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Speaker 1: Appreciation. Christ John O'Connell Breakfast Show Podcast.

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Speaker 2: This is the first time I've spoken to you since

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Speaker 2: you found out about Pepe. If you heard the podcast

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Speaker 2: before this, yeah, tough show today, not to mention it

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Speaker 2: very very hard on today's show. If you want to

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Speaker 2: take part in something we did do which I love,

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Speaker 2: there were some really great ones. As you were about

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Speaker 2: to hear was kids today will never know the joy of.

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Speaker 2: If you want to keep it going, email me Christian

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Speaker 2: at gold one I four three dot com dot au.

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Speaker 2: Thanks for downloading this. Could you do us a favor?

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Speaker 2: Rate and review the podcast. We're going to start to

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Speaker 2: read out some of the people that have been kind

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Speaker 2: enough to take time to rate and review the podcast

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Speaker 2: these days, you know what it's like, everyone's always be numbers, metrics, numbers, spreadsheets,

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Speaker 2: metrics and apparently really helps us. If you rate the podcast,

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Speaker 2: it'd only take you about a minute thirty seconds. Put

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Speaker 2: your name on there when you're rating it so we

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Speaker 2: can give you some love as well. Thank you on

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Speaker 2: with the pod.

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Speaker 1: The christ Joan O'Connell Breakfast Show Podcast.

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Speaker 3: We don't name our.

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Speaker 4: Cards, it's it's exotics.

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Speaker 2: Pepe.

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Speaker 1: Welcome to the Christian o'connal, Breakfast Show, Melvin's gold Quoto

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Speaker 1: four point three.

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Speaker 2: Hey, come on, I haven't said anything. If the production

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Speaker 2: house there, it's that a mention of it.

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Speaker 4: The first mark against your name. I specifically told you

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Speaker 4: I haven't actually spoken yet, Pats, I'll leaf you into it. No, no, no,

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Speaker 4: I'm just going to upfront. I would like to announce

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Speaker 4: a rule that I'm imposing for today. Sure every mention

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Speaker 4: of the P word that was said in the opener

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Speaker 4: there what.

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Speaker 2: Pea words just on cluare Because there are a lot

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Speaker 2: of pea words. I might be talking about pay.

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Speaker 4: Your bills, or I will say it's.

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Speaker 2: This and for a chance to win the tenk there

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Speaker 2: will be work day. There are a lot of pea words.

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Speaker 4: I will say it once and once only as an

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Speaker 4: example of what the word is. Sure pepe every time

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Speaker 4: that that gets mentioned, I'm leaving ten minutes earlier. If

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Speaker 4: you mentioned it three times, I'm leaving at nine point

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Speaker 4: thirty six times, I'm leaving at nine o'clock. If you

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Speaker 4: can't get out of your system, I could be leaving

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Speaker 4: at seven o'clock.

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Speaker 2: That's okay. So if people weren't listening to yesterday's show.

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Speaker 2: The reason why Pepe has come out.

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Speaker 4: Okay, now I'm explaining it.

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Speaker 2: Surely I need one to explain it.

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Speaker 3: I need to explain it, explain it.

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Speaker 2: We we found it yesterday that this is what in

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Speaker 2: the bedroom your wife did call is now past tense.

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Speaker 4: Yes, I don't think he will be named that anymore.

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Speaker 2: Did call his little feller Pepe?

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Speaker 4: Okay, well that's the first one was for free. That

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Speaker 4: one's going on.

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Speaker 2: The sing doesn't count, doesn't count. I'm the rules Grant

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Speaker 2: has texted in here. Am I allowed to be the

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Speaker 2: messenger for what they say?

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Speaker 1: You know?

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Speaker 4: Every time it's a bit. I'm just saying every time.

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Speaker 2: The word is said, Pepe get a run out last night,

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Speaker 2: I don't think I think Pepe was grounded last hour

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Speaker 2: twenty minutes. I understand, I understand, and I back. I'm

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Speaker 2: happy to not mention it anymore.

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Speaker 4: Thank you.

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Speaker 2: Okay, I will not mention it. The words will not

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Speaker 2: come out of my mouth. Very funny, very everyone showed

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Speaker 2: Jack the T shirts that we've all had made. Everyone

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Speaker 2: in the show is now unleashing a T shirt.

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Speaker 4: Don't think I didn't think it was suspicious that everyone

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Speaker 4: was zipped up in jackets as well to the neckline. Okay,

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Speaker 4: it's the Looney Tunes character pepe lepw.

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Speaker 2: Oh, you got to You've got to give me back

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Speaker 2: ten minutes time you mentioned it. I get it's not yes,

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Speaker 2: So now what tell me you leaving today? Nine?

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Speaker 4: Get back?

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Speaker 2: Yeah, that's keep an eye on this pause. He's gonna

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Speaker 2: start making this up. What is the Sampang ruling? So

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Speaker 2: we have to do the whole show now on these

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Speaker 2: T shirts?

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Speaker 4: Yes? I can't. That was a waste of money for

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Speaker 4: you guys.

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Speaker 2: Nothing the buzz for half an hour, anything to fill

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Speaker 2: the us before the show. Knowing that we were in

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Speaker 2: these comedy t s, you.

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Speaker 4: Were giggling school guests. I knew something was up. I

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Speaker 4: saw on the computer on Cole's computer yesterday that she

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Speaker 4: was on a T shirt generating website.

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Speaker 2: Not exactly, Jason Borne Cole. All right, we'll restart the

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Speaker 2: show next and of course when we come back, we're

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Speaker 2: gonna do day two. An't well, genital hangman Jack's little

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Speaker 2: feller needs a new name. What do you think his

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Speaker 2: new name should be? Nine four one four one oh

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Speaker 2: four three?

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Speaker 4: Well, he had not doing that.

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Speaker 2: Nine four one four one oh four three, what should

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Speaker 2: the new name be for his little fellow used to

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Speaker 2: be called p E p E.

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Speaker 4: That's ten minutes of his letters the.

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Speaker 1: Christian O'Connell Breakfast Show podcast.

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Speaker 2: A lot of people actually given suggestions, Jack, if you

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Speaker 2: do need any, I'm sure we don't want any from

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Speaker 2: the show, because you don't be thinking of the show

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Speaker 2: when you're thinking about the show.

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Speaker 4: Well, that's exactly why Pepe's name has been excommunicated, is

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Speaker 4: because of the show.

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Speaker 2: I get it, so I don't.

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Speaker 4: I don't want to bring a new name from.

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Speaker 2: The show into our household. But what about to say

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Speaker 2: he might inspire something, gives a new name.

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Speaker 4: Don't need inspiration, I don't want to give.

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Speaker 2: I'd like to give something back. Someone has to just

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Speaker 2: the hangman after what happened. Yes, okay, it's a little

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Speaker 2: bit of mind. Let me know when you do have

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Speaker 2: a new name though, Yeah, just we can try and

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Speaker 2: guess again. Off please please, please please, I believe I

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Speaker 2: have psychic powers in that area.

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Speaker 4: Also, can I point out that podcasters would have noticed

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Speaker 4: now we do a put up a full show, and

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Speaker 4: we put up mini episodes as well titled mini do it?

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Speaker 2: Yeah?

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Speaker 1: I know.

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Speaker 4: Why I don't know. It's it's actually i'll tell you why.

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Speaker 4: It's sad. It's too like it's to get a high

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Speaker 4: ranking in the podcast order because if there's more the curtain. Man,

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Speaker 4: but I was not happy if.

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Speaker 2: You put up like a ten second highlight or something

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Speaker 2: they just.

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Speaker 4: Put they'll put up like a one break only, and

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Speaker 4: they'll put that up as a podcast of its time,

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Speaker 4: and then you can get.

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Speaker 2: The full show you want to download one break.

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Speaker 4: It's actually annoying people because when they stream through their episodes,

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Speaker 4: they go stuff they've already heard. Oh I see, but

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Speaker 4: that's an issue for another thing where I wanted to

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Speaker 4: say was the mini episodes are titled mini and then

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Speaker 4: the name of the the break that we did and

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Speaker 4: it was called Yesterdays. The one was called Minni Pepe.

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Speaker 2: Now he's not Minni hey, I thought, so you need

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Speaker 2: perhaps you keep me a tone.

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Speaker 3: Yeah, that's nine thirty, you.

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Speaker 2: Said, you know he's actually said it twice in this break,

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Speaker 2: so that means that you you know, you've given us

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Speaker 2: twenty yeah, nine to twenty.

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Speaker 3: Wait, no, hang on nine fifty yeah the other way.

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Speaker 2: No, every time he says it, perhaps we get ten

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Speaker 2: minutes back. He has to stay.

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Speaker 1: Yeah.

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Speaker 2: Oh yeah, no, no, I'm getting.

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Speaker 4: Wrong now, unless you want me off the show.

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Speaker 2: I've always tried to keep that voice inside my head.

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Speaker 2: What has this done to us? This whole incidents told

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Speaker 2: us about. Yes, what were you trying to point out?

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Speaker 2: It's not Mini Pepe is not Minni. This is a

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Speaker 2: signed I think when a man starts saying that there's

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Speaker 2: a real problem. There are listen, I've seen them online.

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Speaker 2: I saw Brad, look at the there are these pumps.

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Speaker 2: You can get the big Man action pump. It had

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Speaker 2: it turned out to work that I just signed for it. Okay,

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Speaker 2: you can get them. Have a word of Brad. He

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Speaker 2: can help you out.

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Speaker 1: For Christian O'Connell Breakfast Show podcast.

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Speaker 2: All right, so we're doing Mount Rushmore Now. This is

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Speaker 2: where East Thursday morning we all get together and we

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Speaker 2: debate a topic and we've got to put four up

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Speaker 2: on the Mount Rushmore. Today we're going with showbiz animals.

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Speaker 2: These are the greatest animals that have ever been TV

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Speaker 2: shows or movies. So if you want to put one

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Speaker 2: name four to go on our Mount Rushmore of four

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Speaker 2: nine four one four one four three Patsy you go first.

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Speaker 2: What's it for you for a showbiz animal.

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Speaker 3: For me, definitely Skippy the Bush Kangaroo. Ah, I love

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Speaker 3: that show. Pleased to hurry home from school, turn it

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Speaker 3: on the Telly, sit down there with my wheat bix

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Speaker 3: and watch Skippy The Adventures of Sonny and Skippy the Kangaroo.

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Speaker 3: The special effects were so bad.

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Speaker 2: Basic, well though very basic. It was a very very

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Speaker 2: different time in fray View is and I'm including Jack

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Speaker 2: post on this. How would you describe what happened in

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Speaker 2: a normal episode?

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Speaker 5: Oh?

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Speaker 3: Look, it was any manner of things. They had a

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Speaker 3: dolphin loose in the National Park. Once mind you it's

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Speaker 3: in the middle of the Aussie bush.

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Speaker 2: What's I's got you all excited?

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Speaker 3: Dolphin in the National Park. It was just ridiculous. But

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Speaker 3: it was just I don't know, it was so addictive.

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Speaker 3: It was a great show.

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Speaker 2: It was a very innocent time growing up. I mean

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Speaker 2: we used to get in England. I used to love

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Speaker 2: watching it. Did you, Oh my god, yeah, the same

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Speaker 2: as you. You would actually be. I don't forget because

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Speaker 2: people now they used to like kids TV shows are

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Speaker 2: on demand, that's constantly available. Did you have the same

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Speaker 2: In England? Kids TV were on for about an hour

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Speaker 2: and a half and they went, now buger off to bed.

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Speaker 2: It's time for adults exactly an hour and a half.

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Speaker 2: It was like an hour of kids TV to leg

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Speaker 2: it home from school.

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Speaker 3: It was no underminded, it wasn't it. And yeah it

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Speaker 3: was great and the accidents were different. I was so

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Speaker 3: thick Australian and it was just quintessential seventies Australia.

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Speaker 2: I also remember that. But every second or third episode, right,

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Speaker 2: even though as an eight year old kid would go,

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Speaker 2: seems to be a lot of this recurring store and

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Speaker 2: there was always someone who was just stuck down the

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Speaker 2: bottom of a web, and a kangaroo could go and

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Speaker 2: raise the alarm by bouncing into town where someone was

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Speaker 2: like sat in some kind of Australian watering hole, you know,

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Speaker 2: three deep into schooners, and the kangaroo would start doing

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Speaker 2: that thing to him and he go, what's that skit?

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Speaker 2: He's stuck down the shaft again, and then go and

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Speaker 2: get it. And even as a kid, I come on,

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Speaker 2: come on Australia.

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Speaker 3: But we had all the merchant home, like the plates

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Speaker 3: and the cups. I've still got my plate.

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Speaker 2: Fluff, I still got her. Excuse me, I saw the

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Speaker 2: photo of it. It's amazing. We've got to put it

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Speaker 2: up online because it's I can't believe it's still merchandized

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Speaker 2: these dy especially our stuff. Don't put that in the dishwasher.

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Speaker 2: Those MUDs, My face will be at the bottom of

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Speaker 2: your dishwasher. Okay, however, how old is that do you think? Well?

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Speaker 3: I got it when I was five fifty seven.

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Speaker 4: No, it's not matter.

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Speaker 2: Oh sorry, Showber's age right, yeah, twenty two.

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Speaker 3: But I loved it and I've still got it now.

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Speaker 3: Already uses it.

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Speaker 2: I think that's something really spect it's already ever seen

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Speaker 2: it the TV?

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Speaker 3: Yeah, we showed her a couple of episodes.

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Speaker 4: She thinks it's reading after the Golden Girls. You'll go

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Speaker 4: straight in Skippy?

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Speaker 1: Or are you?

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Speaker 2: We're going to take a quick break from another episode

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Speaker 2: of The Golden Girl's Skippy. All right, so animals and

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Speaker 2: TV shows and movies? What are your favorites for this morning?

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Speaker 2: From Mount Rushmore.

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Speaker 1: Christjiohn O'Connell breakfast show podcast.

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Speaker 2: Christian, This is Karen out in Mornington Peninsula. Listen to

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Speaker 2: the showrun Good Morning. Karen flipp of The Dolphin Flipper

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Speaker 2: was great, but the older brother of the boy who

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Speaker 2: was Flipper's friend was hot. I had a huge crush

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Speaker 2: on him. We could do a whole show talking about

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Speaker 2: crushes you had on TV characters. Pers I'm so Jeniester

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Speaker 2: Pats has a skippy mug and plays my mum threw

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Speaker 2: mine out on to a teenager. That's all right for me. Then,

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Speaker 2: if we're talking about the greatest showbiz animal, it's got

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Speaker 2: to be this guy in Littlest Hobo of Settle Down,

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Speaker 2: one of the greatest TV theme tunes ever.

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Speaker 1: This me.

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Speaker 2: Actually had lyrics and come travel blot stuff, Hobo star

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Speaker 2: traveling life. They always played this at the end the

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Speaker 2: theme tuners at the end with the Littless Hobo about

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Speaker 2: a dog that would help out a little community or

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Speaker 2: a person down their luck or a little lonely kid,

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Speaker 2: and then he'd wander off down a road by himself.

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Speaker 2: And every episode it broke my heart at the end,

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Speaker 2: I genuinely get what he's said, thinking, why doesn't he

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Speaker 2: want to just stick around? Why doesn't anyone off for

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Speaker 2: the dog at home? He's just wandering around? When does

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Speaker 2: he eat? You never saw hobo eating or having a

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Speaker 2: little drink. Has to get very concerned by anyway. It

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Speaker 2: was also I believe one of the most insane TV

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Speaker 2: shows ever about a dog who can't talk. But these

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Speaker 2: are some of that. I've read these that before, but

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Speaker 2: because I'm obsessed with the Little Hobo and now ever

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Speaker 2: got to be a TV show A little Sobo about

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Speaker 2: a dog, right, We're all life dog that can't talk. However,

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Speaker 2: these are some of the episode descriptions. This happened in

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Speaker 2: the eighties. Hobo helps rescue a ballerina who wants a

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Speaker 2: defect from her iron curtain captors. It's a dog that

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Speaker 2: can't talk. Hobo witnesses a hit and run accident and

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Speaker 2: forces a confession. Hobo rescues her politician's son from kidnappers

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Speaker 2: when the police can't how he's a dog that can't talk.

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Speaker 2: Hobo help's a stuntman. Get work in confidence. Hobo aids

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Speaker 2: are financially troubled. Church. They must have. I would if

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Speaker 2: I could work on any TV show I have a

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Speaker 2: time machine, I'd go back and workers on the scriptwriters.

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Speaker 2: They must have just come up with this in the pub.

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Speaker 2: A mime, a mine, a mime and a deaf boy

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Speaker 2: help Hobo the dog prevent a robbery. What hobo finds

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Speaker 2: an undetonated World War two bomb. Consider this some set

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Speaker 2: in America. This is pretty amazing. So yeah, look there's

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Speaker 2: Hobo for me. Let's go into lines now about which

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Speaker 2: animals and TV shows and movies you think should be

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Speaker 2: on a Mount Rushmore him. Good morning, Christian, Yeah, yeah,

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Speaker 2: we're good. Welcome to the show mate, Thanks for caring.

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Speaker 2: What's the animal from movies or TV show for you?

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Speaker 2: Clyde the orangutane from clin Eastwoods?

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Speaker 6: Any which way you tear and every which way but loose.

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Speaker 2: Love those movies. They were huge, weren't they. They made

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Speaker 2: a couple, didn't they.

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Speaker 4: They were, Yeah, there was, There was only tour of those.

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Speaker 1: But he's made a lot of great movies.

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Speaker 2: Yeah. But when we talk about Clinton's right, one of

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Speaker 2: the greatest directors and actors ever, people forget about that.

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Speaker 2: He was in two movies where he was a street

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Speaker 2: fighter and his companion was a giant eight foot orangutang.

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Speaker 2: That's it, right, But the whole movie you'd be anticipating

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Speaker 2: that great one line about right own Clyde. Yeah, yeah,

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Speaker 2: that was the other one. Yeah, Jim, thank you very

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Speaker 2: much for cool. Have a good day, Have you seen

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Speaker 2: any which way, but.

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Speaker 4: I have now I am imagine it. In Clint East

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Speaker 4: were fighting with an eight eight foot orangue tane.

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Speaker 2: Yeah, it's like a proper orangu tane. Right, No, c

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Speaker 2: G I c G I hadn't been invented. But he

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Speaker 2: was like he would travel from town to town fighting people.

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Speaker 2: Clint Wood. Yeah, that's who he was. He was a

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Speaker 2: professional kind of street It's like.

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Speaker 4: A human version of the little hobo.

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Speaker 2: Yes, actually, but he did not help that mime and

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Speaker 2: a deaf boy. Let's go to Matt Summerline. Good morning, Matt,

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Speaker 2: Morning guys. Yeah, we're good. I hope you will. Matt.

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Speaker 2: And what's the great? What's the animal?

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Speaker 7: The worst, most famous talking horse?

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Speaker 2: Mister Ed Yeah, mister now what what makes him an icon?

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Speaker 3: Well?

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Speaker 8: My dad watching him, he was in the fifties and sixties.

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Speaker 6: They replayed him in the eighties.

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Speaker 4: My dad was the same, Matt, he's the loved mister.

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Speaker 6: Ed Great, you know, hiding everything from everybody out of

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Speaker 6: the wilbur the Park.

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Speaker 2: Isn't it a simple time that that was a thing

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Speaker 2: that would become a thing that captivated the world. It

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Speaker 2: was a huge TV show all over the world.

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Speaker 4: The only memory I have of it is him the owner,

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Speaker 4: chatting to mister Ed outside the barn, and it.

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Speaker 2: Looks as boring as crap, Like how low was the

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Speaker 2: bath entertainment when everyone went it's amazing? Have you seen it?

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Speaker 2: You see last episode? All around the water cooler at work?

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Speaker 4: Yeah?

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Speaker 2: Why that mister Ed's a one, isn't.

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Speaker 4: He anyone they can make talk with?

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Speaker 9: Peanut Butter?

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Speaker 8: Peanut Butter and absolutely.

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Speaker 2: Matt, thank you very much. You cool. Have a good day.

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Speaker 1: The Christian O'Connell Breakfast Show podcast.

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Speaker 2: Time for your emails late. Oh we call these lates

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Speaker 2: the party. You can join in the show whenever you want.

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Speaker 2: If you're listening and you're a busy at work and

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Speaker 2: you can't chip in with a story or anything you

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Speaker 2: want to say, you can always email. No topic has

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Speaker 2: ever ever ever left completely? Did you find out from

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Speaker 2: the last email, which I think about something we did

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Speaker 2: three hundred and twenty shows ago. All right, let's get

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Speaker 2: into them. Coronavirus school game subject of this email heading

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Speaker 2: caught my eye.

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Speaker 4: Sounds dangerous.

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Speaker 2: It's the word we're all talking about the moment. This

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Speaker 2: comes from Amanda. Right at my son's school, they play

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Speaker 2: the coronavirus game. Just to imagine if you were at

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Speaker 2: school right and you're a teenager, you know what, It's like?

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Speaker 2: Everything was fair game, wasn't it. You're just ruthless. They

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Speaker 2: play the coronavirus game. They sit in a circle. The

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Speaker 2: first one to sneeze is it. Then it's like tig

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Speaker 2: They have to tag each other and the kids it

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Speaker 2: gets the last one to get the virus, Amanda, I mean,

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Speaker 2: this is what kids are going to be doing now,

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Speaker 2: isn't that.

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Speaker 5: Now.

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Speaker 3: There's a lot of talk in the playground. I know

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Speaker 3: there is.

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Speaker 9: It.

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Speaker 3: My daughter's school about it. Kids are confused, they don't

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Speaker 3: understand it.

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Speaker 2: It is just talking about a fun game.

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Speaker 1: Pats.

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Speaker 3: Yeah, no, I know it's serious.

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Speaker 2: Point you're not going to do with all the emails?

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Speaker 2: Are your Actually someone could get with you.

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Speaker 3: I just wanted tod you in. They are talking about it.

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Speaker 1: Yeah.

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Speaker 2: I saw the talk of the playground speak offecial wild

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Speaker 2: Health Organization, pandemic.

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Speaker 4: Worried about the Grand Prix this week.

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Speaker 2: I had ten larger and Micardo screwed. I'm screwed. I

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Speaker 2: owe a lot of money to mister big over there

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Speaker 2: in the playground. Talk of the program you feature with

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Speaker 2: Patsy the Talk of the Playground. All right, more emails.

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Speaker 2: This comes from Bethany Christian. Today would be my dad's birthday.

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Speaker 2: Unfortunately he passed away eight years ago and his all

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Speaker 2: time favorite was The King and hearing my favorite Elvis

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Speaker 2: Presley song on the radio yesterday morning brought me to tears.

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Speaker 2: It felt like a little message from him. Oh that's beautiful. Yeah,

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Speaker 2: yesterday we played the Wonder of You. It was I

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Speaker 2: was allowed to play it by the head of music

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Speaker 2: as a treat. Christian. I have voted for Elvis Wednesdays

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Speaker 2: and hope it becomes a staple on the show. Bethany,

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Speaker 2: thank you very much. I need a thousand. I need

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Speaker 2: a thousand people to back it. At the moment, I

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Speaker 2: think it was six hundred and sixty and apparently some

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Speaker 2: of that six hundred and sixties people go, I don't

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Speaker 2: want it.

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Speaker 4: We just counted all the comments we didn't filter to

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Speaker 4: find positive and negative for a thank you.

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Speaker 2: Very much too. The legend that is Bob Murphy who

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Speaker 2: has also gone waded in and said yes please to

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Speaker 2: Elvis Wednesday. So if you want to have your say,

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Speaker 2: check out Facebook. OC one O four three.

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Speaker 4: How long are you leaving it open for the poll?

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Speaker 2: Rest this year? Christian? I normally a podcast to the show. However,

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Speaker 2: this morning I was having an MRI scan for a

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Speaker 2: persistent hip issue I've had the last six months. For

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00:18:23,520 --> 00:18:26,040
Speaker 2: the MRI, they said I could listen to the radio.

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00:18:26,400 --> 00:18:28,879
Speaker 2: Are they offered smooth, which apparently most people go for.

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00:18:28,960 --> 00:18:31,280
Speaker 2: They just wanted easy while they're in something like an

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Speaker 2: MRI scanner. Have you've ever been in one of those?

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Speaker 1: No?

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Speaker 2: They're awful, terrifying, aren't they. It's bad enough? Why a

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Speaker 2: you're going in? You know you need to check what's

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00:18:38,200 --> 00:18:40,480
Speaker 2: going on with you? And then there is a noise

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00:18:40,720 --> 00:18:47,760
Speaker 2: like you've never heard before from the giant. Why are

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Speaker 2: you in the tube?

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Speaker 1: That tube?

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Speaker 10: There?

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Speaker 2: Feeling costrophobic? The noises that go on for what about

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Speaker 2: half an hour? Patsy?

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Speaker 3: Yeah, twenty minutes?

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Speaker 2: Yeah, they offer you you can listen to a radio

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Speaker 2: show anyway. This guy gets offered smooth, as if you're

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Speaker 2: not suffering enough. I simply I know. Thanks. Before the

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00:19:02,680 --> 00:19:05,399
Speaker 2: attender put the headphones on, I requested, your radio stations

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00:19:05,480 --> 00:19:08,320
Speaker 2: is Yesterday morning Gold please? I'm not sure if the

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Speaker 2: attendant could also hear the first words that suddenly came

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Speaker 2: in to me in my MRI scan as I joined

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Speaker 2: you midlink and I heard you bellowing love God straight away.

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Speaker 2: I know we talk about the wearerb we love God.

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Speaker 2: Thanks for getting me through a rough morning. The show

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Speaker 2: standing great, but I decided the Jackhammer sounds machine dunk

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Speaker 2: and I hope everything's so right with the hit mate

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Speaker 2: leads me to this last email from listener Andy Christian,

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Speaker 2: long suffering UK listener of yours that followed you over

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00:19:33,680 --> 00:19:36,359
Speaker 2: to Australia enjoyed the new show even more than the

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Speaker 2: old show. Wow, that's high praise. Thank you very much, Andy.

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Speaker 2: I think I've got potentially one of your latest ever

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Speaker 2: late to the party contributions. In the first few months

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Speaker 2: in the new show, in twenty eighteen, you sent Jack

441
00:19:46,640 --> 00:19:50,200
Speaker 2: down to the Melbourne Aquarium to sing to Pinjara the Crocodile,

442
00:19:50,440 --> 00:19:52,879
Speaker 2: in the hope that this would aid Pincha's ability to

443
00:19:53,000 --> 00:19:55,440
Speaker 2: predict the football results ahead of the twenty eighteen to

444
00:19:55,760 --> 00:19:58,399
Speaker 2: Rush your World Cup, which failed miserably. As I recall,

445
00:19:58,960 --> 00:20:01,840
Speaker 2: the true victory this was a Jack's version of Elton

446
00:20:01,880 --> 00:20:05,640
Speaker 2: John's crocodile Rock became the only melody that my then

447
00:20:06,040 --> 00:20:08,439
Speaker 2: newborn son would listen to in order to soothe him

448
00:20:08,480 --> 00:20:11,200
Speaker 2: and help him go to sleep. Oh wow, I remember

449
00:20:11,280 --> 00:20:13,399
Speaker 2: one particular drive to the beach that summer where my

450
00:20:13,520 --> 00:20:16,320
Speaker 2: wife had to repeat the replay the forty five second

451
00:20:16,359 --> 00:20:19,520
Speaker 2: clip over and over again for a full two hour

452
00:20:19,680 --> 00:20:22,960
Speaker 2: car drive. It was the only song sound that would

453
00:20:22,960 --> 00:20:25,960
Speaker 2: stop our son from screaming. No idear Why as a

454
00:20:26,000 --> 00:20:28,760
Speaker 2: result of all this airtime, our eldest son for at

455
00:20:28,800 --> 00:20:31,679
Speaker 2: the time, would also want to sing the Panjara song

456
00:20:31,720 --> 00:20:34,439
Speaker 2: at bedtime every night. We managed to find this, By

457
00:20:34,480 --> 00:20:34,879
Speaker 2: the way.

458
00:20:34,920 --> 00:20:39,480
Speaker 4: I remember when I was young anyway, Christian.

459
00:20:39,520 --> 00:20:42,400
Speaker 2: Fast forward to the President the rest of them begins

460
00:20:42,480 --> 00:20:45,239
Speaker 2: time six fifty seven. Fast forward to the present day,

461
00:20:45,280 --> 00:20:47,560
Speaker 2: and our youngest son is now nearly two and is

462
00:20:47,960 --> 00:20:51,119
Speaker 2: generally less screamy. However, last week, something unknown to me

463
00:20:51,160 --> 00:20:54,080
Speaker 2: and my wife caused him to be inconsolable. Nothing we

464
00:20:54,160 --> 00:20:56,520
Speaker 2: could do would stop the tears. He was screaming, screaming.

465
00:20:56,600 --> 00:20:59,040
Speaker 2: In my desperation, I sculled through the old show podcast

466
00:20:59,280 --> 00:21:01,159
Speaker 2: hoping that I could find Jack's rendition of the song

467
00:21:01,200 --> 00:21:03,639
Speaker 2: from twenty eighteen, but I couldn't find it anywhere. Did

468
00:21:03,640 --> 00:21:06,080
Speaker 2: it quick Google couldn't find it anywhere on the internet.

469
00:21:06,160 --> 00:21:08,320
Speaker 2: Can you help me out? Andy. We've gone back through

470
00:21:08,359 --> 00:21:09,959
Speaker 2: the We've gone back through the logs just to take

471
00:21:10,000 --> 00:21:11,879
Speaker 2: you and some of our team time. But we have

472
00:21:12,000 --> 00:21:12,640
Speaker 2: found this again.

473
00:21:12,760 --> 00:21:17,600
Speaker 11: Remember when I was young, being on the radio seems

474
00:21:17,640 --> 00:21:18,560
Speaker 11: so much fun.

475
00:21:18,600 --> 00:21:21,800
Speaker 2: Andy Clark, I will email you this now, hopefully your

476
00:21:21,800 --> 00:21:24,800
Speaker 2: boy can be soothed once more. If you have any

477
00:21:24,880 --> 00:21:27,440
Speaker 2: emails for Lake the Party Christian at god one, O

478
00:21:27,480 --> 00:21:30,359
Speaker 2: four three dot com dot au and a new feature,

479
00:21:30,560 --> 00:21:32,080
Speaker 2: Patsy's Talk of the Playground.

480
00:21:32,119 --> 00:21:33,800
Speaker 4: Please let it just get to the chorus. That's the

481
00:21:33,880 --> 00:21:37,600
Speaker 4: best part. I could die too. Four seeds. Imagine I'm

482
00:21:37,640 --> 00:21:39,480
Speaker 4: in an aquarium singing to a crop.

483
00:21:39,960 --> 00:21:40,959
Speaker 2: Now you're singing to a little boy.

484
00:21:41,080 --> 00:21:45,200
Speaker 11: Thursday morning. Here we are standing in the tank with

485
00:21:45,400 --> 00:21:48,280
Speaker 11: Pinjara singing to a crack.

486
00:21:48,480 --> 00:21:53,160
Speaker 4: It just doesn't seem right. That would be the part

487
00:21:53,200 --> 00:21:55,600
Speaker 4: that puts him to sleep. All right, get ready, everyone,

488
00:21:55,760 --> 00:21:58,399
Speaker 4: pin Jo.

489
00:21:59,160 --> 00:22:03,720
Speaker 2: I've forgot hitch baseball.

490
00:22:04,520 --> 00:22:15,640
Speaker 1: The Christian O'Connell Breakfast Show podcast had.

491
00:22:15,680 --> 00:22:17,680
Speaker 2: Some great news yesterday. The kids will give me a

492
00:22:17,760 --> 00:22:21,280
Speaker 2: tough time again, and my thirteen year old Lois told

493
00:22:21,320 --> 00:22:24,040
Speaker 2: me that her chemistry teacher went up to her yesterday

494
00:22:24,160 --> 00:22:28,440
Speaker 2: right and said quietly, hey, really enjoy your dad's radio show.

495
00:22:28,560 --> 00:22:30,720
Speaker 2: She goes, all right, I'll let him know, and he goes,

496
00:22:31,240 --> 00:22:32,760
Speaker 2: sounds like you and your sister give him a really

497
00:22:32,800 --> 00:22:36,959
Speaker 2: hard time sometimes. As he's walking away, right, and all

498
00:22:37,000 --> 00:22:38,760
Speaker 2: her friends are now looking around, like is she being

499
00:22:38,840 --> 00:22:43,280
Speaker 2: told off? As she's walking away, he goes, I wish

500
00:22:43,359 --> 00:22:45,119
Speaker 2: I could meet this guy and buy my bit. He

501
00:22:45,280 --> 00:22:47,320
Speaker 2: does this, and this is a fellow dad, I reckon.

502
00:22:47,600 --> 00:22:51,679
Speaker 2: He goes, he actually says this hashtag dad's have feelings too.

503
00:22:54,280 --> 00:22:57,320
Speaker 2: That made my day yesterday. I was glowing with that.

504
00:22:57,400 --> 00:22:59,960
Speaker 2: I was like, great, someone else has got my bad

505
00:23:00,119 --> 00:23:00,840
Speaker 2: at the school there.

506
00:23:01,119 --> 00:23:03,840
Speaker 4: That could be an unofficial tagline for this breakfast.

507
00:23:05,560 --> 00:23:08,720
Speaker 2: Dads have feelings too, all right? So Jack wants to

508
00:23:08,800 --> 00:23:10,439
Speaker 2: talk about whether or not I've seen this a lot

509
00:23:10,480 --> 00:23:13,240
Speaker 2: since I moved here, driving around shirtless? Do you do

510
00:23:13,359 --> 00:23:13,800
Speaker 2: this well?

511
00:23:13,880 --> 00:23:17,080
Speaker 4: I had a friend message me yesterday for confirmation that

512
00:23:17,240 --> 00:23:21,240
Speaker 4: he saw Andy Lee doing exactly this because he thought

513
00:23:21,320 --> 00:23:23,360
Speaker 4: he saw Andy and he texted me, goes, I think

514
00:23:23,400 --> 00:23:26,000
Speaker 4: I just saw Andy in his car shirtless. Would he

515
00:23:26,080 --> 00:23:28,280
Speaker 4: be the kind of guy to drive around shirtless?

516
00:23:28,320 --> 00:23:28,440
Speaker 5: You know?

517
00:23:28,520 --> 00:23:31,000
Speaker 2: And it was a nice day yesterday, so sons out,

518
00:23:31,040 --> 00:23:33,720
Speaker 2: guns out. So I texted Andy and asked, was it him?

519
00:23:34,040 --> 00:23:35,440
Speaker 2: Does he drive around shirtless?

520
00:23:35,560 --> 00:23:35,720
Speaker 9: Yes?

521
00:23:36,280 --> 00:23:42,879
Speaker 4: To answer your question, I would travel shirtless more than occasionally, and.

522
00:23:44,480 --> 00:23:46,680
Speaker 2: Pantless just occasion ly.

523
00:23:47,480 --> 00:23:50,159
Speaker 11: Although I didn't come back from the beach on the

524
00:23:50,240 --> 00:23:55,200
Speaker 11: weekend without pants on, but with a top on very rarely.

525
00:23:55,320 --> 00:23:56,080
Speaker 1: Will I just be an.

526
00:23:56,080 --> 00:24:00,480
Speaker 2: Underpants wowing on there?

527
00:24:00,960 --> 00:24:02,240
Speaker 4: There's a lot more than I thought.

528
00:24:02,400 --> 00:24:06,840
Speaker 2: And also, you know Andy Lee, very instantly recognizable, famous guy.

529
00:24:06,880 --> 00:24:08,640
Speaker 2: He's like a famous lighthouse when you see him walking

530
00:24:08,640 --> 00:24:10,720
Speaker 2: along him Her name is very tall guys, aren't they?

531
00:24:10,760 --> 00:24:10,800
Speaker 1: Like?

532
00:24:10,880 --> 00:24:13,800
Speaker 2: You have three of you very tall guys. But driving

533
00:24:13,880 --> 00:24:18,119
Speaker 2: around it's driving around shirtless. That doesn't feel right to

534
00:24:18,240 --> 00:24:20,640
Speaker 2: me for a man of his fame and stature drive

535
00:24:20,680 --> 00:24:21,480
Speaker 2: around shirtless.

536
00:24:21,600 --> 00:24:22,800
Speaker 4: Do you think it's an ego thing?

537
00:24:23,040 --> 00:24:25,840
Speaker 2: No, it's a power move. Yeah yeah, check it out.

538
00:24:25,880 --> 00:24:27,520
Speaker 2: It is me, Andy Lee. Look at that, I've got

539
00:24:27,560 --> 00:24:31,159
Speaker 2: no top on. But you know what, he'll have air con.

540
00:24:31,280 --> 00:24:34,680
Speaker 2: That Bentley he drives around in, right, have amazing air con,

541
00:24:34,680 --> 00:24:35,040
Speaker 2: won't it.

542
00:24:35,160 --> 00:24:37,240
Speaker 4: Well? The batmobile you're going around in, would you go

543
00:24:37,359 --> 00:24:38,000
Speaker 4: shirtless in that?

544
00:24:38,280 --> 00:24:41,440
Speaker 2: No, it's not a thing to drive around shirtless.

545
00:24:41,040 --> 00:24:43,600
Speaker 4: But on a hot on a nice summary day like

546
00:24:43,680 --> 00:24:45,600
Speaker 4: it was nice yesterday twenty nine degrees.

547
00:24:45,359 --> 00:24:48,399
Speaker 2: Doesn't it all sticky and sweaty, just hygiene wise, you know,

548
00:24:48,920 --> 00:24:51,240
Speaker 2: it's just it's not a very good look just driving

549
00:24:51,280 --> 00:24:54,760
Speaker 2: around shirt This feels a bit. Have you driven shirtlesses?

550
00:24:54,800 --> 00:24:56,680
Speaker 4: This is why you're well, I know. I don't do

551
00:24:56,760 --> 00:24:58,560
Speaker 4: it anymore because I got I thought.

552
00:24:58,400 --> 00:25:00,800
Speaker 2: The last six months. No, you're and you got your

553
00:25:00,840 --> 00:25:04,240
Speaker 2: personal trainer, Franks, when you would be walking around shirtless,

554
00:25:04,320 --> 00:25:06,640
Speaker 2: because if you're gonna work that hard and training three

555
00:25:06,680 --> 00:25:09,040
Speaker 2: times a week, you want everyone you want to get

556
00:25:09,040 --> 00:25:10,920
Speaker 2: the reward back. Don't you want people to go what

557
00:25:11,000 --> 00:25:12,399
Speaker 2: are you working out? What have you changed?

558
00:25:12,480 --> 00:25:12,520
Speaker 12: No?

559
00:25:12,880 --> 00:25:17,440
Speaker 2: Get those doubts. Is it leg day to day? Is

560
00:25:17,520 --> 00:25:18,280
Speaker 2: it leg day to day?

561
00:25:18,720 --> 00:25:20,880
Speaker 4: It's I am saying, Frank this morning, this is full

562
00:25:20,880 --> 00:25:21,360
Speaker 4: body day.

563
00:25:21,440 --> 00:25:24,280
Speaker 2: Oh, full body day.

564
00:25:24,800 --> 00:25:27,280
Speaker 4: But I don't I'm not doing it for egotistical reasons,

565
00:25:27,320 --> 00:25:29,399
Speaker 4: sort of show off. Just doing it for health and

566
00:25:29,480 --> 00:25:32,359
Speaker 4: well being. But I never go shirtless anymore because I

567
00:25:32,400 --> 00:25:35,359
Speaker 4: actually got pulled over shirtless once and ever since then,

568
00:25:35,400 --> 00:25:37,600
Speaker 4: I've never But it's not illegal, is it?

569
00:25:37,960 --> 00:25:38,000
Speaker 11: No?

570
00:25:38,119 --> 00:25:40,159
Speaker 4: No, I didn't get pulled over for They were like,

571
00:25:40,280 --> 00:25:40,879
Speaker 4: put over.

572
00:25:41,880 --> 00:25:46,480
Speaker 2: Your body, now, go and see Frank the personal trainer,

573
00:25:46,840 --> 00:25:49,840
Speaker 2: and let you carry on and go and do a

574
00:25:49,960 --> 00:25:53,080
Speaker 2: leg day. Don't skip any more leg days. I've seen

575
00:25:53,119 --> 00:25:55,520
Speaker 2: people driving around shirtless here a lot way more in

576
00:25:55,600 --> 00:25:58,280
Speaker 2: England it's a rarer thing. You do get some occasional guys.

577
00:25:58,320 --> 00:25:59,639
Speaker 4: Well, you don't have warm days there.

578
00:26:00,440 --> 00:26:03,080
Speaker 2: I think last year we had five warm days.

579
00:26:04,520 --> 00:26:05,080
Speaker 4: City down.

580
00:26:07,320 --> 00:26:09,320
Speaker 2: When it gets to twenty four the train train tracks

581
00:26:09,359 --> 00:26:11,080
Speaker 2: actually start melting in the UK when it gets about

582
00:26:11,119 --> 00:26:14,800
Speaker 2: twenty five. Do you drive shirtless? Ninety four one four

583
00:26:15,040 --> 00:26:18,400
Speaker 2: one o four three, Yes or no? In the UK,

584
00:26:18,920 --> 00:26:20,960
Speaker 2: there's only one type of person who do this. And

585
00:26:21,040 --> 00:26:23,480
Speaker 2: I'm not making a generalization, but there's always one type

586
00:26:23,480 --> 00:26:26,240
Speaker 2: of person. If you ever saw someone driving shirtless, it

587
00:26:26,359 --> 00:26:30,520
Speaker 2: was always one hundred. I can always always guess that

588
00:26:31,240 --> 00:26:34,600
Speaker 2: was a trade, all right, after a long work, Yeah,

589
00:26:34,640 --> 00:26:37,399
Speaker 2: working really hard and I get that that's fair enough, okay,

590
00:26:37,720 --> 00:26:39,880
Speaker 2: but do you drive shirtless? Nine four one four one

591
00:26:39,920 --> 00:26:42,200
Speaker 2: o four three. Please don't call the show about the

592
00:26:42,240 --> 00:26:43,920
Speaker 2: other bit that Andy Lee started talking about. I don't

593
00:26:43,920 --> 00:26:47,880
Speaker 2: want to get into that today. About driving pantless. There's

594
00:26:47,920 --> 00:26:49,240
Speaker 2: a smash mouth on goal. Come on.

595
00:26:49,359 --> 00:26:53,719
Speaker 1: In the Christian O'Connell Breakfast Show podcast.

596
00:26:53,359 --> 00:26:57,720
Speaker 2: Do you drive shirtless? Jack's actually been pulled over driving shirtless?

597
00:26:57,920 --> 00:27:00,960
Speaker 2: Did please say? Hey, it's by the way, don't drive

598
00:27:01,040 --> 00:27:04,520
Speaker 2: like that anymore? Put a shirt off. That's some status man,

599
00:27:04,800 --> 00:27:06,959
Speaker 2: Chris the love God, he's not driving around shirtless?

600
00:27:06,960 --> 00:27:07,080
Speaker 1: Is he?

601
00:27:07,240 --> 00:27:07,359
Speaker 2: Oh?

602
00:27:07,560 --> 00:27:09,240
Speaker 3: Heaven's no. In that office works.

603
00:27:09,680 --> 00:27:12,439
Speaker 2: No way. You do not get to be last year's

604
00:27:12,760 --> 00:27:16,160
Speaker 2: Office Works Salesman of the Year turning up to meetings

605
00:27:16,480 --> 00:27:20,680
Speaker 2: shirtless with a boot full of stationary products. That is

606
00:27:20,720 --> 00:27:23,080
Speaker 2: not the way you win that title. Okay, all right,

607
00:27:23,119 --> 00:27:25,320
Speaker 2: let's testing course nine four one four one o four

608
00:27:25,480 --> 00:27:26,879
Speaker 2: three Simon, come.

609
00:27:26,760 --> 00:27:28,639
Speaker 6: On him, Good morning, Christian.

610
00:27:28,680 --> 00:27:28,960
Speaker 4: How are you?

611
00:27:29,160 --> 00:27:31,800
Speaker 2: I'm good, buddy, hope you well fast? Your caller shirt? Simon?

612
00:27:31,880 --> 00:27:32,720
Speaker 2: Are your shirtless?

613
00:27:33,600 --> 00:27:35,440
Speaker 6: No way would I go shirtless in the car?

614
00:27:37,440 --> 00:27:39,879
Speaker 2: Yeah? Exactly, And why why they're ruling Simon?

615
00:27:40,560 --> 00:27:42,840
Speaker 6: Well, I have leather feats in my car, and there's

616
00:27:42,920 --> 00:27:45,040
Speaker 6: no way that I would expose more skin to hot

617
00:27:45,160 --> 00:27:45,760
Speaker 6: leather seats.

618
00:27:46,880 --> 00:27:48,440
Speaker 2: You're right if the car has been sat in the

619
00:27:48,480 --> 00:27:50,359
Speaker 2: sun for a couple of hours. This agony, isn't it?

620
00:27:50,400 --> 00:27:52,200
Speaker 2: When you when you wear shirts. Who was touching the

621
00:27:52,280 --> 00:27:53,439
Speaker 2: steering wheel with your hands?

622
00:27:53,760 --> 00:27:55,760
Speaker 6: Oh horrible, you have to have a towel in the car.

623
00:27:57,400 --> 00:28:00,200
Speaker 2: Simon, thank you very much. You cool, not a have

624
00:28:00,240 --> 00:28:04,520
Speaker 2: a good die and Linda, good morning, Good morning Linda.

625
00:28:05,000 --> 00:28:09,000
Speaker 2: I can't be asking a lady this, Linda, what do

626
00:28:09,080 --> 00:28:09,360
Speaker 2: you think?

627
00:28:10,320 --> 00:28:12,120
Speaker 10: No, definitely not as a woman.

628
00:28:12,240 --> 00:28:15,880
Speaker 7: I can't drive shirtless. And I don't see why other

629
00:28:16,040 --> 00:28:17,720
Speaker 7: people should have their nipples out.

630
00:28:17,840 --> 00:28:22,320
Speaker 4: Yeah. Equality, equality for all, egle, rice and nipples.

631
00:28:24,000 --> 00:28:27,359
Speaker 2: Let's start the black arms now, Hi, Linda, well said,

632
00:28:27,400 --> 00:28:29,520
Speaker 2: thank you very much for give us a call. No

633
00:28:29,680 --> 00:28:35,280
Speaker 2: married thanks Christian, Christian, good morning morning. I'm good Christians.

634
00:28:35,280 --> 00:28:36,600
Speaker 2: So do you drive shirtless?

635
00:28:37,200 --> 00:28:37,600
Speaker 4: Of course?

636
00:28:38,400 --> 00:28:41,720
Speaker 2: Of course? Not just yes, of course? And how sore

637
00:28:41,800 --> 00:28:42,719
Speaker 2: you you like the feeling?

638
00:28:42,880 --> 00:28:46,080
Speaker 9: Or oh look I work out four times away sometimes

639
00:28:46,400 --> 00:28:49,280
Speaker 9: to die and you know I've also am asiety as well.

640
00:28:49,680 --> 00:28:52,680
Speaker 9: At the end of the day, when people can look

641
00:28:52,720 --> 00:28:53,920
Speaker 9: at your beautiful.

642
00:28:53,840 --> 00:28:56,040
Speaker 2: Yeah, that's fair enough. You enjoy people looking at You've

643
00:28:56,040 --> 00:28:57,400
Speaker 2: got a good body. You put a lot of work

644
00:28:57,440 --> 00:28:58,160
Speaker 2: into that, right.

645
00:28:58,600 --> 00:29:00,200
Speaker 9: Well, that's the thing your body is. Well, you know

646
00:29:00,240 --> 00:29:02,280
Speaker 9: our place of cui, you sculpt it, you know, That's

647
00:29:02,560 --> 00:29:03,120
Speaker 9: that's why.

648
00:29:03,960 --> 00:29:06,080
Speaker 2: On the line, Arnie.

649
00:29:06,320 --> 00:29:06,880
Speaker 1: I love that.

650
00:29:08,840 --> 00:29:11,440
Speaker 2: You're working out twice a day. Who are you the rock?

651
00:29:12,440 --> 00:29:12,480
Speaker 1: No?

652
00:29:12,720 --> 00:29:15,520
Speaker 9: No, I just you know, no kids and I walk nothing,

653
00:29:16,360 --> 00:29:16,560
Speaker 9: that's what.

654
00:29:17,120 --> 00:29:19,680
Speaker 4: Yeah, it must be some tradey hey, Like, are you

655
00:29:19,720 --> 00:29:21,600
Speaker 4: ever rocking up to jobs? If you're doing twice a

656
00:29:21,640 --> 00:29:22,200
Speaker 4: day at the gym?

657
00:29:23,200 --> 00:29:25,280
Speaker 9: I've had a name that five am and then after

658
00:29:25,360 --> 00:29:27,520
Speaker 9: work it'll be probably maybe past thirty six pm.

659
00:29:27,920 --> 00:29:31,520
Speaker 2: Wow, I don't think even footy players get into that

660
00:29:31,680 --> 00:29:33,800
Speaker 2: kind of shame. You need to get picked by that

661
00:29:33,920 --> 00:29:35,560
Speaker 2: these needs. You are going to pass your name on

662
00:29:35,640 --> 00:29:37,400
Speaker 2: to Gary Park. They need to add you to the

663
00:29:37,480 --> 00:29:44,200
Speaker 2: list the fittest man in And Jack Skip's leg day.

664
00:29:44,240 --> 00:29:47,640
Speaker 2: I know he does. I've seen his cast. Yeah, I've

665
00:29:47,680 --> 00:29:50,640
Speaker 2: seen his cast. He's got a full body day to day.

666
00:29:50,640 --> 00:29:52,360
Speaker 2: What have you got ahead of you today, Arnie?

667
00:29:53,560 --> 00:30:00,520
Speaker 9: Today's this morning with the shoulders trapped and the probably

668
00:30:00,800 --> 00:30:03,160
Speaker 9: just a light workout, setting my workout of the way.

669
00:30:03,440 --> 00:30:05,800
Speaker 2: See this is like this is Jack. Jack's getting Jack's

670
00:30:05,800 --> 00:30:07,080
Speaker 2: getting excited bout this kind of.

671
00:30:11,240 --> 00:30:13,720
Speaker 4: Christian But this is not what I get off on.

672
00:30:15,560 --> 00:30:21,520
Speaker 2: But we know what Pepe does, all right, Christian? Thanks

673
00:30:21,560 --> 00:30:21,920
Speaker 2: you cool.

674
00:30:22,520 --> 00:30:25,920
Speaker 1: Thanks the Christian O'Connell Breakfast Show podcast.

675
00:30:26,160 --> 00:30:28,960
Speaker 2: So Jack Post has converted his spare bedroom into a

676
00:30:29,040 --> 00:30:32,800
Speaker 2: home recording studio. He has said that I'm free to

677
00:30:32,960 --> 00:30:35,560
Speaker 2: use this. I'd like to offer this brand new service

678
00:30:35,880 --> 00:30:39,360
Speaker 2: to you good people now this year. It's obviously it's

679
00:30:39,360 --> 00:30:41,320
Speaker 2: been a very very tough start for the year and

680
00:30:41,880 --> 00:30:44,959
Speaker 2: for a lot of local and little businesses. It's going

681
00:30:45,000 --> 00:30:47,360
Speaker 2: to be really hard even for you know, people that

682
00:30:47,400 --> 00:30:49,800
Speaker 2: advertise us radio stations, you know, pay to keep the

683
00:30:49,880 --> 00:30:51,800
Speaker 2: lights on this show and that you know, people are

684
00:30:51,800 --> 00:30:53,080
Speaker 2: going to have a tough time this year. You know,

685
00:30:53,080 --> 00:30:56,120
Speaker 2: we're talking about canceling events, not going to places. It's

686
00:30:56,160 --> 00:30:58,080
Speaker 2: a worrying time for businesses. So I will make sure

687
00:30:58,120 --> 00:31:00,600
Speaker 2: that we are doing our bit for this all time

688
00:31:01,200 --> 00:31:04,120
Speaker 2: local businesses of Melbourne, which is why we're rolling out

689
00:31:04,160 --> 00:31:10,600
Speaker 2: this brand new servers the one dollar jingle. We are

690
00:31:10,680 --> 00:31:14,400
Speaker 2: gonna make you a free radio jingle. Now it gost

691
00:31:14,440 --> 00:31:16,320
Speaker 2: you one dollar. The only reason I'm asking for dollar

692
00:31:16,360 --> 00:31:18,520
Speaker 2: for you is for legal reasons. I can't give you

693
00:31:18,640 --> 00:31:22,280
Speaker 2: a free radio spot, as they call him in the trade,

694
00:31:22,440 --> 00:31:24,160
Speaker 2: can't give you a free jingle. There has to be

695
00:31:24,200 --> 00:31:27,000
Speaker 2: at least one dollar exchange. So it's the one dollar jingle,

696
00:31:27,240 --> 00:31:31,280
Speaker 2: but you get a free advert made at Jackie Rohad studios.

697
00:31:31,960 --> 00:31:33,440
Speaker 2: So this is gonna be your first commission.

698
00:31:33,560 --> 00:31:35,680
Speaker 4: This will be my first official project sign.

699
00:31:35,680 --> 00:31:36,360
Speaker 2: It's really exciting.

700
00:31:36,440 --> 00:31:38,520
Speaker 4: That music that you're playing, is not it By the way,

701
00:31:38,600 --> 00:31:39,479
Speaker 4: that's not something I did.

702
00:31:39,680 --> 00:31:41,800
Speaker 2: This is what we could call demo modes. This is

703
00:31:41,840 --> 00:31:45,400
Speaker 2: the demo mode. But most adverts the very can I

704
00:31:45,520 --> 00:31:49,840
Speaker 2: just say on Gold we play only the finest premium redvers.

705
00:31:50,000 --> 00:31:52,760
Speaker 2: When I if you think I'm criticizing radio adverts, I'm

706
00:31:52,800 --> 00:31:54,800
Speaker 2: talking about the ones you hear on Eddie McGuire's show,

707
00:31:55,040 --> 00:31:57,040
Speaker 2: which are the very worst. In the one, I'm talking

708
00:31:57,080 --> 00:31:59,960
Speaker 2: about the ones on Fox. Those adverts. They all say

709
00:32:00,400 --> 00:32:03,680
Speaker 2: the ones are made here. I mean they are, Let's

710
00:32:03,720 --> 00:32:05,880
Speaker 2: be honest. The highlight of the show is every time

711
00:32:05,880 --> 00:32:07,720
Speaker 2: we go to ab break, Yes, you and I will

712
00:32:07,760 --> 00:32:10,280
Speaker 2: sit there crank up the volin studio to find out

713
00:32:10,320 --> 00:32:11,880
Speaker 2: what deals and discounts are around.

714
00:32:11,680 --> 00:32:13,640
Speaker 4: And people will usually doing their cars as well. Where

715
00:32:13,680 --> 00:32:17,120
Speaker 4: are we turn that down? Yeah? Talk to you. The

716
00:32:17,160 --> 00:32:17,600
Speaker 4: ads are on.

717
00:32:18,320 --> 00:32:19,760
Speaker 2: Looking at the watch when they're going to go to

718
00:32:19,800 --> 00:32:22,120
Speaker 2: another ad break. There aren't enough. In fact, if it

719
00:32:22,200 --> 00:32:24,120
Speaker 2: was more ads on the show, I'd probably listen for longer.

720
00:32:24,840 --> 00:32:27,360
Speaker 2: But if you listen to a lot of radio adverts,

721
00:32:27,400 --> 00:32:30,280
Speaker 2: they always begin with one of two ways. The first

722
00:32:30,360 --> 00:32:33,840
Speaker 2: way is you'll hear someone like me say this thinking

723
00:32:33,880 --> 00:32:37,600
Speaker 2: about getting a brand new conservatory. I'm asking you a

724
00:32:37,680 --> 00:32:40,800
Speaker 2: question you're thinking actually maybe I am. Or they begin

725
00:32:41,040 --> 00:32:44,600
Speaker 2: like this there's never been a better time to get

726
00:32:44,600 --> 00:32:49,160
Speaker 2: a new conservatory. Or local radio adverts begin one of

727
00:32:49,200 --> 00:32:53,440
Speaker 2: those two ways. You're either you're thinking about or there's

728
00:32:53,480 --> 00:32:56,000
Speaker 2: never been a better time too. So whatever advert we

729
00:32:56,080 --> 00:32:57,880
Speaker 2: make on this feature, and we're calling it the one

730
00:32:57,920 --> 00:33:00,560
Speaker 2: dollar Jingle, you can call in there if you've got

731
00:33:00,600 --> 00:33:03,600
Speaker 2: a little small local business nine four one four one

732
00:33:03,680 --> 00:33:05,720
Speaker 2: oh four to three, Jack, what do we need to

733
00:33:05,800 --> 00:33:07,640
Speaker 2: turn around this jingle in twenty four hours?

734
00:33:07,920 --> 00:33:09,680
Speaker 4: All we need is you to tell us what your

735
00:33:09,720 --> 00:33:13,120
Speaker 4: small business does. Yep, probably a phone number or website. Yeah,

736
00:33:13,120 --> 00:33:15,360
Speaker 4: and then maybe finish the phrase, there's never been a

737
00:33:15,440 --> 00:33:17,800
Speaker 4: better time to dot dot dom Yep. You start us up.

738
00:33:17,880 --> 00:33:18,440
Speaker 4: We'll do the rest.

739
00:33:18,600 --> 00:33:20,840
Speaker 2: Jack will add all the music bits. The voiceover man

740
00:33:20,880 --> 00:33:23,560
Speaker 2: will of course be myself with my beautiful brown Ververty voice.

741
00:33:24,120 --> 00:33:28,440
Speaker 2: The christ Joan O'Connell Breakfast Show podcast new service. We're

742
00:33:28,480 --> 00:33:33,080
Speaker 2: offering the one dollar jingle from friends who are running

743
00:33:33,120 --> 00:33:34,960
Speaker 2: a local business. Twenty twenty is going to be a

744
00:33:35,000 --> 00:33:36,800
Speaker 2: challenging here, let us help you out with a free

745
00:33:36,880 --> 00:33:39,240
Speaker 2: advert just cost you one dollar. The reason we need

746
00:33:39,280 --> 00:33:41,760
Speaker 2: the one dollar for legal reasons. Get this, You cannot

747
00:33:41,800 --> 00:33:43,600
Speaker 2: have a free radio advert that has to be at

748
00:33:43,720 --> 00:33:46,600
Speaker 2: least one dollar exchange. So one dollar and Jack and

749
00:33:46,640 --> 00:33:48,200
Speaker 2: I will make you in twenty four hours will turn

750
00:33:48,240 --> 00:33:51,960
Speaker 2: around a great radio advert. All great radio adverts begin

751
00:33:52,040 --> 00:33:55,520
Speaker 2: in one or two ways. Either there's never been a

752
00:33:55,600 --> 00:34:00,440
Speaker 2: better time too, or thinking about getting a new whatever

753
00:34:00,480 --> 00:34:03,240
Speaker 2: it is. So that's how your advert will begin. And

754
00:34:03,280 --> 00:34:05,280
Speaker 2: then obviously Jack can work out the musical parts with

755
00:34:05,360 --> 00:34:07,880
Speaker 2: the jingles and the song phone number. That's the other thing.

756
00:34:07,920 --> 00:34:10,480
Speaker 2: The great as is this classic such the song phone

757
00:34:10,560 --> 00:34:13,000
Speaker 2: number to get it in your head home recording studio

758
00:34:13,040 --> 00:34:15,319
Speaker 2: is going to pay off gold here. All right, let's

759
00:34:15,320 --> 00:34:24,959
Speaker 2: go to Matt. First of all, Good morning, Matt, Matt, Matt, Hello,

760
00:34:25,280 --> 00:34:28,719
Speaker 2: how we got them a third time? Lucky Matt? Yes, Matt,

761
00:34:28,719 --> 00:34:30,399
Speaker 2: what's the name of your business mate?

762
00:34:30,440 --> 00:34:30,759
Speaker 4: What do you do?

763
00:34:31,480 --> 00:34:31,600
Speaker 8: Ah?

764
00:34:31,719 --> 00:34:35,239
Speaker 6: Royal driveways are the concreting royal driveways?

765
00:34:35,480 --> 00:34:42,279
Speaker 2: This sounds regal. This sounds more kind of royal driveways.

766
00:34:43,239 --> 00:34:45,960
Speaker 2: There's never been a bit of time find new driveway,

767
00:34:46,320 --> 00:34:52,080
Speaker 2: new driveway, new you, new home. Royal driveways royal for

768
00:34:52,200 --> 00:34:56,560
Speaker 2: a reason right itself, Matt? I do these every single

769
00:34:56,960 --> 00:35:00,800
Speaker 2: right about Benning in a script? Royal driveways? And have

770
00:35:00,800 --> 00:35:02,440
Speaker 2: you got any kind of discounts.

771
00:35:01,960 --> 00:35:05,600
Speaker 6: At the moment, Matt, I think I could think of

772
00:35:05,680 --> 00:35:07,320
Speaker 6: something yet, right, Okay.

773
00:35:07,200 --> 00:35:08,880
Speaker 2: So what area do you work in? Will you go

774
00:35:09,000 --> 00:35:10,520
Speaker 2: with over Melbourne or do you have an area in

775
00:35:10,520 --> 00:35:11,080
Speaker 2: the suburbs.

776
00:35:11,480 --> 00:35:13,520
Speaker 6: I'm only go all over Melbourne, depends on the work.

777
00:35:13,400 --> 00:35:15,600
Speaker 2: Yeah, right, Okay, how many years have you been going?

778
00:35:16,440 --> 00:35:18,000
Speaker 9: Oh that's fifteen twenty years?

779
00:35:18,080 --> 00:35:20,160
Speaker 2: Okay, let's call it twenty years. Sounds so much for

780
00:35:20,239 --> 00:35:23,400
Speaker 2: twenty years. And you've got five star yet reviews?

781
00:35:24,320 --> 00:35:26,399
Speaker 9: Oh hope, So I haven't checked in a while, but yeah,

782
00:35:26,680 --> 00:35:27,160
Speaker 9: five stars.

783
00:35:27,880 --> 00:35:30,000
Speaker 4: Yeah, it's gonna.

784
00:35:30,120 --> 00:35:34,080
Speaker 2: Over sell himsels. Don't worry about the facts. Okay, who's

785
00:35:34,160 --> 00:35:35,640
Speaker 2: going to check up on this kind of stuff?

786
00:35:35,640 --> 00:35:37,720
Speaker 4: Matt? He's only the best concrete.

787
00:35:38,120 --> 00:35:39,799
Speaker 10: Absolutely, yeah, yeah, to put that in there.

788
00:35:39,880 --> 00:35:42,200
Speaker 2: Why are you called royal driveways?

789
00:35:44,000 --> 00:35:45,640
Speaker 10: I think because I think of myself as a royal

790
00:35:45,760 --> 00:35:46,240
Speaker 10: to be honest.

791
00:35:46,480 --> 00:35:50,160
Speaker 4: So okay, okay, So it's not the driveway, it's the premium.

792
00:35:50,280 --> 00:35:51,359
Speaker 4: It's the guy making them.

793
00:35:51,440 --> 00:35:53,640
Speaker 2: Yeah, driveways, the driveways and.

794
00:35:53,640 --> 00:35:54,239
Speaker 6: The royal is me.

795
00:35:54,440 --> 00:35:59,680
Speaker 2: So I've got it. Okay, royal driveways royal for a reason.

796
00:36:01,000 --> 00:36:04,000
Speaker 2: That reason I forgot, Now what was it? We'll come out.

797
00:36:04,040 --> 00:36:06,239
Speaker 2: So we've got twenty four hours, Matt. That's a great, strong,

798
00:36:06,680 --> 00:36:10,799
Speaker 2: strong contender for tomorrow's one dollar jingle. Okay, you all right,

799
00:36:10,880 --> 00:36:14,279
Speaker 2: let's go to Marie. Good morning, Marie, good morning, How

800
00:36:14,360 --> 00:36:16,319
Speaker 2: are you. I'm good, Marie. Tell us about your little

801
00:36:16,320 --> 00:36:18,200
Speaker 2: whole business, your local business. What do you do, mate?

802
00:36:18,680 --> 00:36:22,320
Speaker 13: Yeah, I'm a mobile hairdresser. I've had my business for

803
00:36:22,719 --> 00:36:27,320
Speaker 13: about twenty four years, and I just thought, with everything

804
00:36:27,400 --> 00:36:29,279
Speaker 13: going on at the moment, if you'd like to have

805
00:36:29,440 --> 00:36:31,560
Speaker 13: your hair done in the comfort of your own heights.

806
00:36:31,640 --> 00:36:34,239
Speaker 2: This is actually really good. Yeah, because I haairdresses. I'm

807
00:36:34,280 --> 00:36:36,600
Speaker 2: going next week to get my little one. And you're

808
00:36:36,680 --> 00:36:38,439
Speaker 2: right worried about it. You got all those people going

809
00:36:38,560 --> 00:36:40,279
Speaker 2: day in, day out. You don't know what what's wrong

810
00:36:40,320 --> 00:36:42,320
Speaker 2: with This is a great deal. What's the name of

811
00:36:42,600 --> 00:36:43,680
Speaker 2: your mobile hairdressers?

812
00:36:44,200 --> 00:36:48,280
Speaker 13: So it's Vanilla Hair and so Vanilla as in the essence,

813
00:36:48,480 --> 00:36:53,719
Speaker 13: the food, essence, and for every visit, every home visit,

814
00:36:54,320 --> 00:36:58,320
Speaker 13: your the clients will receive a bottle of natural shampoo.

815
00:37:00,040 --> 00:37:04,839
Speaker 13: It's got no chemicals in it whatsoever, and so it's

816
00:37:04,880 --> 00:37:07,000
Speaker 13: perfectly pure as shampoo and condition.

817
00:37:07,280 --> 00:37:09,680
Speaker 2: There's never been even a time to get your haircut

818
00:37:10,360 --> 00:37:12,680
Speaker 2: with Vanilla. What is the name of the business is

819
00:37:12,719 --> 00:37:13,480
Speaker 2: this Vanilla Hair?

820
00:37:14,080 --> 00:37:17,760
Speaker 8: Vanilla Hair got it thinking about.

821
00:37:17,560 --> 00:37:20,879
Speaker 2: Getting a new haircut. The time is now with Vanilla Hair.

822
00:37:21,120 --> 00:37:24,319
Speaker 2: Doesn't come to us, We come to you. Every cut

823
00:37:24,480 --> 00:37:28,040
Speaker 2: comes with a fee complimentary bottle of herbal essences for

824
00:37:28,160 --> 00:37:30,640
Speaker 2: the essence of you and the essence of your hair.

825
00:37:30,880 --> 00:37:33,200
Speaker 2: Go Vanilla, get it done in your comfort of your

826
00:37:33,239 --> 00:37:37,840
Speaker 2: own home. Vanilla Hair. Hey, we've got something here, right.

827
00:37:37,880 --> 00:37:39,440
Speaker 2: What's your phone number for Chack to work out our

828
00:37:39,440 --> 00:37:40,040
Speaker 2: song jingle?

829
00:37:41,200 --> 00:37:44,359
Speaker 13: My phone number is four double seven.

830
00:37:44,280 --> 00:37:45,960
Speaker 2: And this is the personal number, is it? And when

831
00:37:46,000 --> 00:37:47,800
Speaker 2: it creeps and we're going to is this actually the

832
00:37:47,880 --> 00:37:48,479
Speaker 2: business number?

833
00:37:49,120 --> 00:37:50,399
Speaker 13: Yeah, that's a business number.

834
00:37:50,520 --> 00:37:51,160
Speaker 6: Yeah, carry on?

835
00:37:52,480 --> 00:37:56,880
Speaker 13: So oh four double seven, double one, double three, five.

836
00:37:56,840 --> 00:37:59,200
Speaker 4: Night loving all those doubles. That's really catching up.

837
00:37:59,239 --> 00:38:00,279
Speaker 9: I know that.

838
00:38:02,600 --> 00:38:06,480
Speaker 2: Vanilla as in the essence. Thank you all right, who

839
00:38:06,520 --> 00:38:07,080
Speaker 2: should we go with?

840
00:38:07,600 --> 00:38:09,080
Speaker 4: I like the mobile heads us.

841
00:38:09,440 --> 00:38:11,680
Speaker 2: I mean, I like, yeah, we can only pick one

842
00:38:11,719 --> 00:38:13,839
Speaker 2: a week. We're going to go with you, Marie. We're

843
00:38:13,880 --> 00:38:15,040
Speaker 2: going to go with you. We're going to make you

844
00:38:15,080 --> 00:38:16,080
Speaker 2: a jingle for tomorrow morning.

845
00:38:16,600 --> 00:38:18,320
Speaker 13: Oh that's too beautiful. Thank you.

846
00:38:18,719 --> 00:38:20,560
Speaker 2: All we need from you is a doller. But we'll

847
00:38:20,560 --> 00:38:22,480
Speaker 2: call you back tomorrow morning and play you your advert

848
00:38:22,520 --> 00:38:25,520
Speaker 2: for frees you can hear it? Yes, sure, all right,

849
00:38:25,640 --> 00:38:27,480
Speaker 2: ray Well speak to you tomorrow morning. Hopefully you have.

850
00:38:27,719 --> 00:38:28,759
Speaker 5: Thank you, Thank you.

851
00:38:29,280 --> 00:38:29,560
Speaker 13: Bye.

852
00:38:29,880 --> 00:38:32,320
Speaker 1: The Christian O'Connor Breakfast Show podcast.

853
00:38:32,640 --> 00:38:35,440
Speaker 2: Hey, welcome to this week's Isolated Vocal. This is where

854
00:38:35,440 --> 00:38:38,320
Speaker 2: we stop everything. Player an isolated vocal and that is

855
00:38:38,400 --> 00:38:40,680
Speaker 2: just their vocal vocalist laying down there. Part of the

856
00:38:40,760 --> 00:38:42,880
Speaker 2: song removed strip back from any of the music, and

857
00:38:42,960 --> 00:38:45,759
Speaker 2: what you hear is far rawer, more powerful. This was

858
00:38:45,800 --> 00:38:47,640
Speaker 2: the great one biggest selling single around the world of

859
00:38:47,719 --> 00:38:49,480
Speaker 2: nineteen eighty five for one of the biggest bands of

860
00:38:49,520 --> 00:38:52,080
Speaker 2: the eighties, Tears of Fears. Songs from the Big Chair,

861
00:38:52,160 --> 00:38:54,399
Speaker 2: one of the greatest albums, one of the greatest pop

862
00:38:54,440 --> 00:38:56,080
Speaker 2: apples of all time, but one of the biggest albums

863
00:38:56,080 --> 00:38:58,160
Speaker 2: of the eighties. They were due to be coming here

864
00:38:58,200 --> 00:39:00,640
Speaker 2: and touring it actually this year, but sadly with all

865
00:39:00,760 --> 00:39:02,600
Speaker 2: the Corona stuff, no one is going to be doing

866
00:39:02,600 --> 00:39:04,960
Speaker 2: world tours. But anyway, let's go back to this Rowland

867
00:39:05,040 --> 00:39:07,480
Speaker 2: Oorziba was the lead singer duet in with Kurt Smith

868
00:39:07,520 --> 00:39:09,920
Speaker 2: on keyboards during the chorus of it. But having this

869
00:39:10,040 --> 00:39:14,080
Speaker 2: list shout from nineteen eighty five and in return.

870
00:39:13,719 --> 00:39:23,520
Speaker 5: Your game, as calls side, I hope we live to

871
00:39:23,800 --> 00:39:24,759
Speaker 5: tell the t.

872
00:39:27,200 --> 00:39:30,400
Speaker 4: I hope we live to show, to show.

873
00:39:31,120 --> 00:39:34,799
Speaker 5: Learning dollar pese other.

874
00:39:34,719 --> 00:39:41,240
Speaker 2: Things I can do well, now come on, I'm talking

875
00:39:41,400 --> 00:39:49,920
Speaker 2: to you. Come on, show, show.

876
00:39:50,600 --> 00:39:55,520
Speaker 5: Leting dollar pe O, the things I can do.

877
00:39:56,320 --> 00:39:57,680
Speaker 6: Now, come on.

878
00:40:03,640 --> 00:40:05,680
Speaker 2: They were great eighties band, the.

879
00:40:05,760 --> 00:40:08,000
Speaker 1: Christian O'Connell Breakfast Show podcast.

880
00:40:08,239 --> 00:40:09,960
Speaker 2: We're going to take some stories and calls now on

881
00:40:10,160 --> 00:40:13,920
Speaker 2: the show. Kids today will never know the joy of

882
00:40:14,560 --> 00:40:16,960
Speaker 2: In this modern world was so much great instant on

883
00:40:17,080 --> 00:40:20,000
Speaker 2: demand technology. It's all very convenient, it's all very easy,

884
00:40:20,080 --> 00:40:22,799
Speaker 2: it's all invisible at times, but there's still the old

885
00:40:22,880 --> 00:40:24,840
Speaker 2: stuff that we grew up with in the eighties and

886
00:40:24,960 --> 00:40:27,880
Speaker 2: nineties for Jackie Boy, that people at young kids these

887
00:40:27,960 --> 00:40:29,880
Speaker 2: days will never know the joy of what would it

888
00:40:29,880 --> 00:40:30,200
Speaker 2: be for you.

889
00:40:30,280 --> 00:40:34,080
Speaker 3: Patsy, definitely the mixtape. We had a talk with our

890
00:40:34,120 --> 00:40:37,200
Speaker 3: eight year old yesterday. We're talking about how we used

891
00:40:37,239 --> 00:40:39,480
Speaker 3: to come about for our music. We used to make

892
00:40:39,560 --> 00:40:42,360
Speaker 3: a mix tape off the radio Take forty Australia on

893
00:40:42,400 --> 00:40:45,200
Speaker 3: a Sunday night and you'd have the double You know

894
00:40:45,360 --> 00:40:47,360
Speaker 3: you were really winning it life. If you had a

895
00:40:47,480 --> 00:40:49,200
Speaker 3: double tape tape deck, wouldn't you.

896
00:40:49,440 --> 00:40:50,319
Speaker 2: Yeah, I had one of those.

897
00:40:50,800 --> 00:40:52,239
Speaker 4: What's the double tape tape deck?

898
00:40:52,560 --> 00:40:55,120
Speaker 2: You could do tape to date, Yes, so you could

899
00:40:55,120 --> 00:40:58,759
Speaker 2: record on one. You'd have like so friend, yeah, you

900
00:40:59,400 --> 00:41:01,319
Speaker 2: and one I would record. The only way you really

901
00:41:01,360 --> 00:41:04,280
Speaker 2: got music was sus listen to radio stations, so obviously

902
00:41:04,320 --> 00:41:07,920
Speaker 2: before the Internet, before Spotify, before YouTube. Finding out all

903
00:41:07,960 --> 00:41:10,319
Speaker 2: those hits. You had to wait for a radio DJ

904
00:41:10,719 --> 00:41:12,959
Speaker 2: to play that new single that was around at moment,

905
00:41:13,200 --> 00:41:16,200
Speaker 2: and you'd have to have you'd have play pause and

906
00:41:16,280 --> 00:41:19,480
Speaker 2: record queued up constantly. Then if he weren't coming up

907
00:41:19,520 --> 00:41:21,440
Speaker 2: next we got the new song by Tears Are Fears.

908
00:41:21,440 --> 00:41:24,879
Speaker 2: You go right, I'm ready right then they'd play the song.

909
00:41:24,920 --> 00:41:27,040
Speaker 2: But the worst thing was over the last twenty seconds

910
00:41:27,080 --> 00:41:29,120
Speaker 2: you get some tool like me trash.

911
00:41:28,920 --> 00:41:29,520
Speaker 1: In the ind of it.

912
00:41:30,760 --> 00:41:36,600
Speaker 2: Oh, thanks to Carpets of Meltain called over the Beastie.

913
00:41:36,280 --> 00:41:39,640
Speaker 4: Boys, idiot, you talk for about a minute over the Madonna.

914
00:41:39,360 --> 00:41:41,560
Speaker 3: Song exactly because you were making us late for the

915
00:41:41,640 --> 00:41:44,840
Speaker 3: news or mum and pop ahead in the door, tase ready,

916
00:41:44,920 --> 00:41:46,160
Speaker 3: shush I recording.

917
00:41:46,719 --> 00:41:48,239
Speaker 2: So it was a work of art. And then when

918
00:41:48,280 --> 00:41:50,480
Speaker 2: you wrote the track listing down on the little inlay

919
00:41:50,560 --> 00:41:53,480
Speaker 2: card for the cassette, it was point zero zero zero

920
00:41:53,600 --> 00:41:57,719
Speaker 2: zero zero one. It was an amazing skill hand dexterity.

921
00:41:57,960 --> 00:42:01,640
Speaker 2: Joddick is actually right that small track listing as well. Yeah,

922
00:42:01,640 --> 00:42:04,720
Speaker 2: I put this up on Twitter as well. Kids today

923
00:42:04,760 --> 00:42:07,399
Speaker 2: will never know the joy of knocking on the door

924
00:42:07,400 --> 00:42:10,319
Speaker 2: and asking your friends to come out and play God. Yeah,

925
00:42:10,320 --> 00:42:13,200
Speaker 2: you're right, just cycling around to your mate's house rewinding

926
00:42:13,280 --> 00:42:16,160
Speaker 2: a cassette with a pencil. Also, cassettes were a very

927
00:42:16,239 --> 00:42:19,360
Speaker 2: volatile piece of music technology as well. Often the machine

928
00:42:19,440 --> 00:42:21,520
Speaker 2: the tape God would just eat your cassette that you'd

929
00:42:21,520 --> 00:42:23,920
Speaker 2: lovely made a mixtape of and just spit it out

930
00:42:24,080 --> 00:42:27,160
Speaker 2: or just like tear up the cassette. Finding where your

931
00:42:27,200 --> 00:42:29,640
Speaker 2: mates are by cycling around until he saw a pile

932
00:42:29,719 --> 00:42:32,040
Speaker 2: of bikes outside the front yeld of someone's house. What

933
00:42:32,160 --> 00:42:34,160
Speaker 2: a joy that was? You're right, yeah, you couldn't text

934
00:42:34,239 --> 00:42:36,480
Speaker 2: each other or track each other on phone, so know

935
00:42:36,560 --> 00:42:38,759
Speaker 2: where you were? Okay, give us a call. What will

936
00:42:38,920 --> 00:42:41,560
Speaker 2: kids today never know? The joy of the.

937
00:42:41,640 --> 00:42:43,960
Speaker 1: Christian O'Connell Breakfast Show podcast.

938
00:42:44,239 --> 00:42:46,959
Speaker 2: So kids today, what will they never know? The joy

939
00:42:47,200 --> 00:42:51,560
Speaker 2: of Ian Williams Good Morning. Listens to the show What

940
00:42:51,719 --> 00:42:55,279
Speaker 2: It's got? A great one? Phoning a girl a boy

941
00:42:55,600 --> 00:42:58,759
Speaker 2: and have to speak to their mummel dad first when

942
00:42:58,800 --> 00:43:00,320
Speaker 2: they pick up the phone. On that I used to

943
00:43:00,440 --> 00:43:05,280
Speaker 2: tread that a hello, Hello, that mister Smith is leanne

944
00:43:05,320 --> 00:43:08,440
Speaker 2: there place as soon as this HEO Christian, that's this

945
00:43:08,560 --> 00:43:15,200
Speaker 2: right there? Seriously? Right? I used to get so nervous, right,

946
00:43:15,719 --> 00:43:18,600
Speaker 2: so nervous before that, right, I would write out a

947
00:43:18,640 --> 00:43:20,799
Speaker 2: couple of bullet points of what I need to say

948
00:43:21,080 --> 00:43:24,200
Speaker 2: on those sort of revision cards, not just about getting

949
00:43:24,200 --> 00:43:26,759
Speaker 2: through to the gatekeepers of mum or dad, but then

950
00:43:26,800 --> 00:43:28,600
Speaker 2: about what to say to the girl when you got

951
00:43:28,880 --> 00:43:32,360
Speaker 2: a couple of little talking points. Hey about that video,

952
00:43:32,600 --> 00:43:39,920
Speaker 2: see we should hang out? Oh my well there was

953
00:43:39,960 --> 00:43:41,880
Speaker 2: a horror so remember that ringing up girls on the

954
00:43:42,000 --> 00:43:45,360
Speaker 2: landline also just the landline being a really not the TV.

955
00:43:45,880 --> 00:43:48,440
Speaker 2: Really important things in your house years ago, weren't they.

956
00:43:48,520 --> 00:43:51,719
Speaker 2: The landline was highly coveted. You know where it was.

957
00:43:51,800 --> 00:43:54,160
Speaker 2: There was like a didals was on a certain table.

958
00:43:54,200 --> 00:43:54,680
Speaker 1: The land.

959
00:43:57,360 --> 00:43:59,200
Speaker 3: Well, that's the phone ring.

960
00:44:02,680 --> 00:44:06,600
Speaker 2: Away the hall was your mum and dad. I knew

961
00:44:06,640 --> 00:44:07,440
Speaker 2: they were listening in on.

962
00:44:08,640 --> 00:44:11,560
Speaker 4: But you still always remember. I remember all my childhood

963
00:44:11,600 --> 00:44:15,160
Speaker 4: friend's home phone numbers. Scott accent nine four nine three

964
00:44:15,239 --> 00:44:16,160
Speaker 4: five seven six.

965
00:44:16,080 --> 00:44:20,520
Speaker 2: Double six seven one by mat keV. Yeah, that is that.

966
00:44:20,640 --> 00:44:22,320
Speaker 2: That was his home phone number. You knew them. I

967
00:44:22,320 --> 00:44:25,200
Speaker 2: don't know anyone's number now. The only number I knows, sadly.

968
00:44:25,320 --> 00:44:26,840
Speaker 2: I don't know my wife's mobile number, any of my

969
00:44:26,880 --> 00:44:29,160
Speaker 2: two tune but I another radio station number known four

970
00:44:29,160 --> 00:44:30,759
Speaker 2: one four one O four three. I don't know any

971
00:44:30,800 --> 00:44:33,640
Speaker 2: other numbers. All right, let's take some calls kids today.

972
00:44:34,000 --> 00:44:36,759
Speaker 2: What will they never know the joy of tina? What's

973
00:44:36,800 --> 00:44:37,080
Speaker 2: it for you?

974
00:44:38,560 --> 00:44:38,680
Speaker 5: Hi?

975
00:44:39,200 --> 00:44:43,160
Speaker 14: I called him you so hig. I'm just ringing to

976
00:44:43,239 --> 00:44:46,880
Speaker 14: say that something Mikey about kids in this generation or

977
00:44:46,880 --> 00:44:49,960
Speaker 14: even earlier would have the joy of knowing, and you

978
00:44:50,080 --> 00:44:53,520
Speaker 14: kind of stole my thunder earlier. They'll never understand the

979
00:44:53,680 --> 00:44:56,320
Speaker 14: joys of waiting for a sibling to get off the

980
00:44:56,480 --> 00:44:59,240
Speaker 14: landline so you can make a call and being stuck

981
00:44:59,280 --> 00:45:01,319
Speaker 14: in the one and you can't get up and make

982
00:45:01,400 --> 00:45:03,360
Speaker 14: yourself a snack to eat while you're on the phone.

983
00:45:03,480 --> 00:45:05,880
Speaker 2: Yeah, that's so true, Tiny, Yeah, and sorry te And

984
00:45:05,920 --> 00:45:07,080
Speaker 2: I didn't know you were going to say that. I

985
00:45:07,120 --> 00:45:10,120
Speaker 2: haven't done it on purpose. Still your thunder there anyway,

986
00:45:10,120 --> 00:45:13,920
Speaker 2: Thanks according in Tina, thanks a lot. Good on producers.

987
00:45:14,000 --> 00:45:16,080
Speaker 2: Did I listen to the show? Let's put someone on

988
00:45:16,239 --> 00:45:18,760
Speaker 2: first call who just said what he said? This feature

989
00:45:18,840 --> 00:45:21,960
Speaker 2: is called repeat what we say on itqut reputee.

990
00:45:22,680 --> 00:45:25,840
Speaker 1: Good morning cats, Hi, how are you Christian?

991
00:45:25,960 --> 00:45:26,040
Speaker 9: Oh?

992
00:45:26,120 --> 00:45:28,120
Speaker 2: Good mate? So kids today, what will they never know?

993
00:45:28,239 --> 00:45:29,960
Speaker 14: The joy of they will never.

994
00:45:29,880 --> 00:45:31,919
Speaker 7: Know the joys standing at the counter of the milk

995
00:45:32,000 --> 00:45:34,920
Speaker 7: that and individually peeking out what lollies they want.

996
00:45:35,120 --> 00:45:38,880
Speaker 8: For the twin set bag and mixed lollies, Yes, yeah.

997
00:45:38,719 --> 00:45:40,600
Speaker 2: The mixed bag of sweets that was up the high

998
00:45:40,640 --> 00:45:41,239
Speaker 2: night of your week.

999
00:45:41,400 --> 00:45:43,280
Speaker 7: Wasn't it painstaking process?

1000
00:45:43,440 --> 00:45:44,200
Speaker 8: Wasn't it? Standing there?

1001
00:45:44,360 --> 00:45:44,520
Speaker 2: Yeah?

1002
00:45:44,560 --> 00:45:47,680
Speaker 7: You can get three of those for one cent and.

1003
00:45:47,760 --> 00:45:50,520
Speaker 2: Things like that, and the shopkeepers. I don't know if

1004
00:45:50,520 --> 00:45:52,160
Speaker 2: it was the same here, but in the UK, anyone

1005
00:45:52,160 --> 00:45:53,960
Speaker 2: who ran a sweet shop was the grump. It is

1006
00:45:53,960 --> 00:45:58,200
Speaker 2: always a grumpy old kids, my one right, even at

1007
00:45:58,239 --> 00:46:00,719
Speaker 2: a sign up, now more than two gul kids. And

1008
00:46:00,800 --> 00:46:03,360
Speaker 2: then at the same time you couldn't go in with

1009
00:46:03,520 --> 00:46:05,600
Speaker 2: three or four mates. Two we have to wait at

1010
00:46:05,640 --> 00:46:09,040
Speaker 2: the window going on the top shelf. Me and my

1011
00:46:09,120 --> 00:46:11,279
Speaker 2: mate work because they had that big ladder as well,

1012
00:46:11,320 --> 00:46:12,759
Speaker 2: you know, to get up the pair drops or the

1013
00:46:12,840 --> 00:46:15,560
Speaker 2: cola drops or the pink gums. And when you boys

1014
00:46:15,560 --> 00:46:17,520
Speaker 2: send this old boy and I think the ones that top.

1015
00:46:17,640 --> 00:46:19,200
Speaker 2: And when he got the top, we start nicking the

1016
00:46:19,239 --> 00:46:22,120
Speaker 2: ones out the front of the counter in our pockets.

1017
00:46:22,840 --> 00:46:26,719
Speaker 2: All right, let's go to Connie. Now, good morning Connie. Hi.

1018
00:46:28,520 --> 00:46:32,080
Speaker 7: No kids today will never know the excitement of winning

1019
00:46:32,160 --> 00:46:33,279
Speaker 7: a free Sonny Boy.

1020
00:46:33,400 --> 00:46:34,680
Speaker 12: When you used to go to the.

1021
00:46:34,760 --> 00:46:38,200
Speaker 4: Shop Sonny boys, I love, how did you win a

1022
00:46:38,239 --> 00:46:38,680
Speaker 4: free one?

1023
00:46:39,480 --> 00:46:41,520
Speaker 7: So you would pull the frozen you'd open up the

1024
00:46:41,560 --> 00:46:43,160
Speaker 7: packet and the first thing you do is pull the

1025
00:46:43,239 --> 00:46:45,359
Speaker 7: actual frozen Sonny Boy out of the packet, and if

1026
00:46:45,400 --> 00:46:48,600
Speaker 7: there was a print on the inside, then you won

1027
00:46:48,640 --> 00:46:51,160
Speaker 7: a free Sonny Boy, and you were like the superhero

1028
00:46:51,400 --> 00:46:53,080
Speaker 7: of the group. And all your friends will be like,

1029
00:46:53,560 --> 00:46:55,879
Speaker 7: no way, no way, show me, show me, so you'd

1030
00:46:55,920 --> 00:46:57,640
Speaker 7: have to wad a parade it all around.

1031
00:46:59,360 --> 00:47:01,360
Speaker 2: This is how we can stay at number one the

1032
00:47:01,400 --> 00:47:06,239
Speaker 2: Breakfast Show ratings. So they were great, Connie, that's a

1033
00:47:06,280 --> 00:47:08,120
Speaker 2: lovely one, well told. Thank you very much for calling.

1034
00:47:08,320 --> 00:47:08,760
Speaker 4: I worry.

1035
00:47:08,960 --> 00:47:12,360
Speaker 2: Thanks guys, Catherine's on the line. Good one, Catherine.

1036
00:47:13,080 --> 00:47:13,960
Speaker 13: Good morning everyone.

1037
00:47:14,000 --> 00:47:15,239
Speaker 1: How you're doing, Yeah, we're good.

1038
00:47:15,239 --> 00:47:17,280
Speaker 2: Are you well this morning? Yeah? Great?

1039
00:47:17,360 --> 00:47:17,600
Speaker 13: Thanks?

1040
00:47:17,680 --> 00:47:17,919
Speaker 2: Great?

1041
00:47:17,960 --> 00:47:18,200
Speaker 13: Thanks?

1042
00:47:18,280 --> 00:47:20,080
Speaker 12: And you know what, kids these days will never know

1043
00:47:20,200 --> 00:47:22,279
Speaker 12: the joy of making their own billy cut and not

1044
00:47:22,400 --> 00:47:23,719
Speaker 12: trying not to kill themselves with it.

1045
00:47:24,040 --> 00:47:24,239
Speaker 14: Yeah.

1046
00:47:24,360 --> 00:47:26,120
Speaker 2: True. I remember there used to be lethal kind of

1047
00:47:26,200 --> 00:47:28,440
Speaker 2: death traps, didn't they. I mean, health and safety hadn't

1048
00:47:28,440 --> 00:47:32,000
Speaker 2: been invented really in the eighties and nineties. Kids plow it.

1049
00:47:32,360 --> 00:47:34,200
Speaker 2: I in mine had no breaks, so often we just

1050
00:47:34,280 --> 00:47:36,200
Speaker 2: go out into the roads and just hit.

1051
00:47:36,160 --> 00:47:39,080
Speaker 12: A cart right, and you'd often be in beer feet

1052
00:47:39,239 --> 00:47:42,040
Speaker 12: or song. So that was even worse. So Mum and

1053
00:47:42,080 --> 00:47:43,600
Speaker 12: Dad would take you down the tip. You get a

1054
00:47:43,640 --> 00:47:45,720
Speaker 12: couple of orange crates and a couple of old prams,

1055
00:47:45,800 --> 00:47:48,440
Speaker 12: bring them home, rip them apart, put them back together

1056
00:47:48,520 --> 00:47:50,640
Speaker 12: with a couple of floorboards and a piece of rope

1057
00:47:50,800 --> 00:47:52,879
Speaker 12: as a steering wheel and then try not to kill

1058
00:47:52,880 --> 00:47:54,600
Speaker 12: your little sister who's on the back as you're going

1059
00:47:54,640 --> 00:47:55,120
Speaker 12: down the road.

1060
00:47:55,160 --> 00:47:59,040
Speaker 2: Train My younger sister Luis, yea, she still talks about these. Yeah,

1061
00:47:59,040 --> 00:48:00,680
Speaker 2: I remember that. You're right. Was this stuff on the

1062
00:48:00,760 --> 00:48:02,880
Speaker 2: local tip? Absolutely?

1063
00:48:02,960 --> 00:48:03,719
Speaker 12: It was great fun.

1064
00:48:04,040 --> 00:48:06,040
Speaker 2: Oh, good times, Catherin, thank you very much at cool.

1065
00:48:06,120 --> 00:48:11,040
Speaker 2: Have a good day to Welcome by Melissa. Good morning, Melissa, Hello,

1066
00:48:11,360 --> 00:48:13,839
Speaker 2: hello Melissa, Welcome to the show. Kids today will never

1067
00:48:13,880 --> 00:48:16,680
Speaker 2: learn the joy off they the kids.

1068
00:48:16,560 --> 00:48:19,719
Speaker 13: Today right now, the joy of recording on a batr.

1069
00:48:20,560 --> 00:48:26,640
Speaker 7: Oh yeah, your shows and recording over maybe someone's video

1070
00:48:27,160 --> 00:48:27,959
Speaker 7: or the ball.

1071
00:48:29,040 --> 00:48:31,440
Speaker 2: Yeah, I remember everyone. My sister had one. I had

1072
00:48:31,480 --> 00:48:33,080
Speaker 2: my own one as well. We had our own blank

1073
00:48:33,200 --> 00:48:36,680
Speaker 2: VCR cassettes recording our own TV shows for and I

1074
00:48:36,719 --> 00:48:40,520
Speaker 2: remember it. We have like you know, Louise's video cassette,

1075
00:48:40,560 --> 00:48:42,239
Speaker 2: don't record over it and you have to pull that

1076
00:48:42,320 --> 00:48:44,680
Speaker 2: little tab off, didn't you. Yeah, if you couldn't find yours,

1077
00:48:44,719 --> 00:48:46,520
Speaker 2: I would just sell a tape over that tab and

1078
00:48:46,680 --> 00:48:49,000
Speaker 2: just record over her TV shows.

1079
00:48:49,040 --> 00:48:51,120
Speaker 4: And did you find as well? Your stickers would start

1080
00:48:51,160 --> 00:48:54,760
Speaker 4: off with only one thing. One nineteen ninety ninety six Christmas,

1081
00:48:55,000 --> 00:48:56,440
Speaker 4: they would have a line through it, and then you

1082
00:48:56,560 --> 00:49:00,920
Speaker 4: go like rage programming in Offspring hosted, and then that's

1083
00:49:00,960 --> 00:49:03,040
Speaker 4: going to line through it in somebody else's table, the

1084
00:49:03,120 --> 00:49:04,120
Speaker 4: Grand Final over it a.

1085
00:49:04,280 --> 00:49:06,520
Speaker 2: Good times, Melissa, thank you very much for corner Mate,

1086
00:49:07,320 --> 00:49:08,280
Speaker 2: No Bye.

1087
00:49:08,840 --> 00:49:12,000
Speaker 1: The Christian O'Connell Breakfast Show podcast.

1088
00:49:11,840 --> 00:49:14,960
Speaker 2: Talking this morning about kids today. Will never know the

1089
00:49:15,080 --> 00:49:18,439
Speaker 2: joy off playing cricket in the street and quickly moving

1090
00:49:18,440 --> 00:49:21,440
Speaker 2: the stumps when a car comes around the corner. Sergio,

1091
00:49:21,560 --> 00:49:23,600
Speaker 2: thank you very much for that. Angela. We're being told

1092
00:49:23,680 --> 00:49:25,920
Speaker 2: to go outside and play and come home when the

1093
00:49:25,960 --> 00:49:28,480
Speaker 2: street lights come on. Yeah, my MANI. Basically we just

1094
00:49:28,560 --> 00:49:31,600
Speaker 2: disappearing you. Some holidays, you'll just head out all day

1095
00:49:31,640 --> 00:49:33,480
Speaker 2: and your parents just say make sure you're back before

1096
00:49:33,520 --> 00:49:36,520
Speaker 2: it's dark. Someone else here to kids today, We'll never

1097
00:49:36,560 --> 00:49:40,120
Speaker 2: know the jaw of affordable housing, which is a painfully

1098
00:49:40,440 --> 00:49:43,480
Speaker 2: true one. Some coming and on Facebook, taking a photo

1099
00:49:43,560 --> 00:49:45,160
Speaker 2: with your camera, then taking the roll of film to

1100
00:49:45,200 --> 00:49:47,600
Speaker 2: the shot and waiting for the photos to be developed.

1101
00:49:47,640 --> 00:49:49,719
Speaker 2: It as a bonus if anyone in the roll of

1102
00:49:49,800 --> 00:49:51,840
Speaker 2: twenty odd were any good as well, you know that

1103
00:49:51,960 --> 00:49:55,640
Speaker 2: sort of strange red eye or flasher gone off. Jade

1104
00:49:56,000 --> 00:49:58,160
Speaker 2: being able to listen in on telephone calls. Behave you

1105
00:49:58,239 --> 00:50:00,960
Speaker 2: because you had more than one? Jima that where you

1106
00:50:00,960 --> 00:50:03,360
Speaker 2: said sometimes some houses you beuld have listened to another

1107
00:50:03,440 --> 00:50:06,560
Speaker 2: phone call. Sprinting up the escalators at Myers to get

1108
00:50:06,640 --> 00:50:10,239
Speaker 2: concert tickets. Louise finally been strong enough to roll down

1109
00:50:10,280 --> 00:50:14,000
Speaker 2: the window yourself. That was a live moment. David dialing

1110
00:50:14,080 --> 00:50:17,280
Speaker 2: your mate's number into an old school rotary telephone, getting

1111
00:50:17,280 --> 00:50:19,719
Speaker 2: that last digit wrong, so you have to start whatever again.

1112
00:50:19,880 --> 00:50:23,600
Speaker 2: There's always a last digit, always a last digit. These days,

1113
00:50:23,640 --> 00:50:25,759
Speaker 2: the modern version of that is the password, where you

1114
00:50:25,960 --> 00:50:28,480
Speaker 2: know one of the letters wasn't right, but you're like, look,

1115
00:50:28,480 --> 00:50:30,640
Speaker 2: it's ninety percent right. The past word let me in

1116
00:50:31,000 --> 00:50:33,520
Speaker 2: and Jody playing and rewinding back and forth on a tape.

1117
00:50:33,560 --> 00:50:35,200
Speaker 2: Listen to the words of your favorite song, to write

1118
00:50:35,200 --> 00:50:37,279
Speaker 2: down the lyrics and memorize them. Those are all great.

1119
00:50:37,320 --> 00:50:37,919
Speaker 2: Thank you guys.

1120
00:50:38,520 --> 00:50:41,240
Speaker 1: Claire, good morning, Good morning Melbourne.

1121
00:50:41,280 --> 00:50:41,600
Speaker 11: How are you.

1122
00:50:43,520 --> 00:50:47,320
Speaker 2: I love the greeting that you got, the voice, you

1123
00:50:47,400 --> 00:50:48,799
Speaker 2: got the inger. That's very good.

1124
00:50:49,680 --> 00:50:54,720
Speaker 10: Do you remember the video shots back in the eighties

1125
00:50:54,800 --> 00:50:58,279
Speaker 10: and nineties. Today my kids are in the car right now,

1126
00:50:58,400 --> 00:50:58,799
Speaker 10: say hi.

1127
00:50:58,840 --> 00:51:02,759
Speaker 2: Guys, Hi, everyone, she's alone, isn't she?

1128
00:51:04,200 --> 00:51:05,880
Speaker 4: Those kids are going to be radio stars.

1129
00:51:08,200 --> 00:51:08,960
Speaker 5: They're not ready for.

1130
00:51:09,000 --> 00:51:12,160
Speaker 2: The big time. Good morning Melbourne, Claire. But yeah, I

1131
00:51:12,160 --> 00:51:14,200
Speaker 2: remember the local video shop. Before we had like the

1132
00:51:14,239 --> 00:51:16,239
Speaker 2: big the big chain like Blockbuster, there was the local

1133
00:51:16,360 --> 00:51:16,799
Speaker 2: video shop.

1134
00:51:17,440 --> 00:51:21,560
Speaker 10: And do you remember the smell of the video the smell,

1135
00:51:22,200 --> 00:51:26,000
Speaker 10: what is that smell? It's like a plastic key plastic.

1136
00:51:25,960 --> 00:51:29,040
Speaker 2: And also the ice cream ice cream fridge and the

1137
00:51:29,400 --> 00:51:30,040
Speaker 2: fizzy drinks.

1138
00:51:37,760 --> 00:51:39,080
Speaker 13: But I'm steel much older.

1139
00:51:39,880 --> 00:51:41,120
Speaker 2: What do you do for a living, Clay?

1140
00:51:41,960 --> 00:51:43,480
Speaker 10: I work for a solar company.

1141
00:51:43,680 --> 00:51:45,160
Speaker 2: I bet you're very good on the phone, so I

1142
00:51:45,160 --> 00:51:45,640
Speaker 2: bet you sell.

1143
00:51:46,560 --> 00:51:47,600
Speaker 10: They have me on the phone.

1144
00:51:48,800 --> 00:51:51,400
Speaker 2: Yeah, we need you working here at Gold selling the airtime.

1145
00:51:51,440 --> 00:51:52,040
Speaker 2: You're very good.

1146
00:51:52,480 --> 00:51:53,400
Speaker 13: That would be fabulous.

1147
00:51:53,440 --> 00:51:54,760
Speaker 10: All right, guys, have a good morning.

1148
00:51:56,480 --> 00:51:59,040
Speaker 2: Got to go to the ads. Claire, gotta go, all right,

1149
00:51:59,120 --> 00:52:03,239
Speaker 2: Claire set by Melbourne. Uh Daniel, good morning.

1150
00:52:03,920 --> 00:52:07,640
Speaker 6: Hi Chritian. Hi guys. Look, my favorite memory as a

1151
00:52:07,760 --> 00:52:11,279
Speaker 6: kid in the early eighties was with my brother with

1152
00:52:11,440 --> 00:52:14,400
Speaker 6: incinerated duties in the backyard on a Sunday.

1153
00:52:14,760 --> 00:52:15,000
Speaker 1: Yeah.

1154
00:52:15,160 --> 00:52:18,120
Speaker 2: I mean really, when you look back now, what were

1155
00:52:18,280 --> 00:52:21,239
Speaker 2: our parents thinking? I didn't know any different, but yeah,

1156
00:52:21,320 --> 00:52:23,480
Speaker 2: just rubbish. Will we just just chuck in the backyard.

1157
00:52:23,520 --> 00:52:24,920
Speaker 2: We burn it all on a Sunday.

1158
00:52:25,480 --> 00:52:27,680
Speaker 4: I mean that must have been before I was a kid.

1159
00:52:27,760 --> 00:52:29,800
Speaker 4: But when my wife and I moved into our house,

1160
00:52:30,040 --> 00:52:32,320
Speaker 4: there was a section a back corner of the house

1161
00:52:32,640 --> 00:52:34,600
Speaker 4: which we started digging up and it was all just

1162
00:52:34,719 --> 00:52:36,000
Speaker 4: burnt remains of rubbish.

1163
00:52:36,120 --> 00:52:37,759
Speaker 2: Yeah, that was that.

1164
00:52:37,920 --> 00:52:42,240
Speaker 4: Every household fantastic unless your mum put a candis to old.

1165
00:52:42,120 --> 00:52:42,839
Speaker 6: Hairspray in there.

1166
00:52:42,880 --> 00:52:50,240
Speaker 2: And all right, Daniel, thank you very much for cool Michelle.

1167
00:52:51,600 --> 00:52:53,600
Speaker 8: Good morning. How's it going, Yeah, we're.

1168
00:52:53,480 --> 00:52:55,400
Speaker 2: Good, Michelle. Kids today won't.

1169
00:52:55,200 --> 00:52:58,120
Speaker 8: Won't know know the joy of so kids today and

1170
00:52:58,280 --> 00:52:59,879
Speaker 8: they were going to be able to know the jury

1171
00:53:00,239 --> 00:53:02,799
Speaker 8: of having to disconnect the internet so your parents can

1172
00:53:02,880 --> 00:53:06,360
Speaker 8: make a phone call, then getting told it costs twenty

1173
00:53:06,480 --> 00:53:09,440
Speaker 8: cents to reconnect it just so you can sit there

1174
00:53:09,520 --> 00:53:12,440
Speaker 8: and listen to the door playing, just so you can

1175
00:53:12,480 --> 00:53:14,319
Speaker 8: wait five minutes for one page to load.

1176
00:53:14,600 --> 00:53:16,719
Speaker 2: Yeah, that's right. Do you remember you really thought you

1177
00:53:16,800 --> 00:53:19,800
Speaker 2: were in the future though, just having that home computer

1178
00:53:19,960 --> 00:53:22,320
Speaker 2: and that little thing and I remember, do you have

1179
00:53:22,360 --> 00:53:24,919
Speaker 2: the little spitter thing used to fit into the phone

1180
00:53:24,960 --> 00:53:26,800
Speaker 2: thing as well? You could have the phone line and

1181
00:53:26,960 --> 00:53:29,319
Speaker 2: the computer and stuff like you you have to keep

1182
00:53:29,360 --> 00:53:29,960
Speaker 2: replacing it.

1183
00:53:30,160 --> 00:53:32,600
Speaker 4: I wonder if we had the same mode modem dial

1184
00:53:32,680 --> 00:53:34,279
Speaker 4: up tone as you did in that UK.

1185
00:53:37,719 --> 00:53:40,479
Speaker 8: Yeah, I feel like they wouldn't know because is so far.

1186
00:53:40,520 --> 00:53:42,920
Speaker 2: Away from the rest of civilization. I think you had

1187
00:53:42,960 --> 00:53:44,520
Speaker 2: a separate tone. Ours is more of a.

1188
00:53:47,200 --> 00:53:50,239
Speaker 4: Was that we had that as well's had about seven

1189
00:53:50,280 --> 00:53:50,920
Speaker 4: different sounds.

1190
00:53:51,920 --> 00:53:54,200
Speaker 2: Tell you what tomorrow, that's what convene. I will find

1191
00:53:54,239 --> 00:53:56,919
Speaker 2: on the internet what the British one was? You find

1192
00:53:56,960 --> 00:53:59,960
Speaker 2: them blaming me what the Austrolian one was? Okay, Michelle,

1193
00:54:00,080 --> 00:54:01,600
Speaker 2: thank you very much. Cool, We have a good day.

1194
00:54:01,800 --> 00:54:03,280
Speaker 8: You're welcome you two banks.

1195
00:54:03,840 --> 00:54:07,080
Speaker 1: The Christian O'Connell breakfast Show podcast taking.

1196
00:54:06,840 --> 00:54:09,719
Speaker 2: Cares this morning about things that kids will never know,

1197
00:54:09,880 --> 00:54:13,279
Speaker 2: the joy of Danny and Wheelers Hill. Kids will never

1198
00:54:13,320 --> 00:54:16,200
Speaker 2: the joy put in twisty packets in the oven and

1199
00:54:16,360 --> 00:54:19,560
Speaker 2: making shrinkies and turn them into key chains, as to

1200
00:54:19,680 --> 00:54:22,759
Speaker 2: love that so only interested as a kid I had

1201
00:54:22,800 --> 00:54:28,560
Speaker 2: in cooking and baking was that tim with making the

1202
00:54:28,680 --> 00:54:31,239
Speaker 2: mad dash to the kitchen in between the ad breaks.

1203
00:54:31,239 --> 00:54:34,640
Speaker 2: Sure there was no pausing of TVs or streaming. Then yeah,

1204
00:54:34,680 --> 00:54:36,000
Speaker 2: you have to till it just right, just to fill

1205
00:54:36,080 --> 00:54:38,040
Speaker 2: up the kets. Will get all your snacks ready and everything.

1206
00:54:39,320 --> 00:54:42,600
Speaker 2: Chasing each other with dog poo on a stick. I

1207
00:54:42,680 --> 00:54:45,640
Speaker 2: reckon about probably fifty percent of my childhood was chasing

1208
00:54:45,719 --> 00:54:48,279
Speaker 2: mates or being chased by mates with dog poo on

1209
00:54:48,400 --> 00:54:48,840
Speaker 2: a stick.

1210
00:54:49,400 --> 00:54:51,320
Speaker 4: In theory, kids they could still do that.

1211
00:54:52,239 --> 00:54:54,400
Speaker 2: That's not off limits to I tell you why they

1212
00:54:54,400 --> 00:54:57,600
Speaker 2: wouldn't because you wouldn't find an abundance of dog poop.

1213
00:54:58,040 --> 00:55:01,520
Speaker 2: These days, you get fined. Yeah, right, so it's disgusting. However,

1214
00:55:01,680 --> 00:55:04,640
Speaker 2: back then, there was no dog. There was no like

1215
00:55:05,000 --> 00:55:08,160
Speaker 2: go for it, burn whatever you're up, whatever rubbish you want,

1216
00:55:08,239 --> 00:55:10,520
Speaker 2: like tires in your back garden, and let your dog

1217
00:55:10,680 --> 00:55:13,160
Speaker 2: crap wherever you want at will tell well, but the

1218
00:55:13,200 --> 00:55:16,279
Speaker 2: kids might pick up illnesses or anything like that, land

1219
00:55:16,360 --> 00:55:18,879
Speaker 2: mines we're trying to step over a field or anything.

1220
00:55:18,880 --> 00:55:22,239
Speaker 2: We dog crap everywhere. And also, you're right, Damie's right

1221
00:55:22,320 --> 00:55:24,520
Speaker 2: having to wipe it off his shoe at least once

1222
00:55:24,560 --> 00:55:28,040
Speaker 2: a week. At least. Kids will never know the satisfaction

1223
00:55:28,160 --> 00:55:31,279
Speaker 2: of slamming the phone down in someone's ear. You're right,

1224
00:55:31,320 --> 00:55:33,480
Speaker 2: we're all ditched on my bos. It isn't the same

1225
00:55:33,600 --> 00:55:37,640
Speaker 2: the joy of good day, sir, slamming it down you

1226
00:55:37,719 --> 00:55:39,959
Speaker 2: can't do that now with that silent thing on your phone.

1227
00:55:40,200 --> 00:55:42,160
Speaker 2: So we're just talking about one of the most popular

1228
00:55:42,200 --> 00:55:43,880
Speaker 2: things for people to say kids today, whenever had the

1229
00:55:43,960 --> 00:55:46,680
Speaker 2: joy of was the dial up internet. You know, we'd

1230
00:55:46,719 --> 00:55:48,160
Speaker 2: have to hang up there and not use the phone

1231
00:55:48,200 --> 00:55:51,000
Speaker 2: and use that phone connection to go online. Dal in

1232
00:55:51,120 --> 00:55:54,200
Speaker 2: the internet actually would appear that both on my side

1233
00:55:54,200 --> 00:55:55,160
Speaker 2: of the world and your side of the world, the

1234
00:55:55,239 --> 00:55:58,600
Speaker 2: dial up tone is exactly the same. Jim of this

1235
00:56:02,200 --> 00:56:07,920
Speaker 2: actually sounds in pain. There's a time and space and

1236
00:56:08,120 --> 00:56:12,360
Speaker 2: metal and something. I've been twisted and torn like an angony,

1237
00:56:12,440 --> 00:56:12,680
Speaker 2: isn't it?

1238
00:56:14,320 --> 00:56:14,680
Speaker 4: I remember?

1239
00:56:14,719 --> 00:56:16,440
Speaker 2: Also? Do you remember that what was it AOL the

1240
00:56:16,520 --> 00:56:19,800
Speaker 2: had that You've Got Mail? Yeah, as well, and you

1241
00:56:19,880 --> 00:56:23,640
Speaker 2: were so excited one lone blinking message.

1242
00:56:23,760 --> 00:56:25,959
Speaker 4: By the way, I watched the movie You've Got Mail

1243
00:56:26,480 --> 00:56:28,000
Speaker 4: with Tom Hanks and Meg Ryan.

1244
00:56:28,320 --> 00:56:28,759
Speaker 2: What do you think?

1245
00:56:28,840 --> 00:56:28,880
Speaker 1: No?

1246
00:56:29,200 --> 00:56:33,560
Speaker 4: Terrible? Do you remember what happens though Pats He puts

1247
00:56:33,600 --> 00:56:35,640
Speaker 4: her out of business. He's a jerk to her the

1248
00:56:35,719 --> 00:56:38,160
Speaker 4: whole way through the movie. He doesn't redeem and then

1249
00:56:38,320 --> 00:56:41,200
Speaker 4: there's no redemption at the end. Just because they've written

1250
00:56:41,320 --> 00:56:44,960
Speaker 4: anonymously to each other, they fall in love. No mention

1251
00:56:45,120 --> 00:56:46,920
Speaker 4: of Hey, you put me out of business? How am

1252
00:56:46,960 --> 00:56:47,800
Speaker 4: I going to survive?

1253
00:56:47,960 --> 00:56:51,640
Speaker 2: Now? Yeah, it's it's to me perhaps, right. Sleepless and Seattle.

1254
00:56:51,960 --> 00:56:54,440
Speaker 2: Love that movie. Okay, beautiful, that's a great one. I

1255
00:56:54,520 --> 00:56:56,680
Speaker 2: would jack You've Got Mail is a movie that's not

1256
00:56:56,800 --> 00:56:59,319
Speaker 2: aged very well. Tom Hanks, I love Tom Hanks, right,

1257
00:56:59,320 --> 00:57:00,920
Speaker 2: he's great in every It's a jerk in that.

1258
00:57:01,040 --> 00:57:02,920
Speaker 4: Yeah, it's his only unlikable role.

1259
00:57:03,000 --> 00:57:04,800
Speaker 2: I think, yes, I think we should do a I

1260
00:57:04,840 --> 00:57:06,960
Speaker 2: Want to Eat podcast Chatnel you and I debate classic

1261
00:57:07,080 --> 00:57:10,960
Speaker 2: rock coms tomorrow on the show. Though, we should talk

1262
00:57:10,960 --> 00:57:13,400
Speaker 2: about movies that do not age well. There's some that

1263
00:57:13,520 --> 00:57:15,520
Speaker 2: really show their time. Do you do you? Have you

1264
00:57:15,560 --> 00:57:16,440
Speaker 2: seen it recently passed?

1265
00:57:16,520 --> 00:57:17,000
Speaker 4: Do you still win?

1266
00:57:17,120 --> 00:57:18,040
Speaker 3: You've got me pages?

1267
00:57:18,400 --> 00:57:24,440
Speaker 1: Checking out this weekend Advice The Christian O'Connell Breakfast Show podcast.

1268
00:57:27,520 --> 00:57:31,200
Speaker 2: Adam just got your text? Kids today will never know

1269
00:57:31,360 --> 00:57:33,080
Speaker 2: the joy of what it's like to go to work

1270
00:57:33,120 --> 00:57:35,480
Speaker 2: with mum and dad. Yeah that was if you were

1271
00:57:35,480 --> 00:57:37,120
Speaker 2: off sick, you had to go in to work with

1272
00:57:37,200 --> 00:57:38,640
Speaker 2: mum and dad. And it wasn't like one of these

1273
00:57:38,720 --> 00:57:41,360
Speaker 2: cutesy take your kids to work day that you get

1274
00:57:41,440 --> 00:57:43,480
Speaker 2: now where then have loads of fun excited things to

1275
00:57:43,560 --> 00:57:46,160
Speaker 2: do in different departments. It was I remember having to

1276
00:57:46,200 --> 00:57:47,640
Speaker 2: go to my dad worked, and my dad works in

1277
00:57:47,680 --> 00:57:49,840
Speaker 2: a car factory, and if I was off sick my

1278
00:57:50,200 --> 00:57:51,800
Speaker 2: mum and dad worked, I'd go to work with him

1279
00:57:51,840 --> 00:57:53,480
Speaker 2: and I have to sit in the corner of his office, right,

1280
00:57:53,800 --> 00:57:56,720
Speaker 2: being told not to move, don't touch anything, and be quiet.

1281
00:57:57,200 --> 00:57:59,080
Speaker 4: I ever remember seeing in the copy of room at

1282
00:57:59,120 --> 00:58:01,320
Speaker 4: Mum's first I think it was a good way to

1283
00:58:01,360 --> 00:58:04,480
Speaker 4: get kids to not blag off school and pretend they

1284
00:58:04,520 --> 00:58:06,920
Speaker 4: were sick, because the alternative was worse than going.

1285
00:58:06,800 --> 00:58:08,800
Speaker 2: To This is a great idea, right, my kids, because

1286
00:58:08,800 --> 00:58:10,440
Speaker 2: I'm not there in the morning, right, It's good conn

1287
00:58:10,480 --> 00:58:12,320
Speaker 2: back Cup often be the same with you and Chris Pats,

1288
00:58:12,360 --> 00:58:14,640
Speaker 2: isn't it in a marriage? And sometimes you're both you know,

1289
00:58:14,720 --> 00:58:16,200
Speaker 2: you take turns to as to what. But my wife

1290
00:58:16,280 --> 00:58:18,200
Speaker 2: is a soft touch for sickies in the morning. If

1291
00:58:18,240 --> 00:58:20,040
Speaker 2: they knew that the next day they'd actually come in

1292
00:58:20,160 --> 00:58:22,800
Speaker 2: get up at quarter past four to come in and

1293
00:58:22,840 --> 00:58:25,080
Speaker 2: sit in the corner of the studio, they would not

1294
00:58:25,160 --> 00:58:27,440
Speaker 2: want to go in. They would want to chuck a siki. Okay,

1295
00:58:27,520 --> 00:58:30,360
Speaker 2: so the grand prix is on this weekend? Is there

1296
00:58:30,400 --> 00:58:31,800
Speaker 2: it going to be anyone racing. Do you think it's

1297
00:58:31,840 --> 00:58:34,280
Speaker 2: gonna be one driver just walking around the track? So

1298
00:58:34,320 --> 00:58:35,640
Speaker 2: it be safer when to get in the car. In

1299
00:58:35,720 --> 00:58:38,840
Speaker 2: case that's infected with corona virus, they should make them jog.

1300
00:58:39,080 --> 00:58:40,960
Speaker 2: I think sometimes on the last lap of a Grand

1301
00:58:41,000 --> 00:58:42,760
Speaker 2: Prix they should go pull over the car and make

1302
00:58:42,840 --> 00:58:45,160
Speaker 2: them race each other around the track to see. But

1303
00:58:45,280 --> 00:58:48,240
Speaker 2: with those big giant mega helmets on. All right, so

1304
00:58:48,360 --> 00:58:52,560
Speaker 2: with the Grand Prix this weekend kind of faster movies?

1305
00:58:52,800 --> 00:58:56,280
Speaker 2: Is your time wasted today? Faster movies. I've got a

1306
00:58:56,320 --> 00:58:57,200
Speaker 2: fish called Honda.

1307
00:58:58,400 --> 00:59:01,120
Speaker 4: Oh yeah, that's good with a view.

1308
00:59:03,720 --> 00:59:07,240
Speaker 2: When Ferrari met Sally, and Ferrari met Sally, my left

1309
00:59:07,240 --> 00:59:10,640
Speaker 2: foot's down and go as fast as I can. Dude,

1310
00:59:10,640 --> 00:59:15,880
Speaker 2: where's my Ricardo's he's got coronavirus, he's in quarantine. Yeah okay,

1311
00:59:15,920 --> 00:59:17,160
Speaker 2: and what if you got jokes?

1312
00:59:17,240 --> 00:59:18,160
Speaker 4: The talk of the playground.

1313
00:59:21,040 --> 00:59:23,320
Speaker 2: Kids are worried, they're talking about it.

1314
00:59:23,360 --> 00:59:27,760
Speaker 4: They're confused. Faster movies. Catch me if you catch oh

1315
00:59:27,840 --> 00:59:28,240
Speaker 4: you got me?

1316
00:59:29,120 --> 00:59:32,480
Speaker 2: Now, that's good. That's good. I like the performance with

1317
00:59:32,560 --> 00:59:33,000
Speaker 2: it as well.

1318
00:59:34,360 --> 00:59:38,600
Speaker 4: Drifting, Miss Daisy, gotta get around the corners fast, drift around.

1319
00:59:38,360 --> 00:59:41,680
Speaker 2: The drifting slow, You're drifting drifting.

1320
00:59:41,400 --> 00:59:47,920
Speaker 4: Like Tokyo drift rifting right gone in six seconds Nice

1321
00:59:48,160 --> 00:59:52,320
Speaker 4: and Indiana Jones and the Fast Crusade. Yeah, there was

1322
00:59:52,320 --> 00:59:53,000
Speaker 4: a sink add.

1323
00:59:53,080 --> 00:59:55,720
Speaker 2: Quick to the song? All right? Then four seventy five

1324
00:59:56,160 --> 00:59:59,200
Speaker 2: three one oh four three Faster Movies?

1325
01:00:00,440 --> 01:00:04,640
Speaker 4: Was that one of his I've never used. It's silly, Chris.

1326
01:00:04,560 --> 01:00:06,600
Speaker 1: John O'Connell Breakfast Show podcast.

1327
01:00:06,760 --> 01:00:12,560
Speaker 2: Today's that work time waste with the Grand Prix this

1328
01:00:12,680 --> 01:00:15,120
Speaker 2: weekend Faster Movies? You ready to mark.

1329
01:00:15,000 --> 01:00:20,520
Speaker 4: Jack Ready Ferrari Bueler's day Off, Silver plus.

1330
01:00:20,440 --> 01:00:22,800
Speaker 2: Word Udell, I know about the speeding ticket you got

1331
01:00:22,880 --> 01:00:30,520
Speaker 2: last summer, Silver cam in Bayswater, the Shawshank revdemption Silver

1332
01:00:32,040 --> 01:00:34,480
Speaker 2: you me and the Grand Prix. Oh Gold, that's very

1333
01:00:34,520 --> 01:00:38,640
Speaker 2: good with a Rick Maserati kid, said a karate kid, Gold,

1334
01:00:38,760 --> 01:00:43,480
Speaker 2: Janet Nepping, very good, the need for speedy Gonzales Fronz,

1335
01:00:43,800 --> 01:00:47,320
Speaker 2: Justin and Ringwood top gunning it Silver and mand In

1336
01:00:47,400 --> 01:00:50,200
Speaker 2: rosebud Clever, Rise of the Planet of the v eighth.

1337
01:00:52,520 --> 01:00:54,360
Speaker 2: He strikes to me as a car head to come

1338
01:00:54,400 --> 01:00:56,320
Speaker 2: up with that one. That's good. Map around the World

1339
01:00:56,360 --> 01:01:03,520
Speaker 2: in eighteen minutes, Gold fifty Speed Dates silver. I found

1340
01:01:03,640 --> 01:01:08,480
Speaker 2: Nemo silver, Judy fast Away.

1341
01:01:10,160 --> 01:01:11,880
Speaker 4: Silver plus a mother.

1342
01:01:12,440 --> 01:01:16,280
Speaker 2: Silence of the Lamborghinis silver plus mark in Frankston South

1343
01:01:16,520 --> 01:01:22,960
Speaker 2: when Harry lapped Sally, Scotty and Boronia very good, I'm

1344
01:01:23,200 --> 01:01:27,600
Speaker 2: getting faster silver. Why don't cam and Air Porsche one

1345
01:01:28,200 --> 01:01:30,120
Speaker 2: silver plus Janet word on Everyone.

1346
01:01:31,560 --> 01:01:33,840
Speaker 1: The Christian O'Connell Breakfast Show podcast.

1347
01:01:34,040 --> 01:01:37,800
Speaker 4: I got talking to my local busker outside the supermarket yesterday.

1348
01:01:38,520 --> 01:01:42,040
Speaker 4: Guy plays guitar there each week and often want had

1349
01:01:42,080 --> 01:01:44,320
Speaker 4: passed him, never stopped to say hello. But he's a

1350
01:01:44,400 --> 01:01:46,760
Speaker 4: fan of the show and he stopped me. So he's

1351
01:01:46,760 --> 01:01:47,920
Speaker 4: a fan of ham Chandler.

1352
01:01:50,800 --> 01:01:53,520
Speaker 2: Actually that this dog he has two masters. It's more

1353
01:01:53,560 --> 01:01:55,400
Speaker 2: like a cat. A dog would never have two masters,

1354
01:01:55,440 --> 01:01:56,160
Speaker 2: but cat would.

1355
01:01:57,120 --> 01:01:57,640
Speaker 4: He was a fan.

1356
01:01:58,000 --> 01:02:00,360
Speaker 2: It's the only reason you've stopped to talk to because

1357
01:02:00,400 --> 01:02:02,680
Speaker 2: he tickled the ego went and so.

1358
01:02:02,920 --> 01:02:05,520
Speaker 4: Yeah, it's like, how nice to meet you. His name's Ryan.

1359
01:02:06,080 --> 01:02:08,320
Speaker 4: And then I got talking to him about the busking

1360
01:02:08,440 --> 01:02:10,880
Speaker 4: life and he said, actually, it's not a good time

1361
01:02:10,920 --> 01:02:13,800
Speaker 4: anymore for buskers because people don't carry as much cash

1362
01:02:13,880 --> 01:02:15,200
Speaker 4: on them as they usually do.

1363
01:02:16,120 --> 01:02:18,200
Speaker 2: Tap tap Now it's a cash society.

1364
01:02:18,360 --> 01:02:21,120
Speaker 4: I'm all tap tap. I never. I don't even carry

1365
01:02:21,160 --> 01:02:23,960
Speaker 4: my wallet anymore that I can tap on my phone.

1366
01:02:23,880 --> 01:02:28,040
Speaker 2: All right, the queen I didn't carry. I'm hurts.

1367
01:02:28,640 --> 01:02:30,680
Speaker 3: Some homeless people have f POS machines.

1368
01:02:35,520 --> 01:02:37,880
Speaker 2: Bring me three tomorrow.

1369
01:02:38,000 --> 01:02:40,840
Speaker 3: I saw a documentary once that money.

1370
01:02:41,320 --> 01:02:42,280
Speaker 2: I've got nothing on me.

1371
01:02:44,360 --> 01:02:47,040
Speaker 3: Serious, I will bring documentation into myrow.

1372
01:02:47,080 --> 01:02:49,560
Speaker 2: Well you want. They do not know the streets with

1373
01:02:49,920 --> 01:02:50,680
Speaker 2: FOS machines.

1374
01:02:51,200 --> 01:02:58,400
Speaker 4: Sorry, there's a one point five percent on your donation. Serious, Sorry,

1375
01:02:58,520 --> 01:03:02,560
Speaker 4: jack story, if that is true, that is actually what

1376
01:03:02,640 --> 01:03:03,400
Speaker 4: the bus said.

1377
01:03:04,040 --> 01:03:08,520
Speaker 2: It isn't. No, it isn't. I will bring you if

1378
01:03:08,520 --> 01:03:11,560
Speaker 2: you're homeless. You how much one of those machine costs?

1379
01:03:11,720 --> 01:03:14,640
Speaker 3: I know the charges from the bank. But it happens.

1380
01:03:14,840 --> 01:03:17,640
Speaker 4: Well, he is, funnily enough, thinking of the busker. He's

1381
01:03:17,680 --> 01:03:20,480
Speaker 4: thinking of getting one of those little white squares.

1382
01:03:22,240 --> 01:03:24,720
Speaker 2: He looks envious, enviously at the guy in the in

1383
01:03:24,800 --> 01:03:27,320
Speaker 2: the doorway. Where do you get one of those from?

1384
01:03:27,920 --> 01:03:29,640
Speaker 2: You've got your own f POS machine.

1385
01:03:29,680 --> 01:03:31,800
Speaker 4: I wanted today make money to the busker, I said, well,

1386
01:03:31,840 --> 01:03:34,120
Speaker 4: could I pay the homeless guy in his f pass?

1387
01:03:34,160 --> 01:03:35,200
Speaker 4: And he gives you the cash?

1388
01:03:36,680 --> 01:03:39,440
Speaker 2: How was his standard busking? Because one thing I've noticed

1389
01:03:39,480 --> 01:03:42,080
Speaker 2: that standard busket in Melbourne is actually very good.

1390
01:03:42,200 --> 01:03:45,479
Speaker 4: Yeah, he's great. He's actually he's noodling away on the guitar.

1391
01:03:45,640 --> 01:03:46,600
Speaker 4: Very lovely stuff.

1392
01:03:46,640 --> 01:03:49,120
Speaker 3: Stringent rules in the city you've got to pass, yeah,

1393
01:03:49,480 --> 01:03:50,120
Speaker 3: city council.

1394
01:03:50,240 --> 01:03:52,920
Speaker 2: Yeah. Those young kids around there, they are amazing, some

1395
01:03:53,080 --> 01:03:55,760
Speaker 2: of them really really good voices. Tell you what I

1396
01:03:55,840 --> 01:03:57,920
Speaker 2: was when I was up in Byron. The worst thing

1397
01:03:57,920 --> 01:03:59,600
Speaker 2: about Buyronho is because didn't.

1398
01:03:59,400 --> 01:04:02,439
Speaker 4: Tones tones and I got discovered and she got.

1399
01:04:02,400 --> 01:04:05,040
Speaker 2: Discovered up there, right, So unfortunately she's given a hope

1400
01:04:05,040 --> 01:04:07,560
Speaker 2: to a lot of very untalented buskers. And there's no

1401
01:04:07,760 --> 01:04:09,640
Speaker 2: bar up there. You've got all kinds of kids who

1402
01:04:09,640 --> 01:04:12,120
Speaker 2: are like waiting to get a five year contracts or

1403
01:04:12,160 --> 01:04:15,080
Speaker 2: something looking around. They don't want money, they want to recording.

1404
01:04:14,880 --> 01:04:18,560
Speaker 4: Every five tones and I trying to bust their way

1405
01:04:18,600 --> 01:04:22,400
Speaker 4: to the number one song. So I think buskers are

1406
01:04:22,480 --> 01:04:24,720
Speaker 4: sadly and buskers can contact the show if they want.

1407
01:04:25,000 --> 01:04:25,560
Speaker 2: That's kind of you.

1408
01:04:25,840 --> 01:04:28,480
Speaker 4: Is this the age the last age of the busker?

1409
01:04:28,840 --> 01:04:30,880
Speaker 4: Do we see goodbye to buskers after this?

1410
01:04:30,960 --> 01:04:34,000
Speaker 3: That's not I hope straight thereage.

1411
01:04:34,000 --> 01:04:35,280
Speaker 2: Do you know what we should do to keep the

1412
01:04:35,400 --> 01:04:38,360
Speaker 2: art of busking alive? Because I actually love hearing a

1413
01:04:38,400 --> 01:04:40,600
Speaker 2: good busker when you walk, cheers you up right, and

1414
01:04:40,840 --> 01:04:42,960
Speaker 2: they get a crowd, don't they You know they gather

1415
01:04:43,040 --> 01:04:45,720
Speaker 2: on not now this corona faus, stay part everybody. Shall

1416
01:04:45,760 --> 01:04:47,880
Speaker 2: we do a busking idol competition?

1417
01:04:48,480 --> 01:04:48,680
Speaker 4: Yes?

1418
01:04:49,320 --> 01:04:52,200
Speaker 2: Yes, against these people who do this rain or shine.

1419
01:04:52,240 --> 01:04:54,960
Speaker 2: They deserve celebrating. I think we should do a search

1420
01:04:55,120 --> 01:04:58,600
Speaker 2: to find Melbourne's greatest busker because some of them are brilliant.

1421
01:04:58,640 --> 01:04:59,919
Speaker 2: Can you strike up your man, Ryan?

1422
01:05:00,080 --> 01:05:03,040
Speaker 4: I will and people should nominate buskers that they've seen

1423
01:05:03,240 --> 01:05:05,480
Speaker 4: and say, hey, go to the guy outside like Cole's

1424
01:05:06,320 --> 01:05:09,960
Speaker 4: or Woolworths outside, you know, Coburg, get that busker. I'll

1425
01:05:10,040 --> 01:05:11,480
Speaker 4: nominate Ryan. I'll kick it off.

1426
01:05:12,040 --> 01:05:16,800
Speaker 2: That's very kind. I never get. When you see a

1427
01:05:16,840 --> 01:05:19,200
Speaker 2: busker today, just tell them time to think about a

1428
01:05:19,240 --> 01:05:22,320
Speaker 2: career change. Jack posters called time on the art. Busking.

1429
01:05:22,480 --> 01:05:26,960
Speaker 2: They're endangered speeches. Enjoy them while you can, all right

1430
01:05:27,040 --> 01:05:28,960
Speaker 2: if you if you do want to nominate a busker,

1431
01:05:29,360 --> 01:05:31,200
Speaker 2: let me know. Christian at god one four three dot

1432
01:05:31,280 --> 01:05:32,240
Speaker 2: com dot au.

1433
01:05:32,400 --> 01:05:34,680
Speaker 1: Christian O'Connell Breakfast Show podcast.

1434
01:05:34,880 --> 01:05:38,760
Speaker 2: We are back tomorrow morning. Buskers, homeless people with f

1435
01:05:38,880 --> 01:05:39,960
Speaker 2: pos machines.

1436
01:05:39,680 --> 01:05:40,560
Speaker 3: YEP, it exists.

1437
01:05:40,760 --> 01:05:44,720
Speaker 2: Time of Today's show is hashtag dads Have Feelings. We

1438
01:05:44,840 --> 01:05:46,920
Speaker 2: are back tomorrow morning. Thank you very much for listening.

1439
01:05:47,440 --> 01:05:51,880
Speaker 1: Christian Christian O'Connell Breakfast Show podcast