WEBVTT - Confessions Of A TV Reporter

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<v Speaker 1>Hello, and welcome to Outspoken. You're joined by journalists Sophie

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<v Speaker 1>and Amy Torbert for a special episode we've decided to

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<v Speaker 1>call Confessions of a TV Reporter. Now. For those who

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<v Speaker 1>are OG listeners, you'll know we started our careers in

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<v Speaker 1>the media before launching our public relations firm, the PR Bible,

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<v Speaker 1>and we do get asked a lot of questions about

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<v Speaker 1>what it is really like to be a TV reporter,

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<v Speaker 1>So we thought we'd address some of our favorite questions

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<v Speaker 1>we've got along the way. I mean, I always get

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<v Speaker 1>asked how you and I actually got into the industry,

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<v Speaker 1>and people might be surprised to know our parents are teachers,

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<v Speaker 1>so we didn't have any sort of uncle or AUNTI

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<v Speaker 1>your parent that was involved in the media, which really.

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<v Speaker 2>Doesn't help you out, does it. No, it doesn't.

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<v Speaker 1>So we all studied a journalism degree and did a

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<v Speaker 1>master's in journalism as well, and basically just hit up

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<v Speaker 1>every news station, every newspaper to get work experience whilst

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<v Speaker 1>we were at UNI, And for those who are at UNI,

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<v Speaker 1>it really is worth it because that's the only way

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<v Speaker 1>you can, you know, gain those connections.

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<v Speaker 2>They're going to get your foot in the door.

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<v Speaker 1>Well, the big connection that helped me get my foot

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<v Speaker 1>in the door was the fact that I happened to

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<v Speaker 1>play tennis alongside one of the Channel ten reporters, and

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<v Speaker 1>that was because we actually, Kate, soph and I. We

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<v Speaker 1>actually got invited to do some work at ten after

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<v Speaker 1>a news industry night, so we started writing the weather

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<v Speaker 1>and my favorite thing to do was there was a

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<v Speaker 1>button where you could change the weather to snow. That

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<v Speaker 1>was never ever used because it doesn't snow in Adelage,

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<v Speaker 1>but that was the best. But yeah, I joined the

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<v Speaker 1>ten tennis team and one of the lovely reporters tipped

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<v Speaker 1>me off that there was a job going at Today

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<v Speaker 1>tonight and I should put my hand up for it

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<v Speaker 1>as a sort of producer slash researcher role. Yeah, and

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<v Speaker 1>you were saying before we were invited in for work experience,

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<v Speaker 1>and that was because our group actually won the news night.

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<v Speaker 1>So it does pay off to really put in the

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<v Speaker 1>hard yards at UNI because we put together each a

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<v Speaker 1>different news story, a TV news story, and that's when

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<v Speaker 1>all of the industry leaders were basically the judging who

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<v Speaker 1>they liked the best.

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<v Speaker 2>So luckily we went. It was like.

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<v Speaker 1>Australian idol that judging Panawa. They did not hold back,

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<v Speaker 1>did they. I remember one guy I got told he

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<v Speaker 1>was Wooden and then his last name was wood I

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<v Speaker 1>mean he is now working in the industry and doing

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<v Speaker 1>very well.

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<v Speaker 2>So it doesn't always tore people to shreds.

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<v Speaker 1>It was, oh, your voice isn't good, you don't look

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<v Speaker 1>good on camera. So that is something in journalism you

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<v Speaker 1>do have to have a very very thick skin. One

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<v Speaker 1>of our big breaks, I suppose you call it, while

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<v Speaker 1>we're at UNI was doing sa NFL, which is a

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<v Speaker 1>South Australian football league for those who don't know. So

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<v Speaker 1>we did sports reporting for them, and I think they

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<v Speaker 1>thought it was a little bit of a gimmick, the

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<v Speaker 1>fact that it was three girls and the fact that

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<v Speaker 1>we were triplets.

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<v Speaker 2>And I remember, you know, we.

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<v Speaker 1>Were so excited when they said that we could do

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<v Speaker 1>the match reporting and then they made us pose in

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<v Speaker 1>this photo of us or looking out at the game,

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<v Speaker 1>and it was so embarrassing. But I remember you and

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<v Speaker 1>Kate being quite shocked when you guys reported on your

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<v Speaker 1>first game. You've got to tell everybody what happened when

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<v Speaker 1>you went into the chains. The chain drooms can be

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<v Speaker 1>a very daunting place to go into, especially for a female.

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<v Speaker 1>Kate and I walked in to interview the coach and

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<v Speaker 1>literally all the players were just in the nude and

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<v Speaker 1>you just felt like the biggest perv and it was

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<v Speaker 1>really uncomfortable. I mean we were probably twenty one twenty two,

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<v Speaker 1>and you get the vibe that everyone thinks that you

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<v Speaker 1>want to be in there, and like, really, I since

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<v Speaker 1>the age of seventeen, I wanted to be a sports

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<v Speaker 1>journalist and have changed my mind obviously along the way,

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<v Speaker 1>but I really loved football and I really wanted to

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<v Speaker 1>be taken seriously. So it was quite a confronting situation

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<v Speaker 1>when people think that you are there just to talk

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<v Speaker 1>to the players or gork at the players. We're talking

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<v Speaker 1>about confronting situations. I remember my sort of first real

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<v Speaker 1>journalism job, and that was at a current Affairs style

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<v Speaker 1>program and I remember walking in and I got sent

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<v Speaker 1>straight into a meeting and it was just everything you

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<v Speaker 1>think it's going to be. It was hilarious. I had

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<v Speaker 1>so much fun in this meeting. They were talking about

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<v Speaker 1>cookie diet and all this kind of stuff like neighbors

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<v Speaker 1>from Hell, and I was just licking my lips. I

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<v Speaker 1>was like, Wow, this is so interesting. And I remember

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<v Speaker 1>I got sent out with one of the reporters and

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<v Speaker 1>I had to put a hidden camera in my bag

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<v Speaker 1>because we were doing a sting on this. I'm sure

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<v Speaker 1>people remember at Studio two thousand, remember they used to

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<v Speaker 1>hand out you know, flyers and you could apparently get

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<v Speaker 1>a free shoot, but the photos turned out being really expensive.

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<v Speaker 1>So remember the first few weeks I got sent out

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<v Speaker 1>undercover to do a shoot with Studio two thousand, and

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<v Speaker 1>they did your hair and makeup. It was humiliating, like

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<v Speaker 1>they made us look like dead set idiots. Isn't that

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<v Speaker 1>just what you would picture in a current affair style

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<v Speaker 1>program to be like? It lived up to every expectation

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<v Speaker 1>hearing about your first day did. I genuinely had so

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<v Speaker 1>much fun there. Though it was a good environment to

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<v Speaker 1>learn a lot. My entrance into my big break was

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<v Speaker 1>a bit longer than yours.

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<v Speaker 2>I did a lot of shit kicker jobs.

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<v Speaker 1>I think that people think the second you step in

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<v Speaker 1>the door at a TV station, you're going to be

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<v Speaker 1>on TV. I did the really long route. I did

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<v Speaker 1>AUTOQ for many years. I listened to scanners early on

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<v Speaker 1>Saturday mornings. I basically did everything just to get my

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<v Speaker 1>job and finally get noticed. And a lot of it

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<v Speaker 1>did come from if anyone is out there trying to

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<v Speaker 1>get their break, is you've really got to start coming

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<v Speaker 1>up with your own story ideas and just really pitching

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<v Speaker 1>and talking to the boss. I used to be so

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<v Speaker 1>scared about Boss Terry, who we actually work with now

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<v Speaker 1>and who I absolutely adore, But it's just breaking down

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<v Speaker 1>those barriers and making those connections.

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<v Speaker 2>Oh, definitely.

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<v Speaker 1>Another question that we get asked a lot is about

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<v Speaker 1>the industry's focus on appearance and whether there are any guidelines,

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<v Speaker 1>And there are heaps of guidelines out there, so there

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<v Speaker 1>are so many. There's a style guide, so a number

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<v Speaker 1>of networks I've been out, they've had specifically outlined what

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<v Speaker 1>colors you're allowed to wear, what jewelry you know is

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<v Speaker 1>actually pretty much no jury.

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<v Speaker 2>You're allowed to wear hairstyles. I remember.

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<v Speaker 1>I remember at one TV station I worked out, there

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<v Speaker 1>was an ongoing joke that the boss only liked women

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<v Speaker 1>with blonde bobs because literally all the women on staff

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<v Speaker 1>had blonde bobs. And luckily for me, my hair was

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<v Speaker 1>a blonde bob at the time, so it was quite good.

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<v Speaker 2>Well, when I was on my Cadet Chip.

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<v Speaker 1>We actually had a whole class that was a makeup

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<v Speaker 1>class that was actually really cool. So one of the

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<v Speaker 1>makeup artists who does all the news presenters makeup came

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<v Speaker 1>and spoke to us and she even showed the men

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<v Speaker 1>how to put makeup on, which was pretty funny. Like

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<v Speaker 1>they've got this eyebrow gel that they have to smooth

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<v Speaker 1>their eyebrows with, and a lot of the hard core

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<v Speaker 1>male journals will actually wear foundation and a bit of

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<v Speaker 1>powder over the top, which is I must admit, it

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<v Speaker 1>was pretty hilarious to watch them put it on because.

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<v Speaker 2>They love it. I think they really get into it.

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<v Speaker 1>And as a man, you're also if you're out on

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<v Speaker 1>the road and you've got a beautiful pair of pants

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<v Speaker 1>with pockets, you're not allowed to put a phone in

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<v Speaker 1>those pockets because you cannot crease those pants. Despite them

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<v Speaker 1>never really being on camera. Well, I absolutely love makeup,

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<v Speaker 1>so for me, I found it really fun every day

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<v Speaker 1>to do my makeup really nicely. But you know it

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<v Speaker 1>is for those who love the more casual look. It

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<v Speaker 1>can be quite daunting. If anyone listening is preparing to

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<v Speaker 1>be interviewed on TV or is actually wanting to be

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<v Speaker 1>a journalist, you do have to wear really over the

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<v Speaker 1>top makeup because the camera just really washes you out. Yeah,

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<v Speaker 1>it doesn't pick it up. The other thing that comes

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<v Speaker 1>along with, I suppose this image obsessed industry is the

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<v Speaker 1>continual criticism about your appearance, though, because especially when you're

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<v Speaker 1>starting out, you don't really know what colors work for you.

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<v Speaker 1>And I remember being told by one of this style

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<v Speaker 1>people that they couldn't see my eyebrows, so I had

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<v Speaker 1>to draw them in. I had a camera man tell

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<v Speaker 1>me I looked green on camera. That's always great when

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<v Speaker 1>you're trying hard and you get told you look green.

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<v Speaker 1>I remember one particular piece to camera and my hair

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<v Speaker 1>was blowing in the wind and the cameraman was just

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<v Speaker 1>getting really irritated at me because my hair wasn't heavy

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<v Speaker 1>enough to sit down and it wasn't thick enough. My

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<v Speaker 1>hair has always been one of my insecurities. So the

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<v Speaker 1>next day I went out and got some clip in

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<v Speaker 1>hair extensions, and it looks so much better on camera.

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<v Speaker 1>But for anyone who's worn them, if you've got a

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<v Speaker 1>twelve hour day starting at six am, it is so

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<v Speaker 1>uncomfortable and is so time consuming. I remember doing what

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<v Speaker 1>they call a piece to camera. That's a bit that

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<v Speaker 1>the reporter obviously says in front of the camera.

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<v Speaker 2>I remember doing one.

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<v Speaker 1>In the studio at a particular news station, and at

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<v Speaker 1>this station, everything that happens in studio feeds into the

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<v Speaker 1>televisions of the other people working there, so they had

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<v Speaker 1>a TV in the makeup and hair part of the office,

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<v Speaker 1>and I remember being buzzed. It was like, could you

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<v Speaker 1>please come to hair and makeup immediately? And they were

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<v Speaker 1>just like, your hair looks basically shit, like we need

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<v Speaker 1>to fix it. And I remember they did it, and

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<v Speaker 1>I thought I looked so stupid, it was so buffy,

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<v Speaker 1>and I was actually so embarrassed about it.

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<v Speaker 2>You did get the tag of being a bit scruffy sometimes,

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<v Speaker 2>Oh I know.

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<v Speaker 1>I got told that I looked like I just sort

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<v Speaker 1>of woke up and threw my clothes, which I'm sorry

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<v Speaker 1>when on my alarm, when if at four thirty I

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<v Speaker 1>did just get up and throw my clothes on Well,

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<v Speaker 1>it was really unfair because Amy was a full time

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<v Speaker 1>employee and I was a freelancer. And she got this

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<v Speaker 1>whole wardrobe bought for her all new jackets, dresses, and

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<v Speaker 1>she even had a little cupboard at work that was

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<v Speaker 1>built in where you could just go to your cupboard

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<v Speaker 1>if you want to change your clothes, and I literally

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<v Speaker 1>had to fork out for all of my own stuff.

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<v Speaker 1>Do you remember that time that we wrapped up to

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<v Speaker 1>work in the same outfit?

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<v Speaker 2>Oh, that was so embarrassing. This is when we lived together.

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<v Speaker 1>So I happened to leave earlier than Sophie that morning,

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<v Speaker 1>and then I arrived and she and I were both

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<v Speaker 1>wearing white tops and blue blazers and we were like.

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<v Speaker 2>Oh my god.

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<v Speaker 1>The worst thing is it wouldn't have mattered on a

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<v Speaker 1>normal day because we would have been out at different things.

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<v Speaker 1>But the only time ever we've been sent out on

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<v Speaker 1>a story together, and it was a stakeout of Billie Brownless.

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<v Speaker 2>Oh, I still feel a little.

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<v Speaker 1>Bit bad about that now that this happened. When drimble

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<v Speaker 1>that controversy Billy Brown, this is of course one of

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<v Speaker 1>the male hosts that were on the Footy Show, and

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<v Speaker 1>there was that big scandal about his wife hooking up

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<v Speaker 1>with Gary Lyon, and so he kind of was in

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<v Speaker 1>Adelaide and he was showing his face for the first time.

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<v Speaker 1>So it was quite an important story. People wanted to

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<v Speaker 1>get him on camera. So I got sent to sit

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<v Speaker 1>in the crowd and I suppose to get sneaky phone

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<v Speaker 1>shots of him. He was appearing at a local football club,

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<v Speaker 1>and then soph was sent out the front to bounce him.

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<v Speaker 1>And when they say bounce, that means you know, when

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<v Speaker 1>the reporters run up with the camera and they're like, Billy,

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<v Speaker 1>how's it going. Have you had from your wife? How's

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<v Speaker 1>your friendship with Gary Lyon going?

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<v Speaker 2>That kind of thing?

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<v Speaker 1>So I looked like a massive dick. I went up

0:10:43.160 --> 0:10:45.040
<v Speaker 1>and I took a photo with Billy so I could

0:10:45.040 --> 0:10:47.720
<v Speaker 1>get close to film, in which I felt so bad about,

0:10:48.040 --> 0:10:51.880
<v Speaker 1>and then he's bounced by my identical systory outside. It

0:10:51.960 --> 0:10:54.640
<v Speaker 1>was so funny because I literally sat outside all day

0:10:54.679 --> 0:10:58.880
<v Speaker 1>with the cameraman and soundo and Amy was inside, she said, and.

0:10:58.880 --> 0:11:00.959
<v Speaker 2>A few people spotted up outside with the.

0:11:00.960 --> 0:11:04.280
<v Speaker 1>Camera and they're like, what parasides sitting out there waiting,

0:11:04.280 --> 0:11:06.760
<v Speaker 1>and Amy was just like, yeah, terrible, isn't it.

0:11:06.880 --> 0:11:07.840
<v Speaker 2>It's so terrible.

0:11:08.360 --> 0:11:10.280
<v Speaker 1>I did get Billy to say something, though, I killed

0:11:10.320 --> 0:11:12.400
<v Speaker 1>him with kindness instead of being very aggressive.

0:11:12.760 --> 0:11:14.040
<v Speaker 2>What did you say to him?

0:11:14.240 --> 0:11:15.800
<v Speaker 1>I think I just said, how are you enjoying the

0:11:15.840 --> 0:11:18.120
<v Speaker 1>day and he's like, yes, it's good, thank you, and

0:11:18.160 --> 0:11:20.600
<v Speaker 1>they used that grap. Well, we did get praised heavily,

0:11:20.640 --> 0:11:22.760
<v Speaker 1>didn't we because we Actually that's the thing. You do,

0:11:22.800 --> 0:11:24.800
<v Speaker 1>these things that you feel bad about, but you get

0:11:24.880 --> 0:11:28.559
<v Speaker 1>kind of praise and you're like, oh, okay, I did good.

0:11:28.880 --> 0:11:31.440
<v Speaker 1>And steakhouts are something that is a regular occurrence on

0:11:31.480 --> 0:11:31.800
<v Speaker 1>the job.

0:11:31.840 --> 0:11:35.040
<v Speaker 2>It is. It can be very boring.

0:11:35.920 --> 0:11:39.959
<v Speaker 1>It depends because I remember I got sent out. It

0:11:40.000 --> 0:11:43.600
<v Speaker 1>was to some kind of home invasion or something like that.

0:11:43.679 --> 0:11:46.120
<v Speaker 1>A poor woman got hit over the head with a crowbar,

0:11:46.760 --> 0:11:50.360
<v Speaker 1>and I remember rocking up at about six thirty in

0:11:50.400 --> 0:11:54.040
<v Speaker 1>the morning and we were waiting. I think we're waiting

0:11:54.040 --> 0:11:55.840
<v Speaker 1>to see if she returned home. I mean, that's the

0:11:55.880 --> 0:11:57.679
<v Speaker 1>first thing you want to see when you've returned home

0:11:57.720 --> 0:12:00.240
<v Speaker 1>from a horrific injury, is it? News reporters on your

0:12:00.320 --> 0:12:04.119
<v Speaker 1>front doorstep? But I remember it was all the networks

0:12:04.160 --> 0:12:07.880
<v Speaker 1>had waited and we'd got interviews with neighbors and stuff,

0:12:07.880 --> 0:12:09.679
<v Speaker 1>and we had a jolly old time. We was sitting

0:12:09.679 --> 0:12:12.880
<v Speaker 1>out in the sun on the gate, sorry, on the

0:12:12.920 --> 0:12:15.720
<v Speaker 1>fence out there, and a lady brought us water and cookies,

0:12:15.720 --> 0:12:18.400
<v Speaker 1>which is a very rare occurrence. People normally tell you

0:12:18.440 --> 0:12:21.200
<v Speaker 1>to piss off and get a real job. Well, there

0:12:21.200 --> 0:12:23.400
<v Speaker 1>are a lot of mind games that happen on steakhouts

0:12:23.440 --> 0:12:26.400
<v Speaker 1>because you're obviously there with the other networks. And there

0:12:26.440 --> 0:12:29.600
<v Speaker 1>are occasions where I had to pretend that I was leaving,

0:12:30.080 --> 0:12:32.280
<v Speaker 1>so we drive around the block, wait for about ten minutes,

0:12:32.320 --> 0:12:34.400
<v Speaker 1>then drive back hoping that the other crew had left.

0:12:34.400 --> 0:12:35.440
<v Speaker 2>Well, because that's a thing.

0:12:35.600 --> 0:12:38.640
<v Speaker 1>So for those who don't know, most of the time

0:12:38.679 --> 0:12:41.160
<v Speaker 1>the steakhouts go for such a long time because none

0:12:41.160 --> 0:12:44.199
<v Speaker 1>of the networks want to fold because the big fear

0:12:44.320 --> 0:12:48.040
<v Speaker 1>is that if you miss someone and someone else gets it,

0:12:48.080 --> 0:12:49.640
<v Speaker 1>you're going to get in trouble because that's going to

0:12:49.679 --> 0:12:52.680
<v Speaker 1>be what they call an exclusive. So most of the

0:12:52.760 --> 0:12:56.040
<v Speaker 1>time it just gets pushed out because everyone refuses to leave.

0:12:56.400 --> 0:12:59.480
<v Speaker 1>We've both been on jobs where a competitor has left

0:12:59.480 --> 0:13:03.160
<v Speaker 1>a car. Yeah, so sometimes say there'll be you know,

0:13:03.720 --> 0:13:06.800
<v Speaker 1>the person you want to speak to isn't home. Sometimes

0:13:06.800 --> 0:13:09.320
<v Speaker 1>a reporter will leave their business card in the door,

0:13:09.840 --> 0:13:11.880
<v Speaker 1>and the question is always do you leave.

0:13:11.760 --> 0:13:13.640
<v Speaker 2>It there and be a good person or do.

0:13:13.559 --> 0:13:16.640
<v Speaker 1>You throw it away now? So, if you have you

0:13:16.840 --> 0:13:19.520
<v Speaker 1>thrown any business cards away before no.

0:13:19.400 --> 0:13:21.959
<v Speaker 2>I actually haven't, but I hear that you have. Well

0:13:22.000 --> 0:13:22.600
<v Speaker 2>I didn't know.

0:13:22.800 --> 0:13:24.680
<v Speaker 1>I didn't know what's such a bad thing because I'd

0:13:24.679 --> 0:13:26.520
<v Speaker 1>had it drilled into my head. You know, you've got

0:13:26.520 --> 0:13:29.160
<v Speaker 1>to get the exclusive. You got to you gotta win

0:13:29.280 --> 0:13:31.800
<v Speaker 1>and do this. And I remember once I've never I

0:13:31.880 --> 0:13:34.640
<v Speaker 1>never normally did it, but I've been to some specific

0:13:34.760 --> 0:13:37.920
<v Speaker 1>training and I saw the card there and this particular

0:13:38.040 --> 0:13:40.160
<v Speaker 1>reporter had been a bit of a dick, so I thought,

0:13:40.440 --> 0:13:42.160
<v Speaker 1>I'll take that card with me. Well, it is a

0:13:42.200 --> 0:13:44.360
<v Speaker 1>bit lazy, I mean maybe because I never had my

0:13:44.400 --> 0:13:47.520
<v Speaker 1>own card until I worked at Today tonight. But yeah,

0:13:47.520 --> 0:13:49.160
<v Speaker 1>I didn't have a card, so I didn't end up

0:13:49.160 --> 0:13:51.520
<v Speaker 1>playing those games. Well, there is someone who did a

0:13:51.520 --> 0:13:53.840
<v Speaker 1>little bit worse than that. There was a reporter who

0:13:54.320 --> 0:13:57.040
<v Speaker 1>climbed through a nursing home window just to try and

0:13:57.080 --> 0:13:59.679
<v Speaker 1>get that exclusive. I think that might be going a

0:13:59.720 --> 0:14:02.800
<v Speaker 1>little bit too far, but I supposed talking about going

0:14:02.840 --> 0:14:06.680
<v Speaker 1>too far. I know we've both faced backlash while out

0:14:06.679 --> 0:14:09.400
<v Speaker 1>in the public about particular stories we've done. And I

0:14:09.400 --> 0:14:12.120
<v Speaker 1>think one of my favorite stories has to be about

0:14:12.200 --> 0:14:14.760
<v Speaker 1>when I was working at a particular current affairs show

0:14:15.280 --> 0:14:18.840
<v Speaker 1>and we had done a story about solariums. And obviously

0:14:18.880 --> 0:14:22.880
<v Speaker 1>now there aren't any solariums around in South Australia. But

0:14:22.920 --> 0:14:25.040
<v Speaker 1>before you used to be able to go in, and

0:14:25.160 --> 0:14:27.520
<v Speaker 1>there was meant to be some kind of system in place.

0:14:27.600 --> 0:14:31.240
<v Speaker 1>So when you walked in, they gave you a sort

0:14:31.280 --> 0:14:33.400
<v Speaker 1>of sheet to fill out. And if you had really

0:14:33.480 --> 0:14:36.240
<v Speaker 1>pale skin, I think it was class A skin or

0:14:36.320 --> 0:14:39.040
<v Speaker 1>whatever it's called, you weren't meant to be able to

0:14:39.200 --> 0:14:41.320
<v Speaker 1>get a solarium tan. So if you were like a

0:14:41.360 --> 0:14:45.480
<v Speaker 1>bit pale, or you had fair hair anyway, they decided

0:14:45.480 --> 0:14:48.880
<v Speaker 1>to send myself and another friend in. So and that

0:14:49.000 --> 0:14:50.960
<v Speaker 1>was because you guys had very fair skin.

0:14:51.120 --> 0:14:52.800
<v Speaker 2>I was told I had fair skin. I was quiet,

0:14:53.160 --> 0:14:53.960
<v Speaker 2>I was quite.

0:14:53.840 --> 0:14:58.800
<v Speaker 1>You do have fair skin anyway. So yeah, we were

0:14:58.880 --> 0:15:02.240
<v Speaker 1>told to purposely make our scores low. So then they'd

0:15:02.320 --> 0:15:04.440
<v Speaker 1>question us about it and be like, oh, you know,

0:15:04.480 --> 0:15:06.840
<v Speaker 1>like whether they'd encourage us to bump it up or whatever.

0:15:07.200 --> 0:15:09.880
<v Speaker 1>And there were some places that did say, oh no, no,

0:15:10.080 --> 0:15:11.840
<v Speaker 1>just give that a two and whatever and you can

0:15:11.880 --> 0:15:15.080
<v Speaker 1>come in. So I remember sitting at dinner. You were there,

0:15:15.200 --> 0:15:17.640
<v Speaker 1>soph and it was Kay and our bestie Owen, and

0:15:17.680 --> 0:15:20.160
<v Speaker 1>we were just at this beautiful pizza place, and all

0:15:20.200 --> 0:15:23.080
<v Speaker 1>of a sudden, this man walks up to me and

0:15:23.080 --> 0:15:25.960
<v Speaker 1>he goes, you're that girl on that show, aren't you?

0:15:26.520 --> 0:15:29.800
<v Speaker 1>And I said what and he's like, you know that show?

0:15:29.840 --> 0:15:32.680
<v Speaker 1>And I said, oh yeah, and he's like, how dare

0:15:32.760 --> 0:15:34.880
<v Speaker 1>you come into my scelarium and put such a story on,

0:15:35.000 --> 0:15:39.240
<v Speaker 1>and like just went off at me. I was so embarrassed,

0:15:39.320 --> 0:15:41.080
<v Speaker 1>and then I had to try and diffuse the situation.

0:15:41.120 --> 0:15:43.680
<v Speaker 1>It's all very, very awkward. You also do face a

0:15:43.720 --> 0:15:48.120
<v Speaker 1>little criticism from your senior colleagues. I had worked this really,

0:15:48.160 --> 0:15:50.320
<v Speaker 1>really long day and I remember being quite happy with

0:15:50.360 --> 0:15:53.080
<v Speaker 1>my story and relief that it went to air on time,

0:15:53.400 --> 0:15:56.080
<v Speaker 1>and then I copped a phone call from my boss saying, oh,

0:15:56.120 --> 0:16:00.880
<v Speaker 1>you pronounced kilometer wrong. It's killer meter not and that

0:16:00.960 --> 0:16:02.480
<v Speaker 1>was I was just at the end of my tether

0:16:02.560 --> 0:16:05.600
<v Speaker 1>in that situation. But it's you'll always get I remember,

0:16:05.600 --> 0:16:07.720
<v Speaker 1>you got a super wrong, and you just get absolutely

0:16:07.760 --> 0:16:10.840
<v Speaker 1>scolded for the small if the good thing is I mean,

0:16:10.840 --> 0:16:12.880
<v Speaker 1>it is bad to get those small things wrong if

0:16:12.880 --> 0:16:14.440
<v Speaker 1>there is a way that you meant to say it,

0:16:14.920 --> 0:16:18.400
<v Speaker 1>and it does make you never forget those small things

0:16:18.400 --> 0:16:21.080
<v Speaker 1>like how to say kilometer and all of that. It

0:16:21.160 --> 0:16:23.000
<v Speaker 1>is funny though, there's a lot of things that are

0:16:23.040 --> 0:16:25.600
<v Speaker 1>pronounced a certain way on the news, like in South

0:16:25.640 --> 0:16:29.360
<v Speaker 1>Australia they all say Peter phile if they're the news,

0:16:29.760 --> 0:16:32.680
<v Speaker 1>the news reporter. Well, I can't stand people saying schedule

0:16:32.720 --> 0:16:35.280
<v Speaker 1>Now it is one hundred percent schedule if you're speaking

0:16:35.280 --> 0:16:38.120
<v Speaker 1>the English language, and I get so mad at Brandon

0:16:38.200 --> 0:16:41.880
<v Speaker 1>for saying schedule. That's your boyfriend, of course. Yes, Other

0:16:41.960 --> 0:16:45.600
<v Speaker 1>than getting in trouble for saying things, there's also issues

0:16:45.640 --> 0:16:47.280
<v Speaker 1>on the road that could get you in trouble. A

0:16:47.320 --> 0:16:50.160
<v Speaker 1>lot of dangerous situations that you actually find yourself in.

0:16:50.360 --> 0:16:52.400
<v Speaker 1>I mean one of those situations is when you have

0:16:52.440 --> 0:16:55.720
<v Speaker 1>to knock on people's doors. So if you're working as

0:16:55.760 --> 0:16:58.280
<v Speaker 1>the early journal you start at five point thirty and

0:16:58.400 --> 0:17:01.360
<v Speaker 1>you basically see what's happened overnight. There might be a

0:17:01.400 --> 0:17:04.400
<v Speaker 1>fire or a crime or whatever, and you get sent

0:17:04.480 --> 0:17:06.280
<v Speaker 1>out to that. So you've got to start door knocking

0:17:06.320 --> 0:17:09.240
<v Speaker 1>people about the event that's gone on. And I don't

0:17:09.280 --> 0:17:11.560
<v Speaker 1>know about you, but I wouldn't want people knocking on

0:17:11.600 --> 0:17:14.200
<v Speaker 1>my door that early. And you can, and you can

0:17:14.200 --> 0:17:17.280
<v Speaker 1>find yourself in quite dangerous situations. So if you had

0:17:17.280 --> 0:17:21.120
<v Speaker 1>one in Elizabeth, which is an area in South Australia's North,

0:17:21.119 --> 0:17:24.280
<v Speaker 1>which isn't the most amazing place to live. Yeah, I

0:17:24.320 --> 0:17:27.760
<v Speaker 1>was sent to this molotov cocktail attack and I was

0:17:27.800 --> 0:17:30.240
<v Speaker 1>getting ready to do a piece to camera and we

0:17:30.359 --> 0:17:32.119
<v Speaker 1>got to tip off from one of the neighbors that

0:17:32.200 --> 0:17:34.600
<v Speaker 1>the owner whose house was attacked he was in a

0:17:34.600 --> 0:17:37.520
<v Speaker 1>pretty foul mood about the whole thing and didn't like

0:17:37.560 --> 0:17:40.439
<v Speaker 1>the fact that media were there. And it actually interrupted

0:17:40.480 --> 0:17:44.280
<v Speaker 1>one of the other journalists who was their piece to camera,

0:17:44.359 --> 0:17:46.600
<v Speaker 1>so he said, Oh, he's running around with a bat

0:17:46.640 --> 0:17:49.280
<v Speaker 1>and pretty angry, so you might want to do it quickly.

0:17:49.320 --> 0:17:52.080
<v Speaker 1>And I had a full light set up and I

0:17:52.160 --> 0:17:55.320
<v Speaker 1>felt so stressed because it literally was the quickest piece

0:17:55.320 --> 0:17:58.280
<v Speaker 1>of camera I've ever done, because once I got through

0:17:58.280 --> 0:18:00.760
<v Speaker 1>the third take, we actually we saw him out of

0:18:00.760 --> 0:18:02.520
<v Speaker 1>the corner of our eye running towards us, so we

0:18:02.560 --> 0:18:03.880
<v Speaker 1>had to like leap back in the car.

0:18:04.080 --> 0:18:04.399
<v Speaker 2>God.

0:18:05.280 --> 0:18:07.480
<v Speaker 1>I remember getting sent to a story and it was

0:18:07.520 --> 0:18:10.919
<v Speaker 1>somewhere up north and it was just it was something

0:18:10.960 --> 0:18:13.479
<v Speaker 1>to do with some prisoner that had escaped and they

0:18:13.520 --> 0:18:15.399
<v Speaker 1>thought he was at his family's homes. We had to

0:18:15.440 --> 0:18:18.720
<v Speaker 1>go knock on the door and I remember the woman

0:18:18.760 --> 0:18:21.080
<v Speaker 1>whose house it was, Her daughter answered the door, and

0:18:21.119 --> 0:18:24.399
<v Speaker 1>this massive like great dane came to the door with

0:18:24.480 --> 0:18:27.520
<v Speaker 1>her and started barking at everyone, and she say, sorry,

0:18:27.560 --> 0:18:30.159
<v Speaker 1>mom's still in bed and she can't talk. So we

0:18:30.200 --> 0:18:32.359
<v Speaker 1>had to stand on the street and sort of stake

0:18:32.440 --> 0:18:34.360
<v Speaker 1>out the place in case she came out to get

0:18:34.400 --> 0:18:35.200
<v Speaker 1>comment from her.

0:18:36.240 --> 0:18:37.280
<v Speaker 2>I remember hearing.

0:18:37.040 --> 0:18:40.560
<v Speaker 1>This dog just barking and barking, and then all of

0:18:40.600 --> 0:18:43.399
<v Speaker 1>a sudden I noticed there was this cute elderly couple

0:18:43.480 --> 0:18:46.240
<v Speaker 1>walking their little Maltese past the house, and all of

0:18:46.240 --> 0:18:49.679
<v Speaker 1>a sudden, the huge great dane shot out the door

0:18:49.920 --> 0:18:51.960
<v Speaker 1>and starts mauling this dog.

0:18:52.359 --> 0:18:53.240
<v Speaker 2>And I remember my.

0:18:53.320 --> 0:18:56.439
<v Speaker 1>First instinct was I said to the cameraman, are you

0:18:56.560 --> 0:19:00.399
<v Speaker 1>filming this? And then I felt so bad because I

0:19:00.400 --> 0:19:02.520
<v Speaker 1>could just see in my head like I didn't you

0:19:02.520 --> 0:19:03.480
<v Speaker 1>know what was about to happen.

0:19:03.560 --> 0:19:05.600
<v Speaker 2>I didn't want to see the dog die.

0:19:06.200 --> 0:19:09.080
<v Speaker 1>And then they somehow managed to get the maltese out

0:19:09.160 --> 0:19:14.040
<v Speaker 1>of the dog's mouth, and then the dog ran off. Anyway,

0:19:14.119 --> 0:19:16.960
<v Speaker 1>this all like, can you imagine what a difficult story

0:19:17.000 --> 0:19:19.360
<v Speaker 1>this is now to put together. There's a somebody that's

0:19:19.480 --> 0:19:22.200
<v Speaker 1>escaped prison. The person's in the house, there's a dog

0:19:22.240 --> 0:19:23.320
<v Speaker 1>attack on the street.

0:19:23.440 --> 0:19:27.000
<v Speaker 2>Sound sensational. It was a story in the end.

0:19:28.400 --> 0:19:30.640
<v Speaker 1>But what was the most hilarious thing was a few

0:19:30.720 --> 0:19:33.399
<v Speaker 1>days later I heard something over the scanners about a

0:19:33.440 --> 0:19:36.399
<v Speaker 1>dog attack and that the council was coming or something,

0:19:36.440 --> 0:19:36.680
<v Speaker 1>and I.

0:19:36.640 --> 0:19:38.760
<v Speaker 2>Was like, I bet that's that dog.

0:19:39.160 --> 0:19:41.199
<v Speaker 1>So on a whim, we just drove out to the

0:19:41.240 --> 0:19:46.000
<v Speaker 1>address and we found the RSPCA like leading the dog

0:19:46.000 --> 0:19:48.080
<v Speaker 1>out to take it away, and it had mouled the

0:19:48.160 --> 0:19:52.000
<v Speaker 1>kid inside. The kid was fine after a little while.

0:19:52.280 --> 0:19:53.960
<v Speaker 2>But how crazy is that?

0:19:54.280 --> 0:19:56.400
<v Speaker 1>So you got two good stories out of that one?

0:19:56.840 --> 0:19:57.640
<v Speaker 1>I did?

0:19:58.119 --> 0:19:58.480
<v Speaker 2>I did.

0:19:58.600 --> 0:20:00.680
<v Speaker 1>Now, when we say good, it sounds all because I'm like, oh,

0:20:00.680 --> 0:20:04.119
<v Speaker 1>great pictures. We don't actually mean that their nice photos

0:20:04.560 --> 0:20:07.480
<v Speaker 1>is just But it's a very newsworthy story, isn't it.

0:20:07.840 --> 0:20:09.760
<v Speaker 1>And the fact we've got that as an exclusive, And

0:20:09.800 --> 0:20:13.000
<v Speaker 1>another huge thing in journalism is the exclusive. If you

0:20:13.040 --> 0:20:16.679
<v Speaker 1>can have the word exclusive flashing on your report, oh

0:20:16.720 --> 0:20:19.000
<v Speaker 1>my gosh, your news boss is going to love you.

0:20:19.320 --> 0:20:22.520
<v Speaker 1>And at the moment there's obviously huge bushfires in Queensland

0:20:22.560 --> 0:20:24.880
<v Speaker 1>and New South Wales which have kind of reminded us

0:20:24.880 --> 0:20:27.600
<v Speaker 1>a lot of our time reporting because I'm you reported

0:20:27.640 --> 0:20:30.720
<v Speaker 1>on two of the biggest bushfires in South Australia. Yeah. Well,

0:20:30.720 --> 0:20:33.080
<v Speaker 1>the first bushfire I reported on was the Samps and

0:20:33.119 --> 0:20:35.600
<v Speaker 1>flat fires, and I was one of the first journalists

0:20:35.640 --> 0:20:37.959
<v Speaker 1>who got sent out. I don't think they realized at

0:20:38.000 --> 0:20:40.040
<v Speaker 1>the time how big it actually was. And this was

0:20:40.080 --> 0:20:42.040
<v Speaker 1>the first fire I'd ever been in to. It only

0:20:42.119 --> 0:20:45.159
<v Speaker 1>just really had the fire training, and so you have

0:20:45.240 --> 0:20:47.920
<v Speaker 1>to get all kitted up in your fire suit. And

0:20:48.200 --> 0:20:51.280
<v Speaker 1>so many people who might do live crosses from the

0:20:51.320 --> 0:20:54.399
<v Speaker 1>fire scene, they actually don't really get anywhere close to

0:20:54.480 --> 0:20:56.600
<v Speaker 1>the fire, so they always put their suits on, have.

0:20:56.560 --> 0:20:58.600
<v Speaker 2>To roll on the ground to make it look not

0:20:58.760 --> 0:20:59.320
<v Speaker 2>so clean.

0:21:00.000 --> 0:21:04.000
<v Speaker 1>Any I remember going and doing interviews with people who

0:21:04.280 --> 0:21:07.720
<v Speaker 1>were in the fire zone area, and I remember ringing

0:21:07.720 --> 0:21:09.880
<v Speaker 1>my chief of staff to tell them about the interviews

0:21:09.880 --> 0:21:12.320
<v Speaker 1>I've got and I said casually, I was like, oh,

0:21:12.760 --> 0:21:14.800
<v Speaker 1>do you want us to stay around here or leave?

0:21:14.840 --> 0:21:16.679
<v Speaker 2>It's like where are you? And I told her She's like,

0:21:16.720 --> 0:21:18.840
<v Speaker 2>oh my god, get the fuck out of there.

0:21:19.240 --> 0:21:21.800
<v Speaker 1>The fires are coming. So we had to just speed out.

0:21:22.160 --> 0:21:22.760
<v Speaker 2>Oh my gosh.

0:21:22.920 --> 0:21:26.160
<v Speaker 1>I remember it was so I was with this cameraman

0:21:26.240 --> 0:21:30.119
<v Speaker 1>who was so lovely, and we because what happens in

0:21:30.119 --> 0:21:33.439
<v Speaker 1>a fire situation is obviously the police carding off the

0:21:33.480 --> 0:21:36.159
<v Speaker 1>roads to keep people safe. But as a journalist, your

0:21:36.240 --> 0:21:38.119
<v Speaker 1>job is to get in there and get those pictures

0:21:38.119 --> 0:21:39.919
<v Speaker 1>and get that story, so you have to try and

0:21:39.960 --> 0:21:43.520
<v Speaker 1>sneak past the police and so on the map, I

0:21:43.640 --> 0:21:47.000
<v Speaker 1>found there was a road, like a secret sort of

0:21:47.040 --> 0:21:49.520
<v Speaker 1>dirt road that led into one of the areas that

0:21:49.520 --> 0:21:52.359
<v Speaker 1>we wanted to film anyway, so we use this track

0:21:52.400 --> 0:21:54.959
<v Speaker 1>a lot, and one day we were one morning, we

0:21:54.960 --> 0:21:57.000
<v Speaker 1>were driving on this track to get to this area,

0:21:57.080 --> 0:22:00.480
<v Speaker 1>and a tree had fallen across it. And when I

0:22:00.480 --> 0:22:03.720
<v Speaker 1>say tree, it was probably a huge branch maybe instead

0:22:03.720 --> 0:22:07.080
<v Speaker 1>of a tree anyway, extremely heavy to lift, and I

0:22:07.080 --> 0:22:09.960
<v Speaker 1>remember we were just like, oh no, we're not going

0:22:10.040 --> 0:22:11.720
<v Speaker 1>to be able to get here now. All the other

0:22:11.800 --> 0:22:14.120
<v Speaker 1>roads are closed. So we were like, okay, we'll try

0:22:14.160 --> 0:22:14.639
<v Speaker 1>and move it.

0:22:14.960 --> 0:22:16.840
<v Speaker 2>Somehow. We wish we'd.

0:22:16.640 --> 0:22:18.399
<v Speaker 1>Filmed it because we didn't want to get in trouble

0:22:18.760 --> 0:22:21.159
<v Speaker 1>like having vision of us doing it. But we somehow

0:22:21.600 --> 0:22:25.320
<v Speaker 1>gathered this extra human strength and dragged the fucking branch

0:22:25.359 --> 0:22:26.520
<v Speaker 1>off the road and drove through.

0:22:26.520 --> 0:22:27.320
<v Speaker 2>It was crazy.

0:22:28.400 --> 0:22:31.240
<v Speaker 1>In those high pressure situations, you do get really shocked

0:22:31.240 --> 0:22:34.160
<v Speaker 1>by what you can do. Another question we get quite

0:22:34.160 --> 0:22:36.080
<v Speaker 1>a lot is what is it like to work with

0:22:36.200 --> 0:22:37.359
<v Speaker 1>people who are on TV?

0:22:37.840 --> 0:22:40.000
<v Speaker 2>Hmmm, that is an interesting one.

0:22:40.359 --> 0:22:43.000
<v Speaker 1>I think what you'll find is that the cameramen become

0:22:43.040 --> 0:22:46.640
<v Speaker 1>your best friends because they are the most down to earth, knowledgeable,

0:22:46.800 --> 0:22:50.119
<v Speaker 1>kind people, I would say in the journalism industry, and

0:22:50.200 --> 0:22:52.880
<v Speaker 1>most often they're the ones who've been there the longest.

0:22:52.920 --> 0:22:56.359
<v Speaker 1>So I actually think that compared to some of the reporters,

0:22:56.880 --> 0:23:00.320
<v Speaker 1>I think they're even more knowledgeable. Yeah, if you're a

0:23:00.320 --> 0:23:03.040
<v Speaker 1>young journalist, the best advice is to actually listen to

0:23:03.080 --> 0:23:06.520
<v Speaker 1>what the cameraman is saying and pick their brain because

0:23:06.560 --> 0:23:10.480
<v Speaker 1>they've been out to every story you could ever imagine,

0:23:10.800 --> 0:23:12.800
<v Speaker 1>and they are Like one of the camera guys who

0:23:12.800 --> 0:23:15.680
<v Speaker 1>were good friends with he just knew everyone in Adelaide.

0:23:15.720 --> 0:23:18.600
<v Speaker 1>He knew where every bit of CCTV vision was that

0:23:18.640 --> 0:23:19.080
<v Speaker 1>you could get.

0:23:19.119 --> 0:23:19.920
<v Speaker 2>He was incredible.

0:23:20.800 --> 0:23:23.119
<v Speaker 1>The thing I loved about getting in the car with

0:23:23.160 --> 0:23:24.960
<v Speaker 1>the cameraman was it was kind of like a break

0:23:25.000 --> 0:23:28.400
<v Speaker 1>from the office and the bitching that goes on in there.

0:23:28.920 --> 0:23:32.560
<v Speaker 1>Everyone just vents to the cameraman because it is quite

0:23:32.600 --> 0:23:35.560
<v Speaker 1>a bitchy industry. It's a very competitive industry. And I

0:23:35.800 --> 0:23:40.440
<v Speaker 1>found that not everyone. There's obviously some lovely people in there,

0:23:40.480 --> 0:23:44.800
<v Speaker 1>but some people just don't want to make friends. Yeah,

0:23:45.080 --> 0:23:48.080
<v Speaker 1>and that's what I always sound weird, because in all

0:23:48.400 --> 0:23:50.959
<v Speaker 1>news environments you meant to work as a team, and

0:23:50.960 --> 0:23:53.760
<v Speaker 1>then there are some people that, I suppose, like in

0:23:53.800 --> 0:23:57.359
<v Speaker 1>every other industry, really are there for themselves in their career.

0:23:58.000 --> 0:24:00.119
<v Speaker 1>I remember there was one girl that I worked with

0:24:00.560 --> 0:24:04.040
<v Speaker 1>and she told everyone that she doesn't accept work colleagues

0:24:04.040 --> 0:24:07.119
<v Speaker 1>on Facebook and Instagram, and just having said that, it

0:24:07.160 --> 0:24:08.960
<v Speaker 1>made me feel like, what is the point of even

0:24:09.000 --> 0:24:12.040
<v Speaker 1>getting to know You've clearly already got barriers up. That

0:24:12.200 --> 0:24:14.639
<v Speaker 1>being said, I have met some amazing people in the

0:24:14.680 --> 0:24:17.159
<v Speaker 1>industry that just have hearts of gold and would just

0:24:17.200 --> 0:24:19.120
<v Speaker 1>go out of their way to help you as well.

0:24:19.160 --> 0:24:21.760
<v Speaker 1>So I suppose it's like every office there's always someone

0:24:21.800 --> 0:24:24.080
<v Speaker 1>that's really nice, and then there, of course those dickheads

0:24:24.080 --> 0:24:26.480
<v Speaker 1>that you work with. One of the harsh realities of

0:24:26.520 --> 0:24:28.840
<v Speaker 1>working in news is that you do have to work

0:24:28.920 --> 0:24:33.520
<v Speaker 1>Christmas Day, which is just awful because sofen I love

0:24:33.600 --> 0:24:35.280
<v Speaker 1>Christmas Day. I think we ended up I think I

0:24:35.359 --> 0:24:38.040
<v Speaker 1>ended up working two or three Christmas Days in total.

0:24:38.160 --> 0:24:40.760
<v Speaker 1>I think it was two and I worked one. Yeah,

0:24:41.000 --> 0:24:43.800
<v Speaker 1>it just that's the thing. I can see why people

0:24:43.880 --> 0:24:46.160
<v Speaker 1>don't like Christmas Day. That might work in that in

0:24:46.160 --> 0:24:49.119
<v Speaker 1>that industry, because it's just like every other day. I

0:24:49.119 --> 0:24:52.440
<v Speaker 1>always think, who the hell watches news on Christmas?

0:24:52.440 --> 0:24:54.480
<v Speaker 2>Anyway? Well, I suppose news doesn't stop, does it?

0:24:54.480 --> 0:24:57.399
<v Speaker 1>Just because it's Christmas? And everyone celebrates Christmas? And the

0:24:57.480 --> 0:24:59.560
<v Speaker 1>cushy story you want if you've been put on a

0:24:59.640 --> 0:25:02.520
<v Speaker 1>Christmas Day shift is the morning story where you go

0:25:02.560 --> 0:25:04.840
<v Speaker 1>to the church, you go to someone's house to film

0:25:04.840 --> 0:25:05.880
<v Speaker 1>them opening their presence.

0:25:05.960 --> 0:25:07.920
<v Speaker 2>I never got that. I got the follow of.

0:25:07.880 --> 0:25:10.800
<v Speaker 1>The person, poor person who drowned on Christmas Eve.

0:25:11.119 --> 0:25:13.920
<v Speaker 2>I can't even remember the other story. Oh that's right.

0:25:14.200 --> 0:25:16.639
<v Speaker 1>Oh, and then I got the story about how a

0:25:16.840 --> 0:25:19.359
<v Speaker 1>blackout had ruined everyone's Christmas dinner.

0:25:19.520 --> 0:25:21.080
<v Speaker 2>That would have been in good moods. Yeah, so isn't

0:25:21.080 --> 0:25:23.280
<v Speaker 2>it great to knock onto us? Hey have you had

0:25:23.280 --> 0:25:24.840
<v Speaker 2>a blackout? Oh fantastic?

0:25:24.880 --> 0:25:27.760
<v Speaker 1>Can you film you as buy a candle eating your dinner? Well,

0:25:27.760 --> 0:25:30.800
<v Speaker 1>mine was worse. I had a car explosion on Peachy Road,

0:25:30.840 --> 0:25:33.520
<v Speaker 1>which is in the heart of Elizabeth. So that was

0:25:33.560 --> 0:25:35.680
<v Speaker 1>a bit of fun. I can imagine that, and it

0:25:35.760 --> 0:25:40.080
<v Speaker 1>was a scorching summer's day as well, with a huge

0:25:40.160 --> 0:25:43.080
<v Speaker 1>car one and that in the news they all say scorching,

0:25:43.160 --> 0:25:45.240
<v Speaker 1>like you're sitting at home and it's forty five degrees

0:25:45.760 --> 0:25:46.800
<v Speaker 1>scorching out there.

0:25:46.840 --> 0:25:49.200
<v Speaker 2>It's like, I'm even hotter from everyone saying this.

0:25:50.040 --> 0:25:52.760
<v Speaker 1>It's funny because when they do have those scorching days,

0:25:53.560 --> 0:25:56.600
<v Speaker 1>it's in the newsroom. There's always that one person who's like,

0:25:56.640 --> 0:25:58.280
<v Speaker 1>go and get an egg and crack it on the

0:25:58.280 --> 0:26:02.639
<v Speaker 1>ash felt. Another question we get is how do you

0:26:03.040 --> 0:26:05.240
<v Speaker 1>encourage people to speak to you on camera? And it

0:26:05.280 --> 0:26:07.679
<v Speaker 1>is a very difficult task. So I will throw that

0:26:07.720 --> 0:26:11.080
<v Speaker 1>to Amy, who did get the name of the weasel

0:26:11.320 --> 0:26:14.120
<v Speaker 1>at work. Look, and that was as a compliment. Let

0:26:14.119 --> 0:26:16.680
<v Speaker 1>me just preface that because I don't know, I seem

0:26:16.760 --> 0:26:18.600
<v Speaker 1>to I don't mean to preact, but I seem to

0:26:18.640 --> 0:26:21.480
<v Speaker 1>have this uncanny ability to be able to get people

0:26:21.520 --> 0:26:24.639
<v Speaker 1>to speak on camera and seek out exclusives. And I

0:26:24.680 --> 0:26:28.200
<v Speaker 1>suppose the number one tip if anyone is studying journalism

0:26:28.440 --> 0:26:31.080
<v Speaker 1>is just to make people feel really comfortable. You don't

0:26:31.080 --> 0:26:34.320
<v Speaker 1>want to try and force them into doing something right away.

0:26:34.880 --> 0:26:38.600
<v Speaker 1>Compliments Compliments go a long way as well, That's right,

0:26:38.640 --> 0:26:40.080
<v Speaker 1>I have to tell the story. I don't think I've

0:26:40.119 --> 0:26:42.600
<v Speaker 1>told it on the podcast before, but I remember being

0:26:42.640 --> 0:26:45.200
<v Speaker 1>sent out to a fire in the Northern Suburbs.

0:26:45.440 --> 0:26:46.840
<v Speaker 2>Sorry, the way I said fire just.

0:26:46.760 --> 0:26:51.400
<v Speaker 1>Reminded me of on Front Night Fat the Fires right anyway,

0:26:51.760 --> 0:26:54.240
<v Speaker 1>So there was a fire in the Northern Suburbs and

0:26:55.359 --> 0:26:56.960
<v Speaker 1>all the news crews went out to it with this

0:26:57.000 --> 0:26:59.359
<v Speaker 1>woman just refused to speak. So it's kind of like, Okay,

0:26:59.359 --> 0:27:01.960
<v Speaker 1>we'll just get on the next story. I came back

0:27:02.000 --> 0:27:05.480
<v Speaker 1>to the office at about three and my boss Terry,

0:27:05.600 --> 0:27:08.760
<v Speaker 1>who is absolutely legend, he'd read on the wires that

0:27:08.840 --> 0:27:11.720
<v Speaker 1>the woman was a mother, and he I mean, obviously

0:27:11.760 --> 0:27:13.560
<v Speaker 1>that's a great story. You want to have the mum

0:27:13.600 --> 0:27:16.880
<v Speaker 1>that's potentially saved her kids from this a human interesting.

0:27:17.400 --> 0:27:20.120
<v Speaker 1>So he's like, hmm, Amy, can you go out and

0:27:20.680 --> 0:27:22.840
<v Speaker 1>make that woman speak? And we need it for the

0:27:22.880 --> 0:27:26.080
<v Speaker 1>bulletin tonight. And this is at three pm. The news

0:27:26.119 --> 0:27:27.720
<v Speaker 1>starts at six. And we had to drive her all

0:27:27.720 --> 0:27:29.600
<v Speaker 1>the way up to Elizabeth, which is probably like a

0:27:29.640 --> 0:27:32.080
<v Speaker 1>forty minute drive. So I was like, oh, okay, Terry,

0:27:32.400 --> 0:27:33.479
<v Speaker 1>she wasn't speaking.

0:27:33.520 --> 0:27:35.280
<v Speaker 2>He's like, well, I need you to get her to speak.

0:27:35.800 --> 0:27:39.040
<v Speaker 1>So we got out there and we knocked on the door,

0:27:39.119 --> 0:27:41.480
<v Speaker 1>and just to preface it, she'd previously told people to

0:27:41.480 --> 0:27:44.639
<v Speaker 1>piss off, understandably, so I knocked on the door and

0:27:44.680 --> 0:27:47.320
<v Speaker 1>she's like, oh, you're back again, and I said, oh yeah,

0:27:47.320 --> 0:27:50.440
<v Speaker 1>I'm really sorry to interrupt. We're just wanting to get

0:27:50.480 --> 0:27:53.440
<v Speaker 1>a few shots inside. Is that possible? So step one?

0:27:54.040 --> 0:27:56.880
<v Speaker 1>You want to get inside, that's it. Right. Once you're inside,

0:27:56.880 --> 0:27:59.560
<v Speaker 1>you can orchestrate so you can start talking. She's like,

0:27:59.560 --> 0:28:01.200
<v Speaker 1>I don't want to be on camera and I said,

0:28:01.440 --> 0:28:03.439
<v Speaker 1>I totally understand that. Do you mind if we just

0:28:03.480 --> 0:28:06.840
<v Speaker 1>get vision of where the fire broke out? Okay, no worries.

0:28:07.240 --> 0:28:09.200
<v Speaker 1>So this gave me time to talk to the woman

0:28:09.320 --> 0:28:13.480
<v Speaker 1>and obviously be human with her. And I said to her, so,

0:28:13.560 --> 0:28:16.560
<v Speaker 1>what is it that you're worried about? And she said, oh,

0:28:16.600 --> 0:28:19.760
<v Speaker 1>it's my teeth. I said, what's the issue with your teeth?

0:28:19.800 --> 0:28:23.200
<v Speaker 2>And she said, well, I've got none and I said, oh,

0:28:23.680 --> 0:28:24.800
<v Speaker 2>I hadn't even noticed.

0:28:25.520 --> 0:28:28.399
<v Speaker 1>Don't worry. We've got our cameraman Matt here. He'll be

0:28:28.440 --> 0:28:31.919
<v Speaker 1>able to light you perfectly that no one will notice

0:28:31.960 --> 0:28:32.960
<v Speaker 1>your teeth at all.

0:28:33.240 --> 0:28:34.160
<v Speaker 2>May I butt in here?

0:28:34.800 --> 0:28:37.240
<v Speaker 1>Our mother is a dental therapist, and teeth is one

0:28:37.280 --> 0:28:40.200
<v Speaker 1>of the first thing we have been taught to notice.

0:28:40.800 --> 0:28:43.000
<v Speaker 1>So you know, you've got to pull out little white

0:28:43.000 --> 0:28:45.120
<v Speaker 1>lives here and there. I feel bad telling this story now,

0:28:45.160 --> 0:28:48.160
<v Speaker 1>but so anyway, I said to Aga, we'll get the

0:28:48.200 --> 0:28:48.600
<v Speaker 1>light up.

0:28:48.600 --> 0:28:51.400
<v Speaker 2>You look fantastic. So are you sure, I said yes, like.

0:28:51.680 --> 0:28:53.080
<v Speaker 1>You know, a girl to go, I wouldn't make you

0:28:53.080 --> 0:28:56.960
<v Speaker 1>look bad. Anyway, she did the interview, great story, got back,

0:28:57.440 --> 0:29:00.160
<v Speaker 1>got a little bit of kudos, and I got all

0:29:00.240 --> 0:29:02.560
<v Speaker 1>that night from my mom after she saw the story

0:29:02.600 --> 0:29:03.120
<v Speaker 1>and she was.

0:29:03.120 --> 0:29:06.240
<v Speaker 2>Like, what the hell was with that woman with no teeth?

0:29:06.280 --> 0:29:09.960
<v Speaker 1>And I was like, oh. One of my most memorable

0:29:10.000 --> 0:29:14.080
<v Speaker 1>stories was about a turtle who disappeared and then found

0:29:14.080 --> 0:29:16.600
<v Speaker 1>its way home. It was obviously a very hard hitting story,

0:29:17.080 --> 0:29:18.719
<v Speaker 1>and I think this was out in the South, and

0:29:18.760 --> 0:29:21.560
<v Speaker 1>we traveled quite a far away to get there. So

0:29:21.600 --> 0:29:23.760
<v Speaker 1>what So this turtle had just gone missing from the

0:29:23.760 --> 0:29:26.320
<v Speaker 1>family home. So this woman emailed in and claimed that

0:29:26.400 --> 0:29:28.800
<v Speaker 1>her pet turtle had disappeared. I think he was Actually

0:29:29.040 --> 0:29:33.120
<v Speaker 1>he wasn't urtle the turtle that yeah, So he had

0:29:33.360 --> 0:29:37.480
<v Speaker 1>disappeared for three months and then miraculously found his way home,

0:29:37.520 --> 0:29:38.480
<v Speaker 1>according to this woman.

0:29:38.960 --> 0:29:41.040
<v Speaker 2>So it was clearly a different fucking turtle.

0:29:41.520 --> 0:29:44.960
<v Speaker 1>It might not a bait anyways, did have any distinguishing features?

0:29:45.160 --> 0:29:45.800
<v Speaker 2>No, we did not.

0:29:46.600 --> 0:29:48.480
<v Speaker 1>Well, we can't let facts get in the way of

0:29:48.480 --> 0:29:52.840
<v Speaker 1>a good story anyway, So we rock up and we

0:29:52.880 --> 0:29:54.600
<v Speaker 1>asked the woman if we could get some vision of

0:29:54.640 --> 0:29:56.920
<v Speaker 1>the turtle. And the turtle was swimming in his little

0:29:56.920 --> 0:30:01.600
<v Speaker 1>pond outside and the camera was pretty you know, adamant

0:30:01.600 --> 0:30:04.239
<v Speaker 1>that he needed these shots. So the woman tried to

0:30:04.440 --> 0:30:07.160
<v Speaker 1>call the turtle out, thinking that that would work. I mean,

0:30:07.160 --> 0:30:11.560
<v Speaker 1>we've got a deadline here, so in sheer desperation, I

0:30:11.600 --> 0:30:16.000
<v Speaker 1>put my hands into the absolutely filthy pen sorry filthy pond,

0:30:16.040 --> 0:30:18.800
<v Speaker 1>and yanked the turtle out because I also needed him

0:30:18.800 --> 0:30:19.959
<v Speaker 1>for my piece to camera.

0:30:21.320 --> 0:30:23.520
<v Speaker 2>And I actually got to find that piece to cameras.

0:30:23.520 --> 0:30:24.520
<v Speaker 2>Bloody hilarious.

0:30:24.520 --> 0:30:28.600
<v Speaker 1>The turtles just like walking around while I'm speaking right

0:30:28.640 --> 0:30:30.560
<v Speaker 1>in front of me, So it was worth it.

0:30:30.600 --> 0:30:31.880
<v Speaker 2>In the end. We had a lot of puns in

0:30:31.920 --> 0:30:32.520
<v Speaker 2>that story.

0:30:33.720 --> 0:30:36.960
<v Speaker 1>It sounds like a good story, nice little closer piece

0:30:37.360 --> 0:30:39.200
<v Speaker 1>talking about piece to cameras. I remember when I was

0:30:39.200 --> 0:30:41.840
<v Speaker 1>doing a bit of training, when I was doing my cadet. Shit,

0:30:41.920 --> 0:30:44.280
<v Speaker 1>we had this woman come in to talk to us

0:30:44.360 --> 0:30:48.280
<v Speaker 1>about how to get the confidence and record the perfect

0:30:48.360 --> 0:30:52.120
<v Speaker 1>piece to camera. And it's so funny because I've got

0:30:52.160 --> 0:30:54.440
<v Speaker 1>such a wicked sense of humors, I really had to

0:30:54.480 --> 0:30:57.920
<v Speaker 1>stop myself from laughing because so basically what she'd do

0:30:58.000 --> 0:30:59.880
<v Speaker 1>is she get you to read out one of your

0:31:00.040 --> 0:31:02.080
<v Speaker 1>you sent piece of cameras and then kind of critique you.

0:31:03.080 --> 0:31:07.080
<v Speaker 1>And she said to me, Hey, okay, so why don't

0:31:07.080 --> 0:31:09.160
<v Speaker 1>you add a little bit of a smile when you

0:31:09.240 --> 0:31:12.640
<v Speaker 1>say that line? And this story was about someone who'd

0:31:12.680 --> 0:31:15.880
<v Speaker 1>been murdered, and I was like, oh, so you want

0:31:15.920 --> 0:31:18.280
<v Speaker 1>me to smile, we're talking about someone being murdered.

0:31:18.440 --> 0:31:20.360
<v Speaker 2>Yeah, kind of AD's a bit like if you just

0:31:20.400 --> 0:31:22.600
<v Speaker 2>have a little bit of a smile and a smirk.

0:31:22.840 --> 0:31:24.480
<v Speaker 1>And I remember the other girls and I were just

0:31:24.600 --> 0:31:27.160
<v Speaker 1>laughing after this because we couldn't believe it. And then

0:31:27.200 --> 0:31:30.960
<v Speaker 1>there was other training involved voice coaches, and I think

0:31:31.120 --> 0:31:35.720
<v Speaker 1>voice coaches are the most strange individuals but also the loveliest.

0:31:35.800 --> 0:31:38.360
<v Speaker 1>And I've had a few voice coaches who've been amazing,

0:31:38.880 --> 0:31:41.720
<v Speaker 1>But some of the warm ups they get to you

0:31:41.800 --> 0:31:44.160
<v Speaker 1>to do you just feel like the biggest idiot. So

0:31:44.280 --> 0:31:46.280
<v Speaker 1>one of them is you stick your tongue out and

0:31:46.320 --> 0:31:48.840
<v Speaker 1>you're meant to start saying words because that's meant to

0:31:48.880 --> 0:31:52.400
<v Speaker 1>sort of, I don't know, loosen up your mouth and

0:31:53.040 --> 0:31:55.720
<v Speaker 1>oh I remember, yeah, I asked the woman if I

0:31:55.720 --> 0:31:59.360
<v Speaker 1>could film her doing the rehearsal things just to show

0:31:59.520 --> 0:32:02.640
<v Speaker 1>caves because it was so funny. Yeah. I had to

0:32:02.680 --> 0:32:04.760
<v Speaker 1>go to a voice coach when I went to seven

0:32:04.840 --> 0:32:07.040
<v Speaker 1>because they told me my voice was too channel ten

0:32:07.120 --> 0:32:09.320
<v Speaker 1>whatever that means, but I remember it. Yeah, it was

0:32:09.360 --> 0:32:12.880
<v Speaker 1>a very awkward experience because you are just being judged

0:32:13.080 --> 0:32:15.600
<v Speaker 1>like it's just it's kind of yeah. Yeah. I remember

0:32:15.640 --> 0:32:18.240
<v Speaker 1>having some particular voice training, and this was after the

0:32:18.600 --> 0:32:21.680
<v Speaker 1>my cadet training, and I remember with these other girls

0:32:21.720 --> 0:32:23.280
<v Speaker 1>you could kind of roll your eyes at them and

0:32:23.320 --> 0:32:25.560
<v Speaker 1>have a bit of a snigger about how uncomfortable you were.

0:32:25.600 --> 0:32:27.200
<v Speaker 1>But I was with a group that was taking it

0:32:27.280 --> 0:32:30.600
<v Speaker 1>so super seriously. And I remember one of the tasks

0:32:30.600 --> 0:32:32.360
<v Speaker 1>they got us to do is we had to turn

0:32:32.400 --> 0:32:34.640
<v Speaker 1>to the person sitting next to us and whisper in

0:32:34.680 --> 0:32:35.680
<v Speaker 1>their ears something.

0:32:36.000 --> 0:32:38.360
<v Speaker 2>And I just felt so uncomfortable. And I remember the.

0:32:38.360 --> 0:32:42.080
<v Speaker 1>Lady whispered in my age like ohitch or something.

0:32:41.800 --> 0:32:43.840
<v Speaker 2>And I was like, oh my god. I tried to give.

0:32:43.720 --> 0:32:45.960
<v Speaker 1>Someone else the eyes, but no other eyes were coming

0:32:46.000 --> 0:32:46.440
<v Speaker 1>back to me.

0:32:46.520 --> 0:32:47.600
<v Speaker 2>I was like, what the hell?

0:32:47.680 --> 0:32:49.680
<v Speaker 1>That is a question you do get asked a lot though,

0:32:49.920 --> 0:32:51.600
<v Speaker 1>how did you develop your voice?

0:32:51.600 --> 0:32:53.520
<v Speaker 2>And I think some people just have it or you

0:32:53.560 --> 0:32:54.200
<v Speaker 2>don't have it.

0:32:55.280 --> 0:32:58.160
<v Speaker 1>Then again, I have heard people and they do like

0:32:58.280 --> 0:33:01.560
<v Speaker 1>amazing work with what they've got, you know what I mean,

0:33:01.600 --> 0:33:04.920
<v Speaker 1>Like they've actually actually been able to really change up

0:33:04.960 --> 0:33:08.040
<v Speaker 1>their voice. But yeah, I think when you're first starting out,

0:33:08.080 --> 0:33:10.080
<v Speaker 1>you can obviously get ahead if you do have quite

0:33:10.120 --> 0:33:13.200
<v Speaker 1>a nice voice. Actually, one of the other funny things

0:33:13.200 --> 0:33:16.840
<v Speaker 1>a voice coach did was she showed us the insides

0:33:16.880 --> 0:33:19.680
<v Speaker 1>of a throat singing I was like, nah, it was

0:33:20.240 --> 0:33:23.280
<v Speaker 1>my voice coach said that you can actually train someone

0:33:23.280 --> 0:33:25.120
<v Speaker 1>who has the most awful singing voice to have a

0:33:25.120 --> 0:33:28.080
<v Speaker 1>beautiful singing voice. I think she was trying to get

0:33:28.120 --> 0:33:30.160
<v Speaker 1>me to come in for lessons. It's like, yeah, honey,

0:33:30.200 --> 0:33:32.640
<v Speaker 1>I have no interest in being We realized it would

0:33:32.640 --> 0:33:33.200
<v Speaker 1>take about.

0:33:33.000 --> 0:33:34.600
<v Speaker 2>One hundred letters to get that going.

0:33:35.000 --> 0:33:37.120
<v Speaker 1>I suppose one of the most interesting things I've found

0:33:37.200 --> 0:33:39.480
<v Speaker 1>so about stepping out of the media, and I don't

0:33:39.520 --> 0:33:42.959
<v Speaker 1>know if you agree, but is the realization that nobody

0:33:43.080 --> 0:33:45.880
<v Speaker 1>actually cares who you are, Like, I never actually thought

0:33:46.120 --> 0:33:48.480
<v Speaker 1>that anyone cared who I was or anything like that,

0:33:48.840 --> 0:33:49.240
<v Speaker 1>but I.

0:33:49.160 --> 0:33:50.360
<v Speaker 2>Know a lot of people do.

0:33:50.960 --> 0:33:55.120
<v Speaker 1>And it's quite amusing because the only people that actually

0:33:55.160 --> 0:33:58.440
<v Speaker 1>recognize you are old people who watch the news, Like

0:33:58.560 --> 0:34:00.440
<v Speaker 1>nobody else knows who you are.

0:34:00.960 --> 0:34:02.800
<v Speaker 2>So I don't know, have you found that?

0:34:02.880 --> 0:34:06.560
<v Speaker 1>So yeah, I think some people do get into TV

0:34:06.680 --> 0:34:09.279
<v Speaker 1>news thinking that they'll get some form of notoriety or

0:34:09.320 --> 0:34:13.279
<v Speaker 1>fame or whatever, but really you are a nobody. I

0:34:13.320 --> 0:34:17.279
<v Speaker 1>mean every state there are news readers, news reporters, So

0:34:17.440 --> 0:34:20.680
<v Speaker 1>I mean I would say to people, get into journalism

0:34:20.680 --> 0:34:22.759
<v Speaker 1>because you love telling a story, not because you want

0:34:22.760 --> 0:34:25.640
<v Speaker 1>to get noticed and be famous. That what's the crazy thing, though,

0:34:25.640 --> 0:34:27.560
<v Speaker 1>because I know for you and I it was never

0:34:27.640 --> 0:34:30.160
<v Speaker 1>about getting in there to have our face on television.

0:34:30.200 --> 0:34:34.560
<v Speaker 1>If anything, I felt uncomfortable about doing piece to cameras

0:34:34.600 --> 0:34:36.520
<v Speaker 1>and that side of things. I just really love telling

0:34:36.520 --> 0:34:38.640
<v Speaker 1>people's stories. And I know that might sound wanky, but

0:34:38.680 --> 0:34:41.479
<v Speaker 1>it's true. So but there were a lot of people

0:34:41.560 --> 0:34:43.799
<v Speaker 1>who were driven by the fact that their face was

0:34:43.800 --> 0:34:45.960
<v Speaker 1>on TV. And I still have a little bit of

0:34:46.000 --> 0:34:48.960
<v Speaker 1>a giggle when I see some of the reporters around

0:34:48.960 --> 0:34:53.840
<v Speaker 1>the state whose whole instagrams are dedicated to their journalism career,

0:34:53.880 --> 0:34:55.960
<v Speaker 1>and I just find it all a bit cringe. Although

0:34:56.040 --> 0:34:58.440
<v Speaker 1>we the people that put on their journalist's voice when

0:34:58.440 --> 0:35:00.319
<v Speaker 1>they're just speaking in a normal converse station.

0:35:00.680 --> 0:35:02.879
<v Speaker 2>Yeah, you're like, oh, take your hand off.

0:35:02.920 --> 0:35:06.560
<v Speaker 1>I would like that thinking. It is funny though, when

0:35:06.640 --> 0:35:09.160
<v Speaker 1>you are working in the newsroom all day and the

0:35:09.200 --> 0:35:11.800
<v Speaker 1>newsreaders rock up. So yeah, here's a little bit of

0:35:11.840 --> 0:35:13.560
<v Speaker 1>an insight into what really goes on.

0:35:13.680 --> 0:35:14.680
<v Speaker 2>So not all of them.

0:35:14.800 --> 0:35:16.719
<v Speaker 1>Some do come in earlier, but a few of the

0:35:16.760 --> 0:35:20.360
<v Speaker 1>old veterans, they will probably roll in about four o'clock

0:35:20.440 --> 0:35:24.120
<v Speaker 1>in their big fuck off cars. They oh yeah, and

0:35:24.160 --> 0:35:25.880
<v Speaker 1>it'll be like a competition of who can look like

0:35:25.920 --> 0:35:28.239
<v Speaker 1>they've cared less, like to put no makeup on or

0:35:28.239 --> 0:35:32.000
<v Speaker 1>the hair's crazy. Honestly, that was my biggest fear working

0:35:32.000 --> 0:35:35.719
<v Speaker 1>in news, because if you're the reporter who does the updates,

0:35:35.760 --> 0:35:37.759
<v Speaker 1>you have to come in with no makeup on because

0:35:37.800 --> 0:35:40.000
<v Speaker 1>the makeup artist wants to do your hair and makeup.

0:35:40.440 --> 0:35:42.719
<v Speaker 1>And obviously some of the women looked amazing and you

0:35:42.760 --> 0:35:45.360
<v Speaker 1>couldn't tell really that they had no makeup on. But

0:35:45.480 --> 0:35:47.200
<v Speaker 1>as so I've said, some of them would be like,

0:35:47.400 --> 0:35:49.879
<v Speaker 1>fuck it, I'm not. I'm coming in with wet hair,

0:35:49.920 --> 0:35:52.520
<v Speaker 1>I'm covering in my daggiest clothes, and I'm going to

0:35:52.560 --> 0:35:53.080
<v Speaker 1>be done.

0:35:52.920 --> 0:35:53.680
<v Speaker 2>Up to the macs.

0:35:54.160 --> 0:35:55.799
<v Speaker 1>I can kind of see why people feel that way,

0:35:55.840 --> 0:35:58.280
<v Speaker 1>because it is a lot of upkeep being a TV reporter.

0:35:58.320 --> 0:36:00.400
<v Speaker 1>And now when we're in PR there's nothing more than

0:36:00.400 --> 0:36:02.560
<v Speaker 1>I love them just chucking my hair in a ponytawel

0:36:02.600 --> 0:36:05.080
<v Speaker 1>and putting on comfy stuff while we work at the office.

0:36:05.239 --> 0:36:05.920
<v Speaker 2>Oh for sure.

0:36:06.080 --> 0:36:08.640
<v Speaker 1>I think the cruisiest job, though, in a newsroom has

0:36:08.680 --> 0:36:10.879
<v Speaker 1>to be the sports reporter because they come in at

0:36:10.840 --> 0:36:13.880
<v Speaker 1>the late sorry, the sports presenter because they come in

0:36:13.880 --> 0:36:17.359
<v Speaker 1>at the latest time. They can wear shorts. Oh my god.

0:36:17.400 --> 0:36:21.040
<v Speaker 1>Another sort of you know, confession of a TV reporter.

0:36:21.640 --> 0:36:24.279
<v Speaker 1>When you were talking about the wardrobe before, they have

0:36:24.480 --> 0:36:28.920
<v Speaker 1>sensational wardrobe sales at newsrooms. So as a reporter, you

0:36:29.000 --> 0:36:32.400
<v Speaker 1>get bought clothes. They're not actually yours, they're the network's clothes.

0:36:32.840 --> 0:36:35.799
<v Speaker 1>So and each person has their own cupboard with all

0:36:35.800 --> 0:36:38.280
<v Speaker 1>their clothes in it, and they get washed for you.

0:36:38.320 --> 0:36:39.879
<v Speaker 1>So you just drop them in a bin and they

0:36:40.040 --> 0:36:42.560
<v Speaker 1>washed and will dry clean them and then they'll appear.

0:36:42.680 --> 0:36:45.520
<v Speaker 1>But you really had no excuse to be digitaled when

0:36:45.560 --> 0:36:52.959
<v Speaker 1>you were yes anyway, And so you know, obviously, after

0:36:53.000 --> 0:36:55.120
<v Speaker 1>a few years the clothes get old and outdated and

0:36:55.120 --> 0:36:56.160
<v Speaker 1>they want to replace them.

0:36:56.320 --> 0:36:56.960
<v Speaker 2>So they do this.

0:36:57.040 --> 0:36:59.759
<v Speaker 1>Amazing sale where you can come in and buy, like

0:36:59.760 --> 0:37:02.319
<v Speaker 1>a said suit, a Hugo Boss suit that's only been

0:37:02.360 --> 0:37:04.640
<v Speaker 1>worn on air for fifty bucks. So remember, we got

0:37:04.680 --> 0:37:07.400
<v Speaker 1>so excited we bought our dad a suit and he

0:37:07.520 --> 0:37:10.640
<v Speaker 1>happens to be the identical dimensions of one of the

0:37:10.680 --> 0:37:13.560
<v Speaker 1>news readers. And I felt so bad for him because

0:37:13.840 --> 0:37:16.120
<v Speaker 1>he wore this particular suit to a wedding and a

0:37:16.239 --> 0:37:18.520
<v Speaker 1>mom kept mentioning whose suit it was to all of

0:37:18.560 --> 0:37:20.480
<v Speaker 1>their friends, and he was so embarrassed.

0:37:20.920 --> 0:37:22.680
<v Speaker 2>I think that's all we have time for now.

0:37:22.680 --> 0:37:25.279
<v Speaker 1>We are going to do a second episode on this

0:37:25.440 --> 0:37:27.800
<v Speaker 1>topic as well. Now, if you do have a question,

0:37:27.840 --> 0:37:30.560
<v Speaker 1>you can either send them to our Facebook or Instagram account.

0:37:30.600 --> 0:37:34.960
<v Speaker 1>They're under the same name Outspoken Underscore, the Underscore podcast.

0:37:35.400 --> 0:37:36.760
<v Speaker 2>Well, thank you so much for listening.

0:37:36.840 --> 0:37:38.959
<v Speaker 1>I know I personally have had a lot of fun

0:37:39.440 --> 0:37:41.319
<v Speaker 1>talking through some of these memories. Some of these things

0:37:41.360 --> 0:37:43.279
<v Speaker 1>I'd even forgotten They've only just come up now, So

0:37:43.280 --> 0:37:44.279
<v Speaker 1>we do appreciate you.

0:37:44.360 --> 0:37:44.720
<v Speaker 2>Listening.

0:37:45.000 --> 0:37:47.040
<v Speaker 1>If you did like the podcast, we'd love if you

0:37:47.040 --> 0:37:49.200
<v Speaker 1>can leave us a five star review because it really

0:37:49.200 --> 0:37:51.759
<v Speaker 1>does help us out. And again, if you could share

0:37:51.760 --> 0:37:54.760
<v Speaker 1>where you're listening from and tag us in your Insta story,

0:37:54.800 --> 0:38:01.160
<v Speaker 1>that would be amazing. We absolutely love seeing six