1 00:00:00,760 --> 00:00:03,640 Speaker 1: It's a woman woody podcast, minis. But when you're in 2 00:00:03,640 --> 00:00:05,840 Speaker 1: a rush or just can't be bothered listening to them 3 00:00:05,840 --> 00:00:07,120 Speaker 1: blather on for half an. 4 00:00:06,960 --> 00:00:08,560 Speaker 2: Hour, Eric, you good, you go, mate? 5 00:00:09,200 --> 00:00:11,720 Speaker 1: Yeah, beautiful looks like a lush couch that you're on 6 00:00:11,760 --> 00:00:12,080 Speaker 1: over there. 7 00:00:12,080 --> 00:00:14,320 Speaker 2: I'm not sure what that fabric is, but geez. 8 00:00:13,920 --> 00:00:14,400 Speaker 3: It looks cool. 9 00:00:14,680 --> 00:00:17,040 Speaker 2: Well done, Christ what's that pillow? What are we talking? 10 00:00:17,040 --> 00:00:19,600 Speaker 2: A velvet number or I'm not. 11 00:00:19,440 --> 00:00:21,640 Speaker 4: Sure actually it might be might have been a velvets. 12 00:00:22,200 --> 00:00:25,080 Speaker 4: It's an animal free room. It's like otherwise the cat's 13 00:00:25,079 --> 00:00:27,920 Speaker 4: on my shoulder and the Yeah, I. 14 00:00:27,840 --> 00:00:29,720 Speaker 1: Thought you were saying animal free room, like you've got 15 00:00:29,760 --> 00:00:31,760 Speaker 1: another room in the house that is an animal room 16 00:00:31,880 --> 00:00:35,280 Speaker 1: full of animal and it was just like stag heads 17 00:00:35,400 --> 00:00:39,040 Speaker 1: just on the wall, just a Taxidermas dream. 18 00:00:39,360 --> 00:00:40,840 Speaker 2: It's not the case, obviously, though. 19 00:00:41,280 --> 00:00:42,640 Speaker 4: It's a safe space. 20 00:00:42,680 --> 00:00:47,080 Speaker 2: It's a safe space. All right. Hey, it's well, I'm morning. 21 00:00:47,120 --> 00:00:48,839 Speaker 2: Hope you're all having a wonderful drive home. We've got 22 00:00:48,840 --> 00:00:51,160 Speaker 2: a great guest on the show right now in Eric Batto, 23 00:00:51,240 --> 00:00:55,200 Speaker 2: who joins us. Hey, guys, Eric. 24 00:00:55,040 --> 00:00:57,960 Speaker 1: Welcome back to the show. Mate in the Animal Free Room. 25 00:00:58,200 --> 00:00:59,080 Speaker 1: Great to have you on. 26 00:01:03,160 --> 00:01:04,440 Speaker 2: How many animals do you have. 27 00:01:06,520 --> 00:01:08,920 Speaker 4: I've got to. But the thing is, you know, with Zoom, 28 00:01:08,959 --> 00:01:10,600 Speaker 4: I've got a cat that thinks it's a parrot and 29 00:01:10,720 --> 00:01:13,160 Speaker 4: just ends up on my shoulder and you know, it 30 00:01:13,360 --> 00:01:16,160 Speaker 4: just just he needs to know his space. 31 00:01:16,680 --> 00:01:22,480 Speaker 1: Yeah, So anyway, what is it with pets not knowing space? Like? 32 00:01:22,600 --> 00:01:25,560 Speaker 2: Really, it's bloody annoying, Like, you know, I. 33 00:01:25,560 --> 00:01:27,840 Speaker 4: Thank thank god. How are they going to cope with 34 00:01:27,959 --> 00:01:33,160 Speaker 4: when the pandemic's over, when we just piss off? 35 00:01:35,560 --> 00:01:36,480 Speaker 2: Are we there behind it? 36 00:01:36,520 --> 00:01:39,760 Speaker 1: We're going to find out it's this huge fearline conspiracy. 37 00:01:39,840 --> 00:01:42,000 Speaker 1: They've spread the fluid from the start just so they 38 00:01:42,000 --> 00:01:43,640 Speaker 1: can get up close to us on the couch. 39 00:01:44,240 --> 00:01:46,280 Speaker 2: Wild there's a movie in that there's already like a 40 00:01:46,319 --> 00:01:47,559 Speaker 2: Cat's and Dogs movie or something. 41 00:01:47,600 --> 00:01:49,360 Speaker 3: Isn't it not about a pandemic? 42 00:01:49,440 --> 00:01:49,560 Speaker 1: Though? 43 00:01:49,680 --> 00:01:51,520 Speaker 3: No, it's just about cats fighting dogs. 44 00:01:51,560 --> 00:01:57,800 Speaker 5: Sure, it's not about them creating biological warfare. Now, Eric, 45 00:01:57,880 --> 00:01:59,960 Speaker 5: let's talk about why you're on the show, mate, because 46 00:02:00,280 --> 00:02:02,840 Speaker 5: not to talk about cats inventing biological warfare. You've got 47 00:02:02,840 --> 00:02:06,480 Speaker 5: a brand new show which is genuinely my favorite sort 48 00:02:06,480 --> 00:02:08,280 Speaker 5: of podcast to listen to. It something that really hasn't 49 00:02:08,280 --> 00:02:10,760 Speaker 5: been dipped into all that much recently it's on Audible. 50 00:02:10,800 --> 00:02:15,239 Speaker 5: It's called The Orchard and it's a dramatization in which 51 00:02:15,240 --> 00:02:18,680 Speaker 5: you're starring and it involves some of the biggest actors 52 00:02:18,720 --> 00:02:21,800 Speaker 5: in Australia Make did Zebanski, Gary Sweet, Olivia Deeble as 53 00:02:21,840 --> 00:02:24,160 Speaker 5: well these Is this something that you've been wanting to 54 00:02:24,200 --> 00:02:27,880 Speaker 5: do for a while working on one of these dramatizations. 55 00:02:27,880 --> 00:02:29,320 Speaker 2: Are they just coming back in vogue? 56 00:02:29,320 --> 00:02:31,519 Speaker 1: Because one of my favorite things to listen to a 57 00:02:31,800 --> 00:02:35,880 Speaker 1: nineteen forties dramatizations from the BBC that they used to 58 00:02:35,919 --> 00:02:38,040 Speaker 1: be like this nightly event. I'm not sure if you 59 00:02:38,120 --> 00:02:41,079 Speaker 1: listen to them as a kid on the wireless we 60 00:02:41,240 --> 00:02:43,200 Speaker 1: you know, I know my parents did sit around and 61 00:02:43,200 --> 00:02:46,000 Speaker 1: listen to these radio plays or shows. 62 00:02:46,919 --> 00:02:48,240 Speaker 2: And what's it like working on one of them? 63 00:02:48,480 --> 00:02:51,280 Speaker 4: I remember more of the worlds. Oh yeah, I remember 64 00:02:51,520 --> 00:02:54,119 Speaker 4: More of the World as a kid was the big 65 00:02:54,160 --> 00:02:57,799 Speaker 4: one and just being so frightened by it and amazed 66 00:02:57,800 --> 00:02:59,960 Speaker 4: by it. So yeah, yeah, when this came along, is 67 00:03:00,080 --> 00:03:01,800 Speaker 4: it is a space it's growing? I think, you know, 68 00:03:02,520 --> 00:03:04,800 Speaker 4: podcasts are really popular that we kind of used to 69 00:03:04,919 --> 00:03:07,360 Speaker 4: just people just talking to each other, and in this case, 70 00:03:07,840 --> 00:03:12,480 Speaker 4: it's a dramatization of an original original idea, and it's 71 00:03:12,520 --> 00:03:16,080 Speaker 4: a drama thirteen parts, and it's like a radio play 72 00:03:16,280 --> 00:03:19,640 Speaker 4: with incredible sound design and really beautiful soundscape. So if 73 00:03:19,639 --> 00:03:21,520 Speaker 4: you're listening to this with headphones on, it's a really 74 00:03:21,600 --> 00:03:24,000 Speaker 4: immersive thriller. Basically. 75 00:03:24,120 --> 00:03:25,520 Speaker 1: I was going to ask you that actually, because I 76 00:03:25,560 --> 00:03:29,079 Speaker 1: know with the original radio plays, and again I was 77 00:03:29,120 --> 00:03:31,639 Speaker 1: going to say, I'm showing my age here, but maybe no, 78 00:03:32,040 --> 00:03:33,760 Speaker 1: I'm not at all. I'm just showing that I've got 79 00:03:33,800 --> 00:03:36,000 Speaker 1: bad listening habits. But these shows that I listened to 80 00:03:36,040 --> 00:03:38,880 Speaker 1: in the nineteen forties, like they used to have a 81 00:03:38,920 --> 00:03:42,119 Speaker 1: physical door in the studio and then hold a microphone 82 00:03:42,160 --> 00:03:44,000 Speaker 1: up to the door and then have the door opening 83 00:03:44,040 --> 00:03:47,960 Speaker 1: and closing just so it sounds Obviously, it sounds really tinny, 84 00:03:48,000 --> 00:03:51,760 Speaker 1: it sounds really real. But I imagine there's this transition that 85 00:03:51,760 --> 00:03:53,440 Speaker 1: you've got to make. Obviously, because you used to working 86 00:03:53,440 --> 00:03:56,280 Speaker 1: on a set, Is there was there is it hard 87 00:03:56,320 --> 00:03:58,000 Speaker 1: for you to adjust to the fact that there's going 88 00:03:58,040 --> 00:04:00,360 Speaker 1: to be all these sounds getting put in post because 89 00:04:00,400 --> 00:04:01,440 Speaker 1: you know, at the end of the day it's a 90 00:04:01,520 --> 00:04:04,920 Speaker 1: murder mystery. You're playing a detective. Obviously all over the shop. 91 00:04:05,880 --> 00:04:07,800 Speaker 1: How did that work? You're just leaving gaps for. 92 00:04:08,800 --> 00:04:12,600 Speaker 4: Yeah, what's It's a great acting exercise because you realize 93 00:04:12,640 --> 00:04:14,720 Speaker 4: that you just have nothing else to rely upon. You 94 00:04:14,720 --> 00:04:17,039 Speaker 4: don't have facial expressions, you don't have you know, camera 95 00:04:17,080 --> 00:04:19,080 Speaker 4: close ups and all those tricks that we use to 96 00:04:19,960 --> 00:04:23,719 Speaker 4: get around our deficiencies. So you're just relying on on 97 00:04:24,000 --> 00:04:25,919 Speaker 4: your voice as you are in radio, I guess. And 98 00:04:25,960 --> 00:04:28,720 Speaker 4: so that was a lot of a lot of fun. 99 00:04:28,760 --> 00:04:31,960 Speaker 4: We had a great a great cast and just trying 100 00:04:32,000 --> 00:04:34,640 Speaker 4: to bridge the gap and trying to make the storytelling 101 00:04:34,839 --> 00:04:38,040 Speaker 4: as vivid and trying to be energetic at the same 102 00:04:38,040 --> 00:04:41,240 Speaker 4: time whilst being in close into a microphone and trying 103 00:04:41,240 --> 00:04:43,679 Speaker 4: to make it sound like you're actually doing the things 104 00:04:43,680 --> 00:04:46,560 Speaker 4: that your character is doing in the story. Yeah, that 105 00:04:46,640 --> 00:04:48,400 Speaker 4: was That was probably the biggest challenge. 106 00:04:48,800 --> 00:04:53,120 Speaker 3: Would you still get dressed up like your character or 107 00:04:53,120 --> 00:04:55,400 Speaker 3: are you just are you just Eric Banner in his 108 00:04:55,480 --> 00:04:58,200 Speaker 3: jocks in his living room becoming Adam Dirwood. 109 00:05:00,120 --> 00:05:02,200 Speaker 4: Look, it might shock you to know that I did 110 00:05:02,240 --> 00:05:05,880 Speaker 4: I skip wardrobe for this make up on the wardrobe department. 111 00:05:06,520 --> 00:05:10,200 Speaker 4: Uh yeah, the catering truck was pretty crap as well, 112 00:05:13,080 --> 00:05:15,520 Speaker 4: So I do I do miss the extravagance of the 113 00:05:15,320 --> 00:05:18,839 Speaker 4: of the set of the movie set. But yeah, no, 114 00:05:19,000 --> 00:05:21,800 Speaker 4: it was, it is. Yeah, there's there is a is 115 00:05:21,839 --> 00:05:22,960 Speaker 4: a great side to it, for sure. 116 00:05:22,960 --> 00:05:27,840 Speaker 1: Just imagining you, like you know that the Holy Grail 117 00:05:28,120 --> 00:05:30,400 Speaker 1: and Monty Python where they roll around with the horses 118 00:05:30,400 --> 00:05:33,960 Speaker 1: with the coconuts, like when when they're imitating the sound, 119 00:05:35,279 --> 00:05:37,520 Speaker 1: I'm just imagining you doing the sounds of your own 120 00:05:37,600 --> 00:05:39,159 Speaker 1: car and everything into the motorby. 121 00:05:39,520 --> 00:05:42,240 Speaker 2: But guys, the sounds came beautiful. We can't stress that enough. 122 00:05:42,279 --> 00:05:46,000 Speaker 1: It doesn't Eric making sound effects into a microphone. 123 00:05:46,000 --> 00:05:48,160 Speaker 2: It is a full production. It sounds buddy awesome. 124 00:05:48,200 --> 00:05:52,279 Speaker 1: The Orchard True crime drama podcast it's on Audible again. 125 00:05:52,360 --> 00:05:54,600 Speaker 1: Amazing cast on there, so go and check it out 126 00:05:54,640 --> 00:05:56,400 Speaker 1: for yourselves. I've got more with Eric bound right up next. 127 00:05:56,800 --> 00:05:59,120 Speaker 1: It's well, I hope you're all having a wonderful drive home. 128 00:05:59,440 --> 00:06:01,200 Speaker 1: If you need some you listening, and let's face it, 129 00:06:01,240 --> 00:06:03,279 Speaker 1: we all do at the moment. The Orchard, a true 130 00:06:03,400 --> 00:06:07,760 Speaker 1: crime drama podcast from Audible, looks absolutely elite, hot story 131 00:06:07,800 --> 00:06:10,719 Speaker 1: with a hot cast as well, Magna Zevanski, Gary Sweet, 132 00:06:10,720 --> 00:06:12,960 Speaker 1: Olivia Deebel and of course Eric Banner, who joins us 133 00:06:13,000 --> 00:06:16,800 Speaker 1: right now live on the show. Eric, it's it's a 134 00:06:16,800 --> 00:06:19,040 Speaker 1: bit of a I was going to say, because obviously 135 00:06:19,120 --> 00:06:21,680 Speaker 1: you actually started in radio a very very long time 136 00:06:21,720 --> 00:06:23,800 Speaker 1: ago on Triple M. 137 00:06:23,839 --> 00:06:24,200 Speaker 2: Is that right? 138 00:06:24,480 --> 00:06:29,040 Speaker 4: Good research? Good research? Yeah, Dave O'Neill and I had 139 00:06:29,040 --> 00:06:31,680 Speaker 4: a show on Sunday nights on Triple AM for a 140 00:06:31,680 --> 00:06:34,400 Speaker 4: little while called the Schnitzel Brothers. So and I would 141 00:06:34,520 --> 00:06:37,680 Speaker 4: I occasionally did feelings for people on the Grill team 142 00:06:37,720 --> 00:06:39,640 Speaker 4: every now and then. But yeah, yeah, I loved it, 143 00:06:39,800 --> 00:06:40,760 Speaker 4: love working in radio. 144 00:06:41,640 --> 00:06:45,440 Speaker 3: You've referred to some some research there, Eric, and we've 145 00:06:45,480 --> 00:06:49,120 Speaker 3: gone one step further. We've got some audio of the 146 00:06:49,160 --> 00:06:50,120 Speaker 3: Schnitzel Brothers. 147 00:06:50,279 --> 00:06:52,200 Speaker 2: Yeah, before before before we played this. 148 00:06:52,440 --> 00:06:55,880 Speaker 1: It's probally fair that we reveal our sources because there's 149 00:06:55,920 --> 00:06:58,400 Speaker 1: a guy who works in audio production here who does 150 00:06:58,440 --> 00:07:00,240 Speaker 1: all the ads and stuff, and we were we work 151 00:07:00,360 --> 00:07:03,400 Speaker 1: very closely with her. We've become very fond of a 152 00:07:03,400 --> 00:07:08,240 Speaker 1: guy called Ray Peters, who was the producer, he. 153 00:07:08,360 --> 00:07:11,760 Speaker 4: Was our producer on your show What It Was? 154 00:07:12,320 --> 00:07:14,720 Speaker 1: Who can continues to insist that you owe him a 155 00:07:14,760 --> 00:07:16,720 Speaker 1: car man, I don't. 156 00:07:16,520 --> 00:07:17,560 Speaker 2: Know, full of crap. 157 00:07:18,720 --> 00:07:22,240 Speaker 4: He is dreaming, he is dreaming. 158 00:07:23,400 --> 00:07:25,600 Speaker 1: I've got a little bit of an audio from the 159 00:07:25,640 --> 00:07:28,120 Speaker 1: show The Stinzon Brothers soles You and Dave O'Neill back 160 00:07:28,120 --> 00:07:30,320 Speaker 1: in Melbourne one in the late late nineties. 161 00:07:30,320 --> 00:07:30,880 Speaker 2: Is that? What is that? 162 00:07:30,880 --> 00:07:35,240 Speaker 4: What this is from? I'm guessing it was, Yeah, mid 163 00:07:35,280 --> 00:07:36,120 Speaker 4: to late nineties. 164 00:07:36,200 --> 00:07:39,240 Speaker 1: Okay, here's you doing a send up of a current 165 00:07:39,240 --> 00:07:40,520 Speaker 1: affair on the Schnitzel Brothers. 166 00:07:40,600 --> 00:07:41,320 Speaker 2: Have a listen. 167 00:07:45,440 --> 00:07:48,200 Speaker 4: Tonight on a crumbling affair, our exclusive report on a 168 00:07:48,240 --> 00:07:49,920 Speaker 4: house builder who's a mutant. 169 00:07:50,080 --> 00:07:52,120 Speaker 1: Excuse me, excuse me, why aren't you talking to us? 170 00:07:52,200 --> 00:07:57,360 Speaker 4: Plus are your tonel clippings a death trip? Tonight on 171 00:07:57,400 --> 00:07:58,160 Speaker 4: a crumbling affair? 172 00:08:02,760 --> 00:08:03,600 Speaker 2: How was that experience? 173 00:08:03,760 --> 00:08:03,920 Speaker 1: Eric? 174 00:08:04,000 --> 00:08:07,040 Speaker 4: Great little, great little cameo by Dave o nearlier, good 175 00:08:07,040 --> 00:08:12,200 Speaker 4: acting reporter and knocking on the door. Fantastic. 176 00:08:15,000 --> 00:08:17,040 Speaker 3: So I mean there's been a foray back into the 177 00:08:17,040 --> 00:08:19,120 Speaker 3: you know, the the audio stuff. Could will and I 178 00:08:19,240 --> 00:08:21,720 Speaker 3: be worried for our jobs of the Schnitzel Brothers coming 179 00:08:21,760 --> 00:08:23,480 Speaker 3: back to Australia at a drivetime radio. 180 00:08:23,960 --> 00:08:25,880 Speaker 4: Yeah, I think Dave's Dave's a bit above me at 181 00:08:25,880 --> 00:08:31,320 Speaker 4: the moment with all his podcasts. If you take me 182 00:08:31,360 --> 00:08:32,800 Speaker 4: on as a as a partner. 183 00:08:33,120 --> 00:08:35,400 Speaker 2: You can you know. 184 00:08:37,400 --> 00:08:37,760 Speaker 5: You away? 185 00:08:38,400 --> 00:08:38,600 Speaker 4: Yeah? 186 00:08:39,000 --> 00:08:41,880 Speaker 1: He might he might know actually it's a it's a 187 00:08:41,880 --> 00:08:43,480 Speaker 1: tough cape anyway, stay away, Banner. 188 00:08:43,480 --> 00:08:44,280 Speaker 2: That's what we're trying to say. 189 00:08:44,280 --> 00:08:46,800 Speaker 1: We like our jobs and we don't need any more competition, 190 00:08:46,960 --> 00:08:47,800 Speaker 1: so piss off. 191 00:08:48,480 --> 00:08:51,200 Speaker 2: But if you want to go and see Eric, The. 192 00:08:51,160 --> 00:08:54,440 Speaker 1: Orchard is part of a news selection of thousands of 193 00:08:54,800 --> 00:08:59,359 Speaker 1: Listen All you Want titles now included in Audible membership. 194 00:08:59,520 --> 00:09:01,800 Speaker 1: Check out The Orchard before we go, Mate, I did 195 00:09:01,840 --> 00:09:03,360 Speaker 1: meant to say, actually, I know, the last time we 196 00:09:03,400 --> 00:09:05,960 Speaker 1: spoke to you, we're talking about the dry and you 197 00:09:06,080 --> 00:09:10,240 Speaker 1: picking up Ozzie scripts and working with them, and gee whizz, 198 00:09:10,760 --> 00:09:12,840 Speaker 1: you've absolutely been that mate. There was such a great 199 00:09:12,880 --> 00:09:16,280 Speaker 1: read for me, so watching it the way, the whole, 200 00:09:16,520 --> 00:09:18,920 Speaker 1: the way that you portrayed Fork and all the drama's 201 00:09:18,960 --> 00:09:21,800 Speaker 1: intentions that he went, oh, thank you, and the character mate, 202 00:09:21,800 --> 00:09:23,200 Speaker 1: it was red hot. 203 00:09:23,720 --> 00:09:25,880 Speaker 4: Thanks very much. Yeah, and we pinch ourselves that we 204 00:09:25,920 --> 00:09:27,960 Speaker 4: managed to get that film out when we did, and 205 00:09:28,400 --> 00:09:31,840 Speaker 4: really appreciate everyone having gotten behind it was amazing. 206 00:09:32,000 --> 00:09:33,600 Speaker 1: It was such a good movie, mate, it was really 207 00:09:33,600 --> 00:09:36,839 Speaker 1: really good. Congratulations and congratulations on the podcast as well. 208 00:09:36,840 --> 00:09:39,960 Speaker 1: The Orchard a true crime drama podcast from Audible with 209 00:09:40,120 --> 00:09:41,319 Speaker 1: Eric Bannatt Go and check it out. 210 00:09:41,320 --> 00:09:42,920 Speaker 2: Guys, Eric, thanks so much mate, it's been a pleasure. 211 00:09:42,960 --> 00:09:44,160 Speaker 4: Thanks Will and what are you good to talk yet? 212 00:09:44,240 --> 00:09:47,000 Speaker 1: Here more of the boys on the Full Show podcast. 213 00:09:47,440 --> 00:09:48,280 Speaker 1: You know you want to