1 00:00:04,480 --> 00:00:06,080 Speaker 1: The Will and Woody Podcast. 2 00:00:14,360 --> 00:00:16,920 Speaker 2: Billie Eilish is on the show right up next, guys. 3 00:00:16,960 --> 00:00:20,160 Speaker 2: It's very very exciting times. Got a bit emotional with her. 4 00:00:20,520 --> 00:00:22,760 Speaker 2: It was awesome. I'm sure she's got loads of fans. 5 00:00:22,800 --> 00:00:24,120 Speaker 2: You don't need to hear that to know that it's 6 00:00:24,120 --> 00:00:25,120 Speaker 2: going to be a good chat with her. 7 00:00:25,160 --> 00:00:26,480 Speaker 3: She's the coolest. 8 00:00:26,239 --> 00:00:29,080 Speaker 2: Person in the world and she's everywhere at the moment, 9 00:00:29,160 --> 00:00:31,200 Speaker 2: so we're super lucky to have sat down with her. 10 00:00:31,320 --> 00:00:35,040 Speaker 3: We were very uncle during the whole that was polarizing 11 00:00:35,159 --> 00:00:35,680 Speaker 3: at times. 12 00:00:36,080 --> 00:00:38,960 Speaker 2: You know, I started talking about the tongue on your sneakers, mate, 13 00:00:39,000 --> 00:00:40,720 Speaker 2: so it got strange. 14 00:00:40,920 --> 00:00:44,920 Speaker 3: It's got strange. But before we speak to Billy herself, 15 00:00:45,000 --> 00:00:47,760 Speaker 3: let's play the game she inspired. 16 00:00:48,280 --> 00:00:54,640 Speaker 1: Gus Billy Eilish. 17 00:00:53,880 --> 00:01:03,720 Speaker 3: One more guest, guess the fish with Billy. It really 18 00:01:03,800 --> 00:01:05,600 Speaker 3: is a great game, I mean, and the beauty of 19 00:01:05,640 --> 00:01:08,479 Speaker 3: it is you guys can play this anytime you want. 20 00:01:08,680 --> 00:01:13,040 Speaker 3: But guessing the fish of the day at a restaurant 21 00:01:13,160 --> 00:01:16,600 Speaker 3: harder than you think to do. We have rarely have winners. 22 00:01:17,040 --> 00:01:21,000 Speaker 2: Winning Yesterday, though believable The Bar Monday classic Pick the 23 00:01:21,040 --> 00:01:21,639 Speaker 2: baron Monday. 24 00:01:21,640 --> 00:01:25,720 Speaker 3: But let's see how Lauren goes to and loves her 25 00:01:28,319 --> 00:01:29,160 Speaker 3: very very good. 26 00:01:29,680 --> 00:01:31,880 Speaker 2: I've got Lauren, I went instruction not to give you 27 00:01:31,920 --> 00:01:33,880 Speaker 2: too much instruction today because I think we might have 28 00:01:34,000 --> 00:01:41,080 Speaker 2: steered Ashley yesterday towards a more palatable fish of the day. 29 00:01:41,160 --> 00:01:47,160 Speaker 3: She was going with oyster esterday. She wasn't even naming 30 00:01:47,160 --> 00:01:49,040 Speaker 3: a fish. The difficulty for her was just thinking of 31 00:01:49,080 --> 00:01:53,320 Speaker 3: a fish. But all the crustaceans though you you will 32 00:01:53,320 --> 00:01:57,040 Speaker 3: be You'll be calling the stags Head Hotel. Now, I 33 00:01:57,080 --> 00:02:00,920 Speaker 3: haven't been to the Stag's Head Hotel, but this is 34 00:02:00,920 --> 00:02:03,600 Speaker 3: stinking of me like a more like classic can I 35 00:02:03,880 --> 00:02:08,560 Speaker 3: bit of research there is that steering will well, I 36 00:02:08,639 --> 00:02:09,239 Speaker 3: just think these. 37 00:02:09,120 --> 00:02:12,639 Speaker 2: People okay, So that's okay, okay. Look, Pool's furious because 38 00:02:12,639 --> 00:02:13,600 Speaker 2: we gave up a thousand bucks. 39 00:02:13,639 --> 00:02:16,360 Speaker 3: Yes, so we're a commercial radio station. Mate, we've got cash, 40 00:02:16,480 --> 00:02:21,480 Speaker 3: stags Head cash. But Lauren, Williams Town. It's in Williamstown, 41 00:02:21,560 --> 00:02:27,200 Speaker 3: which is a seafaring town in Melbourne. There you go. So, Lauren, 42 00:02:27,240 --> 00:02:28,440 Speaker 3: what does that mean to you? What do you think 43 00:02:28,440 --> 00:02:30,440 Speaker 3: the fish of the day will be there near the sea. 44 00:02:31,680 --> 00:02:40,680 Speaker 4: I'm going to just say a snapper. 45 00:02:37,200 --> 00:02:40,640 Speaker 3: A lovely fish, a snapper. You often see snapper as 46 00:02:40,760 --> 00:02:42,959 Speaker 3: the fish of the day. So, Lauren, you're going to 47 00:02:43,000 --> 00:02:45,519 Speaker 3: be making the call. Okay, you talk to the person 48 00:02:45,560 --> 00:02:47,240 Speaker 3: at the Stag's Head Hotel. All you can ask them 49 00:02:47,360 --> 00:02:49,200 Speaker 3: is what's the fish of the day? Good luck for 50 00:02:49,240 --> 00:02:52,080 Speaker 3: a thousand bucks. 51 00:02:50,360 --> 00:02:53,480 Speaker 5: Stag said, hotel speaking, How can I help you? 52 00:02:54,440 --> 00:02:56,680 Speaker 6: Oh hi, Paris, I was just checking in on your 53 00:02:56,720 --> 00:02:57,720 Speaker 6: menu for today. 54 00:02:58,240 --> 00:03:01,079 Speaker 7: Just what the fish of the day is. We've got 55 00:03:01,080 --> 00:03:02,480 Speaker 7: ocean trout selling for today. 56 00:03:02,960 --> 00:03:12,120 Speaker 3: No, no, no, no, Paris, Paris, it's Will and Woody here. 57 00:03:12,760 --> 00:03:15,079 Speaker 3: You don't realize this, but you have just cost Lauren 58 00:03:15,120 --> 00:03:20,880 Speaker 3: a thousand dollars, because yeah, that'd be very confusing and 59 00:03:21,000 --> 00:03:23,840 Speaker 3: rating for you. She gets snapper as the fisher. That 60 00:03:24,000 --> 00:03:26,639 Speaker 3: has that been the fish of the day ever before, Lauren, Yes, 61 00:03:26,680 --> 00:03:27,240 Speaker 3: it has been. 62 00:03:27,639 --> 00:03:33,280 Speaker 2: No, Lauren, you're in the right areas, Lauren. 63 00:03:33,280 --> 00:03:34,560 Speaker 3: We can only the only thing we can do. 64 00:03:34,600 --> 00:03:36,800 Speaker 2: To assume that is give you a great chat with 65 00:03:36,840 --> 00:03:37,480 Speaker 2: Billy Eilish. 66 00:03:37,480 --> 00:03:38,920 Speaker 3: Are you a fan of Billy, Lauren? 67 00:03:39,240 --> 00:03:39,400 Speaker 2: Oh? 68 00:03:39,520 --> 00:03:41,320 Speaker 4: Love love Billy. He doesn't. Yeah. 69 00:03:41,360 --> 00:03:43,120 Speaker 2: Well, look, we'd love to give you tickets, but there 70 00:03:43,120 --> 00:03:45,360 Speaker 2: are none. She's sold out, and that's why we're giving 71 00:03:45,400 --> 00:03:46,200 Speaker 2: away cash for guests. 72 00:03:46,200 --> 00:03:49,640 Speaker 3: The fish. We're very excited about this. We only found 73 00:03:49,640 --> 00:03:50,120 Speaker 3: out about a. 74 00:03:50,080 --> 00:03:52,320 Speaker 2: Week beforehand, and normally we don't normally get these chats, 75 00:03:52,360 --> 00:03:54,560 Speaker 2: but we got a chat with Billy Eilish, which and 76 00:03:54,600 --> 00:03:56,280 Speaker 2: I think it's rare that you and I have someone 77 00:03:56,280 --> 00:03:56,880 Speaker 2: that we're both. 78 00:03:56,800 --> 00:04:01,040 Speaker 3: Kind of equally in adoration of. But she's she's in the. 79 00:04:01,000 --> 00:04:05,200 Speaker 2: Pocket probably one hundred and fifty million people right now 80 00:04:05,200 --> 00:04:07,720 Speaker 2: who think she is just the absolute cat's pajamas. 81 00:04:07,320 --> 00:04:08,960 Speaker 3: And there's a reason why she's so popular, and that 82 00:04:09,040 --> 00:04:12,160 Speaker 3: is because she's just bloody also. But the great news 83 00:04:12,200 --> 00:04:14,800 Speaker 3: is she exceeded all expectations. Now we're about to play 84 00:04:14,800 --> 00:04:16,760 Speaker 3: the chat, but we just thought before we play the 85 00:04:16,800 --> 00:04:21,600 Speaker 3: audio of the chat with Billy, this thing was done at, 86 00:04:21,680 --> 00:04:24,320 Speaker 3: like we're saying it probably a forty million dollar property. 87 00:04:24,360 --> 00:04:26,960 Speaker 3: Can't say where it was, but there were views of 88 00:04:27,120 --> 00:04:30,159 Speaker 3: a harbor. We can say it's the Sydney Harbor. That's fine. 89 00:04:30,160 --> 00:04:33,440 Speaker 3: There's enough the world too much people might be able 90 00:04:33,440 --> 00:04:35,480 Speaker 3: to figure it out. But seriously, because paps and stuff aren't. 91 00:04:35,520 --> 00:04:38,280 Speaker 2: They're nuts gone there when we got there, and then 92 00:04:38,279 --> 00:04:39,920 Speaker 2: one of the record rips out the front and we 93 00:04:39,920 --> 00:04:41,800 Speaker 2: were like, oh wow, cool location. He was like, yeah, 94 00:04:41,800 --> 00:04:45,040 Speaker 2: the paps have already found it though, so she's hunted. 95 00:04:45,200 --> 00:04:48,800 Speaker 3: So I started posing just in case you never know. Anyway, 96 00:04:49,160 --> 00:04:51,680 Speaker 3: we walked down there, walking to the house, and it's 97 00:04:51,880 --> 00:04:55,279 Speaker 3: it's such a surreal experience because you see Billy. There 98 00:04:55,320 --> 00:04:57,920 Speaker 3: she is, and she was through about three security guards. 99 00:04:57,960 --> 00:05:00,120 Speaker 3: We're just hanging out in the foyer, of course, and 100 00:05:00,120 --> 00:05:03,479 Speaker 3: then there's Billy looking over a fence into Sydney Harbor 101 00:05:03,520 --> 00:05:05,040 Speaker 3: and it's one of those weird things where it's like 102 00:05:05,920 --> 00:05:08,760 Speaker 3: we do we walk over to her and like introduce 103 00:05:08,839 --> 00:05:10,920 Speaker 3: ourselves and the chat, or do we wait for her 104 00:05:11,080 --> 00:05:12,360 Speaker 3: to engage with us? 105 00:05:12,640 --> 00:05:12,919 Speaker 6: Anyway? 106 00:05:12,960 --> 00:05:15,080 Speaker 2: We chose the latter, yeah, which I think was a 107 00:05:15,080 --> 00:05:17,320 Speaker 2: good decision in there. Let her have her time, want 108 00:05:17,320 --> 00:05:18,400 Speaker 2: to like, you know, call out to her. 109 00:05:18,480 --> 00:05:21,600 Speaker 3: That's it, yeah, exactly, Yeah, Yeah, would have been strange. 110 00:05:21,680 --> 00:05:24,600 Speaker 3: So we sat down in our chairs and I'm pretty 111 00:05:24,640 --> 00:05:27,479 Speaker 3: happy that there's no audio of this, but then we 112 00:05:27,560 --> 00:05:30,760 Speaker 3: engaged in I think some of the world you engaged. 113 00:05:33,120 --> 00:05:36,640 Speaker 2: Slightly involved because but what they're sitting up the audio 114 00:05:36,640 --> 00:05:39,480 Speaker 2: and the cameras and by those like fifteen to twenty 115 00:05:39,520 --> 00:05:42,600 Speaker 2: people kind of just circulating around three chairs, which is 116 00:05:42,839 --> 00:05:43,880 Speaker 2: incredibly uncomfortable. 117 00:05:43,880 --> 00:05:44,640 Speaker 3: There's someone. 118 00:05:44,800 --> 00:05:47,680 Speaker 2: There's microphones on these chairs next to an infinity pool 119 00:05:47,720 --> 00:05:50,920 Speaker 2: overlooking the harbor, so there's plenty going on. Her mum's there, 120 00:05:51,960 --> 00:05:56,320 Speaker 2: I recognized from the docco her record or her publicist 121 00:05:56,400 --> 00:05:58,359 Speaker 2: is there as well, just kind of sitting and waiting 122 00:05:58,400 --> 00:06:00,719 Speaker 2: for you, by the way. So there round's watching you. 123 00:06:00,800 --> 00:06:03,280 Speaker 2: There's two cameras on you, two cameras on her, and. 124 00:06:03,200 --> 00:06:06,200 Speaker 3: She's walked over by this had and introduced herself. She's casual, 125 00:06:06,279 --> 00:06:10,800 Speaker 3: she's chill and me she's so cool. Look, she's wearing a. 126 00:06:10,839 --> 00:06:13,520 Speaker 2: Classic cool outfit, which is just you know, she looks 127 00:06:13,560 --> 00:06:16,080 Speaker 2: like she's about to drop in at the skate park, which, 128 00:06:16,120 --> 00:06:18,000 Speaker 2: as you said to me afterwards, like I don't think 129 00:06:18,000 --> 00:06:19,479 Speaker 2: anyone else can pull that off at the moment, I 130 00:06:19,480 --> 00:06:19,960 Speaker 2: don't think so. 131 00:06:20,120 --> 00:06:20,640 Speaker 3: But she can. 132 00:06:20,680 --> 00:06:24,000 Speaker 2: She's got the seat that the spectacles, the square spectacles 133 00:06:24,040 --> 00:06:26,520 Speaker 2: on with those eyes that we all know so well. 134 00:06:26,720 --> 00:06:29,080 Speaker 3: The baggy shirt, she's got the three quarter shorts, the 135 00:06:29,120 --> 00:06:33,440 Speaker 3: baggy shirt, and then the bit that we both latched 136 00:06:33,480 --> 00:06:34,960 Speaker 3: onto it, and then we had the moment I think 137 00:06:35,000 --> 00:06:37,520 Speaker 3: we both realized I've got something relatable I can talk 138 00:06:37,560 --> 00:06:39,840 Speaker 3: to her about. I used to wear those skate shoes 139 00:06:39,839 --> 00:06:42,400 Speaker 3: when I was in year six, and then all of 140 00:06:42,440 --> 00:06:44,400 Speaker 3: a sudden, we're talking about look at the cushion on 141 00:06:44,440 --> 00:06:47,039 Speaker 3: your tongue of your shoes compared to the cushion on 142 00:06:47,080 --> 00:06:50,159 Speaker 3: my tongue. And I even presented my foot to show 143 00:06:50,240 --> 00:06:53,600 Speaker 3: her how thin my tongue was. Thankfully none of that 144 00:06:53,680 --> 00:06:56,240 Speaker 3: was recorded. No, I'll never see the lot of day. 145 00:06:56,279 --> 00:06:59,200 Speaker 3: But just after I presented the tongue of my shoe 146 00:06:59,200 --> 00:07:01,400 Speaker 3: to her, the infit start. And I think before we 147 00:07:01,440 --> 00:07:05,880 Speaker 3: play the audio, I've got an interesting question early, but 148 00:07:05,920 --> 00:07:08,760 Speaker 3: then afterwards you deliver a compliment and it gets pretty 149 00:07:08,760 --> 00:07:13,000 Speaker 3: bloody emotional. So here is our chat with Billy. 150 00:07:13,800 --> 00:07:14,120 Speaker 4: Billy. 151 00:07:14,280 --> 00:07:17,880 Speaker 1: Wow, so lovely to meet you in person. Yeah, there's 152 00:07:17,880 --> 00:07:20,400 Speaker 1: so much we want to talk about with the new album. 153 00:07:20,480 --> 00:07:22,960 Speaker 1: But before we get into that, I've heard you talk 154 00:07:22,960 --> 00:07:25,360 Speaker 1: before about the fun that you try and keep with 155 00:07:25,440 --> 00:07:27,480 Speaker 1: Phineas during the writing process. 156 00:07:27,840 --> 00:07:29,960 Speaker 3: And there's a game that you play. I don't think 157 00:07:30,000 --> 00:07:32,920 Speaker 3: Will knows the game. I don't even know the game 158 00:07:33,640 --> 00:07:35,280 Speaker 3: called Fear or Fart. 159 00:07:35,480 --> 00:07:38,360 Speaker 5: Oh God, I should have never brought this up to 160 00:07:38,440 --> 00:07:41,280 Speaker 5: the world. Yes, it's true, true. 161 00:07:41,440 --> 00:07:43,680 Speaker 3: Can you explain to Will what the game Fear? 162 00:07:43,840 --> 00:07:47,720 Speaker 5: Okay it is Oh god, Okay, this is why I 163 00:07:47,760 --> 00:07:48,559 Speaker 5: can't share things. 164 00:07:49,200 --> 00:07:50,560 Speaker 3: Sorry, sorry, I love this. 165 00:07:50,880 --> 00:07:51,200 Speaker 5: Okay. 166 00:07:51,240 --> 00:07:52,440 Speaker 3: Well it's very simple. 167 00:07:52,560 --> 00:07:55,760 Speaker 5: Basically, there's a there's two categories and everything in the 168 00:07:55,760 --> 00:07:57,800 Speaker 5: world that can be put into these two categories. 169 00:07:58,200 --> 00:08:00,280 Speaker 3: And the categories are fear or far. 170 00:08:00,480 --> 00:08:06,360 Speaker 5: Yeah, and it's basically like fear. Fear is like, you know, 171 00:08:06,880 --> 00:08:09,640 Speaker 5: the second guessing of it all, kind of being self conscious, 172 00:08:09,640 --> 00:08:13,120 Speaker 5: self deprecating, the you're doing it out of fear, not 173 00:08:13,160 --> 00:08:15,480 Speaker 5: out of fear, but it's like you it comes from 174 00:08:15,480 --> 00:08:17,600 Speaker 5: a place of like not being sure and not being 175 00:08:18,280 --> 00:08:20,480 Speaker 5: And then fart is like you like the smell of 176 00:08:20,480 --> 00:08:22,840 Speaker 5: your own farts. You can do no wrong. You are, 177 00:08:23,040 --> 00:08:25,280 Speaker 5: You're the greatest who ever do it? 178 00:08:25,280 --> 00:08:26,600 Speaker 1: What about for will and not? You've only known it's 179 00:08:26,600 --> 00:08:28,400 Speaker 1: for about ten seconds? Now, are you getting thought? 180 00:08:29,160 --> 00:08:31,080 Speaker 5: I think fear is in the moment right in front 181 00:08:31,120 --> 00:08:33,600 Speaker 5: of me. It's a little fear, but that's good. But 182 00:08:33,720 --> 00:08:35,640 Speaker 5: the thing is that it doesn't mean good or bad. 183 00:08:35,679 --> 00:08:38,280 Speaker 5: It just means fear or fart, you know what I'm saying. 184 00:08:38,320 --> 00:08:41,040 Speaker 5: So like, yeah, like my first album When We All 185 00:08:41,040 --> 00:08:44,200 Speaker 5: Fall Asleeporard We Go was fear. My second album happier 186 00:08:44,200 --> 00:08:47,600 Speaker 5: than ever, was fart yeah, and this new album was 187 00:08:47,640 --> 00:08:49,240 Speaker 5: fear Yeah for sure. 188 00:08:49,320 --> 00:08:51,360 Speaker 2: But did you just write down I want to Well, 189 00:08:51,400 --> 00:08:55,760 Speaker 2: I just sorry, you just mentioned your record so hit 190 00:08:55,800 --> 00:08:58,920 Speaker 2: me hot and soft and I've got this thing. So 191 00:08:59,000 --> 00:09:00,720 Speaker 2: I said to what you before this? I was like, 192 00:09:00,840 --> 00:09:02,680 Speaker 2: this is going to be really intimidating. I don't normally 193 00:09:02,679 --> 00:09:05,800 Speaker 2: get intimidated, but I've just listened to that record so much, 194 00:09:06,280 --> 00:09:09,600 Speaker 2: and I said, like, shitlights six. 195 00:09:09,920 --> 00:09:11,600 Speaker 3: So I had this. 196 00:09:11,480 --> 00:09:14,520 Speaker 2: Moment where I was listening to it, probably in December. 197 00:09:14,840 --> 00:09:17,319 Speaker 2: I was traveling by myself, and I was like, if 198 00:09:17,360 --> 00:09:19,760 Speaker 2: I ever get the chance to say this to her, 199 00:09:20,200 --> 00:09:22,000 Speaker 2: I'm going to say this to her. So yeah, I've 200 00:09:22,000 --> 00:09:23,360 Speaker 2: had a bit of time to think about this, and 201 00:09:23,400 --> 00:09:24,800 Speaker 2: I didn't know we have this interview until like a 202 00:09:24,800 --> 00:09:25,560 Speaker 2: week ago, and I. 203 00:09:25,480 --> 00:09:27,600 Speaker 3: Was like, oh my god, I've got to tell the thing. 204 00:09:27,800 --> 00:09:29,800 Speaker 3: Tell me okay, you ready? 205 00:09:30,120 --> 00:09:30,440 Speaker 5: Yeah? 206 00:09:30,480 --> 00:09:32,720 Speaker 2: So I said, I like words, and I just feel 207 00:09:32,720 --> 00:09:36,240 Speaker 2: like I've written this in a words Yeah. So I've 208 00:09:36,240 --> 00:09:38,679 Speaker 2: written this kind of like I'm saying it to you 209 00:09:38,800 --> 00:09:41,559 Speaker 2: rather than as a review. But it's largely about the 210 00:09:41,640 --> 00:09:44,080 Speaker 2: last two songs, which I think are probably your best 211 00:09:44,080 --> 00:09:44,600 Speaker 2: two songs. 212 00:09:44,760 --> 00:09:48,520 Speaker 3: Oh my God, particularly together. Thanks, Okay, don't get farty 213 00:09:48,520 --> 00:09:52,599 Speaker 3: after this. I can see you getting party, getting a 214 00:09:52,640 --> 00:09:54,640 Speaker 3: little party for Billy. 215 00:09:55,720 --> 00:09:58,760 Speaker 2: The outro to Bittersweet is the intro to Blue, just 216 00:09:58,800 --> 00:10:00,720 Speaker 2: as the outro to this record, it feels like the 217 00:10:00,760 --> 00:10:04,400 Speaker 2: intro to a New You from brassy open filter, since, 218 00:10:04,440 --> 00:10:08,200 Speaker 2: through sultry bohemian serenades, befitting the mul on rouge, you 219 00:10:08,400 --> 00:10:12,200 Speaker 2: chant with ghostly wisdom. I'm still on my knees, and 220 00:10:12,240 --> 00:10:14,400 Speaker 2: that's the moment I realized that this record will be 221 00:10:14,400 --> 00:10:18,200 Speaker 2: beyond your teenage tenacity. For when the rolling drums have 222 00:10:18,200 --> 00:10:22,000 Speaker 2: Blue Hit, refraining many of this record's familiar melodies, you 223 00:10:22,080 --> 00:10:24,840 Speaker 2: start to undermine their meaning. I told you a lie, 224 00:10:24,920 --> 00:10:27,600 Speaker 2: you say, foreshadowing a depth which echoes. 225 00:10:27,280 --> 00:10:28,319 Speaker 3: Through that final track. 226 00:10:29,520 --> 00:10:31,800 Speaker 2: For I challenge anyone listening to it not to uncover 227 00:10:31,880 --> 00:10:35,120 Speaker 2: a blueness beyond its simple definition. And as I learn 228 00:10:35,160 --> 00:10:37,720 Speaker 2: of this song's origins, maybe that is what you once meant. 229 00:10:38,120 --> 00:10:40,640 Speaker 2: But as your music has grown, so have you, and 230 00:10:40,840 --> 00:10:43,880 Speaker 2: like all great artists, your songs no longer answer questions, 231 00:10:44,400 --> 00:10:49,319 Speaker 2: but ask them, And so as the percussive ratatat tat 232 00:10:49,480 --> 00:10:53,439 Speaker 2: of the final Latin style drop arrives. I don't blame you, 233 00:10:53,480 --> 00:10:56,560 Speaker 2: but I can't change you. Don't hate you, but we 234 00:10:56,640 --> 00:11:00,640 Speaker 2: can't save you. We're given this thesis. Blue is not 235 00:11:00,640 --> 00:11:03,080 Speaker 2: to be afraid of that Blue as humans is what 236 00:11:03,120 --> 00:11:05,959 Speaker 2: we are. And the faster we accept the victimhood of 237 00:11:06,000 --> 00:11:09,880 Speaker 2: our father's plans as the violin's wail, the faster we 238 00:11:09,920 --> 00:11:10,520 Speaker 2: can see how. 239 00:11:10,440 --> 00:11:11,200 Speaker 3: Beautiful that is. 240 00:11:12,320 --> 00:11:17,360 Speaker 2: Who is this woman, This woman who has documented her 241 00:11:17,440 --> 00:11:20,200 Speaker 2: plight with such touching honesty so as to make the 242 00:11:20,240 --> 00:11:23,840 Speaker 2: most eloquent coming of age art of her generation. This 243 00:11:23,880 --> 00:11:26,520 Speaker 2: woman who, since a girl, has laid bare her suffering 244 00:11:26,559 --> 00:11:30,319 Speaker 2: with such ferocity that it now burns like a lighthouse 245 00:11:30,360 --> 00:11:32,840 Speaker 2: of relief for anyone who may have lost their way. 246 00:11:33,840 --> 00:11:37,760 Speaker 2: What a gift that is, What a gift you are. 247 00:11:37,880 --> 00:11:44,520 Speaker 5: Oh my god, everybody's gonna cry over there from Will. 248 00:11:45,360 --> 00:11:46,640 Speaker 3: That's amazing. 249 00:11:46,800 --> 00:11:47,040 Speaker 5: Will. 250 00:11:48,080 --> 00:11:48,400 Speaker 4: Wow. 251 00:11:49,080 --> 00:11:49,760 Speaker 3: I didn't really know. 252 00:11:50,240 --> 00:11:50,719 Speaker 2: I just wanted to. 253 00:11:50,920 --> 00:11:55,880 Speaker 5: When did you read that? Like right after today? Yeah, 254 00:11:56,000 --> 00:11:56,959 Speaker 5: that's amazing. 255 00:11:57,360 --> 00:12:01,240 Speaker 3: Thank you, Thank you for thanks for the thank you 256 00:12:01,280 --> 00:12:01,880 Speaker 3: for the music. 257 00:12:02,080 --> 00:12:04,400 Speaker 5: That is so so. 258 00:12:05,200 --> 00:12:07,320 Speaker 2: I realized that you kind of I read that Phineas 259 00:12:07,320 --> 00:12:09,120 Speaker 2: wasn't on the road with you, and I feel realized 260 00:12:09,120 --> 00:12:10,640 Speaker 2: it might be a bit lonely, and you probably don't 261 00:12:10,640 --> 00:12:12,600 Speaker 2: get a lot of like, you know, just good pump 262 00:12:12,679 --> 00:12:14,360 Speaker 2: ups and stuff. So I kind of wanted to give 263 00:12:14,360 --> 00:12:19,640 Speaker 2: you a compliment and just say thank you for everything. 264 00:12:26,280 --> 00:12:28,720 Speaker 5: You bring up my brother and I'm like, I'm totally fine. 265 00:12:28,880 --> 00:12:31,360 Speaker 2: Yeah, I can imagine you guys actually close relationship with 266 00:12:31,400 --> 00:12:33,480 Speaker 2: someone like that and you make something like that and 267 00:12:33,520 --> 00:12:35,920 Speaker 2: then like the person that unlocks all that stuff within 268 00:12:36,000 --> 00:12:38,040 Speaker 2: you is not there to do it with you. That 269 00:12:38,120 --> 00:12:42,800 Speaker 2: must be tough. Sorry, I just I've been really feeling 270 00:12:42,840 --> 00:12:43,440 Speaker 2: you recently. 271 00:12:44,280 --> 00:12:46,280 Speaker 3: Yeah, well, thanks for the. 272 00:12:46,320 --> 00:12:48,000 Speaker 5: Music, thanks for that. 273 00:12:48,440 --> 00:12:54,079 Speaker 3: Wow we all got this. Wow my god, I think 274 00:12:54,080 --> 00:12:54,800 Speaker 3: your shoes are cool. 275 00:12:55,520 --> 00:12:55,760 Speaker 6: That's the. 276 00:12:57,880 --> 00:13:01,760 Speaker 3: Thank you so much, pleasure, Craze. You both have like stunning, 277 00:13:01,800 --> 00:13:02,839 Speaker 3: beautiful blue eyes. 278 00:13:05,440 --> 00:13:08,480 Speaker 5: I was also hearing you read that, I mean, so 279 00:13:09,080 --> 00:13:12,720 Speaker 5: well put and so beautiful, and so I feel like you. 280 00:13:13,120 --> 00:13:15,600 Speaker 5: I felt so seen and understood, and I just think 281 00:13:15,640 --> 00:13:18,400 Speaker 5: he's creating that. And also all I could hear was 282 00:13:18,559 --> 00:13:22,160 Speaker 5: each too well when you were talking, because it's Australia, 283 00:13:22,679 --> 00:13:26,679 Speaker 5: We're in Australia, and I was and yeah, anyway, I 284 00:13:26,720 --> 00:13:28,720 Speaker 5: love it. 285 00:13:28,880 --> 00:13:33,360 Speaker 2: Pretty cool, cervical, Yeah, super rattling. 286 00:13:33,600 --> 00:13:36,320 Speaker 3: We we had a chat before Hammah, it was like, 287 00:13:36,360 --> 00:13:39,240 Speaker 3: it'd be nice for her to have the words as well, 288 00:13:39,360 --> 00:13:41,920 Speaker 3: so potentially you can rewrite it because you'd handwritten the 289 00:13:42,280 --> 00:13:44,839 Speaker 3: open letter. Yeah, but we also both decided that it 290 00:13:44,840 --> 00:13:48,240 Speaker 3: would be weird for you to offer her afterwards, like, hey, 291 00:13:48,280 --> 00:13:50,200 Speaker 3: do you want the letter that I wrote you? But 292 00:13:50,240 --> 00:13:52,440 Speaker 3: there was I said, or do you want the letter 293 00:13:52,440 --> 00:13:54,920 Speaker 3: that Will wrote you? And she like you can tell 294 00:13:54,960 --> 00:13:57,280 Speaker 3: when someone like at that level of fame is just 295 00:13:57,320 --> 00:14:00,120 Speaker 3: saying yes, because it's like, I'll be rude to say, yeah. 296 00:14:00,240 --> 00:14:01,240 Speaker 7: You know, she. 297 00:14:02,760 --> 00:14:05,280 Speaker 3: Really did want those Yeah. So I mean, in my head, 298 00:14:05,320 --> 00:14:07,800 Speaker 3: she's reread that a number of times. Same in my head, 299 00:14:07,800 --> 00:14:09,120 Speaker 3: why is she? Yeah, I think she's put it in 300 00:14:09,160 --> 00:14:13,640 Speaker 3: a scrap book like my favorite things. I'm thinking pillowcase, sleep, sleep, 301 00:14:13,679 --> 00:14:14,240 Speaker 3: the other the other. 302 00:14:14,360 --> 00:14:17,160 Speaker 2: The other point this worth mentioning is so we have 303 00:14:17,280 --> 00:14:18,800 Speaker 2: this moment with her, We have that she takes the 304 00:14:19,120 --> 00:14:21,520 Speaker 2: notes off us, and then I was mentioned before her 305 00:14:21,600 --> 00:14:23,600 Speaker 2: mum and her pr agent is sitting there, so we've 306 00:14:23,640 --> 00:14:26,440 Speaker 2: got to walk past her mom and her mom is 307 00:14:26,480 --> 00:14:30,960 Speaker 2: sitting there with just she's clearly been crying quite a lot. Yeah, 308 00:14:31,120 --> 00:14:33,920 Speaker 2: and she stopped me and I didn't realize it was 309 00:14:33,960 --> 00:14:36,520 Speaker 2: her mum until sort of afterwards, and then she said, 310 00:14:36,600 --> 00:14:38,160 Speaker 2: she stopped me and she said to me, she was 311 00:14:38,200 --> 00:14:41,120 Speaker 2: like thank like as her like from her a mother. 312 00:14:41,640 --> 00:14:43,320 Speaker 2: Can I just say to you because you forget like 313 00:14:43,400 --> 00:14:45,520 Speaker 2: it's Billie Eilish right, it's not a daughter, it's not 314 00:14:45,600 --> 00:14:46,560 Speaker 2: a she's not a girl. 315 00:14:47,160 --> 00:14:47,720 Speaker 3: She's the star. 316 00:14:48,480 --> 00:14:51,640 Speaker 2: And her mom said to me, thank you so much 317 00:14:51,720 --> 00:14:54,480 Speaker 2: for telling her that, like she really needed that, which 318 00:14:54,720 --> 00:14:57,960 Speaker 2: just yeah, again validated the whole thing. 319 00:14:58,120 --> 00:14:58,280 Speaker 7: It was. 320 00:14:58,480 --> 00:15:00,320 Speaker 3: It was awesome. It was really one of the coolest 321 00:15:00,320 --> 00:15:02,040 Speaker 3: things I've ever done. This You've felt very good. And 322 00:15:02,080 --> 00:15:04,320 Speaker 3: if you want to watch it, yeah, you can on 323 00:15:04,600 --> 00:15:08,680 Speaker 3: Instagram and TikTok. Yeah, we're on the tox these days, 324 00:15:08,720 --> 00:15:11,880 Speaker 3: are on the double. To just verify that I think 325 00:15:11,880 --> 00:15:12,120 Speaker 3: we are. 326 00:15:12,600 --> 00:15:13,240 Speaker 5: You can find its. 327 00:15:13,160 --> 00:15:15,760 Speaker 3: Instagram of TikTok if you want to see that. 328 00:15:16,440 --> 00:15:22,920 Speaker 2: Yeah, tell us a great story of a requae music 329 00:15:22,920 --> 00:15:26,440 Speaker 2: woulds I was taking stories on thirteen one six fight. 330 00:15:26,520 --> 00:15:31,360 Speaker 3: If you've got a story about a plane, that's it. 331 00:15:31,560 --> 00:15:36,080 Speaker 3: Now again with this segment, we like the thinking outside 332 00:15:36,120 --> 00:15:38,200 Speaker 3: of the box. Well it's a laid back segment woods 333 00:15:38,240 --> 00:15:40,040 Speaker 3: you know what, don't mean to be chill, let it flow, guys, 334 00:15:40,120 --> 00:15:46,280 Speaker 3: So you just see what comes to you. So sure 335 00:15:46,680 --> 00:15:49,720 Speaker 3: it can be about an aeroplane. And that is our 336 00:15:49,840 --> 00:15:55,800 Speaker 3: inspiration today because a couple, an Australian couple on their 337 00:15:55,960 --> 00:16:00,520 Speaker 3: flight to Venice, Italy, had to see next to a 338 00:16:00,640 --> 00:16:08,680 Speaker 3: dead body. So well you don't a little bit of 339 00:16:08,680 --> 00:16:15,400 Speaker 3: reggae first, just to let that. So this is a 340 00:16:15,480 --> 00:16:18,360 Speaker 3: reality with planes. So this a woman had died on 341 00:16:19,000 --> 00:16:21,400 Speaker 3: the fly once she boarded. Yeah, she boarded. They got 342 00:16:21,400 --> 00:16:24,680 Speaker 3: halfway into the toilet, right came was coming out of 343 00:16:24,720 --> 00:16:27,800 Speaker 3: the toilet, collapsed, died in her seat. Horrific, No, no, 344 00:16:28,040 --> 00:16:30,000 Speaker 3: cut the clap, stuck in the aisle, in the aisle. 345 00:16:30,000 --> 00:16:31,480 Speaker 3: I thought she could to it. She made it back 346 00:16:31,520 --> 00:16:33,040 Speaker 3: to her seat. No no, no, she goes she goes 347 00:16:33,080 --> 00:16:36,000 Speaker 3: down and she's died. So horrific story. But the reality 348 00:16:36,120 --> 00:16:41,200 Speaker 3: is in the aisle. Yeah, the reality is you can't 349 00:16:41,880 --> 00:16:45,120 Speaker 3: it's a full plane. Well no it wasn't. And they 350 00:16:45,200 --> 00:16:46,760 Speaker 3: tried to get her back to a seat, but were 351 00:16:46,760 --> 00:16:48,480 Speaker 3: struggling to get her all the way back together. 352 00:16:49,280 --> 00:16:51,560 Speaker 2: She's in the window seat or something. Sorry, guys, if 353 00:16:51,560 --> 00:16:52,720 Speaker 2: you just brought your trade tables in. 354 00:16:53,040 --> 00:16:54,840 Speaker 3: So there was this Australian couple who for half the 355 00:16:54,880 --> 00:16:56,360 Speaker 3: flight was like two seats next to us, this is 356 00:16:56,400 --> 00:16:58,880 Speaker 3: the dream two free seats. Were like, I don't know 357 00:16:58,880 --> 00:17:01,440 Speaker 3: where we can put this woman? Put her on the two. 358 00:17:02,880 --> 00:17:09,040 Speaker 2: Oh, you'd have a free arm wrist to say the less, 359 00:17:09,040 --> 00:17:13,840 Speaker 2: you're not gonna have any that's true. Any squabbles meals come, yeah, 360 00:17:13,880 --> 00:17:14,439 Speaker 2: she's getting one. 361 00:17:15,280 --> 00:17:22,600 Speaker 3: She'll get double the chicken things anyway. 362 00:17:22,680 --> 00:17:24,000 Speaker 2: Yes, I mean you could put your chair back as 363 00:17:24,000 --> 00:17:25,480 Speaker 2: well if you're in front of her. Lovely, I don't 364 00:17:25,480 --> 00:17:28,080 Speaker 2: have to worry about that. Yeah, yeah, I'm not just 365 00:17:28,160 --> 00:17:29,720 Speaker 2: trying to find a silver lining. 366 00:17:29,520 --> 00:17:32,000 Speaker 3: Here, so benefits to a passenger passing of the air 367 00:17:32,040 --> 00:17:34,399 Speaker 3: gone as well? You know, then you know, just angle 368 00:17:34,440 --> 00:17:35,000 Speaker 3: that towards me. 369 00:17:35,160 --> 00:17:35,480 Speaker 4: I won't. 370 00:17:36,560 --> 00:17:38,240 Speaker 2: It's just a little side thought if you're after Also, 371 00:17:38,480 --> 00:17:40,280 Speaker 2: you know something, when you fall asleep, you can't fall 372 00:17:40,320 --> 00:17:42,119 Speaker 2: asleep on the person next yek, because you'ren't passed out 373 00:17:42,119 --> 00:17:42,639 Speaker 2: on their shoulder. 374 00:17:42,640 --> 00:17:43,800 Speaker 3: I don't know if you want to fall asleep on 375 00:17:43,840 --> 00:17:45,600 Speaker 3: a dead person. If you dead man, she doesn't care. 376 00:17:45,960 --> 00:17:46,159 Speaker 5: I do. 377 00:17:47,160 --> 00:17:50,359 Speaker 3: I'm on a dead person. That's your problem. I mean 378 00:17:50,440 --> 00:17:52,480 Speaker 3: it was. It's a bit of a weird fetish of yours. 379 00:17:53,240 --> 00:17:55,200 Speaker 3: I'm not saying I want to fall asleep on dead people. 380 00:17:55,280 --> 00:17:56,840 Speaker 3: Sounds like it, mate, I'm just saying you went next 381 00:17:56,880 --> 00:18:05,160 Speaker 3: to me. I haven't. So that's obviously an error. Plane story, 382 00:18:05,320 --> 00:18:09,840 Speaker 3: great plane story, we'd take that five. The topic is 383 00:18:10,119 --> 00:18:12,760 Speaker 3: just playing though, so think outside the box. Did do 384 00:18:12,800 --> 00:18:14,879 Speaker 3: you have a story from the African planes? 385 00:18:15,200 --> 00:18:18,800 Speaker 2: Well, I was actually my plane story. I was actually 386 00:18:18,960 --> 00:18:24,679 Speaker 2: on the Victorian high planes. Yes, And I was chased 387 00:18:24,680 --> 00:18:27,879 Speaker 2: by a black panther on the Victorian eyghplanes. I was 388 00:18:27,920 --> 00:18:30,640 Speaker 2: on a year eight highth we don't and I thought 389 00:18:30,680 --> 00:18:32,840 Speaker 2: that it was a cat, and then I turned around 390 00:18:33,119 --> 00:18:35,680 Speaker 2: and then I stared into the yellow eyes of a panther. 391 00:18:36,320 --> 00:18:39,320 Speaker 2: Found out much later on that a circus had fallen 392 00:18:39,400 --> 00:18:41,040 Speaker 2: over one of the carriages in the sixties, and there's 393 00:18:41,080 --> 00:18:49,040 Speaker 2: lots of black panthers in the area playing the music. Okay, 394 00:18:49,240 --> 00:18:50,800 Speaker 2: can't see anyone beating that plane story. 395 00:18:51,880 --> 00:18:54,840 Speaker 3: Okay, bloody hope. So otherwise this segment it's in trouble. 396 00:18:55,760 --> 00:18:56,359 Speaker 3: That's a cracker. 397 00:18:56,800 --> 00:18:59,359 Speaker 2: What are the plane stories are you expecting? If not 398 00:18:59,480 --> 00:19:01,120 Speaker 2: on the Victory Rean high planes. 399 00:19:00,880 --> 00:19:03,399 Speaker 3: Could be I mean it's a simple one, but maybe 400 00:19:03,600 --> 00:19:07,720 Speaker 3: you tasted a particular food, and it was plainer than expected. 401 00:19:08,240 --> 00:19:13,160 Speaker 3: I've always found that dragon fruit looks exotic, quite plain, 402 00:19:17,119 --> 00:19:19,520 Speaker 3: don't you think? Don't you think? 403 00:19:19,960 --> 00:19:20,080 Speaker 5: One? 404 00:19:21,160 --> 00:19:24,639 Speaker 3: But it's more than name, than anything else. Play me 405 00:19:24,720 --> 00:19:31,879 Speaker 3: that reggae, baby, brilliant. You might have cut your finger 406 00:19:31,920 --> 00:19:42,240 Speaker 3: off with a wooden plane? What's that tool? Nice? A plane? 407 00:19:42,240 --> 00:19:50,240 Speaker 3: Is my dad flew a paper plane into my daughter's eye? 408 00:19:51,280 --> 00:19:59,320 Speaker 3: True story. Let's go to Michael here. That's good stuff. Michael, 409 00:19:59,400 --> 00:20:03,959 Speaker 3: welcome to story. Reggaeale. Uh, this was a story from 410 00:20:04,000 --> 00:20:07,520 Speaker 3: when you were fifteen. That's somehow related to the word plane. 411 00:20:08,560 --> 00:20:10,960 Speaker 8: Yes, yes, hey boys, how are you good? 412 00:20:12,680 --> 00:20:12,880 Speaker 2: Yeah? 413 00:20:12,960 --> 00:20:17,639 Speaker 8: Well, sill a story. It's you know you said at 414 00:20:17,680 --> 00:20:21,080 Speaker 8: the time we make me away Italy leave it on 415 00:20:21,080 --> 00:20:23,560 Speaker 8: the way to think cock, which was a gentleman behind us. 416 00:20:23,640 --> 00:20:26,440 Speaker 8: He had actually bought all three seats, believe it or 417 00:20:26,480 --> 00:20:29,600 Speaker 8: not anyway, So we take off, see sawing from he 418 00:20:29,640 --> 00:20:33,440 Speaker 8: goes to the bathroom, comes back sicked up against the windows, 419 00:20:33,720 --> 00:20:36,240 Speaker 8: up against the window. And when it came to dinner, 420 00:20:36,440 --> 00:20:39,800 Speaker 8: the flight an excuse me, excuse me, yep. 421 00:20:40,400 --> 00:20:41,400 Speaker 3: Go it was dead. 422 00:20:41,840 --> 00:20:43,879 Speaker 8: So they said, please, you can just give up, you know, 423 00:20:43,880 --> 00:20:47,359 Speaker 8: as they moved us from our seat. They laid him 424 00:20:47,400 --> 00:20:49,640 Speaker 8: across the three seats, They wrapped him into a couple 425 00:20:49,640 --> 00:20:54,400 Speaker 8: of blankets, threw some sipnal favor him, and and then 426 00:20:54,480 --> 00:20:56,920 Speaker 8: you got to cannow go back to your seat. So yeah, 427 00:20:56,960 --> 00:21:00,520 Speaker 8: it's a fight, an endurable fight from seeing the with 428 00:21:00,640 --> 00:21:03,120 Speaker 8: a dead man laying behind me the whole time. 429 00:21:04,640 --> 00:21:15,760 Speaker 3: Michael, Michael, Sorry att bit of reggae. Michael, My medical 430 00:21:15,840 --> 00:21:20,080 Speaker 3: knowledge isn't great, and I think that's an important preface, 431 00:21:20,920 --> 00:21:23,600 Speaker 3: but my understanding is that when someone when when a 432 00:21:23,640 --> 00:21:28,840 Speaker 3: body dies, it evacuates itself of all fluids. So oh yeh, look, 433 00:21:29,720 --> 00:21:31,359 Speaker 3: you're right, and I've always. 434 00:21:31,119 --> 00:21:33,880 Speaker 8: I thought that, But I'm thinking that just probably would 435 00:21:33,880 --> 00:21:38,000 Speaker 8: have put or something. I don't know, but it's going 436 00:21:38,080 --> 00:21:39,480 Speaker 8: to put him in a plastic. 437 00:21:41,520 --> 00:21:46,879 Speaker 3: Michae a litle bit more reggae. Just bag him up. 438 00:21:47,600 --> 00:21:49,920 Speaker 3: I think he was saying bag the fluids that I 439 00:21:49,960 --> 00:21:51,959 Speaker 3: don't think the fluids leave you immediately. 440 00:21:52,320 --> 00:21:55,879 Speaker 2: I think over time, as you know, you know, decomposition begins. 441 00:21:55,960 --> 00:21:56,640 Speaker 3: You don't just die. 442 00:21:56,680 --> 00:22:00,200 Speaker 2: And then just thought it was an instant evacuation immediately, No, 443 00:22:01,280 --> 00:22:02,560 Speaker 2: I would It takes time. 444 00:22:02,720 --> 00:22:03,400 Speaker 3: It takes time. 445 00:22:06,000 --> 00:22:06,840 Speaker 2: Let's go to magic. 446 00:22:07,160 --> 00:22:08,920 Speaker 3: Let's go to magic and then we can talk to it. 447 00:22:09,640 --> 00:22:09,840 Speaker 9: Yep. 448 00:22:10,280 --> 00:22:12,000 Speaker 3: Sorry, you know you got a good You've got a 449 00:22:12,000 --> 00:22:12,919 Speaker 3: story about a plane. 450 00:22:13,560 --> 00:22:15,680 Speaker 4: Yeah, I got a story about a field plane like 451 00:22:15,760 --> 00:22:18,680 Speaker 4: a plane. It was in actually ear ago. We're in 452 00:22:18,800 --> 00:22:21,600 Speaker 4: Pakistan for some charity work, me in a few mates 453 00:22:22,200 --> 00:22:24,240 Speaker 4: and we go up to the north in a part 454 00:22:24,400 --> 00:22:27,240 Speaker 4: called Kieshawa. It's like one of the villages near Peshwa, 455 00:22:27,880 --> 00:22:29,560 Speaker 4: and we're going for a walk in the morning and 456 00:22:29,680 --> 00:22:32,240 Speaker 4: we just see a massive plane full of marijuana leaves 457 00:22:33,080 --> 00:22:35,119 Speaker 4: and we asked. We asked one of the locals about it, 458 00:22:35,240 --> 00:22:37,840 Speaker 4: and they didn't even know what it was. They weren't 459 00:22:37,880 --> 00:22:39,520 Speaker 4: faced by it at all. They were just like, but 460 00:22:39,760 --> 00:22:40,840 Speaker 4: there wasn't stoners around. 461 00:22:40,880 --> 00:22:44,720 Speaker 2: They just had a full in northern Pakistan, northern Pakistan, 462 00:22:45,600 --> 00:22:48,160 Speaker 2: in a village, the whole plane of marijuana. 463 00:22:49,280 --> 00:22:51,040 Speaker 3: I don't think that's why it's on the plane, Madjid. 464 00:22:51,119 --> 00:22:52,840 Speaker 3: I don't think the stoners are in Pakistan. 465 00:22:53,080 --> 00:23:00,920 Speaker 2: It's ending it somewhere else, playing off the ground. Imagine 466 00:23:00,960 --> 00:23:03,440 Speaker 2: did we get there? But like magined, was it stored magic? 467 00:23:03,600 --> 00:23:05,360 Speaker 2: Was it stored in the plane or like how did 468 00:23:05,400 --> 00:23:07,320 Speaker 2: you spot the plane? 469 00:23:07,600 --> 00:23:11,080 Speaker 4: Paints like plants. It was like a whole field, like 470 00:23:11,160 --> 00:23:14,240 Speaker 4: a plane in a field, like a whole mountain was. 471 00:23:15,200 --> 00:23:18,080 Speaker 3: An aeroplane filled with marijuana. 472 00:23:18,960 --> 00:23:20,439 Speaker 5: And I was like, jesezus, you've. 473 00:23:20,320 --> 00:23:21,240 Speaker 3: Got great. 474 00:23:23,040 --> 00:23:23,800 Speaker 6: From the ground. 475 00:23:26,640 --> 00:23:29,400 Speaker 3: He's talking about like that Leo DiCaprio movie. 476 00:23:29,240 --> 00:23:36,119 Speaker 10: The Island, the beach, Beach Island. Let's go to David. David, 477 00:23:36,200 --> 00:23:40,840 Speaker 10: You've got a story. Wasn't it is on an island. 478 00:23:41,320 --> 00:23:44,840 Speaker 2: It's filmed on pp in Thailand, which is an island 479 00:23:44,920 --> 00:23:47,760 Speaker 2: for sure, But yeah, that's in that film. 480 00:23:47,800 --> 00:23:51,840 Speaker 3: Anyway, David, it is you got a story something to 481 00:23:51,920 --> 00:23:53,280 Speaker 3: the word plane. 482 00:23:53,640 --> 00:23:56,760 Speaker 4: Direct is the ultimate plane story. Yes, this morning I 483 00:23:56,880 --> 00:23:58,680 Speaker 4: woke up and I had my coffee. 484 00:23:58,920 --> 00:24:03,080 Speaker 3: Yeah done. Oh it's a plane brilliant day. 485 00:24:07,920 --> 00:24:08,040 Speaker 8: Now. 486 00:24:08,119 --> 00:24:10,600 Speaker 3: I do want to specify, though, that I'm not interested 487 00:24:10,640 --> 00:24:13,240 Speaker 3: in sex stories here. I fully appreciate that walking in 488 00:24:13,359 --> 00:24:16,600 Speaker 3: on people doing the doing the dirty, that that is 489 00:24:16,600 --> 00:24:19,000 Speaker 3: a common thing that happens. I'm more talking about it's 490 00:24:19,040 --> 00:24:22,760 Speaker 3: not common common for some walking in on people. We've 491 00:24:22,800 --> 00:24:25,159 Speaker 3: all got to walking in on someone having having a 492 00:24:25,200 --> 00:24:30,119 Speaker 3: doberty dopy, I think we do. But I don't want 493 00:24:30,119 --> 00:24:33,000 Speaker 3: to hear those stories. I want to hear little do 494 00:24:34,400 --> 00:24:37,000 Speaker 3: I want to hear about situations away from sex where 495 00:24:37,040 --> 00:24:41,240 Speaker 3: you managed to be caught with your pants down. And 496 00:24:41,600 --> 00:24:45,359 Speaker 3: I had a perfect example of this yesterday. So we 497 00:24:46,280 --> 00:24:51,199 Speaker 3: were having a late lunch at a restaurant and there 498 00:24:51,320 --> 00:24:55,680 Speaker 3: was there was there was one. There was one. Would 499 00:24:55,760 --> 00:24:58,879 Speaker 3: you go on? Well once you what? No, I know 500 00:24:59,200 --> 00:25:01,439 Speaker 3: you're about to say that one toilet. It's one toilet 501 00:25:01,720 --> 00:25:03,359 Speaker 3: in like an alley way, which by the. 502 00:25:03,359 --> 00:25:05,600 Speaker 2: Way, we're like instantly obsessed with. We were there with 503 00:25:05,680 --> 00:25:08,919 Speaker 2: our with our executive producer, Captain poop pants. It's commonly 504 00:25:09,000 --> 00:25:12,399 Speaker 2: referred to as pooey on this show. And and you 505 00:25:12,760 --> 00:25:16,639 Speaker 2: went to go to the toilet, or knew you sussed 506 00:25:16,680 --> 00:25:18,200 Speaker 2: it before you even went, and you came back. 507 00:25:18,240 --> 00:25:21,000 Speaker 3: You always do it. I took a week because we're 508 00:25:21,000 --> 00:25:22,520 Speaker 3: about to interview Billy Og and you said I'd love 509 00:25:22,560 --> 00:25:24,119 Speaker 3: to get a pooh out before you interview Billy. Well, 510 00:25:24,160 --> 00:25:25,359 Speaker 3: that's that's a constant anxile. 511 00:25:25,440 --> 00:25:27,000 Speaker 2: Actually know you found out that we were interviewing in 512 00:25:27,040 --> 00:25:28,280 Speaker 2: a mansion and you wanted to take a poo in 513 00:25:28,320 --> 00:25:28,720 Speaker 2: the mansion. 514 00:25:28,840 --> 00:25:30,679 Speaker 3: I said to Captain poop Pant, is it okay if 515 00:25:30,720 --> 00:25:32,720 Speaker 3: I rock up and use the forty million dollar toilet, 516 00:25:32,760 --> 00:25:35,720 Speaker 3: and he was like, absolutely not take your poo out. 517 00:25:37,280 --> 00:25:40,520 Speaker 3: Yeah nah, fair enough, fair enough anyway, that's enough pood talk. 518 00:25:41,080 --> 00:25:44,639 Speaker 3: So anyway, I so I then I did do it. 519 00:25:44,680 --> 00:25:47,040 Speaker 3: I did a week and then came back to the 520 00:25:47,080 --> 00:25:48,080 Speaker 3: table anyway, went back. 521 00:25:48,000 --> 00:25:49,640 Speaker 2: And told us all by the way, you were like, guys, 522 00:25:49,720 --> 00:25:51,720 Speaker 2: shocking situation, one toilet for the whole cafe. 523 00:25:52,119 --> 00:25:53,560 Speaker 3: It's your I don't know why you hate. You just 524 00:25:53,600 --> 00:25:55,560 Speaker 3: get really rattled in this situation, like a lot of 525 00:25:55,600 --> 00:25:57,760 Speaker 3: toilet options. Anyway, And this is why I get rattled 526 00:25:57,760 --> 00:25:59,960 Speaker 3: about it, because there was a lock on the door 527 00:26:01,680 --> 00:26:04,240 Speaker 3: and a combination. There was like a combination lock. So 528 00:26:04,840 --> 00:26:06,920 Speaker 3: I put the combination in. Wendy gone opened the door, 529 00:26:07,000 --> 00:26:12,119 Speaker 3: and I caught a woman who was just a bizarre 530 00:26:12,920 --> 00:26:16,159 Speaker 3: thing to see. She was she was standing, so she 531 00:26:16,320 --> 00:26:19,880 Speaker 3: was up on her feet with her pants around her ankles, 532 00:26:20,920 --> 00:26:24,960 Speaker 3: completely nude from the waist. Well, I think maybe she 533 00:26:25,119 --> 00:26:28,600 Speaker 3: was moving towards the door to stop was about to 534 00:26:28,680 --> 00:26:29,920 Speaker 3: happen in I think. 535 00:26:31,880 --> 00:26:32,080 Speaker 8: She was. 536 00:26:32,119 --> 00:26:34,680 Speaker 3: The toilet was too. That was another it was she 537 00:26:34,720 --> 00:26:36,760 Speaker 3: didn't lock the door. She didn't lock the door, so 538 00:26:37,080 --> 00:26:39,159 Speaker 3: I didn't realize anyone was in there. It said vacant, 539 00:26:39,240 --> 00:26:42,520 Speaker 3: so I've done nothing wrong, but she's there, pants around ankles. 540 00:26:42,560 --> 00:26:44,359 Speaker 3: There was a little there was like ah, and they're like, 541 00:26:44,480 --> 00:26:46,639 Speaker 3: oh my god. I closed the door and then I 542 00:26:46,800 --> 00:26:49,120 Speaker 3: hide because I didn't want of them wait outside the door. 543 00:26:49,240 --> 00:26:51,200 Speaker 3: And then had that awkward interaction above, just seeing you 544 00:26:51,320 --> 00:26:54,119 Speaker 3: nude from the waist down. So I ran and I 545 00:26:54,280 --> 00:26:57,199 Speaker 3: ran and hit around a corner and then I had 546 00:26:57,240 --> 00:26:59,240 Speaker 3: to sneak back and realized she's got back to the table. 547 00:26:59,320 --> 00:27:01,359 Speaker 3: No worries. Anyway. When I came back to that table, 548 00:27:01,400 --> 00:27:05,080 Speaker 3: I realized she was a meter away from me. A 549 00:27:05,480 --> 00:27:09,879 Speaker 3: sort of exchange looking. I mean, anyone potentially wasn't me. 550 00:27:10,040 --> 00:27:14,639 Speaker 3: I decided having a smoke. Anyway, that's met five of 551 00:27:14,640 --> 00:27:16,840 Speaker 3: your old woman. I'm not sure how old she was, 552 00:27:16,920 --> 00:27:17,639 Speaker 3: but she was. 553 00:27:17,840 --> 00:27:19,760 Speaker 2: She was an olderly, she was an older and it 554 00:27:19,880 --> 00:27:21,720 Speaker 2: was yeah, yeah, it was. It was Actually I forgelt, 555 00:27:21,760 --> 00:27:24,640 Speaker 2: actually felt very sorry for it. She was up there 556 00:27:24,680 --> 00:27:27,120 Speaker 2: trying to keep the door shut. You know, you barged 557 00:27:27,119 --> 00:27:28,919 Speaker 2: in there that I'm there, locked the door. 558 00:27:29,280 --> 00:27:30,800 Speaker 3: Her husband was giving me a dirty look. By the way, 559 00:27:30,800 --> 00:27:32,359 Speaker 3: I like, mate, I didn't try to do it, like, 560 00:27:32,440 --> 00:27:36,240 Speaker 3: don't give me dirties. Anyway, I've literally caught this person 561 00:27:36,920 --> 00:27:40,399 Speaker 3: with their pants down thirteen one oh six five Have 562 00:27:40,600 --> 00:27:42,879 Speaker 3: you been caught with your pants down? Or have you 563 00:27:43,040 --> 00:27:48,320 Speaker 3: caught someone literally with their pants down? No sex? No 564 00:27:48,800 --> 00:27:53,080 Speaker 3: no sex in here, no sex, no sex on this show. 565 00:27:54,760 --> 00:27:58,360 Speaker 3: Lennie here, this was your sister in Laura Lennie, Yes 566 00:27:58,440 --> 00:27:58,760 Speaker 3: it is. 567 00:27:59,200 --> 00:27:59,520 Speaker 5: It was. 568 00:27:59,600 --> 00:28:04,080 Speaker 9: Actual scenario is that she went late low shopping and 569 00:28:04,200 --> 00:28:06,040 Speaker 9: she used one of those public toilets and at ten 570 00:28:06,040 --> 00:28:09,160 Speaker 9: o'clock she was busting for a number two. So she's 571 00:28:09,200 --> 00:28:12,439 Speaker 9: gone into the toilet and ten o'clock the the public 572 00:28:12,480 --> 00:28:15,679 Speaker 9: toilets opened. To do her self clean, she realized there 573 00:28:15,800 --> 00:28:20,000 Speaker 9: was no toilet paper, so she used her knickers as 574 00:28:20,080 --> 00:28:23,520 Speaker 9: the toilet paper. Ended up being mortified and ran home 575 00:28:23,600 --> 00:28:24,080 Speaker 9: with no nick. 576 00:28:24,280 --> 00:28:29,280 Speaker 2: On that A lady John's called six five John, you 577 00:28:29,359 --> 00:28:30,840 Speaker 2: called someone with their pants down? 578 00:28:31,240 --> 00:28:33,480 Speaker 3: Literally? John? 579 00:28:35,200 --> 00:28:35,360 Speaker 5: Right? 580 00:28:35,880 --> 00:28:38,840 Speaker 3: Hey, John, you've caught someone with it with their pants down? Literally? Yeah? 581 00:28:39,040 --> 00:28:41,240 Speaker 7: Yeah, I do have a story. So I used to 582 00:28:41,360 --> 00:28:45,360 Speaker 7: work in real estate as an agent. Oh yeah, just 583 00:28:45,440 --> 00:28:48,120 Speaker 7: doing an inspection out of property, had to do a 584 00:28:48,200 --> 00:28:52,600 Speaker 7: number two. I went to the toilet and the owner actually. 585 00:28:52,360 --> 00:28:55,920 Speaker 3: Walked in the agent. 586 00:29:00,200 --> 00:29:00,520 Speaker 9: To sell. 587 00:29:02,600 --> 00:29:06,640 Speaker 7: I don't work in the industry anymore, John. 588 00:29:06,920 --> 00:29:09,480 Speaker 2: Is that the thing that real estate agents commonly do though, 589 00:29:09,600 --> 00:29:12,680 Speaker 2: Like if you're selling a house and no one's there, 590 00:29:13,560 --> 00:29:15,160 Speaker 2: is that commonplace? 591 00:29:17,040 --> 00:29:19,880 Speaker 7: Well, I haven't heard of any other agent doing it. 592 00:29:21,320 --> 00:29:28,640 Speaker 3: A good reason, John, they probably don't do that. John 593 00:29:28,800 --> 00:29:35,200 Speaker 3: was fired trying to sell the prop your dad it 594 00:29:35,320 --> 00:29:39,840 Speaker 3: was a premium. Would rather go in the garden. I 595 00:29:39,920 --> 00:29:41,640 Speaker 3: think we need to ask him that because I need 596 00:29:41,720 --> 00:29:46,600 Speaker 3: to know. Yeah, maybe tomorrow, Maybe maybe it's too much. 597 00:29:47,920 --> 00:29:50,160 Speaker 3: You would be annoyed, though, if I if I was 598 00:29:50,200 --> 00:29:52,320 Speaker 3: trying to sell my sell a house and then I 599 00:29:52,440 --> 00:29:54,480 Speaker 3: caught the real estate agent, Yeah, I'd be angry. Let's 600 00:29:54,480 --> 00:29:59,280 Speaker 3: go to Alison here, Allison, your sister story about your 601 00:29:59,320 --> 00:30:00,640 Speaker 3: sister caught with her pants down? 602 00:30:01,240 --> 00:30:01,360 Speaker 5: Oh? 603 00:30:01,560 --> 00:30:03,640 Speaker 6: Yes, So she went to the city for an interview 604 00:30:03,680 --> 00:30:06,880 Speaker 6: on a forty degree day and when she got off 605 00:30:06,920 --> 00:30:09,440 Speaker 6: the train to come home, she decided it was too hot. 606 00:30:09,520 --> 00:30:11,800 Speaker 6: She didn't have air conditioning in the car, so she 607 00:30:11,880 --> 00:30:14,560 Speaker 6: took her pants off to drive home. Got pulled over 608 00:30:14,640 --> 00:30:17,440 Speaker 6: by the cops on the way home. He asked her 609 00:30:17,480 --> 00:30:20,720 Speaker 6: to get out of the car because she her peep 610 00:30:21,040 --> 00:30:24,480 Speaker 6: her pea plate had fallen off. So and she's like, no, 611 00:30:24,600 --> 00:30:26,840 Speaker 6: I can't get out of the car, and he asked 612 00:30:26,840 --> 00:30:29,280 Speaker 6: her again, she said no, I can't do that. He 613 00:30:29,400 --> 00:30:31,880 Speaker 6: got a bit agro with her and she said, well, 614 00:30:31,920 --> 00:30:35,600 Speaker 6: I've got no pants on, and so then she had 615 00:30:35,680 --> 00:30:37,520 Speaker 6: to explain to the cop why she was driving with 616 00:30:37,640 --> 00:30:40,200 Speaker 6: no pants on, and so she got in trouble for 617 00:30:40,320 --> 00:30:41,440 Speaker 6: that and no pea plate. 618 00:30:42,120 --> 00:30:43,400 Speaker 3: So did she get out of the car. 619 00:30:43,560 --> 00:30:44,880 Speaker 5: In the end, she. 620 00:30:47,120 --> 00:30:48,720 Speaker 6: Asked him to walk to back at the car so 621 00:30:48,840 --> 00:30:51,880 Speaker 6: she could put enough. It was nice to her at 622 00:30:51,920 --> 00:30:53,960 Speaker 6: the sitting, but then when she found when he found 623 00:30:54,000 --> 00:30:58,640 Speaker 6: out she had no pants on, he turned on her. 624 00:30:58,720 --> 00:31:03,160 Speaker 6: But then she on him and went higher and got 625 00:31:04,480 --> 00:31:05,160 Speaker 6: off the fine. 626 00:31:05,720 --> 00:31:09,840 Speaker 3: Well huge, well done. I don't think you can get 627 00:31:09,840 --> 00:31:10,320 Speaker 3: angry for it. 628 00:31:10,400 --> 00:31:11,960 Speaker 2: I do think it's a bit strange that you get 629 00:31:12,000 --> 00:31:13,840 Speaker 2: hot in the car and then I've never it doesn't 630 00:31:13,840 --> 00:31:15,480 Speaker 2: matter if it's been forty five in the car in 631 00:31:15,520 --> 00:31:17,480 Speaker 2: the air week, I've never taken my pants off with the. 632 00:31:17,520 --> 00:31:20,240 Speaker 3: Pans off, I've this is huge. 633 00:31:20,640 --> 00:31:23,040 Speaker 2: See what his dad has called in just to clear 634 00:31:23,120 --> 00:31:24,960 Speaker 2: his name, which I think needs to happen. 635 00:31:25,680 --> 00:31:27,600 Speaker 3: We want your honesty here, though, dad. We just got 636 00:31:27,680 --> 00:31:29,280 Speaker 3: a call from a real estate agent who said that 637 00:31:29,360 --> 00:31:32,040 Speaker 3: he'd been caught doing a number two in a property 638 00:31:32,080 --> 00:31:34,680 Speaker 3: that he was trying to sell. Now, Dad, you're a 639 00:31:34,760 --> 00:31:38,920 Speaker 3: premier real estate agent for many, many years. Would you 640 00:31:39,240 --> 00:31:40,960 Speaker 3: ever do a number two in a house that you 641 00:31:41,040 --> 00:31:41,720 Speaker 3: were trying to sell. 642 00:31:43,560 --> 00:31:44,800 Speaker 7: We've got a bad line here.