1 00:00:00,400 --> 00:00:02,800 Speaker 1: Hairspray The Broadway Music Hall is on at Crown Theater 2 00:00:02,840 --> 00:00:05,440 Speaker 1: from September seven to twenty eight. Tickets are on sound 3 00:00:05,440 --> 00:00:08,280 Speaker 1: Now through ticket Master and the Star of the Show, 4 00:00:08,320 --> 00:00:09,760 Speaker 1: What are the Stars of the Show of the All 5 00:00:09,800 --> 00:00:12,400 Speaker 1: Star Show? Rob Palmer, Good morning. 6 00:00:12,440 --> 00:00:14,400 Speaker 2: Guys now, Rob Palma. 7 00:00:14,720 --> 00:00:18,080 Speaker 1: We know you best as a TV presenter with shows 8 00:00:18,079 --> 00:00:20,880 Speaker 1: like Better Homes and Gardens, Room for Improvement and House 9 00:00:20,920 --> 00:00:22,000 Speaker 1: Calls to the Rescue. 10 00:00:22,560 --> 00:00:24,840 Speaker 3: Tell us about your musical theater side. 11 00:00:24,920 --> 00:00:26,439 Speaker 4: It's a bit of a flip, isn't it. It's a 12 00:00:26,480 --> 00:00:30,680 Speaker 4: flip the builder treads the boards kind of thing. Yeah, 13 00:00:30,720 --> 00:00:33,919 Speaker 4: it's funny though, the Hairspray story. I've only just thought 14 00:00:33,960 --> 00:00:35,479 Speaker 4: about this on the way in here. It's sort of 15 00:00:35,680 --> 00:00:37,559 Speaker 4: like there's a bit of art invitating life or one 16 00:00:37,600 --> 00:00:37,919 Speaker 4: or the other. 17 00:00:38,000 --> 00:00:38,560 Speaker 2: I'm not sure. 18 00:00:38,600 --> 00:00:42,760 Speaker 4: Because Tracy Turnblad the lead in the show page for 19 00:00:43,400 --> 00:00:49,200 Speaker 4: lou she's extraordinary. She plays my daughter and I'm Edna 20 00:00:49,440 --> 00:00:51,839 Speaker 4: to her mother, which is a funny thing. 21 00:00:51,880 --> 00:00:56,240 Speaker 2: But anyway, she gets her big break out of detention. 22 00:00:56,360 --> 00:00:58,680 Speaker 4: So the guys, the kids are in detention, and some 23 00:00:58,720 --> 00:01:01,800 Speaker 4: things happen and one thing leads to another. But my 24 00:01:02,840 --> 00:01:07,319 Speaker 4: first period on stage was out of basically the tension. 25 00:01:07,480 --> 00:01:09,000 Speaker 4: I went to the attention. The guy who gave me 26 00:01:09,040 --> 00:01:11,080 Speaker 4: the attention was the lighting director of the play, and 27 00:01:11,120 --> 00:01:13,240 Speaker 4: he said, you're not stuffing around in here, just mucking 28 00:01:13,240 --> 00:01:16,680 Speaker 4: around because the detention was that drama auditions. So we 29 00:01:16,720 --> 00:01:19,280 Speaker 4: had the audition. So I ended up with a role 30 00:01:19,319 --> 00:01:21,000 Speaker 4: in the year ten play. 31 00:01:20,840 --> 00:01:24,600 Speaker 1: Because I was your choice, staying you know tis. 32 00:01:26,440 --> 00:01:28,679 Speaker 2: So we did this play at school and I loved it. 33 00:01:28,720 --> 00:01:29,480 Speaker 2: I really loved it. 34 00:01:29,520 --> 00:01:33,160 Speaker 4: So I've always had this passion for theater and performance. 35 00:01:33,200 --> 00:01:35,160 Speaker 4: I really love it, and I did it when I 36 00:01:35,200 --> 00:01:37,880 Speaker 4: was little, but my carpentry sort of took over, and 37 00:01:37,920 --> 00:01:39,959 Speaker 4: that was where I was obviously going to earn some money, 38 00:01:40,680 --> 00:01:42,880 Speaker 4: and so, you know, building and carpentry came first. 39 00:01:44,040 --> 00:01:45,839 Speaker 2: In the background was this, you know, this. 40 00:01:45,959 --> 00:01:49,559 Speaker 1: Passion for nothing about it surprises me. I just wasn't 41 00:01:49,760 --> 00:01:50,640 Speaker 1: aware until now. 42 00:01:50,800 --> 00:01:52,000 Speaker 3: As long as you come out to your shell mate, 43 00:01:52,000 --> 00:01:56,200 Speaker 3: you'll be okay. We've always said that you work on 44 00:01:56,280 --> 00:01:58,400 Speaker 3: the boards as attributed treating the boards. 45 00:01:59,160 --> 00:01:59,840 Speaker 2: That's true. 46 00:02:00,480 --> 00:02:02,600 Speaker 4: Laid a few floors now, yeah, all over them. But 47 00:02:03,080 --> 00:02:07,160 Speaker 4: the show is just phenomenal. The team have been working 48 00:02:07,240 --> 00:02:09,360 Speaker 4: intensely for the last couple of weeks on you early 49 00:02:10,160 --> 00:02:15,120 Speaker 4: because you know this is the first run. So Wa 50 00:02:15,160 --> 00:02:17,320 Speaker 4: has been looking to get Hairspray for a long long time. 51 00:02:17,800 --> 00:02:21,040 Speaker 4: Eight Tony Awards over in Broadway. It's an epic show. 52 00:02:21,200 --> 00:02:26,040 Speaker 4: It's very, very funny, and not just because I'm Edna Turnblack, 53 00:02:27,040 --> 00:02:31,839 Speaker 4: a sixties housewife and she's massive too, by the way, 54 00:02:31,919 --> 00:02:36,400 Speaker 4: So yeah, there's plenty to see. But the guys have 55 00:02:36,440 --> 00:02:40,120 Speaker 4: come together and just the team. Vincent Hooper the director, 56 00:02:40,639 --> 00:02:44,360 Speaker 4: an amazing talent, and Fern Reynolds the choreographer. 57 00:02:44,680 --> 00:02:48,560 Speaker 2: He can do anything like this guy. Will you just 58 00:02:48,600 --> 00:02:49,119 Speaker 2: watch him. 59 00:02:49,200 --> 00:02:51,560 Speaker 4: There's nothing happening on it in a blank room, and 60 00:02:51,600 --> 00:02:53,919 Speaker 4: then all of a sudden, within an hour, there are 61 00:02:54,040 --> 00:02:57,200 Speaker 4: twenty five people, you know, cart wheeling and dancing their 62 00:02:57,200 --> 00:02:59,440 Speaker 4: way around this room and it all looks like a 63 00:02:59,480 --> 00:03:03,600 Speaker 4: picture perfect scene. It all comes out of his head. 64 00:03:03,639 --> 00:03:04,239 Speaker 3: Make it magic. 65 00:03:04,440 --> 00:03:04,960 Speaker 2: Yeah, it is. 66 00:03:05,000 --> 00:03:07,160 Speaker 4: It's really extraordinary to be a part of. I've just 67 00:03:07,240 --> 00:03:09,520 Speaker 4: I feel so lucky to be here and do this. 68 00:03:09,680 --> 00:03:10,359 Speaker 2: I really do. 69 00:03:10,760 --> 00:03:12,639 Speaker 4: And this is one of those things that I think 70 00:03:12,760 --> 00:03:15,359 Speaker 4: is that moment that I've always looked forward to doing, 71 00:03:16,040 --> 00:03:18,640 Speaker 4: you know, a big show in a big venue. The 72 00:03:18,680 --> 00:03:21,600 Speaker 4: Crown Theater is you know, there's two thousand people getting there. 73 00:03:22,160 --> 00:03:24,919 Speaker 3: Is your Edna more divine or more John Travolta, where 74 00:03:24,919 --> 00:03:26,480 Speaker 3: are you going with it? Are you doing your own thing? 75 00:03:26,720 --> 00:03:31,760 Speaker 4: She's honest, Okay, she's just an honest She loves her daughter, 76 00:03:32,320 --> 00:03:36,680 Speaker 4: she loves Wilbur and she is fiercely protective. Yes, so 77 00:03:37,400 --> 00:03:39,200 Speaker 4: you know, and there's some of I guess there's some 78 00:03:39,240 --> 00:03:43,040 Speaker 4: of my mom in her. But you just sort of 79 00:03:43,080 --> 00:03:46,200 Speaker 4: take everything you know about motherhood and try and put 80 00:03:46,240 --> 00:03:47,000 Speaker 4: it into this woman. 81 00:03:47,360 --> 00:03:51,720 Speaker 1: This is one of the particularly mad funny shows that 82 00:03:52,160 --> 00:03:54,280 Speaker 1: comes around. It's no lame miss. 83 00:03:57,080 --> 00:03:58,440 Speaker 3: No, Don't get me wrong. 84 00:03:58,440 --> 00:03:59,160 Speaker 2: I love Lobiz. 85 00:04:00,120 --> 00:04:02,400 Speaker 1: Do you find that you're at risk of sometimes just 86 00:04:02,480 --> 00:04:05,200 Speaker 1: cracking up yourself when you're doing some of these scenes, 87 00:04:05,840 --> 00:04:08,440 Speaker 1: you know, like with Paige and with Brendan, I mean. 88 00:04:08,280 --> 00:04:09,080 Speaker 2: A little bit of trouble. 89 00:04:09,160 --> 00:04:15,040 Speaker 4: Chelsea Plumbley is an amazing actress, yes, actor, and she 90 00:04:15,040 --> 00:04:17,440 Speaker 4: she just does things and you're not quite sure how 91 00:04:17,480 --> 00:04:20,159 Speaker 4: to react. And I'm on stage with her quite a bit, 92 00:04:20,279 --> 00:04:22,720 Speaker 4: and when she will do something that just has your 93 00:04:23,279 --> 00:04:26,200 Speaker 4: dissolve in yourself laughter, and I don't know how to 94 00:04:26,200 --> 00:04:27,280 Speaker 4: stop it at the moment. 95 00:04:29,320 --> 00:04:30,000 Speaker 3: By myself. 96 00:04:31,040 --> 00:04:34,640 Speaker 1: You need a sad tactic something to do. Yeah, yeah, 97 00:04:35,920 --> 00:04:42,520 Speaker 1: first somehow. But you see performers all the time who 98 00:04:42,600 --> 00:04:44,880 Speaker 1: can't handle it. Jimmy Fallon's one who could never handle it, 99 00:04:44,920 --> 00:04:47,400 Speaker 1: even when he was on Saturday Night Live. So it 100 00:04:47,440 --> 00:04:48,960 Speaker 1: is it is an art it itself to be able 101 00:04:49,000 --> 00:04:49,560 Speaker 1: to control. 102 00:04:49,640 --> 00:04:49,839 Speaker 2: Yeah. 103 00:04:49,839 --> 00:04:51,480 Speaker 4: I don't think it's funny to see me laugh at 104 00:04:51,480 --> 00:04:52,640 Speaker 4: something I'm supposed to be drying. 105 00:04:53,160 --> 00:04:55,880 Speaker 3: Yeah, yeah, try little tricks every now and then. 106 00:04:56,320 --> 00:04:57,960 Speaker 2: Something I'll just pinch myself. I'll have it. 107 00:04:58,160 --> 00:05:02,560 Speaker 4: I'll get a little weapon, I'll hide it inside of 108 00:05:02,680 --> 00:05:05,080 Speaker 4: bra and then when I'm supposed to cry. 109 00:05:04,880 --> 00:05:07,560 Speaker 2: I can just pat my chest off and I will 110 00:05:07,600 --> 00:05:08,359 Speaker 2: cry grimace. 111 00:05:10,120 --> 00:05:12,000 Speaker 1: Are there other shows you've done or are there any 112 00:05:12,040 --> 00:05:13,520 Speaker 1: shows you aspire to do that? 113 00:05:15,080 --> 00:05:17,480 Speaker 4: Well, I've done. I've done a few shows. I did 114 00:05:17,480 --> 00:05:19,880 Speaker 4: a musical All Moon once when I was younger. I 115 00:05:19,960 --> 00:05:20,760 Speaker 4: was about twenty. 116 00:05:20,560 --> 00:05:21,160 Speaker 2: Six years old. 117 00:05:21,200 --> 00:05:22,800 Speaker 3: I'm not surprised, and it. 118 00:05:22,760 --> 00:05:25,440 Speaker 4: Was there was a pianist on the side of myself, 119 00:05:25,520 --> 00:05:27,560 Speaker 4: and I had to do this show in front of 120 00:05:27,560 --> 00:05:30,159 Speaker 4: my rugby club because they, you know, we were trying 121 00:05:30,200 --> 00:05:31,640 Speaker 4: to fill the place. 122 00:05:32,040 --> 00:05:35,320 Speaker 2: You seated about sixty people, well not even lot. 123 00:05:35,480 --> 00:05:37,240 Speaker 4: It was upstairs in the cafe, so you have your 124 00:05:37,279 --> 00:05:40,039 Speaker 4: dinner downstairs and then come up for the show, and 125 00:05:40,080 --> 00:05:42,120 Speaker 4: then go down for dessert, come up for act too. 126 00:05:42,760 --> 00:05:45,440 Speaker 4: And yeah, it was It's called When It Happens. It 127 00:05:45,480 --> 00:05:49,120 Speaker 4: was written by a guy who was at my school originally, 128 00:05:49,200 --> 00:05:51,839 Speaker 4: and so we did this show and the whole Rugby 129 00:05:51,839 --> 00:05:54,400 Speaker 4: club was there one night, and it was it buckled 130 00:05:54,400 --> 00:05:56,960 Speaker 4: me because you've got these guys who you've packed. 131 00:05:56,800 --> 00:05:57,640 Speaker 2: Down his scrums with. 132 00:05:58,960 --> 00:06:01,760 Speaker 4: It's a very different relationship, a rugby relationship to a 133 00:06:01,800 --> 00:06:05,520 Speaker 4: theater relationship. And anyway, they were pouring wine over themselves laughing. 134 00:06:05,560 --> 00:06:08,120 Speaker 4: They couldn't, you know, they just couldn't contain themselves. 135 00:06:08,160 --> 00:06:11,320 Speaker 2: Very supportive club. Yeah, yeah, to come out on Saturday 136 00:06:11,360 --> 00:06:12,640 Speaker 2: night and watch musical. 137 00:06:12,279 --> 00:06:15,880 Speaker 3: Theater, your own friend show. It kind of was great. 138 00:06:16,120 --> 00:06:19,560 Speaker 4: Ye off Broadway we call it, yeah, Cleveland Street off 139 00:06:19,560 --> 00:06:20,440 Speaker 4: Broadway in Sydney. 140 00:06:20,440 --> 00:06:22,360 Speaker 3: But it was in your blood, you could tell anyway. 141 00:06:22,400 --> 00:06:23,960 Speaker 4: At that point I knew that there was some day 142 00:06:24,000 --> 00:06:26,360 Speaker 4: I would like to do something bigger. But you just 143 00:06:26,400 --> 00:06:27,960 Speaker 4: never know when this stuff is going to turn up. 144 00:06:29,000 --> 00:06:29,520 Speaker 1: You do not. 145 00:06:30,200 --> 00:06:32,760 Speaker 4: I guess my My motto is just to say yes 146 00:06:32,800 --> 00:06:35,440 Speaker 4: to everything. You gotta be careful that a good idea, 147 00:06:35,760 --> 00:06:38,119 Speaker 4: that's right. Saying yes too much can get you in trouble. 148 00:06:38,160 --> 00:06:41,280 Speaker 4: But remember that movie Yesterday, Yeah, Yes, where the mum 149 00:06:41,320 --> 00:06:45,240 Speaker 4: and dad just have to say yes to it. I 150 00:06:45,279 --> 00:06:47,800 Speaker 4: mean all sorts of but you know, I think that's 151 00:06:48,040 --> 00:06:49,560 Speaker 4: I guess kind of how I feel. 152 00:06:50,080 --> 00:06:54,920 Speaker 1: Absolutely, Rob, You are a huge supporter of Telethon. One 153 00:06:54,920 --> 00:06:56,440 Speaker 1: of the many reasons why we love you. You tell us 154 00:06:56,440 --> 00:06:58,400 Speaker 1: about the work build now dot org has been doing 155 00:06:58,440 --> 00:06:59,359 Speaker 1: for the Telethon kids. 156 00:07:00,240 --> 00:07:03,479 Speaker 2: Thank you for asking about that. It's it's quite amazing. 157 00:07:03,520 --> 00:07:07,839 Speaker 4: Really, the guys I work with Home Group and I 158 00:07:07,839 --> 00:07:09,120 Speaker 4: have done for a long time, and a few a 159 00:07:09,160 --> 00:07:13,520 Speaker 4: couple of the guys within that organization have since Home 160 00:07:13,560 --> 00:07:16,559 Speaker 4: Group donated the Telethon house. In the last couple of years, 161 00:07:17,600 --> 00:07:19,760 Speaker 4: they stepped out and said, we'd like to do something 162 00:07:20,080 --> 00:07:23,000 Speaker 4: a little bit different and maybe a little bit more 163 00:07:23,040 --> 00:07:27,840 Speaker 4: specific for kids. And so they will find a child 164 00:07:28,000 --> 00:07:30,600 Speaker 4: or a family that has a real problem, you know, 165 00:07:30,680 --> 00:07:34,040 Speaker 4: and you know there are many, and it's really I 166 00:07:34,080 --> 00:07:37,520 Speaker 4: guess it's very difficult to work out who you're going 167 00:07:37,560 --> 00:07:40,840 Speaker 4: to do this for. But what they do is sort 168 00:07:40,840 --> 00:07:42,720 Speaker 4: of it's like make a wish. I suppose is to 169 00:07:43,040 --> 00:07:46,440 Speaker 4: try and build something for them or and make that 170 00:07:46,600 --> 00:07:50,360 Speaker 4: to make their lives better, make their lives easier. And 171 00:07:52,000 --> 00:07:54,240 Speaker 4: it's a beautiful thing. And a lot of the trades 172 00:07:54,240 --> 00:07:56,960 Speaker 4: that they work with donate their time and donate their product, 173 00:07:57,240 --> 00:07:59,480 Speaker 4: and so they come together. Recently, we just did a kitchen. 174 00:08:00,000 --> 00:08:02,680 Speaker 4: Young girl as a brain tumor and has had it 175 00:08:02,720 --> 00:08:07,080 Speaker 4: since she was you know, you know, tiny, and you 176 00:08:07,120 --> 00:08:09,360 Speaker 4: know some days for her must be you think you've 177 00:08:09,400 --> 00:08:11,520 Speaker 4: had a hard day. Some days, right you go home, 178 00:08:11,600 --> 00:08:13,440 Speaker 4: you think, oh wow, I do that was tough today work. 179 00:08:14,080 --> 00:08:16,880 Speaker 4: But this girl's tough days make your tough days look 180 00:08:17,040 --> 00:08:20,960 Speaker 4: like a walk in the park anyway. So it gets me, 181 00:08:21,000 --> 00:08:24,320 Speaker 4: it gets me thinking about it. So when she saw 182 00:08:24,360 --> 00:08:26,520 Speaker 4: this kitchen that was built for her, she's in a wheelchair. 183 00:08:27,200 --> 00:08:27,760 Speaker 2: She came up. 184 00:08:27,800 --> 00:08:30,840 Speaker 4: It was all accessible, everything was reachable, she could go 185 00:08:30,880 --> 00:08:31,200 Speaker 4: in there. 186 00:08:31,240 --> 00:08:33,280 Speaker 2: She dreams of cooking. That's all she wants to do 187 00:08:33,679 --> 00:08:35,920 Speaker 2: is cook and cook and cook and cook. 188 00:08:36,000 --> 00:08:39,840 Speaker 4: So Manu turned up, you know, to show her a kitchen. 189 00:08:40,200 --> 00:08:42,199 Speaker 4: And she's come up and she's seen this thing and 190 00:08:42,240 --> 00:08:45,720 Speaker 4: her eyes lit up and you just saw the most 191 00:08:46,400 --> 00:08:49,960 Speaker 4: incredible happiness on her face, and you just think wow, 192 00:08:50,000 --> 00:08:53,280 Speaker 4: and this poor girl doesn't know any different than for 193 00:08:53,320 --> 00:08:55,120 Speaker 4: the pain that she lives with day and day out. 194 00:08:55,240 --> 00:08:57,600 Speaker 2: So to see that was really really nice. And these 195 00:08:57,640 --> 00:08:58,640 Speaker 2: guys that build or. 196 00:09:00,600 --> 00:09:03,400 Speaker 3: Build, build build now. 197 00:09:03,960 --> 00:09:09,120 Speaker 4: Sorry, oh yeah, I've got all upset about that emotional Yeah, 198 00:09:09,240 --> 00:09:15,360 Speaker 4: So build now dot org are providing life changing, life 199 00:09:15,440 --> 00:09:16,319 Speaker 4: changing things for. 200 00:09:16,960 --> 00:09:22,240 Speaker 1: Kids, actually life changing because these people have enough to 201 00:09:22,320 --> 00:09:25,360 Speaker 1: worry about every day without you know, they don't even 202 00:09:25,360 --> 00:09:27,240 Speaker 1: get the chance to think about, you know, decking out 203 00:09:27,240 --> 00:09:27,720 Speaker 1: the kitchen. 204 00:09:28,280 --> 00:09:30,040 Speaker 2: They're not curing they're not curing kids. 205 00:09:30,080 --> 00:09:32,480 Speaker 4: They're just making your lives that they they are forced 206 00:09:32,520 --> 00:09:33,439 Speaker 4: to live with better. 207 00:09:34,440 --> 00:09:36,240 Speaker 3: And then it makes you feel guilty about the things 208 00:09:36,240 --> 00:09:39,520 Speaker 3: we winge about. It makes you walk only really. 209 00:09:39,400 --> 00:09:43,120 Speaker 4: And that is where telethon comes in, you know, and 210 00:09:43,280 --> 00:09:46,199 Speaker 4: you just think, what what a state to be able 211 00:09:46,280 --> 00:09:49,640 Speaker 4: to put that much energy into something so. 212 00:09:49,559 --> 00:09:51,600 Speaker 3: Powerful breaking the record. 213 00:09:52,240 --> 00:09:54,560 Speaker 4: It is that it's the people of w A that 214 00:09:54,800 --> 00:09:57,800 Speaker 4: force big corporations to donate the money that they do, 215 00:09:58,280 --> 00:10:01,360 Speaker 4: because if you don't donate a big corpse, the people 216 00:10:01,400 --> 00:10:02,280 Speaker 4: will walk away from you. 217 00:10:02,760 --> 00:10:05,000 Speaker 1: And that is powerful and your story is where it 218 00:10:05,200 --> 00:10:08,080 Speaker 1: ends up. So that is amazing, and it's coming around 219 00:10:08,200 --> 00:10:11,880 Speaker 1: quicker than We're real well Hasproy. The Broadway musical is 220 00:10:11,920 --> 00:10:14,079 Speaker 1: on a Crown Theater from September seven to twenty eight. 221 00:10:14,240 --> 00:10:17,000 Speaker 1: Getting quick at Ticketmaster to get your tickets, Rob, thank 222 00:10:17,040 --> 00:10:17,920 Speaker 1: you for coming in. 223 00:10:18,080 --> 00:10:20,880 Speaker 4: Great to see you guys, giving you, giving you the 224 00:10:20,880 --> 00:10:23,560 Speaker 4: STANDI I mention right ready to get to rehearsals for 225 00:10:23,600 --> 00:10:23,880 Speaker 4: you now. 226 00:10:25,000 --> 00:10:26,920 Speaker 3: Thanks chalk Is mate Chuki