WEBVTT - REPETE: Kitty Flanagan and The Matrix 0:00:00.400 --> 0:00:02.160 Hello there, Peter, Hell are you? He host of You 0:00:02.160 --> 0:00:06.040 Ain't seen nothing yet? Today's episode is a replay and 0:00:06.120 --> 0:00:13.239 I really love this guest, the hilarious Kitty Flannigan. Was 0:00:13.280 --> 0:00:15.760 it over winner Tryman's Bond Pearl Harner. 0:00:16.520 --> 0:00:26.799 Hello, sixty percent of the time. It works every time. 0:00:27.880 --> 0:00:36.320 That doesn't make sense? Alright, it's green, Gray's for breakfast 0:00:36.520 --> 0:00:41.720 and right now very hungry. Haven't a right? 0:00:42.080 --> 0:00:44.040 So you ain't seen nothing here? 0:00:55.680 --> 0:00:59.639 Simply put, Kitty Flannigan is one of the funniest people around, 0:01:00.240 --> 0:01:03.240 known around the world for her appearances on Just for 0:01:03.320 --> 0:01:07.319 Laughs in Montreal, the Edinburgh Fringe Festival, but also in 0:01:07.360 --> 0:01:10.440 The Sketch Show. English listeners would know her from that. 0:01:10.680 --> 0:01:13.880 Austraying viewers would also know her for her countless and 0:01:13.920 --> 0:01:17.200 regular appearances on such shows as The Project, Have You 0:01:17.240 --> 0:01:20.160 Been Paying Attention? The Weekly with Charlie Kickering, and of 0:01:20.160 --> 0:01:23.360 course she plays Ronda in That Utopia. She's also an 0:01:23.400 --> 0:01:28.080 award winning author Bridge Burning four hundred and eighty eight 0:01:28.160 --> 0:01:30.959 Rules for Life, which has won a swag of awards. 0:01:31.000 --> 0:01:33.080 I'm not sure how many awards fitting with a swag. 0:01:33.080 --> 0:01:34.520 I'm going to say it's a swag because even if 0:01:34.520 --> 0:01:36.440 it's one you can still put one award in a 0:01:36.480 --> 0:01:41.120 swag surely so. She was also done countless stand up specials. 0:01:41.280 --> 0:01:45.520 Her recent one, seriously was just absolutely brilliant. I love 0:01:45.560 --> 0:01:47.760 hanging out with Kitty whenever I get a chance, and 0:01:47.840 --> 0:01:50.800 we've done a few have you been Paying Attentions together? 0:01:51.320 --> 0:01:55.880 And it's just a joy. She really really makes me laugh. 0:01:56.160 --> 0:01:58.760 So I enjoyed this episode. It was a fantastic one 0:01:58.800 --> 0:02:01.920 to record movie that I knew was coming, and I 0:02:01.960 --> 0:02:04.800 wasn't sure if I was excited or nervous about it. 0:02:04.840 --> 0:02:08.080 But enjoy this episode of You Ain't Seen Nothing Yet 0:02:08.280 --> 0:02:09.760 with the hilarious Kitty. 0:02:09.480 --> 0:02:17.920 Flanking Hello, I'm Kitty Flanagan. And my three favorite films 0:02:17.960 --> 0:02:19.880 would be Little Miss Sunshine. 0:02:19.440 --> 0:02:22.359 I've still got Natty Bullets in my heart and Natty Bolts. 0:02:22.160 --> 0:02:24.519 The Guard if I don't kive me head? 0:02:24.919 --> 0:02:28.760 And Juno, did you put like one hundred things of 0:02:28.880 --> 0:02:30.839 tic tacks in my malebox? Oh? 0:02:30.919 --> 0:02:31.960 Yeah, yeah that was me? 0:02:32.200 --> 0:02:35.280 Oh God, I didn't mean Juno. I met June Bug? Sorry? 0:02:36.480 --> 0:02:38.200 What makes you tick? 0:02:39.240 --> 0:02:43.480 Also anything with Jason Bateman in it. But I have 0:02:43.639 --> 0:02:46.680 never seen the Matrix, which is what I'm here to discuss. 0:02:48.520 --> 0:02:49.400 I like watching him. 0:02:49.520 --> 0:02:51.480 Don't be ridiculous, we're going to kill. 0:02:51.919 --> 0:02:56.000 Understand that MOUs believes he is the one to you. 0:02:56.639 --> 0:02:58.000 It doesn't matter what I believe. 0:03:00.520 --> 0:03:01.880 Did you hear that here? 0:03:01.960 --> 0:03:04.120 What are you sure this line is clee? 0:03:04.840 --> 0:03:05.840 Yeah, of course I'm sure. 0:03:07.240 --> 0:03:22.440 There. It's red pillar or blue pill. The choice is yours. 0:03:22.600 --> 0:03:27.200 In the Wakowski's nineteen ninety nine game Changer, combining influences 0:03:27.200 --> 0:03:31.280 from the neo punk movement, Eastern philosophy in combat and 0:03:31.400 --> 0:03:33.600 video game culture, and a healthy dose of religion, The 0:03:33.600 --> 0:03:37.640 Matrix one four oscars despite not being nominated for Best Picture. 0:03:37.720 --> 0:03:41.000 It's a return to form for Keanu Reeves in his 0:03:41.120 --> 0:03:43.600 role as Neo. It was shot in Sydney, despite everyone 0:03:43.720 --> 0:03:45.840 dressing like they were in Melbourne. It's time to follow 0:03:45.880 --> 0:03:49.840 the White Rabbit with Kitty Flanagan. Kitty Flanagan, how are 0:03:49.880 --> 0:03:50.640 you wow? 0:03:50.680 --> 0:03:52.960 I can't believe after that description that I've never seen, 0:03:53.000 --> 0:03:56.520 I'd never seen, tells me volume. 0:03:57.400 --> 0:04:03.119 So we'll come back a Matrix. But I want to 0:04:03.160 --> 0:04:05.480 talk about your three favorite films, which are great films. 0:04:06.640 --> 0:04:09.160 Let's start with a Little Miss Sunshine. What a beautiful 0:04:09.680 --> 0:04:10.440 little film it is. 0:04:10.600 --> 0:04:13.120 I that is just the film that it's the gift 0:04:13.120 --> 0:04:15.760 that keeps on giving. Every scene there's something in it. 0:04:15.760 --> 0:04:17.760 It's got a Comby Van in it, which of course 0:04:17.800 --> 0:04:20.160 I love, and the whole I think my favorite thing 0:04:20.160 --> 0:04:22.880 that I will always remember is seeing that film in 0:04:22.960 --> 0:04:25.520 the cinema and not being able to stop laughing at 0:04:25.560 --> 0:04:28.080 the horn, Yes, when the horn is just going in 0:04:28.080 --> 0:04:31.960 the back, just to see the Comby Van driving along, 0:04:32.040 --> 0:04:34.640 and that just I would laugh about that for hours. 0:04:34.640 --> 0:04:36.599 And every time I see if it's ever on something 0:04:36.600 --> 0:04:38.000 and I just you know, flip past and go, okay, 0:04:38.000 --> 0:04:39.880 I got to watch it, and I'll end up sitting 0:04:39.880 --> 0:04:44.000 there till the end. And then Olive doing her dance 0:04:44.000 --> 0:04:46.360 and the way they kept that because I kept wondering, 0:04:46.400 --> 0:04:47.599 what is she going to do? What is she going 0:04:47.680 --> 0:04:50.880 to do? And then when she she basically does a 0:04:50.960 --> 0:04:52.000 terrible stream? 0:04:52.839 --> 0:04:53.000 Is it? 0:04:53.839 --> 0:04:55.440 What's the song? Is that Black Eyed Peas? Is it 0:04:55.520 --> 0:04:56.040 my humps? 0:04:57.640 --> 0:04:58.400 What is the song? 0:04:58.440 --> 0:04:58.640 God? 0:04:58.640 --> 0:05:00.640 I'd love to I can't believe I only. 0:05:00.400 --> 0:05:02.240 Watched it right, I got to flee. 0:05:03.240 --> 0:05:06.680 But it's something so inappropriate, something older than that. It's 0:05:06.680 --> 0:05:09.719 something because the grandfather gave her the CD, so it's something. 0:05:09.760 --> 0:05:13.320 It's some sort of seventies, Terrible seventies. 0:05:12.920 --> 0:05:15.000 Super freak. Yes, yes, what it is. 0:05:17.400 --> 0:05:18.880 She's a super fun. 0:05:20.720 --> 0:05:25.400 All the performances are so good. Alan Arkin, I always 0:05:25.440 --> 0:05:29.320 love Alan Arkin is awesome, Tony Collapse, Greek in the 0:05:29.360 --> 0:05:32.240 Air is just it's quite a balance, isn't it, that 0:05:32.320 --> 0:05:35.320 role because you're not supposed to like him, but he's 0:05:35.360 --> 0:05:38.400 the dad and you don't really like it, like he's 0:05:38.400 --> 0:05:41.760 the almost a villain in the in the film, but 0:05:41.960 --> 0:05:43.800 you know, he comes good. 0:05:43.839 --> 0:05:46.200 And he has the beautiful scene which is the most 0:05:46.279 --> 0:05:48.480 nuanced piece of acting. And again one of the bits 0:05:48.480 --> 0:05:50.400 that I will always watch that film for just to 0:05:50.440 --> 0:05:52.920 see that scene where he's at the back of the 0:05:53.000 --> 0:05:55.080 combe van. They've got the dead body in the back 0:05:56.000 --> 0:06:00.599 and the cop stops them and the pawn falls out 0:06:01.760 --> 0:06:04.600 and the guy thinks that's what he's trying to hide. 0:06:04.600 --> 0:06:06.279 So the cop is kind of going through the pawn 0:06:06.320 --> 0:06:08.480 like giving him like raising an eyebrow, go that's nice, 0:06:08.520 --> 0:06:11.400 you know, busty ladies, and then turns another one. You 0:06:11.440 --> 0:06:13.760 know it's another lady's one, and then one of Steve 0:06:13.800 --> 0:06:16.840 Carell the gay Brother's pawn magazine I think it's called 0:06:16.880 --> 0:06:20.039 Buns and Ammo it's like a new guy with a 0:06:20.120 --> 0:06:22.120 gun and the guy and Greg can he just like 0:06:22.160 --> 0:06:24.080 looks at giving him the eyebrow again, there goes no, 0:06:24.279 --> 0:06:27.000 not that one, okay, just it's this beautiful kind of 0:06:27.040 --> 0:06:27.720 like oh into that. 0:06:27.680 --> 0:06:39.320 No, okay, Oh I love this stuff. I love it. 0:06:39.760 --> 0:06:41.160 God bless you, God bless you. 0:06:42.800 --> 0:06:43.240 Don't worry. 0:06:43.240 --> 0:06:44.000 I'm not gonna bust you. 0:06:44.720 --> 0:06:53.960 Thank you, Hey do you your family and to day, 0:06:54.520 --> 0:06:56.320 thank you to say all. 0:06:56.200 --> 0:07:03.640 The sweet thing, sweetness that is sweet. Yeah, thirty and 0:07:03.720 --> 0:07:05.160 this one is one of my favorite. 0:07:07.160 --> 0:07:07.440 Good. 0:07:07.520 --> 0:07:15.120 Yeah, that's a little different choice. 0:07:16.080 --> 0:07:23.240 Yep, all right, ye have good dad there. 0:07:23.720 --> 0:07:36.720 Yeah, what happened. 0:07:38.640 --> 0:07:40.440 I'll tell you when I regain consciousness. 0:07:44.520 --> 0:07:46.960 Frank brilliant get. 0:07:46.800 --> 0:07:47.320 Up the question. 0:07:49.400 --> 0:07:51.840 Oh, it's just that is someone that you just go, wow, 0:07:52.200 --> 0:07:54.160 you can't you can't write that. That's just the most 0:07:54.160 --> 0:07:56.120 beautiful comic comic timing. 0:07:56.320 --> 0:07:58.840 And Paul Dano's so great. And when he finds out 0:07:59.600 --> 0:08:04.040 that you can't be a pilot if you're color blind, 0:08:04.600 --> 0:08:10.040 and he runs off into the crushing into the landscape 0:08:10.080 --> 0:08:12.960 and yeah, that's and it's beautiful and Olive. Olive goes 0:08:12.960 --> 0:08:15.600 to him and just sits with him. It's all happens, 0:08:15.600 --> 0:08:17.240 he sits with him and then the next thing you 0:08:17.280 --> 0:08:19.160 see and walking back hand in hand. 0:08:19.440 --> 0:08:20.119 Yeah, it's great. 0:08:21.000 --> 0:08:24.200 And the Guard it's also grateful. I don't know. I 0:08:24.240 --> 0:08:25.760 don't know the gard. I've seen the Guard. I really 0:08:25.840 --> 0:08:27.040 enjoyed it. I don't know it as well as I 0:08:27.040 --> 0:08:28.880 know little Miss Sunshine. But that's Brendan Gleeson. 0:08:29.280 --> 0:08:32.560 Yeah, and Don Cheedle. That's rights the FBI agent who 0:08:32.600 --> 0:08:36.360 comes to a small Irish town to deal with a 0:08:36.679 --> 0:08:40.079 drug trafficking thing. And Brendan Gleeson is the kind of 0:08:40.160 --> 0:08:41.040 local Irish cop. 0:08:41.360 --> 0:08:43.480 And that's full on Irish, isn't it, Like yeah, quite 0:08:43.480 --> 0:08:44.880 a thick Yeah. 0:08:44.559 --> 0:08:47.040 And just again, it's one of those films that I 0:08:47.080 --> 0:08:51.760 loved a bit like The Departed, where it's so beautifully 0:08:51.840 --> 0:08:55.880 plotted and everything that you didn't necessarily think was relevant, 0:08:56.480 --> 0:08:58.000 but you kind of went, oh, okay, and you take 0:08:58.000 --> 0:08:59.480 in all these things along the way, and then they 0:08:59.520 --> 0:09:01.679 all pay at the end, and that's when you just go, oh, 0:09:01.840 --> 0:09:03.960 I love a film that everything pays off. There's no 0:09:04.000 --> 0:09:07.240 loose ends, there's no kind of logic flows or holes 0:09:07.240 --> 0:09:09.199 in it. You just go wow, it was all there 0:09:09.240 --> 0:09:12.720 for a reason. Every scene, every everything meant something. 0:09:12.679 --> 0:09:16.040 So do you do you hate films where they leave, 0:09:16.280 --> 0:09:18.640 you know, an ambiguous ending. 0:09:19.480 --> 0:09:22.320 It's not really about ambiguous endings for me. I'm not 0:09:22.640 --> 0:09:25.679 huge on them. But my bigger problem is logic flaws. 0:09:26.200 --> 0:09:28.920 Like there was the film and I can't remember the 0:09:28.920 --> 0:09:32.760 title of it, but it's Sandra Bullock and the guy 0:09:32.840 --> 0:09:36.000 is in hospital and he's been hit by a train 0:09:36.320 --> 0:09:39.000 and he already you know, a bit far fett. 0:09:39.520 --> 0:09:41.640 Is it two weeks? Notice that No, I. 0:09:41.559 --> 0:09:44.720 Think it's something about But he wakes up and looks 0:09:44.760 --> 0:09:48.400 at her and for some reason goes, yeah, yeah, I 0:09:48.440 --> 0:09:51.920 think so, and he says suddenly goes, oh yeah, you're 0:09:51.960 --> 0:09:54.080 my wife, and instead of going no, I'm not, she 0:09:54.200 --> 0:09:57.520 goes all right, and let's everyone go along with it. 0:09:57.520 --> 0:09:59.560 It's like, well, that could have been stopped with no, 0:09:59.679 --> 0:10:02.520 I'm not, you know, like and from then on like 0:10:02.600 --> 0:10:03.080 I'm out. 0:10:03.880 --> 0:10:06.160 My wife often says that Bridges will say one is 0:10:06.200 --> 0:10:08.080 doing this because they want to be a film. 0:10:08.080 --> 0:10:09.440 But there shouldn't be a film. 0:10:09.760 --> 0:10:12.360 They you're absolutely right, they should work harder. 0:10:12.480 --> 0:10:16.640 Yeah, just try harder, Like there needs to be a reason, 0:10:16.760 --> 0:10:18.760 Like someone cut her tongue out. She can't tell him 0:10:18.760 --> 0:10:20.320 but then you go, okay, she could write it down 0:10:20.559 --> 0:10:24.720 like there needs to be a reason she couldn't tell him. Besides, oh, 0:10:24.880 --> 0:10:28.200 the moment never came because someone burst in. You know what, 0:10:28.240 --> 0:10:29.640 you could say, hang on, I just got something really 0:10:29.640 --> 0:10:32.480 important to tell this guy. I'm not your wife, by 0:10:32.520 --> 0:10:35.400 the way. That really shit. 0:10:35.800 --> 0:10:37.800 So the guard was was that made I think by 0:10:37.880 --> 0:10:41.520 one of the Donna mcdonna's mcdonnaugh yet not. 0:10:41.600 --> 0:10:43.880 The guy who did in Bridge. 0:10:43.920 --> 0:10:47.360 I think it's his brother, yes, John, and it's John yes, 0:10:47.520 --> 0:10:49.839 And I always get confused which one. 0:10:50.360 --> 0:10:56.679 Maybe it's Mark, Matthew, Mark Luke, one of those. 0:10:56.520 --> 0:10:59.800 Four, because I love I mean, I love all those 0:11:00.360 --> 0:11:02.599 in Bruges. I think it's such a brilliant film. I 0:11:02.640 --> 0:11:06.320 also got Brendan Gleeson. Then I'm not sure which one 0:11:06.360 --> 0:11:10.120 made Seven Psychopaths in the States, which didn't. I didn't 0:11:10.120 --> 0:11:13.800 see them, didn't feel as it wasn't as enjoyable. But 0:11:13.840 --> 0:11:17.959 then Cavalry, Oh yeah, it was brilliant as well. Also 0:11:17.960 --> 0:11:20.719 Brendan Gleeson, Yeah, that's a that's a great film. 0:11:21.000 --> 0:11:23.880 Is terrific because he manages to be unlikable but still 0:11:24.400 --> 0:11:26.880 you're kind of still rooting for him. He's a very 0:11:26.960 --> 0:11:30.079 unlikable character in that in the in the Guard And 0:11:30.120 --> 0:11:32.200 there's also a great scene with a little kid, just 0:11:32.280 --> 0:11:35.680 like that little kind of punky Irish kid that you know, 0:11:35.840 --> 0:11:37.640 is riding on a bike and telling everyone. 0:11:37.360 --> 0:11:41.480 To get You've tearing something I have not, You've taken 0:11:41.600 --> 0:11:44.319 something you didn't even act praised for fox S. It's 0:11:44.520 --> 0:11:49.120 like the brilliant Sex all over again. Don't make me 0:11:49.160 --> 0:11:50.959 fresh and. 0:11:50.920 --> 0:11:53.520 You're gonna frisk me out of your upon chargers. 0:11:55.240 --> 0:11:56.280 So much attitude. 0:11:57.000 --> 0:12:00.960 I love a kid on a bm in any movie, 0:12:01.160 --> 0:12:04.319 particular the BMX saying smart ass things. It just I've 0:12:04.320 --> 0:12:09.400 never said it not work. And Junebug is also a 0:12:09.400 --> 0:12:10.079 wonderful film. 0:12:10.679 --> 0:12:13.760 Yeah it's sort of a small film, I guess, and 0:12:13.840 --> 0:12:16.760 nothing that much happens in it, but the characters in 0:12:16.800 --> 0:12:23.840 it are just so sweet and everyone's the it's Amy Adams, 0:12:23.960 --> 0:12:27.000 very young Amy Adams, I think, who is the lead 0:12:27.080 --> 0:12:30.240 in it, and she's just the sweetest little hometown girl 0:12:30.679 --> 0:12:33.360 and she's you know, pregnant of whatever age and married 0:12:33.360 --> 0:12:37.040 to or you know, her boyfriend or husband is the 0:12:37.120 --> 0:12:39.520 guy who was from the OC I think he was 0:12:39.559 --> 0:12:42.920 from one of those. He was from some teen kind 0:12:42.960 --> 0:12:49.800 of show, and he's an asshole like you would be 0:12:49.840 --> 0:12:52.120 if he's seventeen and married in having a kid, you know, 0:12:52.160 --> 0:12:54.120 and he's just a teenager and he's an asshole, but 0:12:54.160 --> 0:12:57.640 he just he has one just beautiful moment where he's 0:12:58.240 --> 0:13:01.920 he knows that she loves me cats and you know, 0:13:02.160 --> 0:13:04.280 something comes on the television about me Cats and he's 0:13:04.280 --> 0:13:06.120 desperately trying to put a tape in to record it 0:13:06.120 --> 0:13:08.520 for after everything he's done has been horrible, everything he's done, 0:13:08.520 --> 0:13:10.079 and then he just has this one little moment where 0:13:10.080 --> 0:13:12.679 you go, oh, he's not all bad, Like there's one 0:13:12.760 --> 0:13:14.520 and he gets so frustrated because he can't do it, 0:13:14.520 --> 0:13:16.200 and he's putting the tape in. He's calling out to her, 0:13:16.240 --> 0:13:17.840 come down and come down. There's a thing there's and 0:13:17.920 --> 0:13:19.520 she comes down, she goes what and he's like by 0:13:19.520 --> 0:13:21.800 that time, he's lost it. He's completely furious he hasn't 0:13:21.800 --> 0:13:24.040 been able to get the tape in. He didn't, you know, 0:13:24.120 --> 0:13:25.800 the button was pressed out, you know, like on an 0:13:25.800 --> 0:13:29.360 old VCR tape where and by that stage, like and 0:13:29.400 --> 0:13:31.200 so she doesn't even see it. She doesn't even see 0:13:31.200 --> 0:13:33.200 that he had this nice moment where he tried to 0:13:33.240 --> 0:13:38.240 do something to it. It just really breaks your heart. 0:13:39.679 --> 0:13:41.280 Little things like that that I love in a film. 0:13:41.960 --> 0:13:44.080 I've seen June Bug when it came out once and 0:13:44.120 --> 0:13:46.640 I don't have a great recollection of it, and I 0:13:46.640 --> 0:13:48.480 don't remember that scene, but. 0:13:48.520 --> 0:13:56.680 Clearly neither do I because ignant. 0:13:53.280 --> 0:13:57.959 A pregnant woman. But what a fantastic idea, even for 0:13:58.040 --> 0:14:00.640 a scene like And that's what I love when people 0:14:00.640 --> 0:14:04.520 are making big things out of small moments. Yeah, I mean, 0:14:05.080 --> 0:14:09.840 what a beautiful idea just of showing somebody how much 0:14:09.880 --> 0:14:11.760 you love them by recording something. 0:14:12.040 --> 0:14:14.440 Yeah, And you know it must have there must have 0:14:14.440 --> 0:14:16.439 been an instance where something like that happened, because it's 0:14:16.480 --> 0:14:19.760 such a weird kind of thing to do. There must, 0:14:19.800 --> 0:14:23.400 I always think, because I'm so not creative in that 0:14:23.440 --> 0:14:25.520 I'm always pulling things from my own life and putting 0:14:25.520 --> 0:14:27.480 them in you know, whatever scripts I write. Okay, good, 0:14:27.480 --> 0:14:29.440 that'll make a good scene, or I'll do that. And 0:14:29.440 --> 0:14:32.840 I always think someone in someone's life loved Meacats, Like 0:14:32.880 --> 0:14:35.400 there was some person who, like the writer, obviously knew 0:14:35.400 --> 0:14:37.600 someone who was obsessed by Meacatz or he was obsessed 0:14:37.640 --> 0:14:39.920 by Meacats or she was whatever. But I alays when 0:14:39.960 --> 0:14:41.640 you see little things like that, I think they really 0:14:41.680 --> 0:14:44.960 resonate because they must come from reality somehow. Yeah, they've 0:14:45.000 --> 0:14:46.000 actually happened to someone. 0:14:46.400 --> 0:14:49.240 The three films you've nominated is three of your favorites, 0:14:50.760 --> 0:14:54.560 and Joombag this is a world world away from that. 0:14:54.640 --> 0:14:58.320 So let's first of all discuss why why you hadn't 0:14:58.320 --> 0:14:59.240 seen it up until now. 0:15:00.200 --> 0:15:02.200 Well, first of all, as you can see from my selection, 0:15:02.680 --> 0:15:05.560 The Guard is probably about as violent as I get, right, 0:15:05.720 --> 0:15:07.360 you know, and I like that because of the plotting 0:15:07.360 --> 0:15:10.040 more than the violence. Same with something like The Departed. 0:15:10.120 --> 0:15:14.280 I can tolerate the violence because it's so well plotted. 0:15:14.840 --> 0:15:19.560 But yeah, shoot them up things never really do it 0:15:19.600 --> 0:15:23.240 for me, and it just seemed like the Matrix always. 0:15:23.680 --> 0:15:24.960 I would look at it and go, Okay, that's a 0:15:24.960 --> 0:15:28.440 combination of science fiction and shoot them up not two 0:15:28.480 --> 0:15:31.600 of my favorite things. I can live without both those things, 0:15:31.760 --> 0:15:34.680 and Keanu Reeves probably one of my favorite things. I 0:15:34.680 --> 0:15:36.880 was a big fan of Point Break, of course, one 0:15:36.920 --> 0:15:37.720 of my favorite films. 0:15:37.720 --> 0:15:41.360 Great film. But we you as disappointed as I was 0:15:41.760 --> 0:15:44.400 when you saw because I had my summer holidays at 0:15:44.440 --> 0:15:48.680 Torquay and I was so excited because you know, somebody 0:15:48.840 --> 0:15:52.240 told me that they get the ends basically torqu and 0:15:52.320 --> 0:15:53.680 I was like, oh my god, this is going to 0:15:53.800 --> 0:15:55.480 like we we'll get to see where I go on 0:15:55.480 --> 0:15:58.000 my summer holidays and there are no there are no 0:15:58.080 --> 0:15:59.840 pine trees. Yeah, they're not there. 0:16:00.800 --> 0:16:04.040 They just picked one off the back. Was that no 0:16:04.080 --> 0:16:04.760 one ell even know. 0:16:05.040 --> 0:16:09.720 It was definitely not talking so and it was loud, 0:16:09.920 --> 0:16:11.320 wasn't it? It was very loud. 0:16:11.720 --> 0:16:14.320 I found it quite difficult, like in a nannery kind 0:16:14.320 --> 0:16:16.040 of way. And I don't know if it's just that 0:16:16.040 --> 0:16:17.920 I've got a bad television, but I did find I 0:16:18.000 --> 0:16:19.960 kept having to turn it down when all the guns 0:16:20.000 --> 0:16:21.560 were happening, and then I have to turn it back 0:16:21.640 --> 0:16:23.800 up because it's like, now I can't hear what they're saying. 0:16:23.920 --> 0:16:27.200 Are you somebody who turns the presses mute when the 0:16:27.200 --> 0:16:30.120 ads come on? Because I've got a friend who swears, 0:16:30.160 --> 0:16:33.040 and it's probably true that the ads are louder. 0:16:34.040 --> 0:16:35.880 Absolutely they're louder, yes, yeah, And you. 0:16:35.840 --> 0:16:37.680 Have to turn it down, yes, so he always I'm not. 0:16:37.600 --> 0:16:39.640 Smart enough to press mute. I just turned it down there. 0:16:40.560 --> 0:16:42.080 Now now I've learned something. 0:16:42.160 --> 0:16:46.200 Mute us that mute button. It is loud. I saw it. 0:16:47.000 --> 0:16:49.280 I think I've gone to like the Melbourne premiere of 0:16:50.240 --> 0:16:53.760 The Matrix and I remember going, Wow, this is something 0:16:53.800 --> 0:16:54.800 I've never seen before. 0:16:55.240 --> 0:16:57.120 I can imagine if you saw it at the time, 0:16:57.320 --> 0:17:01.040 because I mean, obviously it's spawned so many techniques and 0:17:02.000 --> 0:17:05.040 stuff that I've now kind of now they're kind of 0:17:05.040 --> 0:17:07.639 in there just filmmaking vernacular, so you just sort of 0:17:07.640 --> 0:17:09.760 see that sort of thing a lot. So I can 0:17:09.880 --> 0:17:13.800 imagine though, knowing that was the first they were the 0:17:13.800 --> 0:17:15.440 first people to do it, that it would have been 0:17:16.160 --> 0:17:19.200 amazing to watch on a big screen. I still wouldn't 0:17:19.200 --> 0:17:22.800 have understood it, but I might have appreciated all the effects. 0:17:23.400 --> 0:17:28.080 So loudness, let's discuss. Yeah, did you understand it? Like? 0:17:28.160 --> 0:17:28.719 Did you? 0:17:28.760 --> 0:17:29.160 No? 0:17:29.160 --> 0:17:31.600 No, I didn't. 0:17:31.800 --> 0:17:35.679 I will be completely honest with you. I watched the 0:17:35.680 --> 0:17:39.560 first forty five minutes and just found it impenetrable. And 0:17:39.840 --> 0:17:43.320 I was watching it. My partner was up in Brunswick 0:17:43.359 --> 0:17:45.960 Heads and he was watching it with me, supposedly, you know, 0:17:46.080 --> 0:17:48.320 just watching it at the same time, and I just 0:17:48.400 --> 0:17:50.280 had to text him and go, Okay, can you press pause? 0:17:51.119 --> 0:17:52.960 And he got on the phone and explained it to me. 0:17:53.000 --> 0:17:55.359 And I have new respect for him. I never knew 0:17:55.359 --> 0:17:56.080 he was that smart. 0:17:56.280 --> 0:17:58.280 Oh wow, he started saying stuff. 0:17:58.320 --> 0:18:01.240 I was like, how did you get all that from 0:18:01.359 --> 0:18:04.960 this forty five minutes of I don't know what was happening? 0:18:05.080 --> 0:18:07.960 Did you do any googling? Well? No, no, no. 0:18:07.960 --> 0:18:12.280 I didn't, and I have since googled, And now, in hindsight, 0:18:12.600 --> 0:18:14.760 sure all that makes sense. But I don't know how 0:18:14.800 --> 0:18:17.040 anyone gets any of that from just watching it. 0:18:17.200 --> 0:18:21.160 I watched it this week again to prepare for this, 0:18:21.320 --> 0:18:23.920 and I hadn't seen it for years. And if somebody 0:18:23.960 --> 0:18:25.680 asked me what the matrix was, I'd go I had 0:18:25.760 --> 0:18:30.320 no idea. But this is my understanding of what the 0:18:30.359 --> 0:18:35.240 matrix is. So cold it reeves wakes up, you know, 0:18:35.400 --> 0:18:39.680 and we think he's living our life. He's just, you know, 0:18:40.320 --> 0:18:42.719 he isn't our world. It's a bit grammar and it's 0:18:42.720 --> 0:18:46.399 a bit you know, but it's it's basically that world 0:18:46.520 --> 0:18:49.919 our world. But then we find out that that's not 0:18:51.840 --> 0:18:53.879 that's not the real world. 0:18:53.880 --> 0:18:55.640 But how do we find that out? Peat? When did 0:18:55.680 --> 0:18:57.919 you How do you know that? What told you that? 0:18:58.600 --> 0:19:02.879 I think Morpheus explained explains it? Do you know? 0:19:03.080 --> 0:19:05.840 I think, and I wrote this down, I think Morpheus 0:19:06.000 --> 0:19:07.920 says a line that I thought summed up the whole 0:19:07.960 --> 0:19:11.000 film when he says, and I think it's Morpheus. But 0:19:11.080 --> 0:19:14.200 I could be wrong about this. There's nothing I can 0:19:14.240 --> 0:19:15.520 say that we'll explain it to you. 0:19:15.560 --> 0:19:17.879 There's nothing I can see that will explain it to you. 0:19:18.000 --> 0:19:21.000 Here I wrote, that's what I wanted to just turn 0:19:21.040 --> 0:19:21.360 it off. 0:19:21.400 --> 0:19:23.439 I go, well, if you can't explain it, how am 0:19:23.480 --> 0:19:24.640 I supposed to work it out? 0:19:25.760 --> 0:19:28.040 They say, the answer is looking for you? And I 0:19:28.040 --> 0:19:29.679 wrote that down. I thought, well, I hope, hope it 0:19:29.680 --> 0:19:33.199 finds me eventually, and nobody can be told what the 0:19:33.200 --> 0:19:35.439 matrix is. 0:19:35.640 --> 0:19:37.680 That seems like a really good get out of jail 0:19:37.680 --> 0:19:39.399 free card for any film to put it in, like 0:19:39.440 --> 0:19:41.199 when people go, I don't get it, so, well, what 0:19:41.240 --> 0:19:42.399 did we say? 0:19:44.080 --> 0:19:46.440 So? I think I wrote down to what I thought 0:19:46.480 --> 0:19:51.320 the matrix was okay, which is basically so Neo is. 0:19:51.320 --> 0:19:53.200 Actually we think it's real life, but he's actually living 0:19:53.240 --> 0:19:55.200 in a dream world. What we see at the beginning 0:19:55.320 --> 0:19:58.600 is actually a dream world. The real world is like 0:19:58.600 --> 0:20:00.720 one hundred years in the future, and that's gone to ship. 0:20:00.760 --> 0:20:04.520 It's gone all a bit whilely, and that the matrix 0:20:04.600 --> 0:20:09.720 is a computer simulation that helps them, I guess escape 0:20:09.840 --> 0:20:11.720 or deal with with that. 0:20:12.000 --> 0:20:13.600 Okay, so my question to you is. 0:20:14.040 --> 0:20:18.040 I don't think I'll be able to answer anything full disclosure, 0:20:18.080 --> 0:20:19.000 but yes, because. 0:20:18.800 --> 0:20:21.480 I understand that in hindsight, I didn't get that, but 0:20:21.560 --> 0:20:24.400 a few people have tried to tell me that's what's happening. 0:20:24.480 --> 0:20:28.160 So I understand that all of the humans are now 0:20:28.200 --> 0:20:31.800 in those pods, which was a great scene. I didn't 0:20:31.840 --> 0:20:34.840 know what I was looking at, but I ooh, applause 0:20:34.960 --> 0:20:38.840 for the special effects. People in pods, and then they 0:20:38.880 --> 0:20:44.040