1 00:00:00,200 --> 00:00:02,840 Speaker 1: It never says to amazement that we can get through. 2 00:00:03,680 --> 00:00:06,320 Speaker 2: And this one was always going to be risky for 3 00:00:06,400 --> 00:00:08,119 Speaker 2: me to not just look like an idiot. 4 00:00:08,200 --> 00:00:11,200 Speaker 3: Well yeah, but it's also known as love and lust. 5 00:00:11,480 --> 00:00:13,560 Speaker 1: There's a lot of love. There's a lot of love 6 00:00:13,600 --> 00:00:14,120 Speaker 1: for this man. 7 00:00:14,480 --> 00:00:18,959 Speaker 3: Rip up in the envelope here, an. 8 00:00:18,920 --> 00:00:22,280 Speaker 1: Envelope contains the music topic to discuss. 9 00:00:22,040 --> 00:00:24,880 Speaker 4: This five minutes on the clock to fill and this 10 00:00:25,239 --> 00:00:26,560 Speaker 4: no time to prap. 11 00:00:26,960 --> 00:00:32,639 Speaker 3: This is banter with Clezy and Lisa with the sucker opron. Here, 12 00:00:33,080 --> 00:00:35,040 Speaker 3: let's see where we go. Let's see what we got. 13 00:00:36,760 --> 00:00:37,559 Speaker 2: What we got? 14 00:00:37,880 --> 00:00:39,640 Speaker 3: Okay, as I get the timer read, I still haven't 15 00:00:39,680 --> 00:00:45,159 Speaker 3: seen it. It is texts Perkins, ladies and gentlemen. 16 00:00:48,159 --> 00:00:52,000 Speaker 2: Tex Perkins is the sexiest man in music. 17 00:00:52,159 --> 00:00:57,760 Speaker 3: I'm out you love that's five minutes again. 18 00:00:58,000 --> 00:01:01,960 Speaker 1: Yeah, no, I can't look well say the Cruel Sea. 19 00:01:02,360 --> 00:01:04,240 Speaker 3: Yeah, what a band? What a band? 20 00:01:04,280 --> 00:01:05,720 Speaker 2: And a whole bunch of other stuff which, off the 21 00:01:05,760 --> 00:01:07,959 Speaker 2: top of my head, I can't think of together the 22 00:01:08,000 --> 00:01:10,120 Speaker 2: other names of the little bands and things that he's 23 00:01:10,160 --> 00:01:12,800 Speaker 2: had going. But the Cruel Sy is the thing, and 24 00:01:12,959 --> 00:01:17,480 Speaker 2: the Cruel Sea has had some fantastic albums, not least 25 00:01:18,040 --> 00:01:20,960 Speaker 2: of them being whatever album it was that had the 26 00:01:21,160 --> 00:01:25,200 Speaker 2: Honeymoon Is Over on it, which I believe to this 27 00:01:25,319 --> 00:01:28,280 Speaker 2: day is still the sexiest video clip. 28 00:01:29,480 --> 00:01:32,400 Speaker 3: It is a pretty it's a pretty hot video, is it. God? 29 00:01:32,440 --> 00:01:35,880 Speaker 2: If you have never seen it, do yourself a favor. 30 00:01:36,600 --> 00:01:40,840 Speaker 2: It's pretty, it's pretty out there. I mean it's pretty 31 00:01:40,840 --> 00:01:42,000 Speaker 2: full on, it's pretty in your face. 32 00:01:42,040 --> 00:01:44,640 Speaker 4: Remember last year when when Ice House were in town 33 00:01:44,640 --> 00:01:46,720 Speaker 4: and Text was on the bill there at City Beach. 34 00:01:47,360 --> 00:01:49,040 Speaker 3: Yes, I've got that, and I had a good chat 35 00:01:48,920 --> 00:01:49,840 Speaker 3: with a T shirt. 36 00:01:49,880 --> 00:01:51,440 Speaker 4: I had a chat with Text and he goes, where 37 00:01:51,480 --> 00:01:53,160 Speaker 4: is Lisa? He said those words to me? 38 00:01:53,560 --> 00:01:53,920 Speaker 1: Could you? 39 00:01:54,120 --> 00:01:55,760 Speaker 2: I would like would have liked to have had that 40 00:01:55,800 --> 00:01:59,920 Speaker 2: as my ring tone, Text Perkins saying where Lisa. 41 00:02:00,080 --> 00:02:00,560 Speaker 3: Would that be? 42 00:02:01,480 --> 00:02:04,160 Speaker 4: So he goes, what's the next best thing? And I 43 00:02:04,160 --> 00:02:05,480 Speaker 4: had a T shirt with me and he said, I'll 44 00:02:05,520 --> 00:02:06,920 Speaker 4: sign that directly for you. 45 00:02:06,840 --> 00:02:10,239 Speaker 2: Which is in my office ride of plays. I will 46 00:02:10,280 --> 00:02:12,680 Speaker 2: never wear it. I don't want to get sweaty in it. 47 00:02:13,080 --> 00:02:17,680 Speaker 2: But yes, Text Perkins now. Text Perkins also is quite 48 00:02:17,680 --> 00:02:22,960 Speaker 2: the fine sort of actor. Yes, Admittedly, the Johnny Cash 49 00:02:23,000 --> 00:02:27,400 Speaker 2: story was not exactly a play. It was him and 50 00:02:27,440 --> 00:02:32,240 Speaker 2: the guitar and a wonderful girl playing June Carto Cash 51 00:02:32,760 --> 00:02:35,200 Speaker 2: and it's called The Man in Black. And if you've 52 00:02:35,200 --> 00:02:36,520 Speaker 2: seen that, you'll know it's brilliant. 53 00:02:36,600 --> 00:02:37,720 Speaker 3: She's got a damn pat, hasn't he. 54 00:02:37,720 --> 00:02:40,800 Speaker 1: He's absolutely brilliant. 55 00:02:40,639 --> 00:02:41,520 Speaker 3: Absolutely superb. 56 00:02:41,639 --> 00:02:43,799 Speaker 4: Now his voice is as good as ever now having 57 00:02:43,800 --> 00:02:45,880 Speaker 4: seen him just last year. But I think about the 58 00:02:45,919 --> 00:02:48,600 Speaker 4: Cruel scene. I think that find my Way Home, that 59 00:02:48,720 --> 00:02:50,679 Speaker 4: beautiful song from way back when, and that was before 60 00:02:50,680 --> 00:02:52,240 Speaker 4: the anymon is over come out. 61 00:02:52,280 --> 00:02:54,880 Speaker 3: Yeah, gotta get a lawyer to get Lawi's. 62 00:02:56,480 --> 00:02:58,919 Speaker 4: So the first time I saw it's funny to say, 63 00:02:58,919 --> 00:03:01,480 Speaker 4: but the first time I saw them was supporting the 64 00:03:01,560 --> 00:03:05,760 Speaker 4: Rolling Stones in the Rain in nineteen ninety five at 65 00:03:06,120 --> 00:03:07,120 Speaker 4: the old Perry Lake Stadium. 66 00:03:07,160 --> 00:03:09,200 Speaker 3: Oh the old Perry Lakes no longer exists. 67 00:03:09,320 --> 00:03:12,120 Speaker 4: And you know, it's not easy supporting a big band, 68 00:03:12,200 --> 00:03:15,399 Speaker 4: let alone supporting the Stones. And they held their own 69 00:03:15,440 --> 00:03:17,799 Speaker 4: that night because you get a limited amount of space 70 00:03:17,840 --> 00:03:20,840 Speaker 4: on the stage to use because you know, Charlie's world, Charlie, 71 00:03:20,919 --> 00:03:22,800 Speaker 4: Charlie's drum kit and all the rest of you got 72 00:03:22,840 --> 00:03:25,560 Speaker 4: to be. There's less room for Text to walk around 73 00:03:25,560 --> 00:03:27,160 Speaker 4: and do his thing. And he's very visual kind of 74 00:03:27,160 --> 00:03:30,679 Speaker 4: front man and they were really good that night. 75 00:03:30,960 --> 00:03:33,639 Speaker 2: You know, one of my favorite text Perkins memories is 76 00:03:33,840 --> 00:03:36,800 Speaker 2: and this isn't necessarily it wasn't text that said it, 77 00:03:36,880 --> 00:03:39,120 Speaker 2: but he was there on the stage when the year 78 00:03:39,160 --> 00:03:40,880 Speaker 2: that the Honeymoon is overcame o. 79 00:03:41,000 --> 00:03:43,040 Speaker 1: What was that ninety four year? I think it might 80 00:03:43,040 --> 00:03:43,360 Speaker 1: have been. 81 00:03:43,520 --> 00:03:45,400 Speaker 3: Because they did those songs. 82 00:03:45,200 --> 00:03:48,320 Speaker 1: On that was ninety four and the Arias. 83 00:03:48,800 --> 00:03:51,560 Speaker 2: They were expected to do very well at the Arias, 84 00:03:51,600 --> 00:03:53,520 Speaker 2: and they did that album, won the Album of the 85 00:03:53,600 --> 00:03:55,200 Speaker 2: Year and all those things. And they got up on 86 00:03:55,280 --> 00:03:58,160 Speaker 2: stage when they won their first area of the Nash. 87 00:03:58,240 --> 00:04:00,960 Speaker 1: And I think it was the guitarist James Crooks. 88 00:04:02,200 --> 00:04:06,280 Speaker 2: He said, he said, people are saying that we're going 89 00:04:06,320 --> 00:04:09,839 Speaker 2: to clean up here tonight. So if before you could leave, 90 00:04:09,960 --> 00:04:13,920 Speaker 2: you could just stack your chair, do your bit, just 91 00:04:13,920 --> 00:04:15,160 Speaker 2: clean up your little area, just. 92 00:04:15,200 --> 00:04:18,120 Speaker 1: To make things easier for us to go on to 93 00:04:18,160 --> 00:04:18,960 Speaker 1: clean up that night. 94 00:04:19,080 --> 00:04:20,440 Speaker 3: How about texas a frontman? 95 00:04:21,120 --> 00:04:24,000 Speaker 4: You think about that classic frontman, so always the black jeans, 96 00:04:24,040 --> 00:04:24,960 Speaker 4: quite often the black shirt. 97 00:04:25,000 --> 00:04:26,480 Speaker 3: It was good for the man in black, but. 98 00:04:26,760 --> 00:04:29,039 Speaker 1: You know, I like a bit of black clothing yourself. 99 00:04:29,120 --> 00:04:31,560 Speaker 3: Yeah, and you have the sex appeal, were gonna have 100 00:04:31,600 --> 00:04:32,680 Speaker 3: the swagger he's. 101 00:04:32,520 --> 00:04:34,720 Speaker 1: Got the swagger, he's got the hair, he's got that. 102 00:04:34,800 --> 00:04:35,640 Speaker 1: And you know what I like. 103 00:04:35,800 --> 00:04:39,600 Speaker 2: I don't like a particularly pretty I like a lived 104 00:04:39,640 --> 00:04:40,520 Speaker 2: in sort of face. 105 00:04:40,760 --> 00:04:44,400 Speaker 1: Text has got I lived in look, but in just 106 00:04:44,480 --> 00:04:45,000 Speaker 1: the right way. 107 00:04:45,080 --> 00:04:47,080 Speaker 4: But it's also the attitude as well, you know, because 108 00:04:47,080 --> 00:04:50,000 Speaker 4: that's swagger walking up on swag charisma. 109 00:04:50,120 --> 00:04:51,960 Speaker 1: He has swagger in Spain. 110 00:04:52,160 --> 00:04:53,520 Speaker 4: One of the other acts he was in, of course, 111 00:04:53,520 --> 00:04:55,600 Speaker 4: it was text Don and Charlie, so it was Don 112 00:04:55,640 --> 00:04:59,120 Speaker 4: Walker from colchis White as well. So they've done a 113 00:04:59,120 --> 00:05:02,039 Speaker 4: lot of tours together as well, and primarily the you 114 00:05:02,080 --> 00:05:03,880 Speaker 4: know the key you know, it was rock, but. 115 00:05:03,839 --> 00:05:05,400 Speaker 3: They played a lot of blues music. 116 00:05:05,600 --> 00:05:08,600 Speaker 4: He's a guy with that gruff, deep voice that fitted 117 00:05:08,600 --> 00:05:11,599 Speaker 4: a lot of that really cool early blues kind of 118 00:05:11,600 --> 00:05:14,040 Speaker 4: stuff and the and the more modern kind of take 119 00:05:14,080 --> 00:05:16,640 Speaker 4: on it as well. That's a versatility a guy with 120 00:05:16,680 --> 00:05:18,320 Speaker 4: a voice like that, yes, you know, because he has 121 00:05:18,360 --> 00:05:21,239 Speaker 4: got the deep speaking voice but also that beautiful, gravelly 122 00:05:21,320 --> 00:05:23,760 Speaker 4: kind of voice. When he wanted it could when he 123 00:05:23,800 --> 00:05:25,279 Speaker 4: wanted to, it could be quite guttural. 124 00:05:25,720 --> 00:05:27,920 Speaker 2: Oween Ellie there, because if I just say Textperkin is 125 00:05:27,960 --> 00:05:30,240 Speaker 2: a sexy one more time, it's going to sound just ridiculous. 126 00:05:30,240 --> 00:05:32,200 Speaker 3: Look, you're getting pretty clue that last. 127 00:05:32,200 --> 00:05:34,280 Speaker 1: Year before last, for my birthday you arranged a phone 128 00:05:34,320 --> 00:05:36,760 Speaker 1: call with him. Made my day. 129 00:05:36,839 --> 00:05:41,479 Speaker 4: However, as your as many people have said, you won't 130 00:05:41,520 --> 00:05:43,839 Speaker 4: lost for words and your text. 131 00:05:43,720 --> 00:05:45,640 Speaker 3: Dansidi is over. 132 00:05:46,600 --> 00:05:53,560 Speaker 2: Yay text Bloody six a FM Crazy and Lisa