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Speaker 1: It's Soosy and John Man.

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Speaker 2: It's Dozy Man's cutting.

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Speaker 3: On the cutting room floor, our first for twenty twenty five.

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Speaker 1: I'm being like this because we're now on camera, are we? Yeah?

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Speaker 4: Him, ma'am you can't hold your stomach him for all

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Speaker 4: this time?

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Speaker 3: Surely and cuss what your handshake reveals about your sex life?

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Speaker 1: What sort of handshake do you have? Let's shake the hands.

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Speaker 1: Just reach over there, friendly.

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Speaker 4: Are you deliberately went h you deliberately went a big knuckle?

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Speaker 4: C No, No, you did, you you did really hard.

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Speaker 4: You don't normally. Oh, now you're doing that old man

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Speaker 4: finger on the palm on an old idiot would do that.

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Speaker 1: I have. I like to think a good handshake.

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Speaker 4: I'd like to think I do too.

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Speaker 1: Your handshake feels quite firm.

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Speaker 4: Are you ever put off by women shaking your hand?

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Speaker 4: Because when I used to, when I used to work

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Speaker 4: at Beyond two thousand, in some cultures, people were just

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Speaker 4: horrified that I went to shake their hands.

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Speaker 3: Yeah, no, I have no beef for that when I

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Speaker 3: meet important women.

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Speaker 1: From the Prime Minister when she was doing it too, But.

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Speaker 3: Then Julia when she was in judge, I'd give her

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Speaker 3: a bit of a kiss as well, handshake and a kiss.

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Speaker 4: Yeah, that's the hard thing. You don't know which way

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Speaker 4: to go. But you do that with Anthony Alberiezi right

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Speaker 4: in the middle of the bea smack up? Are you

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Speaker 4: saying now, bend over?

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Speaker 3: I give him the kiss on the lips, the kiss

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Speaker 3: of death. Either you did that to himself though. Anyway,

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Speaker 3: this isn't about politics. This is about the sexual behaviors

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Speaker 3: of four thousand men and women.

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Speaker 4: And these yes, they just shake hands instead.

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Speaker 3: These researchers what they looked at at the upper body

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Speaker 3: strength and primarily grip strength.

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Speaker 1: So this is what they looked at.

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Speaker 3: And they found stronger men were more likely to be

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Speaker 3: in long term relationships. Who does the stronger men women rather,

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Speaker 3: were more likely to have higher numbers of sexual partners.

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Speaker 1: Just let me fear you again.

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Speaker 4: I deliberately did a big wet fish.

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Speaker 1: You've had no sexual pass.

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Speaker 4: I deliberately did the big wet fish.

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Speaker 1: How you ever had a child?

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Speaker 3: This was done by the Washington State University, so they

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Speaker 3: know what they're talking about.

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Speaker 4: Well, they're just saying that strong, confident people are more

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Speaker 4: likely to be more sexual. That's obviously what they're saying.

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Speaker 3: Upper body strength, they go on to say, is a

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Speaker 3: favorable natural selection trait making them a more attractive mate.

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Speaker 4: I don't think it's strength. I think it's confidence. As

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Speaker 4: to how you shake your hand, it's not about strength.

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Speaker 3: If you, I would gout garner, and I'm no scientist, No,

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Speaker 3: I would garner that a person with a dead limpfish

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Speaker 3: handshake is not going to be hot in the kite.

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Speaker 1: No.

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Speaker 4: But I think if you've got a limp handshake, it's

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Speaker 4: because you don't have confidence. It's not because you don't

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Speaker 4: have strength.

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Speaker 1: Do you think so? Or you're just lazy.

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Speaker 4: But if you walk into a room, you own the room,

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Speaker 4: you put your hand out and you shake it, that's

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Speaker 4: a sign of confidence strength.

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Speaker 1: Maybe you need one of those those gripper things.

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Speaker 4: You get, yeah, you know you've been practicing.

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Speaker 1: Charles Atlas used to sell them, that's.

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Speaker 4: Right, and not the bullworker. Get my chest hairs caught.

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Speaker 1: You get the bullworker and then you get the gripper

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Speaker 1: thing as well.

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Speaker 4: And what muscles that supposed to work your hand muscles?

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Speaker 1: Well?

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Speaker 4: Who needs strong hair?

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Speaker 1: Is that scoo good to have strong opening jars?

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Speaker 3: There is nothing more effeminate than a man that can't

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Speaker 3: open a jar really because the warm We'll say, oh

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Speaker 3: can you open this jar?

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Speaker 1: And here, yep, there you go.

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Speaker 4: And what if you can't, what do you do?

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Speaker 1: Well?

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Speaker 3: Then I bash it on the side of the desk,

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Speaker 3: or run some hot water on it.

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Speaker 4: You know what I do? You turn it upside down

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Speaker 4: and you get a knife, not a sharp one, but

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Speaker 4: like a button knife, and you put it in between

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Speaker 4: the lid and this and the jar and you just

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Speaker 4: sort of go around and sort of loosen it a

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Speaker 4: little bit and it breaks the seal.

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Speaker 1: That is the dumbest idea? Is that why you've got

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Speaker 1: Brian all over your kitchen bench?

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Speaker 4: Brian, he hasn't been another for weeks. But see this

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Speaker 4: is what men think. I'm strong, I can do it.

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Speaker 4: All you need is a smart person to come in

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Speaker 4: and show you another way.

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Speaker 1: Or you just need a man that can open it.

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Speaker 4: Do you have one?

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Speaker 1: A man with kung fu crip? That's what you need.

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Speaker 4: So what have we deduced from any of this?

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Speaker 1: I'm hot in the cot.

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Speaker 4: You know, you're pointing in your own face and you

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Speaker 4: bang your elbow on the desk. Frank Spencer, Amanda, Hello,

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Speaker 4: did you like your basket?

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Speaker 1: I love my bus.

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Speaker 4: This morning we presented Brendan Jonesy Jones with a basket

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Speaker 4: to celebrate him being a new grandfather.

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Speaker 1: Exciting times.

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Speaker 4: What was in the basket? Have a look.

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Speaker 3: I was a bit worried it was going to be

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Speaker 3: one of those T shirts with a combie on the

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Speaker 3: front that says old guys rule, which I hate.

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Speaker 4: You can't help yourself. You went a bursket. And then

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Speaker 4: when I said it's a celebrate, bring your grandfather the

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Speaker 4: face of hate that you gave me, you just said,

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Speaker 4: I like that stuff I got.

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Speaker 1: You got me a big hat.

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Speaker 4: A big sun hat.

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Speaker 1: That's what old coots wear already. You got me some

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Speaker 1: old gold.

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Speaker 4: Chocolate and the thing that was in there. My main

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Speaker 4: suggestion was a packet of Worther's Originals because they're old

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Speaker 4: people's lollies and can I have someplace?

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Speaker 1: Yes? Are they from your bag? You also got slippers

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Speaker 1: Canadian whiskeys.

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Speaker 4: Yeah, you got slippers. You've got flannel lit pajama pants

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Speaker 4: that you can gape out of like old men do.

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Speaker 1: And a noise canceling head.

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Speaker 4: Yes, because if babies get noisy, because your ears might

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Speaker 4: get sensitive.

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Speaker 1: So thank you.

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Speaker 4: You're welcome. Can I actually have a word as original?

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Speaker 1: I got to dig through the basket.

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Speaker 4: Ok, people that goll land up in the model of

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Speaker 4: my briefcase. Eventually you want the whole pack? Yeah, thank you. Now,

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Speaker 4: while we're speaking of grandfather's there's a story I was

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Speaker 4: reading this morning that probably isn't so charming as a

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Speaker 4: packet of Wathers originals. This mum said that she's got

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Speaker 4: two toddlers, three and two. She just wanted to go

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Speaker 4: to the bathroom for a moment, just for a moment.

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Speaker 4: This is what happens when you've got children. You go

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Speaker 4: look away for a second. And she came out and

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Speaker 4: she thought, why are they playing with all that white dirt?

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Speaker 4: What's that? All that white chalky stuff they're playing with.

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Speaker 4: Turns out it was smeared all over their faces, all

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Speaker 4: over their hands, all over some furniture. It was Grandpa.

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Speaker 4: It was Grandpa's ashes. Grandpa, don't be relieved. It's not

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Speaker 4: a nice story.

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Speaker 1: Well, no, I just said, what the hell?

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Speaker 4: So she said, where does it all come from? She

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Speaker 4: discovered later the empty container that it housed the grandfather's

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Speaker 4: ashes and the dirt, and the truth dawned on her

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Speaker 4: that the dirt was his cremated remains. She said, they

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Speaker 4: got him and they dumped him all over the carpet.

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Speaker 4: I didn't realize it was poor poor, meaning that was

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Speaker 4: his name, paw paw, until I vacuumed him up.

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Speaker 1: Ah, poor poor.

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Speaker 4: You know, perhaps poor poor would have been quite happy

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Speaker 4: to know the kids happy with that.

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Speaker 1: Yeah, I think it'd be good, would you.

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Speaker 4: Yeah, it's better than just sitting on a mantelpiece.

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Speaker 3: Yeah, and the kids. I look at my kids, they

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Speaker 3: don't want anything to do with their grandparents. So you

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Speaker 3: know it's a nice sentiment.

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Speaker 4: Yeah, you've gone up their noses, you've smittle over there.

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Speaker 1: Maybe this is a thing that we could start a

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Speaker 1: bit of a.

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Speaker 4: Play with Grandpa one more time.

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Speaker 3: Yeah, you know they've got all those those places. Now

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Speaker 3: you know you can cremate your pet, You can do

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Speaker 3: all that junt.

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Speaker 4: Why don't you find a save space we can actually

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Speaker 4: play with the ashes. That's not a bad idea, and

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Speaker 4: it can be you got up his nose in life,

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Speaker 4: Let you get up his nose.

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Speaker 1: No, he gets up your nose. Now, this is a

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Speaker 1: great idea.

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Speaker 4: You get your hands of Grandpa.

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Speaker 1: With the solfa.

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Speaker 3: You could get one of those kiddies swimming pools. Yes,

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Speaker 3: fill it with the ashes, Yes, get under.

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Speaker 4: Let grandpa get under his skin one more time.

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Speaker 3: Okay, let's take it now that we're blue skying this.

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Speaker 3: What about grandpa's not cremated. You just prop him up.

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Speaker 1: In the corner.

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Speaker 4: It doesn't quite happen, and then.

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Speaker 1: The kids just can play with grandpa.

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Speaker 4: Then it doesn't quite he's playing with his ashes.

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Speaker 3: You take him away with you, just trap him to

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Speaker 3: the roof racks of the car. Where's grandpa?

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Speaker 4: No, I don't think that's quite as charming as playing

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Speaker 4: with his cremated remains.

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Speaker 3: Imagine in a strapped to the roof of the car,

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Speaker 3: like Grannie from Beverly.

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Speaker 4: You're like an old moose that you've hunted, hanging from

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Speaker 4: the wall. No, mount his head on the wall. That's

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Speaker 4: where your hat had come in hand. He didn't look rakish.

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Speaker 3: No one who wears those hats has ever looked rakish,

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Speaker 3: similar to anyone that wears an old guy's rule T shirt.

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Speaker 4: Can I have your word? I'm going to open them now?

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Speaker 1: Okay?

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Speaker 4: Yes?

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Speaker 1: Z And then curling.

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Speaker 5: It's chns curling.

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Speaker 4: Are you ready for more?

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Speaker 1: And what's on? The cutting room floor today.

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Speaker 4: I have a brilliant example of bad worse worsters. You know,

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Speaker 4: when something terrible happens and then it just compounds, compounds, compounds.

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Speaker 4: That's bad, like getting a hangnail. Next minute you've lost

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Speaker 4: your arm. Bad worst, bad, worst worsters. So I saw

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Speaker 4: this guy tell this story about himself. He's at the

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Speaker 4: gym and there's a girl doing some squats pretty much

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Speaker 4: in front of him, and he's not perving, but he

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Speaker 4: happens to glance.

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Speaker 1: Over and she's face. He's got the view of her bum.

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Speaker 4: That's right, she's got headphones on view a bum. So

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Speaker 4: he's looking there and he realizes she's filming herself doing squats.

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Speaker 4: So this is the bad bit. He thinks, I'm going

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Speaker 4: to be in the back of her shot, looking like

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Speaker 4: a gormous PERV. He thinks, how do I deal with that?

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Speaker 4: At this gym?

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Speaker 1: What do you do?

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Speaker 4: I'll look like a pervert. So what he chose to

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Speaker 4: do this is where we've gone from bad. This is

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Speaker 4: kind of the next bit of it. He decides to

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Speaker 4: because she's not looking to go up and somehow stop

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Speaker 4: the recording, erase the video whatever it might be, and

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Speaker 4: his panicky thinks that's a good idea.

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Speaker 1: And that sounds feasible.

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Speaker 4: Well, he goes up to the phone. This is where

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Speaker 4: it gets worse. Her boyfriend looks over and sees him

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Speaker 4: kind of trying to touch her phone, and her boyfriend says,

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Speaker 4: are you stealing her phone so that you can look

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Speaker 4: at videos of her squatting?

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Speaker 1: Oh?

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Speaker 4: And so he's standing there in the front of the

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Speaker 4: gym and he says, he said, I'm an out of

236
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Speaker 4: shape guy. I look like a gormous PERV, which I'm not.

237
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Speaker 4: And he said, I just want him to punch me

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Speaker 4: in the face and end.

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Speaker 1: We're presuming this this guy is huge.

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Speaker 4: Oh yeah, I think so. You know, he's a big

241
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Speaker 4: gym junkie. The guy who's the boyfriend.

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Speaker 1: Oh my god, brother, you're even living my girlfriend's vote.

243
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Speaker 4: For that's all of that. And so he's saying, I'm

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Speaker 4: going to be punched in the head. There might be

245
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Speaker 4: a court case, I don't know, but either way, my

246
00:11:30,120 --> 00:11:33,040
Speaker 4: legacy will be that I'm a PERV. So we're saying

247
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Speaker 4: just end it. Just end it at that moment, So

248
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Speaker 4: that's worst worst. At that moment, it could have been

249
00:11:38,280 --> 00:11:42,120
Speaker 4: saved because the girlfriend takes her headphones off yeap and says,

250
00:11:42,120 --> 00:11:43,719
Speaker 4: what's going on. The boyfriend said, he was trying to

251
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Speaker 4: steal your phone to look at photos of you squatting.

252
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Speaker 4: And she says, and this is where it takes a

253
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Speaker 4: terrible trajectory. She said to her boyfriend, Babe, he's special,

254
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Speaker 4: and so this is the worstest part of all. The

255
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Speaker 4: boyfriend takes one look at him and says, oh, mate,

256
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Speaker 4: I'm so sorry. He says, this isn't your phone, this

257
00:12:10,320 --> 00:12:12,199
Speaker 4: is her phone. And he said he pats him on

258
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Speaker 4: the head like a golden retriever and this is the worst, worstest, worst.

259
00:12:15,200 --> 00:12:17,920
Speaker 4: That says to the whole gym, It's all right, everyone,

260
00:12:18,400 --> 00:12:19,440
Speaker 4: he's special.

261
00:12:24,120 --> 00:12:25,600
Speaker 1: I'd rather a punch in their head.

262
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Speaker 4: Would you rather be known as the pervert or the

263
00:12:28,600 --> 00:12:29,520
Speaker 4: golden retrieve?

264
00:12:29,640 --> 00:12:32,200
Speaker 1: Hut, that's a game show.

265
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Speaker 4: That's a terrible day at the gym. Because you know,

266
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Speaker 4: girls do this now. They film themselves doing these honey

267
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Speaker 4: trap A lot a lot of it is slide entrapment.

268
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Speaker 4: And sometimes what girls do now is they put the

269
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Speaker 4: phone in the back of their pocket to film people

270
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Speaker 4: perving at them, to say you were perving at me.

271
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Speaker 4: That's full entrapment.

272
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Speaker 1: Hey, they do that.

273
00:12:51,280 --> 00:12:53,720
Speaker 3: Yeah, you know there should be a sign, like when

274
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Speaker 3: you go film, because when I'm walking along the esplanade

275
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Speaker 3: in my home, which gave a surf, here we go,

276
00:13:01,760 --> 00:13:03,880
Speaker 3: these girls go past and a scrunchy bum pair.

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Speaker 1: Have you seen scrunchbum pants?

278
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Speaker 4: Is it where there's a like a seam right through

279
00:13:09,200 --> 00:13:12,920
Speaker 4: ut crack. Yeah, I've seen ones of those that are

280
00:13:12,920 --> 00:13:14,920
Speaker 4: skin colored and from a distance, girls so like they've

281
00:13:14,960 --> 00:13:15,800
Speaker 4: got no pants on.

282
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Speaker 3: I don't even know, and I don't like I'm fifty

283
00:13:19,080 --> 00:13:21,080
Speaker 3: six on the cusp of fifty seven?

284
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Speaker 1: You know it?

285
00:13:22,640 --> 00:13:22,960
Speaker 4: Meaning?

286
00:13:23,000 --> 00:13:26,720
Speaker 1: What? What? Meaning that? To get nudity? When I was young,

287
00:13:26,760 --> 00:13:29,560
Speaker 1: it was very hard. These days everyone so le case

288
00:13:29,720 --> 00:13:30,720
Speaker 1: feel No, it's.

289
00:13:30,559 --> 00:13:33,240
Speaker 4: But it's an age thing. I've noticed this that when

290
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Speaker 4: we go around where we live at the beach with

291
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Speaker 4: our children. My kids are now in the early twenties,

292
00:13:39,240 --> 00:13:41,520
Speaker 4: they accept that a girl You'll be having a coffee

293
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Speaker 4: and a girl will walk past in a g string. Yeah,

294
00:13:44,160 --> 00:13:46,160
Speaker 4: they don't look twice. They choose not to. They just

295
00:13:46,240 --> 00:13:48,600
Speaker 4: accept that that's how people dress. They would never criticize them.

296
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Speaker 1: Actually, it's men.

297
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Speaker 4: There was its men of your age that really kind

298
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Speaker 4: of will go oh no, I just see that.

299
00:13:56,080 --> 00:13:58,320
Speaker 3: But if young Jack or Liam look at it, looks

300
00:13:58,360 --> 00:14:00,680
Speaker 3: at a young girl's dairy air the young girl.

301
00:14:00,960 --> 00:14:01,720
Speaker 4: But they don't.

302
00:14:02,000 --> 00:14:04,600
Speaker 1: What's the difference they say that, I don't think.

303
00:14:05,120 --> 00:14:07,800
Speaker 4: They're far more I've been with them. They're far more

304
00:14:08,360 --> 00:14:11,800
Speaker 4: accepting of that style of clothing than the older guys

305
00:14:12,040 --> 00:14:14,120
Speaker 4: who go, oh god, to just see that. Who were

306
00:14:14,160 --> 00:14:16,840
Speaker 4: the old wall get a load of that. Young guys

307
00:14:16,880 --> 00:14:17,560
Speaker 4: don't do that.

308
00:14:17,640 --> 00:14:19,240
Speaker 1: I've never been to get a load of that.

309
00:14:19,400 --> 00:14:22,600
Speaker 3: Although there was one time, many years ago, what happened

310
00:14:22,640 --> 00:14:24,400
Speaker 3: my sister's twenty first birthday?

311
00:14:24,520 --> 00:14:25,880
Speaker 1: How old were you? I would have.

312
00:14:25,880 --> 00:14:29,520
Speaker 3: Been twenty four, so twenty three because my wife, Helen

313
00:14:29,640 --> 00:14:34,120
Speaker 3: was pregnant with our elder son, Morgan, and she's heavily pregnant.

314
00:14:34,320 --> 00:14:37,280
Speaker 3: I'm at this twenty first birthday and all of my

315
00:14:37,360 --> 00:14:39,920
Speaker 3: sister's friends are there, and the wet suit dress.

316
00:14:39,960 --> 00:14:41,800
Speaker 1: Do you remember the wetsuit dress? Yes, it was like

317
00:14:41,840 --> 00:14:42,840
Speaker 1: a miniskirt there.

318
00:14:43,080 --> 00:14:46,160
Speaker 4: I made the mistake of weed in the shop.

319
00:14:47,360 --> 00:14:49,840
Speaker 3: That was the high end fashion at the time, so

320
00:14:50,040 --> 00:14:51,960
Speaker 3: I thought I was standing next to my brother and

321
00:14:52,000 --> 00:14:55,960
Speaker 3: this girl in the wetsuit dress squats down to go

322
00:14:56,040 --> 00:14:59,200
Speaker 3: through her bag and I'm elbowing my brother.

323
00:14:59,080 --> 00:15:01,080
Speaker 1: Get a load of this, Get a load of this.

324
00:15:01,480 --> 00:15:02,720
Speaker 1: My brother walked away.

325
00:15:03,040 --> 00:15:08,240
Speaker 3: I'm elbowing my pregnant, my heavily pregnant wife in the stomach.

326
00:15:08,840 --> 00:15:09,720
Speaker 1: Get a load of this.

327
00:15:09,960 --> 00:15:11,400
Speaker 4: And did she say, don't worry everyone.

328
00:15:11,480 --> 00:15:17,680
Speaker 3: He's simple, good boys, simple.

329
00:15:22,520 --> 00:15:24,200
Speaker 1: It's cutting room floor time.

330
00:15:25,800 --> 00:15:27,640
Speaker 4: And are you going to sing again?

331
00:15:27,760 --> 00:15:28,000
Speaker 1: No?

332
00:15:28,000 --> 00:15:29,960
Speaker 4: No cutting room floor time.

333
00:15:30,600 --> 00:15:31,680
Speaker 1: If you want to sing, you can.

334
00:15:32,080 --> 00:15:34,080
Speaker 4: I wish I could. Can you sing? You can sing,

335
00:15:34,080 --> 00:15:35,000
Speaker 4: you can hold a note.

336
00:15:34,880 --> 00:15:40,320
Speaker 1: I can sing, I can dance, I can see.

337
00:15:40,520 --> 00:15:43,520
Speaker 4: I'm a hum auditioned for that. It takes two.

338
00:15:43,760 --> 00:15:46,720
Speaker 1: Takes two. They called me, Oh, they really want you

339
00:15:46,760 --> 00:15:49,880
Speaker 1: on this show. Bloody hell, they got me on there.

340
00:15:49,920 --> 00:15:52,240
Speaker 1: I was saying, they've got you for the audition, for

341
00:15:52,280 --> 00:15:54,560
Speaker 1: the audition, and they bloody what song?

342
00:15:54,600 --> 00:15:55,040
Speaker 4: Did you sing?

343
00:15:55,800 --> 00:15:57,240
Speaker 1: Another Saturday night?

344
00:15:57,440 --> 00:15:59,360
Speaker 4: And is that how you say it?

345
00:15:59,760 --> 00:15:59,800
Speaker 3: No?

346
00:16:00,320 --> 00:16:00,920
Speaker 4: Do it normally?

347
00:16:00,920 --> 00:16:01,000
Speaker 1: No?

348
00:16:01,600 --> 00:16:06,000
Speaker 6: Another Saturday night? And I ain't got nobody. I got

349
00:16:06,040 --> 00:16:09,520
Speaker 6: some money because I just got paid. And how we

350
00:16:09,760 --> 00:16:11,840
Speaker 6: sho had someone to talk to?

351
00:16:13,080 --> 00:16:18,680
Speaker 4: South's commercial awful? Actually, you can hold a tune anyway.

352
00:16:19,440 --> 00:16:23,280
Speaker 7: They pursued, pursued, pursued, and then my agent rang and said,

353
00:16:23,400 --> 00:16:24,840
Speaker 7: oh sorry, they're not interested.

354
00:16:24,880 --> 00:16:27,040
Speaker 1: They're going to pass and piss off.

355
00:16:27,400 --> 00:16:29,720
Speaker 4: They would they wound you.

356
00:16:30,160 --> 00:16:34,200
Speaker 3: I wasn't like queuing up to go on the show.

357
00:16:34,640 --> 00:16:37,920
Speaker 3: They rang not once, not twice, but trice.

358
00:16:37,960 --> 00:16:40,480
Speaker 4: It takes two It takes two fingers to tell them

359
00:16:40,480 --> 00:16:41,120
Speaker 4: how you feel.

360
00:16:41,200 --> 00:16:42,000
Speaker 1: What where's that show?

361
00:16:42,080 --> 00:16:42,360
Speaker 4: Now?

362
00:16:43,040 --> 00:16:43,240
Speaker 3: Yeah?

363
00:16:43,520 --> 00:16:46,120
Speaker 4: Yeah, hold theyn't fighting words, Brendan, I like you.

364
00:16:46,160 --> 00:16:47,840
Speaker 1: I've got this for now.

365
00:16:47,920 --> 00:16:53,840
Speaker 4: Well, speaking of jobs, it's interesting when you see someone

366
00:16:54,280 --> 00:16:57,720
Speaker 4: who does a job that you use all the time,

367
00:16:57,720 --> 00:16:59,320
Speaker 4: but it never cursed to you that someone actually does

368
00:16:59,360 --> 00:17:01,680
Speaker 4: that job. Well, I've just said it doesn't make a

369
00:17:01,720 --> 00:17:03,720
Speaker 4: lot of sense, But have a listen to what this

370
00:17:03,760 --> 00:17:04,480
Speaker 4: girl's job is.

371
00:17:04,560 --> 00:17:07,959
Speaker 3: I'm lander upon team and I'm a capture photographer.

372
00:17:08,040 --> 00:17:10,040
Speaker 4: A capture if you don't know what it is is,

373
00:17:10,400 --> 00:17:12,000
Speaker 4: it's a test to see if.

374
00:17:11,880 --> 00:17:14,520
Speaker 1: You're a human or if you're a freaking robot.

375
00:17:14,760 --> 00:17:19,119
Speaker 2: Grassloights, bikes, motorcycles, car buses, a big old man.

376
00:17:19,720 --> 00:17:19,840
Speaker 7: Now.

377
00:17:19,880 --> 00:17:21,359
Speaker 1: I haven't done that one yet, but I could.

378
00:17:21,520 --> 00:17:24,080
Speaker 2: I have a bachelor in camera and a minor in

379
00:17:24,160 --> 00:17:26,960
Speaker 2: philosophy from Stanford and Yale University.

380
00:17:28,240 --> 00:17:29,399
Speaker 1: Someone does capture.

381
00:17:29,520 --> 00:17:32,000
Speaker 4: Someone does the capture. That capture stuff. It's when your

382
00:17:32,000 --> 00:17:34,640
Speaker 4: phone or your computer says to you, are you a robot?

383
00:17:35,040 --> 00:17:38,520
Speaker 4: And it might say pick the cars in this grid,

384
00:17:39,280 --> 00:17:41,240
Speaker 4: and some of them will have a tiny bit of car,

385
00:17:41,359 --> 00:17:43,560
Speaker 4: some won't have cars. Or pick the traffic lights, and

386
00:17:43,600 --> 00:17:45,439
Speaker 4: your eyes are going is that a traffic light? Is

387
00:17:45,440 --> 00:17:47,879
Speaker 4: that a set of stairs? I don't know. Someone told me,

388
00:17:47,920 --> 00:17:52,280
Speaker 4: I don't know if it's true that you'll pass either way.

389
00:17:52,359 --> 00:17:54,000
Speaker 4: They just want you to hold on for longer they

390
00:17:54,040 --> 00:17:55,719
Speaker 4: can get more of your data. I don't know if

391
00:17:55,720 --> 00:17:57,080
Speaker 4: that's true. That's could be an urban.

392
00:17:57,040 --> 00:18:01,360
Speaker 1: I like the box, Are you a robot? Yes? I am?

393
00:18:02,880 --> 00:18:05,720
Speaker 4: You got me banged two rights? Will Robinson.

394
00:18:07,760 --> 00:18:08,359
Speaker 1: It is weird.

395
00:18:08,480 --> 00:18:11,080
Speaker 3: I was at a function and I met a guy

396
00:18:11,160 --> 00:18:14,320
Speaker 3: that works on elevators for Otis's.

397
00:18:14,160 --> 00:18:16,359
Speaker 4: His career going up very good.

398
00:18:17,000 --> 00:18:20,080
Speaker 3: He's an Otis elevator guy and he was just talking

399
00:18:20,080 --> 00:18:20,320
Speaker 3: about it.

400
00:18:20,359 --> 00:18:21,639
Speaker 1: He was so passionate about it.

401
00:18:21,960 --> 00:18:22,639
Speaker 4: What does he do?

402
00:18:23,040 --> 00:18:26,200
Speaker 3: He's the guy that they call when the lift breaks down,

403
00:18:26,280 --> 00:18:28,320
Speaker 3: So you know, when you're in the lift and there's

404
00:18:28,320 --> 00:18:31,800
Speaker 3: that number you call that goes to a like a

405
00:18:32,760 --> 00:18:35,680
Speaker 3: data base like where someone like an operator and then

406
00:18:35,680 --> 00:18:38,960
Speaker 3: they doem how important the crisis is and then they'll

407
00:18:38,960 --> 00:18:39,680
Speaker 3: send out him.

408
00:18:39,920 --> 00:18:41,760
Speaker 1: He's on call twenty four hours.

409
00:18:41,760 --> 00:18:45,040
Speaker 4: So he's a technician yep, yeah, a mechanic, and he

410
00:18:45,080 --> 00:18:46,640
Speaker 4: goes out and gets you out of lift. So he's

411
00:18:46,680 --> 00:18:48,399
Speaker 4: the one that would see you when he turns up

412
00:18:48,440 --> 00:18:49,920
Speaker 4: if you've wet your pants and eaten someone.

413
00:18:50,119 --> 00:18:52,280
Speaker 3: That's what I said, And he said it happens a lot,

414
00:18:52,640 --> 00:18:54,840
Speaker 3: but you got to do a pooh and stuff.

415
00:18:54,920 --> 00:18:58,320
Speaker 1: Well, yeah, yeah, he said he has seen that. What

416
00:18:58,480 --> 00:18:59,840
Speaker 1: did you ask?

417
00:19:00,320 --> 00:19:02,199
Speaker 3: Because there was a bid where he said to me,

418
00:19:02,240 --> 00:19:03,760
Speaker 3: he said, sorry, I'm just going on a bed.

419
00:19:03,840 --> 00:19:05,640
Speaker 1: This too much. I said, no, no, no, I'll get

420
00:19:05,640 --> 00:19:06,919
Speaker 1: you another beer. Let's keep talking.

421
00:19:07,359 --> 00:19:09,359
Speaker 3: And in the end I think he walked away from

422
00:19:09,359 --> 00:19:13,440
Speaker 3: me because my question, can we have no more questions

423
00:19:13,440 --> 00:19:14,000
Speaker 3: about poo?

424
00:19:14,840 --> 00:19:18,320
Speaker 1: Sex and the ladder?

425
00:19:18,359 --> 00:19:19,680
Speaker 4: And the lift wasn't even broken.

426
00:19:19,680 --> 00:19:22,520
Speaker 3: He never caught anyone having sex in the lift, but

427
00:19:22,600 --> 00:19:26,280
Speaker 3: he did on the camera. Because the lifts as well,

428
00:19:26,320 --> 00:19:27,680
Speaker 3: they have to have a sign. If you get into

429
00:19:27,680 --> 00:19:29,520
Speaker 3: a lyft, it's got to have a sign saying whether

430
00:19:29,560 --> 00:19:30,200
Speaker 3: it's got a camera.

431
00:19:30,240 --> 00:19:31,000
Speaker 4: Do ourse have one?

432
00:19:31,359 --> 00:19:32,560
Speaker 1: This one in the new building does.

433
00:19:32,680 --> 00:19:32,880
Speaker 2: Yes.

434
00:19:33,920 --> 00:19:35,760
Speaker 1: This is all good. Now we've been here for a year.

435
00:19:36,280 --> 00:19:41,600
Speaker 3: What that's the only place I have sex. But he

436
00:19:41,720 --> 00:19:44,480
Speaker 3: was fascinating, and you know what, I really loved about it.

437
00:19:44,480 --> 00:19:47,280
Speaker 3: He was so passionate about his work. That's the thing

438
00:19:47,480 --> 00:19:51,400
Speaker 3: I think when you meet someone and they're really into it.

439
00:19:51,440 --> 00:19:54,360
Speaker 4: Also, it's the stuff of our lives, but you don't

440
00:19:54,400 --> 00:19:56,720
Speaker 4: picture some I'm actually doing that small that not a

441
00:19:56,800 --> 00:19:57,520
Speaker 4: small but.

442
00:19:57,359 --> 00:19:59,800
Speaker 1: That, but it's an important part. Yeah.

443
00:20:00,000 --> 00:20:01,679
Speaker 4: I've been on an aeroplane once and a man came

444
00:20:01,760 --> 00:20:04,880
Speaker 4: up to me and said, I was in the room

445
00:20:04,880 --> 00:20:06,240
Speaker 4: when you had your hip replaced.

446
00:20:07,280 --> 00:20:08,000
Speaker 1: He's a surgeon.

447
00:20:08,320 --> 00:20:11,280
Speaker 4: No, he's the guy who provides the hip.

448
00:20:11,960 --> 00:20:12,879
Speaker 1: He just makes the hip.

449
00:20:13,320 --> 00:20:16,720
Speaker 4: Yeah, he's a representative from the hip company drops the

450
00:20:16,760 --> 00:20:17,160
Speaker 4: hip off.

451
00:20:17,240 --> 00:20:20,560
Speaker 1: I guess he sounds like a bit of a celebrity.

452
00:20:21,720 --> 00:20:23,400
Speaker 1: He just wanted to get there and look at your bea.

453
00:20:24,040 --> 00:20:27,080
Speaker 4: Because it's a very intimate procedure. Decidedn't how to feel

454
00:20:27,119 --> 00:20:30,800
Speaker 4: that he'd been in that room. Goodness, I know it's confronting.

455
00:20:30,920 --> 00:20:34,560
Speaker 1: I wondered who that guy was because in the room

456
00:20:34,600 --> 00:20:36,440
Speaker 1: because I was there and.

457
00:20:36,400 --> 00:20:41,440
Speaker 4: The tenth caller through when we had a competition, Amanda's

458
00:20:41,560 --> 00:20:46,720
Speaker 4: bits you have made me incredibly uncomfortable.

459
00:20:47,359 --> 00:20:49,760
Speaker 1: I wish you were Are you a robot? Is this

460
00:20:49,800 --> 00:20:52,400
Speaker 1: a bit? And and this bit?

461
00:20:52,560 --> 00:20:52,800
Speaker 3: Now?

462
00:20:56,760 --> 00:21:08,560
Speaker 2: Twenty joy and twenty too? Your twenty Jonesie and a Landa.

463
00:21:09,600 --> 00:21:12,240
Speaker 2: I can't believe they lasted twenty.

464
00:21:12,040 --> 00:21:16,400
Speaker 3: Years on the cutting room floor today, Amanda.

465
00:21:16,280 --> 00:21:19,800
Speaker 4: Well, you and I Brendan jonesy Jones if that's your

466
00:21:19,800 --> 00:21:22,919
Speaker 4: real name, and actually yes it is. We've been working

467
00:21:22,960 --> 00:21:26,400
Speaker 4: together as a radio duo on the station for twenty years.

468
00:21:26,560 --> 00:21:29,480
Speaker 1: Twenty years. It's actually longer than that.

469
00:21:29,600 --> 00:21:32,280
Speaker 3: In nineteen ninety nine I first did the show with

470
00:21:32,359 --> 00:21:36,320
Speaker 3: you when Andrew Denton went sick, and he went sick,

471
00:21:36,400 --> 00:21:39,320
Speaker 3: he went sea sick, and that blew out to a

472
00:21:39,400 --> 00:21:40,840
Speaker 3: week and I ended up doing a show with you

473
00:21:40,840 --> 00:21:41,440
Speaker 3: from was it.

474
00:21:41,359 --> 00:21:41,960
Speaker 4: A different radio?

475
00:21:42,160 --> 00:21:42,960
Speaker 1: Different radio station?

476
00:21:43,240 --> 00:21:45,040
Speaker 4: Filling in? This is that you and I as a

477
00:21:45,160 --> 00:21:49,919
Speaker 4: duo twenty years. John Howard was Prime Minister when we started.

478
00:21:50,000 --> 00:21:52,080
Speaker 4: That makes me feel like we're positively post war.

479
00:21:52,520 --> 00:21:53,160
Speaker 1: That's crazy.

480
00:21:53,200 --> 00:21:54,879
Speaker 4: We may as well be talking about via Lynn. It

481
00:21:54,920 --> 00:21:55,760
Speaker 4: seems so long ago.

482
00:21:56,080 --> 00:21:56,840
Speaker 1: Twenty years.

483
00:21:57,000 --> 00:22:00,359
Speaker 4: Yeah. I have found little snippets of us from twenty

484
00:22:00,760 --> 00:22:03,560
Speaker 4: years ago. This is our first few weeks on it.

485
00:22:03,640 --> 00:22:04,719
Speaker 4: Do you want to hear what we sound like?

486
00:22:05,240 --> 00:22:08,800
Speaker 1: Sure? So this is from two thousand and five. It's

487
00:22:08,840 --> 00:22:10,840
Speaker 1: like being in jail. Do you watch the prison break show?

488
00:22:11,520 --> 00:22:13,920
Speaker 1: And every little bit of hope is taken away from you?

489
00:22:14,040 --> 00:22:16,800
Speaker 1: So if you say it is like being on prison breaks,

490
00:22:16,960 --> 00:22:18,880
Speaker 1: it is less.

491
00:22:21,200 --> 00:22:24,119
Speaker 4: What I'm astonished at is your voice.

492
00:22:25,640 --> 00:22:26,439
Speaker 1: That's been pitched.

493
00:22:26,600 --> 00:22:28,520
Speaker 4: It hasn't because my voice is normal. Why would they

494
00:22:28,520 --> 00:22:29,840
Speaker 4: picture it? Don't be like a jockie.

495
00:22:29,880 --> 00:22:32,399
Speaker 1: This is how I sound. Now, Hello, Amanda.

496
00:22:32,119 --> 00:22:32,960
Speaker 4: And this is how you sounded.

497
00:22:33,000 --> 00:22:36,480
Speaker 8: Then a library in Holland Amanda is lending out people

498
00:22:36,520 --> 00:22:39,720
Speaker 8: as well as books and a new initiative I aimed

499
00:22:39,720 --> 00:22:43,800
Speaker 8: a challenging stereotypes. People can borrow gay people, Gypsies and

500
00:22:43,920 --> 00:22:46,880
Speaker 8: Muslims for an hour and talk to them about their lives.

501
00:22:46,960 --> 00:22:49,960
Speaker 4: And I'd probably hire a gay person to redecorate my

502
00:22:50,080 --> 00:22:50,720
Speaker 4: lounge room.

503
00:22:51,160 --> 00:22:53,960
Speaker 1: I don't know if you can use them. Can you

504
00:22:54,000 --> 00:22:54,680
Speaker 1: make me a key?

505
00:22:55,400 --> 00:22:59,680
Speaker 4: That's dreadful all round? Content wise? But your voice? Why

506
00:22:59,720 --> 00:23:00,639
Speaker 4: is it so high?

507
00:23:00,960 --> 00:23:03,040
Speaker 3: Was that first year I hadn't paid off my house yet.

508
00:23:03,040 --> 00:23:04,120
Speaker 3: I was probably a bit anxious.

509
00:23:04,440 --> 00:23:06,159
Speaker 4: So what you're saying is that when you pay off

510
00:23:06,160 --> 00:23:09,000
Speaker 4: a mortgage, you've voice drops? What a long with your

511
00:23:09,000 --> 00:23:09,399
Speaker 4: interest rate?

512
00:23:09,760 --> 00:23:12,720
Speaker 1: Your test is to send everything so cast.

513
00:23:12,720 --> 00:23:16,080
Speaker 4: Speaking of people who don't sound like themselves, I've come

514
00:23:16,119 --> 00:23:19,600
Speaker 4: across this audio from a movie that Denzil Washington was in.

515
00:23:19,760 --> 00:23:20,040
Speaker 1: I love.

516
00:23:20,080 --> 00:23:22,560
Speaker 4: This is from nineteen ninety eight. The movie is called

517
00:23:22,560 --> 00:23:26,480
Speaker 4: for Queen and Country and he plays a retired British soldier.

518
00:23:26,760 --> 00:23:28,719
Speaker 4: So he said, sure I can do a British accent,

519
00:23:29,119 --> 00:23:30,480
Speaker 4: Sure I can have a listen.

520
00:23:30,840 --> 00:23:32,800
Speaker 5: Since you were born on se Gusha, which has now

521
00:23:32,880 --> 00:23:36,720
Speaker 5: become an independent country, and do you no longer have

522
00:23:36,800 --> 00:23:38,480
Speaker 5: citizenship for the other Kingdom colonies?

523
00:23:39,560 --> 00:23:43,080
Speaker 6: Well, I die for United Kingdom and colonies, can't I?

524
00:23:43,160 --> 00:23:44,560
Speaker 1: You can put me out there as a front gun

525
00:23:44,560 --> 00:23:46,480
Speaker 1: and to get me bleed ned, blown off on British dead.

526
00:23:46,520 --> 00:23:49,000
Speaker 5: Yet, yes, we instill become British citizen. All you have

527
00:23:49,080 --> 00:23:51,119
Speaker 5: to do send a check two hundred parents send to me.

528
00:23:51,200 --> 00:23:53,360
Speaker 5: I'll hurry along because I want to go on holiday.

529
00:23:53,320 --> 00:23:57,000
Speaker 1: You don't understand too, you the two hundred pounds has

530
00:23:57,000 --> 00:23:57,600
Speaker 1: got nothing to.

531
00:23:57,560 --> 00:23:57,879
Speaker 8: Deal with it.

532
00:23:57,880 --> 00:23:59,280
Speaker 5: I appreciate it and protect them, and.

533
00:23:59,320 --> 00:24:02,200
Speaker 1: I appreciate you don't appreciate nothing. Where were you when

534
00:24:02,240 --> 00:24:02,879
Speaker 1: I fully started?

535
00:24:02,920 --> 00:24:06,240
Speaker 3: Fine eight, I'm behind your desk shitting yourself like the

536
00:24:06,280 --> 00:24:06,960
Speaker 3: rest of your car.

537
00:24:07,240 --> 00:24:10,119
Speaker 1: Well, I was out there in the cold, in the dark,

538
00:24:10,320 --> 00:24:16,800
Speaker 1: and a ship I watch my mate, A man will

539
00:24:16,840 --> 00:24:24,359
Speaker 1: save my voice? Get his lake blown off? Okay, appreciate.

540
00:24:26,240 --> 00:24:30,199
Speaker 4: And he's playing a beautiful guitar. Stenzil Washington saying I

541
00:24:30,200 --> 00:24:34,240
Speaker 4: can do an English accent. You you only do one voice,

542
00:24:34,600 --> 00:24:37,359
Speaker 4: and the people you've got three voices, right, none of

543
00:24:37,359 --> 00:24:38,080
Speaker 4: whom are still.

544
00:24:37,920 --> 00:24:42,360
Speaker 1: In the media. Get me to do an impersonation from

545
00:24:42,359 --> 00:24:44,280
Speaker 1: my rich library.

546
00:24:44,320 --> 00:24:46,560
Speaker 4: The tree that you've got is doctor Wright. Hi there

547
00:24:46,720 --> 00:24:48,760
Speaker 4: who hasn't been in the media and has passed away.

548
00:24:48,880 --> 00:24:51,359
Speaker 4: Let me have a look at your bot have Koshi?

549
00:24:52,000 --> 00:24:53,760
Speaker 4: Can I do on patrol as Hi?

550
00:24:53,880 --> 00:24:54,200
Speaker 1: Mandy?

551
00:24:54,280 --> 00:24:56,399
Speaker 3: You know if Sam ever drops off the Twig, you

552
00:24:56,440 --> 00:24:58,520
Speaker 3: can join me on the Sunrise Family.

553
00:24:58,920 --> 00:24:59,960
Speaker 4: And what about Mike Whitney.

554
00:25:00,200 --> 00:25:02,280
Speaker 1: Good, it's Mike Whitney.

555
00:25:02,359 --> 00:25:04,080
Speaker 4: It's all the same voice. I don't do the queen

556
00:25:04,160 --> 00:25:08,480
Speaker 4: do something out of your queens with the second? Oh,

557
00:25:08,560 --> 00:25:11,240
Speaker 4: my royal subjects and was she's dead? It's hard to

558
00:25:11,280 --> 00:25:13,560
Speaker 4: do that like I do King Charles. Uh.

559
00:25:13,840 --> 00:25:14,040
Speaker 1: Yes.

560
00:25:14,880 --> 00:25:18,320
Speaker 7: Mommy said that I had to wear the hat. She said,

561
00:25:18,640 --> 00:25:22,000
Speaker 7: why are you wearing the fox hat? And I said,

562
00:25:26,000 --> 00:25:26,600
Speaker 7: you can't.

563
00:25:26,400 --> 00:25:28,240
Speaker 4: Do either of them. You haven't told the joke and

564
00:25:28,280 --> 00:25:28,760
Speaker 4: you haven't done that.

565
00:25:29,800 --> 00:25:33,040
Speaker 1: Give me you are a very good mimic. Give me

566
00:25:33,080 --> 00:25:38,520
Speaker 1: in the business. Okay, what about to her face?

567
00:25:38,600 --> 00:25:41,520
Speaker 3: I'm not going to make you do anything bad, Sandra

568
00:25:41,600 --> 00:25:42,520
Speaker 3: Sally news reader.

569
00:25:43,080 --> 00:25:46,679
Speaker 4: Sandra's a friend of mine, so I hope she doesn't

570
00:25:46,720 --> 00:25:50,280
Speaker 4: mind because she has a very unique kind of voice.

571
00:25:50,359 --> 00:25:53,399
Speaker 4: It's a little bit young, event, but very much Sandra.

572
00:25:54,119 --> 00:25:57,000
Speaker 1: You know one of my favorite ones are Heather Mills

573
00:25:57,080 --> 00:25:59,120
Speaker 1: McCartney or McCartney's ex.

574
00:26:00,119 --> 00:26:02,400
Speaker 4: No, no really, it was just an English winging vose

575
00:26:02,520 --> 00:26:04,040
Speaker 4: and I don't even know why I painted her as.

576
00:26:03,960 --> 00:26:05,199
Speaker 1: A week I ever Mules Machai.

577
00:26:05,280 --> 00:26:08,000
Speaker 4: No, I've been remember she went on this rant. I've

578
00:26:08,000 --> 00:26:12,240
Speaker 4: been called a pedophile just from marrying him. You know

579
00:26:12,680 --> 00:26:17,120
Speaker 4: I love China. No, no, stop, just stop. Don't lure

580
00:26:17,240 --> 00:26:20,240
Speaker 4: me in other ways to make me swear like Denzel Washing.

581
00:26:20,520 --> 00:26:23,000
Speaker 1: Are a very good mimic. You are very good at it.

582
00:26:23,119 --> 00:26:24,119
Speaker 1: You are very good at it.

583
00:26:24,160 --> 00:26:25,000
Speaker 4: How about I do one of you?

584
00:26:25,720 --> 00:26:25,880
Speaker 1: Bra?

585
00:26:28,160 --> 00:26:28,680
Speaker 4: They should do it?

586
00:26:28,760 --> 00:26:29,600
Speaker 1: How did I do one of you?

587
00:26:29,680 --> 00:26:30,000
Speaker 4: Okay?

588
00:26:30,080 --> 00:26:34,600
Speaker 7: Oh, this is the workspace now, let's all save the planet.

589
00:26:34,800 --> 00:26:36,959
Speaker 4: How did we get to twenty years? I'm not going

590
00:26:37,000 --> 00:26:38,080
Speaker 4: to make it to twenty.

591
00:26:37,840 --> 00:26:40,960
Speaker 1: One around and sing Kumbaya together.

592
00:26:41,320 --> 00:26:42,680
Speaker 4: Let's wrap it up to its Do you want to

593
00:26:42,720 --> 00:26:45,000
Speaker 4: hear it's Mike Whitney.

594
00:26:46,160 --> 00:26:48,280
Speaker 3: Now I'm going to get Amanda and hanger off the

595
00:26:48,320 --> 00:26:50,840
Speaker 3: bridge and then make a buck.

596
00:26:51,119 --> 00:26:53,119
Speaker 1: Wow, take it away.

597
00:26:53,200 --> 00:26:55,640
Speaker 4: There's wins. How old is that reference?

598
00:26:57,960 --> 00:26:59,520
Speaker 1: It's very good, although I think I.

599
00:26:59,440 --> 00:27:04,680
Speaker 3: Need a lot of true Okay, everybody has it.

600
00:27:03,840 --> 00:27:09,200
Speaker 4: Put it come back to don't see that the bland

601
00:27:09,359 --> 00:27:10,400
Speaker 4: that's cutting room.