1 00:00:00,920 --> 00:00:01,920 Speaker 1: This is jam Nation. 2 00:00:02,200 --> 00:00:08,360 Speaker 2: We're talking nudity because Spencer Tunic is on our show today. 3 00:00:08,880 --> 00:00:09,520 Speaker 1: On Saturday. 4 00:00:09,520 --> 00:00:13,200 Speaker 2: He's going to be photographing twenty five two hundred people 5 00:00:13,280 --> 00:00:15,680 Speaker 2: two and a half thousand people in the nuds for 6 00:00:15,960 --> 00:00:18,599 Speaker 2: art and also as a community message. They're trying to 7 00:00:18,680 --> 00:00:22,599 Speaker 2: raise money to have screening for skin cancers. 8 00:00:22,160 --> 00:00:24,000 Speaker 3: And this time he's promised to bring his camera. 9 00:00:24,960 --> 00:00:25,520 Speaker 1: It's interesting. 10 00:00:25,560 --> 00:00:27,720 Speaker 2: We spoke to Kate, our producer who is going to 11 00:00:27,760 --> 00:00:30,480 Speaker 2: be part of this on Saturday, and she said that 12 00:00:30,480 --> 00:00:33,400 Speaker 2: that you can't just buy the pictures, you can only 13 00:00:33,440 --> 00:00:35,440 Speaker 2: buy the image if you've been in it. 14 00:00:36,000 --> 00:00:36,640 Speaker 1: I like that. 15 00:00:36,640 --> 00:00:40,280 Speaker 3: That's a good idea and it's hard. I don't know. 16 00:00:40,280 --> 00:00:41,680 Speaker 3: If I put it up on my wall. 17 00:00:41,600 --> 00:00:43,159 Speaker 1: I would. I think it's an amazing If you're going 18 00:00:43,200 --> 00:00:45,320 Speaker 1: to be absolutely you would. 19 00:00:45,520 --> 00:00:49,760 Speaker 3: It'd be like where's Wally, where's Willy? Where exactly free Willy? 20 00:00:50,080 --> 00:00:51,800 Speaker 3: And have you ever done public nudity? 21 00:00:51,960 --> 00:00:54,200 Speaker 2: No, I'm not a nudy And it's interesting you say 22 00:00:54,200 --> 00:00:56,320 Speaker 2: you're not a nudy person and yet you've done it 23 00:00:56,320 --> 00:00:57,000 Speaker 2: on television. 24 00:00:57,200 --> 00:01:00,040 Speaker 3: Well, we did it for the Real four Monty and 25 00:01:00,080 --> 00:01:03,520 Speaker 3: it is it's it seems a little surreal. Now to 26 00:01:03,560 --> 00:01:06,479 Speaker 3: talk about it. But when you're standing on stage and 27 00:01:07,000 --> 00:01:09,039 Speaker 3: the theater is packed and you're just standing in the 28 00:01:09,120 --> 00:01:11,760 Speaker 3: nudefence applauding, it's it's kind of liberating. 29 00:01:11,800 --> 00:01:13,759 Speaker 1: It sounds like you're describing a fever dream. 30 00:01:13,880 --> 00:01:15,480 Speaker 3: It is a bit like a fever dream. But there 31 00:01:15,520 --> 00:01:18,399 Speaker 3: was it was just this because all the guys were 32 00:01:18,440 --> 00:01:19,559 Speaker 3: just standing there and. 33 00:01:19,440 --> 00:01:22,520 Speaker 1: All trying to get next to Shane Jacobson. You were 34 00:01:22,560 --> 00:01:24,560 Speaker 1: next to Jet Kenny. Don't think anyone. 35 00:01:24,319 --> 00:01:26,760 Speaker 3: Saw you exactly. And then and you know, when I 36 00:01:26,840 --> 00:01:29,000 Speaker 3: was standing in completely naked, I was looking at Jet 37 00:01:29,080 --> 00:01:32,600 Speaker 3: Kenny's mum, Lisa Curry, like just looking straight down at 38 00:01:32,600 --> 00:01:34,240 Speaker 3: her and she's just looking at me. 39 00:01:34,400 --> 00:01:35,880 Speaker 1: Well, where does she look on a light like that? 40 00:01:37,200 --> 00:01:39,800 Speaker 3: And they mucked up the lights so the lights weren't 41 00:01:39,800 --> 00:01:41,800 Speaker 3: supposed to come on full ball when we were standing 42 00:01:41,800 --> 00:01:44,240 Speaker 3: there naked. There's a bit when the song leave Your 43 00:01:44,280 --> 00:01:48,680 Speaker 3: Hat On, sung by Tom Jones finishes and when we 44 00:01:48,920 --> 00:01:50,560 Speaker 3: reveal our area. 45 00:01:50,480 --> 00:01:53,440 Speaker 1: With the hat you were encompassing the shine. 46 00:01:53,560 --> 00:01:55,520 Speaker 3: I like to get one of those big yellowstone hats 47 00:01:56,320 --> 00:01:59,360 Speaker 3: when you were doing that Brera. When you were doing that, 48 00:01:59,800 --> 00:02:02,560 Speaker 3: we said, well, how long do we stay in that 49 00:02:02,640 --> 00:02:03,360 Speaker 3: post for. 50 00:02:03,320 --> 00:02:05,840 Speaker 2: Because that's when you just that's the first time your 51 00:02:05,920 --> 00:02:07,480 Speaker 2: hands for everyone's looking at it. 52 00:02:07,480 --> 00:02:09,760 Speaker 3: It's a bit like a fan dance with a hat. 53 00:02:10,160 --> 00:02:12,880 Speaker 3: And we all agreed that it would be three seconds 54 00:02:13,160 --> 00:02:17,600 Speaker 3: that people would see you one thousand, two thousand, three thousand. 55 00:02:17,639 --> 00:02:19,160 Speaker 3: But you're not in a lifetime. 56 00:02:19,200 --> 00:02:21,440 Speaker 1: But you're not in the full glare on TV. You 57 00:02:21,440 --> 00:02:22,960 Speaker 1: don't see you guys. 58 00:02:22,960 --> 00:02:26,359 Speaker 3: On the TV. They've got lights that focus in different areas. 59 00:02:27,520 --> 00:02:28,639 Speaker 1: But jet, Kenny. 60 00:02:29,880 --> 00:02:34,639 Speaker 3: Jet. But for that three seconds, we're standing there completely 61 00:02:34,720 --> 00:02:35,480 Speaker 3: nude like this. 62 00:02:35,680 --> 00:02:37,240 Speaker 1: And so how did the light's malfunction? 63 00:02:37,360 --> 00:02:39,320 Speaker 3: Well, they were too bright. It was all on there. 64 00:02:39,360 --> 00:02:42,799 Speaker 3: I could feel it. I almost got to burn too much, 65 00:02:43,639 --> 00:02:46,360 Speaker 3: too much, too much. And then I walked up stage 66 00:02:46,400 --> 00:02:49,680 Speaker 3: straight into the arms of Todd McKenny. Welcome to the theater. 67 00:02:49,760 --> 00:02:52,680 Speaker 1: And did he carry you out like officer and a gentleman. 68 00:02:53,120 --> 00:02:57,520 Speaker 3: You belong to me now, So you're. 69 00:02:57,360 --> 00:03:01,640 Speaker 1: Not though a nudy. I'm not a noody. Millie. 70 00:03:01,639 --> 00:03:03,800 Speaker 2: Perhaps she doesn't mind us saying this. Our executive ducer 71 00:03:03,840 --> 00:03:05,720 Speaker 2: said that her parents, when she grew up, we're always 72 00:03:05,720 --> 00:03:07,000 Speaker 2: walking around the house in the nud and if she 73 00:03:07,080 --> 00:03:09,440 Speaker 2: was having a friend over for a sleepover. She'd have 74 00:03:09,480 --> 00:03:12,519 Speaker 2: to say, can you please not be nude this weekend? 75 00:03:12,639 --> 00:03:13,920 Speaker 3: What age group were we talking. 76 00:03:13,800 --> 00:03:16,320 Speaker 1: Well, she sa in primary school. I mean any age. 77 00:03:16,360 --> 00:03:18,919 Speaker 3: We're not twelve, though, Well, is it. 78 00:03:19,080 --> 00:03:21,519 Speaker 2: Five's terrible if your friends are coming over your parents 79 00:03:21,560 --> 00:03:23,600 Speaker 2: in the nude. Friend of mine used to this is 80 00:03:23,720 --> 00:03:26,720 Speaker 2: I was in probably very early high school. Friend mine 81 00:03:26,760 --> 00:03:29,000 Speaker 2: would babysit, and she said one time the mother came 82 00:03:29,040 --> 00:03:31,880 Speaker 2: in and didn't have a bra on, and we spoke 83 00:03:31,919 --> 00:03:35,720 Speaker 2: about it for years. I'm still talking about it. Remember 84 00:03:35,760 --> 00:03:37,960 Speaker 2: she said to me, she came in and she had. 85 00:03:37,840 --> 00:03:39,680 Speaker 3: No brazie, just topless. 86 00:03:39,880 --> 00:03:43,000 Speaker 2: Yeah, and we just thought that was the most extraordinarily 87 00:03:43,040 --> 00:03:44,840 Speaker 2: outrageous thing we'd ever heard. 88 00:03:44,960 --> 00:03:48,480 Speaker 1: If you're not a nudy, you don't, Yeah, it's crazy. 89 00:03:48,480 --> 00:03:50,960 Speaker 3: It's quite natural. Really. You look at Oudam and Eve. 90 00:03:51,320 --> 00:03:53,640 Speaker 3: You know they covered up their modesty with the fig leaf, 91 00:03:53,760 --> 00:03:55,320 Speaker 3: but before that they're all nude. 92 00:03:56,760 --> 00:03:59,080 Speaker 2: Well, you were talking earlier about let's talk about the snake. 93 00:03:59,160 --> 00:04:02,280 Speaker 2: You were talking earlier about your friend's scamp who, after 94 00:04:02,320 --> 00:04:03,960 Speaker 2: a few drinks at a party, loves to do a 95 00:04:04,000 --> 00:04:05,520 Speaker 2: street and. 96 00:04:05,160 --> 00:04:08,200 Speaker 3: It's part of the entertainment. One time, though, we caught 97 00:04:08,240 --> 00:04:11,440 Speaker 3: him midstreak. I caught him, and Missus scamp caught him. 98 00:04:11,480 --> 00:04:13,560 Speaker 3: Missus Scampson, you're not doing it. You're not needing up. 99 00:04:13,640 --> 00:04:16,400 Speaker 3: Because the skill that he has is he one that 100 00:04:16,440 --> 00:04:17,320 Speaker 3: he's fully closed. 101 00:04:17,560 --> 00:04:19,160 Speaker 1: Is he like one of his tripper out it's one 102 00:04:19,240 --> 00:04:20,159 Speaker 1: zipper and it's all off. 103 00:04:20,240 --> 00:04:22,840 Speaker 3: I don't know how he does it, honestly, it's that 104 00:04:23,000 --> 00:04:25,360 Speaker 3: in itself is amazing. The next minute he's running through 105 00:04:25,360 --> 00:04:26,720 Speaker 3: the place nude, and. 106 00:04:26,640 --> 00:04:31,799 Speaker 1: It's always show us the bomb. 107 00:04:32,040 --> 00:04:36,520 Speaker 3: But one day, halfway through I hear this, Missus Scampson, 108 00:04:36,600 --> 00:04:38,520 Speaker 3: you're not doing it. I've looked and she's trying to 109 00:04:38,560 --> 00:04:41,360 Speaker 3: keep him from ripping down his undies. And so I'm 110 00:04:41,400 --> 00:04:43,240 Speaker 3: on the other side of him, pulling his undies up 111 00:04:43,320 --> 00:04:46,640 Speaker 3: and pulling him down rather let him be free. The 112 00:04:46,760 --> 00:04:48,240 Speaker 3: night needs it. We all want to go on