1 00:00:01,440 --> 00:00:03,320 Speaker 1: And Amanda gam Nation. 2 00:00:03,720 --> 00:00:06,280 Speaker 2: What can we say about Andy Summers, one third of 3 00:00:06,320 --> 00:00:07,880 Speaker 2: the Police the band. 4 00:00:08,080 --> 00:00:11,640 Speaker 3: He's been voted as one of the greatest all time guitarists. 5 00:00:11,240 --> 00:00:13,360 Speaker 1: By Rolling Stone, and why not have a listen to 6 00:00:13,400 --> 00:00:14,880 Speaker 1: some of these This. 7 00:00:15,000 --> 00:00:28,960 Speaker 4: Is Andy More Andy. 8 00:00:26,239 --> 00:00:28,080 Speaker 1: And we're thrilled to say here he is. 9 00:00:28,320 --> 00:00:30,040 Speaker 5: Well, hello, it's good to here. 10 00:00:30,280 --> 00:00:32,920 Speaker 1: That's a big deal. One of the greatest guitarists of 11 00:00:32,960 --> 00:00:33,319 Speaker 1: all time. 12 00:00:33,400 --> 00:00:36,440 Speaker 2: Do you know who you're surrounded by in that in 13 00:00:36,479 --> 00:00:38,200 Speaker 2: that category, Well. 14 00:00:38,120 --> 00:00:39,360 Speaker 5: Yeah, most of them an't very good. 15 00:00:39,560 --> 00:00:42,960 Speaker 6: Actually, I don't advertate these things too seriously because I 16 00:00:42,960 --> 00:00:46,800 Speaker 6: could name another lot more guitarist that Rolling some would 17 00:00:46,800 --> 00:00:49,200 Speaker 6: not know about, didn't put in the thing and really 18 00:00:49,240 --> 00:00:51,199 Speaker 6: are much greater than many of the wants. 19 00:00:51,400 --> 00:00:54,520 Speaker 3: Sure, are you the kind of guitarist who has always 20 00:00:54,560 --> 00:00:56,240 Speaker 3: got a guitar in your hand if you're at home, 21 00:00:56,520 --> 00:00:58,639 Speaker 3: are you sitting guitar? Well? 22 00:00:58,680 --> 00:01:00,400 Speaker 5: No, I like that, I mean yeah, I mean I do. 23 00:01:00,560 --> 00:01:03,200 Speaker 6: It's sort of like a part of my body practically. 24 00:01:03,280 --> 00:01:06,400 Speaker 6: And I walked into a shop. Here's some guitar stuff, 25 00:01:06,720 --> 00:01:10,000 Speaker 6: but all the usual Vender's, Martins and all that, and 26 00:01:10,000 --> 00:01:12,200 Speaker 6: then there was this new, weird looking little guitar with 27 00:01:12,280 --> 00:01:13,839 Speaker 6: a tremolo. 28 00:01:13,880 --> 00:01:16,480 Speaker 5: Thingy on it, and I picked it up. Oh my god, 29 00:01:16,560 --> 00:01:19,040 Speaker 5: that's magic, and I bought one. 30 00:01:19,080 --> 00:01:20,920 Speaker 6: It was in bright yellow, and I went straight on 31 00:01:20,959 --> 00:01:23,120 Speaker 6: stage that night and news did the show with that. 32 00:01:23,880 --> 00:01:25,280 Speaker 5: Then I thought, well, I've got to have another one. 33 00:01:25,280 --> 00:01:26,560 Speaker 5: I've got to have a backup for this. 34 00:01:26,880 --> 00:01:28,039 Speaker 6: So I went back to the next day and they 35 00:01:28,080 --> 00:01:30,920 Speaker 6: brought out this beautiful sort of surf green one. So 36 00:01:30,959 --> 00:01:33,840 Speaker 6: I've got two of them. So on this tour I 37 00:01:33,880 --> 00:01:36,039 Speaker 6: just did. It was a bit indulgent on that side 38 00:01:36,040 --> 00:01:38,080 Speaker 6: of things, but you see the bugs now left. 39 00:01:38,200 --> 00:01:40,080 Speaker 1: Yeah, so you got rid of the bug. How many 40 00:01:40,120 --> 00:01:41,160 Speaker 1: guitars do you have? Then? 41 00:01:42,160 --> 00:01:44,199 Speaker 5: I know one hundred and fifty two hundred or something. 42 00:01:44,880 --> 00:01:47,600 Speaker 1: Man, that's because I look at guitar, said Willie Nelson. 43 00:01:47,640 --> 00:01:49,920 Speaker 2: I was looking at Willie Nelson's acoustic guitar, and he's 44 00:01:49,920 --> 00:01:52,080 Speaker 2: had that for a thousand years and he's played it 45 00:01:52,120 --> 00:01:53,600 Speaker 2: so much it's actually worn out. 46 00:01:53,640 --> 00:01:56,120 Speaker 1: He's worn through the front of the guitar. 47 00:01:56,640 --> 00:02:00,160 Speaker 2: So I guess a big question to become monogamous with 48 00:02:00,240 --> 00:02:02,240 Speaker 2: your guitar, do you have one that like I know 49 00:02:02,280 --> 00:02:04,480 Speaker 2: Sting's got his base that he's headed for a thousand 50 00:02:04,600 --> 00:02:07,280 Speaker 2: years or do you just flip through the guitars. 51 00:02:07,320 --> 00:02:09,240 Speaker 1: You know, there's so many relationships. 52 00:02:10,080 --> 00:02:12,000 Speaker 6: It's a very good point because yeah, I've got all 53 00:02:12,040 --> 00:02:14,880 Speaker 6: these things, and I get given a lot by the way, 54 00:02:14,919 --> 00:02:16,880 Speaker 6: you know, like I just find just gave me a 55 00:02:16,880 --> 00:02:20,079 Speaker 6: beautiful news strat and I get given them and I've 56 00:02:20,120 --> 00:02:23,680 Speaker 6: done worked with like for instance, Fender, Martin and Gibbson 57 00:02:23,720 --> 00:02:26,480 Speaker 6: they all made Andy Summer's guitars, which is very nice 58 00:02:26,520 --> 00:02:29,000 Speaker 6: and you know, of course one feels very flattered that. 59 00:02:29,360 --> 00:02:30,440 Speaker 5: They would do that for you. 60 00:02:30,960 --> 00:02:34,040 Speaker 6: And you know, so I've acquired the number that I've 61 00:02:34,120 --> 00:02:37,440 Speaker 6: got over a period of years. I'm more about being 62 00:02:37,480 --> 00:02:39,040 Speaker 6: a musician and playing. 63 00:02:38,800 --> 00:02:40,840 Speaker 5: More than I've going to have that fifty eight. Let's more. 64 00:02:41,000 --> 00:02:41,920 Speaker 5: That's not really me. 65 00:02:42,320 --> 00:02:44,720 Speaker 3: Jones and I probably about twenty years ago went to 66 00:02:44,720 --> 00:02:48,240 Speaker 3: your photography exhibition in Sydney. 67 00:02:48,440 --> 00:02:49,400 Speaker 1: It was extraordinary. 68 00:02:49,919 --> 00:02:52,519 Speaker 3: And have you always when you don't have a guitar 69 00:02:52,560 --> 00:02:54,160 Speaker 3: in your hand had a camera in your hand? 70 00:02:54,919 --> 00:02:57,240 Speaker 6: Well, quite often that is the case, you know, because 71 00:02:57,280 --> 00:02:58,880 Speaker 6: I go on tour and of course I take my 72 00:02:59,080 --> 00:03:03,160 Speaker 6: likas with me. I used two m tense color one 73 00:03:03,240 --> 00:03:05,919 Speaker 6: and the black and white one. A few lenses, and 74 00:03:06,120 --> 00:03:08,920 Speaker 6: you know, I'm very happy to be out. You know, 75 00:03:08,919 --> 00:03:10,959 Speaker 6: if I'm on the stage and I'm hanging around or 76 00:03:11,440 --> 00:03:13,880 Speaker 6: other day off, I start thinking about photography a bit 77 00:03:13,919 --> 00:03:16,960 Speaker 6: and seeing if I could make something interesting. 78 00:03:17,040 --> 00:03:19,240 Speaker 5: So, yeah, it's present in my mind. 79 00:03:19,760 --> 00:03:21,880 Speaker 6: The point of this show is finally, after all these 80 00:03:22,040 --> 00:03:24,680 Speaker 6: years of doing both things, I finally brought them together 81 00:03:24,720 --> 00:03:25,320 Speaker 6: in one show. 82 00:03:25,480 --> 00:03:27,000 Speaker 1: What do you mean so tell us about the show? 83 00:03:27,400 --> 00:03:29,600 Speaker 6: Well, it is I think you would describe it as 84 00:03:29,600 --> 00:03:30,720 Speaker 6: a multi media you know. 85 00:03:30,800 --> 00:03:35,280 Speaker 5: I mean it's a big screen. I show various quite exotic. 86 00:03:35,160 --> 00:03:38,440 Speaker 6: Sequences of photography, so that in our play, say, it's 87 00:03:38,480 --> 00:03:41,640 Speaker 6: six minutes of visual imagery, and I've worked out a 88 00:03:41,680 --> 00:03:44,240 Speaker 6: new sort of guitar thing to do with it, and. 89 00:03:44,200 --> 00:03:45,240 Speaker 5: So I know what I'm going to do. 90 00:03:45,280 --> 00:03:48,560 Speaker 6: And that really comes down technically to the guitar pedals 91 00:03:48,560 --> 00:03:50,560 Speaker 6: that guitarists use. And I know what I'm going to do, 92 00:03:50,640 --> 00:03:52,120 Speaker 6: so I have a setup for each song. 93 00:03:52,520 --> 00:03:55,400 Speaker 2: Do you find that some guitarists get a bit obsessed 94 00:03:55,400 --> 00:03:57,680 Speaker 2: with their pedals sometimes when I'm watching a show you 95 00:03:57,680 --> 00:04:02,280 Speaker 2: could see and on Yeah, they dig around with the 96 00:04:02,280 --> 00:04:03,320 Speaker 2: pedal and you see the lead thing. 97 00:04:03,360 --> 00:04:05,360 Speaker 1: You go, okay, mate, you know, let's just let's just 98 00:04:05,360 --> 00:04:08,160 Speaker 1: get on with it, let's crack on do Yeah. 99 00:04:08,040 --> 00:04:10,600 Speaker 6: Well that's the same, you know, sort of nerdy mindset 100 00:04:10,640 --> 00:04:13,360 Speaker 6: that people get thousands of guitars, they're not really players. 101 00:04:13,360 --> 00:04:15,400 Speaker 6: And you can get the guys who just get so 102 00:04:15,560 --> 00:04:18,640 Speaker 6: involved in the pedals, but they aren't really producing much music. 103 00:04:18,920 --> 00:04:23,320 Speaker 6: Music's about learning called scales, harmony, time, all this rhythm. 104 00:04:23,480 --> 00:04:25,960 Speaker 5: That's music. Now you've got all these funny effects. 105 00:04:25,960 --> 00:04:28,320 Speaker 6: You can make sure it won't necessarily make you sound great, 106 00:04:28,440 --> 00:04:29,919 Speaker 6: but they'll give you an effect. 107 00:04:30,200 --> 00:04:32,520 Speaker 5: So you've got to find your place with it. 108 00:04:32,760 --> 00:04:34,719 Speaker 1: Because it's like that threat thing you know that Peter 109 00:04:34,800 --> 00:04:35,640 Speaker 1: Frampton used to use. 110 00:04:35,640 --> 00:04:38,400 Speaker 2: I forgot what to because that sounds good but it 111 00:04:38,440 --> 00:04:39,599 Speaker 2: looks really weird. 112 00:04:40,480 --> 00:04:41,920 Speaker 5: Yeah, I don't think it's a good look. 113 00:04:42,000 --> 00:04:45,440 Speaker 6: And yeah, Frampton sort of stakes his claim with that 114 00:04:45,560 --> 00:04:49,640 Speaker 6: particular thing quite a few years ago, not for me. 115 00:04:50,000 --> 00:04:53,240 Speaker 2: Well, and Sting because he toy with different various instruments. 116 00:04:53,320 --> 00:04:56,040 Speaker 2: Did he like I remember he tinkered with a theoremon 117 00:04:56,240 --> 00:04:58,040 Speaker 2: and stuff like that. Did you ever think Sting just 118 00:04:58,040 --> 00:04:59,239 Speaker 2: stick with the bass, mate? 119 00:04:59,480 --> 00:05:03,800 Speaker 5: I might have, but in much more vulgar terms, I 120 00:05:03,839 --> 00:05:04,479 Speaker 5: won't go there. 121 00:05:04,520 --> 00:05:06,760 Speaker 3: Okay, So We're not going to see you with sort 122 00:05:06,800 --> 00:05:08,720 Speaker 3: of a one man band lined up with a hat 123 00:05:08,760 --> 00:05:10,479 Speaker 3: and drums and a whistle. 124 00:05:11,080 --> 00:05:14,520 Speaker 6: They going there, I mean in the show, I mean technically, 125 00:05:14,600 --> 00:05:17,480 Speaker 6: I actually use a few backing tracks, so it's a 126 00:05:17,560 --> 00:05:19,920 Speaker 6: ninth variety. I mean, I get a standing ovation every 127 00:05:19,960 --> 00:05:20,520 Speaker 6: single night. 128 00:05:20,640 --> 00:05:23,920 Speaker 2: So well, naturally, you're in one of the biggest supergroups 129 00:05:23,920 --> 00:05:25,920 Speaker 2: in the world, and you're one of the best guitarists 130 00:05:25,920 --> 00:05:26,240 Speaker 2: in the world. 131 00:05:26,520 --> 00:05:28,599 Speaker 1: Naturally the show is going to be pretty good. Andy. 132 00:05:29,480 --> 00:05:32,200 Speaker 6: Yeah, no, I mean, you know, it's a challenge because 133 00:05:32,200 --> 00:05:33,560 Speaker 6: you've got to get up there on your own. I 134 00:05:33,560 --> 00:05:35,600 Speaker 6: don't have bas and drums behind me or anything, but 135 00:05:35,600 --> 00:05:37,000 Speaker 6: I do use a little bit of backing track. 136 00:05:38,240 --> 00:05:40,359 Speaker 2: Have you ever had a situation where Sting and Stuart 137 00:05:40,360 --> 00:05:43,320 Speaker 2: are in the crowd watching you, watching your show, unknown 138 00:05:43,400 --> 00:05:43,600 Speaker 2: by you. 139 00:05:43,760 --> 00:05:46,120 Speaker 6: I mean, I bet they are because they're jealous and 140 00:05:46,160 --> 00:05:48,520 Speaker 6: they want to know why I'm so much greater than now. 141 00:05:50,839 --> 00:05:53,839 Speaker 1: It's naturally obvious to me. Andy, it's so great to 142 00:05:53,880 --> 00:05:54,280 Speaker 1: talk to you. 143 00:05:54,279 --> 00:05:56,800 Speaker 2: Get your tickets for an evening with Andy Summers now 144 00:05:56,839 --> 00:05:58,280 Speaker 2: at ticketmaster dot com. 145 00:05:58,520 --> 00:05:59,560 Speaker 1: Thank you for joining us. 146 00:06:00,160 --> 00:06:04,719 Speaker 5: Yeah, it was lovely to talk to you. Thanks so much. Child, cheers,