaker 2: three or four days many dates, parents were exactly.

534
00:25:26,200 --> 00:25:28,440
Speaker 1: But I think it's a different conversation to go, say,

535
00:25:28,560 --> 00:25:32,440
Speaker 1: with your with your partner and be asking having.

536
00:25:32,200 --> 00:25:34,880
Speaker 2: A conversation just go yeah, what are we doing?

537
00:25:35,240 --> 00:25:35,440
Speaker 11: Right?

538
00:25:35,520 --> 00:25:35,680
Speaker 2: Yeah?

539
00:25:35,720 --> 00:25:35,920
Speaker 4: Yeah.

540
00:25:35,920 --> 00:25:37,840
Speaker 1: But I'm not even sure if couples do that, Like,

541
00:25:37,880 --> 00:25:38,320
Speaker 1: I don't know.

542
00:25:38,280 --> 00:25:40,840
Speaker 2: If I like, it's such a healthy conversation to have, definitely,

543
00:25:40,880 --> 00:25:44,320
Speaker 2: And the big question for me is is the awkward conversation?

544
00:25:45,680 --> 00:25:50,640
Speaker 2: I mean, do you necessarily have to lose spontaneity and

545
00:25:52,680 --> 00:25:55,960
Speaker 2: intimacy because you're having that conversation.

546
00:25:56,359 --> 00:25:59,160
Speaker 3: Yeah, it's a good question, like is it.

547
00:25:58,480 --> 00:26:00,840
Speaker 2: Does having an awkward conversation and mean that you lose

548
00:26:00,880 --> 00:26:03,200
Speaker 2: all that I don't know, as we were talking about

549
00:26:03,200 --> 00:26:05,480
Speaker 2: in the meeting room for the show, and we're going

550
00:26:05,560 --> 00:26:11,040
Speaker 2: to speak to doctor Love after this sounds sounds legit.

551
00:26:12,080 --> 00:26:14,720
Speaker 2: She's apparently a sex ologist, so why don't we go

552
00:26:14,800 --> 00:26:15,960
Speaker 2: to a song we can talk to her about it?

553
00:26:15,960 --> 00:26:17,760
Speaker 2: Because I also because I know in the gay scene,

554
00:26:17,800 --> 00:26:21,919
Speaker 2: for example, consense the first question. There's like ten questions after.

555
00:26:21,680 --> 00:26:24,280
Speaker 15: That about how you like to do Yeah, where do

556
00:26:24,320 --> 00:26:28,320
Speaker 15: you because there's only various ways you can incarnations and anyway.

557
00:26:28,359 --> 00:26:31,320
Speaker 15: We'll get the sex ologist sut up next because I

558
00:26:31,359 --> 00:26:32,359
Speaker 15: can't say a lot of things right now.

559
00:26:33,119 --> 00:26:35,920
Speaker 2: How much should you talk about what you're doing before

560
00:26:35,960 --> 00:26:39,920
Speaker 2: you do it in the bedroom? Does the discussion about

561
00:26:39,920 --> 00:26:42,080
Speaker 2: the specificity actually ruin the fun of it or the

562
00:26:42,080 --> 00:26:44,240
Speaker 2: spontaneity of it? We are going to cross the Doctor Love,

563
00:26:45,040 --> 00:26:48,919
Speaker 2: Australia's leading relationship expert and sex sologists, very very shortly.

564
00:26:49,240 --> 00:26:51,720
Speaker 2: But Kat has a called Cat. Kat has a call.

565
00:26:52,080 --> 00:26:53,280
Speaker 2: She has a cold. I'm not sure if youve got

566
00:26:53,280 --> 00:26:55,480
Speaker 2: a call, but you call Cat, what do you reckon?

567
00:26:56,359 --> 00:26:59,520
Speaker 10: Hey, guys, I am so glad that you're raising this

568
00:26:59,600 --> 00:27:01,959
Speaker 10: and actually are discussing it. Because consent culture is a

569
00:27:01,960 --> 00:27:05,600
Speaker 10: big thing that needs to be more or more aware

570
00:27:05,640 --> 00:27:10,679
Speaker 10: in the world. Think, oh my gosh, communication and negotiation

571
00:27:11,000 --> 00:27:15,199
Speaker 10: can be such a sexy thing, like it's part of

572
00:27:15,320 --> 00:27:17,120
Speaker 10: it's part of four play. It's not just a matter

573
00:27:17,200 --> 00:27:20,480
Speaker 10: of you know, sitting there with your partner and saying, so,

574
00:27:20,560 --> 00:27:21,879
Speaker 10: we're going to do this and this and this and

575
00:27:21,960 --> 00:27:23,960
Speaker 10: less of a bunch of things like included in text

576
00:27:24,000 --> 00:27:26,719
Speaker 10: messages throughout the day and quit it through whatever you're

577
00:27:26,720 --> 00:27:28,919
Speaker 10: wanting to do and just going so tonight it's going

578
00:27:29,000 --> 00:27:31,280
Speaker 10: to be this is what we're going to do and

579
00:27:32,000 --> 00:27:34,560
Speaker 10: talking about it as you're actually doing things. And I'm

580
00:27:34,640 --> 00:27:36,200
Speaker 10: going to do this to your next I'm not going

581
00:27:36,240 --> 00:27:40,640
Speaker 10: into details because you know there's kids in car. Yeah exactly,

582
00:27:41,760 --> 00:27:45,919
Speaker 10: but absolutely just don't be afraid to communicate with is

583
00:27:45,960 --> 00:27:47,719
Speaker 10: that you need and you want, because it's only going

584
00:27:47,760 --> 00:27:50,840
Speaker 10: to build on the relationship and the connection you're having

585
00:27:50,840 --> 00:27:55,240
Speaker 10: with people, and it can just be such an amazing

586
00:27:55,280 --> 00:27:56,879
Speaker 10: thing to add to what you're doing.

587
00:27:57,080 --> 00:27:59,840
Speaker 2: Well said a really great So you're saying I should

588
00:28:00,040 --> 00:28:02,159
Speaker 2: and the slide show I had prepared for tonight.

589
00:28:03,640 --> 00:28:07,760
Speaker 10: If your if your spouse is into administration.

590
00:28:07,200 --> 00:28:17,160
Speaker 2: And they enjoy it on. So this is you all right,

591
00:28:17,560 --> 00:28:22,240
Speaker 2: We've got Doctor Love, Australia's leading relationship experts joined us.

592
00:28:22,280 --> 00:28:24,600
Speaker 14: Hello, doctor Love, good afternoon.

593
00:28:25,359 --> 00:28:27,439
Speaker 2: What do you reckon about this? So Sean been the

594
00:28:27,440 --> 00:28:29,239
Speaker 2: reason we're talking about it if you're just joining us.

595
00:28:29,240 --> 00:28:32,840
Speaker 2: He's saying he wants the end of intimacy coordinators, which

596
00:28:32,880 --> 00:28:35,760
Speaker 2: is obviously a very It's something that on the actors

597
00:28:35,800 --> 00:28:38,719
Speaker 2: experience it helps them through their sex scenes, but it

598
00:28:38,760 --> 00:28:44,960
Speaker 2: has opened this conversation around. He's saying, silent, spontaneity, feeling

599
00:28:45,000 --> 00:28:48,280
Speaker 2: your way, intuiting, your way through being with someone is

600
00:28:48,360 --> 00:28:51,320
Speaker 2: the way that it should be, and that speaking about

601
00:28:51,360 --> 00:28:54,080
Speaker 2: things candidly sort of makes it a technical exercise. We've

602
00:28:54,120 --> 00:28:56,680
Speaker 2: just heard from Cat who I think made a wonderful

603
00:28:56,680 --> 00:29:00,440
Speaker 2: point that it doesn't sure technically technical might be the

604
00:29:00,440 --> 00:29:03,440
Speaker 2: payoff of it, but the actual act of talking about

605
00:29:03,480 --> 00:29:05,880
Speaker 2: it can be quite sexy in itself. What do you

606
00:29:05,920 --> 00:29:06,440
Speaker 2: think about that?

607
00:29:07,200 --> 00:29:10,800
Speaker 8: Look, I think it's definitely definitely the act that you

608
00:29:10,800 --> 00:29:13,920
Speaker 8: could definitely talk about it. It's the delivery, right, It's

609
00:29:13,960 --> 00:29:16,320
Speaker 8: the way you speak about it. And so if it

610
00:29:16,360 --> 00:29:18,480
Speaker 8: becomes like a checklist, have you done this done this?

611
00:29:18,560 --> 00:29:22,280
Speaker 8: South is it's not very romantic and you know, takes

612
00:29:22,280 --> 00:29:25,040
Speaker 8: the spark out of it. You can definitely have the conversation.

613
00:29:25,120 --> 00:29:27,440
Speaker 8: I heard Kat saying that communication is key, and that's

614
00:29:27,440 --> 00:29:31,840
Speaker 8: exactly what I have to agree. You can't set your

615
00:29:31,840 --> 00:29:34,880
Speaker 8: partner up for failure. But because you will do that

616
00:29:34,960 --> 00:29:36,959
Speaker 8: if you're not actually letting them know what it is

617
00:29:36,960 --> 00:29:39,360
Speaker 8: you like and don't like. Yeah, but they can't just

618
00:29:39,440 --> 00:29:40,160
Speaker 8: breed your mind.

619
00:29:40,720 --> 00:29:42,280
Speaker 1: Yeah that's right, No, very true.

620
00:29:42,320 --> 00:29:42,360
Speaker 13: That.

621
00:29:43,840 --> 00:29:55,640
Speaker 1: So comm's pre and post is probably.

622
00:29:53,320 --> 00:29:55,600
Speaker 8: You want to be navigating, you know, your way through

623
00:29:55,640 --> 00:29:58,320
Speaker 8: it as well. Right, they've got a rob handplacement. You

624
00:29:58,360 --> 00:29:59,760
Speaker 8: want to just help them through that, right.

625
00:30:00,080 --> 00:30:00,280
Speaker 1: Yeah.

626
00:30:00,280 --> 00:30:02,600
Speaker 2: It is an intimidating thing to do though, Can I

627
00:30:02,680 --> 00:30:05,000
Speaker 2: just say, like, I think it is a really really

628
00:30:05,000 --> 00:30:07,040
Speaker 2: hard thing to do, particularly with someone that you've just

629
00:30:07,200 --> 00:30:10,120
Speaker 2: you're first with. Yeah, let's be honest, Like, that's a

630
00:30:10,160 --> 00:30:11,880
Speaker 2: scary conversation.

631
00:30:11,600 --> 00:30:14,040
Speaker 1: Especially if what you want, if you're a bit ashamed

632
00:30:14,040 --> 00:30:16,880
Speaker 1: of what you want, how do you navigate that? Doctor? Loeuv,

633
00:30:17,080 --> 00:30:19,440
Speaker 1: If there's something that you want which you're going, oh,

634
00:30:19,480 --> 00:30:22,480
Speaker 1: I just don't know how they're going to receive this request.

635
00:30:23,560 --> 00:30:25,160
Speaker 1: Is there an appropriate way to go about that?

636
00:30:25,800 --> 00:30:29,240
Speaker 8: Well, it's being honest, and obviously you need to be

637
00:30:29,320 --> 00:30:31,200
Speaker 8: sure that you're with the right person. The right person

638
00:30:31,240 --> 00:30:33,920
Speaker 8: will receive that information very openly, and I'll say, you

639
00:30:33,920 --> 00:30:36,320
Speaker 8: know what, that's part that's not you know, that's going

640
00:30:36,360 --> 00:30:39,640
Speaker 8: beyond my boundaries or that to my boundaries, depending on

641
00:30:39,680 --> 00:30:44,480
Speaker 8: what you like. And so definitely communicating it can be scary,

642
00:30:44,560 --> 00:30:48,280
Speaker 8: but it's even scarier to do the deed and.

643
00:30:48,200 --> 00:30:49,920
Speaker 16: It to be a real failure.

644
00:30:50,040 --> 00:30:56,040
Speaker 2: Yeah, that's right. The opportunity cost is you get to

645
00:30:56,080 --> 00:30:57,400
Speaker 2: the end and you go, oh my god, I was

646
00:30:57,400 --> 00:30:59,120
Speaker 2: really uncomfortable with what happened there.

647
00:30:59,120 --> 00:31:02,720
Speaker 1: And yeah, I've heard doctor love, But the number one

648
00:31:03,120 --> 00:31:06,440
Speaker 1: reason that people cheat is because they're they're too embarrassed

649
00:31:06,480 --> 00:31:09,000
Speaker 1: to ask the person that they love the thing that

650
00:31:09,000 --> 00:31:11,640
Speaker 1: they really want in the bedroom, because they're worried that

651
00:31:11,720 --> 00:31:13,960
Speaker 1: the person they love won't look at them the same anymore.

652
00:31:14,120 --> 00:31:14,640
Speaker 1: Because of that.

653
00:31:15,480 --> 00:31:17,240
Speaker 8: I want to know where that research comes from. I'm

654
00:31:17,280 --> 00:31:21,760
Speaker 8: not saying that at all, fair enough, I do, I

655
00:31:21,840 --> 00:31:30,960
Speaker 8: do say I do what to call it out.

656
00:31:32,960 --> 00:31:36,560
Speaker 2: Carry on the doctor love, But you know.

657
00:31:36,720 --> 00:31:39,640
Speaker 8: I'm saying the open, be honest, it's the best, it's

658
00:31:39,640 --> 00:31:42,960
Speaker 8: the best policy. Scary, scarier to the failure. I think

659
00:31:43,000 --> 00:31:45,240
Speaker 8: I'd hate to walk around and go I really I

660
00:31:45,280 --> 00:31:46,120
Speaker 8: didn't do a good job.

661
00:31:46,360 --> 00:31:48,920
Speaker 2: I agree. Great. Great, great to hear your voice there,

662
00:31:48,920 --> 00:31:52,640
Speaker 2: doctor Loss Leading Relationship expert. Thank you for so much

663
00:31:52,640 --> 00:31:55,080
Speaker 2: for joining's good news for you. You woulds you can finally

664
00:31:55,080 --> 00:31:56,680
Speaker 2: go and buy those guinea pigs and tell me what

665
00:31:56,720 --> 00:31:57,480
Speaker 2: you want one of them.

666
00:31:57,600 --> 00:32:01,640
Speaker 3: That's huge, that's big, and we're already using that.

667
00:32:02,080 --> 00:32:02,960
Speaker 1: It's bigger fish for.

668
00:32:03,000 --> 00:32:09,720
Speaker 2: Us more Will and Woody the Will and Woody Podcast.

669
00:32:09,960 --> 00:32:12,560
Speaker 2: It's one of the most harrowing things for anyone who

670
00:32:12,640 --> 00:32:17,040
Speaker 2: uses the social media application WhatsApp is when you're part

671
00:32:17,080 --> 00:32:20,360
Speaker 2: of a group in WhatsApp and then you leave the

672
00:32:20,400 --> 00:32:22,680
Speaker 2: group and then it notifies everyone in the group that

673
00:32:22,760 --> 00:32:25,520
Speaker 2: you've left. So it says, Woody Whitelaw has left the chat.

674
00:32:25,560 --> 00:32:26,600
Speaker 1: I've never left the chat.

675
00:32:27,040 --> 00:32:29,400
Speaker 2: No, because you're an absolute pansy.

676
00:32:29,360 --> 00:32:32,680
Speaker 1: I reckon. I'm in two hundred and seventy groups. Yeah,

677
00:32:32,760 --> 00:32:34,920
Speaker 1: a lot of them inactive. But the reason people are

678
00:32:34,920 --> 00:32:36,880
Speaker 1: in so many groups is because everyone's scared to make

679
00:32:36,920 --> 00:32:40,320
Speaker 1: that move, because then everyone gets the notification saying that

680
00:32:40,680 --> 00:32:42,000
Speaker 1: you've left. Yeah, and then.

681
00:32:41,840 --> 00:32:44,120
Speaker 3: People assume that there's something you know wrong.

682
00:32:44,880 --> 00:32:48,360
Speaker 2: God. Yeah, and I think that for socially awkward people

683
00:32:48,440 --> 00:32:49,200
Speaker 2: such as yourself.

684
00:32:49,320 --> 00:32:51,680
Speaker 1: Yes, that's a worst nightmare.

685
00:32:51,800 --> 00:32:53,960
Speaker 2: Worst nightmare. In fact, my girlfriend sim as you know,

686
00:32:54,400 --> 00:32:57,080
Speaker 2: is as socially awkward as you, and she deleted WhatsApp

687
00:32:57,120 --> 00:32:57,880
Speaker 2: for this very reason.

688
00:32:57,960 --> 00:33:01,200
Speaker 3: Yes, that's pretty smart because she didn't she didn't want.

689
00:33:01,480 --> 00:33:04,360
Speaker 2: To ever have to leave a group again, or have

690
00:33:04,480 --> 00:33:06,240
Speaker 2: to be held accountable in a group, because that's the

691
00:33:06,280 --> 00:33:08,560
Speaker 2: other thing when you when you when you're socially insecure

692
00:33:08,600 --> 00:33:11,320
Speaker 2: in a WhatsApp group, you don't comment a lot. Then

693
00:33:11,560 --> 00:33:14,920
Speaker 2: the alphas in the group start going, oy, you haven't

694
00:33:14,920 --> 00:33:17,440
Speaker 2: said anything in a while, and they call you out.

695
00:33:17,480 --> 00:33:21,240
Speaker 1: I've got a group that sometimes posts stats, so stats

696
00:33:21,240 --> 00:33:22,720
Speaker 1: where they go, oh, what have You've only been speaking

697
00:33:22,720 --> 00:33:25,760
Speaker 1: six percent of the time? Oh boody? Hell boys give me.

698
00:33:27,080 --> 00:33:29,960
Speaker 2: Yeah. So Sam just deleted the whole application, which is

699
00:33:29,960 --> 00:33:32,360
Speaker 2: fun for me given the families on the other side

700
00:33:32,360 --> 00:33:33,640
Speaker 2: of the world and I have to re alay all

701
00:33:33,640 --> 00:33:38,000
Speaker 2: their chats. Wow, it kills, absolutely kills, she says to me,

702
00:33:38,000 --> 00:33:40,320
Speaker 2: can you send this photo to my family? I talked

703
00:33:40,360 --> 00:33:43,080
Speaker 2: to her cousins. Wow, she doesn't do it because she's

704
00:33:43,120 --> 00:33:48,400
Speaker 2: so scared of WhatsApp group dynamics. Anyway, WhatsApp is coming

705
00:33:48,440 --> 00:33:51,400
Speaker 2: to the aid. Mark Zuckerberg out, He's the hero that

706
00:33:51,520 --> 00:33:54,600
Speaker 2: we we don't need, but we all deserve. He's getting

707
00:33:54,640 --> 00:33:57,600
Speaker 2: involved here. So he's going to add a feature on

708
00:33:57,640 --> 00:34:02,160
Speaker 2: WhatsApp now so that you don't notify everybody if you

709
00:34:02,240 --> 00:34:04,840
Speaker 2: leave a group. So you will leave the group silently,

710
00:34:04,920 --> 00:34:05,959
Speaker 2: so it won't tell everyone.

711
00:34:06,120 --> 00:34:08,560
Speaker 1: It will only last so long though they'll they'll they'll

712
00:34:08,560 --> 00:34:11,200
Speaker 1: find you, they will smoke you out.

713
00:34:12,120 --> 00:34:12,600
Speaker 3: It's not a.

714
00:34:14,680 --> 00:34:16,840
Speaker 1: It's nice that you they don't get a notification, but

715
00:34:16,880 --> 00:34:18,840
Speaker 1: at some point they're going to search through the members

716
00:34:18,840 --> 00:34:20,279
Speaker 1: of the group and go where the hell did would

717
00:34:20,280 --> 00:34:20,480
Speaker 1: he go?

718
00:34:21,080 --> 00:34:26,759
Speaker 2: I don't think you're that important. People aren't waking up

719
00:34:26,840 --> 00:34:28,320
Speaker 2: going like, hang on a second.

720
00:34:28,719 --> 00:34:31,120
Speaker 1: Feels different, strange, feeling that.

721
00:34:31,280 --> 00:34:33,919
Speaker 2: He might have left the chat. People don't do that, mate,

722
00:34:34,000 --> 00:34:36,600
Speaker 2: They've got their own lives. I like that as well.

723
00:34:36,600 --> 00:34:38,560
Speaker 2: It's a reminder of the fact that, like, if someone

724
00:34:38,600 --> 00:34:41,239
Speaker 2: did go missing, you never know. Yeah. Sure, it's a

725
00:34:41,280 --> 00:34:44,440
Speaker 2: weird feature that it tells everyone. Yeah, it's almost like

726
00:34:44,440 --> 00:34:46,279
Speaker 2: if you have your conversation at a party with a

727
00:34:46,280 --> 00:34:47,960
Speaker 2: group of people and you're like, all right, guys, I'm

728
00:34:47,960 --> 00:34:50,680
Speaker 2: just going to leave now. Yeah, in a group, you

729
00:34:50,760 --> 00:34:55,719
Speaker 2: just want to slip out anonymously catch later, right, Yeah.

730
00:34:55,840 --> 00:34:57,680
Speaker 2: So it's weird that it does that anyway anyway, So

731
00:34:57,760 --> 00:34:59,000
Speaker 2: that's what they're going to be doing. They're going to

732
00:34:59,040 --> 00:35:01,600
Speaker 2: be putting this feature in so it no longer notifies people,

733
00:35:01,600 --> 00:35:04,920
Speaker 2: which is wonderful, along with a host of other features

734
00:35:04,920 --> 00:35:07,840
Speaker 2: which I can't be bothered explaining. But what I'd like

735
00:35:07,880 --> 00:35:10,120
Speaker 2: to do right now on THIRDD one and six five

736
00:35:10,360 --> 00:35:13,960
Speaker 2: because it's funny, I use the analogy of exiting a

737
00:35:14,000 --> 00:35:17,160
Speaker 2: conversation in a group in real life. I would really

738
00:35:17,200 --> 00:35:21,239
Speaker 2: like to try that on air. What so third and

739
00:35:21,239 --> 00:35:24,320
Speaker 2: one of six five is the number I want to

740
00:35:24,320 --> 00:35:28,000
Speaker 2: see if we can silently leave a real life conversation.

741
00:35:28,239 --> 00:35:30,759
Speaker 1: You and me, yes physically. Yes.

742
00:35:31,560 --> 00:35:33,239
Speaker 2: So we'll get people to call third and one and

743
00:35:33,280 --> 00:35:35,120
Speaker 2: six five if you think you've got a good story.

744
00:35:35,280 --> 00:35:37,160
Speaker 2: But I know this might be a bit of an

745
00:35:37,239 --> 00:35:39,520
Speaker 2: arduous task for you. Bastard's driving home, So I'll throw

746
00:35:39,520 --> 00:35:42,240
Speaker 2: one hundred dollars red roost about you. The phone lines

747
00:35:42,280 --> 00:35:45,799
Speaker 2: light up, but you come on the air, you tell

748
00:35:45,920 --> 00:35:48,760
Speaker 2: us a story, we'll have a chat. But the aim

749
00:35:48,920 --> 00:35:51,240
Speaker 2: for you and me woulds while we have that chat

750
00:35:51,640 --> 00:35:54,160
Speaker 2: is to exit the studio door without the person knowing.

751
00:35:54,200 --> 00:35:56,080
Speaker 1: I like this, And then what are they trying to say?

752
00:35:56,200 --> 00:35:57,040
Speaker 1: Like you've left?

753
00:35:57,239 --> 00:35:57,439
Speaker 16: Yes?

754
00:35:57,520 --> 00:35:59,520
Speaker 2: And if they says sort of like a Marco Polo

755
00:35:59,560 --> 00:36:00,759
Speaker 2: fish out of water styles out.

756
00:36:01,040 --> 00:36:02,560
Speaker 1: So when don't we fish out of water? Though? When

757
00:36:02,560 --> 00:36:05,120
Speaker 1: we've left the chair, yes, so left the chair.

758
00:36:05,200 --> 00:36:07,520
Speaker 2: If they think we've left the chair and the golf,

759
00:36:07,760 --> 00:36:11,239
Speaker 2: they yell, will's left or wood he's left. And the

760
00:36:11,280 --> 00:36:13,719
Speaker 2: goal for us is to walk outside the studio door

761
00:36:14,080 --> 00:36:17,400
Speaker 2: and then intercommune from outside to prove that we silently

762
00:36:17,480 --> 00:36:19,759
Speaker 2: left the chat. This is brilliant, Well, it might be

763
00:36:19,800 --> 00:36:21,560
Speaker 2: brilliant for us, could be awful to listen to. We'll

764
00:36:21,600 --> 00:36:25,160
Speaker 2: find out right up next. Yeah, you can. You can

765
00:36:25,200 --> 00:36:27,480
Speaker 2: try and tell when we've left the chat. Can we

766
00:36:27,560 --> 00:36:30,040
Speaker 2: silently leave a real life conversation? We'll find it out next.

767
00:36:30,080 --> 00:36:32,520
Speaker 2: Billano's got a cracking story, and you want to win

768
00:36:32,520 --> 00:36:34,320
Speaker 2: one hundred bucks worth of red Rooster give us a

769
00:36:34,360 --> 00:36:38,799
Speaker 2: call thirteen one o sixty five right now, because we're

770
00:36:38,800 --> 00:36:40,359
Speaker 2: going to be playing a game. We want to see

771
00:36:40,360 --> 00:36:46,399
Speaker 2: if we can leave a real life conversation silently right

772
00:36:46,440 --> 00:36:48,960
Speaker 2: now that the inspiration for this is that WhatsApp are

773
00:36:49,000 --> 00:36:51,359
Speaker 2: going to remove the feature where they notify people if

774
00:36:51,360 --> 00:36:53,839
Speaker 2: someone has left the group chat, so you can leave

775
00:36:53,880 --> 00:36:57,480
Speaker 2: the chat silently. So that's the aim here. So really

776
00:36:57,560 --> 00:37:00,000
Speaker 2: the question is, would you notice if one of us

777
00:37:00,239 --> 00:37:03,920
Speaker 2: left the studio whilst still having a conversation with one

778
00:37:03,960 --> 00:37:04,520
Speaker 2: of you guys?

779
00:37:04,760 --> 00:37:06,399
Speaker 1: Yeah, I think. I think at this point we can

780
00:37:06,440 --> 00:37:08,040
Speaker 1: sort of talk to you about the sort of hurdles

781
00:37:08,040 --> 00:37:10,520
Speaker 1: that we're going to be facing. So obviously, once we

782
00:37:10,640 --> 00:37:14,000
Speaker 1: start to leave, and the rules are, once I'm not

783
00:37:14,040 --> 00:37:17,640
Speaker 1: in physical contact with my chair, you can yell at

784
00:37:17,680 --> 00:37:19,840
Speaker 1: you've left, yes, and then I'm gone. But if I

785
00:37:19,880 --> 00:37:21,680
Speaker 1: still have a hand or a leg on the chair,

786
00:37:22,040 --> 00:37:23,840
Speaker 1: I'm still in play. But the thing I have to

787
00:37:23,880 --> 00:37:26,920
Speaker 1: do with is taking the headphones off. That makes noise.

788
00:37:27,360 --> 00:37:30,799
Speaker 1: There's a big door, there's a big door. There's also

789
00:37:30,920 --> 00:37:33,239
Speaker 1: noise coming from out there. We're gonna have to deal

790
00:37:33,280 --> 00:37:36,719
Speaker 1: with that because there's noise from outside. But do we

791
00:37:36,800 --> 00:37:37,400
Speaker 1: have to deal with that?

792
00:37:38,440 --> 00:37:39,960
Speaker 2: Yeah? I think so.

793
00:37:39,960 --> 00:37:43,279
Speaker 1: So there's there's these sorts of noises that everyone in

794
00:37:43,280 --> 00:37:44,719
Speaker 1: their cars is going to be listening.

795
00:37:44,440 --> 00:37:46,399
Speaker 2: For, okay, And the goal for us is to reach

796
00:37:46,480 --> 00:37:49,719
Speaker 2: the intercom outside whereby we will page in if we've

797
00:37:49,760 --> 00:37:52,719
Speaker 2: managed to leave the studio mid conversation, and our voice

798
00:37:52,719 --> 00:37:54,920
Speaker 2: will sound a bit different. So poop Pence, give us

799
00:37:54,920 --> 00:37:56,640
Speaker 2: an example of what the voice sounds like. This is

800
00:37:56,680 --> 00:37:58,480
Speaker 2: what it sounds like when you're out on the pageer.

801
00:37:59,480 --> 00:38:02,319
Speaker 2: It's a different voice. So that's how will sound. Are

802
00:38:02,320 --> 00:38:02,920
Speaker 2: we ready to go?

803
00:38:03,040 --> 00:38:05,440
Speaker 1: So we're taking in terms of that, So like, for example,

804
00:38:05,440 --> 00:38:07,160
Speaker 1: for Pete story, I'm going to try and leave for

805
00:38:07,239 --> 00:38:09,480
Speaker 1: this one. Sure, okay, just so someone's.

806
00:38:09,400 --> 00:38:11,839
Speaker 2: Only one of us will leave, so we can't both leave,

807
00:38:11,880 --> 00:38:14,319
Speaker 2: otherwise it would be very obvious. All right, Pete, you're

808
00:38:14,440 --> 00:38:18,080
Speaker 2: up first, Okay, Okay, Pete, here we go.

809
00:38:18,440 --> 00:38:21,239
Speaker 1: So you're like, so you yell a fish out of

810
00:38:21,280 --> 00:38:22,520
Speaker 1: water if we've left the chair?

811
00:38:23,239 --> 00:38:26,200
Speaker 2: Yeah, sure, all right, Pete, crack in mate.

812
00:38:26,719 --> 00:38:27,239
Speaker 1: All right.

813
00:38:27,360 --> 00:38:30,360
Speaker 17: So a few years ago, while I was in Iba

814
00:38:30,480 --> 00:38:33,239
Speaker 17: with a few guys, yeah, fishing on a boat. We

815
00:38:33,280 --> 00:38:37,719
Speaker 17: came across someone who had a yacht. Yeah, yes, the

816
00:38:37,920 --> 00:38:43,600
Speaker 17: yachts and he invited us aboard, and it happened to

817
00:38:43,600 --> 00:38:45,399
Speaker 17: me that Pamela Anderson was on the yacht.

818
00:38:45,880 --> 00:38:46,600
Speaker 1: Pamela Anderson.

819
00:38:46,719 --> 00:38:48,839
Speaker 2: Wow, So she was on the was.

820
00:38:48,800 --> 00:38:50,359
Speaker 17: She Yeah, that's right.

821
00:38:50,880 --> 00:38:54,239
Speaker 2: Were you a fan, Pete or oh more of a

822
00:38:54,320 --> 00:38:55,480
Speaker 2: yasmin man.

823
00:38:57,120 --> 00:38:59,280
Speaker 1: You're going through the bay Watch stars. They're very good.

824
00:39:01,719 --> 00:39:05,799
Speaker 17: With some shows there with some of her friends. She

825
00:39:05,840 --> 00:39:08,080
Speaker 17: didn't really spend much time with her because they were

826
00:39:08,120 --> 00:39:09,640
Speaker 17: and a friend just moved to the other side of

827
00:39:09,680 --> 00:39:13,320
Speaker 17: the boat. Yeah, and me and my matress.

828
00:39:14,840 --> 00:39:23,480
Speaker 2: You too much in his story? Wow, woods cute?

829
00:39:23,719 --> 00:39:25,239
Speaker 1: That was I mean, that was amazing.

830
00:39:25,480 --> 00:39:28,319
Speaker 2: I mean peace, what that made was going on there?

831
00:39:28,400 --> 00:39:28,759
Speaker 9: You you.

832
00:39:30,440 --> 00:39:32,080
Speaker 2: Think you're a little bit too caught up in the

833
00:39:32,120 --> 00:39:35,160
Speaker 2: norms on the yacht to be honest, mate, to know

834
00:39:35,239 --> 00:39:36,799
Speaker 2: which one you were talking about. Next to the call

835
00:39:36,880 --> 00:39:40,640
Speaker 2: pet Let's try it with Sarah or Sarah. I think

836
00:39:40,680 --> 00:39:42,480
Speaker 2: it is Gooday, Sarah, how are you going?

837
00:39:43,280 --> 00:39:44,200
Speaker 13: I'm good? How are you going?

838
00:39:44,320 --> 00:39:44,640
Speaker 18: Very well?

839
00:39:44,880 --> 00:39:46,080
Speaker 2: Okay, So one of us is going to try and

840
00:39:46,160 --> 00:39:51,359
Speaker 2: leave silently, leave the conversation, and you call fish out

841
00:39:51,360 --> 00:39:54,760
Speaker 2: of water if you think we've left. Okay, okay, okay,

842
00:39:54,760 --> 00:39:56,920
Speaker 2: here we go. Start you story.

843
00:39:57,719 --> 00:40:01,240
Speaker 16: All right. So I recently had to evic a relative

844
00:40:01,400 --> 00:40:06,280
Speaker 16: or relatives from my rental of property. They've left everything

845
00:40:06,400 --> 00:40:10,000
Speaker 16: behind and when I went through the house, we actually

846
00:40:10,120 --> 00:40:15,200
Speaker 16: found bottles of old juice bottles underneath the bed we

847
00:40:15,520 --> 00:40:18,840
Speaker 16: thought were filled with juice, but it was actually urine

848
00:40:21,280 --> 00:40:28,759
Speaker 16: king and we had to remove the bottles. We also

849
00:40:29,040 --> 00:40:33,400
Speaker 16: had to remove the Mamma fied rats and the rodents

850
00:40:33,400 --> 00:40:33,879
Speaker 16: in the house.

851
00:40:35,360 --> 00:40:40,640
Speaker 1: Yeah, okay, ring this. Did you bring this up with them?

852
00:40:40,680 --> 00:40:43,520
Speaker 1: Did you like say, like, hey, why why was there

853
00:40:43,560 --> 00:40:45,600
Speaker 1: cups of urine?

854
00:40:45,960 --> 00:40:46,120
Speaker 11: Well?

855
00:40:46,120 --> 00:40:48,360
Speaker 13: They sort of yeah, so they've been there for a

856
00:40:48,400 --> 00:40:51,880
Speaker 13: while and obviously we had to move them out so

857
00:40:51,920 --> 00:40:55,000
Speaker 13: that we could fix the property up in that. But

858
00:40:55,600 --> 00:40:57,640
Speaker 13: it was kind of everyone was like, oh, it's not me,

859
00:40:57,719 --> 00:41:00,000
Speaker 13: it's not my fault outside of.

860
00:41:00,080 --> 00:41:00,960
Speaker 2: Well made it.

861
00:41:02,920 --> 00:41:04,160
Speaker 1: It made so much noise.

862
00:41:04,200 --> 00:41:08,880
Speaker 6: Sarah even I was like, you're not getting this, And

863
00:41:08,960 --> 00:41:12,640
Speaker 6: I was like, so when you heard the noise, why

864
00:41:12,680 --> 00:41:14,440
Speaker 6: didn't you say you fish out of water?

865
00:41:15,520 --> 00:41:18,759
Speaker 13: Well, I just I don't know. I just didn't sound fishy, so.

866
00:41:19,239 --> 00:41:23,640
Speaker 3: It didn't sound fishy. Okay, is this too easy?

867
00:41:23,640 --> 00:41:25,480
Speaker 1: Can we should? We should we both try to leave

868
00:41:25,560 --> 00:41:27,200
Speaker 1: for this one because it feels like, well one of

869
00:41:27,280 --> 00:41:30,880
Speaker 1: us is continuing the conversation. It's actually quite hard to

870
00:41:30,960 --> 00:41:32,840
Speaker 1: time to tell that there's some I think both of

871
00:41:32,920 --> 00:41:33,680
Speaker 1: us trying.

872
00:41:33,360 --> 00:41:36,200
Speaker 3: To leave Elizabeth of a rush though, isn't it surely going?

873
00:41:36,280 --> 00:41:37,760
Speaker 1: It is, It's epic.

874
00:41:38,520 --> 00:41:42,200
Speaker 2: It might be enjoying. This has been going for five minutes,

875
00:41:42,880 --> 00:41:43,759
Speaker 2: telling us to wrap up.

876
00:41:43,719 --> 00:41:45,359
Speaker 1: We're going to really go to Tabby. And they were

877
00:41:45,400 --> 00:41:47,319
Speaker 1: both trying to leave here. Tabby, crap into your story.

878
00:41:47,360 --> 00:41:48,600
Speaker 1: We're both trying to leave here.

879
00:41:49,440 --> 00:41:51,960
Speaker 14: So used to babysit for this family in.

880
00:41:51,960 --> 00:41:53,879
Speaker 16: The city one night.

881
00:41:54,760 --> 00:41:58,040
Speaker 14: I'm looking after this little girls over the weekend. And

882
00:41:58,200 --> 00:42:02,239
Speaker 14: suddenly now it's late at night, I hear a bang

883
00:42:02,320 --> 00:42:06,439
Speaker 14: noise from the living room and I go fish out water.

884
00:42:06,760 --> 00:42:14,600
Speaker 1: Oh no, no, no, close.

885
00:42:16,640 --> 00:42:19,239
Speaker 2: I have my finger on the buzzer. You left without me.

886
00:42:19,320 --> 00:42:22,440
Speaker 2: You don't always do that.

887
00:42:23,600 --> 00:42:26,160
Speaker 1: Yeah, you win. You want one hundred dollar red rooster.

888
00:42:27,840 --> 00:42:33,040
Speaker 1: It's Will and Woody household mysteries. Will I bloody love them,

889
00:42:33,400 --> 00:42:37,000
Speaker 1: and I love more than that solving them, And that's

890
00:42:37,000 --> 00:42:39,040
Speaker 1: what I want to do. And I've been inspired will

891
00:42:39,040 --> 00:42:41,759
Speaker 1: buy a genuine mystery that's going on right now in

892
00:42:41,840 --> 00:42:46,680
Speaker 1: the Yuki in Devon. The mayors and Mayor of the

893
00:42:46,719 --> 00:42:51,640
Speaker 1: South Moulton Town Council, Christine and Stephen Locke. They found

894
00:42:51,680 --> 00:42:56,640
Speaker 1: that over eighteen months, over an eighteen month period, like

895
00:42:57,160 --> 00:43:02,640
Speaker 1: sporadically through that eighteen months, garden gnomes just keep.

896
00:43:02,480 --> 00:43:12,479
Speaker 3: Appearing in their garden. They have no idea who he's

897
00:43:12,560 --> 00:43:14,640
Speaker 3: putting the six.

898
00:43:15,320 --> 00:43:17,640
Speaker 2: Oh, that's not that many, but that makes.

899
00:43:17,400 --> 00:43:19,960
Speaker 1: It weird coming out of the ground or no that

900
00:43:19,920 --> 00:43:21,680
Speaker 1: there's those wake up my moon and I bloody hell,

901
00:43:21,680 --> 00:43:22,759
Speaker 1: there's another garden gnome there.

902
00:43:22,800 --> 00:43:25,920
Speaker 2: Oh, so someone's put them there, Well, I think so.

903
00:43:26,400 --> 00:43:29,279
Speaker 2: But the other well, man, I don't know.

904
00:43:29,719 --> 00:43:30,520
Speaker 3: Maybe they're alive.

905
00:43:30,600 --> 00:43:33,400
Speaker 1: Maybe the names are coming alive at night and finding

906
00:43:33,400 --> 00:43:36,239
Speaker 1: themselves in it. Now that's ridiculous. Yeah, someone's putting them there,

907
00:43:36,480 --> 00:43:39,680
Speaker 1: but who, like who over an eighteen month period? And

908
00:43:39,719 --> 00:43:41,120
Speaker 1: why he's always going to.

909
00:43:41,080 --> 00:43:45,320
Speaker 3: Their backyard and chucking down a gnome? Six over eighteen months?

910
00:43:45,320 --> 00:43:45,560
Speaker 1: Will?

911
00:43:45,880 --> 00:43:47,000
Speaker 3: It just seems bizarre?

912
00:43:47,040 --> 00:43:49,000
Speaker 2: Why six over white?

913
00:43:49,360 --> 00:43:51,480
Speaker 3: There's no there's no there's no system to it.

914
00:43:51,480 --> 00:43:53,000
Speaker 2: It's like three months.

915
00:43:53,200 --> 00:44:01,239
Speaker 3: Oh yeah, right, good man, that's really good.

916
00:44:01,280 --> 00:44:04,040
Speaker 1: Anyway, I want to put that mystery down, and right

917
00:44:04,080 --> 00:44:06,200
Speaker 1: now our numbers put it down. I'm putting it.

918
00:44:06,120 --> 00:44:09,239
Speaker 2: Down, Jesus. A lot of questions there. Oh he'll be

919
00:44:09,320 --> 00:44:09,919
Speaker 2: here all day.

920
00:44:09,880 --> 00:44:12,880
Speaker 1: Oh bloody pickle, I bear here all day like a

921
00:44:12,920 --> 00:44:16,240
Speaker 1: little mouse. But right now I want to hear about

922
00:44:16,520 --> 00:44:20,640
Speaker 1: your household mysteries on thirteen one oh sixty five.

923
00:44:22,239 --> 00:44:22,960
Speaker 2: It's a mystery.

924
00:44:23,080 --> 00:44:27,000
Speaker 18: It's well what we would is whole mystery.

925
00:44:27,400 --> 00:44:29,760
Speaker 2: It's a mystery, what miss.

926
00:44:31,760 --> 00:44:34,040
Speaker 1: So I want it to be unsolved at this point.

927
00:44:34,080 --> 00:44:39,240
Speaker 1: That's just something's happened in your household, in your domicile. Okay,

928
00:44:39,280 --> 00:44:43,200
Speaker 1: it's a little mystery. You can't figure out why it's happening,

929
00:44:43,320 --> 00:44:47,160
Speaker 1: how it's happened, who did something? You give us a

930
00:44:47,200 --> 00:44:49,759
Speaker 1: call right now, you tell us about that, and the

931
00:44:49,760 --> 00:44:52,480
Speaker 1: bonus is we will bloody solve the mystery.

932
00:44:52,120 --> 00:44:57,279
Speaker 2: For you, right So, like and it like my back door,

933
00:44:57,320 --> 00:44:59,120
Speaker 2: I can't figure out why the lock doesn't open at

934
00:44:59,120 --> 00:45:00,319
Speaker 2: the moment, wouldn't.

935
00:45:00,080 --> 00:45:03,400
Speaker 1: Take that call, But I'm like, just a bit more mystique,

936
00:45:03,960 --> 00:45:04,719
Speaker 1: do you know what I mean?

937
00:45:05,360 --> 00:45:07,400
Speaker 3: Okay?

938
00:45:07,440 --> 00:45:09,360
Speaker 2: So, like when you used to steal your dad's naughty

939
00:45:09,360 --> 00:45:11,000
Speaker 2: mags and you're not sure who stolen.

940
00:45:10,719 --> 00:45:14,080
Speaker 1: Back off here perfect example, Okay, you wake up every

941
00:45:14,080 --> 00:45:17,080
Speaker 1: morning and there's a lemon sponge cake at the end

942
00:45:17,160 --> 00:45:19,840
Speaker 1: of your bed like this sort of He's just like,

943
00:45:19,880 --> 00:45:22,440
Speaker 1: what who the hell is putting in a lemon sponge

944
00:45:22,440 --> 00:45:24,520
Speaker 1: cake at the end of my bed every single morning?

945
00:45:24,560 --> 00:45:27,040
Speaker 2: Okay? So you want more of these who done It

946
00:45:27,120 --> 00:45:27,920
Speaker 2: style calls?

947
00:45:28,080 --> 00:45:31,000
Speaker 1: Yeah? I love that stuff. Okay, and again we will

948
00:45:31,040 --> 00:45:34,399
Speaker 1: we will do our utmost to then take that case. Yeah,

949
00:45:34,600 --> 00:45:37,760
Speaker 1: and solve that case. Okay, we're in cahoots with someone

950
00:45:37,760 --> 00:45:40,840
Speaker 1: who is a human light detector. She gets involved, she

951
00:45:40,920 --> 00:45:45,200
Speaker 1: could Marla is her name's doctor Louise Marlin, Doctor Louise Marla.

952
00:45:45,320 --> 00:45:48,200
Speaker 1: We take this, bloody seriously. But we need the mystery.

953
00:45:48,200 --> 00:45:50,520
Speaker 2: It needs a problem mystery. You can't, like I can't currently,

954
00:45:50,520 --> 00:45:52,640
Speaker 2: I can't figure out where the tack is in the

955
00:45:52,640 --> 00:45:56,120
Speaker 2: wall next to my front door to hang my hat rack. Boring. Yeah,

956
00:45:56,120 --> 00:45:56,879
Speaker 2: we wouldn't take that.

957
00:45:57,280 --> 00:45:58,120
Speaker 1: But if you said to.

958
00:45:58,080 --> 00:46:01,200
Speaker 3: Me that every night there's a new hat on my

959
00:46:01,280 --> 00:46:01,759
Speaker 3: hat rack.

960
00:46:01,880 --> 00:46:05,520
Speaker 1: Yeah, okay, bloody hell mate, we've got ourselves a mystery.

961
00:46:05,360 --> 00:46:07,160
Speaker 2: Okay thirty one O six five.

962
00:46:07,440 --> 00:46:10,640
Speaker 9: If you've got a household mystery, something you can't figure

963
00:46:10,680 --> 00:46:15,399
Speaker 9: out in your home, something was stolen, something keeps rocking up,

964
00:46:15,840 --> 00:46:18,600
Speaker 9: can't figure out where a noise is coming from, one

965
00:46:18,640 --> 00:46:19,239
Speaker 9: of those things that.

966
00:46:19,480 --> 00:46:23,120
Speaker 2: One six five. Have you got an unsolved mystery in

967
00:46:23,200 --> 00:46:25,680
Speaker 2: your house? It's well, and.

968
00:46:25,800 --> 00:46:28,759
Speaker 18: What is house whole mystery?

969
00:46:31,880 --> 00:46:33,520
Speaker 1: And obviously it's going to be great to hear about

970
00:46:33,520 --> 00:46:36,359
Speaker 1: these mysteries. But the real bang for your buck here

971
00:46:36,520 --> 00:46:41,160
Speaker 1: is we will put everything into solving this mystery.

972
00:46:41,640 --> 00:46:45,400
Speaker 2: Well not everything, well one of us will put everything.

973
00:46:45,800 --> 00:46:48,560
Speaker 1: One of us will literally his life will revolve around

974
00:46:48,560 --> 00:46:49,080
Speaker 1: this mystery.

975
00:46:49,840 --> 00:46:52,319
Speaker 2: Baby, yeah, battle.

976
00:46:52,000 --> 00:46:52,879
Speaker 1: Buddy, change things.

977
00:46:54,360 --> 00:46:58,080
Speaker 2: Hopefully we can solve it before then. Good idea dea dia.

978
00:46:58,239 --> 00:46:59,280
Speaker 2: What is your house?

979
00:47:01,560 --> 00:47:02,120
Speaker 18: How are you?

980
00:47:02,800 --> 00:47:06,759
Speaker 2: Finally you've made it? Tell us a bit about yourself.

981
00:47:07,960 --> 00:47:10,959
Speaker 19: Yeah, so I'm there. I'm thirty years of age, living

982
00:47:11,000 --> 00:47:15,320
Speaker 19: that in Sydney. Yeah, so I've just like a bizarre

983
00:47:15,400 --> 00:47:19,640
Speaker 19: mystery going on. It's unsolved. It's been happening for the

984
00:47:19,680 --> 00:47:22,120
Speaker 19: past three months. I live in my flight May. She's

985
00:47:22,120 --> 00:47:26,560
Speaker 19: twenty four. She's a wild one, so she loves the

986
00:47:26,600 --> 00:47:28,000
Speaker 19: experiment all sorts of things.

987
00:47:28,719 --> 00:47:31,080
Speaker 2: But can I just get a little bit of it,

988
00:47:31,120 --> 00:47:32,520
Speaker 2: like are we talking? You know? Does she like to

989
00:47:32,520 --> 00:47:35,600
Speaker 2: put a little bit of extra vanilla essence in her cupcakes?

990
00:47:35,719 --> 00:47:39,560
Speaker 2: Or does she know it's a bit overboard?

991
00:47:39,719 --> 00:47:42,400
Speaker 19: So what it is, what she prefers to do is

992
00:47:42,480 --> 00:47:44,800
Speaker 19: experiment with her little intimacy type.

993
00:47:45,120 --> 00:47:47,400
Speaker 16: Like she's just she's a very.

994
00:47:47,360 --> 00:47:49,640
Speaker 19: Naughty type of thing. So I carn't keep away, I'm waiting. No,

995
00:47:49,680 --> 00:47:54,160
Speaker 19: don't keep your hands on me. Ignaughty, naughty girl. So

996
00:47:55,120 --> 00:47:57,239
Speaker 19: what she's actually done is, I don't know, she's been

997
00:47:57,400 --> 00:48:01,399
Speaker 19: more blurting around and stuff. But we've had some sex

998
00:48:01,440 --> 00:48:05,200
Speaker 19: toys come on our footsteps, like on the door on

999
00:48:05,239 --> 00:48:07,799
Speaker 19: a fortnightly basis, and it's been happening for the past

1000
00:48:07,840 --> 00:48:08,400
Speaker 19: three months.

1001
00:48:08,560 --> 00:48:11,160
Speaker 1: Do you I'm pretty sure your housemate is just ordering

1002
00:48:11,200 --> 00:48:14,120
Speaker 1: sex toys. Yeah, I think I've I've cracked this one.

1003
00:48:14,239 --> 00:48:16,479
Speaker 1: I mean you literally do you literally just said she's

1004
00:48:16,520 --> 00:48:20,280
Speaker 1: a provoked like a quite a you know, sexy temptress,

1005
00:48:20,760 --> 00:48:23,480
Speaker 1: temptress and then if sex toys are rocking up on

1006
00:48:23,520 --> 00:48:23,759
Speaker 1: your door?

1007
00:48:24,120 --> 00:48:27,080
Speaker 2: Might is there any more to that mystery?

1008
00:48:27,080 --> 00:48:27,320
Speaker 16: Do you?

1009
00:48:28,200 --> 00:48:30,319
Speaker 19: I would it be her because I don't know they're

1010
00:48:30,320 --> 00:48:32,719
Speaker 19: having like special notes from there and stuff. So I

1011
00:48:32,760 --> 00:48:34,600
Speaker 19: was like, do I have like a secret admirer who

1012
00:48:34,640 --> 00:48:37,759
Speaker 19: wants to like experiment stuck with me or if.

1013
00:48:38,400 --> 00:48:39,000
Speaker 16: He wants to do it?

1014
00:48:39,200 --> 00:48:42,560
Speaker 1: No, it's your house.

1015
00:48:43,200 --> 00:48:46,320
Speaker 3: Thanks for the girl, though, I mean we've one from one.

1016
00:48:48,000 --> 00:48:51,840
Speaker 2: Maybe there for me? You just been ten minutes setting

1017
00:48:51,880 --> 00:48:56,399
Speaker 2: up our saucio hours is there are notes on them though?

1018
00:48:56,600 --> 00:48:59,400
Speaker 2: The bring the note if it's not a just do

1019
00:48:59,440 --> 00:49:00,840
Speaker 2: you it's not yours?

1020
00:49:01,120 --> 00:49:07,080
Speaker 3: Sometimes it is that simple, Kylie.

1021
00:49:09,040 --> 00:49:10,520
Speaker 1: What's your household history?

1022
00:49:11,600 --> 00:49:14,640
Speaker 11: So a few years ago, when I first met my

1023
00:49:14,840 --> 00:49:18,480
Speaker 11: now husband, we were renting a house and it was

1024
00:49:18,640 --> 00:49:21,759
Speaker 11: really hot, so we both decided to sleep downstairs because

1025
00:49:21,760 --> 00:49:25,160
Speaker 11: the air comb was downstairs. Sure, So it was just

1026
00:49:25,200 --> 00:49:27,440
Speaker 11: after Christmas and my mum had brought me all this

1027
00:49:27,600 --> 00:49:31,080
Speaker 11: tupple where that was like about probably ten containers in

1028
00:49:31,239 --> 00:49:32,920
Speaker 11: one massive.

1029
00:49:32,640 --> 00:49:35,200
Speaker 16: Sealed plastic right like a dog.

1030
00:49:36,000 --> 00:49:39,440
Speaker 11: Yes, So the containers were wrapped in plastic and they

1031
00:49:39,480 --> 00:49:42,080
Speaker 11: were up on top of the fridge. We were both

1032
00:49:42,160 --> 00:49:46,480
Speaker 11: on a blow up mattress, so if one got up,

1033
00:49:46,520 --> 00:49:49,480
Speaker 11: we would have known. Then I went up, I got

1034
00:49:49,560 --> 00:49:51,759
Speaker 11: up to go to work in the morning, and the

1035
00:49:51,840 --> 00:49:56,200
Speaker 11: containers were all completely completely open on the counter, getting ready.

1036
00:49:55,960 --> 00:49:56,640
Speaker 13: To be washed.

1037
00:49:57,560 --> 00:50:01,040
Speaker 1: I reckon one of your sleptwalked. It must have right, Well,

1038
00:50:01,120 --> 00:50:03,160
Speaker 1: hang on, I don't know.

1039
00:50:03,200 --> 00:50:05,360
Speaker 11: I never went back to the house. I refused to

1040
00:50:05,440 --> 00:50:05,960
Speaker 11: live there.

1041
00:50:06,080 --> 00:50:07,880
Speaker 2: Oh you're scared. So you thought it was a ghost

1042
00:50:07,960 --> 00:50:09,880
Speaker 2: or something, Kylie, Well.

1043
00:50:09,920 --> 00:50:12,040
Speaker 11: My husband, if it was, my husband will work on

1044
00:50:12,040 --> 00:50:14,440
Speaker 11: an air mattress. We would have sort of felt.

1045
00:50:14,840 --> 00:50:17,560
Speaker 2: You would have felt the air mattress move so you

1046
00:50:17,680 --> 00:50:20,480
Speaker 2: woke up and that okay, a bit of a boring ghost,

1047
00:50:20,880 --> 00:50:22,800
Speaker 2: to be honest. I mean they're not making the next,

1048
00:50:23,000 --> 00:50:26,320
Speaker 2: the great tup of the next polter guys about about

1049
00:50:26,360 --> 00:50:27,280
Speaker 2: the great top.

1050
00:50:27,480 --> 00:50:34,920
Speaker 1: The tupperware night the openware nightmare.

1051
00:50:37,960 --> 00:50:40,520
Speaker 2: I know they're open on the bench, I know.

1052
00:50:41,480 --> 00:50:46,120
Speaker 1: Thank you, though, hold the line we may we might

1053
00:50:46,200 --> 00:50:49,040
Speaker 1: try and pin down the tap aware nightmare. Oh god,

1054
00:50:49,400 --> 00:50:52,200
Speaker 1: let's go to below here now, Paulo.

1055
00:50:52,120 --> 00:50:54,080
Speaker 2: Top Ofware on thirty fourth Street.

1056
00:50:56,080 --> 00:50:59,120
Speaker 1: Now below. This happened a few years ago. A bit

1057
00:50:59,160 --> 00:51:01,239
Speaker 1: of a cold case. You never solved it.

1058
00:51:01,680 --> 00:51:03,040
Speaker 4: Yeah, it's a bit of a clock case, can you

1059
00:51:03,080 --> 00:51:08,200
Speaker 4: guys hear me? Yes, all right, it's a bit of

1060
00:51:08,239 --> 00:51:10,200
Speaker 4: a it's a bit of a strange one. This is

1061
00:51:10,239 --> 00:51:13,160
Speaker 4: a few years ago. We were at university and the

1062
00:51:13,200 --> 00:51:16,200
Speaker 4: way the units laid out, we lived presidential and there's

1063
00:51:16,239 --> 00:51:18,600
Speaker 4: just a few houses. I lived in a house with

1064
00:51:18,760 --> 00:51:22,520
Speaker 4: four boys and it was pretty much for the last

1065
00:51:22,600 --> 00:51:24,360
Speaker 4: year that we were going to be together. So we

1066
00:51:24,440 --> 00:51:26,239
Speaker 4: decided to have one night where we just let loose

1067
00:51:26,320 --> 00:51:28,000
Speaker 4: and we just started drinking. It was just the four

1068
00:51:28,040 --> 00:51:30,400
Speaker 4: of us anyway.

1069
00:51:33,000 --> 00:51:33,359
Speaker 1: In sleep.

1070
00:51:33,440 --> 00:51:40,040
Speaker 2: No, so you let loose you decided to let loose. Yeah, yeah, great, great,

1071
00:51:40,080 --> 00:51:44,359
Speaker 2: So you decided to let loost a wild one yep? Okay,

1072
00:51:44,400 --> 00:51:47,200
Speaker 2: So drinking together, just the four of you, just the

1073
00:51:47,239 --> 00:51:47,719
Speaker 2: four of you.

1074
00:51:48,320 --> 00:51:50,319
Speaker 4: Just the four of us, just the four of us.

1075
00:51:50,400 --> 00:51:52,640
Speaker 4: So we all went to bed.

1076
00:51:52,680 --> 00:51:54,640
Speaker 18: We all have their friends on campus, so we all

1077
00:51:54,680 --> 00:51:56,400
Speaker 18: went to like the different houses that like for our

1078
00:51:56,440 --> 00:51:59,120
Speaker 18: girlfriends were. And the next day there was a story

1079
00:51:59,200 --> 00:52:03,719
Speaker 18: around the campus that someone had done a two in

1080
00:52:03,920 --> 00:52:05,840
Speaker 18: one of the girls bathroom.

1081
00:52:05,920 --> 00:52:07,319
Speaker 2: Bats on the mat.

1082
00:52:07,440 --> 00:52:09,880
Speaker 1: Here we go, that's what I'm talking about. Go on,

1083
00:52:10,239 --> 00:52:12,640
Speaker 1: go on, go on a mat.

1084
00:52:12,800 --> 00:52:13,000
Speaker 8: Yeah.

1085
00:52:13,920 --> 00:52:18,680
Speaker 4: You've got us for years, thirty years, and every time

1086
00:52:18,719 --> 00:52:22,080
Speaker 4: we get together, I get accused of being the mat

1087
00:52:22,280 --> 00:52:24,279
Speaker 4: tour the first and I've heard him like the mat

1088
00:52:24,920 --> 00:52:27,760
Speaker 4: but it was not me. Wow, I know one hundred

1089
00:52:27,760 --> 00:52:29,799
Speaker 4: percent sure that it was me. I was pretty young

1090
00:52:29,800 --> 00:52:32,600
Speaker 4: about night, but I know I wouldn't do that, Okay,

1091
00:52:32,719 --> 00:52:34,440
Speaker 4: but I know one of the boys had a history

1092
00:52:34,480 --> 00:52:38,640
Speaker 4: of doing two with that side, and he said he's

1093
00:52:38,640 --> 00:52:38,960
Speaker 4: not here.

1094
00:52:40,040 --> 00:52:43,200
Speaker 2: Okay, Polo, I think I think it's going to be

1095
00:52:43,280 --> 00:52:48,600
Speaker 2: the may suspect. Would I think I speak for for

1096
00:52:48,760 --> 00:52:53,480
Speaker 2: you and for me when I say, Paolo, are you there. Yeah,

1097
00:52:53,760 --> 00:52:54,600
Speaker 2: we'll take the case.

1098
00:52:54,800 --> 00:53:00,360
Speaker 1: Yes, can I just confirm? Can I just family?

1099
00:53:00,880 --> 00:53:01,920
Speaker 2: Two pants? Is furious?

1100
00:53:03,560 --> 00:53:05,480
Speaker 1: Well, maybe Wes.

1101
00:53:06,480 --> 00:53:09,440
Speaker 2: He wanted the Doubleway, wanted the Doubleware nightmare. He did,

1102
00:53:09,560 --> 00:53:12,239
Speaker 2: look at him, he did no power, will take the case.

1103
00:53:12,320 --> 00:53:14,960
Speaker 2: One more questions from enough save tomorrow?

1104
00:53:15,400 --> 00:53:17,920
Speaker 1: Yeah, not fair enough. Okay, there's lots of questions to us.

1105
00:53:18,320 --> 00:53:19,440
Speaker 2: I love it, I know you love it.

1106
00:53:19,520 --> 00:53:20,239
Speaker 1: I love it. I love it.

1107
00:53:20,280 --> 00:53:21,480
Speaker 2: All right, we'll save the tomorrow.

1108
00:53:21,560 --> 00:53:22,720
Speaker 1: We'll get the case.

1109
00:53:22,600 --> 00:53:25,839
Speaker 2: Going again tomorrow. Very exciting stuff. Thanks for the cause.

1110
00:53:25,880 --> 00:53:29,040
Speaker 2: There are lots of people calling up, Gee whiz what.

1111
00:53:29,320 --> 00:53:31,400
Speaker 1: I think we're getting? Followed up questions from the Tupleware

1112
00:53:31,480 --> 00:53:35,360
Speaker 1: Nightmare and Struck a few different answers. Twar moves not