1 00:00:00,720 --> 00:00:02,160 Speaker 1: Hey, guys, how you doing good. 2 00:00:02,240 --> 00:00:02,719 Speaker 2: It's good. 3 00:00:02,880 --> 00:00:05,800 Speaker 3: I'm keen to hear your review for the Whale. 4 00:00:06,080 --> 00:00:07,640 Speaker 1: Oh yeah, this is a film that we're going to 5 00:00:07,680 --> 00:00:09,680 Speaker 1: be talking about a bit in the next couple of 6 00:00:09,680 --> 00:00:12,920 Speaker 1: months to come. Because Brendan Fraser, who was a nineties 7 00:00:13,039 --> 00:00:16,079 Speaker 1: heart throb, like he burst onto the scene in nineteen 8 00:00:16,120 --> 00:00:18,320 Speaker 1: ninety two seems like a long time ago now in 9 00:00:18,760 --> 00:00:21,840 Speaker 1: Icino Man, remember that Man, where he played a defrosted 10 00:00:21,960 --> 00:00:25,759 Speaker 1: cave man, and that film was also notable for giving 11 00:00:25,840 --> 00:00:28,080 Speaker 1: us Pauly Shaw like Pauli Shaw was a thing that 12 00:00:28,120 --> 00:00:30,560 Speaker 1: actually happened in the nineties, it's hard to believe now. 13 00:00:31,080 --> 00:00:34,000 Speaker 1: And Sean Aston as well, was in that film before 14 00:00:34,000 --> 00:00:37,879 Speaker 1: everybody realized he was actually a hobbit so and so. 15 00:00:38,440 --> 00:00:40,360 Speaker 1: And Brendan Fraser though, was the real star of that movie, 16 00:00:40,360 --> 00:00:42,440 Speaker 1: and he was able to kind of leverage the success 17 00:00:42,479 --> 00:00:45,240 Speaker 1: of that film into a whole bunch of leading roles 18 00:00:45,280 --> 00:00:47,800 Speaker 1: in films in the nineties and noughties, films like George 19 00:00:47,800 --> 00:00:50,120 Speaker 1: of the Jungle, which people loved him in that one 20 00:00:50,560 --> 00:00:53,000 Speaker 1: with his shirt off, great with his shirt off, bon Fraser, 21 00:00:53,760 --> 00:00:58,560 Speaker 1: The Mummy, The Mummy, three of those. Mummy maybe dazzled. 22 00:00:58,680 --> 00:01:04,360 Speaker 2: Yeah that warning his ex girlrid Yeah yeah, yeah early that. 23 00:01:05,319 --> 00:01:08,000 Speaker 1: Uh and so, but the Mummy was huge. The Mummy also, 24 00:01:08,040 --> 00:01:10,360 Speaker 1: of course gave us Dwayn Johnson, would we have the 25 00:01:10,440 --> 00:01:12,720 Speaker 1: rock if it wasn't for the Mummy returns? When he 26 00:01:12,720 --> 00:01:14,880 Speaker 1: played the Scorpion King, some of the worst CGI you'll 27 00:01:14,880 --> 00:01:17,319 Speaker 1: ever see has not aged well anyway. And so then, 28 00:01:17,520 --> 00:01:20,280 Speaker 1: for a number of reasons, some of them not not 29 00:01:20,400 --> 00:01:24,000 Speaker 1: really fantastic, Brendan Fraser's career, Brendan Fraser's career took a 30 00:01:24,040 --> 00:01:26,000 Speaker 1: bit of a downturn over the past ten years or so, 31 00:01:27,160 --> 00:01:28,600 Speaker 1: and he had dealt with a lot of stuff in 32 00:01:28,640 --> 00:01:32,240 Speaker 1: his own personal life and divorce some some you know, 33 00:01:32,319 --> 00:01:34,960 Speaker 1: child custody stuff as well, and so he's kind of 34 00:01:35,000 --> 00:01:38,520 Speaker 1: dropped off the radar completely. Life happened exactly, and then 35 00:01:38,560 --> 00:01:41,560 Speaker 1: he was cast by Darren Aronofsky, who of course is 36 00:01:41,560 --> 00:01:44,280 Speaker 1: the director behind sort of really sort of darkly psychological 37 00:01:44,280 --> 00:01:47,480 Speaker 1: films like Black Swan and Mother and Requiem for a 38 00:01:47,560 --> 00:01:52,320 Speaker 1: Dream about Wrestler and so he makes pretty serious films. 39 00:01:52,880 --> 00:01:55,559 Speaker 1: And for years he'd been looking for somebody to play 40 00:01:55,800 --> 00:02:01,160 Speaker 1: this morbidly obese teacher named Charlie An adaptation of a 41 00:02:01,200 --> 00:02:03,160 Speaker 1: stage play called The Whale that was written by a 42 00:02:03,200 --> 00:02:06,240 Speaker 1: dude named Samuel d. Hunter couldn't find the right actor 43 00:02:06,280 --> 00:02:09,160 Speaker 1: to play this role and then realized that, you know 44 00:02:09,160 --> 00:02:13,520 Speaker 1: what Brendan Fraser is. The dude cast him to play Charlie. 45 00:02:14,160 --> 00:02:16,760 Speaker 1: And it has just proven to be like capturing lightning 46 00:02:16,760 --> 00:02:20,360 Speaker 1: in a bottle for Brendan Fraser. Certainly, he's been getting 47 00:02:20,360 --> 00:02:22,720 Speaker 1: standing ovations at film festivals around the world. He had 48 00:02:22,800 --> 00:02:24,919 Speaker 1: like a six minute standing ovation at the Venice Film 49 00:02:24,960 --> 00:02:27,400 Speaker 1: Festival and there was that footage that leaked online of 50 00:02:27,480 --> 00:02:30,840 Speaker 1: him in tears, just overcome with the emotion of it all. 51 00:02:31,400 --> 00:02:34,600 Speaker 1: And then last month he was nominated for his very 52 00:02:34,639 --> 00:02:38,640 Speaker 1: first Academy Award as Best Actor for his performance. And 53 00:02:38,720 --> 00:02:40,600 Speaker 1: so we're going to be talking about Brendan Fraser. It's 54 00:02:40,600 --> 00:02:43,480 Speaker 1: a huge, huge comeback. It's an amazing story. The film 55 00:02:43,560 --> 00:02:44,839 Speaker 1: itself is like a nice guy. 56 00:02:45,240 --> 00:02:46,040 Speaker 3: It's one of those. 57 00:02:48,560 --> 00:02:51,440 Speaker 1: You know, he's kind of made him cry, did you really? 58 00:02:51,440 --> 00:03:00,720 Speaker 1: He's a very sensitive dude. It's Ben from per the 59 00:03:00,760 --> 00:03:04,440 Speaker 1: moment now he's a very very sensitive dude, very thoughtful, 60 00:03:04,680 --> 00:03:07,240 Speaker 1: very interesting to talk to. The film itself, so it's 61 00:03:07,280 --> 00:03:10,600 Speaker 1: about it's about this character Charlie, who's house bound because 62 00:03:11,000 --> 00:03:13,240 Speaker 1: he weighs like three hundred kilos, like, he's a really 63 00:03:13,440 --> 00:03:16,320 Speaker 1: morbidly obese guy and who's gone through some personal trauma 64 00:03:16,320 --> 00:03:18,360 Speaker 1: in his life and has basically decided that he's going 65 00:03:18,400 --> 00:03:21,240 Speaker 1: to eat himself to death. So it's pretty pretty tragic tale. 66 00:03:22,360 --> 00:03:24,800 Speaker 1: He teaches online so he doesn't have to he doesn't 67 00:03:24,840 --> 00:03:26,960 Speaker 1: have to go into the class anymore, and he has 68 00:03:26,960 --> 00:03:29,079 Speaker 1: the little webcam turned off so his students don't have 69 00:03:29,120 --> 00:03:30,600 Speaker 1: to look at him. So it's a really sad story. 70 00:03:31,520 --> 00:03:33,639 Speaker 1: And the only person who's really there to look after 71 00:03:33,720 --> 00:03:36,960 Speaker 1: him is his best mate, Liz, who's a nurse and 72 00:03:37,000 --> 00:03:40,160 Speaker 1: has been his longtime friend and is the sister of 73 00:03:40,200 --> 00:03:43,000 Speaker 1: his partner who died and which is the cause of 74 00:03:43,040 --> 00:03:46,520 Speaker 1: this trauma, and she realizes that his kind of days 75 00:03:46,520 --> 00:03:48,440 Speaker 1: are numbered. All she can really do is kind of 76 00:03:48,440 --> 00:03:51,080 Speaker 1: offer him companionship and a bit of comfort in his 77 00:03:51,120 --> 00:03:53,080 Speaker 1: sort of final days on earth. But he has one 78 00:03:53,080 --> 00:03:55,640 Speaker 1: important task to do before he goes, which is to 79 00:03:55,680 --> 00:03:59,040 Speaker 1: reconnect with his estranged daughter, who's played by Sadie Sink 80 00:03:59,120 --> 00:04:02,120 Speaker 1: from Stranger Things, who's pretty good. 81 00:04:02,000 --> 00:04:02,600 Speaker 2: In this as well. 82 00:04:02,960 --> 00:04:05,560 Speaker 1: And Liz is played by Hong Chow, who's a great 83 00:04:05,800 --> 00:04:08,240 Speaker 1: Chinese American actress, and she was nominated for an Oscar 84 00:04:08,280 --> 00:04:10,240 Speaker 1: as well for her role in this film. She's really 85 00:04:10,320 --> 00:04:12,760 Speaker 1: really great. And so the film is about how he 86 00:04:12,800 --> 00:04:15,320 Speaker 1: goes about reconnecting with his daughter, who finds him like 87 00:04:15,520 --> 00:04:19,280 Speaker 1: disgusting and is angry with him for abandoning her mother 88 00:04:19,880 --> 00:04:23,800 Speaker 1: when she was just a little baby. And interestingly, like 89 00:04:23,880 --> 00:04:27,320 Speaker 1: Aaronofsky takes a sort of an interesting approach when it 90 00:04:27,320 --> 00:04:29,080 Speaker 1: comes to this film, Like he he's a guy who 91 00:04:29,160 --> 00:04:31,640 Speaker 1: kind of uses what we call body horror when it 92 00:04:31,640 --> 00:04:34,000 Speaker 1: comes to film, so like using the human body to 93 00:04:34,000 --> 00:04:36,320 Speaker 1: create kind of like you know, sort of horrific scenes 94 00:04:36,360 --> 00:04:39,040 Speaker 1: that really put the audience on edge. So in Black Swan, 95 00:04:39,120 --> 00:04:41,840 Speaker 1: it was Natalie Portman like pulling feather quills out of 96 00:04:41,920 --> 00:04:44,400 Speaker 1: her skin, and so in this film he does it 97 00:04:44,440 --> 00:04:48,120 Speaker 1: as well with sort of like the Charlie's sort of obesity. 98 00:04:48,520 --> 00:04:50,680 Speaker 1: And there are times where it's kind of like really 99 00:04:51,480 --> 00:04:54,120 Speaker 1: overwhelming and terrifying to see this kind of like hulking 100 00:04:54,160 --> 00:04:58,960 Speaker 1: figure on screen. And so for me, maybe that didn't 101 00:04:59,000 --> 00:05:02,880 Speaker 1: really help the audi have empathy and sympathy for the character. 102 00:05:02,920 --> 00:05:05,200 Speaker 1: It kind of turned him into a bit of a monster, 103 00:05:05,480 --> 00:05:07,520 Speaker 1: which I don't know if I'm really down with the 104 00:05:07,560 --> 00:05:11,440 Speaker 1: morality of that, but Brendan Fraser's performance kind of brings 105 00:05:11,440 --> 00:05:13,920 Speaker 1: it back and kind of grounds it in this humanity 106 00:05:14,120 --> 00:05:15,839 Speaker 1: that I think is really hard to turn away from. 107 00:05:15,880 --> 00:05:17,880 Speaker 1: He had to put one hundred and twenty kilos of 108 00:05:17,920 --> 00:05:22,000 Speaker 1: prosthetics to play the three hundred kilo Charlie. Is an 109 00:05:22,040 --> 00:05:25,599 Speaker 1: incredible amount of special effects involved. Like none of it 110 00:05:25,640 --> 00:05:27,800 Speaker 1: was digital. It was all analog special effects, so like 111 00:05:27,800 --> 00:05:29,720 Speaker 1: the director had to come in between takes and kind 112 00:05:29,760 --> 00:05:32,839 Speaker 1: of move parts of him into place. So it was very, 113 00:05:32,920 --> 00:05:34,880 Speaker 1: very strange. It is hard work the way they went 114 00:05:34,880 --> 00:05:38,680 Speaker 1: about making this movie. But the other problem for me 115 00:05:38,720 --> 00:05:40,880 Speaker 1: with it is because it's based on this stage play. 116 00:05:41,120 --> 00:05:44,280 Speaker 1: At times, some scenes feel like they probably would work 117 00:05:44,320 --> 00:05:46,719 Speaker 1: better on a stage than they do in a cinema, 118 00:05:47,240 --> 00:05:49,120 Speaker 1: and so like it kind of takes you away from 119 00:05:49,120 --> 00:05:51,479 Speaker 1: the reality of cinema and it makes you think, Okay, 120 00:05:51,480 --> 00:05:55,320 Speaker 1: it's kind of a bit contrived at times, but overall, 121 00:05:55,480 --> 00:05:58,200 Speaker 1: it's just such an impressive performance from Brendan Fraser, Like 122 00:05:58,240 --> 00:06:00,440 Speaker 1: he is absolutely amazing, and you'd have to say he's 123 00:06:00,440 --> 00:06:01,800 Speaker 1: the favorite for the Oscar at this point. 124 00:06:01,839 --> 00:06:03,359 Speaker 2: Based on this, we're just talking about that. 125 00:06:03,560 --> 00:06:05,440 Speaker 3: What are you giving the Whale? 126 00:06:05,920 --> 00:06:07,840 Speaker 1: Yeah, it's not perfect, it's got some problems, but I 127 00:06:07,880 --> 00:06:11,000 Speaker 1: think for Brendan Fraser's performance and Hong Charles performance alone, 128 00:06:11,240 --> 00:06:12,760 Speaker 1: I'm going to give this one three and a half stars. 129 00:06:12,839 --> 00:06:14,839 Speaker 1: Definitely worth a looks, Definitely not easy to watch, but. 130 00:06:15,480 --> 00:06:16,960 Speaker 2: It was a source of ridicule for a four while 131 00:06:16,960 --> 00:06:18,080 Speaker 2: while it wasn't Brendon Fraser. 132 00:06:18,120 --> 00:06:20,200 Speaker 3: So I was going to ask you your thoughts on 133 00:06:20,279 --> 00:06:22,600 Speaker 3: the Oscar because this is a really tough year. You'd 134 00:06:22,600 --> 00:06:25,680 Speaker 3: agree to be nominated for the Men's Award because you've 135 00:06:25,680 --> 00:06:27,000 Speaker 3: got Colin. 136 00:06:26,760 --> 00:06:30,120 Speaker 1: Farrell, Yep, Butler great performance. 137 00:06:29,760 --> 00:06:32,040 Speaker 3: And Brendan Fraser, and so far they've all won an 138 00:06:32,040 --> 00:06:35,359 Speaker 3: award for their performances. So you're going, You're going, Brendan. 139 00:06:35,560 --> 00:06:38,640 Speaker 1: Yeah. I just think that the comeback story, I think 140 00:06:38,720 --> 00:06:40,520 Speaker 1: is a very powerful in the minds of the voters 141 00:06:40,520 --> 00:06:41,279 Speaker 1: and the Oscar voters. 142 00:06:41,279 --> 00:06:43,279 Speaker 3: That's true, it's not doesn't it's not just it's. 143 00:06:43,120 --> 00:06:45,760 Speaker 1: Not just come down to and so like I think 144 00:06:45,920 --> 00:06:48,960 Speaker 1: Austin Butler would have a red chance any comebacks, a 145 00:06:49,000 --> 00:06:51,040 Speaker 1: comeback story around Brendan Fraser. 146 00:06:51,040 --> 00:06:53,080 Speaker 2: I want tears on the pod, especially a guy who's 147 00:06:53,120 --> 00:06:55,440 Speaker 2: never really kill for a while, but also guy has 148 00:06:55,440 --> 00:06:56,520 Speaker 2: never really been the change. 149 00:06:56,320 --> 00:06:57,800 Speaker 1: And a nice guy people love. 150 00:06:58,200 --> 00:07:00,360 Speaker 3: Ask you something else, but you're talking about the him 151 00:07:00,400 --> 00:07:04,360 Speaker 3: an Oscar's night. Kate Blanchett, Yeah, nominated. Of course, she's 152 00:07:04,400 --> 00:07:09,840 Speaker 3: been very lippy lately about how you know we shouldn't 153 00:07:09,840 --> 00:07:12,360 Speaker 3: get awards, you should just say, you know, we're all wonderful. Yeah, 154 00:07:12,480 --> 00:07:14,160 Speaker 3: she was quite happy to hold that a ward above 155 00:07:14,160 --> 00:07:15,400 Speaker 3: her head and say I'm off. 156 00:07:15,320 --> 00:07:18,280 Speaker 1: And I'm sure put her on the mantle pace if. 157 00:07:18,120 --> 00:07:20,840 Speaker 3: She won the Oscar, and I think she's probably very 158 00:07:20,960 --> 00:07:22,880 Speaker 3: likely it's not, as it's not as tough in the 159 00:07:22,960 --> 00:07:25,080 Speaker 3: women's category this year as it is in the men's. 160 00:07:25,720 --> 00:07:27,840 Speaker 3: Do you what do you think she should do? She 161 00:07:27,840 --> 00:07:29,880 Speaker 3: should put her Oscar where her mouth is or. 162 00:07:30,120 --> 00:07:30,800 Speaker 2: Yeah, give it back. 163 00:07:30,840 --> 00:07:33,040 Speaker 1: Well, you know, I actually think he's a conspiracy theory, Earl, 164 00:07:33,560 --> 00:07:35,520 Speaker 1: that she has already won a couple of Oscars, She's 165 00:07:35,560 --> 00:07:38,480 Speaker 1: won pretty much everything, and she's the sort of person 166 00:07:38,560 --> 00:07:41,440 Speaker 1: who I think doesn't necessarily want to keep on winning awards. 167 00:07:41,520 --> 00:07:44,240 Speaker 1: She does want to generally share it around, and so 168 00:07:44,600 --> 00:07:48,920 Speaker 1: maybe she was deliberately trying to encourage Oscar voters to 169 00:07:48,960 --> 00:07:50,560 Speaker 1: give it to Michelle Yo instead. 170 00:07:50,720 --> 00:07:51,320 Speaker 2: Do you think so? 171 00:07:51,440 --> 00:07:52,280 Speaker 1: I think it's possible. 172 00:07:52,360 --> 00:07:54,440 Speaker 2: Okay, it's definitely possible. Or maybe on the night she'll 173 00:07:54,480 --> 00:07:56,560 Speaker 2: do a Marlon Brando and send it a Native American 174 00:07:56,600 --> 00:07:57,320 Speaker 2: to collect for. 175 00:07:57,280 --> 00:07:59,400 Speaker 1: Her, because she doesn't seem to want it so and 176 00:07:59,400 --> 00:08:01,000 Speaker 1: Michelle Yo definitely deserves it. 177 00:08:01,040 --> 00:08:03,280 Speaker 2: And she took it wonderful. Yeah, she took it home. 178 00:08:03,560 --> 00:08:04,880 Speaker 2: And that's a big mantle piece. She's got it. 179 00:08:05,200 --> 00:08:08,360 Speaker 3: It's gonna be an interesting Oscar's night, these guys. 180 00:08:08,040 --> 00:08:10,800 Speaker 2: Sweet Benochet returns next week and will work out which 181 00:08:10,800 --> 00:08:12,640 Speaker 2: Oscar nominee he made cry