1 00:00:00,120 --> 00:00:04,440 Speaker 1: M la la la la la la me me me 2 00:00:04,440 --> 00:00:06,040 Speaker 1: me me me la. 3 00:00:06,000 --> 00:00:06,680 Speaker 2: La la la. 4 00:00:09,039 --> 00:00:16,799 Speaker 3: Okay, way, does that sound really like tinglingly? 5 00:00:19,800 --> 00:00:22,440 Speaker 4: Okay, sorry, sorry, continue. 6 00:00:24,840 --> 00:00:30,240 Speaker 1: You it does sound wrong. It's okay. We're on a 7 00:00:30,360 --> 00:00:38,839 Speaker 1: right live let's go, let's get it together and m. 8 00:00:49,720 --> 00:01:02,520 Speaker 5: Mom always always be careful. Those'll use your hand, they 9 00:01:02,560 --> 00:01:06,119 Speaker 5: will tear you lack a paper. 10 00:01:05,880 --> 00:01:08,280 Speaker 1: Talk Oh no no. 11 00:01:09,640 --> 00:01:13,000 Speaker 5: Yeah yeah yeah yeah, oh no no no. 12 00:01:18,720 --> 00:01:22,880 Speaker 1: Then the knowledge you dallan annyway, it's a lot of 13 00:01:23,080 --> 00:01:26,559 Speaker 1: thoughts that I'll bring you down. 14 00:01:28,319 --> 00:01:32,559 Speaker 5: Chant to get your tipsy like a drink love drunk girl. 15 00:01:34,120 --> 00:01:38,960 Speaker 6: Oh lord, Hi, I'm Amanda and I'm Rumby. 16 00:01:40,240 --> 00:01:43,399 Speaker 4: Welcome to it's lad. 17 00:01:44,440 --> 00:01:48,440 Speaker 1: We're in a long distance friendship that started nearly twenty 18 00:01:48,560 --> 00:01:50,640 Speaker 1: years ago when we were in high school. 19 00:01:52,040 --> 00:01:56,120 Speaker 2: We'll be talking about all things like love, family, anything 20 00:01:56,160 --> 00:01:57,840 Speaker 2: and everything under the sun. 21 00:01:58,600 --> 00:02:05,200 Speaker 1: Down deeper with us because in life, you know, layers. 22 00:02:05,480 --> 00:02:10,280 Speaker 1: Uh huh, all right, my leg, Yes, how are you? 23 00:02:10,360 --> 00:02:12,160 Speaker 4: And since we last spoke. 24 00:02:12,639 --> 00:02:18,400 Speaker 1: As I said, my roybos caramulte and then it's Caramel robots. 25 00:02:19,000 --> 00:02:20,919 Speaker 4: Shout out to Roos robots. 26 00:02:20,960 --> 00:02:23,480 Speaker 1: You know if you African, you know with the O 27 00:02:23,639 --> 00:02:25,760 Speaker 1: G actually South Africa is the og, but you know 28 00:02:26,880 --> 00:02:30,600 Speaker 1: we claim, we claim, we claim it too. As I said, 29 00:02:30,639 --> 00:02:34,120 Speaker 1: my tear and little bore just you know, appreciating some 30 00:02:34,400 --> 00:02:36,280 Speaker 1: continued sunshine. You know. 31 00:02:38,000 --> 00:02:43,120 Speaker 4: Yeah, I'm good. I'm really good. 32 00:02:43,200 --> 00:02:46,560 Speaker 2: I was just chilling listening to some music today and 33 00:02:46,560 --> 00:02:47,600 Speaker 2: this made me think. 34 00:02:47,560 --> 00:02:49,120 Speaker 4: Why do we even love music? 35 00:02:49,680 --> 00:02:53,560 Speaker 1: Girl? I was listening to DJ Boat earlier. 36 00:02:56,360 --> 00:02:57,160 Speaker 4: On YouTube. 37 00:02:57,840 --> 00:03:03,560 Speaker 1: Yest yeah, and why we love these? Girl? I don't. 38 00:03:04,080 --> 00:03:07,880 Speaker 1: I don't even know where to begin. I think music 39 00:03:08,000 --> 00:03:11,919 Speaker 1: is just such an integral part of life. It gives joy, 40 00:03:12,040 --> 00:03:15,200 Speaker 1: It changes mood, like if you're feeling down and you 41 00:03:15,280 --> 00:03:18,160 Speaker 1: need to pick me up. I know, like what I 42 00:03:18,200 --> 00:03:21,000 Speaker 1: need to listen to if I want to autist I'm 43 00:03:21,080 --> 00:03:26,400 Speaker 1: feeling I know, like the list is endless. It brings joy, 44 00:03:26,560 --> 00:03:30,200 Speaker 1: it brings people together, It makes you dart, it makes 45 00:03:30,240 --> 00:03:34,000 Speaker 1: you cry and cool. I don't know, man, and. 46 00:03:33,880 --> 00:03:36,080 Speaker 4: You what do you? What do you love about music? 47 00:03:36,480 --> 00:03:40,240 Speaker 2: I'm exactly like you like co Sign one hundred because 48 00:03:40,320 --> 00:03:42,800 Speaker 2: like sometimes you listen to some lyrics you're like, that 49 00:03:43,040 --> 00:03:43,320 Speaker 2: is me? 50 00:03:43,920 --> 00:03:45,040 Speaker 4: How did this person know? 51 00:03:45,320 --> 00:03:49,160 Speaker 2: Like it speaks to your soul and sometimes some music 52 00:03:49,200 --> 00:03:51,880 Speaker 2: because you're so silly, it makes you happy and dance 53 00:03:52,000 --> 00:03:55,200 Speaker 2: and sometimes of phase, you know these days, all these 54 00:03:55,280 --> 00:03:58,600 Speaker 2: viral trends and then it ends, comes and goes. But 55 00:03:58,680 --> 00:04:03,880 Speaker 2: like it's always a sonociated with memories good or bad. Yes, 56 00:04:03,920 --> 00:04:07,200 Speaker 2: it's just so it evokes so much. 57 00:04:07,280 --> 00:04:12,280 Speaker 1: So much, so many emotions and like I honestly, like 58 00:04:12,320 --> 00:04:15,000 Speaker 1: you know, some people, like as an icebreaker, they can 59 00:04:15,080 --> 00:04:17,760 Speaker 1: ask you, if you were to lose one of your senses, 60 00:04:18,000 --> 00:04:20,159 Speaker 1: which one would you want to lose? And I know 61 00:04:20,279 --> 00:04:24,360 Speaker 1: definitely listening would not be it, because music just holds 62 00:04:24,400 --> 00:04:30,320 Speaker 1: so much in my life, you know, so yeah, yeah, wow, wow, 63 00:04:30,560 --> 00:04:31,039 Speaker 1: mm hmm. 64 00:04:31,800 --> 00:04:32,760 Speaker 4: Are you with music? 65 00:04:32,839 --> 00:04:35,520 Speaker 2: Riom me tell people about your music journey. 66 00:04:38,279 --> 00:04:43,440 Speaker 1: So my first memory of music really is when I 67 00:04:43,560 --> 00:04:46,440 Speaker 1: was maybe three or four years old. We lived in 68 00:04:46,520 --> 00:04:50,760 Speaker 1: Greendale and my dad would put on music and we 69 00:04:50,800 --> 00:04:53,400 Speaker 1: would dance. And when I was young, I was like random, 70 00:04:53,400 --> 00:04:56,000 Speaker 1: I was weird ice dance looking up and my dad 71 00:04:56,040 --> 00:04:58,520 Speaker 1: would do the same with me, like in like even 72 00:04:58,560 --> 00:05:01,120 Speaker 1: though I was so silly and look so crazy, but 73 00:05:01,160 --> 00:05:04,960 Speaker 1: like the living room with my dad like that. So 74 00:05:05,720 --> 00:05:06,960 Speaker 1: that's as young as I can. 75 00:05:06,880 --> 00:05:08,480 Speaker 4: Remember music being a part of it. 76 00:05:08,560 --> 00:05:11,920 Speaker 1: And then you know, obviously family gatherings and like when 77 00:05:11,960 --> 00:05:14,800 Speaker 1: you'd have family friends over. My parents would play like 78 00:05:14,920 --> 00:05:19,080 Speaker 1: Toku or if Simon Chimbtu or and then there was 79 00:05:19,600 --> 00:05:25,960 Speaker 1: the Bob Malli's There's kPa Semonia and you know Lucky Dube. 80 00:05:26,080 --> 00:05:27,800 Speaker 1: And my dad used to lie. He'd be like, oh, 81 00:05:27,839 --> 00:05:31,720 Speaker 1: that's your cousin, and I'm like sure all that kind of. 82 00:05:32,440 --> 00:05:37,160 Speaker 4: I ain't like that's a common so yeah. 83 00:05:37,320 --> 00:05:40,039 Speaker 1: But yeah, So my journey really started that young, and 84 00:05:40,600 --> 00:05:43,000 Speaker 1: I think I fell in love with music. I used 85 00:05:43,040 --> 00:05:48,279 Speaker 1: to perform, like from primary school and plays in grade five. 86 00:05:49,400 --> 00:05:53,320 Speaker 1: My friend and I my friend SHANGI, we helped people 87 00:05:53,320 --> 00:05:58,800 Speaker 1: put together dances for our variety show, you know, and 88 00:05:58,839 --> 00:06:02,680 Speaker 1: then high school you know, you know, we were in 89 00:06:02,800 --> 00:06:07,080 Speaker 1: quiet together and I was inquired for like six years. 90 00:06:07,200 --> 00:06:08,120 Speaker 4: With Miss Sterling. 91 00:06:09,120 --> 00:06:11,000 Speaker 1: Shout out, shout out to Miss Sterling. 92 00:06:11,360 --> 00:06:15,800 Speaker 2: I stepped for days. 93 00:06:15,160 --> 00:06:18,800 Speaker 1: Yeah, it was so exciting, it was like highlight. So 94 00:06:19,160 --> 00:06:21,880 Speaker 1: their music has been an integral part of my life. 95 00:06:21,960 --> 00:06:23,960 Speaker 1: I loved music so much. I thought I would be 96 00:06:23,960 --> 00:06:26,000 Speaker 1: a singer at some point in my life. I was 97 00:06:26,040 --> 00:06:29,320 Speaker 1: like convinced, and my parents were like yeah, right, But 98 00:06:29,360 --> 00:06:32,919 Speaker 1: they did allow me to record a song, and you 99 00:06:33,000 --> 00:06:34,560 Speaker 1: were I think we performed it. 100 00:06:34,600 --> 00:06:37,840 Speaker 4: Or we were performing to perform. 101 00:06:37,480 --> 00:06:42,080 Speaker 1: At interact show then they cut us. But it's okay. 102 00:06:42,160 --> 00:06:43,760 Speaker 1: We ain't good at we keep it moving. 103 00:06:45,400 --> 00:06:51,360 Speaker 2: And also biased by the way, yeah they love Yeah, you're. 104 00:06:51,200 --> 00:06:52,760 Speaker 1: A good friend. Ye I'm not as a good friend. 105 00:06:52,800 --> 00:06:54,719 Speaker 1: She had my bag even though we might not have 106 00:06:54,800 --> 00:06:55,200 Speaker 1: been great. 107 00:06:55,279 --> 00:06:57,120 Speaker 4: She's just like they were. We were great. 108 00:07:00,640 --> 00:07:02,719 Speaker 1: But yeah, that's like history of music. I was in 109 00:07:02,800 --> 00:07:07,240 Speaker 1: choir through my university career as well, and so yeah, 110 00:07:07,400 --> 00:07:11,600 Speaker 1: music is like part of me and what about you, 111 00:07:11,680 --> 00:07:13,400 Speaker 1: Like I'm the. 112 00:07:13,520 --> 00:07:16,800 Speaker 2: Same not I wasn't. I wasn't thinking I'm going to 113 00:07:16,880 --> 00:07:20,360 Speaker 2: be a singer, so maybe not on that end, but 114 00:07:20,440 --> 00:07:23,239 Speaker 2: I used to sing good enough, so that was good. 115 00:07:24,520 --> 00:07:28,160 Speaker 2: Yeah all throughout, Like obviously, church to such a big thing, 116 00:07:28,640 --> 00:07:34,040 Speaker 2: bumbling upbringing, so praise and worship, team, church, choir, you 117 00:07:34,080 --> 00:07:38,720 Speaker 2: know that stuff in school and then apart from that, 118 00:07:38,840 --> 00:07:43,840 Speaker 2: music just was like a chance to escape, right MTV 119 00:07:44,120 --> 00:07:50,240 Speaker 2: VMA see all the fact music brought everything under one roof. 120 00:07:50,440 --> 00:07:56,240 Speaker 7: Yeah, especially when you're like collecting magazines and learning like 121 00:07:56,320 --> 00:07:58,280 Speaker 7: the way it was when we were growing up, it 122 00:07:58,360 --> 00:08:02,440 Speaker 7: wasn't accessible, right, so music just. 123 00:08:02,400 --> 00:08:06,800 Speaker 2: Felt like, well you learned through about other cultures through music. 124 00:08:06,920 --> 00:08:08,800 Speaker 4: Yes, you know, like hip. 125 00:08:08,600 --> 00:08:11,320 Speaker 2: Hop opened me up to America and like, oh my gosh, 126 00:08:11,400 --> 00:08:15,280 Speaker 2: all of that, even afro beats before became afrobeats with 127 00:08:17,000 --> 00:08:19,840 Speaker 2: and like you know, all about Western Africa. That's how 128 00:08:19,880 --> 00:08:24,280 Speaker 2: it felt. You wanted to know something about somewhere else. 129 00:08:24,320 --> 00:08:29,320 Speaker 2: Without Wikipedia, you could just learn from music. Absolutely always 130 00:08:29,400 --> 00:08:34,120 Speaker 2: been parties and zim yes, school dances. 131 00:08:34,120 --> 00:08:37,360 Speaker 4: Oh my gosh, the session of black music. 132 00:08:37,600 --> 00:08:44,800 Speaker 2: Yeah yeah, yeah, yeah for listening. That's how segregated things 133 00:08:44,840 --> 00:08:51,240 Speaker 2: can be, certain portions of which music is being ye 134 00:08:51,400 --> 00:08:53,840 Speaker 2: and then the dance floor would disappear. 135 00:08:54,559 --> 00:08:57,240 Speaker 1: It would be it would change according. 136 00:08:56,880 --> 00:09:01,640 Speaker 2: To but generally music has always played a huge part. 137 00:09:01,720 --> 00:09:03,160 Speaker 4: When I came to Australia. 138 00:09:03,440 --> 00:09:06,120 Speaker 2: Of course, now I had the chance to see some 139 00:09:06,160 --> 00:09:08,920 Speaker 2: of these artists live, which I didn't really. 140 00:09:08,720 --> 00:09:09,520 Speaker 4: Get growing up. 141 00:09:09,960 --> 00:09:13,679 Speaker 2: So I just added another facet to music and loving. 142 00:09:13,720 --> 00:09:16,960 Speaker 2: And then also the rise of afro beats. Yes, it's 143 00:09:17,000 --> 00:09:19,600 Speaker 2: like now we are here, Now we have. 144 00:09:19,559 --> 00:09:27,439 Speaker 1: A ride, not holding us back, nobody break. 145 00:09:30,240 --> 00:09:33,080 Speaker 2: Like sometimes I just think, you know, and so many 146 00:09:33,120 --> 00:09:35,679 Speaker 2: good memories with music, as you said, making all the 147 00:09:35,760 --> 00:09:39,360 Speaker 2: school dances and performing for your parents. 148 00:09:40,040 --> 00:09:41,000 Speaker 4: You know, I just felt like. 149 00:09:41,400 --> 00:09:45,520 Speaker 2: Music was his time to have creative freedom. Yeah, that's 150 00:09:45,559 --> 00:09:47,920 Speaker 2: probably the only aspect. Like I think if I said 151 00:09:47,960 --> 00:09:50,560 Speaker 2: I want to be an actor, parents and all them. 152 00:09:50,440 --> 00:09:51,880 Speaker 4: Wouldn't really know where to relate. 153 00:09:52,120 --> 00:09:54,520 Speaker 2: But when it came to music, everyone seems to have 154 00:09:54,520 --> 00:09:55,400 Speaker 2: that common. 155 00:09:55,160 --> 00:09:56,000 Speaker 4: Love for it. 156 00:09:56,320 --> 00:10:01,800 Speaker 6: For music, yes for sure, Yeah, definitely. I can't look 157 00:10:01,800 --> 00:10:02,240 Speaker 6: without it. 158 00:10:02,280 --> 00:10:04,079 Speaker 2: Like the amount of times my husband walks in I'm 159 00:10:04,080 --> 00:10:05,760 Speaker 2: busy dancing away to whatever. 160 00:10:05,679 --> 00:10:11,440 Speaker 1: And he's just like another day. Well, you spoke on 161 00:10:11,520 --> 00:10:14,520 Speaker 1: something like how we like he used to really live 162 00:10:14,600 --> 00:10:17,400 Speaker 1: for music back in the day. It wasn't as easily accessible. 163 00:10:18,960 --> 00:10:21,560 Speaker 1: It makes me think of the culture and societal shift. 164 00:10:21,640 --> 00:10:24,920 Speaker 1: I remember when I was peak like boy band in 165 00:10:24,920 --> 00:10:27,680 Speaker 1: my peak boy band phase, and like you would wait 166 00:10:27,800 --> 00:10:29,000 Speaker 1: for like sn on. 167 00:10:29,120 --> 00:10:32,160 Speaker 4: Team Backstreet, I was team Backstreet Boys. 168 00:10:32,200 --> 00:10:35,440 Speaker 1: To be honest, all the way, all the. 169 00:10:35,360 --> 00:10:37,960 Speaker 4: Way, I love you. How can we be so? 170 00:10:38,520 --> 00:10:41,600 Speaker 1: No, I appreciate it in sync, but I really thought 171 00:10:41,600 --> 00:10:42,920 Speaker 1: I was going to marry Nick Carter. 172 00:10:43,160 --> 00:10:45,199 Speaker 4: I'm just you cannot be my friends. 173 00:10:46,120 --> 00:10:51,400 Speaker 1: I liked them though, being made for me. I was 174 00:10:51,400 --> 00:10:54,800 Speaker 1: one of got j C bro even like Justin Justin Yeah. 175 00:10:54,679 --> 00:10:55,680 Speaker 4: No, no, no, no. 176 00:10:55,520 --> 00:10:57,920 Speaker 1: No, It's because I was in love with Nick Carter. 177 00:10:58,200 --> 00:11:01,920 Speaker 1: So you know, I was like, you're me gonna have babies. 178 00:11:01,960 --> 00:11:04,560 Speaker 1: And then eventually when Justin became a solo artist, I 179 00:11:04,559 --> 00:11:06,960 Speaker 1: was like, you're me gonna have babies. So I'm not loyal. 180 00:11:07,280 --> 00:11:13,400 Speaker 1: I was not loyal, but yeah, for sure. And like 181 00:11:13,480 --> 00:11:16,200 Speaker 1: I remember how we used to like wait for the album. 182 00:11:16,240 --> 00:11:17,880 Speaker 1: I remember the one time my dad went to the 183 00:11:18,000 --> 00:11:21,880 Speaker 1: US and brought us the Millennium CD before it was accessible, 184 00:11:21,920 --> 00:11:26,760 Speaker 1: and I remember it was the last day of grade exactly, 185 00:11:27,040 --> 00:11:30,880 Speaker 1: and then my exactly bruh. And then my mom brought 186 00:11:30,920 --> 00:11:32,640 Speaker 1: it home. It was the last day of grade seven, 187 00:11:32,640 --> 00:11:34,080 Speaker 1: and she knew how to be sad, but like to 188 00:11:34,200 --> 00:11:36,360 Speaker 1: cheer me up. She's like, oh, here's your CD from 189 00:11:36,400 --> 00:11:39,559 Speaker 1: your dad, And like we used to get so high 190 00:11:39,640 --> 00:11:43,480 Speaker 1: for an album drop and like go crazy. I remember 191 00:11:43,559 --> 00:11:47,480 Speaker 1: when we were kids. We used to when we lived 192 00:11:47,480 --> 00:11:49,840 Speaker 1: in Ghana, we used to watch like my dad got 193 00:11:49,880 --> 00:11:52,640 Speaker 1: us a tape of Michael Jackson Thriller, so it had 194 00:11:52,679 --> 00:11:55,480 Speaker 1: all his music videos and that's all we would do. 195 00:11:55,559 --> 00:11:58,319 Speaker 1: We just go into the living room and watch over 196 00:11:58,520 --> 00:12:02,120 Speaker 1: and just like obsess over Michael Jackson and cry. 197 00:12:02,120 --> 00:12:04,280 Speaker 2: You wire, like know all the ad libs, all the 198 00:12:04,559 --> 00:12:07,200 Speaker 2: mass just because you've seen it that often. 199 00:12:07,440 --> 00:12:10,280 Speaker 1: Yeah, so how would you say, like it's shifted now 200 00:12:11,240 --> 00:12:15,720 Speaker 1: music now in twenty twenty and also culturally and you know, 201 00:12:16,040 --> 00:12:17,400 Speaker 1: like how do you you know? 202 00:12:17,920 --> 00:12:21,400 Speaker 2: Culturally? I still see it as a huge, a huge 203 00:12:21,520 --> 00:12:24,400 Speaker 2: driving force, like when you want to talk about issues, 204 00:12:24,440 --> 00:12:26,280 Speaker 2: when you want to talk music is still one of 205 00:12:26,320 --> 00:12:29,920 Speaker 2: the things that drive issues. But I do think to 206 00:12:30,080 --> 00:12:33,640 Speaker 2: actually sit back and appreciate her body of work. As 207 00:12:33,679 --> 00:12:36,880 Speaker 2: you're saying about getting an album and mulling over it 208 00:12:36,920 --> 00:12:39,280 Speaker 2: and chewing over all the little tidbits, it. 209 00:12:39,200 --> 00:12:40,240 Speaker 4: Doesn't happen as much. 210 00:12:40,280 --> 00:12:42,520 Speaker 2: I remember in spin a long this was the Zimbabwean 211 00:12:42,640 --> 00:12:45,800 Speaker 2: our premiere CD shop to see these with a thing 212 00:12:46,960 --> 00:12:49,839 Speaker 2: and like you get the little booklet with the lyrics 213 00:12:50,040 --> 00:12:53,280 Speaker 2: and all the pictures, and like you know, you peruse 214 00:12:53,360 --> 00:12:56,960 Speaker 2: and really absorb and like listen from one track to 215 00:12:57,000 --> 00:12:59,480 Speaker 2: the next, you literally know what song is coming up. Yes, 216 00:13:00,000 --> 00:13:03,320 Speaker 2: I don't know if we still have that appreciation when 217 00:13:03,320 --> 00:13:06,200 Speaker 2: you stream. Of course, if it's an artist you love, 218 00:13:06,400 --> 00:13:09,920 Speaker 2: you're probably always going to But for you and upcoming 219 00:13:10,040 --> 00:13:13,920 Speaker 2: artists sometimes to see someone's journey, I don't know, it's 220 00:13:14,000 --> 00:13:16,560 Speaker 2: not as we're not as into it as we used 221 00:13:16,600 --> 00:13:19,079 Speaker 2: to be. Maybe I'm wrong, maybe we're the only ones, 222 00:13:19,160 --> 00:13:23,360 Speaker 2: but like, I just feel like it's not we don't 223 00:13:23,400 --> 00:13:27,560 Speaker 2: go as in depth. We consume so quickly that it 224 00:13:27,600 --> 00:13:30,040 Speaker 2: doesn't really like resonate. It's just like, oh I like it, 225 00:13:30,080 --> 00:13:32,080 Speaker 2: I don't like it, and it's clear cut, you know, 226 00:13:33,000 --> 00:13:35,920 Speaker 2: and you have something to replace it with so quickly 227 00:13:36,440 --> 00:13:38,360 Speaker 2: that you know. In some of this music you need 228 00:13:38,400 --> 00:13:40,920 Speaker 2: to listen and get the message behind it after a 229 00:13:40,960 --> 00:13:44,040 Speaker 2: few goals. I feel some songs, like when you listen 230 00:13:44,080 --> 00:13:47,400 Speaker 2: to Brandy's vocals, sometimes you can be like in this 231 00:13:47,480 --> 00:13:49,360 Speaker 2: day and age, you can feel a bit dated. But 232 00:13:49,400 --> 00:13:52,680 Speaker 2: when you appreciate music for what it is, like wow, 233 00:13:52,920 --> 00:13:55,400 Speaker 2: like this girl can really sing and she has a 234 00:13:55,520 --> 00:13:59,040 Speaker 2: range and her lyrics, but it's almost like an old 235 00:13:59,080 --> 00:13:59,920 Speaker 2: school thing to do. 236 00:14:00,760 --> 00:14:03,480 Speaker 1: I agree one hundred hundred percent. I think we just 237 00:14:03,960 --> 00:14:07,760 Speaker 1: are just onto the next so quickly and we don't 238 00:14:07,800 --> 00:14:11,400 Speaker 1: give things. And Brandy actually sang because Brandy. 239 00:14:11,080 --> 00:14:11,600 Speaker 4: Be My Girl. 240 00:14:11,920 --> 00:14:14,800 Speaker 1: She sang a song on her album Afridijac. She was like, 241 00:14:14,840 --> 00:14:17,360 Speaker 1: should I say, should I go? Like mulling over the 242 00:14:17,440 --> 00:14:19,480 Speaker 1: state of the industry and how it was evolving, and 243 00:14:19,520 --> 00:14:22,680 Speaker 1: I think that album dropped. Was it twenty twelve, so yes, 244 00:14:22,720 --> 00:14:25,480 Speaker 1: and she didn't feel it then, I don't think twenty twelve, 245 00:14:25,480 --> 00:14:29,840 Speaker 1: maybe even earlier and imagine now, so yeah, I get 246 00:14:29,880 --> 00:14:33,200 Speaker 1: it completely. But culturally, though you've already touched on this, 247 00:14:33,280 --> 00:14:37,880 Speaker 1: I'm so so happy to see that African music is 248 00:14:37,960 --> 00:14:42,720 Speaker 1: taking center stage, like finally to be like everything, but 249 00:14:43,240 --> 00:14:46,200 Speaker 1: African music usually like what our parents listened to, you 250 00:14:46,240 --> 00:14:48,960 Speaker 1: know what I mean. And now it's it's like we 251 00:14:49,000 --> 00:14:54,440 Speaker 1: can fully fully embrace our blackness and africanness, you know. 252 00:14:55,200 --> 00:14:56,000 Speaker 4: And I think the. 253 00:14:56,120 --> 00:14:58,000 Speaker 1: Icing on the cake has been the likes of Black 254 00:14:58,080 --> 00:15:00,720 Speaker 1: Is King just coming in and just being like, yo, 255 00:15:00,880 --> 00:15:03,160 Speaker 1: this is where it's at, you know type of things. 256 00:15:03,360 --> 00:15:07,080 Speaker 4: So yeah, I think that's been and yeah. 257 00:15:07,960 --> 00:15:11,480 Speaker 2: No, you're totally right, and then seeing people cross over 258 00:15:11,600 --> 00:15:15,560 Speaker 2: like Tia Savage, Burner Boy, the albums on our complete 259 00:15:15,560 --> 00:15:16,280 Speaker 2: body of work. 260 00:15:16,320 --> 00:15:18,360 Speaker 4: Again, because an afrobeats started. 261 00:15:18,280 --> 00:15:20,920 Speaker 2: It would just be a single, a single, there, single, there, 262 00:15:21,040 --> 00:15:23,080 Speaker 2: a single, and then you would like your song like 263 00:15:23,160 --> 00:15:25,520 Speaker 2: the Dance Foods and move on. But now they're getting 264 00:15:25,520 --> 00:15:28,600 Speaker 2: an opportunity give your whole body of work. You know, 265 00:15:28,720 --> 00:15:32,840 Speaker 2: everything's flowing, everything, you get the message for each album 266 00:15:33,200 --> 00:15:35,760 Speaker 2: and their production is top notch because they also have 267 00:15:35,800 --> 00:15:37,160 Speaker 2: the money to back them. 268 00:15:37,600 --> 00:15:40,640 Speaker 4: It's just it's a beautiful time. 269 00:15:40,760 --> 00:15:43,000 Speaker 1: It's a beautiful the fact that the likes of like 270 00:15:43,080 --> 00:15:47,360 Speaker 1: Swiss Beats are championing afrobeats and like we had Diddy 271 00:15:47,560 --> 00:15:52,000 Speaker 1: being the executive producer on Burner Boy's latest release, Like 272 00:15:52,480 --> 00:15:56,440 Speaker 1: you know, all these big name artists wanting to collaborate, you. 273 00:15:56,320 --> 00:15:57,520 Speaker 4: Know, an artist. 274 00:15:57,640 --> 00:16:01,080 Speaker 1: It's something it's like, yeah, man, like it's about time. 275 00:16:00,960 --> 00:16:02,840 Speaker 4: Because we have the rhythm. 276 00:16:02,880 --> 00:16:07,600 Speaker 1: It's in us, you know, like we it's just yeah, yeah, you. 277 00:16:07,560 --> 00:16:09,440 Speaker 4: Know, in no words. 278 00:16:09,560 --> 00:16:13,680 Speaker 2: Right, kind of feels so beautiful to see people of 279 00:16:13,720 --> 00:16:17,960 Speaker 2: your same you know, skin color and same background because 280 00:16:17,960 --> 00:16:20,640 Speaker 2: obviously you've always had I think before we always had 281 00:16:20,760 --> 00:16:24,640 Speaker 2: African Americans present, all black people, and then now it's 282 00:16:24,720 --> 00:16:27,560 Speaker 2: like African Americans are part of the bigger puzzle, you know, 283 00:16:29,360 --> 00:16:32,280 Speaker 2: all together and like and it just makes you feel 284 00:16:32,280 --> 00:16:34,960 Speaker 2: like you're at home without being home some of the 285 00:16:35,400 --> 00:16:40,360 Speaker 2: speck and yeah, it's beautiful, so beautiful. For me personally, 286 00:16:40,440 --> 00:16:43,680 Speaker 2: I can see the shift from when I first left Zimbabwe, 287 00:16:44,080 --> 00:16:46,000 Speaker 2: Like you would go back on holidays and everyone would 288 00:16:46,000 --> 00:16:47,520 Speaker 2: be like, oh this ban not. 289 00:16:47,600 --> 00:16:50,560 Speaker 4: From South Africa and dancing to it like, oh god, 290 00:16:50,920 --> 00:16:52,800 Speaker 4: I don't know, I don't know. 291 00:16:53,160 --> 00:16:56,240 Speaker 2: Was in Australia they're not playing this, you know, but 292 00:16:56,400 --> 00:16:59,480 Speaker 2: now those are streaming now because of social media you 293 00:16:59,520 --> 00:17:01,120 Speaker 2: can be on them trends. 294 00:17:01,360 --> 00:17:02,800 Speaker 4: So I also be done. Think it's time to go. 295 00:17:04,560 --> 00:17:07,680 Speaker 1: And the shout out Spotify and Obvious and all them 296 00:17:07,720 --> 00:17:08,600 Speaker 1: platforms that have. 297 00:17:10,280 --> 00:17:11,760 Speaker 4: Yeah. 298 00:17:11,840 --> 00:17:15,000 Speaker 2: Yeah, And I think I think that works for artists too, 299 00:17:15,480 --> 00:17:18,680 Speaker 2: Like I think artists are being discovered a little bit easier. 300 00:17:19,320 --> 00:17:21,119 Speaker 2: Obviously people people at this wool we should have been 301 00:17:21,200 --> 00:17:24,200 Speaker 2: viral or whatever. But in general, I think artists are 302 00:17:24,280 --> 00:17:27,919 Speaker 2: being discovered. Like even you think of mister Easy and 303 00:17:27,960 --> 00:17:33,280 Speaker 2: his project with Your Africa, and it's all about yes, yes, 304 00:17:33,359 --> 00:17:35,439 Speaker 2: and it's about the artists, but it's also about all 305 00:17:35,480 --> 00:17:36,679 Speaker 2: the other people behind that. 306 00:17:37,040 --> 00:17:40,520 Speaker 4: Yeah, all the people write, the song songwriters, all this and. 307 00:17:41,119 --> 00:17:43,199 Speaker 2: It's just such a good time to be alive and 308 00:17:43,359 --> 00:17:44,000 Speaker 2: be part of it. 309 00:17:44,080 --> 00:17:45,480 Speaker 4: I reckon accessibility. 310 00:17:46,119 --> 00:17:49,199 Speaker 1: I am with it. I am with it. Girl. We 311 00:17:49,240 --> 00:17:51,560 Speaker 1: get we talk about what. 312 00:17:51,560 --> 00:17:52,840 Speaker 4: Should we do? We do? 313 00:17:53,040 --> 00:17:54,919 Speaker 2: And I mean even if you look at something like 314 00:17:55,160 --> 00:17:56,400 Speaker 2: using our theme song. 315 00:17:56,560 --> 00:17:59,520 Speaker 4: You know, Lauren d is very. 316 00:17:59,440 --> 00:18:03,359 Speaker 2: Upp sing a songwriter, and she's brilliant and what she 317 00:18:03,480 --> 00:18:06,959 Speaker 2: does and now having the opportunity to share her music, 318 00:18:07,800 --> 00:18:10,479 Speaker 2: and so it was very gracious enough to let her 319 00:18:10,600 --> 00:18:14,199 Speaker 2: use her song Island Boys for our theme song on 320 00:18:14,280 --> 00:18:17,479 Speaker 2: this podcast. And it's a girl we saw growing up. 321 00:18:17,520 --> 00:18:20,840 Speaker 2: She's one of our friends, you know. Yeah, nice to 322 00:18:20,880 --> 00:18:23,679 Speaker 2: see that these dreams attained. 323 00:18:23,960 --> 00:18:27,359 Speaker 1: Yeah, for sure, for sure, And it was so great. 324 00:18:27,840 --> 00:18:29,720 Speaker 1: And I think it was great that, you know, we 325 00:18:29,720 --> 00:18:32,840 Speaker 1: were able to actually include her because we are so 326 00:18:33,000 --> 00:18:37,080 Speaker 1: much about representation and like, you know, doing things for us. 327 00:18:37,160 --> 00:18:41,600 Speaker 1: So yeah, shout out to Laura d Yeah, and looking 328 00:18:41,640 --> 00:18:44,720 Speaker 1: forward to what else she has in store for us. 329 00:18:44,800 --> 00:18:48,520 Speaker 1: But yeah, how would you say, zim music has become 330 00:18:48,560 --> 00:18:50,640 Speaker 1: a part of your everyday life? Is it a part 331 00:18:50,640 --> 00:18:53,919 Speaker 1: of your everyday life or now becoming more integral to 332 00:18:53,960 --> 00:18:56,120 Speaker 1: your life with. 333 00:18:56,359 --> 00:18:59,080 Speaker 2: Zoom music, I must say, like I'm still on a 334 00:18:59,160 --> 00:19:03,560 Speaker 2: learning journey, Like sometimes I'm still at that singles face, 335 00:19:03,760 --> 00:19:06,359 Speaker 2: like you know, a song here, a song there, But 336 00:19:06,440 --> 00:19:09,200 Speaker 2: I'm still not at the knowing a whole body of work. 337 00:19:09,320 --> 00:19:11,919 Speaker 2: I think when it comes to knowing a whole body 338 00:19:11,960 --> 00:19:14,520 Speaker 2: of work, I still go to my old school artists. 339 00:19:14,600 --> 00:19:17,399 Speaker 4: Obviously, people like the late all of them took z. 340 00:19:17,480 --> 00:19:21,639 Speaker 2: Of course, all these albums, and then you know, you 341 00:19:21,680 --> 00:19:23,720 Speaker 2: look at people who are up and coming like Takura. 342 00:19:24,000 --> 00:19:26,399 Speaker 2: I love him love and love and love people, and 343 00:19:26,440 --> 00:19:28,920 Speaker 2: I can listen to his whole body of words. 344 00:19:29,600 --> 00:19:33,000 Speaker 4: So I think I'm still yet to catch up when 345 00:19:33,000 --> 00:19:33,560 Speaker 4: it comes. 346 00:19:33,320 --> 00:19:36,320 Speaker 2: To Zim music, particularly, I like a song here, a 347 00:19:36,359 --> 00:19:39,440 Speaker 2: song there, and Zim dance hall is taking off. 348 00:19:39,480 --> 00:19:41,000 Speaker 4: It's so pop Zim. 349 00:19:41,760 --> 00:19:45,320 Speaker 2: No job pressure is so popular Zim as well, and 350 00:19:45,600 --> 00:19:49,359 Speaker 2: I love seeing that people incorporating zoom music incorporates. 351 00:19:48,800 --> 00:19:51,720 Speaker 4: A lot of live bands and I like that. 352 00:19:52,200 --> 00:20:00,200 Speaker 2: I think there'sicity with that too, definitely, but probably we 353 00:20:00,359 --> 00:20:03,880 Speaker 2: dated as much as maybe the regular or more popular 354 00:20:03,960 --> 00:20:04,919 Speaker 2: afrobeat artists. 355 00:20:05,080 --> 00:20:08,879 Speaker 1: Know for sure, I get you and I you I agree. 356 00:20:09,000 --> 00:20:12,600 Speaker 1: Like in terms of body of work, it's definitely Oliver 357 00:20:13,119 --> 00:20:15,360 Speaker 1: she On, so I've always loved her. I just love 358 00:20:15,440 --> 00:20:19,600 Speaker 1: her use of them beira and it really makes me 359 00:20:19,720 --> 00:20:22,680 Speaker 1: feel rooted in Zimbabwe. I don't know. When I just 360 00:20:22,800 --> 00:20:25,320 Speaker 1: listen to her music, I get goosebumps. It's just like 361 00:20:26,240 --> 00:20:30,320 Speaker 1: you know, it's true that it just really speaks deeply 362 00:20:30,440 --> 00:20:33,520 Speaker 1: to me. But like similar to you, like the artists 363 00:20:33,560 --> 00:20:38,040 Speaker 1: that I'm more, the more recent artists, I definitely have 364 00:20:38,240 --> 00:20:40,000 Speaker 1: listened to his body of work and I and I 365 00:20:40,160 --> 00:20:41,680 Speaker 1: love you know it. 366 00:20:41,800 --> 00:20:42,680 Speaker 4: I love his sound. 367 00:20:43,119 --> 00:20:45,679 Speaker 1: I also like XQ, but it's like it's his single, 368 00:20:46,000 --> 00:20:48,639 Speaker 1: his hits. And I think what helped me a lot 369 00:20:48,760 --> 00:20:50,399 Speaker 1: is when I live When I was living back home 370 00:20:50,440 --> 00:20:52,960 Speaker 1: before I came here, I would just listen to ZFM 371 00:20:53,119 --> 00:20:55,159 Speaker 1: or like on Loop or like radio stations, so I 372 00:20:55,240 --> 00:20:58,439 Speaker 1: could pick out some of the more like popular music 373 00:20:58,600 --> 00:21:02,080 Speaker 1: and stuff. But it's definitely on like my playlist, like 374 00:21:02,320 --> 00:21:04,800 Speaker 1: you know, a playlists, and then like depending on my mood. 375 00:21:04,840 --> 00:21:06,840 Speaker 1: If I put on a playlist with like my African 376 00:21:06,960 --> 00:21:10,000 Speaker 1: music or whatever, it will come on and I'm like, oh, yes, 377 00:21:10,160 --> 00:21:13,520 Speaker 1: this jam like I remember type of thing. So yeah, 378 00:21:14,160 --> 00:21:17,800 Speaker 1: it's it depends on mood. It depends on what vibe 379 00:21:17,800 --> 00:21:21,160 Speaker 1: I'm going for. And I feel like Zoom hasn't quite 380 00:21:21,200 --> 00:21:24,119 Speaker 1: gotten to the place where they're like are really like 381 00:21:24,240 --> 00:21:28,000 Speaker 1: strategic about music and like hardcore about how they release it. 382 00:21:28,119 --> 00:21:30,879 Speaker 1: I think we have a bit of a way to go. 383 00:21:31,560 --> 00:21:35,200 Speaker 1: I definitely appreciate how it's evolved and gotten better and 384 00:21:35,400 --> 00:21:40,200 Speaker 1: like you know, world class, you know for sure. 385 00:21:40,359 --> 00:21:44,600 Speaker 2: Yeah, Like even when you see like Jemma Griffiths music videos, Yeah, 386 00:21:44,920 --> 00:21:49,640 Speaker 2: like all these new artists, these music videos actually yes, 387 00:21:49,760 --> 00:21:52,840 Speaker 2: Samara Brown, so it's definitely like a place to watch 388 00:21:52,960 --> 00:21:53,920 Speaker 2: and even on Spotify. 389 00:21:54,000 --> 00:21:55,639 Speaker 4: They included a. 390 00:21:55,640 --> 00:22:00,200 Speaker 2: Lot of ZIM artists on the Afro Vibes play list 391 00:22:00,240 --> 00:22:01,120 Speaker 2: because obviously. 392 00:22:01,680 --> 00:22:05,640 Speaker 4: So yeah, whoos your artists? 393 00:22:06,440 --> 00:22:11,360 Speaker 1: Hey, it's hard. I think Berna was on on rotation 394 00:22:11,600 --> 00:22:16,520 Speaker 1: because he released his album so Burna Boy. I love him, 395 00:22:17,880 --> 00:22:21,320 Speaker 1: but I think who was I listening to? Man? Oh 396 00:22:21,480 --> 00:22:24,280 Speaker 1: my gosh, it depends, So I have artists of the year, 397 00:22:24,560 --> 00:22:28,960 Speaker 1: let me put it that way. Okay, okay, Brena Boy 398 00:22:29,040 --> 00:22:31,879 Speaker 1: for sure, Brandy because she came out with seven and 399 00:22:31,960 --> 00:22:35,640 Speaker 1: she's an all time fave. T what I was listening 400 00:22:35,720 --> 00:22:40,639 Speaker 1: to earlier because Ta Savage? Who else was I listening to? 401 00:22:41,160 --> 00:22:43,359 Speaker 1: Can I just go onto my playlist real quick and 402 00:22:43,440 --> 00:22:44,280 Speaker 1: see what's been on. 403 00:22:44,440 --> 00:22:45,040 Speaker 4: The list. 404 00:22:46,520 --> 00:22:46,880 Speaker 1: So far? 405 00:22:47,000 --> 00:22:50,520 Speaker 4: Agreeing with you my playlist for a while. 406 00:22:52,440 --> 00:22:55,040 Speaker 1: So yeah, it just depends, and then I I'll rediscover 407 00:22:55,200 --> 00:22:59,160 Speaker 1: old loves like I was listening to like Black early. 408 00:22:59,240 --> 00:23:01,920 Speaker 1: I loved him last This album was like my favorite 409 00:23:01,920 --> 00:23:06,560 Speaker 1: from last year. So it really depends who are you loving, who's. 410 00:23:06,359 --> 00:23:09,920 Speaker 2: Your current favor I'm probably the same as you and 411 00:23:10,080 --> 00:23:13,239 Speaker 2: what always kinches it in For me is how they 412 00:23:13,320 --> 00:23:18,800 Speaker 2: perform live such a sad thing that like twenty twenty 413 00:23:18,880 --> 00:23:22,160 Speaker 2: has probably robbed us off that and I can't wait 414 00:23:22,320 --> 00:23:24,120 Speaker 2: for when things start to open up, you know, because 415 00:23:24,119 --> 00:23:26,280 Speaker 2: I would love to see like I was never really 416 00:23:26,320 --> 00:23:28,840 Speaker 2: a Yemi Ala Day fan, like I would like one song, 417 00:23:29,000 --> 00:23:32,520 Speaker 2: two songs. But then her and Whiskey performed gen Melbourne 418 00:23:33,400 --> 00:23:36,119 Speaker 2: a few months six about six seven months ago and 419 00:23:36,520 --> 00:23:41,600 Speaker 2: it was banging, like oh, who please smell give us 420 00:23:41,680 --> 00:23:46,080 Speaker 2: more of those shows, Like now I'm like Queeney like 421 00:23:46,160 --> 00:23:49,120 Speaker 2: I'm like, oh, you know what? Like so I think 422 00:23:49,200 --> 00:23:52,800 Speaker 2: it's like it's just so depends on how they present 423 00:23:52,920 --> 00:23:56,160 Speaker 2: themselves as well, because it's so or on a music 424 00:23:56,560 --> 00:23:59,320 Speaker 2: video said it can be like yeah, banging, but how 425 00:23:59,400 --> 00:24:01,600 Speaker 2: you do it live and how you keep the crowd 426 00:24:01,680 --> 00:24:03,760 Speaker 2: going is very crucial for me. 427 00:24:04,119 --> 00:24:06,800 Speaker 1: No, for sure. Which other artists have you seen live? 428 00:24:06,840 --> 00:24:09,040 Speaker 1: Because I think you've seen quite a few people live, 429 00:24:09,200 --> 00:24:13,040 Speaker 1: And what were some memorable artists or loved or hated? 430 00:24:14,480 --> 00:24:17,920 Speaker 4: Love love the Queen Bee I cannot. 431 00:24:19,240 --> 00:24:22,320 Speaker 2: Like yeah, and Beyonce she leaves it all on the 432 00:24:22,640 --> 00:24:25,840 Speaker 2: on the on the stage, like she just gives you 433 00:24:26,040 --> 00:24:30,040 Speaker 2: her all. You get your money's well. Sounds bad to say, 434 00:24:30,160 --> 00:24:34,720 Speaker 2: but so I really really love her. I love the 435 00:24:34,920 --> 00:24:37,960 Speaker 2: energy she brings her show. The show is more like entertainment, 436 00:24:38,160 --> 00:24:40,680 Speaker 2: you know, which is also the same realm as Pink, 437 00:24:40,800 --> 00:24:45,840 Speaker 2: which can seem very fun, yeah, actually does the same. 438 00:24:45,960 --> 00:24:50,440 Speaker 2: Her shows are very circus let very like I'm entertain you. 439 00:24:50,560 --> 00:24:53,440 Speaker 4: The music is just the thing. But then I also 440 00:24:53,640 --> 00:24:53,840 Speaker 4: like the. 441 00:24:54,000 --> 00:24:58,000 Speaker 2: Soulful Sam Smith was amazing a smaller arena so you 442 00:24:58,040 --> 00:25:02,399 Speaker 2: can feel the songs getting to your Dannel Jackson was 443 00:25:02,400 --> 00:25:05,680 Speaker 2: also in that same vibe. So like, there's so many 444 00:25:05,760 --> 00:25:08,280 Speaker 2: that I have loved and they delivered, I think I 445 00:25:08,400 --> 00:25:10,399 Speaker 2: must say. And people are gonna shoot me for this, 446 00:25:10,640 --> 00:25:14,680 Speaker 2: please please comment if any The one I didn't like 447 00:25:14,880 --> 00:25:19,840 Speaker 2: was Lehanna Oh, which I feel so bad saying because 448 00:25:19,920 --> 00:25:22,040 Speaker 2: I want to have said I loved that show. 449 00:25:22,240 --> 00:25:26,000 Speaker 4: No, Yeah, I get you because with world tours. 450 00:25:25,960 --> 00:25:29,560 Speaker 2: And we're so far away from like where predominantly Europe 451 00:25:29,600 --> 00:25:30,440 Speaker 2: and America. 452 00:25:30,480 --> 00:25:32,360 Speaker 4: I guess so by the time they. 453 00:25:32,359 --> 00:25:35,639 Speaker 2: Get yeah, sometimes I feel like they're just tired and 454 00:25:35,960 --> 00:25:38,240 Speaker 2: like she and I don't think you can push Rihanna 455 00:25:38,320 --> 00:25:39,720 Speaker 2: to do whatever she doesn't want to do. 456 00:25:40,000 --> 00:25:42,359 Speaker 4: No, I think when I saw her. 457 00:25:42,600 --> 00:25:46,560 Speaker 1: She was just like, no, but you're not alone, because 458 00:25:46,680 --> 00:25:48,960 Speaker 1: I remember I had tickets to see Rihanna and then 459 00:25:49,119 --> 00:25:51,159 Speaker 1: it just so happened like a work. That's when I 460 00:25:51,240 --> 00:25:53,800 Speaker 1: went to the US, so I couldn't go to and 461 00:25:53,880 --> 00:25:56,240 Speaker 1: I remember people like after asking my friends and they 462 00:25:56,280 --> 00:25:56,480 Speaker 1: were like. 463 00:25:56,680 --> 00:25:57,800 Speaker 4: You don't miss anything, girl. 464 00:25:57,920 --> 00:26:00,760 Speaker 1: It was just like nothing. So she doesn't have the 465 00:26:00,800 --> 00:26:03,600 Speaker 1: greatest reputation for being killed out on the stage. 466 00:26:03,760 --> 00:26:05,760 Speaker 4: So yeah, I don't know. 467 00:26:06,040 --> 00:26:09,359 Speaker 2: That was It's quite annoying because I was really looking 468 00:26:09,440 --> 00:26:11,600 Speaker 2: to it. And then you know when you go to 469 00:26:11,680 --> 00:26:14,040 Speaker 2: a concert and you know everyone the whole catalog, like 470 00:26:14,119 --> 00:26:18,119 Speaker 2: with Brandy, the whole catalog, like no matter what someng she. 471 00:26:18,240 --> 00:26:19,640 Speaker 4: Throws, I'm ready, right. 472 00:26:20,600 --> 00:26:22,360 Speaker 1: Yeah, So like I loved the vibe. 473 00:26:22,359 --> 00:26:24,280 Speaker 2: I had one as well, because I remember we were 474 00:26:24,320 --> 00:26:27,840 Speaker 2: of age when we were fund the replay. We were 475 00:26:27,920 --> 00:26:30,919 Speaker 2: like sixteen or sixteen, so I've seen her whole growth. 476 00:26:31,440 --> 00:26:34,960 Speaker 1: So like it was a bit like, oh, that's what 477 00:26:35,119 --> 00:26:35,520 Speaker 1: a shame. 478 00:26:36,160 --> 00:26:37,960 Speaker 4: No, yeah, it was a bit of a shame. 479 00:26:38,560 --> 00:26:41,239 Speaker 2: But there also another thing that happens, and this might 480 00:26:41,320 --> 00:26:44,439 Speaker 2: be tied to funding. There's a lot of African artists 481 00:26:44,480 --> 00:26:46,800 Speaker 2: when they come over here, they do like two or 482 00:26:46,840 --> 00:26:51,119 Speaker 2: three songs and then that's that, and you're like, but. 483 00:26:51,200 --> 00:26:53,160 Speaker 4: I Paige to see your show. 484 00:26:53,680 --> 00:26:55,880 Speaker 1: Yeah yeah, yeah, So I don't know if. 485 00:26:55,800 --> 00:27:00,440 Speaker 2: It's like a miscommunication with promoters or what. It's like 486 00:27:00,840 --> 00:27:04,240 Speaker 2: so disheartening because we were here, we're ready to spend 487 00:27:04,320 --> 00:27:09,640 Speaker 2: our coins. Yes, also level of what we're getting back 488 00:27:09,720 --> 00:27:12,600 Speaker 2: to matching that, yes, on of support, but you also 489 00:27:12,920 --> 00:27:16,160 Speaker 2: give us a show, yeah, a proper at that, yeah, 490 00:27:16,200 --> 00:27:18,800 Speaker 2: because it feels like you're just going there to listen 491 00:27:18,880 --> 00:27:21,160 Speaker 2: to the DJ set and then the guy just comes 492 00:27:21,200 --> 00:27:24,480 Speaker 2: out once or twice and then so then. 493 00:27:24,400 --> 00:27:28,600 Speaker 4: It ends up being the DJ's show. Yeah. They're working hard. 494 00:27:28,760 --> 00:27:30,520 Speaker 1: Yeah, they work hard here because they have to keep 495 00:27:30,560 --> 00:27:34,320 Speaker 1: you guys, like they're not leaving, you know, prematurely or yeah. 496 00:27:34,840 --> 00:27:38,919 Speaker 4: Yeah, but I mean, yeah, it is. I think anything 497 00:27:39,920 --> 00:27:43,320 Speaker 4: you hated that you've seen that I hated. 498 00:27:44,359 --> 00:27:47,760 Speaker 1: I haven't seen an oh XQ Oh yeah sorry. I 499 00:27:47,880 --> 00:27:52,280 Speaker 1: went to see him at what is it called Shockle Festival, 500 00:27:52,840 --> 00:27:55,679 Speaker 1: and like you were in there and his backup dancers 501 00:27:55,720 --> 00:27:58,080 Speaker 1: were feeling it, his DJ was lit. Then I think 502 00:27:58,080 --> 00:28:00,440 Speaker 1: there was something happening with his sound, and like he 503 00:28:00,520 --> 00:28:03,840 Speaker 1: kept and then he walked off stage and then like 504 00:28:04,000 --> 00:28:07,600 Speaker 1: his DJ was doing his part of the song because 505 00:28:07,880 --> 00:28:10,879 Speaker 1: he walked off during Nema and you know, that was 506 00:28:11,000 --> 00:28:14,280 Speaker 1: like and I was like sure, like sure, can't you 507 00:28:14,400 --> 00:28:16,520 Speaker 1: like stop get assorted and didn't come back. But he 508 00:28:16,600 --> 00:28:20,800 Speaker 1: walked right, he didn't come back. He didn't come back. 509 00:28:20,880 --> 00:28:21,400 Speaker 1: We were hurt. 510 00:28:21,720 --> 00:28:22,400 Speaker 4: We were very hurt. 511 00:28:22,800 --> 00:28:24,320 Speaker 1: But no, it was good. 512 00:28:24,760 --> 00:28:25,720 Speaker 4: But in terms of the. 513 00:28:25,760 --> 00:28:30,520 Speaker 1: Ones I loved. I loved Drake because he came he 514 00:28:30,600 --> 00:28:34,400 Speaker 1: went to Essay soon after the release of Take Care. 515 00:28:34,560 --> 00:28:37,240 Speaker 1: I was in love with him. My posters and like, 516 00:28:37,840 --> 00:28:38,760 Speaker 1: and I was front front. 517 00:28:38,920 --> 00:28:39,600 Speaker 4: I remember that. 518 00:28:39,760 --> 00:28:42,800 Speaker 1: I remember you were like so high. He gave me 519 00:28:42,840 --> 00:28:45,840 Speaker 1: a shout out with my poster like I was all into. Oh, 520 00:28:47,880 --> 00:28:50,160 Speaker 1: but surprising because people were like, oh, it's gonna be boring, 521 00:28:50,240 --> 00:28:51,800 Speaker 1: he's not gonna have energy, and he didn't have like 522 00:28:51,880 --> 00:28:54,960 Speaker 1: backup dances whatever. But he has energy, Like he came 523 00:28:55,040 --> 00:28:57,840 Speaker 1: on stage and he was like vibing, like he kept 524 00:28:57,880 --> 00:29:04,120 Speaker 1: the crowd hype, which was surprising. Yeah, yeah, no, he 525 00:29:04,160 --> 00:29:08,040 Speaker 1: has good energy. Some of my other faiths I think 526 00:29:09,520 --> 00:29:12,320 Speaker 1: saw Mariah Carey. People were hating in the news saying 527 00:29:12,360 --> 00:29:14,800 Speaker 1: she can't hit notes. She definitely can hit them notes, 528 00:29:14,920 --> 00:29:17,720 Speaker 1: so come all the way down, like I remember with 529 00:29:17,880 --> 00:29:21,120 Speaker 1: my sister. That was great, and she did her catalog 530 00:29:21,240 --> 00:29:26,120 Speaker 1: you know it just like you so good. I don't know, 531 00:29:27,240 --> 00:29:31,080 Speaker 1: I know it matters. And then there was who else, 532 00:29:31,720 --> 00:29:37,760 Speaker 1: uh yea guys. It was more her dancing like I 533 00:29:37,840 --> 00:29:40,440 Speaker 1: was just of her moves. They're like, no, she has 534 00:29:40,520 --> 00:29:42,000 Speaker 1: to have some kind of like I don't know what 535 00:29:42,120 --> 00:29:45,600 Speaker 1: they use some effects on. Nope, that be her Like 536 00:29:45,840 --> 00:29:48,680 Speaker 1: that was her, like she was legit. Little Kim that 537 00:29:48,840 --> 00:29:50,840 Speaker 1: was like this whole content day hadn't similar. Timberland was 538 00:29:50,880 --> 00:29:53,959 Speaker 1: supposed to come, he did not come. I remember at 539 00:29:54,000 --> 00:29:57,200 Speaker 1: the university and I was home for the holiday or something. 540 00:29:58,000 --> 00:30:01,240 Speaker 1: But Little Kim, her energy was liter You never think 541 00:30:01,480 --> 00:30:03,480 Speaker 1: little Kim, but she was there with the energy. 542 00:30:03,560 --> 00:30:05,840 Speaker 4: I feel like she's proper old school so she would 543 00:30:05,960 --> 00:30:06,640 Speaker 4: know that's what you mean. 544 00:30:07,240 --> 00:30:10,600 Speaker 1: Yeah, she knows how to perform. And then I love 545 00:30:10,800 --> 00:30:13,480 Speaker 1: Chakaina and I got to see her again similar with 546 00:30:13,600 --> 00:30:16,880 Speaker 1: you like the peniss I think in Zim it's only 547 00:30:16,920 --> 00:30:18,600 Speaker 1: a few songs and she was walking off and was 548 00:30:18,640 --> 00:30:21,280 Speaker 1: just like Shah like we've been waiting for this long 549 00:30:21,440 --> 00:30:25,120 Speaker 1: but like she's also one of my favorite artists of 550 00:30:25,200 --> 00:30:29,280 Speaker 1: the moment just vocally live and think just she just 551 00:30:29,760 --> 00:30:32,480 Speaker 1: bolted and her body like her album was a body 552 00:30:32,720 --> 00:30:38,960 Speaker 1: of work, like yeah, totally, it's a press. 553 00:30:38,760 --> 00:30:42,920 Speaker 2: Play and let it be, don't skin, don't just let 554 00:30:43,000 --> 00:30:43,400 Speaker 2: it play. 555 00:30:43,640 --> 00:30:44,920 Speaker 4: And I mean, you know you got a body of 556 00:30:45,000 --> 00:30:49,160 Speaker 4: work album like that, you did it sure for sure? 557 00:30:49,520 --> 00:30:51,719 Speaker 1: And how do you feel about the different genres how 558 00:30:51,760 --> 00:30:55,080 Speaker 1: they've changed, like from when we were maybe younger and 559 00:30:55,800 --> 00:30:59,160 Speaker 1: you know, like yeah, please let's get in. 560 00:31:00,360 --> 00:31:03,560 Speaker 3: I grew up with West Coast East Coast rap like 561 00:31:03,800 --> 00:31:09,960 Speaker 3: people fighting, you know, like so so now I'm still 562 00:31:10,080 --> 00:31:12,640 Speaker 3: like why are these guys so pussy now? 563 00:31:12,880 --> 00:31:13,600 Speaker 4: Like what's going on? 564 00:31:15,320 --> 00:31:18,520 Speaker 2: Like yeah, like I remember, and also I think an 565 00:31:18,560 --> 00:31:22,040 Speaker 2: older brother with my oldest brother's five years older than me, 566 00:31:22,280 --> 00:31:25,480 Speaker 2: so like you got to see like he was going 567 00:31:25,520 --> 00:31:28,240 Speaker 2: through those spaces and you're like part just on for 568 00:31:28,360 --> 00:31:31,880 Speaker 2: the ride as well when yah and keeping up with 569 00:31:31,960 --> 00:31:35,280 Speaker 2: all the beef and you know, so like now I 570 00:31:35,360 --> 00:31:36,640 Speaker 2: feel like, of course I want to go to be 571 00:31:36,760 --> 00:31:39,960 Speaker 2: killing each other and being beefing, but I feel like 572 00:31:40,800 --> 00:31:43,400 Speaker 2: there was a bit of rawness and a bit of poetry. Yeah, 573 00:31:44,440 --> 00:31:48,360 Speaker 2: at that time, even seeing like the Fuji's Laurence hill 574 00:31:48,520 --> 00:31:50,440 Speaker 2: By the way Laurence Hill has a bad rip in 575 00:31:50,600 --> 00:31:54,880 Speaker 2: terms of being laid concerts. Thankfully, when she came this side, 576 00:31:54,960 --> 00:31:57,240 Speaker 2: she performed and she performed well, so I was so 577 00:31:57,360 --> 00:32:01,200 Speaker 2: happy excited to see her. But things like that where 578 00:32:01,240 --> 00:32:04,120 Speaker 2: it's like it had a flow and a poetry to it. 579 00:32:04,400 --> 00:32:07,720 Speaker 2: Now I feel like it's just about having a viral moment, yeah, 580 00:32:09,000 --> 00:32:10,480 Speaker 2: viral dance trend. 581 00:32:10,360 --> 00:32:11,200 Speaker 4: And then you move on. 582 00:32:11,800 --> 00:32:15,479 Speaker 2: So I feel like when it comes to American culture, 583 00:32:15,560 --> 00:32:19,360 Speaker 2: Black American culture, their music had more roots back in 584 00:32:19,440 --> 00:32:23,680 Speaker 2: the day and more more, more to chew on, and 585 00:32:23,800 --> 00:32:27,000 Speaker 2: now it's so quick I'm quick to forget, like oh yeah, 586 00:32:27,640 --> 00:32:29,600 Speaker 2: last month, okay. And I don't know if that's just 587 00:32:29,680 --> 00:32:33,160 Speaker 2: because of accessibility and streaming as we talked. 588 00:32:33,000 --> 00:32:36,400 Speaker 4: About before what. But then at the same time it 589 00:32:36,520 --> 00:32:37,520 Speaker 4: works the other way. 590 00:32:37,440 --> 00:32:42,560 Speaker 2: Like afrobeat has just shot up because because because the 591 00:32:42,600 --> 00:32:45,120 Speaker 2: people were able to follow these stars and get to 592 00:32:45,240 --> 00:32:47,760 Speaker 2: know them and know the person behind the song. 593 00:32:48,560 --> 00:32:51,400 Speaker 4: So it's a it's such a weird time, it is. 594 00:32:52,000 --> 00:32:56,320 Speaker 1: I think also the rise of mumbo rap also like 595 00:32:56,600 --> 00:33:01,040 Speaker 1: also showing a little bit because I'm literally, how do 596 00:33:01,160 --> 00:33:09,440 Speaker 1: you like music that just is and they all sound 597 00:33:09,480 --> 00:33:12,320 Speaker 1: the same and it's just like some imagen be and 598 00:33:12,360 --> 00:33:15,360 Speaker 1: I'm like, I mean I'll have like one or two 599 00:33:15,400 --> 00:33:17,080 Speaker 1: songs and I'm like, it's cool, but how do you 600 00:33:17,200 --> 00:33:19,760 Speaker 1: listen to that? Because I have like young like I 601 00:33:19,840 --> 00:33:22,200 Speaker 1: know young people who just like listen to it over 602 00:33:22,480 --> 00:33:25,560 Speaker 1: just like is your mind okay? Are you feel like 603 00:33:26,160 --> 00:33:28,800 Speaker 1: everything okay? Because I don't know when it is giving you, 604 00:33:29,000 --> 00:33:31,520 Speaker 1: you know, But again, I think I'm just showing my 605 00:33:31,640 --> 00:33:33,120 Speaker 1: age because I think it is. 606 00:33:33,120 --> 00:33:35,160 Speaker 2: An age thing because we used to feel the same. 607 00:33:35,240 --> 00:33:36,840 Speaker 2: I mean our parents used to feel the same way 608 00:33:36,840 --> 00:33:40,600 Speaker 2: about when he came on. Oh he's too controversial for sure, 609 00:33:40,600 --> 00:33:43,160 Speaker 2: and we were like, just do the lyrics. 610 00:33:42,840 --> 00:33:47,040 Speaker 1: The little boy, so may I saw him like Eminem 611 00:33:47,240 --> 00:33:51,560 Speaker 1: is good, like he like he's one of those artists, 612 00:33:51,600 --> 00:33:53,800 Speaker 1: you know, like because it's often like it should white 613 00:33:53,800 --> 00:33:56,360 Speaker 1: people be really rapping and all that, you know, like 614 00:33:56,440 --> 00:33:59,080 Speaker 1: with what's her name the Australian check your homie, what's 615 00:33:59,080 --> 00:34:03,160 Speaker 1: her name? Yeah, Like there's a lot of like contention 616 00:34:03,480 --> 00:34:06,800 Speaker 1: around her. But like Eminem, you can tell his street 617 00:34:06,920 --> 00:34:09,279 Speaker 1: and he's earned his crown, Like even on his song 618 00:34:09,760 --> 00:34:13,400 Speaker 1: Forever with It's Drake Kanye Little Wayne and him and 619 00:34:13,560 --> 00:34:18,160 Speaker 1: he bodied all of it, like he bodied like the energy, 620 00:34:18,400 --> 00:34:21,240 Speaker 1: like his lyrics, like he just came with that energy. 621 00:34:21,600 --> 00:34:24,279 Speaker 1: So you're right, maybe it's similar, you know to how 622 00:34:24,360 --> 00:34:26,880 Speaker 1: our parents see it. But I think hip hop has 623 00:34:26,960 --> 00:34:30,640 Speaker 1: changed the most drastically and like such a like confusing 624 00:34:30,719 --> 00:34:34,359 Speaker 1: way for me. And then R and B maybe because 625 00:34:34,360 --> 00:34:36,040 Speaker 1: I'm an R and B head, like that's my thing. 626 00:34:36,200 --> 00:34:38,520 Speaker 1: I love old school. R and B will forever be 627 00:34:38,640 --> 00:34:42,160 Speaker 1: my favorite. But I feel like news school is kind 628 00:34:42,239 --> 00:34:45,520 Speaker 1: of evolving now in a better direction than it was 629 00:34:45,760 --> 00:34:48,480 Speaker 1: maybe say five years ago or something like. 630 00:34:49,120 --> 00:34:51,840 Speaker 4: Do you feel like there was a low and rise? 631 00:34:52,160 --> 00:34:52,399 Speaker 1: Yeah? 632 00:34:52,680 --> 00:34:54,440 Speaker 4: Yeah, because I feel like we've got her. 633 00:34:55,000 --> 00:34:58,560 Speaker 1: She just comes with like yo, just her voice, just 634 00:34:58,680 --> 00:35:02,800 Speaker 1: her queen, all that, and then you've got La and 635 00:35:02,880 --> 00:35:05,920 Speaker 1: then you know, you're getting all these different artists now 636 00:35:06,000 --> 00:35:07,400 Speaker 1: who are coming with more. 637 00:35:07,400 --> 00:35:09,560 Speaker 4: Like in their fields. Those kids are in their. 638 00:35:12,440 --> 00:35:13,240 Speaker 1: What happened? 639 00:35:13,520 --> 00:35:14,280 Speaker 4: What happened? 640 00:35:14,480 --> 00:35:19,000 Speaker 1: Tell me? So yeah, so I definitely appreciate that. But yeah, 641 00:35:19,560 --> 00:35:21,960 Speaker 1: hip hop all right, and rap, I don't know, I 642 00:35:22,000 --> 00:35:24,040 Speaker 1: don't know, I don't know. Maybe I've just lost it. 643 00:35:24,560 --> 00:35:25,319 Speaker 1: I can't listen. 644 00:35:25,520 --> 00:35:30,080 Speaker 2: Yeah, maybe maybe, or maybe it's a nostalgia thing. You know, 645 00:35:30,200 --> 00:35:33,480 Speaker 2: we always love the old school things because we that's 646 00:35:33,520 --> 00:35:35,600 Speaker 2: when maybe we were getting to know each other and 647 00:35:35,760 --> 00:35:40,960 Speaker 2: getting to know identities, and maybe we associate. 648 00:35:40,440 --> 00:35:45,280 Speaker 4: That with all the music. Yeah, but we love dancing. 649 00:35:45,640 --> 00:35:49,759 Speaker 2: No matter what comes on, We'll be there. Oh wait, 650 00:35:49,840 --> 00:35:51,600 Speaker 2: that's all the grand niece on that dance flow. 651 00:35:51,880 --> 00:35:52,480 Speaker 4: I'm gonna be that. 652 00:35:52,640 --> 00:35:54,440 Speaker 2: I always say this about me to my nieces, and 653 00:35:54,560 --> 00:35:57,000 Speaker 2: I'm gonna be embarrassing them, like because I'll be like, 654 00:35:57,080 --> 00:35:58,040 Speaker 2: let's go to the club. 655 00:35:58,120 --> 00:36:02,840 Speaker 1: Let's go, Yeah, let's go dancing. They'll be like Auntie no, Like, 656 00:36:04,560 --> 00:36:06,840 Speaker 1: but like I love to dance. 657 00:36:06,880 --> 00:36:09,000 Speaker 2: I love to dance with you. I love to see 658 00:36:09,040 --> 00:36:13,080 Speaker 2: what's out there. Shout out place dance schools like Elan, 659 00:36:13,320 --> 00:36:16,440 Speaker 2: we don't need it, doesn't things like that where you 660 00:36:16,520 --> 00:36:18,400 Speaker 2: can just have a space to you know. 661 00:36:19,040 --> 00:36:24,520 Speaker 1: Yeah, and I love like especially over the summer, our summer, 662 00:36:24,640 --> 00:36:28,200 Speaker 1: but I was able to tune into DJ Kicks shout 663 00:36:28,200 --> 00:36:30,680 Speaker 1: out to DJ Kick Yes, and we would listen to 664 00:36:30,920 --> 00:36:37,240 Speaker 1: her set on PBSFM. I think you have a Afro 665 00:36:37,880 --> 00:36:40,560 Speaker 1: turn up makes you should tune up and you can 666 00:36:40,680 --> 00:36:44,120 Speaker 1: catch it even if you listening like so dope, Like 667 00:36:44,200 --> 00:36:46,759 Speaker 1: we would legitimately just be listening and like be like 668 00:36:47,400 --> 00:36:49,320 Speaker 1: you get to know new tracks, like I think I 669 00:36:49,680 --> 00:36:52,000 Speaker 1: got to know Woman by Rema from her and that 670 00:36:52,160 --> 00:36:52,799 Speaker 1: is my jam. 671 00:36:53,440 --> 00:36:57,000 Speaker 4: You know, I'm no, yeah, I know DJ kis is 672 00:36:57,080 --> 00:36:57,479 Speaker 4: a mood. 673 00:36:57,760 --> 00:37:02,759 Speaker 1: Yeah yeah, dope. So yeah, I love dancing and the 674 00:37:02,880 --> 00:37:05,800 Speaker 1: thing is like for us, I think when we're together 675 00:37:05,880 --> 00:37:08,759 Speaker 1: and we go dancing, it's literally just about like that 676 00:37:09,360 --> 00:37:14,080 Speaker 1: the joy and like the releasing of like whatever and 677 00:37:14,320 --> 00:37:18,200 Speaker 1: enjoying music to the fullest and your body and like, oh, 678 00:37:18,480 --> 00:37:18,840 Speaker 1: it's just. 679 00:37:19,200 --> 00:37:23,839 Speaker 4: It's having a good old time. We need to make 680 00:37:23,920 --> 00:37:24,799 Speaker 4: sure to give you. 681 00:37:24,840 --> 00:37:27,359 Speaker 2: Guys all the links and of all the people were 682 00:37:27,400 --> 00:37:31,279 Speaker 2: mentioning from Lauren d to DJ Kicks to the Land 683 00:37:31,360 --> 00:37:37,280 Speaker 2: Dance Studio, all these places up and coming black owned places. 684 00:37:37,800 --> 00:37:41,000 Speaker 1: So yeah, Africans African as well. 685 00:37:41,040 --> 00:37:44,480 Speaker 4: And African and balancing other things in life. 686 00:37:44,680 --> 00:37:47,759 Speaker 2: Were talking about the last episodes, So shout out to 687 00:37:47,840 --> 00:37:52,439 Speaker 2: these great creatives. We're making moves, Yeah, making moves the heck. 688 00:37:52,600 --> 00:37:55,719 Speaker 1: So, no, dancing is such a big part of like 689 00:37:56,320 --> 00:37:58,920 Speaker 1: our joy and we enjoy it. And so we're actually 690 00:37:58,920 --> 00:38:03,360 Speaker 1: gonna put together some sumthing a playlist for y'all the 691 00:38:03,480 --> 00:38:04,440 Speaker 1: groove with us. 692 00:38:04,719 --> 00:38:05,520 Speaker 4: And it's also. 693 00:38:08,120 --> 00:38:16,359 Speaker 1: Yeah, she ain't even heard no song and she's already done. Yeah, 694 00:38:16,400 --> 00:38:19,040 Speaker 1: we'll put together playlist of some of our dance jams 695 00:38:19,080 --> 00:38:23,120 Speaker 1: that both of us loving at the moment. Grateful, like 696 00:38:23,200 --> 00:38:25,080 Speaker 1: when you need to pick me up and you know, 697 00:38:25,400 --> 00:38:28,520 Speaker 1: just like if you get a midweek slump or you. 698 00:38:28,560 --> 00:38:31,879 Speaker 2: Know, past and present, we need to appreciate it all, 699 00:38:32,440 --> 00:38:35,239 Speaker 2: so look out for that. We'll give you, guys the 700 00:38:35,360 --> 00:38:37,440 Speaker 2: link on our Instagram page. 701 00:38:37,719 --> 00:38:42,879 Speaker 1: Yes, layer yes exactly, so our Instagram and she said 702 00:38:43,040 --> 00:38:46,800 Speaker 1: it's layd I T s l A y E r 703 00:38:47,000 --> 00:38:50,239 Speaker 1: e D just like that, and then you can email us. 704 00:38:50,320 --> 00:38:53,440 Speaker 1: Please let us know what you think, you know, send 705 00:38:53,520 --> 00:38:56,080 Speaker 1: us your questions, your thoughts, your whatever. 706 00:38:56,280 --> 00:38:57,200 Speaker 4: We're ready to hear it. 707 00:38:58,000 --> 00:39:01,960 Speaker 1: Our email is it's layered pod at gmail dot com. 708 00:39:02,280 --> 00:39:05,520 Speaker 1: That's I T S l A y E r e 709 00:39:05,680 --> 00:39:10,120 Speaker 1: D p O d antiport p O D at gmail 710 00:39:10,280 --> 00:39:13,440 Speaker 1: dot com. So yeah, please, we would love to hear 711 00:39:13,560 --> 00:39:16,279 Speaker 1: from you. Thank you for all you know, rocking with 712 00:39:16,440 --> 00:39:19,880 Speaker 1: us for another episode and we will see you on 713 00:39:20,200 --> 00:39:21,040 Speaker 1: the next one. 714 00:39:22,080 --> 00:39:26,040 Speaker 4: Hi, everybody, guy hie. 715 00:39:28,600 --> 00:39:29,960 Speaker 5: I'm always always sir. 716 00:39:31,320 --> 00:39:33,879 Speaker 4: Be careful tho