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Speaker 1: Yay. It's fry yay. Come on, give me a ya yay.

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Speaker 1: It's the jam Nation podcast with your very very good

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Speaker 1: friends Jones in Amanda to.

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Speaker 2: The pub test today taking a sad day. Psychologists recommend it.

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Speaker 2: Would you take one off work?

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Speaker 1: It's got legs and it's run out the door Allan's

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Speaker 1: Lockdown parody song. Richard Clapton has managed to record a version.

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Speaker 1: I will say this though he's done it on his

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Speaker 1: dodgy old mobile phone from the nineties, so I don't

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Speaker 1: know how good the quality will be. Richard singing is fantastic,

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Speaker 1: but I don't know about the quality.

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Speaker 2: Well, we'll play that for you. Jess Malboy is going

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Speaker 2: to be joining us and our tribute to Brian Henderson.

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Speaker 1: Also the week that was Jimbo's Jibber Jabber. Enjoy the podcast,

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Speaker 1: everybody one.

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Speaker 3: It was now that a miracle of recording.

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Speaker 1: We have so many requests.

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Speaker 4: For them to do it again.

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Speaker 5: Mistress Amanda's MS killer Amanda doesn't work alone.

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Speaker 6: Friend is in a back room making the two of

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Speaker 6: the train.

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Speaker 1: I've heard them describe him as a drunken idiot. I've

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Speaker 1: the legendary poet jonesy Amanda the actress Wiggles.

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Speaker 2: Congratulations, Murder.

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Speaker 1: We're there right now, Jersey and Amanda.

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Speaker 2: You're doing a great job for anyone but yourselfie.

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Speaker 1: Now good time to hear good radio. Sorry bit of

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Speaker 1: a tongue tongue twist set and.

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Speaker 7: Amanda's shoot timing.

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Speaker 1: We're on the air.

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Speaker 8: Amanda, how are you on this frye.

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Speaker 2: I'm good and I'm glad that you're in a good mood.

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Speaker 2: How did your family feel about your hair?

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Speaker 1: They've been taking pictures of the back of my head

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Speaker 1: and sniggering every time I turn around, and I try

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Speaker 1: to be stern and I turn around and do work.

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Speaker 1: Like this morning, for example, I am doing work on

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Speaker 1: the computer and I'm talking to the girls of the

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Speaker 1: Tithing Pool, girls gaving universe stuff, and I'm talking and

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Speaker 1: I turn around and they all start sniggering at me

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Speaker 1: behind my back, and then I turn around. It's because

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Speaker 1: of what you've.

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Speaker 9: Done in the back of my head.

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Speaker 2: Well, I did cut your hair yesterday, and the front

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Speaker 2: looks great, and I promise, hand on heart, I didn't

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Speaker 2: do it deliberately mess up the back. I promise. I

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Speaker 2: was playing with the what's that thing called clippers? Clippers

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Speaker 2: and the whole top of it came off, and we

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Speaker 2: managed to get the clipper bit back in. I thought

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Speaker 2: that the guard was just something you put on it

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Speaker 2: when you put it back in the drawer. No, I

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Speaker 2: didn't know that hand on heart. I didn't do that deliberately.

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Speaker 2: And so suddenly I was doing the back of your hair,

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Speaker 2: and I thought, wow, it just goes so quickly. And

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Speaker 2: then I tried to even it up, and I thought,

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Speaker 2: I've got to stop because it's halfway up the back

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Speaker 2: of your skull like a prince valiant.

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Speaker 1: It's not a guard, it's a guide.

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Speaker 2: It's a guide meaning what.

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Speaker 1: It's a guide, So i'd guide you of how much

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Speaker 1: you cut the hair, right.

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Speaker 2: I'll know that next time. And I always say if

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Speaker 2: there's no blood at the end, I'm done my job.

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Speaker 2: It actually hurts, how.

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Speaker 1: Because you cut it so short. I don't know the

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Speaker 1: baby skin behind.

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Speaker 2: Mye You do another or called Amanda from the living room, right,

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Speaker 2: and she said that she once did the same with

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Speaker 2: her husband. She went to up the back of his

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Speaker 2: head and she forgot to put the guard on, and

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Speaker 2: she went right from the nape of his neck right

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Speaker 2: up to the crown. I see one like a big

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Speaker 2: landing ship mp And then when she she said, she

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Speaker 2: watched her hand do it and she just couldn't stop.

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Speaker 2: It was a bit like that with me yesterday. And

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Speaker 2: she turned to the kids and said, girls, get out,

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Speaker 2: get outside now, because it's not going to be pretty

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Speaker 2: when something dreadful's just happened.

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Speaker 1: Well, thank you for you're welcome.

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Speaker 2: It looks good from the front though, and that's the

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Speaker 2: only bit you see.

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Speaker 1: Great, great, lucky, I don't have any important engagements today.

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Speaker 2: Luckily, you're going to the Prince Valiant Reenactment Society today.

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Speaker 2: You'll be right at home.

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Speaker 1: What about our kayakers? Did you see them in the

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Speaker 1: gold in the Olympics.

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Speaker 2: I was working in the long day yesterday and I

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Speaker 2: didn't catch up with all.

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Speaker 1: The love me. You like guys with massive arms. These

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Speaker 1: guys got huge, huge, and what did they do? And

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Speaker 1: they came from nowhere Thomas Green and Jean van de Westhausen,

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Speaker 1: which is almost as good as Pappenhausen as at Hazen. Anyway,

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Speaker 1: they were two mates that got together and they've been

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Speaker 1: paddling for a look that long, and they won the

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Speaker 1: gold and the Germans were totally blown out.

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Speaker 2: Of the water ball love that. The one I did

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Speaker 2: see was reading about all Ashley Maloney Australia's first Olympic

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Speaker 2: to cathlon medal. He got bronze, but his mate and

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Speaker 2: his training mate Cedric. When Cedric knew that he couldn't win,

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Speaker 2: but he could see his friend faltering, he knew his

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Speaker 2: friend was up for a medal and so he kind

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Speaker 2: of in a way helped his friend across the line.

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Speaker 2: He encouraged him across the line, Cedric.

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Speaker 1: That's an old school name is.

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Speaker 2: Isn't it. But that's what the Olympics are about.

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Speaker 1: And what about young the young skateboarding kid Keegan pa

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Speaker 1: It just brilliant.

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Speaker 2: And then you have Donald Trump to see what he did.

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Speaker 2: You know, the American football team or the soccer team,

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Speaker 2: they won the World Cup, the women's team, and they

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Speaker 2: I think said no to going to the White House.

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Speaker 2: They weren't fans of Donald Trump. Here's come out and

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Speaker 2: said that they would have got gold if they weren't

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Speaker 2: so woke. He said their wokeness cost them gold.

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Speaker 1: Doesn't really he's an idiot.

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Speaker 2: Imagine saying that to this team that's done so well there,

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Speaker 2: you know, maybe.

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Speaker 1: They're shooting to the left a bit too much.

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Speaker 2: According to him, that's.

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Speaker 1: True Action Pack Show today.

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Speaker 2: If I need a laugh, can I just say to you,

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Speaker 2: just turn around. I'll look at the back of your

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Speaker 2: head and it will bring it secure.

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Speaker 1: Ow boy, we'll be joining us on the show.

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Speaker 2: That's right. We've got just malboy, We've got fight for

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Speaker 2: your flashback. And here's mag seven. Question one. Chocolate buttons

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Speaker 2: coated all yarm with hundreds of thousands are called what

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Speaker 2: I Want One Too.

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Speaker 1: Podcast, The MAGNIFICSM seven. This is where all begins seven questions.

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Speaker 1: Can you go all the way and answer all seven

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Speaker 1: questions correctly? If you do that, that's really cool.

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Speaker 8: But it's back getting question seven right, isn't it?

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Speaker 10: Well?

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Speaker 2: Question one has made me hungry. The question is chocolate

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Speaker 2: buttons coated with hundreds and thousands? Yeah, I love these.

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Speaker 2: They're called what of Canley Vale? Do you know? Good

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Speaker 2: morning guys here?

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Speaker 1: I love What about that big freckle? You know when

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Speaker 1: you get that big.

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Speaker 2: Used to buy me the big freckle at Easter, the

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Speaker 2: freckle egg.

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Speaker 1: I can't get them anymore, the Darren Lee freckle egg.

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Speaker 2: But a bag of freckles and caramel buds.

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Speaker 1: I can leave the old caramel buds. I like the

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Speaker 1: dark chock ones. Got no time for the whities. I

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Speaker 1: don't like those, but you know the yellow the too sweet?

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Speaker 1: Too sweet?

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Speaker 8: Sumo wrestling is associated with which country?

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Speaker 11: Nick?

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Speaker 7: Yes?

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Speaker 2: Question three? The not so secret sounds? Now, remember this

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Speaker 2: is called the not so secret sound. What is this

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Speaker 2: the sound of.

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Speaker 1: Nick?

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Speaker 2: Any idea?

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Speaker 12: I think it's cut.

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Speaker 2: It's hair clippers. Yes it is Nick, Just a reminder.

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Speaker 2: Turn around again, Brendan's I just see the back. I

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Speaker 2: didn't do it deliberately, but now it's there. It's great.

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Speaker 1: It wasn't a guard, it's a guide.

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Speaker 2: I don't know even what those words mean.

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Speaker 1: Which Crayola crayon color was named by a five year old?

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Speaker 1: Was it a PLoP b rasmataz or c Mary Delicious?

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Speaker 1: A five year old named this Crayle crayon color again,

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Speaker 1: PLoP razmataz or Mary Delicious. It's Amanda's legal firm.

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Speaker 2: Sure, Oh, let's go seeous, not Mary Delicious? Sorry, Nick, No,

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Speaker 2: you're wrong. It's either PLoP or razmataz.

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Speaker 1: That's always the way it is with you.

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Speaker 8: The Magnificent Seven. We find ourselves at question four.

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Speaker 2: Question four is going to Hayden in Mithra Park High. Hayden, Hi,

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Speaker 2: guys there, you're going twenty three? A five year old

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Speaker 2: girl got to name a new color of Preola crayon.

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Speaker 2: Did you call it a PLoP or b razmataz? One

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Speaker 2: of those became the new color. I'm going to go

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Speaker 2: with b it is it's Razmataz.

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Speaker 8: I measure they left it to us. It definitely would

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Speaker 8: have been.

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Speaker 2: Plopping, absolutely plopping a plot face.

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Speaker 1: The Cape Crusader is a common nickname of which superhero?

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Speaker 2: Who's the Cape Crusader? You know this, Hayden, Come on,

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Speaker 2: who is the Caped Crusader?

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Speaker 12: Can you re cleet it for me?

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Speaker 1: Please? The Caped Crusader is a common nickname of which superhero.

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Speaker 2: You got it ride on the buzzer? Yes, it's Batman.

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Speaker 2: It just was instinctive for you to say it. Question

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Speaker 2: number six. Brian Henderson sadly he passed away yesterday. Which

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Speaker 2: TV network? Did he read the.

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Speaker 1: News for for many many years?

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Speaker 8: Chen L, that's right, miss Hendo.

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Speaker 2: Yeah.

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Speaker 8: Jessica Malboy is a new judge on Witch Singing Competition

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Speaker 8: that there is a why done it?

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Speaker 1: You came home under a wet sale, but you came home.

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Speaker 1: That's a good thing. Congratulations, you got the jam pack

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Speaker 1: A one hundred and fifty dollars, Enzo's Kachino voucher, Enzo's Kachina,

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Speaker 1: your local Italian An Ancestry DNA pack, Discover your family

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Speaker 1: history with the Ancestry DNA kid and Josie Domaticaracter, Jewish Feed,

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Speaker 1: the coloring and Taylor Pencils. Hayden, is there anything you

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Speaker 1: would like to add?

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Speaker 12: I'd just want to say thank you. It's came on morning.

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Speaker 2: You are terrific, Hayden, and thank you.

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Speaker 1: That's a good thing.

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Speaker 2: All right, we'll comeing up on I Shelby are going

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Speaker 2: to be talking to Jess Malboy the five K Fast

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Speaker 2: five And of course it's Friday. All the fs are there.

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Speaker 2: Fight for your flashback Jonesy and Amanda Germination podcast Goring

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Speaker 2: to Fick through the German ac a big book of

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Speaker 2: musical facts. On this day. In two thousand and one,

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Speaker 2: Whitney Houston became one of the highest paid musicians in

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Speaker 2: the world. She signed a new deal with Arista Record,

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Speaker 2: said to be worth more than one hundred million dollars.

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Speaker 1: That's a nice bit of bunts.

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Speaker 2: A few years Later, two thousand and nine, the Guinness

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Speaker 2: World Records cited her as the most awarded female act

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Speaker 2: of all time. You know all these accolades, and she

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Speaker 2: still remains one of the best selling artists ever. She

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Speaker 2: sold over two hundred million records worldwide. But before she

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Speaker 2: made the big time, she worked away up as a

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Speaker 2: backing singer alongside other icons in the industry. The age

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Speaker 2: of fifteen, She's sang background vocals on Chuck of Kahn's

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Speaker 2: hit single I'm every Woman. She sang backup for the Ronettes.

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Speaker 2: Elton John was no, there are different people who did this. Yep, okay,

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Speaker 2: share sang backup for the Ronette.

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Speaker 8: I was about to say, if the Ronettes were in

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Speaker 8: the sixties show.

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Speaker 2: Elton John was a backing vocalist for the Hollies.

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Speaker 1: Yeah, I knew that.

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Speaker 2: Oh, good on you.

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Speaker 1: Well, I knew that.

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Speaker 2: And did you know this one? Ryl Crowe was a

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Speaker 2: backing singer for Stevie One.

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Speaker 1: I knew that too.

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Speaker 2: Why didn't you tell me?

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Speaker 1: Well, you're reading for the gel Mac.

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Speaker 2: Let's play this. Let's not fine in a hazard fashion.

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Speaker 1: Shush, Look, someone's at the door. Look, Oh it's Sean.

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Speaker 1: Tell the station hairdresser.

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Speaker 2: Yes, hello, guys, I got a call. Now someone's mugged up.

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Speaker 2: Someone's here. What's happened?

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Speaker 1: Yes, yes, I called?

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Speaker 2: All right, well, la, let's have a look at your hair.

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Speaker 2: Take your helmet off so I can have a good look.

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Speaker 2: I'm not wearing one sweet baby cheeses. All right, No, no,

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Speaker 2: don't panic. I can fix it. It's gonna be okay.

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Speaker 2: All right now, first of all, let's get you up

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Speaker 2: in this chie. Let's just check this up. That's not riding.

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Speaker 2: Oh I can't work these things. Let me look.

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Speaker 1: It's fine, it's fine.

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Speaker 2: I've got the cheer. Let's just get a coffee. Hey' stef, Steff,

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Speaker 2: I'm just talking to the apprentice stair. I no, we've

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Speaker 2: got the international rice. Won't get a real coffee. I

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Speaker 2: loant a real coffee? Do you want a real coffee?

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Speaker 2: A real coffee?

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Speaker 6: Thanks?

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Speaker 2: Step Right now, let's have a look what's going on.

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Speaker 2: I just put my equipment out. That thing had these suits.

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Speaker 2: I was the first year of BREDA, so I'm just

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Speaker 2: popping in. Ok Now, now let's have a look. Let's

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Speaker 2: have a look. Look, I'm looking, I'm looking. Let's just

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Speaker 2: have a look. Do you kroum it this way? Or

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Speaker 2: do you klm it that way? Who cut your hair

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Speaker 2: last time? Just having a look, just having a look.

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Speaker 2: I'm just having a look, right right, right right.

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Speaker 1: I just want you to fix I just want you

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Speaker 1: to fix the back of my hair. I don't have

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Speaker 1: much time.

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Speaker 2: Hang on a second, I'll just check my book. So

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Speaker 2: you're down for a pem.

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Speaker 1: No, no, I just wanted to fix it.

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Speaker 2: Stiff sif she's a mucked and up, she's confused you

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Speaker 2: with my ten fifteen. I thought I've just used to

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Speaker 2: having a perm. No, well, look I've got to go.

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Speaker 2: You can either have a pererm today or I can

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Speaker 2: come back in a couple of weeks and give you

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Speaker 2: a pop.

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Speaker 1: For God's sake.

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Speaker 2: Oh what get the towels?

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Speaker 8: For God's sake, did you put the drawer off?

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Speaker 2: I'll be back in six weeks for a perm and

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Speaker 2: I'll have Finally, I'll have a coffee in some hot tails.

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Speaker 2: How about that? And I just pack up all my things.

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Speaker 2: It's all right. See in a few weeks.

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Speaker 1: For God's sake. Oh, hi, are you back so you

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Speaker 1: can do my hair?

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Speaker 2: Here's the please paper from management. Don't panic, it'll grow

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Speaker 2: out having said that a perm would suit you really.

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Speaker 1: Next Tuesday is Census Night, Writes Management. Today's five for

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Speaker 1: your flashback songs about the Census. Play well the Manager,

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Speaker 1: Oh God, the Census.

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Speaker 2: Oh that's hard?

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Speaker 1: Yeah.

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Speaker 4: Podcast Faster The Street of Light, Jonesy and Amanda's five

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Speaker 4: K Fast.

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Speaker 8: Five Here it is.

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Speaker 2: Are you in Jonesy's head today? That's where you've got

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Speaker 2: to be if you want to win five thousand dollars.

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Speaker 2: Just before the news I gave you the category. The

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Speaker 2: category was types of chocolate bars. You'll get one hundred

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Speaker 2: dollars for each one you match with what Jones's written down,

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Speaker 2: but you'll get five thousand if you have matched all five.

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Speaker 1: It's about being in my head.

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Speaker 2: Kate of Lofters, Hello, Kate, Hello chocolate bars? Does it?

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Speaker 2: Did it come easily to you? A list of chocolate bars?

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Speaker 12: Very easy? That's all I've been eating in lockdown.

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Speaker 2: Well, let's see if you're chocolate bars match Jonesy's chocolate bars.

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Speaker 2: So what have you got on your list?

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Speaker 12: I had a Mars bar, a Snickers, Cherry Ripe picnic

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Speaker 12: and a Kidkat.

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Speaker 2: What's making me hungry? All right? Well, let's see.

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Speaker 1: Let's see Quinella right there.

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Speaker 2: How much money you can get to buy chocolate's? Kate?

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Speaker 2: You said kid cat. Jonesy said, kit Cat.

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Speaker 1: I love a kit cat.

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Speaker 8: You know, I love the big finger, the kid cat

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Speaker 8: big finger? Is it like?

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Speaker 2: Is it like KitKat?

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Speaker 1: But just one begure that one big finger?

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Speaker 2: Okay, good on you. Well, but it's a kidkat, Kate

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Speaker 2: said mars Bar. Jonesy. You said, mars bar.

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Speaker 1: Marvel, what a difference. No, that's not it's my life

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Speaker 1: bas a day.

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Speaker 2: Well, it doesn't matter. Kate's got two hundred dollars, Kate.

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Speaker 2: You said sn Pickers set the chocolate bar with peanuts

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Speaker 2: in it.

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Speaker 1: Yeah, really satisfies.

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Speaker 2: Jonesy said Snickers three hundred bucks, Kate. And that's where

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Speaker 2: it ends. On sides us picnicking cherry ripe, cherry ripe delicious.

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Speaker 2: You said, violet crumble, it's like eating chaw.

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Speaker 1: I love a violet properly waffle.

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Speaker 2: Who's had one of those since the seventies. It's scene

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Speaker 2: in Katie Shack, were at the the poo. Is that

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Speaker 2: what you're going with there?

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Speaker 1: No, was really good.

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Speaker 8: It's got the you got the wave, you got the chalk,

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Speaker 8: and you got the mush for me.

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Speaker 2: Three hundred dollars. Though for u K that's great, Thank

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Speaker 2: you pleasure.

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Speaker 8: It's like a rocky road without the nuts. Get out

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Speaker 8: of here, Kate.

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Speaker 2: Play again on Monday.

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Speaker 8: Five of your flashbagers coming up. Our censor songs. I've

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Speaker 8: picked up a bangu. Great, that's not a choco.

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Speaker 1: Bar fight for your flashback two songs enter, one song leaves.

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Speaker 1: Next Tuesday is Census Night. Today's five few flashback songs

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Speaker 1: about the sense. There's no songs about the senses, so

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Speaker 1: all I could think about was sensors and sensors working

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Speaker 1: over time. See what I did there? XTC and it's

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Speaker 1: a great song.

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Speaker 13: Way the straw for the sleeps?

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Speaker 8: God?

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Speaker 1: What year was this?

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Speaker 2: These are my UNI dancing day.

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Speaker 1: This would have been nineteen seventy seventy seven, seventy eighth.

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Speaker 1: Richard Branson had his hand in here. He filmed in

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Speaker 1: the Why she was in the film clip for Generals

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Speaker 1: and Majors. I don't know if he was really there.

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Speaker 1: I'm sure he would have been throwing some bikini cab

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Speaker 1: girl into a pool or something.

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Speaker 12: Well.

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Speaker 2: I still at school during these years, but I think

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Speaker 2: I danced to it in my UNI day.

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Speaker 1: Maybe eighties. Well, you know you're I think it's eighties.

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Speaker 2: You're playing with the word senses.

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Speaker 1: It's nineteen eighty two. Oh okay, that just came to me.

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Speaker 2: Okay, thank you schools of reading. I've also played with

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Speaker 2: the word senses. Yeah, and I've come up with this.

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Speaker 2: Come on, you fill up myself.

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Speaker 1: Black Night.

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Speaker 2: I do love this song. You know that this is

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Speaker 2: one of my faves.

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Speaker 1: It's any song.

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Speaker 2: I love this song. You fill out the senses, it's

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Speaker 2: all in there.

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Speaker 1: Does you fill up John's senses?

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Speaker 2: I can't feel he is up to feel my own. Okay,

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00:17:40,840 --> 00:17:43,760
Speaker 2: this song I do love It was written for his

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Speaker 2: then wife and they'd split up and had got back together.

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Speaker 2: He went out to go skiing on a ski lift.

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Speaker 2: The song just came to him. He composed it in

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Speaker 2: ten minutes, came home, wrote it down as a love song,

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Speaker 2: and his wife said, ex wife, it became like a

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Speaker 2: prayer for him song.

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Speaker 8: Obviously it's a great.

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Speaker 1: Great prayer. So he's in the ski lift. Imagine sitting

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Speaker 1: next to him when he came up with that song.

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Speaker 2: Talk to me, I'm composing and you know it's census

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Speaker 2: night on Tuesday, he said, that's what spurred it on.

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Speaker 1: Well, well, well, what an interesting battle we have here.

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Speaker 2: What song would you like to hear? Give us a

390
00:18:17,880 --> 00:18:20,879
Speaker 2: call thirteen WSFM. We can vote on our Instagram story

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Speaker 2: at Jones and.

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Speaker 1: Amanda Jonesy and Amanda in the morning one oh one

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Speaker 1: point seven w s FM. Two songs and to one

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Speaker 1: song leaves. It's five for your flashback. We've got songs

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Speaker 1: about the Census. I went with XTC Census working over Time,

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Speaker 1: which actually says it in the title. So I think

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Speaker 1: that's pretty good. I know it's spelled wrong Census.

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Speaker 2: My song talks about filling out the census.

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Speaker 8: You fill a messes but once against sense N s

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00:18:55,400 --> 00:18:55,879
Speaker 8: E N.

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00:18:57,160 --> 00:19:00,840
Speaker 2: Let's see, we're picking a song. We're not picking apart semantics.

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00:19:02,040 --> 00:19:05,480
Speaker 2: This is a great sexes. This is a great song.

403
00:19:05,760 --> 00:19:07,439
Speaker 2: Thirteen W is a fem is our number.

404
00:19:07,840 --> 00:19:13,119
Speaker 8: Max in Maryland's Hello Max, Hello Max?

405
00:19:13,119 --> 00:19:15,080
Speaker 2: What song would you like to hear today?

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00:19:15,960 --> 00:19:18,359
Speaker 8: I'll go for you, Amanda, I'm pleased to hear it.

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00:19:18,680 --> 00:19:25,879
Speaker 1: Hey Max, he yes, go wrong.

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00:19:28,600 --> 00:19:29,800
Speaker 12: The time, lock it out?

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00:19:30,359 --> 00:19:32,879
Speaker 2: Actually, look, maybe you're right. I did stuff up the

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00:19:32,880 --> 00:19:35,280
Speaker 2: back of your hair yesterday. Maybe Max is right. Roper

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00:19:35,320 --> 00:19:37,120
Speaker 2: Stomper shave it all off right.

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00:19:36,960 --> 00:19:39,600
Speaker 1: Okay at my signal, unleasha.

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00:19:39,240 --> 00:19:41,359
Speaker 2: Unleash the clippers. I'll do it for you, all right.

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00:19:41,400 --> 00:19:43,280
Speaker 2: We're gonna take more of your calls. Thirteen w is

415
00:19:43,280 --> 00:19:44,800
Speaker 2: a FEMA or you can go to our Instagram story

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00:19:44,840 --> 00:19:50,919
Speaker 2: at Jones and Amanda.

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Speaker 1: Podcast five for your flashback this morning. It's all about

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Speaker 1: songs about the census because it's on Tuesday.

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Speaker 2: Night now, there aren't many songs written about taking the senses,

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Speaker 2: so we've played with the words senses, haven't we.

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00:20:00,280 --> 00:20:06,280
Speaker 1: I've got censors working over time XDC.

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00:20:07,840 --> 00:20:11,639
Speaker 2: I've got John Denver thinking about filling up the censors

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Speaker 2: for his wife.

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Speaker 9: You fill a.

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Speaker 3: Mess, lazy, do it yourself, John.

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00:20:20,119 --> 00:20:25,720
Speaker 1: I wonder they got divorced. Clearly John wasn't in the

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00:20:25,720 --> 00:20:32,560
Speaker 1: house that night. He's not here anymore through his lazy

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00:20:32,600 --> 00:20:33,200
Speaker 1: ass out.

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00:20:33,320 --> 00:20:37,040
Speaker 2: Well, that is called Annie's song. We've got Annie from Coloval, Hello,

430
00:20:37,800 --> 00:20:38,880
Speaker 2: where's your vote going?

431
00:20:39,720 --> 00:20:40,800
Speaker 1: Annie?

432
00:20:42,560 --> 00:20:43,120
Speaker 6: For Amanda?

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00:20:43,400 --> 00:20:46,959
Speaker 2: Of course it's your song after all. It's also a

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00:20:47,000 --> 00:20:50,080
Speaker 2: song for an Amanda from EPPI. Hello, Amanda, how are you?

435
00:20:50,320 --> 00:20:50,800
Speaker 12: Good morning?

436
00:20:50,880 --> 00:20:52,640
Speaker 2: Jones and Amanda, Hello Amanda.

437
00:20:53,480 --> 00:20:54,800
Speaker 6: I'm going with Jonesy today.

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00:20:55,680 --> 00:20:57,879
Speaker 8: Amanda on my side that's a first.

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00:20:58,920 --> 00:20:59,960
Speaker 1: All right, thank you, Amana.

440
00:21:00,240 --> 00:21:03,160
Speaker 2: Well, we're going to take more of your calls thirteen WSFM,

441
00:21:03,320 --> 00:21:05,480
Speaker 2: or you can vote on our Instagram story at Jones

442
00:21:05,560 --> 00:21:07,920
Speaker 2: and Amanda Jonesy and Amanda.

443
00:21:07,600 --> 00:21:09,560
Speaker 9: Gamation podcast.

444
00:21:16,760 --> 00:21:21,040
Speaker 1: Fight for Your Flashback Two songs enter one song, leaves

445
00:21:21,119 --> 00:21:24,240
Speaker 1: five for your flashback. Next Tuesdays Census Night. Today's five

446
00:21:24,280 --> 00:21:28,400
Speaker 1: few flashback songs about the Census that Census c E

447
00:21:28,680 --> 00:21:33,240
Speaker 1: N s U S yes, Census s E N s

448
00:21:33,240 --> 00:21:36,840
Speaker 1: E s play well the management. I've gone with Census

449
00:21:36,840 --> 00:21:38,000
Speaker 1: working over time, I'm XTC.

450
00:21:43,680 --> 00:21:45,679
Speaker 2: I've gone with a song that John Denver wrote in

451
00:21:45,680 --> 00:21:48,560
Speaker 2: ten minutes on a ski liftin Aspen, Colorado, reflecting on

452
00:21:48,600 --> 00:21:50,719
Speaker 2: all the joy his marriage brought to him and then

453
00:21:50,760 --> 00:21:54,200
Speaker 2: they broke up. I've gone with any song you fill

454
00:21:54,320 --> 00:22:01,040
Speaker 2: a messes join yourself like night John spent the night

455
00:22:01,080 --> 00:22:02,119
Speaker 2: in the forest.

456
00:22:05,640 --> 00:22:08,960
Speaker 8: Here wonder they broke up.

457
00:22:10,800 --> 00:22:13,159
Speaker 1: I would a night in the forest be that great? Really?

458
00:22:13,600 --> 00:22:15,639
Speaker 2: Imagine you spend one night in the forest, but you

459
00:22:15,760 --> 00:22:17,600
Speaker 2: have to fill out the census to say that's where

460
00:22:17,640 --> 00:22:19,840
Speaker 2: you were that night. No great? Now they think I

461
00:22:19,960 --> 00:22:21,240
Speaker 2: live in a forest.

462
00:22:22,440 --> 00:22:27,640
Speaker 1: Musicians Widows Daryl of Seven Hills, Hello, Darryl Morning, Jones,

463
00:22:27,760 --> 00:22:29,960
Speaker 1: Morning MANA, how are we great? How are you holding

464
00:22:30,000 --> 00:22:30,440
Speaker 1: up good?

465
00:22:30,680 --> 00:22:32,800
Speaker 12: I'll go all right, mate, I complain we're all in it,

466
00:22:32,840 --> 00:22:33,560
Speaker 12: so we've got to do what.

467
00:22:33,520 --> 00:22:34,000
Speaker 6: We gotta do.

468
00:22:34,080 --> 00:22:36,080
Speaker 2: That's quite right, Darryl, all right, what song would you

469
00:22:36,119 --> 00:22:36,760
Speaker 2: like to hear today?

470
00:22:37,480 --> 00:22:39,439
Speaker 1: I'm going to go with jonesy because that was the

471
00:22:39,440 --> 00:22:41,919
Speaker 1: first song I thought of when that came out with

472
00:22:42,560 --> 00:22:43,080
Speaker 1: my censors.

473
00:22:43,119 --> 00:22:44,280
Speaker 10: That was anything I could think of.

474
00:22:44,359 --> 00:22:45,520
Speaker 7: So I'll go with Jones.

475
00:22:45,720 --> 00:22:47,399
Speaker 1: Darrel, you and I are sharing a brain.

476
00:22:50,080 --> 00:22:51,600
Speaker 12: I've got the three quarters of it.

477
00:22:51,680 --> 00:22:54,159
Speaker 1: Okay, you can have it on the weekend. He's not

478
00:22:54,160 --> 00:22:55,160
Speaker 1: going to use it.

479
00:22:55,320 --> 00:22:57,359
Speaker 2: Robin's in Windsor Fight for your flashback. Robin.

480
00:22:58,400 --> 00:22:59,840
Speaker 7: Hi, good morning to you both.

481
00:23:00,080 --> 00:23:03,160
Speaker 2: Robin, Well, two reasons.

482
00:23:03,200 --> 00:23:05,880
Speaker 10: I'm going with Amanda. I've got a lovely dog.

483
00:23:05,800 --> 00:23:08,840
Speaker 12: Named Annie, and you both fill up my senses with

484
00:23:08,960 --> 00:23:09,680
Speaker 12: this program.

485
00:23:09,720 --> 00:23:11,440
Speaker 2: I love your boat.

486
00:23:11,480 --> 00:23:12,239
Speaker 1: That's nice thing.

487
00:23:12,920 --> 00:23:14,879
Speaker 2: Thank you, that's lovely.

488
00:23:15,119 --> 00:23:17,200
Speaker 8: Mark's in Rapes Crossing, Hello, Mark.

489
00:23:17,040 --> 00:23:21,160
Speaker 2: What song would you like to hear today?

490
00:23:23,320 --> 00:23:25,359
Speaker 12: You need something to eat up in the morning and

491
00:23:25,880 --> 00:23:26,480
Speaker 12: just do.

492
00:23:26,480 --> 00:23:31,199
Speaker 1: It for me, So I'm doing it to thank you. Mark. Answer.

493
00:23:31,640 --> 00:23:33,200
Speaker 1: Shirley's in Bulebara.

494
00:23:32,760 --> 00:23:34,520
Speaker 2: Five for your flashback Shirley.

495
00:23:34,760 --> 00:23:36,640
Speaker 12: Good morning, Jonesy, Good morning Amanda.

496
00:23:36,680 --> 00:23:41,920
Speaker 2: Hello, I love any song. I've definitely got to be you, Amanda, thank.

497
00:23:41,760 --> 00:23:42,959
Speaker 1: You, I thank you, Shirley.

498
00:23:43,000 --> 00:23:45,560
Speaker 2: We've got one more call, though, and this is the

499
00:23:45,560 --> 00:23:48,240
Speaker 2: call that determines it all. Kathy and Eastern Creek.

500
00:23:48,320 --> 00:23:55,040
Speaker 12: Hello, Kathy, Hello Amanda, Hello Jonesy. Today, I would like

501
00:23:55,119 --> 00:23:59,200
Speaker 12: to vote for Jonesy because I feel John Denver makes

502
00:23:59,320 --> 00:24:01,280
Speaker 12: me cross every time I hear him.

503
00:24:01,359 --> 00:24:03,879
Speaker 10: I don't know what it is, so he upsets me.

504
00:24:04,119 --> 00:24:05,360
Speaker 6: So don't beat.

505
00:24:05,400 --> 00:24:07,480
Speaker 8: You're the winner today.

506
00:24:08,280 --> 00:24:10,119
Speaker 2: Are they happy tears when you hear John?

507
00:24:11,320 --> 00:24:11,600
Speaker 3: They are?

508
00:24:11,720 --> 00:24:12,760
Speaker 12: But I just get a bit over.

509
00:24:14,160 --> 00:24:18,240
Speaker 2: I know what you mean, sad. His songs do make

510
00:24:18,280 --> 00:24:19,119
Speaker 2: people emotional.

511
00:24:19,359 --> 00:24:21,720
Speaker 1: Look at your face. You're a little miss smug face.

512
00:24:21,800 --> 00:24:23,520
Speaker 1: You thought you had it. That's not true.

513
00:24:23,560 --> 00:24:26,760
Speaker 8: You had the smugger's face of all smug faces.

514
00:24:26,760 --> 00:24:29,320
Speaker 2: True. What gracious winner you are? Friend?

515
00:24:30,760 --> 00:24:32,399
Speaker 1: No night in the Forest for you.

516
00:24:35,160 --> 00:24:35,840
Speaker 7: W s f M.

517
00:24:35,880 --> 00:24:38,240
Speaker 1: Hello there it's Jonesy, No matter winn Winter Jonesy Dinner,

518
00:24:38,600 --> 00:24:42,600
Speaker 1: winner of five, Fear Flashback XTC Sensors Working Overtime Beat

519
00:24:42,680 --> 00:24:44,520
Speaker 1: John Denver's any song?

520
00:24:44,800 --> 00:24:47,400
Speaker 2: I know we got it okay, I'm just just in.

521
00:24:47,320 --> 00:24:49,360
Speaker 1: Case someone's just got out of bed and they've gone

522
00:24:49,400 --> 00:24:52,240
Speaker 1: on wonder what's going on in the world, what's happening man?

523
00:24:53,200 --> 00:24:54,560
Speaker 1: And now they know the news.

524
00:24:57,600 --> 00:25:01,800
Speaker 2: You're right, winning unusual for you. It's gone to your head.

525
00:25:02,040 --> 00:25:07,920
Speaker 1: You know, no one likes a cockshaw person. That's you.

526
00:25:07,920 --> 00:25:10,119
Speaker 1: You're right, I'm fine.

527
00:25:10,640 --> 00:25:12,640
Speaker 8: Let's get on down to the jonesy demand of arms

528
00:25:12,640 --> 00:25:13,320
Speaker 8: from the pub test.

529
00:25:14,640 --> 00:25:17,840
Speaker 1: Taking a sad day does it pass the pub test?

530
00:25:18,160 --> 00:25:18,600
Speaker 11: Well?

531
00:25:18,960 --> 00:25:22,320
Speaker 2: This is a lot of thinking at the moment has

532
00:25:22,400 --> 00:25:26,800
Speaker 2: gone into our mental health. Even Simone Biles has made

533
00:25:26,920 --> 00:25:29,480
Speaker 2: us look at the way we treat our mental health

534
00:25:29,520 --> 00:25:32,280
Speaker 2: and the mental health of others, and a lot of

535
00:25:32,320 --> 00:25:34,840
Speaker 2: thinking has now gone into we take sick days off

536
00:25:34,840 --> 00:25:38,440
Speaker 2: from work when we're physically ill, but we wouldn't dare

537
00:25:38,520 --> 00:25:41,760
Speaker 2: take one off because we were just feeling sad. Full

538
00:25:41,760 --> 00:25:44,320
Speaker 2: on depression is a different thing. But we all have

539
00:25:44,440 --> 00:25:47,280
Speaker 2: days where we just feel we can't do it. It's just

540
00:25:47,440 --> 00:25:51,240
Speaker 2: too hard, and we should give into those days and

541
00:25:51,400 --> 00:25:54,399
Speaker 2: take them off as sick days. Sad days they're called.

542
00:25:55,400 --> 00:25:57,080
Speaker 2: Reading a whole lot of comments about this woman said

543
00:25:57,119 --> 00:25:59,760
Speaker 2: she's a freelancer and now she does. If there's a

544
00:25:59,840 --> 00:26:01,360
Speaker 2: day when she wakes up and says, I just can't

545
00:26:01,400 --> 00:26:04,320
Speaker 2: do it today, she takes the day off and looks

546
00:26:04,359 --> 00:26:06,359
Speaker 2: after her own mental health. But she said when she

547
00:26:06,359 --> 00:26:09,040
Speaker 2: was an employee, she'd never do that because you feel

548
00:26:09,040 --> 00:26:11,160
Speaker 2: you're not allowed to. You feel it's silly to take

549
00:26:11,200 --> 00:26:13,359
Speaker 2: a sad day. You feel you'll be judged for not

550
00:26:13,400 --> 00:26:15,880
Speaker 2: being robust and strong enough. But in the whole way

551
00:26:15,880 --> 00:26:18,600
Speaker 2: that we're now looking at mental health, taking a sad

552
00:26:18,720 --> 00:26:21,959
Speaker 2: day makes a big difference. It can just on, it

553
00:26:21,960 --> 00:26:24,760
Speaker 2: can just let the pressure vut and just sit.

554
00:26:24,600 --> 00:26:25,800
Speaker 1: Home and stew a little bit.

555
00:26:25,840 --> 00:26:29,280
Speaker 2: You'd stew, No, not necessarily. I mean you're a different

556
00:26:29,359 --> 00:26:32,720
Speaker 2: kind of kettle of fish. You like to move, and

557
00:26:32,800 --> 00:26:35,440
Speaker 2: so you coming into work or you going paddleboarding does

558
00:26:35,480 --> 00:26:37,719
Speaker 2: it for you. For other people, it might be spending

559
00:26:37,720 --> 00:26:40,119
Speaker 2: the day in bed. It might be going for a walk.

560
00:26:40,680 --> 00:26:42,399
Speaker 2: Being out of the office might be the thing that

561
00:26:42,480 --> 00:26:43,399
Speaker 2: helps people survive.

562
00:26:43,440 --> 00:26:44,600
Speaker 1: Would you take a sad day?

563
00:26:46,359 --> 00:26:48,080
Speaker 2: There have been days where I felt like taking a

564
00:26:48,119 --> 00:26:51,120
Speaker 2: sad day, But I'm probably in that category where I feel, oh,

565
00:26:51,160 --> 00:26:52,560
Speaker 2: I better not. I'm not allowed to.

566
00:26:52,760 --> 00:26:54,560
Speaker 8: Of course you're allowed to do you want to take

567
00:26:54,560 --> 00:26:55,040
Speaker 8: a sad day.

568
00:26:55,080 --> 00:26:58,720
Speaker 1: Of course, you can take a sad day, but this

569
00:26:58,800 --> 00:27:01,200
Speaker 1: is a fun factory days, a happy day when you're

570
00:27:01,240 --> 00:27:01,520
Speaker 1: in here.

571
00:27:02,600 --> 00:27:05,439
Speaker 2: How do you feel taking a sad day and a

572
00:27:05,440 --> 00:27:07,040
Speaker 2: new way we're looking at all of this? Does it

573
00:27:07,080 --> 00:27:10,680
Speaker 2: pass the pub test podcast?

574
00:27:10,920 --> 00:27:12,399
Speaker 1: Got some jobs to do over the weekend? I got

575
00:27:12,400 --> 00:27:14,119
Speaker 1: some jobs. I'm gonna do some jobs. I'm doing some

576
00:27:14,200 --> 00:27:19,480
Speaker 1: tinkering on the weekends. Some falln tinkering. You doing anything?

577
00:27:20,760 --> 00:27:22,199
Speaker 1: I'm just pretty doing no.

578
00:27:22,280 --> 00:27:25,520
Speaker 2: I have no plans for the weekend. Funnily enough, Usually,

579
00:27:25,520 --> 00:27:27,720
Speaker 2: what do I say about parody songs? You say you

580
00:27:27,760 --> 00:27:29,919
Speaker 2: don't like them, but I think you're a little jealous

581
00:27:30,160 --> 00:27:32,000
Speaker 2: that you couldn't write them. They were big in the

582
00:27:32,000 --> 00:27:33,480
Speaker 2: eighties and the nineties, weren't they.

583
00:27:33,680 --> 00:27:37,960
Speaker 1: I did write one for sexy Back, but it was

584
00:27:38,000 --> 00:27:40,199
Speaker 1: hairy Back. I've gone a hairy back and that's as

585
00:27:40,200 --> 00:27:40,840
Speaker 1: far as I got.

586
00:27:41,960 --> 00:27:43,240
Speaker 2: I remember it now, and.

587
00:27:43,320 --> 00:27:47,320
Speaker 1: I want some fried rice. I want to bully. That

588
00:27:47,440 --> 00:27:48,640
Speaker 1: was the extent of mind down.

589
00:27:48,720 --> 00:27:50,760
Speaker 2: You didn't even write that. You stole that from your friend.

590
00:27:50,960 --> 00:27:54,040
Speaker 1: I didn't. No, I don't know what about We don't

591
00:27:54,040 --> 00:27:57,919
Speaker 1: need another Spiro, We don't need another spit anyway.

592
00:27:57,960 --> 00:27:59,240
Speaker 2: Yeah, you need more than one line.

593
00:27:59,280 --> 00:28:02,840
Speaker 1: But the key of parody songs with club edg Yeah,

594
00:28:02,960 --> 00:28:05,600
Speaker 1: and we work with club Edge and I think that

595
00:28:05,800 --> 00:28:06,560
Speaker 1: died with them.

596
00:28:07,160 --> 00:28:11,160
Speaker 2: Well, we until this week when we got an email

597
00:28:11,480 --> 00:28:14,480
Speaker 2: from Allen who said that he'd written a parody song

598
00:28:14,800 --> 00:28:18,040
Speaker 2: to the song Downtown called Lockdown, and he admitted he

599
00:28:18,040 --> 00:28:19,719
Speaker 2: wasn't a great singer, but he wanted us to hear

600
00:28:19,760 --> 00:28:21,840
Speaker 2: it anyway. Remember we played us.

601
00:28:21,720 --> 00:28:25,639
Speaker 5: Blood home and COVID's making that's lonely because we all

602
00:28:25,680 --> 00:28:32,880
Speaker 5: are in Lockdown. There's no retail, therepy, it's Gros series only.

603
00:28:33,040 --> 00:28:34,480
Speaker 2: While we all are in.

604
00:28:36,040 --> 00:28:36,840
Speaker 1: Lockdown.

605
00:28:37,200 --> 00:28:40,040
Speaker 5: There's no one in the pubs and clubs, no traffic

606
00:28:40,120 --> 00:28:43,720
Speaker 5: in the city, and living in a hotspot makes life

607
00:28:43,760 --> 00:28:47,360
Speaker 5: even more shitty. So I'll hit the fruity language from

608
00:28:47,400 --> 00:28:49,800
Speaker 5: Alan because life's pretty et.

609
00:28:49,760 --> 00:28:53,800
Speaker 2: Cetera, et cetera. So he said, here's the song. See

610
00:28:53,800 --> 00:28:55,200
Speaker 2: if you can get someone better to sing it.

611
00:28:55,280 --> 00:28:57,440
Speaker 1: Yeah, he's not a bird Backarac. That's what bird Backarac

612
00:28:57,560 --> 00:28:59,600
Speaker 1: used to do. It's okay, I've written a song, now

613
00:28:59,640 --> 00:29:03,680
Speaker 1: you to give it to give it to old mate?

614
00:29:03,680 --> 00:29:04,440
Speaker 1: What was his name?

615
00:29:05,360 --> 00:29:06,240
Speaker 2: Who's old mate?

616
00:29:06,560 --> 00:29:09,200
Speaker 1: We you know we've right have tons of songs for

617
00:29:09,280 --> 00:29:12,600
Speaker 1: people I've forgotten, Carol King, people.

618
00:29:12,360 --> 00:29:14,160
Speaker 2: Like that old mate, Carol.

619
00:29:13,920 --> 00:29:16,480
Speaker 8: Key, Carol King, RUTHA Franklin.

620
00:29:16,960 --> 00:29:19,640
Speaker 2: So what's happened is we got in touch with our

621
00:29:19,680 --> 00:29:23,000
Speaker 2: old mate Richard Clapton and we put it to him.

622
00:29:24,040 --> 00:29:28,000
Speaker 1: And you are one of this country's foremost premiere artists.

623
00:29:28,360 --> 00:29:31,400
Speaker 1: Is it worth your while? Is there any any bones

624
00:29:31,440 --> 00:29:33,160
Speaker 1: in this song? Because the lyrics a I think a

625
00:29:33,280 --> 00:29:34,920
Speaker 1: kind of humorous. Could you make something else?

626
00:29:35,120 --> 00:29:35,959
Speaker 2: You have a crack at it?

627
00:29:37,040 --> 00:29:37,760
Speaker 1: I'll do to go.

628
00:29:39,120 --> 00:29:42,360
Speaker 8: It's pretty interesting, pretty interesting indeed.

629
00:29:42,440 --> 00:29:44,400
Speaker 2: So we send it over to him and he's had

630
00:29:44,440 --> 00:29:44,600
Speaker 2: a go.

631
00:29:45,120 --> 00:29:47,240
Speaker 1: We've got a copy of it. I will I will

632
00:29:47,280 --> 00:29:51,320
Speaker 1: say this right now. He records. He's stuck in Melbourne

633
00:29:51,320 --> 00:29:54,280
Speaker 1: in a hotel room. He doesn't have a decent mobile phone.

634
00:29:54,360 --> 00:29:57,160
Speaker 1: He's got a twenty one ten, a Nokia twenty one ten.

635
00:29:57,680 --> 00:29:59,800
Speaker 1: You didn't you do ads for the twenty one ten?

636
00:29:59,840 --> 00:30:00,800
Speaker 1: When came excuse me?

637
00:30:00,840 --> 00:30:03,560
Speaker 2: It was not an ad. I did an instructional video

638
00:30:03,760 --> 00:30:05,920
Speaker 2: on how to use it, and that video was included

639
00:30:05,960 --> 00:30:08,080
Speaker 2: when you bought the phone, so you could put your

640
00:30:08,160 --> 00:30:09,520
Speaker 2: video in and I would tell you how to use

641
00:30:09,560 --> 00:30:10,000
Speaker 2: your phone.

642
00:30:11,640 --> 00:30:12,920
Speaker 1: So that's an AD, isn't it.

643
00:30:13,040 --> 00:30:15,360
Speaker 2: No, it's not an AD. No, but no, if you

644
00:30:15,360 --> 00:30:17,440
Speaker 2: get it, it was a manual manual.

645
00:30:17,640 --> 00:30:18,160
Speaker 1: Did you do that?

646
00:30:18,280 --> 00:30:20,240
Speaker 2: Identity of a manual?

647
00:30:20,520 --> 00:30:22,880
Speaker 1: This is Amanda, what you would this be nineteen ninety

648
00:30:22,920 --> 00:30:26,760
Speaker 1: eight five five doing. Not an AD, It's not an

649
00:30:26,800 --> 00:30:28,840
Speaker 1: AD instructional manual.

650
00:30:29,080 --> 00:30:31,640
Speaker 2: But if you bought the phone, you got the video

651
00:30:31,720 --> 00:30:32,600
Speaker 2: to show you how to use.

652
00:30:32,520 --> 00:30:33,960
Speaker 1: It for the Nokia twenty one to ten.

653
00:30:34,280 --> 00:30:41,760
Speaker 3: Hello, I'm Amanda Keller, star of television and instructional video. Firstly,

654
00:30:41,880 --> 00:30:46,160
Speaker 3: congratulations on purchasing the simply smarter Nokia twenty one to

655
00:30:46,240 --> 00:30:50,000
Speaker 3: ten mobile phone. By doing so, you've joined an elite

656
00:30:50,080 --> 00:30:53,320
Speaker 3: group of mobile phone users that include such well known

657
00:30:53,360 --> 00:30:55,280
Speaker 3: personalities as well.

658
00:30:56,160 --> 00:30:56,240
Speaker 6: Me.

659
00:30:57,080 --> 00:30:59,200
Speaker 2: Yeah, the irony was rich that day.

660
00:30:59,440 --> 00:31:01,440
Speaker 8: Yourself clancy from skipping.

661
00:31:01,480 --> 00:31:02,880
Speaker 2: I know you've bogned me up.

662
00:31:02,800 --> 00:31:03,560
Speaker 1: Mister Hammond.

663
00:31:03,600 --> 00:31:07,320
Speaker 2: Mister Hammond, Well after eight o'clock will play Richard's efforts

664
00:31:07,320 --> 00:31:09,400
Speaker 2: for you.

665
00:31:10,480 --> 00:31:17,520
Speaker 13: God right now.

666
00:31:15,080 --> 00:31:27,120
Speaker 2: Now, go to your window, sick your head on a yell.

667
00:31:23,000 --> 00:31:25,120
Speaker 1: Down to the jonesy demand of arms for the pub

668
00:31:25,160 --> 00:31:28,320
Speaker 1: test taking a sad day? Does it pass the pub test?

669
00:31:28,320 --> 00:31:30,640
Speaker 1: Don't make up? You've got COVID like that trading.

670
00:31:30,760 --> 00:31:31,680
Speaker 2: What's that about?

671
00:31:32,520 --> 00:31:36,160
Speaker 1: Out of all the things made, it don't make that.

672
00:31:36,400 --> 00:31:39,000
Speaker 2: I think we're much better at acknowledging how we need

673
00:31:39,040 --> 00:31:41,280
Speaker 2: to look after our mental health these days. I was

674
00:31:41,320 --> 00:31:43,920
Speaker 2: reading an article where a freelancer said that now she's

675
00:31:43,960 --> 00:31:46,640
Speaker 2: a freelancer, she can say some days, you know what,

676
00:31:46,720 --> 00:31:48,880
Speaker 2: I can't do it today, and I'm just I'm just

677
00:31:48,920 --> 00:31:51,480
Speaker 2: going to look after myself. But when she was an employee,

678
00:31:51,560 --> 00:31:53,920
Speaker 2: she felt she couldn't do that. It's still seen as

679
00:31:53,920 --> 00:31:56,120
Speaker 2: a luxury. You can take a sick day, but we

680
00:31:56,160 --> 00:31:59,720
Speaker 2: wouldn't take a sick day for a mental health problem.

681
00:32:00,040 --> 00:32:02,720
Speaker 2: And maybe we need to look at that employers. There's

682
00:32:02,720 --> 00:32:05,400
Speaker 2: a group here saying why don't we have sad days?

683
00:32:05,840 --> 00:32:08,000
Speaker 2: You can say I'm having a sad day and I'm

684
00:32:08,000 --> 00:32:08,600
Speaker 2: not up to it.

685
00:32:08,840 --> 00:32:11,920
Speaker 1: What if someone was to take advantage of that. So

686
00:32:11,960 --> 00:32:13,680
Speaker 1: they're saying they're having a sad day, and then you

687
00:32:13,720 --> 00:32:15,120
Speaker 1: see them frolicking at the beach.

688
00:32:15,280 --> 00:32:17,640
Speaker 2: It's like, I can't work today because I've got gastro

689
00:32:17,760 --> 00:32:20,200
Speaker 2: and there you are out frolick at the beach. What's

690
00:32:20,240 --> 00:32:23,920
Speaker 2: the diff We just don't take our mental health seriously enough.

691
00:32:24,560 --> 00:32:26,680
Speaker 2: I've now got friends where we say, you know what,

692
00:32:26,760 --> 00:32:28,200
Speaker 2: I'm not not up to catching up tonight.

693
00:32:28,280 --> 00:32:28,400
Speaker 1: Is that?

694
00:32:28,480 --> 00:32:30,600
Speaker 2: Okay? A few years ago we would never have said

695
00:32:30,600 --> 00:32:31,320
Speaker 2: that to each other.

696
00:32:31,600 --> 00:32:32,880
Speaker 1: You said that to me all the time.

697
00:32:33,200 --> 00:32:36,160
Speaker 2: Well, now we're owning I'm not up to it about sadness.

698
00:32:36,640 --> 00:32:38,040
Speaker 1: I say, let's catch up me. I know I'm not

699
00:32:38,120 --> 00:32:38,800
Speaker 1: up to catching up.

700
00:32:39,320 --> 00:32:41,240
Speaker 2: So I'm being serious, Brenda.

701
00:32:41,440 --> 00:32:42,480
Speaker 1: So am I.

702
00:32:42,200 --> 00:32:44,680
Speaker 2: Taking a sad day? Does it pass the pub test?

703
00:32:45,360 --> 00:32:45,840
Speaker 2: It does?

704
00:32:46,080 --> 00:32:49,680
Speaker 12: But I wouldn't necessarily call it a sad day. I

705
00:32:49,760 --> 00:32:52,600
Speaker 12: work in a good company, and I just say to

706
00:32:52,680 --> 00:32:54,600
Speaker 12: my boss, you know I'm not one hundred.

707
00:32:54,360 --> 00:32:57,360
Speaker 7: Percent a day. No, Well, I've worked for myself.

708
00:32:57,760 --> 00:33:02,320
Speaker 10: Unfortunately, bad days even affect me. I can't afford him.

709
00:33:02,680 --> 00:33:05,320
Speaker 12: I believe it does. It's not so long since we

710
00:33:05,400 --> 00:33:08,120
Speaker 12: used to call them do today where yourself you couldn't

711
00:33:08,120 --> 00:33:10,120
Speaker 12: face today, and you took a day off and stay

712
00:33:10,120 --> 00:33:11,800
Speaker 12: in bed or looked after yourself.

713
00:33:12,280 --> 00:33:15,360
Speaker 2: Yeah, the Douner day, to face the day, call it

714
00:33:15,360 --> 00:33:16,080
Speaker 2: the Douner day.

715
00:33:16,240 --> 00:33:18,600
Speaker 1: Thank you for all your calls. We always like when

716
00:33:18,600 --> 00:33:20,920
Speaker 1: people contribute stuff to our radio programs.

717
00:33:20,960 --> 00:33:21,400
Speaker 9: It's good.

718
00:33:21,440 --> 00:33:22,440
Speaker 2: We appreciate it.

719
00:33:22,680 --> 00:33:26,480
Speaker 1: Alan send Us, in his parody of Lockdown. It was

720
00:33:26,520 --> 00:33:29,600
Speaker 1: sung to Petula Clark's Downtown.

721
00:33:29,840 --> 00:33:33,680
Speaker 5: We're all at home and COVID's making it's lonely because

722
00:33:33,720 --> 00:33:40,320
Speaker 5: we all are in lockdown. There's no retail, therepy, etc.

723
00:33:42,680 --> 00:33:45,360
Speaker 2: It's very the words are brilliant. He himself said, I'm

724
00:33:45,400 --> 00:33:46,080
Speaker 2: not a great scene.

725
00:33:46,080 --> 00:33:49,080
Speaker 1: I'd even opened the door from someone from Jehovah was

726
00:33:49,120 --> 00:33:52,400
Speaker 1: pretty good. That was a good, good lyric from Alan.

727
00:33:52,520 --> 00:33:54,720
Speaker 1: Alan said it to us, and then we thought, well,

728
00:33:54,760 --> 00:33:58,240
Speaker 1: we know singers in this business. Rich Clapton, for example.

729
00:33:58,680 --> 00:34:01,080
Speaker 1: We went through our list of people that we had

730
00:34:01,360 --> 00:34:04,280
Speaker 1: and Richard who's stuck in a hotel in Melbourne at

731
00:34:04,320 --> 00:34:06,520
Speaker 1: the moment because his tour has been canceled.

732
00:34:06,080 --> 00:34:08,759
Speaker 2: So he's recording equipment. He's got a whole studio in

733
00:34:08,800 --> 00:34:10,759
Speaker 2: his home. He doesn't have access to that all. He's

734
00:34:10,760 --> 00:34:11,440
Speaker 2: got his phone.

735
00:34:11,520 --> 00:34:13,320
Speaker 1: He's got his phone in his phone happens to be

736
00:34:13,320 --> 00:34:17,200
Speaker 1: a Nokia twenty one to ten, which you did an

737
00:34:17,200 --> 00:34:17,640
Speaker 1: ad for it.

738
00:34:17,760 --> 00:34:20,440
Speaker 2: It's not an ad. If you bought the phone, you

739
00:34:20,600 --> 00:34:23,799
Speaker 2: got an instructional video from me that you put into

740
00:34:23,840 --> 00:34:25,960
Speaker 2: your VHS that would tell you how to use your.

741
00:34:26,120 --> 00:34:26,719
Speaker 1: Get paid for it.

742
00:34:26,840 --> 00:34:29,600
Speaker 2: Yeah, it's not an ad. You buy it. You've already

743
00:34:29,640 --> 00:34:31,640
Speaker 2: bought the phone. I'm not telling you to buy it.

744
00:34:31,920 --> 00:34:34,239
Speaker 2: You've already bought it. And here's how you use it.

745
00:34:34,360 --> 00:34:35,959
Speaker 1: Okay, so you're just a facilitator.

746
00:34:36,040 --> 00:34:39,160
Speaker 2: Yes, it's an instructional video. Do you not understand I do?

747
00:34:39,680 --> 00:34:39,799
Speaker 7: They?

748
00:34:40,080 --> 00:34:42,000
Speaker 1: Maybe I need an instructural video for that.

749
00:34:42,040 --> 00:34:45,200
Speaker 2: Do explain what an instructional video is. It was nineteen

750
00:34:45,280 --> 00:34:47,600
Speaker 2: ninety five. I had big shoulder pads. It was all happening.

751
00:34:47,640 --> 00:34:49,640
Speaker 1: You're driving an X five? Is it a manual car?

752
00:34:49,680 --> 00:34:50,839
Speaker 1: You're driving a manual car?

753
00:34:50,920 --> 00:34:52,760
Speaker 2: I don't know when? Did that has not mine?

754
00:34:53,320 --> 00:34:55,799
Speaker 1: We're just steal a car. Here it is.

755
00:34:56,320 --> 00:35:02,600
Speaker 3: Hello, I'm Amanda Keller, star of television and instructional video.

756
00:35:02,719 --> 00:35:03,840
Speaker 2: Who know Ironic Hurstley?

757
00:35:03,920 --> 00:35:08,359
Speaker 3: Congratulations on purchasing the simply smarter Nokia twenty.

758
00:35:08,000 --> 00:35:09,680
Speaker 2: One to ten mobile phone.

759
00:35:10,000 --> 00:35:12,960
Speaker 3: By doing so, you've joined an elite group of mobile

760
00:35:13,000 --> 00:35:17,319
Speaker 3: phone users that include such well known personalities as well.

761
00:35:18,200 --> 00:35:18,279
Speaker 4: Me.

762
00:35:19,400 --> 00:35:21,920
Speaker 2: See, there was no auto cue. I couldn't remember all that.

763
00:35:22,000 --> 00:35:24,000
Speaker 1: Now piece to camera, mons they call you.

764
00:35:24,080 --> 00:35:26,600
Speaker 2: That's right, one take wander.

765
00:35:26,760 --> 00:35:28,399
Speaker 1: What else can we learn from this?

766
00:35:29,120 --> 00:35:32,919
Speaker 3: Longer the bar, the better the signal on the right.

767
00:35:33,080 --> 00:35:36,440
Speaker 3: You have the battery indicator which shows you how charged

768
00:35:36,440 --> 00:35:40,040
Speaker 3: your battery is. Again, the longer the bar, the better

769
00:35:40,080 --> 00:35:40,640
Speaker 3: the charge.

770
00:35:40,960 --> 00:35:44,200
Speaker 2: Is that true? That gives you some idea of the

771
00:35:45,400 --> 00:35:49,480
Speaker 2: fuzzy quality of the technology. So we're putting in context

772
00:35:49,760 --> 00:35:53,520
Speaker 2: Richard's song. He recorded it on that under a pillow.

773
00:35:53,719 --> 00:35:56,719
Speaker 1: Okay, so Richard Clapton, we give you right now his

774
00:35:56,880 --> 00:36:03,600
Speaker 1: version of lockdown.

775
00:36:06,200 --> 00:36:08,640
Speaker 7: They're all alcohol would take out.

776
00:36:08,520 --> 00:36:14,359
Speaker 8: A bump down, up.

777
00:36:20,160 --> 00:36:33,879
Speaker 7: Down on the bed. They're up.

778
00:36:38,320 --> 00:36:40,000
Speaker 3: Um down up him.

779
00:36:41,160 --> 00:36:42,480
Speaker 7: You're gonna be kidding me right.

780
00:36:43,680 --> 00:36:45,640
Speaker 2: The lot's going a little tricky around there, what you're doing.

781
00:36:46,200 --> 00:36:48,879
Speaker 2: But that's someone with a nice voice doing a really

782
00:36:48,960 --> 00:36:52,920
Speaker 2: nice parody. It's an Alan and Richard collab.

783
00:36:53,480 --> 00:36:55,840
Speaker 1: Maybe we should get him into the studio to record

784
00:36:55,840 --> 00:36:57,000
Speaker 1: that because I got you know.

785
00:36:57,000 --> 00:36:59,960
Speaker 8: I've got a trained here that's got that that's got

786
00:37:00,080 --> 00:37:00,560
Speaker 8: to go place.

787
00:37:00,719 --> 00:37:02,800
Speaker 2: I've got two years. I'm not sure it's.

788
00:37:02,719 --> 00:37:03,520
Speaker 1: Like that other girl.

789
00:37:03,560 --> 00:37:06,319
Speaker 8: That girl did the promotional ad back.

790
00:37:06,560 --> 00:37:09,040
Speaker 2: I forget the longer the bar, the bit of the battery.

791
00:37:08,800 --> 00:37:09,800
Speaker 9: That's what it's all about.

792
00:37:11,880 --> 00:37:15,680
Speaker 2: Pomcast. We love catching up with our next guest. She's

793
00:37:15,719 --> 00:37:18,440
Speaker 2: the hugely successful Australian pop star who we've known and

794
00:37:18,520 --> 00:37:21,919
Speaker 2: loved since she first burst onto the screens on Australian

795
00:37:22,080 --> 00:37:25,040
Speaker 2: Idol way back when. Well, now she's on the other

796
00:37:25,200 --> 00:37:27,520
Speaker 2: side of the stage as a coach for the first

797
00:37:27,560 --> 00:37:34,239
Speaker 2: time on the Voice Jess maw Boy, Hello, Hello, So

798
00:37:34,480 --> 00:37:37,640
Speaker 2: exciting for you. Do you feel nervous because you know

799
00:37:37,800 --> 00:37:41,080
Speaker 2: exactly how it feels to be up on stage performing

800
00:37:41,120 --> 00:37:41,760
Speaker 2: for judges?

801
00:37:43,320 --> 00:37:45,440
Speaker 12: Yeah, I do, you know, and I was throughout the

802
00:37:45,480 --> 00:37:49,520
Speaker 12: whole time filming. You know, I think for me personally,

803
00:37:49,560 --> 00:37:52,320
Speaker 12: it was it was more about nurturing the artists because

804
00:37:52,440 --> 00:37:55,600
Speaker 12: I've been in those lists. I've done the auditions, but

805
00:37:55,719 --> 00:37:58,640
Speaker 12: I've still on that stage millions of times and you know,

806
00:37:58,719 --> 00:38:01,440
Speaker 12: and had people cricket eat me. So, you know, I

807
00:38:01,440 --> 00:38:03,279
Speaker 12: think it was so wonderful to be able to come

808
00:38:03,320 --> 00:38:07,440
Speaker 12: on and literally be like a shoulder for these artists,

809
00:38:07,880 --> 00:38:11,280
Speaker 12: you know, as as much as they can be vulnerable

810
00:38:11,320 --> 00:38:13,680
Speaker 12: and safe in a place where they can really be

811
00:38:13,719 --> 00:38:17,000
Speaker 12: able to elevate in their story, singing these songs that

812
00:38:17,080 --> 00:38:18,040
Speaker 12: people know so well.

813
00:38:18,280 --> 00:38:21,000
Speaker 1: And you're working with Rita Aura, You've got Guy Sebastian,

814
00:38:21,040 --> 00:38:23,520
Speaker 1: You've got Keith Urban that they're all great people.

815
00:38:25,680 --> 00:38:28,680
Speaker 12: They're wonderful people to be honest I didn't know what

816
00:38:28,840 --> 00:38:31,279
Speaker 12: to expect. I think again, you know, I was going

817
00:38:31,320 --> 00:38:34,160
Speaker 12: in really nervous, you know, wondering, you know, what are.

818
00:38:34,040 --> 00:38:34,520
Speaker 10: They going to be?

819
00:38:34,600 --> 00:38:34,680
Speaker 1: Like?

820
00:38:34,760 --> 00:38:36,839
Speaker 12: Am I gonna bond? Am I going to click with them?

821
00:38:37,640 --> 00:38:41,839
Speaker 12: Keith was, you know, such a wonderful gentleman. You know,

822
00:38:41,920 --> 00:38:43,840
Speaker 12: he always had his family there, so it was it

823
00:38:43,920 --> 00:38:45,920
Speaker 12: was awesome to see him in that light and be

824
00:38:45,960 --> 00:38:48,839
Speaker 12: able to also see him on an artist level as well.

825
00:38:48,880 --> 00:38:50,920
Speaker 12: And he would he would share some stories with us,

826
00:38:50,960 --> 00:38:53,759
Speaker 12: even you know, off the Red Chair, and yeah, it

827
00:38:53,840 --> 00:38:56,360
Speaker 12: just felt like we'd known him for ever. And Rider

828
00:38:56,880 --> 00:39:03,680
Speaker 12: she's st like she's involved, like she's honestly the coolest.

829
00:39:04,920 --> 00:39:08,279
Speaker 12: Also grudge es as well, like just the way she talks. Yes,

830
00:39:08,400 --> 00:39:09,000
Speaker 12: just her energy.

831
00:39:09,480 --> 00:39:11,319
Speaker 1: You love her, you love her.

832
00:39:11,360 --> 00:39:14,279
Speaker 2: We've interviewed her. We loved her too. Yeah, she's a

833
00:39:14,320 --> 00:39:14,960
Speaker 2: great person.

834
00:39:15,719 --> 00:39:18,359
Speaker 1: Can a guy you know and guy, well we all

835
00:39:18,400 --> 00:39:18,799
Speaker 1: know guy.

836
00:39:19,000 --> 00:39:21,360
Speaker 2: But let me ask you this, Jess, what what makes

837
00:39:21,400 --> 00:39:24,480
Speaker 2: you turn your chair? Are you looking for a good voice,

838
00:39:24,600 --> 00:39:28,360
Speaker 2: a different voice, a marketable voice. What is your ear

839
00:39:28,560 --> 00:39:29,319
Speaker 2: listening out for?

840
00:39:30,680 --> 00:39:33,600
Speaker 12: Yeah, I think it's a combination. And you know, for me,

841
00:39:34,120 --> 00:39:37,080
Speaker 12: you know it is it is about marketable. It also

842
00:39:37,280 --> 00:39:41,320
Speaker 12: is about you know, genuine you know, like a genuine

843
00:39:41,360 --> 00:39:44,040
Speaker 12: side of you know why you you know, love doing music.

844
00:39:44,080 --> 00:39:47,520
Speaker 12: You've got to be believable. You know, you're you're telling

845
00:39:47,600 --> 00:39:50,759
Speaker 12: stories and you're having people connect with you. So I

846
00:39:50,800 --> 00:39:52,799
Speaker 12: think at the end of the day, it's it's it's

847
00:39:52,840 --> 00:39:57,239
Speaker 12: all about connection and it's about being able to you know,

848
00:39:57,440 --> 00:40:00,200
Speaker 12: transform a listener with you.

849
00:40:00,800 --> 00:40:04,239
Speaker 1: Obviously you would certainly turn your chair for Lockdown. The

850
00:40:04,360 --> 00:40:06,640
Speaker 1: parody song that was send him by listening.

851
00:40:06,280 --> 00:40:13,680
Speaker 5: At home and listening because we all locked Down.

852
00:40:16,640 --> 00:40:17,279
Speaker 12: Series on.

853
00:40:20,920 --> 00:40:26,000
Speaker 1: Lockdown see Richard Clapton, as you know, is already he's

854
00:40:26,040 --> 00:40:29,360
Speaker 1: recorded a version of it. It's Richard recorded, but he

855
00:40:29,400 --> 00:40:31,960
Speaker 1: did it on a Nokia twenty one ten mobile phone

856
00:40:32,000 --> 00:40:35,480
Speaker 1: in a hotel room in Melbourne. But even Richard managed

857
00:40:35,520 --> 00:40:37,279
Speaker 1: to he got it over the line. So you know,

858
00:40:37,360 --> 00:40:41,040
Speaker 1: maybe maybe this is something you could come up with, Jess,

859
00:40:41,080 --> 00:40:44,239
Speaker 1: Maybe this is something that you could you know, look,

860
00:40:44,320 --> 00:40:45,040
Speaker 1: I could try.

861
00:40:45,280 --> 00:40:48,359
Speaker 12: You know, I'm all about experimenting. I'm all about you

862
00:40:48,360 --> 00:40:51,240
Speaker 12: know now with my music. I'm currently in the studio,

863
00:40:51,320 --> 00:40:53,319
Speaker 12: so you know, it's such a perfect time to be

864
00:40:53,400 --> 00:40:57,080
Speaker 12: doing so and really creating, So why not.

865
00:40:57,280 --> 00:40:59,640
Speaker 1: It's a collab. We'll send the lyrics over.

866
00:41:00,600 --> 00:41:05,839
Speaker 2: It'll be Jess Melboy feet Allen, Yes, come on, come on,

867
00:41:06,880 --> 00:41:09,399
Speaker 2: we always we love talking to you, Jess.

868
00:41:09,440 --> 00:41:12,080
Speaker 8: The Voice starts Sunday, August eighth on Channel seven.

869
00:41:12,160 --> 00:41:14,240
Speaker 2: I can't wait to see you in this Jes Melboy,

870
00:41:14,320 --> 00:41:15,720
Speaker 2: thank you for joining us.

871
00:41:16,120 --> 00:41:21,160
Speaker 11: Love you an love you guys, Thank you Jonesy and

872
00:41:21,160 --> 00:41:27,319
Speaker 11: Amanda Germ podcast.

873
00:41:27,760 --> 00:41:29,160
Speaker 1: I don't feel like working today?

874
00:41:29,200 --> 00:41:30,239
Speaker 6: Can I just stay in bed?

875
00:41:30,640 --> 00:41:32,840
Speaker 1: It was sad to hear the news about Brian Henderson

876
00:41:32,880 --> 00:41:35,080
Speaker 1: passing away yesterday at the age of eighty nine.

877
00:41:35,840 --> 00:41:39,400
Speaker 2: Channel nine newsreader of course, first on our tellies as

878
00:41:39,440 --> 00:41:42,480
Speaker 2: a bandstand host. What a household name he was. He

879
00:41:42,560 --> 00:41:45,160
Speaker 2: read the news on Channel nine from nineteen sixty four

880
00:41:45,680 --> 00:41:48,880
Speaker 2: until two thousand and two. And do you remember the

881
00:41:48,920 --> 00:41:50,440
Speaker 2: ad campaigns at the eighties?

882
00:41:50,680 --> 00:42:00,640
Speaker 1: Brian told me all saying this, Yes, it worked out

883
00:42:00,640 --> 00:42:03,160
Speaker 1: well because the newsreader in Melbourne was Brian as well.

884
00:42:03,480 --> 00:42:05,279
Speaker 1: Oh really yeah, so that's a bit of a job.

885
00:42:05,320 --> 00:42:07,759
Speaker 2: What and they made the women called Brian.

886
00:42:09,680 --> 00:42:11,800
Speaker 1: But it wasn't he great? Remember back in two thousand

887
00:42:11,800 --> 00:42:13,880
Speaker 1: and two. I can remember exactly where I was in

888
00:42:13,880 --> 00:42:16,920
Speaker 1: two thousand and two when Brian Henderson signed off. Remember

889
00:42:17,000 --> 00:42:20,640
Speaker 1: he's very us. That's the way it was, and he

890
00:42:20,800 --> 00:42:23,279
Speaker 1: do that. He's last signed off in two thousand and two.

891
00:42:23,800 --> 00:42:27,120
Speaker 4: How to sign off well, and not the way it

892
00:42:27,320 --> 00:42:30,800
Speaker 4: was as has been suggested. But so the last time

893
00:42:31,320 --> 00:42:34,480
Speaker 4: the way it is this Friday, the twenty ninth of November.

894
00:42:35,120 --> 00:42:38,880
Speaker 4: This is Brian Henderson. I say it, Brian Henderson saying

895
00:42:39,600 --> 00:42:42,360
Speaker 4: not good night this time that goodbye.

896
00:42:42,480 --> 00:42:42,600
Speaker 12: Oh.

897
00:42:42,640 --> 00:42:44,000
Speaker 2: I feel like crying even hearing that.

898
00:42:44,120 --> 00:42:46,160
Speaker 8: Now such a big part of our lives.

899
00:42:46,920 --> 00:42:49,200
Speaker 2: Do you remember? I don't even know if I should

900
00:42:49,200 --> 00:42:52,640
Speaker 2: bring this up. The last time you saw Brian Hender come,

901
00:42:53,480 --> 00:42:56,200
Speaker 2: was it Channel nine? What was the function for? Was

902
00:42:56,200 --> 00:42:56,920
Speaker 2: it for Brian?

903
00:42:57,320 --> 00:43:00,560
Speaker 1: No? Why are you doing down?

904
00:43:01,280 --> 00:43:01,560
Speaker 2: Was it?

905
00:43:01,960 --> 00:43:05,320
Speaker 1: What was the fun? Peter Overden's fiftieth birthday celebration.

906
00:43:05,560 --> 00:43:08,640
Speaker 2: At Channel nine at Channel nine, and he's very close

907
00:43:08,680 --> 00:43:09,080
Speaker 2: to Brian.

908
00:43:09,280 --> 00:43:13,200
Speaker 1: Yeah, but pe d was mentored at the teet of Brian.

909
00:43:13,360 --> 00:43:15,320
Speaker 2: Yes, so he was quite the image.

910
00:43:15,680 --> 00:43:19,080
Speaker 1: So he's learned everything is from Brian. And so for

911
00:43:19,280 --> 00:43:22,880
Speaker 1: Pete's fiftieth birthday, they had all people gather around in

912
00:43:22,920 --> 00:43:27,040
Speaker 1: the boardroom at Channel nine, which is called Hendo's Boardroomndo's boardroom.

913
00:43:27,120 --> 00:43:29,200
Speaker 1: So I show up there. I'm early for some reason.

914
00:43:29,239 --> 00:43:30,760
Speaker 1: I'm not early. I'm the first for some reason.

915
00:43:30,760 --> 00:43:34,160
Speaker 8: Why he's there because I'm a big part of all

916
00:43:34,200 --> 00:43:34,440
Speaker 8: of this.

917
00:43:35,080 --> 00:43:38,239
Speaker 1: Pete and I pals. Anyway, I show up there, I'm

918
00:43:38,239 --> 00:43:40,560
Speaker 1: the first one there. So I take my jacket off,

919
00:43:40,560 --> 00:43:42,560
Speaker 1: I put it on a chair. I go to the bar.

920
00:43:42,840 --> 00:43:47,799
Speaker 1: I'm having a beer, and as the room fills up,

921
00:43:48,400 --> 00:43:50,279
Speaker 1: I'm standing as to Ray Hadley. So Ray and I

922
00:43:50,280 --> 00:43:52,839
Speaker 1: are just having a beer, just making pleasant chat and

923
00:43:52,880 --> 00:43:55,520
Speaker 1: all those things. And then the big boss of Channel

924
00:43:55,600 --> 00:43:58,200
Speaker 1: nine is making a speech about Peter Overton, how great

925
00:43:58,200 --> 00:44:01,440
Speaker 1: Peter Overton is. Then all the same isn't. Across the room,

926
00:44:01,840 --> 00:44:04,520
Speaker 1: miles away from me, a phone starts ringing.

927
00:44:06,719 --> 00:44:07,760
Speaker 2: What's this?

928
00:44:07,760 --> 00:44:10,719
Speaker 1: This is the ring title? So I'm standing there and

929
00:44:10,800 --> 00:44:15,000
Speaker 1: Handley says, some dope slept his phone on. And at

930
00:44:15,000 --> 00:44:17,719
Speaker 1: that point I realized with horror that that dope is me,

931
00:44:18,200 --> 00:44:19,520
Speaker 1: and that's my phone.

932
00:44:19,320 --> 00:44:20,920
Speaker 2: And you are across the room from it.

933
00:44:21,000 --> 00:44:22,919
Speaker 1: You can get to it in my jacket. And who's

934
00:44:22,920 --> 00:44:27,279
Speaker 1: sitting on my jacket Brian Henderson. So Ayn's shifting uncomfortably.

935
00:44:27,480 --> 00:44:28,760
Speaker 2: The other thing was Brian.

936
00:44:29,280 --> 00:44:31,719
Speaker 1: He just sat there and this is how it's running

937
00:44:31,719 --> 00:44:33,640
Speaker 1: because I couldn't switch it off because I had it

938
00:44:33,760 --> 00:44:40,680
Speaker 1: set without voicemailing, and I said to hey, that's my phone,

939
00:44:41,040 --> 00:44:43,560
Speaker 1: and Handley says, you're a fair to get an idiot,

940
00:44:43,719 --> 00:44:45,040
Speaker 1: and we both startling, and.

941
00:44:45,000 --> 00:44:48,160
Speaker 2: So poor old Brian is sitting sitting there suffering the

942
00:44:48,160 --> 00:44:50,000
Speaker 2: ignity of this glassing.

943
00:44:49,560 --> 00:44:53,560
Speaker 1: Round anyone's seat of going, well, you know, Brian, you rock.

944
00:44:56,680 --> 00:45:09,239
Speaker 2: We'll rest in peace, Brian Henderson. Every time year we're

945
00:45:09,239 --> 00:45:11,880
Speaker 2: going to reward our favorite goolie of the year with

946
00:45:12,120 --> 00:45:15,839
Speaker 2: ten thousand dollars cash and a brand new Spinales mattress

947
00:45:16,200 --> 00:45:18,920
Speaker 2: valued it over sixteen thousand dollars. Sick of neck pain,

948
00:45:18,960 --> 00:45:22,160
Speaker 2: headaches and snoring, We can get a Spinally's pillow right

949
00:45:22,200 --> 00:45:24,880
Speaker 2: now with afterpay and free delivery at Spinales dot com

950
00:45:24,880 --> 00:45:25,560
Speaker 2: dot a or.

951
00:45:25,600 --> 00:45:28,239
Speaker 8: Call the Goolies hotline nine six onneces seven nine eighty four.

952
00:45:28,320 --> 00:45:28,799
Speaker 1: What have we.

953
00:45:28,760 --> 00:45:33,600
Speaker 10: Got my goolie is the writing on the back of

954
00:45:33,719 --> 00:45:37,920
Speaker 10: the packet of cake mixes. For example, the instructions are

955
00:45:38,040 --> 00:45:42,040
Speaker 10: so small I have to take a photo of it,

956
00:45:42,400 --> 00:45:45,759
Speaker 10: blow it up and then read it even with my

957
00:45:45,840 --> 00:45:50,000
Speaker 10: glasses on. So my gooolly is make the writing bigger.

958
00:45:50,280 --> 00:45:53,880
Speaker 2: On packet, I agree. And on beauty products? Is this

959
00:45:53,960 --> 00:45:56,640
Speaker 2: the shampoo or conditioner? I can't read anything on them.

960
00:45:56,719 --> 00:45:59,080
Speaker 1: What about when you're making a cake and you throw

961
00:45:59,160 --> 00:46:01,600
Speaker 1: all the box and stuff into the bag and then

962
00:46:01,600 --> 00:46:04,280
Speaker 1: you realize and then someone zips out cat food juice

963
00:46:04,320 --> 00:46:06,560
Speaker 1: and all that sort of stuff on top of the box.

964
00:46:06,640 --> 00:46:07,600
Speaker 2: I put that in the cake.

965
00:46:08,480 --> 00:46:09,919
Speaker 1: Cat food juice in your cake?

966
00:46:10,000 --> 00:46:10,879
Speaker 2: What else have we got?

967
00:46:11,640 --> 00:46:16,279
Speaker 12: What it's my goolies is people who needs butter or

968
00:46:16,360 --> 00:46:21,040
Speaker 12: veggie might in the jam or vice versus really bugs me?

969
00:46:21,440 --> 00:46:22,640
Speaker 1: Yeah, I'm with him?

970
00:46:22,640 --> 00:46:25,279
Speaker 2: Man, I do that you do? Do I do that?

971
00:46:25,360 --> 00:46:26,600
Speaker 1: You do to other people stuff?

972
00:46:26,680 --> 00:46:26,839
Speaker 8: Yeah?

973
00:46:26,880 --> 00:46:28,680
Speaker 2: I think we're bad luck. Someone else can deal with that.

974
00:46:28,960 --> 00:46:33,240
Speaker 1: You go, you put your pegs paste in people's butter

975
00:46:34,680 --> 00:46:36,160
Speaker 1: fish paste? Oh?

976
00:46:36,520 --> 00:46:39,319
Speaker 2: Do remember that? At school? Fish paste sandwiches and we

977
00:46:39,400 --> 00:46:41,279
Speaker 2: put up with it. What's wrong with us.

978
00:46:41,280 --> 00:46:44,960
Speaker 1: Kids these days? Complaining of the counting menu was sufficiently

979
00:46:45,160 --> 00:46:49,279
Speaker 1: silk worm eggs so dry we had to eat fish paste.

980
00:46:50,480 --> 00:46:53,040
Speaker 8: Your little winges out with the bad with the good.

981
00:46:53,040 --> 00:46:54,400
Speaker 1: If you dipp out does many, you can always call

982
00:46:54,440 --> 00:46:58,880
Speaker 1: the Goolies hotline nine six one seven four. You know,

983
00:46:58,960 --> 00:47:01,320
Speaker 1: Jim Dolan has been wor looking harder than the cleaners

984
00:47:01,320 --> 00:47:03,040
Speaker 1: on a Japanese airline's flight.

985
00:47:04,160 --> 00:47:06,560
Speaker 2: That's hard work and he's come up with this.

986
00:47:06,760 --> 00:47:13,440
Speaker 13: Jim the newcastaff selet big brother has been announced. Some

987
00:47:13,520 --> 00:47:17,040
Speaker 13: big names in there, Meghan Markle, well, not her, but

988
00:47:17,160 --> 00:47:18,080
Speaker 13: her brother Thomas.

989
00:47:18,160 --> 00:47:19,000
Speaker 9: There's a big name.

990
00:47:19,120 --> 00:47:22,520
Speaker 13: There's also some footy players, some influencers and Donald Trump's

991
00:47:22,560 --> 00:47:25,560
Speaker 13: former advisor. We liked the idea of some other Ossie

992
00:47:25,560 --> 00:47:26,560
Speaker 13: big names.

993
00:47:26,480 --> 00:47:29,799
Speaker 9: Like who you know like Ozzie Ostrich, Jawn or Tucker Bag.

994
00:47:29,840 --> 00:47:32,480
Speaker 9: Remember Tucker Bag? Who was tucker Bag? Tucker Bag?

995
00:47:32,640 --> 00:47:36,520
Speaker 1: It was a franchise of supermarkets and what was the

996
00:47:36,520 --> 00:47:37,040
Speaker 1: thing it was?

997
00:47:37,320 --> 00:47:38,040
Speaker 9: It was a bag.

998
00:47:38,080 --> 00:47:41,360
Speaker 2: It was like a talking bag. They're already on TV.

999
00:47:41,960 --> 00:47:45,160
Speaker 9: It was a talking bag. What about Cloyd Crowe from

1000
00:47:45,160 --> 00:47:49,200
Speaker 9: Sell's Neighborhood? What about from a Gray's cartoon connection?

1001
00:47:49,400 --> 00:47:54,680
Speaker 2: What about mister Yawn the giant mattress in Sleep with Everybody?

1002
00:47:55,160 --> 00:47:56,000
Speaker 2: That's what they're after.

1003
00:47:58,080 --> 00:48:01,239
Speaker 13: Everyone was talking about those two who one night, while

1004
00:48:01,280 --> 00:48:03,480
Speaker 13: putting the bins out, came up with the idea for

1005
00:48:03,640 --> 00:48:07,240
Speaker 13: after Pay, which they just sold for thirty nine billion dollars,

1006
00:48:07,360 --> 00:48:08,880
Speaker 13: which begs the question.

1007
00:48:08,840 --> 00:48:11,880
Speaker 1: Sixteen years why haven't we come up with a thirty

1008
00:48:11,960 --> 00:48:13,480
Speaker 1: nine billion dollar idea.

1009
00:48:13,800 --> 00:48:16,120
Speaker 9: We've been in this room in a small box for

1010
00:48:16,160 --> 00:48:16,800
Speaker 9: all this time.

1011
00:48:17,440 --> 00:48:20,120
Speaker 1: How is it that we haven't come up with a

1012
00:48:20,239 --> 00:48:21,000
Speaker 1: money spinner?

1013
00:48:21,360 --> 00:48:22,319
Speaker 9: What have we come up with?

1014
00:48:22,680 --> 00:48:26,200
Speaker 2: Well, you had poo your pants for cash, but then

1015
00:48:26,200 --> 00:48:32,120
Speaker 2: you ended up doing it for free. I've had nothing, he.

1016
00:48:32,120 --> 00:48:33,439
Speaker 9: Said, because you haven't got a five.

1017
00:48:35,040 --> 00:48:39,320
Speaker 13: Scott Cam's TV career has outlasted two family dogs. Scott

1018
00:48:39,440 --> 00:48:41,640
Speaker 13: does have a novel way of honoring each of these

1019
00:48:41,680 --> 00:48:45,640
Speaker 13: departed dogs by having them stuffed. I don't know how Frankie,

1020
00:48:45,760 --> 00:48:47,799
Speaker 13: Scotty's latest dog feels about that.

1021
00:48:47,960 --> 00:48:49,799
Speaker 7: And then I stuffed her and she's at the top

1022
00:48:49,800 --> 00:48:50,360
Speaker 7: of the stairs.

1023
00:48:51,000 --> 00:48:52,480
Speaker 1: Now we've got freighty but.

1024
00:48:52,520 --> 00:48:54,080
Speaker 2: You've actually tactic doesn't meet them.

1025
00:48:55,080 --> 00:48:58,640
Speaker 7: Yeah, yeah, I'll stuff them. And halfway up the stairs

1026
00:48:58,719 --> 00:49:00,919
Speaker 7: is losing and then the top of the stairs is ras.

1027
00:49:01,160 --> 00:49:02,200
Speaker 9: See what is Frankie for you?

1028
00:49:02,520 --> 00:49:03,640
Speaker 2: Very well?

1029
00:49:03,680 --> 00:49:06,839
Speaker 7: You know, there's well of people say that there's five

1030
00:49:06,920 --> 00:49:09,440
Speaker 7: being dogs in Australia and put anxiety and they're on tablets,

1031
00:49:09,440 --> 00:49:12,000
Speaker 7: which I think is the nonsense. And I said, I

1032
00:49:12,040 --> 00:49:14,319
Speaker 7: did an interview with someone about animals and I said, hey,

1033
00:49:14,480 --> 00:49:17,680
Speaker 7: doll there's not anxiety. It's mind you puppy break meet.

1034
00:49:17,960 --> 00:49:19,879
Speaker 7: What the hell did you do to get there?

1035
00:49:22,800 --> 00:49:25,239
Speaker 9: If they see you with a bag of sawdust.

1036
00:49:26,239 --> 00:49:33,320
Speaker 13: The bags, be careful what you wish for. Jonesy lamented

1037
00:49:33,360 --> 00:49:36,120
Speaker 13: that he can't get a haircut. Amanda often to help out.

1038
00:49:36,160 --> 00:49:38,200
Speaker 9: I'm hardly like some long haired hippie.

1039
00:49:38,200 --> 00:49:40,240
Speaker 2: I'd like you to look nice for me. Every morning.

1040
00:49:40,280 --> 00:49:41,319
Speaker 2: I make an effort for you.

1041
00:49:41,480 --> 00:49:42,960
Speaker 9: I'm not like one of your dollies.

1042
00:49:43,440 --> 00:49:47,120
Speaker 2: Well you know, maybe I've used to practice on my

1043
00:49:47,239 --> 00:49:49,320
Speaker 2: teary dearie. You don't want to see what at the

1044
00:49:49,360 --> 00:49:50,360
Speaker 2: back of her hair looks like?

1045
00:49:50,400 --> 00:49:50,960
Speaker 9: What happened?

1046
00:49:51,280 --> 00:49:53,560
Speaker 2: Well, she's I scalped her pretty much.

1047
00:49:53,719 --> 00:49:55,800
Speaker 9: It's a big bold patch. Yeah, so.

1048
00:49:57,480 --> 00:49:58,960
Speaker 2: Nature's beating me. Do it.

1049
00:49:59,000 --> 00:50:00,560
Speaker 13: But I didn't know a man and then knew how

1050
00:50:00,600 --> 00:50:03,560
Speaker 13: to cut hair. You ask, did I? And funny enough,

1051
00:50:03,760 --> 00:50:04,399
Speaker 13: neither did she.

1052
00:50:04,560 --> 00:50:06,640
Speaker 2: This pretended to sell on and you'll relax.

1053
00:50:06,400 --> 00:50:08,680
Speaker 9: Okay, So what's your what's your I.

1054
00:50:08,880 --> 00:50:14,600
Speaker 2: Sell on is called Woods's Sheep Cuts. So I just

1055
00:50:14,719 --> 00:50:15,640
Speaker 2: kept the business card.

1056
00:50:17,160 --> 00:50:18,279
Speaker 8: That's it. That's it.

1057
00:50:19,800 --> 00:50:20,879
Speaker 9: I forgot some barber music.

1058
00:50:21,160 --> 00:50:22,480
Speaker 2: Apparently they're a playlist for.

1059
00:50:25,640 --> 00:50:26,520
Speaker 9: That's one of those trendy.

1060
00:50:27,360 --> 00:50:33,640
Speaker 2: Yeah, sorry skip.

1061
00:50:34,239 --> 00:50:37,920
Speaker 13: And I was going so well until the clippers came.

1062
00:50:37,800 --> 00:50:42,400
Speaker 9: Out instead of hairstyle is it?

1063
00:50:42,560 --> 00:50:44,120
Speaker 2: I went high on one side and I've just got

1064
00:50:44,200 --> 00:50:47,239
Speaker 2: to even it up down here for oh hell, I

1065
00:50:47,400 --> 00:50:50,160
Speaker 2: was good at Help me to stop because I'm eating it.

1066
00:50:50,239 --> 00:50:51,360
Speaker 1: Up in the I want you to.

1067
00:50:52,000 --> 00:50:56,120
Speaker 2: I just have to eat it that way. Stop. And

1068
00:50:56,239 --> 00:50:57,640
Speaker 2: you know how a coconut looks.

1069
00:50:57,440 --> 00:51:05,560
Speaker 6: At the back. I took a photo of the bait.

1070
00:51:05,680 --> 00:51:07,719
Speaker 2: The clippers got away from me. But look how sick

1071
00:51:07,760 --> 00:51:08,120
Speaker 2: it looks.

1072
00:51:08,239 --> 00:51:08,680
Speaker 9: It looks.

1073
00:51:10,120 --> 00:51:12,120
Speaker 2: It looks like Jim Carrey. He's a movie star.

1074
00:51:12,480 --> 00:51:14,080
Speaker 9: Fucking dumb and dummy, He's.

1075
00:51:13,960 --> 00:51:14,719
Speaker 2: A movie star.

1076
00:51:15,120 --> 00:51:17,919
Speaker 9: You know, the front looks good.

1077
00:51:19,200 --> 00:51:20,440
Speaker 2: It'll grow back in a second.

1078
00:51:20,520 --> 00:51:23,040
Speaker 13: What's the difference between a good haircut and a bad haircut?

1079
00:51:23,200 --> 00:51:23,960
Speaker 1: A couple of weeks?

1080
00:51:24,640 --> 00:51:24,759
Speaker 7: Uh?

1081
00:51:25,080 --> 00:51:27,840
Speaker 1: Make that three? This has been Jimbo's Jim.

1082
00:51:29,719 --> 00:51:32,800
Speaker 2: Like you were in lockdown, Our favor recaller email or

1083
00:51:32,840 --> 00:51:35,640
Speaker 2: Facebook friend gets a five hundred dollars D Shop voucher.

1084
00:51:35,920 --> 00:51:38,120
Speaker 2: If you haven't done any D shopping lately, you're missing

1085
00:51:38,160 --> 00:51:40,600
Speaker 2: out on huge deals everything home and more. D shop

1086
00:51:40,680 --> 00:51:41,320
Speaker 2: dot com dot are you.

1087
00:51:41,480 --> 00:51:44,200
Speaker 8: You also get a Jonesy demand of tetwel and branded Bobblehead.

1088
00:51:44,640 --> 00:51:47,359
Speaker 2: Tuesday night is Census Night, so today fight for your

1089
00:51:47,400 --> 00:51:50,200
Speaker 2: flashback our category with songs about the census. I went

1090
00:51:50,280 --> 00:51:51,960
Speaker 2: with this you fill.

1091
00:51:51,800 --> 00:51:55,799
Speaker 8: Alas, which is called any song someone's going to fill

1092
00:51:55,840 --> 00:52:00,360
Speaker 8: up the census might at least has sensors spell correctly.

1093
00:52:00,480 --> 00:52:02,799
Speaker 1: But in the title XDC.

1094
00:52:05,480 --> 00:52:08,520
Speaker 2: You won, which was annoying. But Robin and Windsor called

1095
00:52:08,560 --> 00:52:09,640
Speaker 2: through and made our day with this.

1096
00:52:10,120 --> 00:52:13,000
Speaker 12: You both fill up my senses with this program.

1097
00:52:13,120 --> 00:52:15,200
Speaker 2: I love you both. She's mad at the match.

1098
00:52:15,280 --> 00:52:16,839
Speaker 1: That's all it takes, So fill up.

1099
00:52:16,800 --> 00:52:18,399
Speaker 2: Robin right at you two.

1100
00:52:18,880 --> 00:52:19,719
Speaker 6: That's enough.

1101
00:52:20,640 --> 00:52:23,680
Speaker 1: Wsmm's total recallers back with Ugly Phil coming up after

1102
00:52:23,760 --> 00:52:26,800
Speaker 1: nine o'clock on Monday. We have a big show. We

1103
00:52:26,920 --> 00:52:30,960
Speaker 1: have some very exciting everyone's a winner news coming out.

1104
00:52:31,040 --> 00:52:32,800
Speaker 2: We're not going to tell you Monday.

1105
00:52:32,880 --> 00:52:34,520
Speaker 1: And you know who else is joining his other show.

1106
00:52:34,600 --> 00:52:38,360
Speaker 2: Duchess Sarah ferguson her only radio interview, which is giving it.

1107
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Speaker 1: To all having a zoom meeting with them.

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Speaker 2: I'm excited. Is at her wedding?

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Speaker 1: Are there any question?

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Speaker 2: I was at her wedding with dam Edna Everage. I've

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Speaker 2: got so much to talk.

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Speaker 1: About We'll be back tonight from six for jam Nation.

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Speaker 2: See you then, Good day to you.

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Speaker 1: Well, thank god that's over.

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Speaker 4: Good Bite, Good Bite.

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Speaker 1: A podcast of today's show is available to download from

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Speaker 1: the iHeartRadio app.

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Speaker 6: All the Cool Kids Are Doing It, Jonesy and Amanda podcast.

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Speaker 6: Catch up on what you've missed on the free iHeartRadio

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Speaker 6: app