1 00:00:00,160 --> 00:00:05,560 Speaker 1: Not all of us at school were allowed for various reasons. 2 00:00:06,320 --> 00:00:08,760 Speaker 1: Bringing up with a therapists, but not try and get 3 00:00:08,800 --> 00:00:12,840 Speaker 1: your own radio show. That was my origin story, rejected 4 00:00:12,880 --> 00:00:13,960 Speaker 1: by the drama department. 5 00:00:14,160 --> 00:00:15,560 Speaker 2: Look who's the Buggsy Malone? 6 00:00:15,640 --> 00:00:17,160 Speaker 1: Now, I don't know. He's still out there's having a 7 00:00:17,239 --> 00:00:19,759 Speaker 1: very successful life. Actually, the person who was bugsy, he 8 00:00:19,800 --> 00:00:21,600 Speaker 1: didn't go my way. I never got a speaking part 9 00:00:21,600 --> 00:00:23,640 Speaker 1: of my school playing. I know I'm not alone. There's 10 00:00:23,680 --> 00:00:25,319 Speaker 1: a lot of you out there. We spoke about this 11 00:00:25,360 --> 00:00:27,440 Speaker 1: a couple of weeks ago. We were saying, what if 12 00:00:27,480 --> 00:00:30,920 Speaker 1: we had our own high school musical for those of 13 00:00:31,000 --> 00:00:33,840 Speaker 1: us that never got speaking parts Either you never went 14 00:00:33,880 --> 00:00:37,239 Speaker 1: to the audition, or like me, you did and you 15 00:00:37,400 --> 00:00:40,519 Speaker 1: were rejected. So we're going to go. We're calling it 16 00:00:40,600 --> 00:00:43,720 Speaker 1: the high school Rejects. We actually now have a venue. 17 00:00:43,840 --> 00:00:46,920 Speaker 1: We don't have a cast, we don't have a script. However, 18 00:00:47,000 --> 00:00:50,000 Speaker 1: we are going to do our very own version of Greece. 19 00:00:50,760 --> 00:00:53,640 Speaker 1: It can't be called Greece for legal reasons. It's not 20 00:00:53,800 --> 00:01:00,600 Speaker 1: Greece the musical what you had, it's a par four 21 00:01:00,760 --> 00:01:03,360 Speaker 1: league greasons. 22 00:01:03,480 --> 00:01:08,000 Speaker 2: We're two wins a showcasting ever reach shows who never 23 00:01:08,480 --> 00:01:09,679 Speaker 2: got a roll with. 24 00:01:09,840 --> 00:01:19,600 Speaker 1: Much speaking, so not grease and musical. Imagine if Greece's 25 00:01:19,640 --> 00:01:22,480 Speaker 1: set here in Australia in the modern time this year, 26 00:01:22,520 --> 00:01:24,440 Speaker 1: what would that be like? That's what we want to 27 00:01:24,480 --> 00:01:26,720 Speaker 1: try and make. And when I say we, I really 28 00:01:26,720 --> 00:01:29,600 Speaker 1: do mean you and I because we have a venue. Jack. 29 00:01:29,840 --> 00:01:30,960 Speaker 1: When is curtains up? 30 00:01:31,360 --> 00:01:34,280 Speaker 2: We roll out the red carpet Thursday October twenty six, 31 00:01:34,440 --> 00:01:38,640 Speaker 2: twenty three days away, just. 32 00:01:38,640 --> 00:01:40,800 Speaker 1: Over three weeks. And like I say, at the moment, 33 00:01:41,000 --> 00:01:44,920 Speaker 1: no cast and no scripts. We are up against it 34 00:01:44,959 --> 00:01:46,440 Speaker 1: with this one. Where's it going to be? 35 00:01:46,800 --> 00:01:51,280 Speaker 2: We are going to be a Dela Cell College Involvin. 36 00:01:51,600 --> 00:01:54,360 Speaker 1: That does sound fancy? How many people can sit in that? 37 00:01:54,880 --> 00:01:57,720 Speaker 2: In Dela Cell College you can see two hundred people 38 00:01:58,080 --> 00:02:00,800 Speaker 2: and there is also a full adding Grigg set up 39 00:02:01,120 --> 00:02:04,640 Speaker 2: and donated to the cause to help people. 40 00:02:04,400 --> 00:02:07,200 Speaker 1: Live out this producer rot it. I don't know what. 41 00:02:08,960 --> 00:02:12,560 Speaker 2: A ask me what time it's going to be on? 42 00:02:12,639 --> 00:02:18,160 Speaker 1: No, I don't want to because all right, so yesterday 43 00:02:18,200 --> 00:02:21,600 Speaker 1: we're set. We're gonna he our version inspired by the 44 00:02:21,680 --> 00:02:24,280 Speaker 1: fantastic Grease in musicool, but of course we're calling it 45 00:02:24,320 --> 00:02:26,640 Speaker 1: not grease and mus school. If it was set here 46 00:02:26,639 --> 00:02:29,080 Speaker 1: in Australia. What would that be like count instead of 47 00:02:29,080 --> 00:02:31,160 Speaker 1: the diner, put them in the local fish and chip shop. 48 00:02:31,400 --> 00:02:33,320 Speaker 1: Let's not do milkbar. We heard about the dark side 49 00:02:33,320 --> 00:02:36,400 Speaker 1: of that ten minutes ago, being forced to walk seven 50 00:02:36,480 --> 00:02:38,520 Speaker 1: days a week as an eight year old missing out 51 00:02:38,520 --> 00:02:40,800 Speaker 1: in school camps. Maybe that is the origin story. 52 00:02:40,840 --> 00:02:44,040 Speaker 2: Maybe you can write that sandwich bass scene into the play. 53 00:02:44,919 --> 00:02:48,200 Speaker 1: The main character should be renamed Shaza and dazzer Christian 54 00:02:48,280 --> 00:02:50,480 Speaker 1: when they get to dance. This comes from Kelly. Do 55 00:02:50,520 --> 00:02:52,360 Speaker 1: you know what if we end up using your ideas, 56 00:02:52,400 --> 00:02:54,560 Speaker 1: We'll give you price. When they get to dance. They 57 00:02:54,560 --> 00:02:57,919 Speaker 1: don't do the church? Are they do the Nutbush? Great Kelly, 58 00:02:57,919 --> 00:03:02,200 Speaker 1: still the pink ladiesship with the pink Bogans From I 59 00:03:02,320 --> 00:03:06,119 Speaker 1: love that Jules mcgaw's great name. That is a very 60 00:03:06,120 --> 00:03:09,560 Speaker 1: good idea. Jason. Instead of Sandy and Danny, it should 61 00:03:09,560 --> 00:03:12,720 Speaker 1: be Michelle and Ferrit and Grease Lightning should be a 62 00:03:13,000 --> 00:03:16,800 Speaker 1: ossie FULCM with a welded diff Christian. From Jen, I 63 00:03:16,800 --> 00:03:19,920 Speaker 1: think it should be grease commodore Jen instead of grease 64 00:03:20,040 --> 00:03:22,520 Speaker 1: is the word? What about goon? Is the word? It's 65 00:03:22,560 --> 00:03:24,360 Speaker 1: the word that you heard. It's a box full of 66 00:03:24,440 --> 00:03:28,679 Speaker 1: Risling already you're coming out with lyrics Christian. Instead of 67 00:03:28,760 --> 00:03:30,560 Speaker 1: drag racing, they should be trying to do who can 68 00:03:30,600 --> 00:03:33,880 Speaker 1: do the sickest burnouts? Whatever you call Danny. If you 69 00:03:33,880 --> 00:03:36,520 Speaker 1: are going to go with Manny Puco, he needs a 70 00:03:36,560 --> 00:03:39,560 Speaker 1: personalized red joke. You're right, that's need a burst lass 71 00:03:39,680 --> 00:03:43,320 Speaker 1: red Joe and Christian. In my mind, then Danny, Your 72 00:03:43,400 --> 00:03:47,400 Speaker 1: Danny is wearing a Von Dutch hat flanner with the 73 00:03:47,400 --> 00:03:50,960 Speaker 1: sleeves cut off and a Monster Energy Drink T shirt. 74 00:03:51,000 --> 00:03:53,360 Speaker 1: The mood board for his costume should be Corey Worthington. 75 00:03:53,800 --> 00:03:55,920 Speaker 1: These are great ideas what we're going about to do 76 00:03:56,000 --> 00:03:59,120 Speaker 1: now though, because actually we can still keep the ideas 77 00:03:59,120 --> 00:04:01,080 Speaker 1: coming in. If you get any ideas, all are welcome. 78 00:04:01,120 --> 00:04:03,119 Speaker 1: Like I said, if we use your idea, we will 79 00:04:03,120 --> 00:04:04,440 Speaker 1: look after you. We'll give you a price. You can 80 00:04:04,480 --> 00:04:07,680 Speaker 1: come along and watch your idea on stage. But we 81 00:04:07,760 --> 00:04:09,680 Speaker 1: need to start getting into auditions now. 82 00:04:09,920 --> 00:04:11,280 Speaker 2: We need cast members. 83 00:04:11,400 --> 00:04:13,520 Speaker 1: The monkeys can start to type type type dout. But 84 00:04:13,560 --> 00:04:16,680 Speaker 1: will we need as he said, cut the members. This 85 00:04:18,400 --> 00:04:22,080 Speaker 1: everything needs to tie up, guys, everything needs by opening night. 86 00:04:22,120 --> 00:04:25,400 Speaker 1: Trust me, trust ready, trust I do? I do? Trust you? 87 00:04:25,800 --> 00:04:28,680 Speaker 1: All right? So let's go back to this scene from 88 00:04:28,839 --> 00:04:32,840 Speaker 1: Grease to musical principal McGee's first announcements. Let's have a 89 00:04:32,880 --> 00:04:33,480 Speaker 1: listen to this. 90 00:04:37,160 --> 00:04:39,920 Speaker 3: Good morning, boys and girls, and welcome to what we 91 00:04:40,080 --> 00:04:42,480 Speaker 3: sure will be our greatest year in rideing. 92 00:04:42,720 --> 00:04:44,400 Speaker 1: All right, so you've got the American high school. The 93 00:04:44,480 --> 00:04:47,560 Speaker 1: scene is said, okay, ours is maybe it's a tafe 94 00:04:47,600 --> 00:04:50,800 Speaker 1: in the year twenty twenty three here in Australia. When 95 00:04:50,839 --> 00:04:54,720 Speaker 1: you listen to this more mature lady. 96 00:04:56,600 --> 00:04:59,400 Speaker 3: Good morning, boys and girls, and welcome to what le 97 00:04:59,560 --> 00:05:02,080 Speaker 3: sure will be our greatest year in ride there. 98 00:05:02,600 --> 00:05:05,080 Speaker 1: Now, all right, maybe you can remember that scene, but 99 00:05:05,120 --> 00:05:07,840 Speaker 1: what you're hearing right now is a mature lady. You're 100 00:05:07,839 --> 00:05:12,280 Speaker 1: hearing states, are kind of status. You're hearing power, you 101 00:05:12,360 --> 00:05:15,800 Speaker 1: hearing gravitas, you're hearing authority. Of course you are. That 102 00:05:15,920 --> 00:05:19,280 Speaker 1: lady exudes power. The person I know closest to you, 103 00:05:19,320 --> 00:05:21,640 Speaker 1: and Nijac has that. And again is that same kind 104 00:05:21,680 --> 00:05:24,600 Speaker 1: of age bracket of a maturity experience, come of it? 105 00:05:24,720 --> 00:05:28,200 Speaker 1: She was about eighty. Okay, maybe we make up you 106 00:05:28,240 --> 00:05:32,720 Speaker 1: can look a bit young CGI or Greene. No, No, 107 00:05:32,800 --> 00:05:34,920 Speaker 1: the one is the lighting or whatever. No, don't worry 108 00:05:34,960 --> 00:05:38,120 Speaker 1: about that. We would love you to audition for the 109 00:05:38,160 --> 00:05:39,680 Speaker 1: part of principal McGee. 110 00:05:39,680 --> 00:05:41,520 Speaker 2: Patsy Lovely, lovely, lovely. 111 00:05:41,640 --> 00:05:43,280 Speaker 1: Okay, what do you do. We won't do the audition 112 00:05:43,480 --> 00:05:45,320 Speaker 1: just yet, but do a quick read. 113 00:05:45,120 --> 00:05:49,960 Speaker 2: Through, all right, but it's got to be an aussy accent. Yeah, 114 00:05:49,960 --> 00:05:52,080 Speaker 2: because we're doing an aussy version, so you don't want 115 00:05:52,120 --> 00:05:53,360 Speaker 2: an American accent. 116 00:05:53,120 --> 00:05:53,560 Speaker 1: Not at all. 117 00:05:53,640 --> 00:05:58,039 Speaker 2: No, good morning, boys and girls, said through, it's not 118 00:05:58,120 --> 00:05:58,839 Speaker 2: kathink you. 119 00:06:00,160 --> 00:06:03,080 Speaker 1: Yeah, welcome to what I'm sure we'll be happening a 120 00:06:03,240 --> 00:06:08,520 Speaker 1: grouse year at right ol High. No, go from the top. 121 00:06:09,040 --> 00:06:11,640 Speaker 1: Do it as yourself. That lady is you know, she's 122 00:06:11,640 --> 00:06:12,480 Speaker 1: has a follow my. 123 00:06:12,440 --> 00:06:13,680 Speaker 2: News voice, is what you're saying. 124 00:06:14,000 --> 00:06:15,480 Speaker 1: Yeah, yeah, all right, let's go again. 125 00:06:19,200 --> 00:06:21,440 Speaker 2: Good Morning, boys and girls, and welcome to what I'm 126 00:06:21,480 --> 00:06:24,040 Speaker 2: sure will be our greatest year at ride el High. 127 00:06:24,200 --> 00:06:26,320 Speaker 1: Now this is getting closer to it. Okay, a little 128 00:06:26,320 --> 00:06:28,440 Speaker 1: bit dead eyed, but now just put a little bit 129 00:06:28,480 --> 00:06:31,440 Speaker 1: of entertainment and pazzaz in it. Okay, let's go again. 130 00:06:31,520 --> 00:06:32,560 Speaker 1: I think this is going to be the one. 131 00:06:36,000 --> 00:06:38,680 Speaker 2: Good morning, boys and girls, and welcome to what I'm 132 00:06:38,720 --> 00:06:41,839 Speaker 2: sure will be our greatest year at Ride el High. 133 00:06:41,960 --> 00:06:46,680 Speaker 1: Brilliant Patsy so I think it's your I'd love you 134 00:06:46,760 --> 00:06:48,720 Speaker 1: to have this role, but we just obviously need to 135 00:06:48,800 --> 00:06:51,000 Speaker 1: check that there's no one else out there who could 136 00:06:51,000 --> 00:06:57,560 Speaker 1: do it. Yeah, just we need to audition, don't we 137 00:06:57,800 --> 00:06:58,120 Speaker 1: let the. 138 00:06:58,279 --> 00:07:00,000 Speaker 2: Thought it was narrating? Have I been done? 139 00:07:00,480 --> 00:07:02,080 Speaker 1: We need to have a chat about that. Things so 140 00:07:02,800 --> 00:07:04,760 Speaker 1: shifted in a couple of meetings with actual sort of 141 00:07:04,760 --> 00:07:07,640 Speaker 1: professional coaches that they need to No, no, no, you 142 00:07:07,680 --> 00:07:10,080 Speaker 1: will store be narrating. You and I will be doing 143 00:07:10,120 --> 00:07:13,360 Speaker 1: some narrating together, all right, So call in now. This 144 00:07:13,400 --> 00:07:16,360 Speaker 1: is the line we need from you, audition as as 145 00:07:16,400 --> 00:07:19,080 Speaker 1: what passes doing Principal McGee, our version of Principal McGee, 146 00:07:19,080 --> 00:07:21,600 Speaker 1: we'll mamb to call it that. Good morning, boys and girls, 147 00:07:21,640 --> 00:07:24,360 Speaker 1: and welcome to what will sure be our greatest year 148 00:07:24,720 --> 00:07:27,600 Speaker 1: at ry Dow High. So for this character to be 149 00:07:27,720 --> 00:07:30,680 Speaker 1: to work, it needs to be someone who is mature. 150 00:07:30,760 --> 00:07:34,320 Speaker 2: Mature, Yeah, thank you, similar level of maturity to Patsy. 151 00:07:34,440 --> 00:07:36,800 Speaker 1: You got it. Nine four one four one o four three. 152 00:07:37,080 --> 00:07:38,480 Speaker 1: Audition lines are open right now,