1 00:00:00,480 --> 00:00:04,840 Speaker 1: Jonesy and Amanda in the morning Sam. Any excuse is 2 00:00:04,880 --> 00:00:06,800 Speaker 1: a good excuse to get Rob Hurst in. But with 3 00:00:06,960 --> 00:00:09,280 Speaker 1: new Midnight Oil music on the way and a new 4 00:00:09,400 --> 00:00:13,600 Speaker 1: album with his daughter j O'shay, the timing is perfect 5 00:00:13,600 --> 00:00:14,400 Speaker 1: to have this man in. 6 00:00:14,560 --> 00:00:17,920 Speaker 2: Rob Hello him, Are you going as well? 7 00:00:19,680 --> 00:00:23,760 Speaker 3: Like I know, Amanda pervs on the rope yarns and 8 00:00:24,560 --> 00:00:27,440 Speaker 3: you come in and she gets the reds and the 9 00:00:27,480 --> 00:00:30,240 Speaker 3: Sunset DVD out went back And what was that? 10 00:00:30,320 --> 00:00:32,680 Speaker 2: Hate? I'm turning a shade of red sales in the 11 00:00:32,680 --> 00:00:37,000 Speaker 2: Sunset when you get don't have tats? No, we're not 12 00:00:37,000 --> 00:00:40,319 Speaker 2: of the generator. Look our generation only people who had 13 00:00:40,360 --> 00:00:42,760 Speaker 2: tats were criminals, bikis and warfies. 14 00:00:42,840 --> 00:00:43,120 Speaker 3: That's it. 15 00:00:43,360 --> 00:00:45,680 Speaker 2: Yeah, so we didn't fall into it either. 16 00:00:46,040 --> 00:00:48,960 Speaker 1: Now people who are CEOs of banks have neck tattoos. 17 00:00:49,120 --> 00:00:49,600 Speaker 2: I hate that. 18 00:00:49,920 --> 00:00:52,240 Speaker 1: Does your daughter j O'sha have tattoos? 19 00:00:52,920 --> 00:00:54,200 Speaker 2: No, she's not of that generation. 20 00:00:54,880 --> 00:00:57,960 Speaker 1: Well, let's talk. I mean anyway, we've spoken to you 21 00:00:58,000 --> 00:01:01,120 Speaker 1: about this. But for those that don't know, Jay didn't 22 00:01:01,120 --> 00:01:02,000 Speaker 1: come back into. 23 00:01:01,840 --> 00:01:04,240 Speaker 2: Your life for a number of years, thirty six years, man, Yeah, 24 00:01:04,360 --> 00:01:06,280 Speaker 2: docted out as a base dopted out and I grew 25 00:01:06,360 --> 00:01:08,440 Speaker 2: up in South Australia to a loving family down there 26 00:01:08,480 --> 00:01:11,680 Speaker 2: in North Adelaide, and then, which was nineteen, found her 27 00:01:11,680 --> 00:01:15,120 Speaker 2: way to Sydney, started trying to survive in the Sydney 28 00:01:15,200 --> 00:01:19,200 Speaker 2: entertainment actually sung with in excess for the John Stephens 29 00:01:19,200 --> 00:01:21,480 Speaker 2: iteration of an accessful life, so we might have actually 30 00:01:21,560 --> 00:01:24,520 Speaker 2: met all those years ago, and then went to got 31 00:01:24,520 --> 00:01:27,039 Speaker 2: a publishing deal, went to London, made a couple of albums, 32 00:01:27,319 --> 00:01:30,000 Speaker 2: more in the Cape Bush kind of mode rather than country. 33 00:01:30,240 --> 00:01:33,920 Speaker 2: Came back met Mark O'sheay from Dolby on the Darling 34 00:01:33,959 --> 00:01:38,000 Speaker 2: Downs in Queensland, fell in love, married, went to Nashville 35 00:01:38,360 --> 00:01:41,560 Speaker 2: and now has two children, which made me a grand friend. 36 00:01:41,680 --> 00:01:45,199 Speaker 2: And bizarrely, the first time I spoke to Jay after 37 00:01:45,280 --> 00:01:49,040 Speaker 2: all those decades of separation was when Bones Hillman midnight 38 00:01:49,080 --> 00:01:53,600 Speaker 2: oil bassist invited them over to his place in Nashville, 39 00:01:53,800 --> 00:01:58,040 Speaker 2: knowing your connection, only finding out minutes before and then 40 00:01:58,120 --> 00:02:00,840 Speaker 2: handing the phone, handing the phone to Jay and saying 41 00:02:00,880 --> 00:02:02,080 Speaker 2: do you want to speak to your father for the 42 00:02:02,120 --> 00:02:04,560 Speaker 2: first time with each other? 43 00:02:04,600 --> 00:02:08,520 Speaker 1: By then no, my god, where did he find out? 44 00:02:09,080 --> 00:02:13,120 Speaker 2: The Yeah? Birth mother had sent a note around and 45 00:02:13,320 --> 00:02:15,600 Speaker 2: years yeah and Jay had found out. 46 00:02:16,080 --> 00:02:19,079 Speaker 3: So the birth mother had sent a note around saying 47 00:02:19,120 --> 00:02:20,000 Speaker 3: does anyone. 48 00:02:19,720 --> 00:02:23,400 Speaker 2: Know she'd been looking for all those years? Yeah, and 49 00:02:24,280 --> 00:02:25,840 Speaker 2: it's a great it's an amazing story. 50 00:02:26,080 --> 00:02:29,280 Speaker 1: And the fact that you're both musicians and have similar 51 00:02:29,360 --> 00:02:32,440 Speaker 1: sensibilities musically, politically, all that stuff. 52 00:02:32,520 --> 00:02:36,000 Speaker 2: Well, politically I'd like to think so, not always, Oh 53 00:02:36,080 --> 00:02:39,160 Speaker 2: I think so, I think so. But the main thing was, yeah, 54 00:02:39,200 --> 00:02:42,959 Speaker 2: we both love melody and music. She's an incredible singer. 55 00:02:43,320 --> 00:02:45,960 Speaker 2: She gets his amazing voice from her birth mother, not 56 00:02:46,120 --> 00:02:52,240 Speaker 2: me with my asthmatic bleat. But she's also she also 57 00:02:52,280 --> 00:02:57,480 Speaker 2: loves music with cellos and real instruments. So on our 58 00:02:57,520 --> 00:03:00,280 Speaker 2: album The Lost in the Found, we're mainly you used 59 00:03:02,240 --> 00:03:05,240 Speaker 2: in real instruments rather than technology. 60 00:03:05,280 --> 00:03:06,400 Speaker 3: Good, it's all technology. 61 00:03:06,440 --> 00:03:08,960 Speaker 1: Now do you sort of tell her off, like have 62 00:03:09,000 --> 00:03:11,080 Speaker 1: you been able to come in at that level and say, 63 00:03:11,160 --> 00:03:14,040 Speaker 1: now listen here, I not. 64 00:03:17,800 --> 00:03:23,800 Speaker 2: Too thick because I pulled the dad card. Yeah? Occasionally, yeah, 65 00:03:23,960 --> 00:03:24,600 Speaker 2: very occasionally. 66 00:03:24,680 --> 00:03:26,320 Speaker 3: Does she ask you for allowance you get made? 67 00:03:26,400 --> 00:03:32,400 Speaker 2: Because why do you think that oils are still? This 68 00:03:32,480 --> 00:03:33,760 Speaker 2: is an expensive world we live in. 69 00:03:33,840 --> 00:03:36,600 Speaker 3: Abs Is there any any any drum solos on. 70 00:03:36,560 --> 00:03:38,960 Speaker 2: The there is? The album finishes with a drum solo 71 00:03:39,560 --> 00:03:42,720 Speaker 2: half hour. That's it was cut down from half an hour. 72 00:03:43,800 --> 00:03:45,960 Speaker 2: But there's a song written by jay the last one 73 00:03:46,000 --> 00:03:49,640 Speaker 2: called there You Are, where she describes us meeting at 74 00:03:49,680 --> 00:03:53,200 Speaker 2: Bronti for the first time like a slow motion movie. 75 00:03:53,280 --> 00:03:57,520 Speaker 2: You know where you come from. And for some reason 76 00:03:57,560 --> 00:04:00,080 Speaker 2: when we were recording it wasn't supposed to, but that 77 00:04:00,200 --> 00:04:03,520 Speaker 2: song ended prematurely and I just kept playing and built 78 00:04:03,520 --> 00:04:06,480 Speaker 2: these drums up. It's almost like a kind of Okay, 79 00:04:06,520 --> 00:04:08,920 Speaker 2: so I'm a drummer and she's a singer, and we'll 80 00:04:09,000 --> 00:04:11,200 Speaker 2: just get it going. Yeah, this is the collaboration that 81 00:04:11,240 --> 00:04:12,840 Speaker 2: we've been looking for after all those decades. 82 00:04:13,640 --> 00:04:15,600 Speaker 3: You know. For those that don't know, this is for 83 00:04:15,640 --> 00:04:18,560 Speaker 3: Amanda's benefit, power and the passion. Rob did this smoking 84 00:04:18,600 --> 00:04:19,239 Speaker 3: drum silo? 85 00:04:20,440 --> 00:04:21,520 Speaker 2: Well, yes I do not. 86 00:04:21,760 --> 00:04:22,320 Speaker 3: Do you know this? 87 00:04:22,600 --> 00:04:25,000 Speaker 2: Yes? I didn't think it was Animal from the Muppets, 88 00:04:26,160 --> 00:04:27,600 Speaker 2: although he was a pretty good drummer. 89 00:04:27,960 --> 00:04:30,640 Speaker 3: Rob Hurst and Jay O'shay's new album, The Lost and 90 00:04:30,680 --> 00:04:34,600 Speaker 3: Found is out. Now do yourself a favor and buy it. Rob. 91 00:04:34,640 --> 00:04:35,839 Speaker 3: It's always a treat. 92 00:04:35,839 --> 00:04:38,760 Speaker 2: Thanks for having me in, don't you thinks? Amanda Pleasure 93 00:04:39,160 --> 00:04:40,880 Speaker 2: joins the and Amanda in the Morning