1 00:00:00,920 --> 00:00:05,440 Speaker 1: This is gem Nation with Jonesyanda, this is a voice 2 00:00:05,480 --> 00:00:06,240 Speaker 1: we know in love. 3 00:00:06,920 --> 00:00:11,080 Speaker 2: She catch you've got an oily back what I can't 4 00:00:11,080 --> 00:00:13,120 Speaker 2: help that it was a compliment. I mean, your back 5 00:00:13,160 --> 00:00:15,360 Speaker 2: bench always knew you were flexible. 6 00:00:15,360 --> 00:00:19,759 Speaker 1: But wow, how wonderful that is Kel Knight, the hunk 7 00:00:19,800 --> 00:00:23,759 Speaker 1: of spunk and purveyor of fine meats. It's wonderful that 8 00:00:23,840 --> 00:00:27,280 Speaker 1: Katherin Kim is celebrating his twentieth anniversary. And to celebrate, 9 00:00:27,520 --> 00:00:29,400 Speaker 1: we're going to be talking right here, right now to 10 00:00:29,440 --> 00:00:31,200 Speaker 1: the hunk of spunk himself, Glenn Robbins. 11 00:00:31,240 --> 00:00:34,880 Speaker 2: Hello, here he is. I was gonna put on Kel 12 00:00:35,000 --> 00:00:39,559 Speaker 2: and flirt with Amanda, but maybe you know that it would. 13 00:00:39,360 --> 00:00:41,000 Speaker 1: Be my dream do it? Let's try. 14 00:00:41,600 --> 00:00:43,199 Speaker 3: Can you do that? Because I thought you'd have to, 15 00:00:43,320 --> 00:00:45,760 Speaker 3: like because when we get what's his name? You know 16 00:00:45,840 --> 00:00:48,400 Speaker 3: the Barry you know what's his name? 17 00:00:48,479 --> 00:00:50,240 Speaker 2: Who Barry? 18 00:00:50,640 --> 00:00:52,960 Speaker 3: When you're Barry Humphries, you're either talking to him as 19 00:00:53,000 --> 00:00:55,000 Speaker 3: Barry or you're as talking to him as Dame Ed 20 00:00:55,000 --> 00:00:56,080 Speaker 3: And you've got. 21 00:00:55,960 --> 00:00:59,560 Speaker 2: To be prepared. Yeah, that's right, I can get call 22 00:00:59,640 --> 00:01:00,200 Speaker 2: for you if you like. 23 00:01:00,560 --> 00:01:02,560 Speaker 1: Please pop him on popy on Glenn Kel. 24 00:01:03,400 --> 00:01:06,360 Speaker 2: Yes, I'm just doing some sausages. Yeah, and they want 25 00:01:06,360 --> 00:01:08,560 Speaker 2: to speak to you on a man respect you and James, 26 00:01:09,120 --> 00:01:13,320 Speaker 2: Oh tishir Amanda. I've got your Christmas pack all set 27 00:01:13,360 --> 00:01:15,600 Speaker 2: to go, and what is it? Kel? You want to 28 00:01:15,600 --> 00:01:17,000 Speaker 2: pop down during the week and pick it up and 29 00:01:18,000 --> 00:01:19,880 Speaker 2: I maybe have something special for you at the back 30 00:01:19,959 --> 00:01:21,480 Speaker 2: if you want anything the freezer with me. 31 00:01:22,600 --> 00:01:25,280 Speaker 1: Kel, I'd love it. Nothing like a Christmas sausage to 32 00:01:25,280 --> 00:01:25,920 Speaker 1: make me happy. 33 00:01:27,800 --> 00:01:29,720 Speaker 2: Isn't it sad that I'm still doing those sort of 34 00:01:29,800 --> 00:01:30,720 Speaker 2: jokes my age? 35 00:01:30,800 --> 00:01:32,440 Speaker 3: No, I we make a living out of it. 36 00:01:32,480 --> 00:01:32,840 Speaker 2: Glenn. 37 00:01:33,319 --> 00:01:39,200 Speaker 1: Oh, yeah, anyway, Look, we're thrilled. There's so much to 38 00:01:39,240 --> 00:01:41,959 Speaker 1: celebrate with this. What were some of your favorite scenes? 39 00:01:41,959 --> 00:01:45,160 Speaker 1: Were they the power walking, the dancing, the open mouth 40 00:01:45,200 --> 00:01:48,120 Speaker 1: but no tongue kissing? What was your favorite Kel moments? 41 00:01:49,000 --> 00:01:53,640 Speaker 2: Well? Pretty well much. My favorite moment real honestly is 42 00:01:53,760 --> 00:01:58,320 Speaker 2: when standing in between Kath and Kim when they're going 43 00:01:58,400 --> 00:02:03,000 Speaker 2: at it and just enjoying the energy, to love the 44 00:02:04,360 --> 00:02:08,000 Speaker 2: humor of just those two girls going for it. It is Spania. 45 00:02:08,320 --> 00:02:11,440 Speaker 2: And you know the dance scenes are the kissing said, 46 00:02:11,440 --> 00:02:13,200 Speaker 2: do you know why we kissed like that? Part? People 47 00:02:13,240 --> 00:02:17,080 Speaker 2: don't know why we kissed like that? Well, I used 48 00:02:17,120 --> 00:02:21,480 Speaker 2: to be a teacher and I and sometimes you go 49 00:02:21,560 --> 00:02:23,600 Speaker 2: around the back of the shellowship and kid kids will 50 00:02:23,639 --> 00:02:26,520 Speaker 2: be you know, passionate and stuff. But they get their 51 00:02:26,560 --> 00:02:31,600 Speaker 2: mouths too ready, ready, too early the kiss. I thought 52 00:02:31,600 --> 00:02:34,040 Speaker 2: I was standing looking, but I was like, okay, they 53 00:02:34,120 --> 00:02:36,200 Speaker 2: get So that's what that is. People go, why do you? 54 00:02:36,320 --> 00:02:39,200 Speaker 2: Why don't So that's Jane said, I mean, we need 55 00:02:39,200 --> 00:02:41,120 Speaker 2: a funny way of kissing. And I said, how about 56 00:02:41,120 --> 00:02:44,080 Speaker 2: we get our mouths ready too early before we go 57 00:02:44,200 --> 00:02:47,560 Speaker 2: into the And so that's why it's like that, you know. 58 00:02:47,680 --> 00:02:50,480 Speaker 2: So everything has a little bit a little bit of 59 00:02:50,520 --> 00:02:51,320 Speaker 2: a history on us. 60 00:02:51,919 --> 00:02:54,760 Speaker 1: And power walking is just inspired because that was the 61 00:02:54,960 --> 00:02:57,040 Speaker 1: thing that just came and went. But with you guys, 62 00:02:57,040 --> 00:03:00,360 Speaker 1: it's it's come back. Couples of power Walker just irk 63 00:03:00,440 --> 00:03:01,840 Speaker 1: me in the most irritating way. 64 00:03:03,360 --> 00:03:06,600 Speaker 2: Well again, I people go hilarious when you do that. 65 00:03:06,639 --> 00:03:09,040 Speaker 2: I'm just doing what they do in the Olympics. It's 66 00:03:09,080 --> 00:03:12,080 Speaker 2: all I'm doing, you know, it's not it's me just 67 00:03:12,440 --> 00:03:14,880 Speaker 2: I think it's all in the hips. Yes, Jane is 68 00:03:14,880 --> 00:03:17,720 Speaker 2: such a great mover. You know, I got pretty loose hips. 69 00:03:18,639 --> 00:03:22,440 Speaker 2: And it's just the thing is, when if you do 70 00:03:22,520 --> 00:03:26,680 Speaker 2: stuff with Jane. If you watch it very closer closely, 71 00:03:26,960 --> 00:03:30,040 Speaker 2: you'll see me look away because I'm like, I can't 72 00:03:30,200 --> 00:03:34,400 Speaker 2: not laugh when she dances. So when we Irish dance together, 73 00:03:34,600 --> 00:03:37,360 Speaker 2: I been around and face away from the camera because 74 00:03:37,400 --> 00:03:41,880 Speaker 2: I'm myself and I've composed myself and dance back around 75 00:03:41,880 --> 00:03:44,520 Speaker 2: and go. You know. But she is just so funny 76 00:03:44,520 --> 00:03:46,720 Speaker 2: to watch, and it makes it. We used to have 77 00:03:46,800 --> 00:03:49,200 Speaker 2: choreographers come in and we used to have all these 78 00:03:49,240 --> 00:03:51,400 Speaker 2: you know things that all these things worked out, and 79 00:03:51,440 --> 00:03:53,400 Speaker 2: Jane would just whisper before to take let's just go 80 00:03:53,520 --> 00:03:57,960 Speaker 2: for it. Yeah, we just we just have fun. So 81 00:03:57,960 --> 00:03:59,920 Speaker 2: so many lovely memories of the show. 82 00:04:00,040 --> 00:04:03,360 Speaker 3: And with the our affluent life. So is this twenty 83 00:04:03,480 --> 00:04:06,240 Speaker 3: years down the track? Do we pick up where you 84 00:04:06,320 --> 00:04:06,840 Speaker 3: are now? 85 00:04:08,600 --> 00:04:10,520 Speaker 2: It's a little bit confusing. You do get to see 86 00:04:10,960 --> 00:04:13,280 Speaker 2: all of us in twenty twenty two. Correct, it's not 87 00:04:13,280 --> 00:04:16,640 Speaker 2: a whole episode. I haven't seen the special yet, but 88 00:04:16,680 --> 00:04:21,560 Speaker 2: it's it's basically the scenes in amongst best of the 89 00:04:21,960 --> 00:04:25,479 Speaker 2: retrospective of twenty years. So I guess it's kind of 90 00:04:25,520 --> 00:04:29,240 Speaker 2: like a mini episode across the hour. But it's not 91 00:04:29,320 --> 00:04:31,960 Speaker 2: a it's not it's not a reboot. It's not you know, 92 00:04:32,000 --> 00:04:36,520 Speaker 2: it's basically twenty twenty two a mini version of Kathy King. 93 00:04:36,680 --> 00:04:38,760 Speaker 1: Well, we hear that neighbors is coming back, why don't 94 00:04:38,800 --> 00:04:39,920 Speaker 1: you guys get back together? 95 00:04:40,880 --> 00:04:45,880 Speaker 2: Well, you know, you know there comes a time really. 96 00:04:46,520 --> 00:04:48,120 Speaker 1: People are saying that about neighbors as well. 97 00:04:48,120 --> 00:04:50,839 Speaker 3: Why don't we get kill on and see how he 98 00:04:50,920 --> 00:04:51,800 Speaker 3: feels about it? 99 00:04:52,200 --> 00:04:55,960 Speaker 2: Well, Kel, spinoff? Seriously, you know there is there's a 100 00:04:56,279 --> 00:04:57,479 Speaker 2: there's a sitcomradit to go. 101 00:04:57,960 --> 00:05:01,120 Speaker 1: He did so true the hair gel, You've got the 102 00:05:01,160 --> 00:05:02,240 Speaker 1: comb forward, you're ready to. 103 00:05:02,160 --> 00:05:03,680 Speaker 3: Go the saucy butcher talk. 104 00:05:04,440 --> 00:05:07,240 Speaker 2: And maybe Captain Kell had broken up and Kel's out 105 00:05:07,240 --> 00:05:10,359 Speaker 2: on the on the you know, on the tin it. 106 00:05:11,200 --> 00:05:15,159 Speaker 3: What is it? I'm just going to watch some school 107 00:05:15,240 --> 00:05:16,600 Speaker 3: kids passion open. 108 00:05:18,160 --> 00:05:21,400 Speaker 2: Sound like a bit of a dirty I wouldn't know 109 00:05:21,440 --> 00:05:27,719 Speaker 2: what is tindh Glen long term relationship. I wouldn't you 110 00:05:27,720 --> 00:05:31,520 Speaker 2: know there was some other websites I go to because 111 00:05:31,520 --> 00:05:31,920 Speaker 2: you're in a. 112 00:05:31,880 --> 00:05:34,359 Speaker 3: Long term relationship, not grinder. 113 00:05:35,480 --> 00:05:38,159 Speaker 2: Noor that that's not the one you meant to go to. 114 00:05:38,720 --> 00:05:43,160 Speaker 3: That you learned that the hard way, or yeah, yeah. 115 00:05:42,920 --> 00:05:44,280 Speaker 2: There was a bit of a surprise that one. 116 00:05:44,400 --> 00:05:46,680 Speaker 3: Yeah, well mate, it's always a treat to catch up 117 00:05:46,920 --> 00:05:50,120 Speaker 3: with you, Kath and Kim Our Affluent Life, Sunday, seven 118 00:05:50,160 --> 00:05:52,839 Speaker 3: o'clock on Monday at seven thirty on seven Glenn Robbins, 119 00:05:53,279 --> 00:05:55,480 Speaker 3: thank you, say goodbye to kel for us. 120 00:05:56,279 --> 00:05:59,920 Speaker 2: This is going to commember his sausage for joy. It's 121 00:05:59,720 --> 00:06:04,919 Speaker 2: a big long uh. That'll do it, Jack, a pretty 122 00:06:05,000 --> 00:06:09,880 Speaker 2: long cooked one. Get it, Get it, Bunnings. I don't 123 00:06:09,920 --> 00:06:12,560 Speaker 2: know something or other I should have I should have 124 00:06:12,600 --> 00:06:13,799 Speaker 2: prepared some jokes. 125 00:06:14,080 --> 00:06:16,320 Speaker 1: We're happy to big and long and shoved in about 126 00:06:16,360 --> 00:06:18,359 Speaker 1: and Barry Humphreys on the line. 127 00:06:19,760 --> 00:06:21,599 Speaker 2: Thank god. Thanks Gleaming,