1 00:00:01,080 --> 00:00:04,720 Speaker 1: Dowered by the radio WAB from ninety six air m 2 00:00:04,960 --> 00:00:06,800 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:11,080 Speaker 2: This is Clearzy and Lisa's podcast. Coming up with the podcast, 4 00:00:11,119 --> 00:00:13,360 Speaker 2: we caught up with a new co host of Gladiators, 5 00:00:13,400 --> 00:00:14,000 Speaker 2: Liz Alis. 6 00:00:14,040 --> 00:00:14,720 Speaker 3: We opened up the. 7 00:00:14,680 --> 00:00:17,880 Speaker 4: Phones and got your hilarious takes on what your gladiator 8 00:00:17,920 --> 00:00:18,520 Speaker 4: name would be? 9 00:00:18,840 --> 00:00:21,959 Speaker 2: Son of a Gun Baseman from the Angels, Sam Brewster joined. 10 00:00:21,800 --> 00:00:25,280 Speaker 3: Us and we heard about what what what what clarsys 11 00:00:25,280 --> 00:00:25,720 Speaker 3: hot date. 12 00:00:26,239 --> 00:00:27,440 Speaker 2: You made it hotter than it was. 13 00:00:28,400 --> 00:00:33,080 Speaker 4: Liz ellis wonderful basketballer, glorious winner in the jungle and 14 00:00:33,120 --> 00:00:37,240 Speaker 4: now host of Gladiators, which returns next year. She's gonna 15 00:00:37,240 --> 00:00:39,680 Speaker 4: host it with who is this right? 16 00:00:40,479 --> 00:00:43,279 Speaker 2: Oh yeah, yeah, it's the man the stambus at all. 17 00:00:43,400 --> 00:00:45,640 Speaker 4: And you know, it was a huge show run for 18 00:00:45,680 --> 00:00:47,319 Speaker 4: it feels like it ran for years, but it ran 19 00:00:47,360 --> 00:00:49,720 Speaker 4: from ninety five to ninety six. That was the original, 20 00:00:49,920 --> 00:00:52,640 Speaker 4: yes and best, and then it made a little brief 21 00:00:53,200 --> 00:00:55,600 Speaker 4: reappearance I think in around two thousand and eight, but 22 00:00:55,640 --> 00:00:58,080 Speaker 4: I don't think anything really came of it, right, Was. 23 00:00:58,000 --> 00:00:59,360 Speaker 2: It changing network or something? Maybe? 24 00:00:59,360 --> 00:01:02,279 Speaker 4: Sometimes I do well, it's changing network now because it's 25 00:01:02,280 --> 00:01:04,080 Speaker 4: going to be on ten it was always on Channel seven, 26 00:01:04,400 --> 00:01:07,080 Speaker 4: but of course it came from an American show which 27 00:01:07,200 --> 00:01:13,960 Speaker 4: they launched in the eighties with absolutely no forethought into 28 00:01:14,080 --> 00:01:17,480 Speaker 4: what these people's bodies were really going through. And if 29 00:01:17,520 --> 00:01:19,400 Speaker 4: you like a good documentary, as you know I do, 30 00:01:19,959 --> 00:01:23,000 Speaker 4: there is a ripper on Netflix called Muscles and Mayhem, 31 00:01:23,120 --> 00:01:26,120 Speaker 4: an unauthorized story. It's beauty in it and it's the 32 00:01:26,160 --> 00:01:30,160 Speaker 4: story of the original American Gladiators. And when you see 33 00:01:30,280 --> 00:01:35,920 Speaker 4: the challenges they did, and more so the conditions they did, 34 00:01:35,920 --> 00:01:38,240 Speaker 4: the mean like they were doing them on concrete floor, 35 00:01:38,319 --> 00:01:42,160 Speaker 4: covered with a mattress, covered with a blanket. These people 36 00:01:42,400 --> 00:01:45,120 Speaker 4: completely ruined their bodies. 37 00:01:45,160 --> 00:01:45,920 Speaker 3: It was amazing. 38 00:01:46,200 --> 00:01:49,559 Speaker 4: I think now it is a lot safer, But of course, 39 00:01:49,600 --> 00:01:56,840 Speaker 4: back in the day you had the likes of Fury, Flame, Glacier, Cheetah. 40 00:01:57,000 --> 00:01:59,320 Speaker 2: Rebel from Perth, Barbicane Rebel from. 41 00:01:59,120 --> 00:02:04,040 Speaker 3: Earth was Storm Commando, condor Cougar Hammer. 42 00:02:05,000 --> 00:02:06,680 Speaker 2: Then hammer, right. 43 00:02:07,080 --> 00:02:10,360 Speaker 4: I wonder what the Gladiators are going to be called 44 00:02:10,480 --> 00:02:11,040 Speaker 4: this time. 45 00:02:11,160 --> 00:02:17,320 Speaker 2: I'm not sure they them figure protective pronouns level well, 46 00:02:17,320 --> 00:02:19,200 Speaker 2: I don't think there'll be a Vulcan somehow, although I 47 00:02:19,280 --> 00:02:23,520 Speaker 2: like and he was pretty he's pretty funny there'll be some, 48 00:02:23,520 --> 00:02:26,359 Speaker 2: some politically correct ones. They might be one called woke 49 00:02:28,400 --> 00:02:32,640 Speaker 2: Gladiada is ready, it's work versing someone else. 50 00:02:34,040 --> 00:02:34,280 Speaker 3: Woke. 51 00:02:34,680 --> 00:02:39,240 Speaker 4: I reckon my gladiated name would be couldn't be asked? 52 00:02:39,880 --> 00:02:44,120 Speaker 2: Well, couldn't be asked, couldn't be could not be bothered. 53 00:02:44,880 --> 00:02:47,280 Speaker 2: I actually quite like that. I like that. I'm thinking. 54 00:02:47,600 --> 00:02:49,760 Speaker 2: I'm thinking because I'm a delusional midle aged man. So 55 00:02:49,800 --> 00:02:53,480 Speaker 2: I'd like a Donis. But there's but there's very different 56 00:02:53,520 --> 00:02:55,280 Speaker 2: between what you want when you get I'd get string Bean. 57 00:02:55,320 --> 00:02:59,200 Speaker 2: Wouldn't I call him string? 58 00:02:59,280 --> 00:03:01,000 Speaker 3: Would just be all get about it? 59 00:03:01,440 --> 00:03:05,119 Speaker 2: You reckon? No chance, no chat? That's a name. 60 00:03:05,200 --> 00:03:07,000 Speaker 3: I like that, No chance, that's a good right. 61 00:03:07,280 --> 00:03:11,240 Speaker 4: That's my gladiat Nevin Golden Bay. What would you gladiator? 62 00:03:11,320 --> 00:03:11,600 Speaker 5: Am b. 63 00:03:12,320 --> 00:03:14,680 Speaker 2: I'd have to be honest to you guys, old and 64 00:03:14,720 --> 00:03:20,520 Speaker 2: worn out out? That's great, I reckon. 65 00:03:20,639 --> 00:03:23,600 Speaker 5: I happy be a pre big ship to cover the 66 00:03:23,600 --> 00:03:25,760 Speaker 5: warning out body. But yeah, yeah, worn out? 67 00:03:26,440 --> 00:03:27,520 Speaker 6: Can I get away with that one? 68 00:03:27,639 --> 00:03:31,880 Speaker 2: I like it? Delusion, that's good. That's a good name. 69 00:03:34,560 --> 00:03:36,360 Speaker 2: I wanted to chat if I wanted a don Us 70 00:03:36,360 --> 00:03:40,960 Speaker 2: And thanks there you combine them both. We go to 71 00:03:41,920 --> 00:03:42,960 Speaker 2: love the British Bulldogs. 72 00:03:43,040 --> 00:03:48,000 Speaker 4: Yeah, Jack Kenny is leading the Gladiators. 73 00:03:48,000 --> 00:03:49,760 Speaker 3: This time around, he's going to be Viking. 74 00:03:50,280 --> 00:03:50,760 Speaker 2: But back. 75 00:03:51,000 --> 00:03:53,200 Speaker 4: It ran for three seasons in the nineties, as we 76 00:03:53,240 --> 00:03:56,920 Speaker 4: all remember, with Aaron Peterson he was the host for 77 00:03:56,960 --> 00:03:59,680 Speaker 4: the very first season, and then Mike Hammond, you know, 78 00:03:59,760 --> 00:04:03,920 Speaker 4: the mood radio announcer from Sydney, looking man, very good looking. 79 00:04:04,000 --> 00:04:06,640 Speaker 4: He was the host along with Kimberly Joseph for the others. 80 00:04:07,120 --> 00:04:10,040 Speaker 4: And of course the man in the referee top was 81 00:04:10,080 --> 00:04:12,360 Speaker 4: everyone's favorite fast bowler. 82 00:04:12,120 --> 00:04:14,240 Speaker 3: As a satin name tap, Here's Mike Whitney. 83 00:04:15,800 --> 00:04:19,720 Speaker 1: Ja are you ready? 84 00:04:19,960 --> 00:04:20,640 Speaker 2: Are you ready? 85 00:04:22,200 --> 00:04:22,320 Speaker 4: Who? 86 00:04:23,040 --> 00:04:23,960 Speaker 5: So what? 87 00:04:26,279 --> 00:04:28,120 Speaker 3: I don't know who's going to be the referee for 88 00:04:28,160 --> 00:04:30,640 Speaker 3: this one. We'll have to ask Sarry Hall. He's like, 89 00:04:30,680 --> 00:04:31,720 Speaker 3: it's that well. 90 00:04:31,760 --> 00:04:32,599 Speaker 2: Yeah, who knows. 91 00:04:32,760 --> 00:04:35,360 Speaker 3: It's kind of the most famous role here. 92 00:04:35,480 --> 00:04:37,200 Speaker 4: It's not much of a challenging job that Mike had 93 00:04:37,200 --> 00:04:39,800 Speaker 4: Tod there was. It wasn't it wasn't bad. Just had 94 00:04:39,800 --> 00:04:41,600 Speaker 4: to look cute with his gorgeous. 95 00:04:42,160 --> 00:04:43,760 Speaker 2: Curly hair going on in their. 96 00:04:43,640 --> 00:04:48,720 Speaker 3: All right, we're asking for your gladiator name erin in Pinjarra, Hello, good. 97 00:04:48,480 --> 00:04:49,480 Speaker 2: Morning, how are you going? 98 00:04:49,760 --> 00:04:52,920 Speaker 3: What would it be? Well, partially because I'm a kiwim, 99 00:04:52,920 --> 00:04:56,760 Speaker 3: partially because of my obviously speltz singer, I would have 100 00:04:56,839 --> 00:04:57,599 Speaker 3: to go yeah. 101 00:04:57,520 --> 00:05:01,799 Speaker 2: Nah, Yenna, I thought about it. 102 00:05:01,800 --> 00:05:06,000 Speaker 4: That's good, that's absolutely And can I recommend Channing chase 103 00:05:06,080 --> 00:05:07,080 Speaker 4: him for the referee? 104 00:05:07,120 --> 00:05:09,560 Speaker 2: Please? Okay? Bring him down under? Why not? 105 00:05:09,680 --> 00:05:13,880 Speaker 3: That's that's just a yeah. Everybody else is coming, yeah, 106 00:05:14,200 --> 00:05:17,120 Speaker 3: and he's pretty. 107 00:05:19,880 --> 00:05:20,120 Speaker 2: Down. 108 00:05:20,680 --> 00:05:24,640 Speaker 3: Yeah no, ready arbigates could be asked? Ready if we 109 00:05:24,680 --> 00:05:24,960 Speaker 3: could go? 110 00:05:25,040 --> 00:05:26,120 Speaker 2: Absolutely? 111 00:05:30,160 --> 00:05:30,880 Speaker 3: I love that year. 112 00:05:31,000 --> 00:05:34,800 Speaker 4: No, Christine in Mirror Booker, what would your Gladiator day be? 113 00:05:35,440 --> 00:05:40,200 Speaker 5: Well, apologies to Spielberg, but it has to be short. 114 00:05:40,040 --> 00:05:42,440 Speaker 2: Round, short round. 115 00:05:42,960 --> 00:05:46,039 Speaker 3: That's a goal year that's shut round. In my case, 116 00:05:46,080 --> 00:05:48,760 Speaker 3: it would be short round, gray and followed by a 117 00:05:48,760 --> 00:05:49,640 Speaker 3: couple of cats. 118 00:05:49,920 --> 00:05:56,479 Speaker 2: Okay, there's nothing wrong with that. Well no, yeah, you 119 00:05:56,480 --> 00:05:58,960 Speaker 2: get your little figurine. You can get the cat figurines 120 00:05:58,960 --> 00:06:03,080 Speaker 2: as well. Well yeah, I'm not hello kitty, but that's 121 00:06:03,080 --> 00:06:03,440 Speaker 2: all right. 122 00:06:05,160 --> 00:06:10,920 Speaker 4: Hello Christine, Oh bunty, good names there, Thanks, Christine Paul 123 00:06:11,000 --> 00:06:12,919 Speaker 4: in Girween, what would your Gladiator name be? 124 00:06:13,200 --> 00:06:19,640 Speaker 2: Morning you Buckleys? 125 00:06:20,120 --> 00:06:26,279 Speaker 4: I think we should put together special edition show. It's 126 00:06:26,279 --> 00:06:27,280 Speaker 4: like the big shape. 127 00:06:29,279 --> 00:06:31,880 Speaker 3: These people involved. I think it's awesome and what we'll 128 00:06:31,920 --> 00:06:33,000 Speaker 3: do is we'll just go for lunch. 129 00:06:33,600 --> 00:06:40,200 Speaker 2: Oh yeah, we'll be sponsored by thanks. Paul Gale in Wannero, Hello, 130 00:06:40,560 --> 00:06:40,920 Speaker 2: I want to go. 131 00:06:41,480 --> 00:06:43,960 Speaker 3: Good morning guys. Mine would be Mirage. 132 00:06:43,880 --> 00:06:47,560 Speaker 4: Mirage Okay, what what you see? 133 00:06:47,640 --> 00:06:48,480 Speaker 5: What you get as way? 134 00:06:48,520 --> 00:06:54,000 Speaker 2: If you don't, yes, I like it. 135 00:06:54,120 --> 00:06:57,880 Speaker 4: Also could be you know Mirage ready, Yes, but you're 136 00:06:57,920 --> 00:07:02,719 Speaker 4: not really there, disappeared into the green room. 137 00:07:02,640 --> 00:07:09,920 Speaker 2: Like a little puddle on the road. I love what 138 00:07:10,000 --> 00:07:12,920 Speaker 2: people user imaginations. It's happening. It's happening a lot this morning. 139 00:07:12,920 --> 00:07:13,240 Speaker 6: I love it. 140 00:07:13,360 --> 00:07:16,920 Speaker 4: Kenita in Pamelia, Hello, good. 141 00:07:16,960 --> 00:07:20,400 Speaker 3: What would your gladiator name be? 142 00:07:20,680 --> 00:07:20,960 Speaker 5: Fat? 143 00:07:21,080 --> 00:07:27,360 Speaker 2: Perious? Did you say fat, furious and serious? Yeah, past 144 00:07:27,400 --> 00:07:27,960 Speaker 2: and furious. 145 00:07:28,360 --> 00:07:36,320 Speaker 4: Yes, what you say is what you thanks? 146 00:07:37,440 --> 00:07:39,880 Speaker 3: Have a great day, you know really a hello? What's 147 00:07:39,920 --> 00:07:41,600 Speaker 3: your galli? Gladiator? 148 00:07:41,680 --> 00:07:47,080 Speaker 2: Excuse me? Good morning guys. And I don't think so nice. 149 00:07:48,480 --> 00:07:50,760 Speaker 4: I love how a lot of these gladiator names are 150 00:07:50,760 --> 00:07:53,760 Speaker 4: all in the you know, the inflection as well. 151 00:07:54,960 --> 00:07:57,640 Speaker 3: I think so yeah nice. 152 00:07:57,480 --> 00:08:01,840 Speaker 2: One matter of fact, you're in. You're in the lineup. 153 00:08:02,000 --> 00:08:03,560 Speaker 2: We'll get you get your figure out. 154 00:08:03,640 --> 00:08:06,720 Speaker 3: You love our line up. Paul in warn Borough, what's 155 00:08:06,760 --> 00:08:07,760 Speaker 3: your gladiator name? 156 00:08:08,040 --> 00:08:12,360 Speaker 2: Mike Glady Nator name would be ye, the mighty hell no, 157 00:08:12,720 --> 00:08:18,080 Speaker 2: the mighty hell no, hell no, mighty hell no. You 158 00:08:18,120 --> 00:08:21,680 Speaker 2: got the word mighty in there. This has very glad. 159 00:08:22,880 --> 00:08:26,360 Speaker 3: You know it's theater, so yes, putting a little bit 160 00:08:26,360 --> 00:08:26,960 Speaker 3: of theater in there. 161 00:08:26,960 --> 00:08:30,040 Speaker 2: Poul, thank you. 162 00:08:30,440 --> 00:08:33,120 Speaker 4: I don't think we're not submitting these for an alternative show, 163 00:08:33,120 --> 00:08:34,360 Speaker 4: do you think, Liz take. 164 00:08:36,120 --> 00:08:40,160 Speaker 3: Mask? Call for a gladiator, Craig and Kingsley. 165 00:08:40,360 --> 00:08:42,640 Speaker 2: Ready, Craig, get a guy. 166 00:08:42,720 --> 00:08:45,319 Speaker 6: So I asked my daughter this and she said, my 167 00:08:45,559 --> 00:08:48,600 Speaker 6: gladiator name is Gassius Maximus. 168 00:08:48,200 --> 00:08:53,880 Speaker 3: Oh yes, cheeky little devil. 169 00:08:54,040 --> 00:08:54,440 Speaker 2: Some of them. 170 00:08:56,000 --> 00:08:57,600 Speaker 6: I bring a bit of a hot air attack. 171 00:08:58,080 --> 00:09:02,440 Speaker 3: Okay, yeah, Gassius Maximus. Thank you, Craig. 172 00:09:02,480 --> 00:09:03,199 Speaker 2: Even the Dutch. 173 00:09:05,880 --> 00:09:07,560 Speaker 3: This is a fantastic lineup. 174 00:09:07,600 --> 00:09:09,960 Speaker 4: This is about the number of gladiators that is usually 175 00:09:09,960 --> 00:09:14,560 Speaker 4: involved on the Clay Lesser Alternative Gladiator Show. We've got 176 00:09:14,880 --> 00:09:20,559 Speaker 4: old and worn out, yeah na short round Buckley's mirage, 177 00:09:20,960 --> 00:09:24,600 Speaker 4: fat and furious. I don't think so. The mighty hell 178 00:09:24,720 --> 00:09:27,000 Speaker 4: No and gaseous Maximus. 179 00:09:27,000 --> 00:09:28,120 Speaker 2: Gassious Maximus. 180 00:09:28,240 --> 00:09:30,480 Speaker 3: Love our lineup, guys. Thanks for the calls. All right 181 00:09:30,520 --> 00:09:32,040 Speaker 3: now we are very excited about this. 182 00:09:32,320 --> 00:09:36,400 Speaker 4: Gladiators is returning to our TV screens in twenty twenty 183 00:09:36,400 --> 00:09:39,680 Speaker 4: four on Channel ten, and the goat of netball, Liz Ellis, 184 00:09:40,120 --> 00:09:44,120 Speaker 4: is hosting along with that, would be your Gladiator name 185 00:09:44,440 --> 00:09:47,920 Speaker 4: the guys, as long as everyone understands what you. 186 00:09:47,880 --> 00:09:50,800 Speaker 5: Know, well, you know there's the big pyramid that's part 187 00:09:50,840 --> 00:09:53,840 Speaker 5: of the Gladiator set, So would actually do well up? 188 00:09:55,080 --> 00:09:58,160 Speaker 2: I don't know myself what we can do it for you? 189 00:09:58,360 --> 00:09:58,560 Speaker 7: Yeah? 190 00:09:58,840 --> 00:10:01,440 Speaker 5: Thanks, guys, that's it awkward? Ah, hi, I'm the go 191 00:10:01,640 --> 00:10:03,200 Speaker 5: that's good on your dude. 192 00:10:03,440 --> 00:10:06,800 Speaker 4: Miss when you were a tacker in the nineties, did 193 00:10:06,840 --> 00:10:08,280 Speaker 4: you watch the nineties version? 194 00:10:08,440 --> 00:10:10,280 Speaker 5: I love that you think I might have been attacker 195 00:10:10,280 --> 00:10:13,560 Speaker 5: in the nineties. That's just the nicest thing anyone said 196 00:10:13,559 --> 00:10:15,679 Speaker 5: to me today. So you know, everyone's like, oh, when 197 00:10:15,720 --> 00:10:18,079 Speaker 5: I was a kid, I grew up watching Gladiators in 198 00:10:18,120 --> 00:10:20,920 Speaker 5: the nineties. I was grown up. So but I did 199 00:10:20,960 --> 00:10:23,160 Speaker 5: watch it. I loved it right and I can't wait. 200 00:10:23,160 --> 00:10:24,760 Speaker 5: And when I heard it was coming back, I was 201 00:10:24,800 --> 00:10:27,800 Speaker 5: so excited when Channel ten asked me to co host 202 00:10:27,800 --> 00:10:30,360 Speaker 5: it with bo really wet my pants. It was so 203 00:10:30,559 --> 00:10:33,280 Speaker 5: And that's the function of being fifty as well. Yeah 204 00:10:33,280 --> 00:10:35,160 Speaker 5: that's okay and having two children. 205 00:10:35,200 --> 00:10:37,079 Speaker 3: But digress related. 206 00:10:37,160 --> 00:10:38,760 Speaker 2: Yeah, the sponsors. 207 00:10:39,240 --> 00:10:42,120 Speaker 5: Yeah, thank you, that would be great. Yeah, I'm sitting 208 00:10:42,160 --> 00:10:44,240 Speaker 5: here doing my keegels now for anyone that has given birth, 209 00:10:44,240 --> 00:10:45,480 Speaker 5: you know exactly what I'm doing. 210 00:10:45,600 --> 00:10:49,040 Speaker 3: I call it tie cheek. That's so good. 211 00:10:49,559 --> 00:10:51,360 Speaker 5: So when they rang me and said do you want 212 00:10:51,400 --> 00:10:53,120 Speaker 5: a co host? And I was like, oh my god, 213 00:10:53,120 --> 00:10:56,720 Speaker 5: this is amazing. It's such great nostalgia value it has. 214 00:10:56,800 --> 00:10:58,520 Speaker 5: But then when I turned up to the set, the 215 00:10:58,559 --> 00:11:01,480 Speaker 5: way it's been done this time, it's awesome. 216 00:11:02,360 --> 00:11:02,600 Speaker 2: Yeah. 217 00:11:02,760 --> 00:11:07,040 Speaker 5: And so it looks like a whole Marvel universe. I 218 00:11:07,320 --> 00:11:13,280 Speaker 5: really like big and sort of it would be next level, Yeah, 219 00:11:13,440 --> 00:11:15,800 Speaker 5: next level, and then like you see some of the 220 00:11:15,840 --> 00:11:18,559 Speaker 5: old events, and then there's some new events and oh 221 00:11:18,559 --> 00:11:21,960 Speaker 5: my god, wait to see the gladiators. Yeah, yeah, so good. 222 00:11:22,520 --> 00:11:25,400 Speaker 5: I mean I was looking at them through like a professional. 223 00:11:27,080 --> 00:11:27,560 Speaker 2: Research. 224 00:11:27,760 --> 00:11:28,760 Speaker 3: Yes, I was just. 225 00:11:28,840 --> 00:11:32,080 Speaker 5: Looking at them from the high performance and just you know. 226 00:11:32,160 --> 00:11:33,280 Speaker 3: Well I see Jack Kenny. 227 00:11:33,440 --> 00:11:33,640 Speaker 1: Yeah. 228 00:11:34,000 --> 00:11:35,959 Speaker 5: I saw Jack Kenny as often as I could. 229 00:11:38,920 --> 00:11:41,000 Speaker 2: Look Viking, yes, obviously. 230 00:11:41,200 --> 00:11:44,080 Speaker 5: Yes. The funny thing is they've all got these names, 231 00:11:44,120 --> 00:11:47,320 Speaker 5: and I actually don't know other than Jet, I don't 232 00:11:47,320 --> 00:11:49,360 Speaker 5: know their real names because we got told early don't 233 00:11:49,400 --> 00:11:53,360 Speaker 5: learn their real names, learn their gladiator names, so if 234 00:11:53,400 --> 00:11:55,160 Speaker 5: I ran into into any of them in the street, 235 00:11:55,160 --> 00:11:55,640 Speaker 5: I'd be like. 236 00:11:55,600 --> 00:11:57,240 Speaker 3: Hey Maximus, Hey Jet. 237 00:11:57,040 --> 00:12:00,840 Speaker 5: Hey Halo. Everyone didn't think that I was idiot. That's okay. 238 00:12:00,960 --> 00:12:03,360 Speaker 4: They always look I always thought gladiators look like they 239 00:12:03,360 --> 00:12:05,280 Speaker 4: could be on the cover of Mills and Boone novels. 240 00:12:06,000 --> 00:12:07,600 Speaker 3: I've just got that. Yeah. 241 00:12:07,679 --> 00:12:11,520 Speaker 4: Now, as you said, there would be this superhero influence too. 242 00:12:13,000 --> 00:12:15,160 Speaker 5: And you would have seen, like the promotional shots have 243 00:12:15,280 --> 00:12:20,480 Speaker 5: got capes and as well as having magnificent abdominal critic. Yeah, 244 00:12:20,760 --> 00:12:25,440 Speaker 5: so it was phenomenal and the action is unbelievable, Like okay, 245 00:12:26,320 --> 00:12:27,880 Speaker 5: and that's a good thing, right, So you get sort 246 00:12:27,920 --> 00:12:30,960 Speaker 5: of you go, oh my goodness, the sets epic and 247 00:12:31,000 --> 00:12:33,840 Speaker 5: the gladiators are magnificent, and then you hit the action. 248 00:12:33,960 --> 00:12:36,120 Speaker 5: That's what brings you in. So my kids are twelve 249 00:12:36,160 --> 00:12:38,800 Speaker 5: and seven and I bought them along one day to 250 00:12:38,840 --> 00:12:41,400 Speaker 5: watch and they were riveted from the get going. I thought, okay, 251 00:12:41,520 --> 00:12:42,520 Speaker 5: they're into it. It must be. 252 00:12:44,040 --> 00:12:47,440 Speaker 4: Prosibly the coolest job that you could have got as 253 00:12:47,559 --> 00:12:48,880 Speaker 4: mum on television. 254 00:12:49,040 --> 00:12:53,880 Speaker 5: Well, yeah, like points for being so cool. Look, I 255 00:12:54,000 --> 00:12:56,080 Speaker 5: try at the end of the day, I'm still still 256 00:12:56,120 --> 00:12:58,000 Speaker 5: a daggy mum who yells at them to clean their 257 00:12:58,080 --> 00:13:00,600 Speaker 5: rooms up. Yeah, but they can say, my mum, well 258 00:13:00,640 --> 00:13:02,000 Speaker 5: this is true. Well I got to go to South 259 00:13:02,040 --> 00:13:04,920 Speaker 5: Africa earlier this year when I did I'm a Celebrity 260 00:13:04,960 --> 00:13:07,199 Speaker 5: j Yeah, that I thought that was cool. That my 261 00:13:07,240 --> 00:13:09,120 Speaker 5: little boy, you know, little boys, I love their moms. 262 00:13:09,120 --> 00:13:12,040 Speaker 5: And during the Jungle he didn't really want me to go. 263 00:13:12,120 --> 00:13:14,280 Speaker 5: And then on the first night when they had the eliminations, 264 00:13:14,360 --> 00:13:17,040 Speaker 5: he burst into tears. When I wasn't eliminated. Myself was 265 00:13:17,080 --> 00:13:23,079 Speaker 5: along three weeks for him. I love it. It's like 266 00:13:23,240 --> 00:13:27,600 Speaker 5: they got Chris Brown and shrink him. Yeah. Yeah. And 267 00:13:27,640 --> 00:13:30,800 Speaker 5: then you know, having just looking at the promos and 268 00:13:30,840 --> 00:13:33,760 Speaker 5: seeing him interviewed, he's so much like his dad, isn't he. 269 00:13:34,160 --> 00:13:37,680 Speaker 5: Having that energy in the show will be fantastic. It's 270 00:13:37,760 --> 00:13:38,440 Speaker 5: really exciting. 271 00:13:38,559 --> 00:13:42,880 Speaker 4: I think the band to the how he gets over 272 00:13:42,880 --> 00:13:44,839 Speaker 4: with Julia as well will be interesting because as she 273 00:13:44,880 --> 00:13:48,320 Speaker 4: had that very specific relationship with Yes and now I 274 00:13:48,360 --> 00:13:52,280 Speaker 4: think baby Bob will have its own you know, you'll 275 00:13:52,280 --> 00:13:54,240 Speaker 4: have its own life, its own life exactly. 276 00:13:54,320 --> 00:13:57,880 Speaker 3: Speaking of the jungle, what was there's the number one? 277 00:13:57,920 --> 00:14:00,240 Speaker 4: Well, there'd be a numerous reasons why I wouldn't want 278 00:14:00,280 --> 00:14:02,400 Speaker 4: to go into the jungle, But the number one thing 279 00:14:02,520 --> 00:14:06,280 Speaker 4: would be the eating stuff. Yes, what was the worst 280 00:14:06,320 --> 00:14:06,760 Speaker 4: thing you. 281 00:14:06,840 --> 00:14:09,160 Speaker 5: Ate in the jungle? I ate some pretty gross things. 282 00:14:09,400 --> 00:14:14,640 Speaker 5: I ate antelope eyeballs. I imagine them going pop. Yeah, 283 00:14:14,640 --> 00:14:21,480 Speaker 5: imagine correctly. And then the eyeballs, Oh goodness, they were well, no, 284 00:14:21,520 --> 00:14:23,280 Speaker 5: they weren't going to they weren't going to lighter us 285 00:14:23,280 --> 00:14:25,400 Speaker 5: because it was all gross. So they went pop and 286 00:14:25,440 --> 00:14:29,040 Speaker 5: all this gross stuff runs into your mouth and it's 287 00:14:29,360 --> 00:14:33,760 Speaker 5: the smell is not caramel, No, it's not caramel. And 288 00:14:33,800 --> 00:14:36,000 Speaker 5: then because I tried to imagine they were like oysters. 289 00:14:36,400 --> 00:14:39,240 Speaker 5: I like oysters then because they're like they've got that 290 00:14:39,280 --> 00:14:43,680 Speaker 5: really sort of rubbery consistency. And then and then the liquid. 291 00:14:44,000 --> 00:14:46,440 Speaker 5: And then the other gross thing was rat's tail when 292 00:14:46,440 --> 00:14:51,600 Speaker 5: they brought out that cooked and it was the bones 293 00:14:51,840 --> 00:14:54,400 Speaker 5: and the singed hair. I really hope you're not eating 294 00:14:54,440 --> 00:14:57,080 Speaker 5: your breakfast as on talk, not anymore. No. And then 295 00:14:57,120 --> 00:15:00,480 Speaker 5: the other gross thing, of course, was the fermented fish cuts. 296 00:15:01,160 --> 00:15:05,920 Speaker 5: That's pretty gross, right, yeah, But you know I'm okay 297 00:15:05,960 --> 00:15:10,520 Speaker 5: with drinking. Okay, you know, I'm an excellent hydrator, so 298 00:15:10,640 --> 00:15:13,320 Speaker 5: drinking wasn't too bad. But eating gross things was. 299 00:15:13,280 --> 00:15:15,760 Speaker 3: Just like well, and you'd have no trouble on the 300 00:15:15,760 --> 00:15:17,840 Speaker 3: next series of a loan because you know, if you 301 00:15:17,840 --> 00:15:19,800 Speaker 3: have to eat a ratstowel left. 302 00:15:19,960 --> 00:15:22,080 Speaker 5: Yeah, that's true. Although I'd struggle being alone because I 303 00:15:22,080 --> 00:15:23,160 Speaker 5: wouldn't have anyone to talk. 304 00:15:23,040 --> 00:15:26,320 Speaker 2: To, usually talking to the camera NonStop, because. 305 00:15:26,960 --> 00:15:30,000 Speaker 5: Yeah, being the camera would enter into quite the relationship. 306 00:15:30,200 --> 00:15:33,280 Speaker 2: Yeah, we'll talking about these athletes. They're athletes, right, they're incredible. 307 00:15:33,800 --> 00:15:37,200 Speaker 2: Certainly gladiator This theory that you notice young people in 308 00:15:37,240 --> 00:15:38,440 Speaker 2: the gym. Now a lot of people in the gym 309 00:15:38,480 --> 00:15:41,520 Speaker 2: now they go Olympic level, and these are regular citizens 310 00:15:41,560 --> 00:15:43,840 Speaker 2: who go Olympic level in the gym. So therefore the 311 00:15:43,880 --> 00:15:46,160 Speaker 2: gladiots will have to go even next level above that 312 00:15:46,240 --> 00:15:47,400 Speaker 2: to be outstanding well. 313 00:15:47,440 --> 00:15:49,600 Speaker 5: And then when the contenders come in. The contenders are 314 00:15:49,600 --> 00:15:51,240 Speaker 5: all the sort of people you go to your gym 315 00:15:51,280 --> 00:15:53,640 Speaker 5: and think, oh, they're pretty fit. Yeah. Yeah, We've got 316 00:15:53,640 --> 00:15:56,080 Speaker 5: a couple of people who are a bit more regular 317 00:15:56,080 --> 00:15:59,160 Speaker 5: people but with big tickers and they do a great Yeah. 318 00:15:59,200 --> 00:16:01,640 Speaker 5: But you know, you go, oh my goodness, they're just 319 00:16:01,960 --> 00:16:03,840 Speaker 5: they'd be outstanding at the gym, and then you stay 320 00:16:03,920 --> 00:16:06,000 Speaker 5: them next to the gladiators and you think, whoa, that 321 00:16:06,160 --> 00:16:09,080 Speaker 5: is just like the whole next level. But the contenders 322 00:16:09,120 --> 00:16:11,320 Speaker 5: are fantastic and we all got behind the contenders. There 323 00:16:11,320 --> 00:16:13,320 Speaker 5: are all the people that were cheering for because Australians 324 00:16:13,360 --> 00:16:16,680 Speaker 5: cheer for the underdog. Yeah, and it was great. So 325 00:16:16,960 --> 00:16:20,280 Speaker 5: but what've we realized very quickly was for these contenders, 326 00:16:20,680 --> 00:16:23,360 Speaker 5: this was their World Cup. So on the one hand, 327 00:16:23,520 --> 00:16:25,920 Speaker 5: you're making this great entertainment product and it's got all 328 00:16:25,920 --> 00:16:28,480 Speaker 5: the bells and whistles and these gladiators and they look fantastic. 329 00:16:28,520 --> 00:16:30,600 Speaker 5: But on the other hand, you've got people who are 330 00:16:30,640 --> 00:16:33,800 Speaker 5: really serious about their training and they want to get 331 00:16:33,800 --> 00:16:35,200 Speaker 5: out and show what they can do. And you know 332 00:16:35,240 --> 00:16:38,200 Speaker 5: that they've got their families and friends there, so they 333 00:16:38,240 --> 00:16:40,640 Speaker 5: were really passionate about it. So we really leaned into that. 334 00:16:40,880 --> 00:16:43,920 Speaker 5: Bo and I both did I guess with our sporting backgrounds, 335 00:16:43,920 --> 00:16:46,440 Speaker 5: and it was really fun to get like to treat 336 00:16:46,480 --> 00:16:49,080 Speaker 5: it like a sports event and running straight after and 337 00:16:49,120 --> 00:16:52,200 Speaker 5: do the interviews and get their reactions straight away rather 338 00:16:52,240 --> 00:16:55,200 Speaker 5: than setting it up so it actually, you know, the 339 00:16:55,240 --> 00:16:57,240 Speaker 5: producers and the people who directing it did their heads 340 00:16:57,280 --> 00:16:59,240 Speaker 5: in because they weren't set up for lighting like no, no, 341 00:16:59,280 --> 00:17:01,400 Speaker 5: we have to get the of the moment and that 342 00:17:01,520 --> 00:17:03,680 Speaker 5: was so much fun. And the great thing is that 343 00:17:04,160 --> 00:17:06,800 Speaker 5: the way it worked was that the two contenders who won, 344 00:17:06,840 --> 00:17:08,920 Speaker 5: the male and the female, they get to be gladiators 345 00:17:08,920 --> 00:17:09,360 Speaker 5: next year. 346 00:17:10,040 --> 00:17:12,800 Speaker 2: So much Yeah. 347 00:17:13,680 --> 00:17:15,960 Speaker 4: Yeah, Well I'm going to ask one more question before 348 00:17:15,960 --> 00:17:20,040 Speaker 4: we let you go. Everyone loved the Mike Whitney as 349 00:17:20,080 --> 00:17:25,280 Speaker 4: the gladiat already, guy, can you tell us who's going 350 00:17:25,280 --> 00:17:26,640 Speaker 4: to be the referee this year? 351 00:17:26,720 --> 00:17:28,120 Speaker 3: Or do you have to keep something up your sleeve? 352 00:17:28,160 --> 00:17:28,280 Speaker 2: Oh? 353 00:17:28,280 --> 00:17:33,840 Speaker 5: I'll tell you, guys, because I like you. You're my friends. Okay, 354 00:17:33,960 --> 00:17:37,280 Speaker 5: So cast your mind back to the original Gladiator series 355 00:17:37,280 --> 00:17:40,080 Speaker 5: in the nineties. There was a young rugby league player, 356 00:17:40,080 --> 00:17:46,440 Speaker 5: Mark McGaugh who was Hammer. Do you remember, beautiful yep, 357 00:17:46,720 --> 00:17:49,680 Speaker 5: so our referel I'm looking at him right now. Yeah, 358 00:17:49,920 --> 00:17:55,600 Speaker 5: Mirk McGall enjoy looking ye Hammer. Does he wear the 359 00:17:55,680 --> 00:18:00,280 Speaker 5: NFL referee does and he takes it so seriously you know, 360 00:18:00,359 --> 00:18:03,000 Speaker 5: competitive of course, right, So you know he came in 361 00:18:03,040 --> 00:18:05,560 Speaker 5: and he was wearing all the all the og gladiators 362 00:18:05,600 --> 00:18:08,120 Speaker 5: gear and you're like, oh my god, the merchants great, 363 00:18:08,119 --> 00:18:10,600 Speaker 5: Like I had this bomber jacket and it was just 364 00:18:10,680 --> 00:18:13,560 Speaker 5: phenomenal and he was just it was like he did 365 00:18:13,600 --> 00:18:16,080 Speaker 5: the Gladiator, did Gladiators in the nineties, and then he 366 00:18:16,160 --> 00:18:19,000 Speaker 5: got thirty years later, transported back to his happy place. 367 00:18:19,240 --> 00:18:22,080 Speaker 5: He just walked in, fantastic smile on his face, took 368 00:18:22,119 --> 00:18:24,680 Speaker 5: it very seriously, went away and learned all the NFL 369 00:18:25,080 --> 00:18:27,240 Speaker 5: hand movements. So when you watch him, you'll see the 370 00:18:27,280 --> 00:18:31,320 Speaker 5: hand movements come out. And he's got the booming voice Gladiators. 371 00:18:31,400 --> 00:18:35,280 Speaker 5: Ah you ready, I'm very good. I can't hope for 372 00:18:35,320 --> 00:18:36,000 Speaker 5: you guys to say it. 373 00:18:36,320 --> 00:18:37,920 Speaker 4: No wait, it's going to be on Channel ten twenty 374 00:18:38,000 --> 00:18:39,760 Speaker 4: twenty four. Listen, bo Ryan, thank you. 375 00:18:39,760 --> 00:18:40,840 Speaker 2: So much, coming in. 376 00:18:41,040 --> 00:18:44,320 Speaker 5: Thank you. Do you guys have gladiator names? Yeah? 377 00:18:44,720 --> 00:18:49,040 Speaker 4: Yeah, we we opened up our lines earlier to get 378 00:18:49,080 --> 00:18:50,560 Speaker 4: our listeners gladiator names. 379 00:18:50,720 --> 00:18:52,200 Speaker 3: So this is some of the lists we came up with. 380 00:18:52,240 --> 00:18:52,840 Speaker 2: That came to play. 381 00:18:53,000 --> 00:18:55,960 Speaker 3: Yeah, nah, I. 382 00:18:55,880 --> 00:19:01,320 Speaker 4: Don't think so, The Mighty Hell No, Gassius Maximus and Buckley's. 383 00:19:00,800 --> 00:19:03,119 Speaker 3: Oh I Love Mine was couldn't be asked. 384 00:19:04,359 --> 00:19:07,680 Speaker 2: I wanted to, I wanted I wanted to dono, but 385 00:19:07,760 --> 00:19:10,520 Speaker 2: I ended up with string beaning, long lanky. 386 00:19:10,560 --> 00:19:11,440 Speaker 5: You don't know how. 387 00:19:13,080 --> 00:19:14,199 Speaker 3: So we will be watching. 388 00:19:14,800 --> 00:19:16,639 Speaker 5: Yeah, well yeah. 389 00:19:16,320 --> 00:19:21,960 Speaker 1: Thanks more crazy more Lisa more podcasts soon. 390 00:19:24,400 --> 00:19:24,600 Speaker 6: Now. 391 00:19:24,720 --> 00:19:28,000 Speaker 2: Yesterday my wife and I were both busy at opposites 392 00:19:28,040 --> 00:19:30,320 Speaker 2: the ends of town and said, actually, let's have a 393 00:19:30,359 --> 00:19:33,200 Speaker 2: coffee date. We'll meet in the middle. So we decided 394 00:19:33,200 --> 00:19:36,320 Speaker 2: to have a little coffee twenty nine to thirty degrees yesterday. 395 00:19:36,680 --> 00:19:38,119 Speaker 2: So we ended up at did. 396 00:19:37,960 --> 00:19:39,159 Speaker 3: You pretend you didn't know each other? 397 00:19:39,440 --> 00:19:41,440 Speaker 2: Because one of those kinds of strutted down the stream 398 00:19:42,160 --> 00:19:44,280 Speaker 2: the day hook up, roll up in some. 399 00:19:44,240 --> 00:19:47,639 Speaker 3: City hotel, asking too many questions. 400 00:19:47,680 --> 00:19:49,840 Speaker 2: Well the role playing, well, she thought it looked silly 401 00:19:49,840 --> 00:19:50,400 Speaker 2: in the hard hat. 402 00:19:52,440 --> 00:19:56,640 Speaker 4: So we met from your village people collection, so cowboy 403 00:19:56,720 --> 00:19:57,520 Speaker 4: next time, she. 404 00:19:57,440 --> 00:20:00,200 Speaker 2: Thought, was a bit walking through West Leadable, So we 405 00:20:00,240 --> 00:20:01,760 Speaker 2: put up at a cafe in West lead All you 406 00:20:01,840 --> 00:20:04,120 Speaker 2: might know, the one piccolo so and we said, let's 407 00:20:04,119 --> 00:20:07,679 Speaker 2: sit outside, right, let's sit outside. So we sat outside 408 00:20:07,720 --> 00:20:10,480 Speaker 2: because it was a beautiful day. I'm not quite thirty one, glorious. Yeah, 409 00:20:10,480 --> 00:20:12,560 Speaker 2: we sat under the tree there. It was very very cool, 410 00:20:12,680 --> 00:20:15,080 Speaker 2: got a coffee and all the rest of it. And 411 00:20:15,119 --> 00:20:18,320 Speaker 2: it wasn't long into the conversation and we were talking 412 00:20:18,359 --> 00:20:20,600 Speaker 2: about all kinds of things, talking about life in general, 413 00:20:20,840 --> 00:20:24,360 Speaker 2: talking about what's in the news, and then this happened 414 00:20:28,080 --> 00:20:30,479 Speaker 2: a couple of cars. That's okay. We sat outside. You're 415 00:20:30,480 --> 00:20:31,200 Speaker 2: gonna hear cars. 416 00:20:33,880 --> 00:20:36,480 Speaker 3: There's still be sitting at the table doing a podcast. 417 00:20:36,560 --> 00:20:39,960 Speaker 2: I mean, he's right there. Bloody crow would not go away, 418 00:20:40,200 --> 00:20:44,440 Speaker 2: so I won't records. I had to record. It was content, 419 00:20:44,520 --> 00:20:46,919 Speaker 2: and then I started talking about Matilda's He knew what 420 00:20:47,000 --> 00:20:47,480 Speaker 2: was going on. 421 00:20:48,040 --> 00:20:50,560 Speaker 3: You're not far from Lake Munga there there's a lot 422 00:20:50,600 --> 00:20:51,280 Speaker 3: of bird life. 423 00:20:51,400 --> 00:20:53,159 Speaker 2: Yeah, and then he flew off into the distance. Then 424 00:20:53,160 --> 00:20:55,480 Speaker 2: I started talking about interest rates. How to say again, 425 00:20:56,920 --> 00:20:59,360 Speaker 2: it's like, dude, I talked about the new Beatles song 426 00:20:59,400 --> 00:21:01,200 Speaker 2: coming out on him, said Friday, it's coming out tomorrow. 427 00:21:03,000 --> 00:21:05,520 Speaker 2: I'm going You're not a blackbird? Where you are no blackbird? 428 00:21:05,560 --> 00:21:06,280 Speaker 3: But yeah, it's all right. 429 00:21:06,359 --> 00:21:08,680 Speaker 2: He's a blackbird because he's a crow. This guy would 430 00:21:08,680 --> 00:21:09,359 Speaker 2: not go away. 431 00:21:09,920 --> 00:21:12,720 Speaker 3: My birds they the loudest in the world. I reckon. 432 00:21:12,720 --> 00:21:15,160 Speaker 3: They are certainly the most sarcastic. 433 00:21:15,440 --> 00:21:18,600 Speaker 2: Yeah, and at least a crocker bar might laugh at 434 00:21:18,640 --> 00:21:21,120 Speaker 2: something you say. This guy was just angry. He sounds angry. 435 00:21:21,440 --> 00:21:23,760 Speaker 2: So I think the date was cut short just a 436 00:21:23,760 --> 00:21:25,760 Speaker 2: little bit. But I pretty much used a cappuccino, so 437 00:21:25,760 --> 00:21:28,959 Speaker 2: it was all good and about the sleazy hotel here. 438 00:21:29,000 --> 00:21:33,199 Speaker 2: Maybe in next week instill what's the next coffee date? 439 00:21:33,400 --> 00:21:35,720 Speaker 2: That might be a pizza date or something roll play, 440 00:21:35,840 --> 00:21:40,680 Speaker 2: it might be a little bit hotter clear, there's sure 441 00:21:40,760 --> 00:21:45,000 Speaker 2: report on ninety six a FM. 442 00:21:45,119 --> 00:21:47,640 Speaker 4: Well, the Rolling Stones have become the first musos ever 443 00:21:47,840 --> 00:21:50,320 Speaker 4: to have top ten albums in the US in every 444 00:21:50,359 --> 00:21:52,639 Speaker 4: decade since the nineteen sixties. 445 00:21:53,440 --> 00:21:55,879 Speaker 3: It's quite the achievement, you know, it really is. 446 00:21:56,160 --> 00:21:58,679 Speaker 4: Their new album, Hackney Diamonds, entered the US charts at 447 00:21:58,720 --> 00:22:01,399 Speaker 4: number three this week, standing the Stones record as the 448 00:22:01,480 --> 00:22:03,360 Speaker 4: artist with the most top ten albums of all time 449 00:22:03,440 --> 00:22:06,440 Speaker 4: thirty eight in total. Hackney Diamonds is number one on 450 00:22:06,480 --> 00:22:10,119 Speaker 4: the charts here and also in the UK. Robbie Williams 451 00:22:10,160 --> 00:22:12,879 Speaker 4: has confessed his antics at the height of his career 452 00:22:13,160 --> 00:22:15,560 Speaker 4: has left him at or have left him at an 453 00:22:15,600 --> 00:22:18,840 Speaker 4: all time low, as he says he thinks he's going 454 00:22:18,920 --> 00:22:20,640 Speaker 4: through the manopause. 455 00:22:21,320 --> 00:22:24,400 Speaker 3: Yeah, mate, when you really know menopause will talk. 456 00:22:24,720 --> 00:22:28,080 Speaker 4: Speaking ahead of his fiftieth birthday, Robbie says partying in 457 00:22:28,119 --> 00:22:31,280 Speaker 4: the nineties and early noughties has left him knaked. He 458 00:22:31,359 --> 00:22:33,840 Speaker 4: says the hair is thinning the testoster and has left 459 00:22:33,840 --> 00:22:37,199 Speaker 4: the building. The serotonin is not really here, and the 460 00:22:37,240 --> 00:22:41,240 Speaker 4: dopamine said goodbye a long time ago. Robbie, that's been 461 00:22:41,359 --> 00:22:45,440 Speaker 4: fifty That's got nothing to do with how hard you partied. 462 00:22:45,720 --> 00:22:47,920 Speaker 3: That's you know, it. 463 00:22:47,880 --> 00:22:49,639 Speaker 2: Has excuses all of us. 464 00:22:49,680 --> 00:22:52,280 Speaker 4: For Heaven's sake, I went through the manopause, but the 465 00:22:52,280 --> 00:22:55,600 Speaker 4: menopause early. I basically have the libido of an eighty 466 00:22:55,640 --> 00:22:56,359 Speaker 4: five year old woman. 467 00:22:56,920 --> 00:22:59,200 Speaker 3: So, you know, welcome to the club bait. 468 00:23:00,119 --> 00:23:03,919 Speaker 4: Mariah Carry has been officially defrosted for Christmas. 469 00:23:04,240 --> 00:23:05,760 Speaker 3: This has become a thing, evidently. 470 00:23:05,920 --> 00:23:09,479 Speaker 4: November one marks the now annual tradition for Mariah, who 471 00:23:09,560 --> 00:23:12,159 Speaker 4: takes on the role of Mary Maven as soon as 472 00:23:12,200 --> 00:23:13,400 Speaker 4: the clock strikes midnight. 473 00:23:13,480 --> 00:23:14,560 Speaker 3: On the day after Halloween. 474 00:23:14,800 --> 00:23:17,919 Speaker 4: She posted a video of herself being thought out before 475 00:23:17,960 --> 00:23:32,439 Speaker 4: she starts singing about how it's time, good Lord. 476 00:23:33,480 --> 00:23:33,720 Speaker 3: Now. 477 00:23:33,760 --> 00:23:38,399 Speaker 4: She's like the Puck's attorney Phil Yeah, Christmas. She decides 478 00:23:38,480 --> 00:23:40,840 Speaker 4: when it starts. 479 00:23:40,960 --> 00:23:43,280 Speaker 3: Well she and smiley, Oh yeah it smile. 480 00:23:44,119 --> 00:23:45,600 Speaker 2: He just walked in right on. 481 00:23:45,840 --> 00:23:49,480 Speaker 4: Narlie decides when Christmas season starts, and he will let 482 00:23:49,560 --> 00:23:51,280 Speaker 4: us know Christmas song for today. 483 00:23:51,560 --> 00:23:53,159 Speaker 2: Why wouldn't you fifty three days out. 484 00:23:53,040 --> 00:23:57,160 Speaker 1: Or whatever it is More, Clezy More, Lisa More podcasts. 485 00:23:57,280 --> 00:24:04,080 Speaker 1: Soon Read the Flick with Ben Osh on ninety six 486 00:24:04,119 --> 00:24:05,760 Speaker 1: a FM. 487 00:24:05,800 --> 00:24:07,800 Speaker 2: Hello, good morning guys. 488 00:24:08,800 --> 00:24:12,639 Speaker 3: You've watched something with the lovely. 489 00:24:14,600 --> 00:24:15,360 Speaker 2: Paul Mescal. 490 00:24:15,760 --> 00:24:18,880 Speaker 7: Yeah, Paul Mescal, who is just he's so ridiculously hot 491 00:24:18,960 --> 00:24:22,160 Speaker 7: right now it seems like he is any movie since 492 00:24:22,200 --> 00:24:25,440 Speaker 7: normal people people are obsessed with him. He was in 493 00:24:25,600 --> 00:24:28,000 Speaker 7: a movie that was shot in Australia that came out 494 00:24:28,040 --> 00:24:31,440 Speaker 7: a couple of months ago called Carmen. This film, Foe 495 00:24:31,880 --> 00:24:34,639 Speaker 7: starring Paul Mescal, was also shot in Australia. He was 496 00:24:34,640 --> 00:24:38,080 Speaker 7: actually he's actually just finished shooting Carmen and was still 497 00:24:38,119 --> 00:24:41,840 Speaker 7: in the country and the Australian director, Garth Davis thought. 498 00:24:41,600 --> 00:24:43,120 Speaker 2: You know what, I wonder if I could get Paul Meskal. 499 00:24:43,160 --> 00:24:44,040 Speaker 2: I want to reach out. 500 00:24:44,320 --> 00:24:47,120 Speaker 7: And so they caught up for a coffee in Sydney 501 00:24:47,160 --> 00:24:48,680 Speaker 7: just before he left the country and he put a 502 00:24:48,680 --> 00:24:50,320 Speaker 7: script in front of him and he said, yeah, you 503 00:24:50,359 --> 00:24:52,119 Speaker 7: know what, while I while I'm in Australia, I might 504 00:24:52,119 --> 00:24:55,040 Speaker 7: as well make another movie. And that's basically how this 505 00:24:55,080 --> 00:24:55,560 Speaker 7: came about. 506 00:24:56,080 --> 00:25:00,400 Speaker 3: Well you're down there, downy. 507 00:24:59,720 --> 00:25:02,760 Speaker 7: And so and it also stars the amazing Sasha Ronan 508 00:25:03,200 --> 00:25:06,400 Speaker 7: the Irish actor, both Irish actors, and she's been nominated 509 00:25:06,400 --> 00:25:09,359 Speaker 7: for four or five Academy Awards over her career, from 510 00:25:09,640 --> 00:25:17,000 Speaker 7: Brooklyn to Hannah to Little Women. She just really yeah, 511 00:25:17,040 --> 00:25:20,560 Speaker 7: Lady bird Well, of course, is just a fantastic resume 512 00:25:20,640 --> 00:25:24,120 Speaker 7: for such a young actor. And this film is about 513 00:25:24,160 --> 00:25:27,800 Speaker 7: a very topical thing right now. It's about artificial intelligence, 514 00:25:28,119 --> 00:25:33,240 Speaker 7: which is just interesting timing. Colin's Dictionary just announced the 515 00:25:33,280 --> 00:25:35,480 Speaker 7: word of the year. I curious to get your take, 516 00:25:35,560 --> 00:25:36,320 Speaker 7: Lace Ai. 517 00:25:37,359 --> 00:25:39,240 Speaker 4: Well, you and I are just discussing what's happened to 518 00:25:39,280 --> 00:25:41,480 Speaker 4: dictionaries where they don't know what a word is because. 519 00:25:41,280 --> 00:25:42,280 Speaker 3: That's an abbreviation. 520 00:25:43,160 --> 00:25:46,600 Speaker 4: It's abbreviation for artificial intelligence exactly. 521 00:25:46,640 --> 00:25:49,479 Speaker 7: So Colin's Dictionary doesn't know what a word is in 522 00:25:49,520 --> 00:25:51,800 Speaker 7: this film. In this film, it takes a sort of 523 00:25:51,840 --> 00:25:54,199 Speaker 7: a dystopian view of the world. It's set, you know, 524 00:25:54,400 --> 00:25:56,359 Speaker 7: I think it's in the year twenty sixty five something 525 00:25:56,400 --> 00:25:58,240 Speaker 7: like that. The world has kind of gone to hell 526 00:25:58,280 --> 00:26:01,879 Speaker 7: in a handbasket. Humanity's sort of last hope is maybe 527 00:26:01,960 --> 00:26:05,440 Speaker 7: going up into space to this space station. And it's 528 00:26:05,480 --> 00:26:07,480 Speaker 7: based on it based on a book called Foe by 529 00:26:07,640 --> 00:26:10,680 Speaker 7: Ian Reid. And anyway, and so there's a kind of 530 00:26:10,680 --> 00:26:14,679 Speaker 7: a conscription system in operations, so they need humans to 531 00:26:14,720 --> 00:26:16,800 Speaker 7: go up to road test to be the guinea pigs 532 00:26:16,800 --> 00:26:19,200 Speaker 7: of this space station. And you don't have much of 533 00:26:19,240 --> 00:26:22,080 Speaker 7: a choice. You get chosen, you for a couple of years. 534 00:26:22,160 --> 00:26:25,000 Speaker 7: If you don't like it, you land in jail. And 535 00:26:25,080 --> 00:26:28,320 Speaker 7: so one day this couple who live in sort of 536 00:26:28,880 --> 00:26:33,000 Speaker 7: remote Midwest of America, Paul Mescal and Sasharon and just 537 00:26:33,040 --> 00:26:35,560 Speaker 7: living this kind of quiet life off the grid. Along 538 00:26:35,560 --> 00:26:37,960 Speaker 7: comes a stranger and says, guess what, Paul Mescal, You've 539 00:26:37,960 --> 00:26:41,000 Speaker 7: been chosen. You're going up to space. Numbers of your numbers, 540 00:26:41,080 --> 00:26:44,240 Speaker 7: numbers been called. But don't worry. It's not all doom 541 00:26:44,280 --> 00:26:46,000 Speaker 7: and gloom. You know, you've got a couple of years 542 00:26:46,000 --> 00:26:48,120 Speaker 7: to kind of get your stuff in order, and then 543 00:26:48,160 --> 00:26:49,119 Speaker 7: we'll be shooting you off. 544 00:26:48,960 --> 00:26:50,440 Speaker 2: Into space and you don't come back. 545 00:26:50,600 --> 00:26:51,640 Speaker 7: You maybe come back in a. 546 00:26:51,560 --> 00:26:53,200 Speaker 3: Couple of years. 547 00:26:55,160 --> 00:26:57,000 Speaker 7: But you don't have to worry about you don't have 548 00:26:57,040 --> 00:27:00,440 Speaker 7: to worry about your missus, because we've got a humanplicant 549 00:27:00,480 --> 00:27:06,520 Speaker 7: and AI who's exactly the same as you, likes, who's 550 00:27:06,520 --> 00:27:08,280 Speaker 7: going to He's going to come in and help her 551 00:27:08,480 --> 00:27:11,359 Speaker 7: look after the house, make sure she's okay, she doesn't 552 00:27:11,359 --> 00:27:15,159 Speaker 7: get too lightly. And so then this this stranger played 553 00:27:15,160 --> 00:27:18,600 Speaker 7: by Aaron Pierre, spend some time with the couple, sort 554 00:27:18,640 --> 00:27:21,560 Speaker 7: of interviewing them, getting to know them, and sort of 555 00:27:21,600 --> 00:27:24,520 Speaker 7: putting them through some psychological tests, all in the name 556 00:27:24,720 --> 00:27:29,159 Speaker 7: of programming this AI. Yes, so it can do a 557 00:27:29,200 --> 00:27:32,679 Speaker 7: better job of replicating Paul Mescal and so in the 558 00:27:32,720 --> 00:27:36,920 Speaker 7: process accurately, that's right. So in the process of this, 559 00:27:36,920 --> 00:27:40,439 Speaker 7: this these interviews in psychological examination, some cracks in the 560 00:27:40,480 --> 00:27:45,080 Speaker 7: relationships start to appear, and and it almost becomes a 561 00:27:45,080 --> 00:27:48,800 Speaker 7: bit tougher esque, you know. So you're talking about sort 562 00:27:48,800 --> 00:27:51,720 Speaker 7: of strangers appearing out of nowhere, and sort of Paul 563 00:27:51,760 --> 00:27:53,800 Speaker 7: Mescal's character starts to think in as a bit of 564 00:27:53,840 --> 00:27:56,719 Speaker 7: a conspiracy going on, and maybe this stranger is actually 565 00:27:56,880 --> 00:27:58,879 Speaker 7: trying to make moves on his misses. So there's a 566 00:27:58,880 --> 00:28:01,320 Speaker 7: lot of there's a lot of stuff going on, and 567 00:28:01,359 --> 00:28:03,520 Speaker 7: then it kind of culminates with a couple of big 568 00:28:03,560 --> 00:28:06,240 Speaker 7: twists towards the end, which we won't go into. All 569 00:28:06,280 --> 00:28:08,960 Speaker 7: of this probably sounds pretty good, right, it sound. 570 00:28:08,600 --> 00:28:11,360 Speaker 3: So it's appealing to me, Well, I feel about coming. 571 00:28:13,160 --> 00:28:18,760 Speaker 7: Thing butt and so Unfortunately that despite the fact that 572 00:28:18,760 --> 00:28:22,080 Speaker 7: there's some fantastic performances. Paul mescal is actually amazing in 573 00:28:22,080 --> 00:28:24,960 Speaker 7: this film, Like some of the scenes are just incredible 574 00:28:25,000 --> 00:28:27,399 Speaker 7: and social. Renan is always good as she is again, 575 00:28:28,560 --> 00:28:32,520 Speaker 7: but the film just doesn't work. The dialogue. The dialogue 576 00:28:32,560 --> 00:28:35,800 Speaker 7: is terrible, like it is. Maybe it was because of 577 00:28:35,840 --> 00:28:37,880 Speaker 7: the book that it was based on just didn't translate 578 00:28:37,920 --> 00:28:42,040 Speaker 7: to the screen, but it just does not make any sense. 579 00:28:42,080 --> 00:28:44,959 Speaker 7: They don't talk like the way humans talk, and so 580 00:28:45,200 --> 00:28:47,520 Speaker 7: they they're delivering their lines and you're just going, oh, 581 00:28:47,560 --> 00:28:50,320 Speaker 7: come on, like, give me a break, Like I'm more 582 00:28:50,400 --> 00:28:53,160 Speaker 7: likely to believe the space station and the AI and 583 00:28:53,200 --> 00:28:56,000 Speaker 7: the dystopian future than i am to believe a basic 584 00:28:56,040 --> 00:28:58,200 Speaker 7: conversation that you guys are having in your kitchen, because 585 00:28:58,200 --> 00:29:00,280 Speaker 7: that just does not how humans talk, for sure. And 586 00:29:00,320 --> 00:29:03,040 Speaker 7: it's a real shame because it was It was directed 587 00:29:03,120 --> 00:29:06,640 Speaker 7: and co written by Garth Davis, who is the Aussie 588 00:29:06,640 --> 00:29:09,880 Speaker 7: director who gave us the amazing movie line from twenty 589 00:29:09,960 --> 00:29:14,240 Speaker 7: sixteen with Dev Patel Nicole Kimman like such an amazing 590 00:29:14,240 --> 00:29:17,520 Speaker 7: film based on a true story, and so everything lined 591 00:29:17,600 --> 00:29:20,360 Speaker 7: up for this film to be amazing. It looks good, 592 00:29:21,560 --> 00:29:25,480 Speaker 7: but it just unfortunately, you just can never stop thinking 593 00:29:25,640 --> 00:29:29,080 Speaker 7: that everything that comes out of their mouths is completely stupid, 594 00:29:32,760 --> 00:29:36,120 Speaker 7: and so it was really, really quite disappointing. I would 595 00:29:36,160 --> 00:29:37,920 Speaker 7: say this is one of my most disappointing films of 596 00:29:37,960 --> 00:29:40,160 Speaker 7: the year, not because it is the worst film of 597 00:29:40,160 --> 00:29:42,040 Speaker 7: the year, but because I went in with such high 598 00:29:42,080 --> 00:29:45,320 Speaker 7: expectations and it just it just didn't live up to 599 00:29:45,360 --> 00:29:49,600 Speaker 7: those expectations. And in the end, it's probably unnecessarily convoluted, 600 00:29:49,640 --> 00:29:52,280 Speaker 7: and they've taken a great premise and it just goes 601 00:29:52,280 --> 00:29:53,800 Speaker 7: around around in circles and you get to the end 602 00:29:53,840 --> 00:29:56,760 Speaker 7: and you go, Okay, that's the twister. Fine, you know 603 00:29:56,800 --> 00:30:00,120 Speaker 7: what You've sold me the book. That's what I'm taking away. 604 00:30:00,440 --> 00:30:02,440 Speaker 7: Whole discussion is I might just go and read the 605 00:30:02,480 --> 00:30:04,200 Speaker 7: book now. I think it might be one of those 606 00:30:04,320 --> 00:30:08,600 Speaker 7: books that you just can't translation without giving too much away. 607 00:30:08,880 --> 00:30:11,240 Speaker 7: There's a couple of things in the book sort of 608 00:30:11,240 --> 00:30:13,600 Speaker 7: that they do stylistically in terms of like the use 609 00:30:13,640 --> 00:30:17,440 Speaker 7: of quotation marks and punctuation. The actually, by the time 610 00:30:17,480 --> 00:30:19,000 Speaker 7: you get to the end of the book, you go, oh, 611 00:30:19,040 --> 00:30:20,880 Speaker 7: my gosh, that was a clue this whole time that 612 00:30:20,920 --> 00:30:23,280 Speaker 7: I didn't pick up. But how do you get punctuation 613 00:30:23,360 --> 00:30:23,920 Speaker 7: into a movie? 614 00:30:24,000 --> 00:30:25,280 Speaker 2: Yeah, that's weird. You can't do it? 615 00:30:25,600 --> 00:30:28,280 Speaker 7: No, so so I think that worked against them. 616 00:30:29,440 --> 00:30:33,240 Speaker 4: Just a shame, just a real well, how many not 617 00:30:33,320 --> 00:30:35,479 Speaker 4: as good as the episode in Black Mirror with Aaron Pools? 618 00:30:35,800 --> 00:30:38,480 Speaker 3: Are you So that's that's a lot to write. 619 00:30:38,520 --> 00:30:40,960 Speaker 7: I don't know what this this one's this one's only 620 00:30:40,960 --> 00:30:41,680 Speaker 7: worth two stars? 621 00:30:42,000 --> 00:30:45,800 Speaker 2: Oh okay, just disappointed. They a shame. You saw you 622 00:30:45,800 --> 00:30:47,600 Speaker 2: saw all the players involved, and you can see why 623 00:30:47,680 --> 00:30:52,200 Speaker 2: you're just splaining something better. Well, thank you, Ben. Not 624 00:30:52,280 --> 00:30:54,520 Speaker 2: the best. The Angels playing in Bunbury at the Prince 625 00:30:54,560 --> 00:30:57,280 Speaker 2: of Wales tonight, the Port Beach in the Brewery there 626 00:30:57,280 --> 00:30:59,720 Speaker 2: at Frio tomorrow night, and the Charles always a big 627 00:30:59,800 --> 00:31:01,720 Speaker 2: night there in North Perth on Saturday night with a 628 00:31:01,840 --> 00:31:04,160 Speaker 2: new singer who was the drummer Nick Norton out front 629 00:31:04,280 --> 00:31:06,480 Speaker 2: and the bass player Sam Brewster joins us. Sam, good 630 00:31:06,480 --> 00:31:07,600 Speaker 2: morning mate, welcome. 631 00:31:07,320 --> 00:31:09,680 Speaker 6: Good morning, good morning Lisa. 632 00:31:09,800 --> 00:31:13,480 Speaker 4: The Angels are fifty years as a band, I mean, 633 00:31:13,960 --> 00:31:14,640 Speaker 4: a fee. 634 00:31:14,440 --> 00:31:17,800 Speaker 3: A bit older than you. Yeah, I laughed without us. 635 00:31:18,000 --> 00:31:22,240 Speaker 6: No that's right, yeah, pretty much. I mean it's been yeah, 636 00:31:22,520 --> 00:31:26,720 Speaker 6: I mean I've been in now eleven years yeah, yeah, Yeah, 637 00:31:26,960 --> 00:31:30,000 Speaker 6: that's we're still yeah right. 638 00:31:29,920 --> 00:31:31,840 Speaker 2: Sam, We've had plenty of good chats with your old 639 00:31:31,880 --> 00:31:36,000 Speaker 2: man gentlemen John, but they were seemed to be brewsters everywhere. 640 00:31:36,000 --> 00:31:38,000 Speaker 2: But what's it like now having Nick out front of 641 00:31:38,040 --> 00:31:41,360 Speaker 2: the departure of Dave Bleason Nick Norton. 642 00:31:41,520 --> 00:31:44,280 Speaker 6: Yeah, mixed, doing mix, doing a great job. I mean, 643 00:31:44,320 --> 00:31:47,160 Speaker 6: as you know, Nick's been there for twelve years now 644 00:31:47,200 --> 00:31:49,920 Speaker 6: as the drummer, though the Angel was very much a 645 00:31:49,960 --> 00:31:53,040 Speaker 6: part of his life as well. He knows the songs 646 00:31:53,040 --> 00:31:56,360 Speaker 6: inside and out, and so yeah, it was just kind 647 00:31:56,360 --> 00:32:00,120 Speaker 6: of a natural progression when Dave cat the step, so 648 00:32:00,160 --> 00:32:05,600 Speaker 6: I do his commitments Norton going down the front. Who's 649 00:32:06,040 --> 00:32:09,120 Speaker 6: you know, first and foremost actually a great singer and 650 00:32:09,240 --> 00:32:13,000 Speaker 6: songwriter and guitar player. So yeah, he's just slotted right 651 00:32:13,040 --> 00:32:13,920 Speaker 6: in straight off. 652 00:32:13,760 --> 00:32:14,600 Speaker 2: For that, Sam. 653 00:32:14,640 --> 00:32:17,440 Speaker 4: What's it like working with, you know, playing with so 654 00:32:17,520 --> 00:32:19,840 Speaker 4: many family members Rick John Tom? Is there any on 655 00:32:19,920 --> 00:32:22,920 Speaker 4: stage family feuding? I mean, I would imagine it would 656 00:32:22,920 --> 00:32:25,880 Speaker 4: be good because you can be so honest, but also 657 00:32:26,480 --> 00:32:28,000 Speaker 4: bad because you can be so honest. 658 00:32:28,480 --> 00:32:31,520 Speaker 6: Well yeah, I mean I guess, like you know, if 659 00:32:32,160 --> 00:32:35,960 Speaker 6: there definitely are those moments on occasion, but being that 660 00:32:36,000 --> 00:32:39,520 Speaker 6: it's family says, you would be aware, you know, it's 661 00:32:39,960 --> 00:32:42,120 Speaker 6: you know, you might have a blow up, and then 662 00:32:42,200 --> 00:32:44,360 Speaker 6: two minutes later you know you having a laugh. 663 00:32:44,440 --> 00:32:46,160 Speaker 3: So yeah's all good exactly. 664 00:32:46,400 --> 00:32:48,320 Speaker 2: But I remember at gigs, at angels gigs, people to 665 00:32:48,360 --> 00:32:50,760 Speaker 2: try and put you know, like uncle Rick off, because 666 00:32:50,760 --> 00:32:53,200 Speaker 2: he just stood there. He was completely dead planned. He 667 00:32:53,280 --> 00:32:56,360 Speaker 2: was brilliant guitarist, but completely deadpaned. He's lighted up a 668 00:32:56,360 --> 00:32:58,480 Speaker 2: bit in more recent years, hasn't he. Yeah, it's too. 669 00:32:58,400 --> 00:33:00,800 Speaker 6: Much, in my opinion. I always feel they stop moving 670 00:33:00,840 --> 00:33:01,200 Speaker 6: so much. 671 00:33:01,640 --> 00:33:05,000 Speaker 2: Yeah, it was always pretty pretty stationary, pretty straight straight 672 00:33:05,080 --> 00:33:07,000 Speaker 2: lives he was. He was a man who didn't move 673 00:33:07,360 --> 00:33:07,840 Speaker 2: pretty much. 674 00:33:08,280 --> 00:33:10,120 Speaker 6: Yeah. Well, I mean I guess you know, back then 675 00:33:10,160 --> 00:33:13,640 Speaker 6: you had Angus Young who's all over the stage, so 676 00:33:13,720 --> 00:33:16,360 Speaker 6: amazing to watch, and then so yeah, I mean Rick 677 00:33:16,400 --> 00:33:20,000 Speaker 6: did the polar opposite and and it kind of yeah, 678 00:33:20,040 --> 00:33:23,520 Speaker 6: it kind of worked for people here we are talking 679 00:33:23,520 --> 00:33:27,040 Speaker 6: about it now, you know these years later, the. 680 00:33:27,000 --> 00:33:29,320 Speaker 2: Elliot Goblet of rock. He didn't It wasn't much going 681 00:33:29,360 --> 00:33:32,520 Speaker 2: on like that. That just great play rock. 682 00:33:32,640 --> 00:33:33,720 Speaker 3: That's horrible image. 683 00:33:34,920 --> 00:33:38,400 Speaker 4: Did you ever sort of tour, not tour with but 684 00:33:38,480 --> 00:33:40,000 Speaker 4: go on the road pretty period? 685 00:33:40,040 --> 00:33:41,600 Speaker 3: Of time with the band when. 686 00:33:41,440 --> 00:33:45,640 Speaker 4: You were a little kid. No, probably not, because it 687 00:33:45,680 --> 00:33:48,560 Speaker 4: would have been the perception must be. So this is 688 00:33:48,600 --> 00:33:50,880 Speaker 4: actually what it's like. It would be so different from 689 00:33:50,920 --> 00:33:51,560 Speaker 4: being a little kid. 690 00:33:53,040 --> 00:33:58,440 Speaker 6: Yeah, you know, being no I mean, particularly because at 691 00:33:58,600 --> 00:34:02,960 Speaker 6: most of these venues there over yeah of course, yeah, yeah, yeah, 692 00:34:03,000 --> 00:34:08,880 Speaker 6: and I just probably for the best regular yeah, absolutely 693 00:34:08,920 --> 00:34:13,680 Speaker 6: in hindsight. Yeah, it's too crazy out there. I mean 694 00:34:13,719 --> 00:34:17,000 Speaker 6: maybe back in those days, but I mean it's pretty civilized. 695 00:34:17,040 --> 00:34:19,680 Speaker 6: But still yeah, probably not you know, the place for 696 00:34:20,480 --> 00:34:20,879 Speaker 6: a kid. 697 00:34:21,120 --> 00:34:21,480 Speaker 3: Yeah. 698 00:34:21,719 --> 00:34:23,960 Speaker 4: I do have my suspicions about back in those days, Sam, 699 00:34:24,000 --> 00:34:25,360 Speaker 4: I think it might have been a bit crazier. 700 00:34:26,000 --> 00:34:29,880 Speaker 2: Maybe that's funny we're talking to you today, mate. I 701 00:34:29,920 --> 00:34:32,120 Speaker 2: was saying the list earlier that almost famous one of 702 00:34:32,160 --> 00:34:34,560 Speaker 2: the great rock road movies came on telling last night. 703 00:34:35,360 --> 00:34:38,239 Speaker 2: And you must have a few few good stories from 704 00:34:38,239 --> 00:34:40,400 Speaker 2: over the years of traveling in the tour of US 705 00:34:40,520 --> 00:34:42,680 Speaker 2: or is it mostly by what are you driving around 706 00:34:42,680 --> 00:34:44,560 Speaker 2: in these days? Or is it all playing trips. 707 00:34:46,239 --> 00:34:50,280 Speaker 6: It's a bit of both. So we were in Hobart 708 00:34:50,680 --> 00:34:53,440 Speaker 6: on Tuesday. We had a gig there for a corporate 709 00:34:54,920 --> 00:34:58,960 Speaker 6: and then yeah, pers through Melbourne and then we pick 710 00:34:59,040 --> 00:35:03,759 Speaker 6: up a higher car from the airport. It's usually a 711 00:35:03,760 --> 00:35:08,279 Speaker 6: a Starry or a or a a carnival. 712 00:35:08,520 --> 00:35:12,800 Speaker 3: Oh yeah, yeah yeah. 713 00:35:12,840 --> 00:35:15,360 Speaker 4: Well in your in your not touring time, you're a 714 00:35:15,480 --> 00:35:19,200 Speaker 4: music teacher. You've got a couple of music degrees. Do 715 00:35:19,320 --> 00:35:23,279 Speaker 4: you see exciting things coming ahead? You know, with the 716 00:35:23,280 --> 00:35:27,440 Speaker 4: next generation? Should we be excited? It's a good stuff coming. 717 00:35:28,320 --> 00:35:29,440 Speaker 6: The next generation of. 718 00:35:31,160 --> 00:35:32,440 Speaker 3: Teaching that you're teaching. 719 00:35:33,600 --> 00:35:34,640 Speaker 6: I'm actually not teaching. 720 00:35:34,880 --> 00:35:35,680 Speaker 3: Are you not teaching? 721 00:35:35,840 --> 00:35:37,880 Speaker 2: Okay, no, not at the moment. 722 00:35:38,840 --> 00:35:41,960 Speaker 6: You know, the like, we've got so many shows that 723 00:35:42,480 --> 00:35:44,600 Speaker 6: I've got, I've got a toddler. 724 00:35:44,280 --> 00:35:50,880 Speaker 4: And you are forgiven exactly, yeah, yeah, exactly. 725 00:35:51,200 --> 00:35:54,440 Speaker 6: The teaching might revisit it at some point, but at 726 00:35:54,480 --> 00:35:57,160 Speaker 6: the moment, it's no, we just we roll on. 727 00:35:57,440 --> 00:35:59,840 Speaker 2: Yeah, and being part of the all important rhythm section 728 00:36:00,080 --> 00:36:02,840 Speaker 2: is on drums with Nick out front. Now that's my 729 00:36:02,920 --> 00:36:05,560 Speaker 2: brother Tom terrific. Yeah, good family. 730 00:36:05,840 --> 00:36:08,279 Speaker 6: But two sets of two sets of Brewster brothers in 731 00:36:08,360 --> 00:36:12,760 Speaker 6: the Angels now fantastic than an honorary Brewster out front. 732 00:36:12,920 --> 00:36:14,920 Speaker 2: Yeah yeah, yes, basically he's a Brewster. 733 00:36:15,440 --> 00:36:20,040 Speaker 4: Basically, have a great few shows kicking off tonight in Bumbery. 734 00:36:20,080 --> 00:36:23,560 Speaker 6: Thanks so much, Thanks guy, Thanks Sam Clazie and Lisa