1
00:00:00,240 --> 00:00:06,880
Speaker 1: Jewell and Woody podcast Minni Australian Idol starts next Monday,

2
00:00:07,440 --> 00:00:11,119
Speaker 1: featuring our very own Carsannelanzo joins us right now and

3
00:00:11,160 --> 00:00:12,879
Speaker 1: will and what you Welcome to the show mate, gentlemen,

4
00:00:13,000 --> 00:00:15,400
Speaker 1: thank you for a very much what a wonderful, what

5
00:00:15,440 --> 00:00:17,560
Speaker 1: a wonderful welcome. Thank you for letting me come on

6
00:00:17,600 --> 00:00:21,440
Speaker 1: your program to tell everyone stop listening to the radio.

7
00:00:21,520 --> 00:00:24,000
Speaker 1: Took to television on which I've never said before in

8
00:00:24,040 --> 00:00:27,800
Speaker 1: my life because we're radio people. But I'm very thrilled

9
00:00:27,800 --> 00:00:29,240
Speaker 1: that I will be back on. Now let's have a

10
00:00:29,280 --> 00:00:31,520
Speaker 1: look around the channels and see what we're up against.

11
00:00:31,520 --> 00:00:34,520
Speaker 1: So we on seven Australian Idol of the return after

12
00:00:34,560 --> 00:00:39,199
Speaker 1: fifteen or sixteen years. The nostalgia me a couple of

13
00:00:39,240 --> 00:00:42,839
Speaker 1: hotties and some bloke from bloody down south somewhere in America,

14
00:00:42,920 --> 00:00:47,160
Speaker 1: Harry Connick Junr. Then over on ten that old chest

15
00:00:47,280 --> 00:00:49,440
Speaker 1: nut A Survivor. We don't have to watch that till

16
00:00:49,479 --> 00:00:51,280
Speaker 1: the end. We don't have to watch that at the beginning.

17
00:00:51,960 --> 00:00:54,560
Speaker 1: And then over on Channel nine they've got that bloody

18
00:00:54,640 --> 00:00:57,680
Speaker 1: Maths thing. Now this year I feel that we're over

19
00:00:57,720 --> 00:01:00,320
Speaker 1: it because we've all watched the bachelor with the Three

20
00:01:00,320 --> 00:01:02,560
Speaker 1: Ways and the three blokes and the different chicks and

21
00:01:02,600 --> 00:01:05,959
Speaker 1: the boys friend, the cold Saws. It's been quite on

22
00:01:06,120 --> 00:01:08,080
Speaker 1: over the relationships. I want to see a couple of

23
00:01:08,160 --> 00:01:11,480
Speaker 1: losers singing terribly and told to go home and think

24
00:01:11,480 --> 00:01:14,840
Speaker 1: about a new career. So are we going to see

25
00:01:13,800 --> 00:01:19,080
Speaker 1: Are we going to see a more sensitive Kyle this year? Though?

26
00:01:19,120 --> 00:01:20,880
Speaker 1: Since you know since the birth of Hodo, you're going

27
00:01:20,920 --> 00:01:25,080
Speaker 1: to go hard again. Listen, there is a difference through

28
00:01:25,120 --> 00:01:28,920
Speaker 1: my eyes, judging from sixteen years ago. Music the industry

29
00:01:28,920 --> 00:01:31,840
Speaker 1: has changed. You know, Adele's Lizzos, all these people that

30
00:01:31,880 --> 00:01:34,919
Speaker 1: you would never have seen before because the music industry

31
00:01:34,959 --> 00:01:36,520
Speaker 1: used to that you have to be Britney Spears, you

32
00:01:36,520 --> 00:01:39,600
Speaker 1: have to be sixteen and if you're not, you're not

33
00:01:39,600 --> 00:01:45,560
Speaker 1: getting a guernsey. It's changed and I'm reflecting that change.

34
00:01:45,560 --> 00:01:48,680
Speaker 1: I'm having a look, I'm not anyone that's ugly or gross.

35
00:01:48,880 --> 00:01:53,360
Speaker 1: They can still stay this time, right, which is crazy?

36
00:01:53,480 --> 00:01:56,120
Speaker 1: Is there a filter? Sixteen years ago when you were

37
00:01:56,120 --> 00:01:58,080
Speaker 1: a judge, it must have been like, how are they

38
00:01:58,080 --> 00:02:00,680
Speaker 1: going to cove on the camera. It's something that was

39
00:02:00,720 --> 00:02:04,480
Speaker 1: like thought about. All I care about this time is

40
00:02:04,840 --> 00:02:08,600
Speaker 1: can I make money out of this person a record

41
00:02:08,680 --> 00:02:11,880
Speaker 1: career in the future really, and that's really what all

42
00:02:11,960 --> 00:02:13,880
Speaker 1: the record companies are looking at when they invest in

43
00:02:13,880 --> 00:02:16,520
Speaker 1: a singer. Yeah, of course, they're not really caring whether

44
00:02:16,600 --> 00:02:19,079
Speaker 1: they like your song or not. It's like, does this

45
00:02:19,120 --> 00:02:22,480
Speaker 1: person have the chops? Can they a yeah? Are they marketable?

46
00:02:22,760 --> 00:02:26,000
Speaker 1: They can they sing? Do they have good sensibility? Because

47
00:02:26,000 --> 00:02:28,280
Speaker 1: the hardest part. A lot of kids think getting a

48
00:02:28,400 --> 00:02:31,200
Speaker 1: record deals the hard part, but it's not. It's sustaining

49
00:02:31,560 --> 00:02:35,000
Speaker 1: the career over time. That's the difficult part. In every

50
00:02:35,120 --> 00:02:37,480
Speaker 1: artist struggles with that. Yeah, well, speaking of cash and

51
00:02:37,520 --> 00:02:40,320
Speaker 1: making money, mate, I saw that you were flying private

52
00:02:40,840 --> 00:02:44,840
Speaker 1: private jets between locations when you were roding idol. Was

53
00:02:44,880 --> 00:02:49,120
Speaker 1: that in your writer when you signed on for the show. Yes,

54
00:02:49,280 --> 00:02:52,040
Speaker 1: that's that's just my day. That's my day to day writer.

55
00:02:52,240 --> 00:02:54,160
Speaker 1: Like if you wanted me to do the radio show,

56
00:02:54,200 --> 00:02:57,040
Speaker 1: because I'm signed here to this radio network, that's my

57
00:02:57,080 --> 00:03:00,480
Speaker 1: first priority. And then when seven came knocking, I said, look,

58
00:03:00,760 --> 00:03:03,040
Speaker 1: I'm still going to do the radio show. And when

59
00:03:03,080 --> 00:03:05,000
Speaker 1: I'm in Perth auditioning, I'm gonna do the radio show

60
00:03:05,000 --> 00:03:07,880
Speaker 1: at three o'clock in the morning Perth time. And then

61
00:03:07,919 --> 00:03:11,480
Speaker 1: sit around watching Flop sing for sixteen hours in a

62
00:03:11,520 --> 00:03:14,720
Speaker 1: bloody ballroom at a hotel somewhere. That doesn't sound like fun.

63
00:03:15,760 --> 00:03:17,160
Speaker 1: So where do I get the fun? I get the

64
00:03:17,200 --> 00:03:19,320
Speaker 1: private jet and the others are all lineup on Jetstar

65
00:03:19,400 --> 00:03:22,839
Speaker 1: waiting for their apple and their tangerine cake or whatever

66
00:03:22,880 --> 00:03:25,480
Speaker 1: it is they're hanging out on those things. What else

67
00:03:25,560 --> 00:03:28,600
Speaker 1: is on the car sanlans Rider? Like? What else is

68
00:03:28,639 --> 00:03:35,119
Speaker 1: in the standard hotel rooms? I do only the very

69
00:03:35,200 --> 00:03:37,840
Speaker 1: best suite available in a five star hotel. That this

70
00:03:37,920 --> 00:03:39,760
Speaker 1: has been years and years. Like before, I'd be in

71
00:03:39,760 --> 00:03:42,000
Speaker 1: a caravan park at Gosford for the week and wouldn't care.

72
00:03:43,000 --> 00:03:45,880
Speaker 1: But now I've got a child, I've got a fiance,

73
00:03:46,440 --> 00:03:49,200
Speaker 1: got the big radio show and this, and I just thought,

74
00:03:50,040 --> 00:03:51,840
Speaker 1: I'm not a well person. You look at me. You

75
00:03:51,880 --> 00:03:57,080
Speaker 1: don't think, oh he's healthy. You think he's very close

76
00:03:57,120 --> 00:03:59,520
Speaker 1: to death. How do we know the most? I need

77
00:03:59,560 --> 00:04:02,520
Speaker 1: to do all these jobs, and if I do die,

78
00:04:03,280 --> 00:04:07,360
Speaker 1: the child will take all the money. Hear more of

79
00:04:07,440 --> 00:04:10,200
Speaker 1: the boys on the Full Show podcast, all on the

80
00:04:10,240 --> 00:04:13,280
Speaker 1: iHeartRadio app. Oh worry me, get your podcast