1 00:00:00,640 --> 00:00:05,480 Speaker 1: Local filmmaker Calenderlka, you may know for writing The Naked Wanderer, 2 00:00:05,480 --> 00:00:09,200 Speaker 1: which starred John Cleese, is back first time directing too 3 00:00:09,400 --> 00:00:12,320 Speaker 1: with It Only Takes a Night, which is in Cinema's 4 00:00:12,880 --> 00:00:15,360 Speaker 1: August fifteen, and he's with us now, good morning. 5 00:00:15,400 --> 00:00:17,239 Speaker 2: Now, thanks very much for having me. 6 00:00:18,040 --> 00:00:20,319 Speaker 1: Now this film, It Only Takes a Night, It's set 7 00:00:20,400 --> 00:00:24,560 Speaker 1: in London, it is but filmed entirely here. Was that 8 00:00:25,120 --> 00:00:27,639 Speaker 1: part of the plan or did COVID have something to 9 00:00:27,680 --> 00:00:29,320 Speaker 1: do with where it got filmed. 10 00:00:29,400 --> 00:00:32,720 Speaker 3: I think we kind of had a thought for about 11 00:00:32,760 --> 00:00:34,440 Speaker 3: three seconds that we were going to go to London 12 00:00:34,479 --> 00:00:36,159 Speaker 3: and film it, and then realized how much that was 13 00:00:36,200 --> 00:00:36,959 Speaker 3: all going to cost, and. 14 00:00:36,880 --> 00:00:40,720 Speaker 2: They thought, no, let's just do it. It's doable. Yeah, 15 00:00:40,720 --> 00:00:42,560 Speaker 2: but no, look it worked out really really well. 16 00:00:42,640 --> 00:00:44,800 Speaker 3: I mean, you know, we've sold the film to England 17 00:00:44,800 --> 00:00:46,680 Speaker 3: now and everyone keeps asking when did you come over 18 00:00:46,720 --> 00:00:49,559 Speaker 3: here and film it? So, yeah, Perth looks exactly like 19 00:00:49,720 --> 00:00:51,680 Speaker 3: London if you shoot it in the right angles, do 20 00:00:51,720 --> 00:00:52,240 Speaker 3: it right? 21 00:00:52,680 --> 00:00:53,080 Speaker 2: Did you go? 22 00:00:53,280 --> 00:00:57,640 Speaker 4: Who've spent about fourteen weeks in London court pretty much? 23 00:00:57,680 --> 00:00:59,880 Speaker 3: There was a lot of like Prince Lane, King Street, 24 00:01:00,120 --> 00:01:02,640 Speaker 3: Freeman all places like that. So Yeah, the City of 25 00:01:02,680 --> 00:01:05,240 Speaker 3: Perth was very helpful. City Freeman a very helpful. So yeah, 26 00:01:05,280 --> 00:01:06,000 Speaker 3: we're pretty stoked. 27 00:01:06,120 --> 00:01:07,520 Speaker 2: All right, So what is the film about? 28 00:01:07,720 --> 00:01:10,200 Speaker 3: In a nutshell, so it's a look, it's a rom 29 00:01:10,280 --> 00:01:13,319 Speaker 3: com at heart, it's a breakup story. You know, a 30 00:01:13,360 --> 00:01:16,440 Speaker 3: girl sort of gets dumped at a very unfortunate time 31 00:01:16,480 --> 00:01:18,600 Speaker 3: in her life and she's down in the dumps and 32 00:01:18,640 --> 00:01:20,679 Speaker 3: then her four friends take her out one night. So 33 00:01:21,120 --> 00:01:22,920 Speaker 3: it sort of comes from that thing. It only takes 34 00:01:22,920 --> 00:01:25,160 Speaker 3: one night to change your life, so you know, it 35 00:01:25,240 --> 00:01:27,720 Speaker 3: all takes place over one night and things go down. 36 00:01:27,920 --> 00:01:31,479 Speaker 4: Let's just say, okay, all right, you mentioned the word 37 00:01:32,000 --> 00:01:34,760 Speaker 4: finance or budgets and the light in movie making and 38 00:01:34,840 --> 00:01:37,080 Speaker 4: TV making, that's what it's all about, is to try 39 00:01:37,080 --> 00:01:38,520 Speaker 4: and get there and you've got to get the right 40 00:01:38,600 --> 00:01:40,160 Speaker 4: light and the right time and all that kind of stuff. 41 00:01:40,360 --> 00:01:41,360 Speaker 2: But how did you go with that? 42 00:01:41,400 --> 00:01:43,120 Speaker 4: Because you're if you walk onto a movie set and 43 00:01:43,120 --> 00:01:45,240 Speaker 4: you see the catering and it's really soggy sandwiches, you 44 00:01:45,240 --> 00:01:45,959 Speaker 4: know they're struggling. 45 00:01:46,040 --> 00:01:48,320 Speaker 3: Yeah, well this is the thing, right, Like, you know, 46 00:01:48,400 --> 00:01:51,600 Speaker 3: we had really great support from all of Perth, all 47 00:01:51,640 --> 00:01:54,080 Speaker 3: our crew, all our casts. They sort of knew what 48 00:01:54,120 --> 00:01:56,400 Speaker 3: they were getting into. You know, we shot it in 49 00:01:56,480 --> 00:01:59,000 Speaker 3: May twenty twenty one, which was obviously the height of 50 00:01:59,040 --> 00:02:02,480 Speaker 3: the pandemic. In fact, our shoot was literally between two lockdowns, 51 00:02:02,520 --> 00:02:04,960 Speaker 3: I think. Yeah, we took our masks off the first 52 00:02:05,040 --> 00:02:07,600 Speaker 3: day of filming and then four days after we wrapped 53 00:02:07,640 --> 00:02:10,360 Speaker 3: there was another lockdown. So it was all pretty hardcore. 54 00:02:10,360 --> 00:02:12,080 Speaker 3: But everyone sort of wanted to do this and wanted 55 00:02:12,120 --> 00:02:14,800 Speaker 3: to work. So yeah, look, everybody showed up for it. 56 00:02:14,840 --> 00:02:16,880 Speaker 3: But you know, we made sure we fed people well, 57 00:02:16,919 --> 00:02:20,560 Speaker 3: because you feed them well at least hopefully they're happy, 58 00:02:20,600 --> 00:02:24,480 Speaker 3: hopefully that. 59 00:02:23,639 --> 00:02:27,120 Speaker 1: I don't mind admitting. I'm such a parochial perth person 60 00:02:27,240 --> 00:02:29,160 Speaker 1: and I also love movies, so I love it when 61 00:02:29,160 --> 00:02:32,160 Speaker 1: I see a movie where I recognize you stuff nice. 62 00:02:32,680 --> 00:02:34,400 Speaker 1: What are some of the locations that people are going 63 00:02:34,440 --> 00:02:35,960 Speaker 1: to recognize in this because I know a lot of 64 00:02:35,960 --> 00:02:37,200 Speaker 1: it is filmed in a nightclub. 65 00:02:37,320 --> 00:02:40,080 Speaker 3: Yes, so if you're a big nightclubber and you go 66 00:02:40,120 --> 00:02:42,440 Speaker 3: to Magnet House quite a lot, you will recognize that 67 00:02:42,480 --> 00:02:45,160 Speaker 3: because we spend quite a lot of time in there. 68 00:02:45,240 --> 00:02:47,600 Speaker 3: And I'll tell you what, filming in a nightclub during 69 00:02:47,600 --> 00:02:49,840 Speaker 3: the day that is an experience. 70 00:02:49,960 --> 00:02:53,320 Speaker 2: Sal you can see too much. So there's a. 71 00:02:53,240 --> 00:02:56,799 Speaker 3: Certain smell that's there. You don't sort of recognize there 72 00:02:56,800 --> 00:02:59,320 Speaker 3: at nighttime. You're sort of having too much fun at night, even. 73 00:02:59,120 --> 00:03:02,000 Speaker 2: In the pandemic. Exactly. Yeah, I might ed it out. 74 00:03:02,520 --> 00:03:04,560 Speaker 2: You don't want to see why the carpets sticky, do you, 75 00:03:04,800 --> 00:03:07,760 Speaker 2: Yeah exactly. Yeah, you're sort of picking up your feet 76 00:03:07,760 --> 00:03:09,519 Speaker 2: a bit much. But yeah, that was great. So we 77 00:03:09,600 --> 00:03:10,600 Speaker 2: filmed Magnet House. 78 00:03:10,680 --> 00:03:15,640 Speaker 3: Yeah, like I said, some streets of Fremantle, Yeah, Prince Lane, 79 00:03:15,720 --> 00:03:19,600 Speaker 3: King Street all around, sort of that Belgian beer cafe area, 80 00:03:20,680 --> 00:03:22,400 Speaker 3: a little bit of stuff in East Perth. The League 81 00:03:22,440 --> 00:03:25,919 Speaker 3: girl Ruby who was played by Eliza Taylor, her apartments 82 00:03:25,639 --> 00:03:26,760 Speaker 3: in East Perth. 83 00:03:27,720 --> 00:03:28,959 Speaker 2: You just sort of blur out. 84 00:03:28,800 --> 00:03:31,000 Speaker 3: The background and yeah, yeah, that's not the whack I 85 00:03:31,040 --> 00:03:35,880 Speaker 3: don't know, stadium, yeah exactly. So yeah, look, I think 86 00:03:35,920 --> 00:03:38,840 Speaker 3: people will recognize quite a few places. And you know, 87 00:03:38,840 --> 00:03:40,800 Speaker 3: if you've seen the trailer, you probably think that there's 88 00:03:40,880 --> 00:03:43,360 Speaker 3: you know, it's just your standard rom com, but there's 89 00:03:43,400 --> 00:03:45,600 Speaker 3: a few twists and turns and you might actually see 90 00:03:45,600 --> 00:03:47,520 Speaker 3: a little bit more of Perth than you're expecting to 91 00:03:47,520 --> 00:03:48,880 Speaker 3: see that way. 92 00:03:48,920 --> 00:03:49,760 Speaker 2: And a great cast. 93 00:03:49,800 --> 00:03:54,680 Speaker 1: You just mentioned Eliza Taylor, George Pula, who I just 94 00:03:54,720 --> 00:03:56,880 Speaker 1: saw in Barons and I loved him in that, and 95 00:03:57,160 --> 00:03:58,320 Speaker 1: he was also in Playing for Keeps. 96 00:03:58,360 --> 00:04:01,520 Speaker 2: You know, I'm from there. He's terrific. Yeah, he's great. 97 00:04:01,880 --> 00:04:04,400 Speaker 3: So I met George ages ago while he was at 98 00:04:04,400 --> 00:04:07,360 Speaker 3: Wopper and he read some stuff for The Naked Wanderer 99 00:04:07,400 --> 00:04:09,080 Speaker 3: and yeah, we kept in touch and I sort of 100 00:04:09,080 --> 00:04:12,120 Speaker 3: always had him in mind for this one. And yeah, 101 00:04:12,120 --> 00:04:15,640 Speaker 3: we also had Anna Ka who was still at Whopper 102 00:04:16,120 --> 00:04:18,720 Speaker 3: at the time that we filmed it. She literally did 103 00:04:18,800 --> 00:04:21,760 Speaker 3: her audition while she was still a third year, and yeah, 104 00:04:21,760 --> 00:04:22,680 Speaker 3: she was perfect for the role. 105 00:04:22,760 --> 00:04:24,560 Speaker 2: So we got here. So that's yeah. 106 00:04:24,640 --> 00:04:26,160 Speaker 3: Yeah, so I think, you know, sort of her last 107 00:04:26,200 --> 00:04:28,280 Speaker 3: couple of months of Whopper were on set for us, 108 00:04:28,320 --> 00:04:31,640 Speaker 3: and yeah, she's amazing. And you know, given that she 109 00:04:31,720 --> 00:04:33,479 Speaker 3: was still at acting school, you kind of go, wow, 110 00:04:33,640 --> 00:04:34,799 Speaker 3: like that's. 111 00:04:35,040 --> 00:04:37,000 Speaker 4: Similar thing happened to hug Jack when he was all 112 00:04:37,000 --> 00:04:38,800 Speaker 4: of a sudden on a TV set. 113 00:04:39,320 --> 00:04:43,080 Speaker 2: Absolutely, So yeah, that's what before you. Yeah, great, it 114 00:04:43,200 --> 00:04:45,640 Speaker 2: is the Great Theater School. 115 00:04:46,400 --> 00:04:49,800 Speaker 3: Well, look, the whole cast was amazing, you know, Aril Carver, 116 00:04:49,880 --> 00:04:52,640 Speaker 3: O'Neil SNAr Shaik. You know, they're all sort of coming 117 00:04:52,680 --> 00:04:54,280 Speaker 3: up and doing things at the moment. So I was 118 00:04:54,360 --> 00:04:57,880 Speaker 3: in class of O seven on Amazon and yet you 119 00:04:57,920 --> 00:04:59,840 Speaker 3: know they just the whole thing about this film was 120 00:04:59,880 --> 00:05:02,120 Speaker 3: the chemistry that you know that this was supposed to 121 00:05:02,120 --> 00:05:04,120 Speaker 3: be four best friends and so. 122 00:05:04,240 --> 00:05:06,599 Speaker 2: You know they were best friends by basically the first week. 123 00:05:06,480 --> 00:05:09,760 Speaker 4: Filming station, the naked wondering the just quickly did you 124 00:05:09,839 --> 00:05:11,440 Speaker 4: get to meet all spending your time with John Clee. 125 00:05:11,480 --> 00:05:13,200 Speaker 4: So when I interviewed him John Clees, we had to 126 00:05:13,240 --> 00:05:15,760 Speaker 4: spend it's like cheese but please Yeah. 127 00:05:15,839 --> 00:05:18,159 Speaker 3: Yeah, I spent a couple of weeks in London filming 128 00:05:18,160 --> 00:05:19,600 Speaker 3: with him, and yeah, it was. 129 00:05:19,600 --> 00:05:21,720 Speaker 2: It was amazing. He's everything you want him to be. 130 00:05:21,920 --> 00:05:23,400 Speaker 3: You know. We sort of had this like one little 131 00:05:23,400 --> 00:05:25,159 Speaker 3: bit where we filmed in the back of a limo 132 00:05:25,240 --> 00:05:27,200 Speaker 3: with him and he did it in two seconds, so 133 00:05:27,240 --> 00:05:28,800 Speaker 3: we had to drive back to the studio and he 134 00:05:28,880 --> 00:05:31,640 Speaker 3: was quoting Monty Python the entire. 135 00:05:33,120 --> 00:05:36,839 Speaker 2: Yeah, my father was a hamster and had another I 136 00:05:36,839 --> 00:05:37,720 Speaker 2: love the way you put that. 137 00:05:37,760 --> 00:05:42,520 Speaker 1: It was everything you wanted want to please, please, please please, 138 00:05:42,520 --> 00:05:43,359 Speaker 1: don't I'm an idiot. 139 00:05:43,400 --> 00:05:46,880 Speaker 2: You're talking about cricket les. He's happy, Yeah, yeah, loves 140 00:05:46,920 --> 00:05:51,839 Speaker 2: Lemas's named after him. Yeah yeah, Leama cheese. 141 00:05:53,120 --> 00:05:56,120 Speaker 1: It's your first time directing, so there's more of that 142 00:05:56,160 --> 00:05:56,880 Speaker 1: to come, I expect. 143 00:05:56,960 --> 00:05:59,640 Speaker 2: Yeah, where that came from, I hope. So that's the plan. 144 00:06:00,080 --> 00:06:02,960 Speaker 2: Well in cinemas, August fifteen. Lovely to have you come in. 145 00:06:03,040 --> 00:06:04,920 Speaker 4: Thank you very much, appreciate it. Car Let's just see 146 00:06:04,920 --> 00:06:07,880 Speaker 4: it and start spotting spots around. Go check it out. 147 00:06:07,880 --> 00:06:08,520 Speaker 2: Thanks, thank you,