1
00:00:00,200 --> 00:00:01,120
Speaker 1: It's fry Yay.

2
00:00:01,360 --> 00:00:05,080
Speaker 2: It's the jam Nation Podcast with your heroes Jones and Amanda.

3
00:00:05,240 --> 00:00:08,200
Speaker 1: Interesting pop test today. Do you make the babysit a

4
00:00:08,280 --> 00:00:11,400
Speaker 1: pay if damage occurs by your child while they're supposed

5
00:00:11,400 --> 00:00:12,879
Speaker 1: to be looking after them in your home.

6
00:00:13,080 --> 00:00:17,160
Speaker 2: It's an interesting one, isn't it. Also Richard Clapton's going

7
00:00:17,160 --> 00:00:19,040
Speaker 2: to be swinging by. He's got a new album full

8
00:00:19,079 --> 00:00:22,160
Speaker 2: of hippie anthems. We're going to break out the old turntable.

9
00:00:23,000 --> 00:00:25,680
Speaker 1: Les mckue, and lead singer of the Basity Rollers has

10
00:00:25,720 --> 00:00:28,440
Speaker 1: passed away. It's an excuse to look at the role

11
00:00:28,600 --> 00:00:30,520
Speaker 1: is their influence? Where are they now?

12
00:00:30,720 --> 00:00:34,080
Speaker 2: I can't believe Master Chef last night Jock got us

13
00:00:34,120 --> 00:00:36,080
Speaker 2: a beauty. He did a Matt Preston on us.

14
00:00:36,120 --> 00:00:47,200
Speaker 3: It's all coming up on the jam Nation Podcast.

15
00:00:47,960 --> 00:00:50,080
Speaker 2: I won't now about a miracle of recording. We have

16
00:00:50,200 --> 00:00:52,080
Speaker 2: so many requests for them to do it again.

17
00:00:52,200 --> 00:00:53,800
Speaker 4: Mistress Amanda's miss Killer.

18
00:00:54,480 --> 00:00:56,040
Speaker 5: Amanda doesn't work alone.

19
00:00:57,560 --> 00:00:59,960
Speaker 4: Good friend is in a back room making the tools

20
00:01:00,080 --> 00:01:00,560
Speaker 4: of the train.

21
00:01:00,640 --> 00:01:03,400
Speaker 6: I've heard them describe him as a drunken idiot.

22
00:01:04,840 --> 00:01:07,959
Speaker 4: The legendary part jonesy Amanda.

23
00:01:07,600 --> 00:01:12,520
Speaker 1: The Actress, Congratulations Murder we're there right now, Jersey and Amanda,

24
00:01:12,600 --> 00:01:13,600
Speaker 1: you're doing a great job.

25
00:01:14,800 --> 00:01:18,800
Speaker 4: Anyone that selfie giant now the good radio.

26
00:01:19,040 --> 00:01:25,560
Speaker 7: Sorry, but of a total tongue twist set Amanda, Shoot.

27
00:01:25,280 --> 00:01:27,160
Speaker 8: Timy, we're on the air.

28
00:01:27,640 --> 00:01:29,119
Speaker 2: Hello, how are you today?

29
00:01:29,360 --> 00:01:31,840
Speaker 1: Well, I've woken to hear the sad news that Les

30
00:01:31,920 --> 00:01:34,080
Speaker 1: McEwen from the Basity Rollers has passed away.

31
00:01:34,160 --> 00:01:35,600
Speaker 2: The bass player, wasn't he?

32
00:01:35,600 --> 00:01:36,479
Speaker 1: He's the lead singer?

33
00:01:36,959 --> 00:01:37,319
Speaker 2: Okay?

34
00:01:37,600 --> 00:01:37,880
Speaker 1: Wow?

35
00:01:38,040 --> 00:01:40,400
Speaker 2: Did he play the bass as well? I wasn't much

36
00:01:40,400 --> 00:01:43,039
Speaker 2: of a Basity roll As fan because I'm a man.

37
00:01:43,319 --> 00:01:46,080
Speaker 1: Well, I wasn't a huge fan, but I'm completely in

38
00:01:46,120 --> 00:01:49,240
Speaker 1: the drop zone of the era. That was some of

39
00:01:49,280 --> 00:01:52,320
Speaker 1: my friends, some of the girls at school.

40
00:01:51,760 --> 00:01:52,080
Speaker 9: It was.

41
00:01:52,440 --> 00:01:55,560
Speaker 1: They were huge. We're going to talk about them later

42
00:01:55,640 --> 00:01:57,880
Speaker 1: on the show, and about the passing of the innit's.

43
00:01:57,640 --> 00:01:58,640
Speaker 2: Do you remember the chan.

44
00:02:01,080 --> 00:02:03,520
Speaker 1: The name wrong? Kewans a novelist who is still a

45
00:02:03,520 --> 00:02:04,200
Speaker 1: lot of last time.

46
00:02:04,240 --> 00:02:08,040
Speaker 2: I just wake it up. I'm okay. What was the

47
00:02:08,160 --> 00:02:10,239
Speaker 2: chance b A y B A y B A y

48
00:02:10,360 --> 00:02:12,040
Speaker 2: c I T y B c R.

49
00:02:12,160 --> 00:02:15,840
Speaker 1: Is it for basically Rollers? I don't know, tell you

50
00:02:15,880 --> 00:02:17,079
Speaker 1: what you do know. We've got a.

51
00:02:17,040 --> 00:02:18,640
Speaker 2: Parcel top Apart from the mail.

52
00:02:18,960 --> 00:02:21,040
Speaker 1: Oh no, we don't need to go to all this need.

53
00:02:21,080 --> 00:02:24,440
Speaker 10: A rain, nor snow, nor sleet, nor dark of night

54
00:02:24,720 --> 00:02:28,440
Speaker 10: shall stop the mail getting through to the mailbag.

55
00:02:30,520 --> 00:02:33,279
Speaker 2: Yeah, so here we are and Jimmy and the millennials.

56
00:02:33,320 --> 00:02:35,800
Speaker 1: Sorry, it's just it's not a male, it's it's a package.

57
00:02:36,200 --> 00:02:38,120
Speaker 1: Were you actually you're trying to open it?

58
00:02:38,720 --> 00:02:39,840
Speaker 2: Well, hang on, we're going to do this right. If

59
00:02:39,840 --> 00:02:41,200
Speaker 2: we're going to do a job, we do it right.

60
00:02:41,360 --> 00:02:43,320
Speaker 2: What sort of package you know? Is it smaller?

61
00:02:43,520 --> 00:02:45,120
Speaker 1: Small, smaller meat, smaller medium?

62
00:02:45,240 --> 00:02:46,080
Speaker 2: It looks like small.

63
00:02:47,200 --> 00:02:53,640
Speaker 1: Is it small like your career trajectory? Jimmy, let the

64
00:02:53,720 --> 00:02:58,079
Speaker 1: boy speak. I think it's I think it's safe to

65
00:02:58,120 --> 00:02:58,840
Speaker 1: say it's small.

66
00:02:58,639 --> 00:03:00,000
Speaker 2: To medium like my.

67
00:03:03,080 --> 00:03:06,400
Speaker 10: Snow, nor sleet nor the dark of night shall stop

68
00:03:06,480 --> 00:03:10,200
Speaker 10: the mail getting through to the small to medium package.

69
00:03:10,720 --> 00:03:12,360
Speaker 1: This is where it ends. I'm opening it.

70
00:03:12,520 --> 00:03:16,760
Speaker 2: You've better make a manner a cup of team Oh Lork.

71
00:03:16,560 --> 00:03:19,640
Speaker 1: It's from Kelly Ferry. We are coming up to Anzac

72
00:03:19,720 --> 00:03:23,440
Speaker 1: Day every year. Kelly makes the most delicious Hans business.

73
00:03:23,480 --> 00:03:26,079
Speaker 2: Been with us as a listener since day one. She's

74
00:03:26,120 --> 00:03:28,040
Speaker 2: the one when we first started and they said we

75
00:03:28,200 --> 00:03:28,959
Speaker 2: never make it.

76
00:03:29,200 --> 00:03:30,080
Speaker 1: Well that's two of us.

77
00:03:30,080 --> 00:03:32,000
Speaker 2: I think Kelly was the first person said we never

78
00:03:32,000 --> 00:03:33,720
Speaker 2: make it. But she's stuck with us the whole time.

79
00:03:34,639 --> 00:03:36,920
Speaker 1: She's written here, welcome back on air because we were

80
00:03:36,960 --> 00:03:39,720
Speaker 1: away last week, missed you both hearing your funny banter.

81
00:03:40,280 --> 00:03:44,800
Speaker 1: As you can see a surprise edition. I remember Jones

82
00:03:44,800 --> 00:03:50,960
Speaker 1: are talking about these the package as well, the best

83
00:03:50,960 --> 00:03:53,200
Speaker 1: ones I've ever had. Nowhere else comes close.

84
00:03:53,400 --> 00:03:53,920
Speaker 2: What is it?

85
00:03:55,280 --> 00:04:00,760
Speaker 1: All right? Let's see I like this. It's a donut.

86
00:04:00,920 --> 00:04:04,440
Speaker 2: No way, don't tell me what. Let me open that up.

87
00:04:05,960 --> 00:04:07,640
Speaker 1: Smell, smell.

88
00:04:08,400 --> 00:04:09,840
Speaker 2: Oh it's a pineapple donut.

89
00:04:10,080 --> 00:04:14,600
Speaker 1: Sure, yeah, good a Norman Gunston your sweet pineapple donuts.

90
00:04:15,920 --> 00:04:17,440
Speaker 1: How comes she knew to send you these?

91
00:04:17,720 --> 00:04:19,560
Speaker 2: Oh my god, how good a lie?

92
00:04:19,920 --> 00:04:20,240
Speaker 4: Really?

93
00:04:23,160 --> 00:04:25,160
Speaker 2: Oh yeah?

94
00:04:25,440 --> 00:04:26,839
Speaker 1: Really a pineapple donut?

95
00:04:27,480 --> 00:04:29,119
Speaker 2: Yeah, it's such a flashback. Take a bite.

96
00:04:29,160 --> 00:04:31,360
Speaker 1: I'm going to stick with the Anzac Day biscuits if that's.

97
00:04:31,200 --> 00:04:31,680
Speaker 2: A right man.

98
00:04:31,760 --> 00:04:33,920
Speaker 1: That's so good, Kelly, thank you.

99
00:04:34,240 --> 00:04:35,200
Speaker 2: Wow, she's great.

100
00:04:35,360 --> 00:04:38,200
Speaker 1: We don't normally, as we say, have food sent in

101
00:04:38,240 --> 00:04:40,960
Speaker 1: from people just in case people don't like us.

102
00:04:41,080 --> 00:04:41,960
Speaker 2: We don't encourage you.

103
00:04:41,960 --> 00:04:43,120
Speaker 1: You never know what be in there.

104
00:04:43,160 --> 00:04:45,320
Speaker 2: We've got the LSD Laden cake. You thought you were

105
00:04:45,400 --> 00:04:50,120
Speaker 2: Jesus Christ for two days. I'd like that again that

106
00:04:50,400 --> 00:04:53,640
Speaker 2: Thank you, Kelly, Thank you Kelly. Actually pact show today.

107
00:04:53,640 --> 00:04:55,159
Speaker 2: We got ten thousand dollars with a head jam. We

108
00:04:55,160 --> 00:04:57,039
Speaker 2: can't do anything till we do the Magnificent seven.

109
00:04:57,160 --> 00:05:01,160
Speaker 1: Question one what does d I why? Stand for?

110
00:05:03,920 --> 00:05:06,800
Speaker 2: Podcast? We have the magnificent seven? There are seven questions?

111
00:05:06,800 --> 00:05:08,159
Speaker 2: Can you go all the way and answer all seven

112
00:05:08,240 --> 00:05:10,559
Speaker 2: questions correctly? If you do that, we go yay you.

113
00:05:10,839 --> 00:05:12,480
Speaker 2: But it's about getting questions seven right.

114
00:05:12,720 --> 00:05:17,000
Speaker 1: Matthew's in Castle Hill. Hello, Matthew, Hi hello. Question one

115
00:05:17,000 --> 00:05:19,599
Speaker 1: for you do I why? What does it stand for?

116
00:05:21,080 --> 00:05:22,000
Speaker 7: Do it yourself?

117
00:05:22,000 --> 00:05:23,320
Speaker 1: That's it great?

118
00:05:23,360 --> 00:05:25,360
Speaker 2: Do it yourself show is the living Room, which is

119
00:05:25,400 --> 00:05:25,800
Speaker 2: back on.

120
00:05:25,760 --> 00:05:28,680
Speaker 1: TV tonight, Thank you very much, seven thirty tonight on

121
00:05:28,760 --> 00:05:29,280
Speaker 1: Channal ten.

122
00:05:29,400 --> 00:05:30,599
Speaker 2: What have we got on the show today?

123
00:05:30,720 --> 00:05:32,640
Speaker 1: Lots of incredible things.

124
00:05:34,880 --> 00:05:38,720
Speaker 2: Like someone hasn't read the synopsis today? What are you doing?

125
00:05:39,279 --> 00:05:40,599
Speaker 1: I don't remember? What's on tonight?

126
00:05:40,680 --> 00:05:44,240
Speaker 2: About you building something? Miguel will be cooking something.

127
00:05:44,320 --> 00:05:46,600
Speaker 1: Yes, Miguel makes dumplings.

128
00:05:46,680 --> 00:05:47,000
Speaker 2: I love that.

129
00:05:47,920 --> 00:05:50,280
Speaker 1: Chris does a whole lot of stuff with releasing some

130
00:05:51,000 --> 00:05:55,000
Speaker 1: Tasmanian devils right back into the wild.

131
00:05:54,800 --> 00:05:56,080
Speaker 2: And what are you doing?

132
00:05:56,120 --> 00:05:59,000
Speaker 1: I can't remember. Just goofing off, goofing off, I'm there.

133
00:05:59,360 --> 00:06:04,440
Speaker 2: Question two golden harpy and crowned or all types of

134
00:06:04,440 --> 00:06:05,080
Speaker 2: which bird?

135
00:06:05,120 --> 00:06:12,960
Speaker 1: Matthew h golden harpy, crowned. I'll put another one in

136
00:06:13,000 --> 00:06:17,920
Speaker 1: their bald? Do you being known as that one? Yes,

137
00:06:17,960 --> 00:06:23,440
Speaker 1: they're eagles. Let's play they're not so secret sound older.

138
00:06:24,800 --> 00:06:28,039
Speaker 1: So what happens here is as opposed to the quirky,

139
00:06:28,120 --> 00:06:31,120
Speaker 1: difficult secret sounds, these are not so secret sounds. So

140
00:06:31,360 --> 00:06:39,280
Speaker 1: what is this the sound of Matthew? What do you

141
00:06:39,360 --> 00:06:39,839
Speaker 1: think that is?

142
00:06:42,200 --> 00:06:43,039
Speaker 11: Like a compute?

143
00:06:44,080 --> 00:06:48,400
Speaker 1: Say again, a computer keyboard.

144
00:06:47,600 --> 00:06:51,800
Speaker 2: Someone typing in the TV show Seinfeld? What is Kramer's

145
00:06:51,839 --> 00:06:57,480
Speaker 2: first name? That's Cousmoke Cramer, Matthew, you're getting help?

146
00:06:59,120 --> 00:07:04,839
Speaker 1: No, Matthew, do you need help? Question five? The Titanic

147
00:07:04,920 --> 00:07:10,119
Speaker 1: sank while traveling to which city or New York?

148
00:07:10,960 --> 00:07:11,480
Speaker 9: In New York?

149
00:07:11,720 --> 00:07:12,440
Speaker 2: Was going to New York?

150
00:07:12,520 --> 00:07:12,640
Speaker 4: Now?

151
00:07:12,680 --> 00:07:14,680
Speaker 1: I regret giving you that clue for question two?

152
00:07:15,640 --> 00:07:20,360
Speaker 2: You understand through. Les McKeon was best known as lead

153
00:07:20,400 --> 00:07:22,560
Speaker 2: singer of what rock band?

154
00:07:23,440 --> 00:07:23,760
Speaker 11: Sorry?

155
00:07:23,840 --> 00:07:29,360
Speaker 2: What was the name again, Les McKeon, McKeon, mcken, McEwen,

156
00:07:31,160 --> 00:07:35,360
Speaker 2: pardon city, Yes, Bay City Rollies.

157
00:07:36,280 --> 00:07:39,760
Speaker 1: Don't don't laugh, Brendan, I know, but still we pay

158
00:07:39,760 --> 00:07:42,400
Speaker 1: homage and we will be paying on. I've just heard

159
00:07:42,440 --> 00:07:43,840
Speaker 1: this morning that Let's has passed away.

160
00:07:44,040 --> 00:07:46,040
Speaker 2: Yeah, your voice is cracking with emotions.

161
00:07:46,360 --> 00:07:48,440
Speaker 1: Question number seven do you got to be all the way?

162
00:07:48,480 --> 00:07:53,239
Speaker 1: Matt Are you ready for the accolades? Matt Yeah? Questions seven.

163
00:07:53,760 --> 00:07:57,960
Speaker 1: Hillary Duff has been cast a star in the How

164
00:07:58,000 --> 00:08:01,160
Speaker 1: I Met Your Mother sequel? What is the sequel called.

165
00:08:02,400 --> 00:08:03,440
Speaker 12: How I've Met your Father?

166
00:08:03,680 --> 00:08:04,520
Speaker 11: How I Met your Father?

167
00:08:04,800 --> 00:08:08,560
Speaker 1: Wow? You deserve to be today's winner.

168
00:08:08,600 --> 00:08:12,400
Speaker 2: Congratulations to you. The prizes row and rained down upon you.

169
00:08:12,400 --> 00:08:14,560
Speaker 2: A double past the award winning music will come Far

170
00:08:15,120 --> 00:08:18,680
Speaker 2: From Away, opening at Sydney's Capital Theater This Tune tickets

171
00:08:18,680 --> 00:08:21,160
Speaker 2: on sale now one hundred dollars, Visa gift card and

172
00:08:21,280 --> 00:08:23,360
Speaker 2: Jones Nomanic Coach Juice for the color in some State

173
00:08:23,360 --> 00:08:26,080
Speaker 2: of the Pets of Matthew. Because you're all the way, Matthew,

174
00:08:26,400 --> 00:08:35,160
Speaker 2: you get a carton of your favorite beer. Being a youngster,

175
00:08:35,160 --> 00:08:37,280
Speaker 2: you're probably like one of those fruity hips to you.

176
00:08:39,800 --> 00:08:43,040
Speaker 1: Thanks, Matthew, Thank you, Matthew. Does this mean you get

177
00:08:43,040 --> 00:08:43,840
Speaker 1: to do a big fact?

178
00:08:44,080 --> 00:08:46,240
Speaker 2: Yeah? Of course. When there's a hole to fill on

179
00:08:46,280 --> 00:08:47,520
Speaker 2: the show. You get a.

180
00:08:47,440 --> 00:08:49,560
Speaker 1: Big fact is radio putty.

181
00:08:51,440 --> 00:08:54,520
Speaker 2: Matthew went all the way in the Magnificent seven. That

182
00:08:54,720 --> 00:08:57,720
Speaker 2: means that there is a gaping hole in our radio program.

183
00:08:57,800 --> 00:08:59,839
Speaker 1: And what do we fill gaping holes with?

184
00:09:00,320 --> 00:09:00,400
Speaker 8: This?

185
00:09:01,200 --> 00:09:05,720
Speaker 6: Okay, it's the big fact and it's not crazy Angel

186
00:09:06,200 --> 00:09:07,360
Speaker 6: on airvault.

187
00:09:08,400 --> 00:09:17,040
Speaker 13: By Nimai that's on grade.

188
00:09:17,760 --> 00:09:21,040
Speaker 2: In the Austro Prussian War of eighteen sixty eight, the

189
00:09:21,200 --> 00:09:26,520
Speaker 2: tiny European nation of Lichenstein Lichtenstein, okay, sent eighty soldiers

190
00:09:26,800 --> 00:09:29,760
Speaker 2: and eighty one returned as one of them had made

191
00:09:29,760 --> 00:09:34,360
Speaker 2: a friend. Isn't that nice? It's we could take a

192
00:09:34,440 --> 00:09:36,960
Speaker 2: leaf out of Lichtenstein, as you call it.

193
00:09:37,520 --> 00:09:39,560
Speaker 1: I don't call it that. That's what it's called. I

194
00:09:39,600 --> 00:09:42,760
Speaker 1: think it could be making it up. Yeah, okay, it's

195
00:09:42,760 --> 00:09:46,920
Speaker 1: the big bag, and it's not credit until they got on,

196
00:09:50,080 --> 00:09:51,200
Speaker 1: friends are being made in here.

197
00:09:51,400 --> 00:09:55,160
Speaker 2: The thing is, it's Jonesy's big fact. It's not Jones's

198
00:09:55,200 --> 00:09:58,240
Speaker 2: big fact with extraneous information from Amanda.

199
00:09:58,480 --> 00:10:03,760
Speaker 1: Yeah, but it's fact. You know, let's not fight. It's Friday.

200
00:10:04,120 --> 00:10:04,760
Speaker 2: I'm not fighting.

201
00:10:05,160 --> 00:10:07,439
Speaker 1: Actually, fight for your flashback is on today. It's always

202
00:10:07,480 --> 00:10:09,959
Speaker 1: a little bit feisty on a Friday.

203
00:10:10,040 --> 00:10:12,520
Speaker 2: Yep, yep. Richard Clacton's going to be swinging by. He's

204
00:10:12,520 --> 00:10:15,800
Speaker 2: got a new album called Music Is Love, and they've

205
00:10:15,840 --> 00:10:18,800
Speaker 2: sent us a copy of the album like an old

206
00:10:18,840 --> 00:10:19,520
Speaker 2: school record.

207
00:10:19,800 --> 00:10:21,040
Speaker 1: We've got a record player.

208
00:10:21,200 --> 00:10:22,840
Speaker 2: What we'll do is go rich it in here. We'll

209
00:10:22,880 --> 00:10:25,079
Speaker 2: sit cross legged on the floor and play the record.

210
00:10:25,200 --> 00:10:27,199
Speaker 1: Also, we will pay tribute to Les McEwen from the

211
00:10:27,200 --> 00:10:28,680
Speaker 1: bas City Rollers, who's passed away.

212
00:10:28,960 --> 00:10:37,440
Speaker 14: Jonesy and Amanda Gamation podcast.

213
00:10:35,480 --> 00:10:39,240
Speaker 2: Turn It on, Big Gemmenacker is our big book of

214
00:10:39,320 --> 00:10:42,040
Speaker 2: musical facts. On this day. In nineteen seventy one, the

215
00:10:42,120 --> 00:10:45,440
Speaker 2: Rolling Stones released their classic album Sticky Fingers.

216
00:10:45,679 --> 00:10:47,839
Speaker 1: You remember the cover of Sticky Do you remember it

217
00:10:47,880 --> 00:10:51,160
Speaker 1: didn't have a zipper? Designed by Andy Warhol? Really?

218
00:10:51,480 --> 00:10:54,520
Speaker 2: You know how much he was paid for that? A million,

219
00:10:54,720 --> 00:10:59,360
Speaker 2: fifteen thousand dollars atounds Not really, I think it would

220
00:10:59,400 --> 00:11:01,920
Speaker 2: have been a passion project for Andy liked the Rolling Stones,

221
00:11:02,000 --> 00:11:04,960
Speaker 2: the Rolling Stones liked him. Of course, as you say,

222
00:11:05,320 --> 00:11:07,400
Speaker 2: it had a pair of jeans with the zipper on

223
00:11:07,400 --> 00:11:11,000
Speaker 2: the cover. Some the early copies of it, though, had

224
00:11:11,000 --> 00:11:15,040
Speaker 2: a working zipper, and they're quite rare these days. The

225
00:11:15,080 --> 00:11:19,440
Speaker 2: great idea because Andy suggested about the cover and then

226
00:11:19,520 --> 00:11:23,760
Speaker 2: mix it. Basically, why we pulled a working zipper.

227
00:11:23,520 --> 00:11:25,400
Speaker 1: And these days they'd put some velcrow.

228
00:11:26,280 --> 00:11:27,720
Speaker 2: You don't want velcrow down there?

229
00:11:28,600 --> 00:11:29,920
Speaker 1: No, you get your hairs cooled.

230
00:11:30,679 --> 00:11:31,560
Speaker 2: It was the seventies.

231
00:11:31,559 --> 00:11:32,040
Speaker 1: There's a light.

232
00:11:33,280 --> 00:11:37,000
Speaker 2: So problem with that was that the zipper would be

233
00:11:37,040 --> 00:11:40,400
Speaker 2: scratching the vinyl and a lot of people complained that

234
00:11:40,600 --> 00:11:43,760
Speaker 2: the record was being damaged by the zipper. So what

235
00:11:43,840 --> 00:11:47,160
Speaker 2: they did They went back to the manufacturer. Dozens of

236
00:11:47,240 --> 00:11:53,040
Speaker 2: workers had to spend hundreds of hours unzipping mixed crotch

237
00:11:53,120 --> 00:11:53,720
Speaker 2: on the cover.

238
00:11:54,559 --> 00:11:55,560
Speaker 1: And what did they come up with?

239
00:11:56,600 --> 00:11:58,240
Speaker 2: They had to do it halfway down?

240
00:11:59,559 --> 00:11:59,920
Speaker 1: What do you mean?

241
00:12:00,360 --> 00:12:03,000
Speaker 2: The zip had to go halfway down? So not also

242
00:12:03,160 --> 00:12:05,280
Speaker 2: in the middle of the record label. It's got the

243
00:12:05,679 --> 00:12:08,800
Speaker 2: s Okay, the zip had to sit on that right.

244
00:12:09,000 --> 00:12:11,079
Speaker 2: That's how used to explain it to Jerry when he

245
00:12:11,200 --> 00:12:14,040
Speaker 2: come home. I'll be working on it.

246
00:12:15,640 --> 00:12:16,319
Speaker 1: Anyway.

247
00:12:16,640 --> 00:12:19,240
Speaker 2: Why don't we play a track from the Rolling Stones

248
00:12:19,280 --> 00:12:20,319
Speaker 2: album brown Sugar?

249
00:12:20,400 --> 00:12:23,400
Speaker 1: I love that from Sticky Sticky Fingers.

250
00:12:23,400 --> 00:12:24,360
Speaker 2: I've given her a lie, haven't I.

251
00:12:24,400 --> 00:12:26,520
Speaker 1: We're playing brown Sugar. We're playing Brown Sugar.

252
00:12:28,120 --> 00:12:29,400
Speaker 2: Oh, there's someone at the door.

253
00:12:31,520 --> 00:12:37,480
Speaker 1: It's Station Gust. Hello, I know where you're humming that song.

254
00:12:38,040 --> 00:12:40,520
Speaker 1: Very sad to hear that Lesbieth Kewan has passed away,

255
00:12:41,000 --> 00:12:43,200
Speaker 1: lead singer of Basity Rollers. I guess he's made it

256
00:12:43,240 --> 00:12:44,679
Speaker 1: to heaven already.

257
00:12:45,440 --> 00:12:46,120
Speaker 2: I wasn't aware.

258
00:12:46,120 --> 00:12:48,120
Speaker 13: I'm just a big fan of the band. I'll keep an.

259
00:12:48,080 --> 00:12:49,719
Speaker 2: Eye up for him, though, I tell you what, you

260
00:12:49,800 --> 00:12:51,439
Speaker 2: must have been flat out. There's a lot of people

261
00:12:51,520 --> 00:12:53,600
Speaker 2: been coming into the afterlife.

262
00:12:53,000 --> 00:12:55,360
Speaker 1: That's right, Like Prince Philip. How's he settling in?

263
00:12:55,520 --> 00:12:59,040
Speaker 13: Oh, Prince Philip, he's a laugh. Although I will say

264
00:12:59,080 --> 00:13:01,559
Speaker 13: this he called the boss of son a sound of

265
00:13:01,720 --> 00:13:04,839
Speaker 13: wearing hippie the other day. I could have got even

266
00:13:04,920 --> 00:13:08,120
Speaker 13: do a bit of trouble anyway, Better go, cousin. It

267
00:13:08,200 --> 00:13:10,760
Speaker 13: is just a ride. I've gotta get out the dust buster.

268
00:13:11,000 --> 00:13:15,199
Speaker 13: All that hair you see sheds everywhere. Also, this is strange.

269
00:13:15,440 --> 00:13:18,760
Speaker 13: A large coy fish has just arrived as well.

270
00:13:18,920 --> 00:13:22,320
Speaker 1: That'd be Ralph. That was Jonesy's No, I don't think

271
00:13:22,360 --> 00:13:24,800
Speaker 1: that's more. And can we talk to Ralph to find

272
00:13:24,800 --> 00:13:26,079
Speaker 1: out what really?

273
00:13:26,800 --> 00:13:30,040
Speaker 13: Quite easily, Nice Station guys, It's okay.

274
00:13:30,200 --> 00:13:32,000
Speaker 2: It's not a problem that I can do anything else

275
00:13:32,280 --> 00:13:33,040
Speaker 2: from my nice stage.

276
00:13:33,040 --> 00:13:35,000
Speaker 1: You guys, Look, I'm doing no thank you, off you go.

277
00:13:35,440 --> 00:13:37,040
Speaker 13: You can't shut the door on me, and I'm a

278
00:13:37,120 --> 00:13:38,240
Speaker 13: ghol stuff everywhere.

279
00:13:37,960 --> 00:13:40,520
Speaker 2: On anyway stage you guys, I'm just gonna turn your microphone.

280
00:13:40,600 --> 00:13:42,520
Speaker 2: I don't need microphones. I'm still here as you can say,

281
00:13:42,520 --> 00:13:44,559
Speaker 2: station goes. Can you just please go? It's just getting

282
00:13:44,640 --> 00:13:45,160
Speaker 2: very awkward.

283
00:13:45,559 --> 00:13:46,800
Speaker 1: Jones killed Ralph.

284
00:13:47,320 --> 00:13:50,040
Speaker 2: I did not kill Ralph. Sounds like you've got other

285
00:13:50,080 --> 00:13:51,880
Speaker 2: fish to fry. Goodbye.

286
00:13:53,800 --> 00:13:55,680
Speaker 1: You don't want to hear what Ralph has to say.

287
00:13:55,800 --> 00:13:57,880
Speaker 1: It's funny we gottas to speak to Prince Philip, but

288
00:13:57,960 --> 00:13:59,880
Speaker 1: now we said, can we can you put Ralph on?

289
00:14:00,240 --> 00:14:03,160
Speaker 1: We talk to a fish.

290
00:14:03,200 --> 00:14:05,440
Speaker 2: This week we saw the passing of one of the

291
00:14:05,440 --> 00:14:10,320
Speaker 2: great songwriters, Jim Steinman. He was the driving force behind Meatloaf,

292
00:14:10,520 --> 00:14:13,960
Speaker 2: but also many other artists. Today's five few flashback Jim

293
00:14:14,040 --> 00:14:19,920
Speaker 2: Steinman collaborations without Meatloaf play well the Management.

294
00:14:19,680 --> 00:14:23,280
Speaker 1: So songs he wrote and produced, but not meat Love.

295
00:14:23,200 --> 00:14:26,560
Speaker 2: For Jim Steinman songs without the meat plant based, it's

296
00:14:26,560 --> 00:14:29,560
Speaker 2: a plant based option. This morning this is yeah, Well,

297
00:14:29,640 --> 00:14:31,480
Speaker 2: I'm not going to play any Jim Steinman songs. I

298
00:14:31,520 --> 00:14:33,480
Speaker 2: don't think because they were pretty bad.

299
00:14:34,160 --> 00:14:36,240
Speaker 1: But weren't we just asked too Yetna, I'm not his

300
00:14:36,840 --> 00:14:37,760
Speaker 1: songs solo?

301
00:14:37,960 --> 00:14:40,600
Speaker 2: Yeah, free you know that rock and roll heaven.

302
00:14:40,680 --> 00:14:43,720
Speaker 1: Oh I've got one bank one's just coming to my

303
00:14:43,760 --> 00:14:44,640
Speaker 1: head bang.

304
00:14:44,680 --> 00:14:45,360
Speaker 2: That scares me.

305
00:14:47,600 --> 00:14:54,160
Speaker 1: Pomcast, Good morning, Joins and Demander is ten thousand dollars?

306
00:14:54,960 --> 00:14:56,920
Speaker 2: Do you have the right answers to our wrong questions?

307
00:14:56,960 --> 00:15:00,000
Speaker 2: Thirteen WSFM is our number. We have ten thousand dollars.

308
00:15:00,320 --> 00:15:02,400
Speaker 1: Here's how it goes. There are trivia questions. You may

309
00:15:02,440 --> 00:15:04,040
Speaker 1: know the answer to the question, but you have to

310
00:15:04,080 --> 00:15:06,000
Speaker 1: answer it in a lag. So I want to ask

311
00:15:06,040 --> 00:15:07,760
Speaker 1: you a question number one. You say nothing, You give

312
00:15:07,760 --> 00:15:08,840
Speaker 1: me the answer to that one. I ask you a

313
00:15:08,880 --> 00:15:10,880
Speaker 1: question number two, and so on until the buzzer goes off.

314
00:15:10,920 --> 00:15:12,680
Speaker 1: The minute you're on, you're out. You can take the

315
00:15:12,720 --> 00:15:15,600
Speaker 1: chickney pants option one hundred dollars for each creecked answer

316
00:15:15,600 --> 00:15:17,600
Speaker 1: along the way. But this has happened. You go all

317
00:15:17,640 --> 00:15:19,680
Speaker 1: the way with the chickney pants, you don't get ten.

318
00:15:19,560 --> 00:15:24,120
Speaker 2: Grand Adam's in Penrith, Hello, Adam, good, how are you?

319
00:15:24,280 --> 00:15:24,760
Speaker 13: What about?

320
00:15:25,040 --> 00:15:28,080
Speaker 2: What about the Penrith Newcastle game? I thought Newcastle is

321
00:15:28,120 --> 00:15:29,480
Speaker 2: going to do Penrith for a bit there.

322
00:15:30,360 --> 00:15:33,880
Speaker 11: Yeah, well we held them out for sixty minutes and

323
00:15:33,920 --> 00:15:37,240
Speaker 11: then just they I think they ran out of juice

324
00:15:37,280 --> 00:15:39,440
Speaker 11: made it's too much on offer.

325
00:15:39,920 --> 00:15:42,160
Speaker 1: I didn't watch it last night, so be one hearing

326
00:15:42,160 --> 00:15:43,600
Speaker 1: there Newcastle played?

327
00:15:43,880 --> 00:15:44,160
Speaker 11: Was there?

328
00:15:45,000 --> 00:15:45,520
Speaker 2: You were there?

329
00:15:46,440 --> 00:15:47,000
Speaker 11: I was there.

330
00:15:47,840 --> 00:15:50,280
Speaker 1: Well, let's see if you can push your celebrations a

331
00:15:50,320 --> 00:15:53,880
Speaker 1: little bit further, Adam, how would you like to play today?

332
00:15:54,520 --> 00:15:58,040
Speaker 11: I was thinking of going the ten thousand dollars.

333
00:15:57,720 --> 00:16:00,880
Speaker 1: And I reckon, okay, let's do it man, you're playing

334
00:16:00,880 --> 00:16:03,360
Speaker 1: for ten thousand dollars. Adam, good luck, here we go.

335
00:16:04,080 --> 00:16:04,520
Speaker 11: Thank you.

336
00:16:05,000 --> 00:16:07,240
Speaker 1: What's the largest planet in our solar system? What's the

337
00:16:07,320 --> 00:16:09,560
Speaker 1: highest number of Michelin stars a restaurant can receive?

338
00:16:11,200 --> 00:16:11,520
Speaker 11: Jupiter?

339
00:16:11,720 --> 00:16:14,280
Speaker 1: In what film series? Did Samuel play Doctor Alan Grant?

340
00:16:15,760 --> 00:16:17,080
Speaker 11: And I didn't get that second question.

341
00:16:19,600 --> 00:16:22,960
Speaker 1: It's a long time to sit out now. He's not

342
00:16:22,960 --> 00:16:23,760
Speaker 1: going to make it now.

343
00:16:24,680 --> 00:16:26,480
Speaker 11: No, I can't remember what it was.

344
00:16:28,040 --> 00:16:30,040
Speaker 1: You've got the first one right. The second one was

345
00:16:30,080 --> 00:16:33,080
Speaker 1: what's the highest number of Michelin stars a restaurant can receive?

346
00:16:35,680 --> 00:16:36,600
Speaker 11: Hives?

347
00:16:36,840 --> 00:16:39,640
Speaker 2: No, it's and you know it's true, it's because of

348
00:16:39,680 --> 00:16:41,040
Speaker 2: the Michelin entire people.

349
00:16:41,440 --> 00:16:44,240
Speaker 1: Yeah, do you know that. I don't know why they

350
00:16:44,040 --> 00:16:45,520
Speaker 1: were encouraged.

351
00:16:45,160 --> 00:16:48,280
Speaker 2: In the early days of when the automobile started and

352
00:16:48,360 --> 00:16:51,240
Speaker 2: tires and people were buying cars. The Michel entire people

353
00:16:51,280 --> 00:16:54,160
Speaker 2: would rate a restaurant how far it was worth driving

354
00:16:54,200 --> 00:16:57,160
Speaker 2: your car to really how they got the start?

355
00:16:57,320 --> 00:17:02,880
Speaker 1: That's you knowing thing? Go right, well, Adam, I'm sorry.

356
00:17:03,120 --> 00:17:05,840
Speaker 2: That's okayan, mate, that's something.

357
00:17:06,240 --> 00:17:06,800
Speaker 8: Yeah, that's it.

358
00:17:06,840 --> 00:17:07,520
Speaker 11: We're going well.

359
00:17:07,640 --> 00:17:10,399
Speaker 2: Yeah, you're doing.

360
00:17:10,640 --> 00:17:16,960
Speaker 1: Yeah, you know, we've I got a few injuries. Yeah,

361
00:17:17,040 --> 00:17:19,119
Speaker 1: see hore we go. You have a good thrank you Adam.

362
00:17:19,440 --> 00:17:22,120
Speaker 1: We're coming up next. Thank you. It's Fight for Your

363
00:17:22,119 --> 00:17:25,639
Speaker 1: Flashback Jim Steinman songs without the Meat. He's not his

364
00:17:25,760 --> 00:17:28,280
Speaker 1: meat Loaf songs.

365
00:17:35,080 --> 00:17:39,479
Speaker 2: Fight for Your Flashback. Two songs end up, one song leaves.

366
00:17:39,600 --> 00:17:41,720
Speaker 2: This week we saw the passing of one of the

367
00:17:41,720 --> 00:17:45,680
Speaker 2: great songwriters, Jim Steinman. He was the driving force behind

368
00:17:45,720 --> 00:17:48,440
Speaker 2: Meat Life, but also many other artists. Today's five few

369
00:17:48,440 --> 00:17:53,520
Speaker 2: flashback Jim Steinman collaborations without meat Life play well the management.

370
00:17:53,520 --> 00:17:54,879
Speaker 1: He did a lot of work with Meat Life, so

371
00:17:54,960 --> 00:17:57,400
Speaker 1: his songs without the meat. So we're going plant based.

372
00:17:57,440 --> 00:18:00,159
Speaker 2: Based option this morning. I've gone with one and and

373
00:18:00,320 --> 00:18:04,480
Speaker 2: this was written by Jim Steinman, and Steinman offered it

374
00:18:04,560 --> 00:18:09,960
Speaker 2: to Meet Loaf alongside the song Total Eclipse of the Heart.

375
00:18:10,200 --> 00:18:12,960
Speaker 2: They were not able to reach an agreement over finances,

376
00:18:13,200 --> 00:18:15,040
Speaker 2: so Total Clips of the Heart went to.

377
00:18:15,040 --> 00:18:16,919
Speaker 1: Bunniye Tyler, Oh is that what you're playing?

378
00:18:17,119 --> 00:18:21,640
Speaker 2: No, this song went to air supply, making love out

379
00:18:21,680 --> 00:18:22,440
Speaker 2: of nothing at all.

380
00:18:25,040 --> 00:18:28,760
Speaker 5: I know you're just out of whisper, and I know

381
00:18:28,880 --> 00:18:30,639
Speaker 5: I'm just out of cry.

382
00:18:32,040 --> 00:18:35,439
Speaker 1: I know you're just where to find the answers, and

383
00:18:35,600 --> 00:18:36,480
Speaker 1: I know you're just.

384
00:18:36,760 --> 00:18:37,680
Speaker 8: Out of life.

385
00:18:38,800 --> 00:18:46,040
Speaker 1: And I don't know how you do make enough write

386
00:18:46,080 --> 00:18:50,240
Speaker 1: a great song. No love all these songs, I must confess.

387
00:18:50,440 --> 00:18:55,000
Speaker 2: I thought the lead singer was a girl in your Oh.

388
00:18:54,960 --> 00:19:02,879
Speaker 1: I love it. It's so Steinman, isn't it so Steinman?

389
00:19:03,640 --> 00:19:04,399
Speaker 1: You should vote for it?

390
00:19:04,440 --> 00:19:04,680
Speaker 2: A man?

391
00:19:04,840 --> 00:19:07,879
Speaker 1: No, because I've gone with the best Steinman song of

392
00:19:07,920 --> 00:19:13,560
Speaker 1: all time, this song. Meatloafe wanted to record this song

393
00:19:14,040 --> 00:19:17,480
Speaker 1: for years, and Steinman saw it as a woman's song.

394
00:19:18,040 --> 00:19:20,480
Speaker 1: He even won a court movement stopping meat Loaf from

395
00:19:20,480 --> 00:19:23,320
Speaker 1: recording it. I don't think. I don't think Jim and

396
00:19:23,359 --> 00:19:26,560
Speaker 1: Meat got on. Years later, Meat did record this as

397
00:19:26,560 --> 00:19:30,280
Speaker 1: a duet with someone I haven't heard of. Okay, but

398
00:19:30,480 --> 00:19:33,959
Speaker 1: this song, well, it actually went to a band and

399
00:19:34,000 --> 00:19:36,199
Speaker 1: then this woman said, you know what, let me have

400
00:19:36,240 --> 00:19:39,119
Speaker 1: a crack at that, and she made it world famous.

401
00:19:39,119 --> 00:19:42,000
Speaker 1: Celine dion All coming back to me, this is a

402
00:19:42,000 --> 00:19:55,080
Speaker 1: perfect song. No, there were nights when the Bully frozen

403
00:19:55,359 --> 00:20:06,399
Speaker 1: mar If. I just listened to it, right U Jesus, and.

404
00:20:09,359 --> 00:20:09,879
Speaker 10: It was a.

405
00:20:13,600 --> 00:20:21,400
Speaker 1: Makes my bones melt hearing this song, my pet. He said.

406
00:20:21,400 --> 00:20:23,639
Speaker 1: This song was inspired by Wuthering Heights and was an

407
00:20:23,640 --> 00:20:26,480
Speaker 1: attempt to write the most passionate, romantic song you could create.

408
00:20:26,880 --> 00:20:29,520
Speaker 1: He compared it to Heathcliff digging up Kathy's corpse and

409
00:20:29,600 --> 00:20:30,920
Speaker 1: dancing with it in the moonlight.

410
00:20:32,480 --> 00:20:35,840
Speaker 2: How romantic some of these thoughts you keep yourself, Jim,

411
00:20:36,640 --> 00:20:39,120
Speaker 2: come on, let's do not coming on anything. I don't

412
00:20:39,200 --> 00:20:39,399
Speaker 2: like that.

413
00:20:39,840 --> 00:20:42,600
Speaker 1: Give us a call thirteen WSFM, or you can vote

414
00:20:42,640 --> 00:20:45,080
Speaker 1: on our Instagram story at Jonesy and Amanda.

415
00:20:44,760 --> 00:20:50,560
Speaker 2: The game is a foot Jonesy and Amanda in the

416
00:20:50,560 --> 00:20:54,639
Speaker 2: morning one o one point seven WSFM. Hello there you

417
00:20:54,680 --> 00:20:57,760
Speaker 2: fight for your flashback category this morning it's Jim Steinmann

418
00:20:57,880 --> 00:21:00,760
Speaker 2: Songs without the Meat, No collaborations with meat life. I've

419
00:21:00,760 --> 00:21:02,960
Speaker 2: gone with air supply, making love out of nothing at

420
00:21:03,000 --> 00:21:07,200
Speaker 2: all A two fister.

421
00:21:10,800 --> 00:21:13,040
Speaker 1: I do like that song, but this is your ultimate

422
00:21:13,040 --> 00:21:15,879
Speaker 1: two fister, Celine dion All coming back to me.

423
00:21:23,600 --> 00:21:23,879
Speaker 8: It was.

424
00:21:27,200 --> 00:21:28,800
Speaker 2: Kim is in Plumpton.

425
00:21:29,119 --> 00:21:33,120
Speaker 1: Hi, Kim, Hi, how are you this morning? Very well?

426
00:21:34,000 --> 00:21:35,960
Speaker 1: Fear flashback? What would you like to hear?

427
00:21:36,720 --> 00:21:39,520
Speaker 6: I have to say this is the hardest one that

428
00:21:39,560 --> 00:21:44,119
Speaker 6: you've ever put out there, both hugely powerful songs. Sorry,

429
00:21:44,119 --> 00:21:46,520
Speaker 6: but I've got to go with Jonesy today air Supply.

430
00:21:47,040 --> 00:21:48,520
Speaker 6: My wedding song was air Supply?

431
00:21:49,160 --> 00:21:50,760
Speaker 1: Which song? Which one did you have?

432
00:21:52,280 --> 00:21:53,920
Speaker 5: I think it was even the nights were better?

433
00:21:54,119 --> 00:21:57,920
Speaker 1: Oh, even the nights were better? Isn't that same?

434
00:21:58,000 --> 00:21:59,040
Speaker 15: Even the nights far better?

435
00:21:59,080 --> 00:22:07,960
Speaker 1: Sorry, makes all the difference. Thank you, Kim. We'll take

436
00:22:07,960 --> 00:22:10,720
Speaker 1: more of your votes next thirteen WSFM, or you can

437
00:22:10,760 --> 00:22:17,040
Speaker 1: go to our Instagram story at Jones and Amanda Podcast.

438
00:22:17,160 --> 00:22:19,080
Speaker 2: We're in a five for your flashback. It's all about

439
00:22:19,160 --> 00:22:21,600
Speaker 2: Jim Steinmann songs without the meat.

440
00:22:21,920 --> 00:22:23,720
Speaker 1: See, he did a lot of songs with meat Life,

441
00:22:23,720 --> 00:22:25,919
Speaker 1: but we've been asked to choose songs where he didn't

442
00:22:27,119 --> 00:22:30,080
Speaker 1: perform them with Meat Life or Meatloaf. Isn't singing them?

443
00:22:30,240 --> 00:22:34,199
Speaker 2: You've gone withest before we get to that.

444
00:22:34,880 --> 00:22:37,840
Speaker 1: I've gone with the song that Meatloaf wanted, but Steinman

445
00:22:37,960 --> 00:22:40,480
Speaker 1: said no and they went to court to prevent meet

446
00:22:40,520 --> 00:22:43,320
Speaker 1: Loaf from recording it. It went to this woman, Celine

447
00:22:43,320 --> 00:22:49,200
Speaker 1: dion Or coming back to me. Ah, it's the perfect song.

448
00:22:51,200 --> 00:22:52,280
Speaker 2: I've gone with a song.

449
00:22:52,359 --> 00:23:02,399
Speaker 16: Now, I've gone with a song that meat Life wanted

450
00:23:02,440 --> 00:23:06,280
Speaker 16: to do as well, but they couldn't reach a financial agreement.

451
00:23:06,320 --> 00:23:08,520
Speaker 2: I'm starting to think that Jim and Meatlife might not

452
00:23:08,560 --> 00:23:09,480
Speaker 2: have got on that well.

453
00:23:09,520 --> 00:23:11,800
Speaker 1: Meat Life sounds like I said, I like that one, Jim,

454
00:23:11,840 --> 00:23:14,719
Speaker 1: I'll having. Jim says, hold horses second, big people who

455
00:23:14,800 --> 00:23:15,640
Speaker 1: might like my song.

456
00:23:15,760 --> 00:23:30,399
Speaker 2: So air Supply said we'll take that.

457
00:23:24,000 --> 00:23:26,679
Speaker 1: Song is too high range for Selene.

458
00:23:27,000 --> 00:23:33,440
Speaker 2: Yeah Russell, the lead singer of Air Supply. When I

459
00:23:33,480 --> 00:23:35,480
Speaker 2: first started in radio, I back announced it and said

460
00:23:35,600 --> 00:23:39,200
Speaker 2: she has a beautiful voice. Studio hotline rang mate, that's

461
00:23:39,240 --> 00:23:48,639
Speaker 2: a god. Ris is in Harrington Park, Hello, Ross, Jersey.

462
00:23:51,440 --> 00:23:52,320
Speaker 2: I'm sad about it.

463
00:23:52,840 --> 00:23:54,919
Speaker 1: I love their supply, but I've got Celene.

464
00:23:55,040 --> 00:23:57,040
Speaker 2: Come on Warren's in Mount Vernon.

465
00:23:56,880 --> 00:23:59,000
Speaker 1: Hi, Warren, fight for your flashback.

466
00:23:59,160 --> 00:24:04,280
Speaker 12: Morning, Janes, Amanda. Look, both songs are lovely. But James,

467
00:24:04,440 --> 00:24:07,320
Speaker 12: I was listening to you yesterday when you were talking

468
00:24:07,359 --> 00:24:10,800
Speaker 12: about that, you weren't You're not a rich winker because

469
00:24:10,880 --> 00:24:11,640
Speaker 12: you've got three.

470
00:24:12,440 --> 00:24:14,040
Speaker 2: Dish washers, thank you.

471
00:24:14,200 --> 00:24:17,480
Speaker 12: Where's the three dish washing tiger? Three dishwashes and I've

472
00:24:17,480 --> 00:24:19,879
Speaker 12: got five toilets and I'm no rich wanker, so no

473
00:24:19,920 --> 00:24:22,359
Speaker 12: good stereo type. But I have a lot of senior

474
00:24:22,400 --> 00:24:24,880
Speaker 12: moments and that Selene Dejon coming back and me now,

475
00:24:25,080 --> 00:24:27,520
Speaker 12: I think that'll have to go to AMANDU this morning.

476
00:24:28,119 --> 00:24:32,720
Speaker 1: On securitest route. But I got that vote. Thank you.

477
00:24:32,800 --> 00:24:34,280
Speaker 2: Warrant thirteen w is a fair?

478
00:24:34,440 --> 00:24:37,400
Speaker 1: Or go to our Instagram story. Jones and Amanda Jonesy

479
00:24:37,400 --> 00:24:40,000
Speaker 1: and Amanda podcast.

480
00:24:47,280 --> 00:24:51,720
Speaker 2: Fight for Your Flashback. Two songs enter, one song leaves.

481
00:24:52,040 --> 00:24:53,760
Speaker 2: This week we saw the passing of one of the

482
00:24:53,800 --> 00:24:56,920
Speaker 2: great songwriters, Jim Steinman by the way, Lesbiecewan, who passed away.

483
00:24:56,920 --> 00:24:59,280
Speaker 2: We just found that out this morning as we came

484
00:24:59,320 --> 00:24:59,960
Speaker 2: to work for the base.

485
00:25:00,359 --> 00:25:02,359
Speaker 1: We will be giving him a tribute after eight o'clock

486
00:25:02,359 --> 00:25:02,800
Speaker 1: this morning.

487
00:25:02,840 --> 00:25:05,240
Speaker 2: In the meantime, it's all about Jim Steiman. He was

488
00:25:05,280 --> 00:25:08,560
Speaker 2: the driving force behind Meatlife, but also many other artists.

489
00:25:08,600 --> 00:25:13,080
Speaker 2: Today's five for your Flashback Jim Steinmon collaborations without Meat

490
00:25:13,080 --> 00:25:15,560
Speaker 2: Life play well the manager have you gone with? I've

491
00:25:15,600 --> 00:25:18,040
Speaker 2: gone with air Supply, making love at and nothing at All.

492
00:25:20,560 --> 00:25:24,080
Speaker 2: Meat wanted this, but Jim and Meet couldn't come to

493
00:25:24,200 --> 00:25:26,520
Speaker 2: terms on a financial recompense.

494
00:25:27,280 --> 00:25:29,879
Speaker 1: I've gone with a song that I just think is

495
00:25:29,920 --> 00:25:32,560
Speaker 1: one of the most perfect songs ever written. This is

496
00:25:32,600 --> 00:25:35,240
Speaker 1: all coming back to me, Celendion.

497
00:25:42,760 --> 00:25:43,040
Speaker 8: It was.

498
00:25:45,280 --> 00:25:48,239
Speaker 1: I just saw on Twitter. Katrina has said, Amanda has

499
00:25:48,320 --> 00:25:51,359
Speaker 1: to win today for your flashback because Sydney traffic needs

500
00:25:51,359 --> 00:25:53,440
Speaker 1: to hear me building out Celendi on in traffic.

501
00:25:53,560 --> 00:25:56,800
Speaker 16: She's saying, I'm sure there's support for me, support for

502
00:25:56,840 --> 00:25:58,199
Speaker 16: me on Twitter, but I don't have my phone in

503
00:25:58,200 --> 00:26:01,399
Speaker 16: the studio because I'm a profession Julie's in Sant Claire.

504
00:26:01,560 --> 00:26:03,400
Speaker 1: Wow, Hello, Julie, how are you?

505
00:26:03,960 --> 00:26:04,520
Speaker 17: I am good?

506
00:26:04,560 --> 00:26:06,720
Speaker 1: Thank you five for your flashback. Julie.

507
00:26:07,440 --> 00:26:09,920
Speaker 5: Look, I went and Saint Celene Live in ninety six

508
00:26:10,040 --> 00:26:13,520
Speaker 5: and it's all coming back to me now to you, Amanda.

509
00:26:13,680 --> 00:26:14,639
Speaker 1: Thank you, Julie.

510
00:26:14,760 --> 00:26:16,280
Speaker 2: Robin's in Bosley Park.

511
00:26:16,080 --> 00:26:19,240
Speaker 1: Fight for your flashback, Robin Morning, there are you going

512
00:26:19,359 --> 00:26:22,040
Speaker 1: very well? Thank you both great.

513
00:26:21,760 --> 00:26:23,639
Speaker 12: Picks, but I'm going to have to go with Jones

514
00:26:24,040 --> 00:26:26,560
Speaker 12: good Man it was like a Friday, so, to be.

515
00:26:26,520 --> 00:26:29,800
Speaker 2: Honest, it is a Friday song. It is a Friday.

516
00:26:29,760 --> 00:26:31,640
Speaker 1: I never thought you'd put up an air supply song.

517
00:26:33,040 --> 00:26:35,160
Speaker 1: Kate's in barrel, Fight for your flashback, Kate.

518
00:26:35,960 --> 00:26:38,840
Speaker 5: Okay, it's got to be saloon all the way. Sorry, guys,

519
00:26:39,160 --> 00:26:40,160
Speaker 5: it's beautiful.

520
00:26:41,280 --> 00:26:42,000
Speaker 1: It is a beautiful.

521
00:26:42,040 --> 00:26:47,120
Speaker 2: So you're apologizing. Apologize to the environs of the broadcast.

522
00:26:47,160 --> 00:26:51,080
Speaker 1: Per Thank you, Kate, Viggie's and Sinclair Fight for your flashback, VICKI.

523
00:26:51,800 --> 00:26:54,760
Speaker 15: Yeah, well I never thought i'd hear Jones pick air

524
00:26:54,800 --> 00:26:58,840
Speaker 15: supply ever as well. And it's really I've realized what

525
00:26:58,960 --> 00:27:01,480
Speaker 15: a true romantic is. That song reminds me of my

526
00:27:01,560 --> 00:27:05,959
Speaker 15: husband and my journey to matrimony, and that's what I'm

527
00:27:06,040 --> 00:27:08,920
Speaker 15: voting for today. Thank you so much, Jonesy. I love

528
00:27:08,960 --> 00:27:10,480
Speaker 15: you guys. You're fantastic.

529
00:27:10,600 --> 00:27:14,200
Speaker 2: He hasn't won yet, Vicki, where's matrimoney? Is that near Pratonga?

530
00:27:14,480 --> 00:27:19,160
Speaker 1: It's no such place as Protonga Partonga, Jeff. She's making

531
00:27:19,200 --> 00:27:22,760
Speaker 1: our final decision today. Jeff's in East Hills. Fight for

532
00:27:22,800 --> 00:27:23,760
Speaker 1: your flashback, Jeff.

533
00:27:25,359 --> 00:27:28,880
Speaker 8: Yes, I'd love to vote for the flashback. Spalling. It's

534
00:27:28,920 --> 00:27:31,399
Speaker 8: a tough one. I didn't think Jones would be so

535
00:27:31,560 --> 00:27:35,480
Speaker 8: it's a softy with air supply. But in all honesty,

536
00:27:35,760 --> 00:27:37,159
Speaker 8: I feel it's coming back to me.

537
00:27:40,600 --> 00:27:44,920
Speaker 1: This is this is the most perfect song. Thank you.

538
00:27:45,160 --> 00:27:48,160
Speaker 1: Oh here we are all coming back to me. Celine

539
00:27:48,160 --> 00:27:53,640
Speaker 1: Dion whale away, Sam, I got sake.

540
00:27:53,720 --> 00:27:55,639
Speaker 2: Every woman in this building's gone mental.

541
00:27:56,000 --> 00:28:03,480
Speaker 1: That song is everything. He writes a bloody good song. Jim,

542
00:28:03,760 --> 00:28:05,960
Speaker 1: I know there's such a good story. I love it.

543
00:28:07,440 --> 00:28:13,639
Speaker 1: I've overheated, settled down. Just Celene does that, doesn't She's

544
00:28:13,800 --> 00:28:14,800
Speaker 1: like a Barry.

545
00:28:14,840 --> 00:28:17,520
Speaker 2: Winner of five few flashback. It's all coming back to me.

546
00:28:17,520 --> 00:28:20,880
Speaker 1: Now what a thing. She's like a Barry who doesn't

547
00:28:20,880 --> 00:28:21,440
Speaker 1: want to hear that.

548
00:28:21,640 --> 00:28:22,000
Speaker 15: W S.

549
00:28:22,160 --> 00:28:25,920
Speaker 2: Mmon's Jonesy demanded, just join us. You're okay, I'm okay.

550
00:28:26,119 --> 00:28:27,280
Speaker 1: Let's do a great song.

551
00:28:27,440 --> 00:28:29,480
Speaker 2: Let's go on down to the Jonesy demand of arms

552
00:28:29,560 --> 00:28:33,080
Speaker 2: right now. I'll buy you a little shandy for the

553
00:28:33,119 --> 00:28:36,120
Speaker 2: pup test this morning. This is curious. A dad demands

554
00:28:36,200 --> 00:28:40,760
Speaker 2: a babysitter paid two thousand dollars for a two thousand

555
00:28:40,800 --> 00:28:45,520
Speaker 2: dollars guitar. His child broke while that child was in

556
00:28:45,560 --> 00:28:48,400
Speaker 2: her care. He was out. She was looking after the child.

557
00:28:48,560 --> 00:28:53,000
Speaker 1: It's quirky. So the babysitter was looking after his child.

558
00:28:53,840 --> 00:28:57,240
Speaker 1: The babysitter wasn't being paid, was sort of a local

559
00:28:57,840 --> 00:29:00,120
Speaker 1: friend of contact, and the baby's had a few times.

560
00:29:01,040 --> 00:29:04,560
Speaker 1: But the babysitter took a phone call for twenty minutes

561
00:29:04,600 --> 00:29:08,120
Speaker 1: and took it outside, so so because she said it

562
00:29:08,120 --> 00:29:10,400
Speaker 1: was private, so the three year old didn't hear. So

563
00:29:10,440 --> 00:29:12,440
Speaker 1: she takes a phone call outside. The child's left alone

564
00:29:12,440 --> 00:29:16,520
Speaker 1: for twenty minutes. The child goes downstairs into a different room,

565
00:29:16,640 --> 00:29:19,800
Speaker 1: moves the sofa, takes one of dad's guitars off the wall,

566
00:29:20,280 --> 00:29:23,400
Speaker 1: and the neck of the guitar is destroyed, needs to

567
00:29:23,400 --> 00:29:27,160
Speaker 1: be repaired. So this father is demanding that the babysitter

568
00:29:27,240 --> 00:29:30,160
Speaker 1: paid two thousand dollars for this guitar.

569
00:29:30,720 --> 00:29:32,680
Speaker 2: This is all I ever read it. So the kid's

570
00:29:32,680 --> 00:29:35,120
Speaker 2: gone full on Jimmy Hendrix on the guitar.

571
00:29:35,480 --> 00:29:38,760
Speaker 1: Yeah, interesting, isn't it. So he says, I'm asking the

572
00:29:38,760 --> 00:29:40,680
Speaker 1: babysit at a front the bill on a new guitar,

573
00:29:41,120 --> 00:29:43,680
Speaker 1: not a repair or a neck replacement, as the alternatives

574
00:29:43,720 --> 00:29:45,040
Speaker 1: diminish the value of the guitar.

575
00:29:45,120 --> 00:29:46,120
Speaker 2: Oh, this guy's a tool.

576
00:29:46,200 --> 00:29:46,640
Speaker 17: Well, she.

577
00:29:48,160 --> 00:29:51,520
Speaker 1: Was wrong in going for twenty minutes and not supervising

578
00:29:51,520 --> 00:29:54,240
Speaker 1: the child. You're siding with babies. No, no, no, sounds

579
00:29:54,280 --> 00:29:57,840
Speaker 1: like it. No you no, she I'm saying the babysitter

580
00:29:57,880 --> 00:29:58,400
Speaker 1: was wrong.

581
00:30:00,120 --> 00:30:01,840
Speaker 2: You're saying, I mean you're siding with dad.

582
00:30:02,000 --> 00:30:04,600
Speaker 1: No, because I don't think she's responsible for that guitar.

583
00:30:04,640 --> 00:30:06,760
Speaker 1: I don't think she should pay. It's just, hey, you

584
00:30:06,800 --> 00:30:08,560
Speaker 1: know what, maybe won't use you again because you left

585
00:30:08,560 --> 00:30:09,760
Speaker 1: the kid on attended for twenty.

586
00:30:09,560 --> 00:30:10,360
Speaker 2: Minutes for free.

587
00:30:10,440 --> 00:30:11,560
Speaker 1: Yeah, that's right.

588
00:30:11,600 --> 00:30:11,880
Speaker 2: Free.

589
00:30:11,920 --> 00:30:14,480
Speaker 1: So I don't think the babysitter should be paying for

590
00:30:14,520 --> 00:30:15,040
Speaker 1: that guitar.

591
00:30:15,240 --> 00:30:15,880
Speaker 4: What do you think?

592
00:30:16,080 --> 00:30:18,080
Speaker 2: Well, I think the dad's been just so now we

593
00:30:18,120 --> 00:30:19,240
Speaker 2: both agree. So what's the point.

594
00:30:19,640 --> 00:30:21,000
Speaker 1: Well, I like to know because a lot of people

595
00:30:21,000 --> 00:30:23,280
Speaker 1: were saying, yes, the babysitter should pay some money, or

596
00:30:23,320 --> 00:30:25,800
Speaker 1: the babysitter's parents. A lot of people saying that it's

597
00:30:25,840 --> 00:30:29,080
Speaker 1: the babysitter's fault. She should be contributing to that payment.

598
00:30:29,280 --> 00:30:31,960
Speaker 2: Yeah, yeah, you'd be upset about it, but what else

599
00:30:31,960 --> 00:30:32,520
Speaker 2: are you going to do?

600
00:30:33,000 --> 00:30:35,520
Speaker 1: All right? So what do you reckon making the babysitter pay?

601
00:30:35,560 --> 00:30:37,800
Speaker 1: It's an interesting one today? Does that pass the pub test?

602
00:30:37,920 --> 00:30:40,440
Speaker 2: Thirteen? WSFM is our number. Why don't you call us

603
00:30:40,560 --> 00:30:42,120
Speaker 2: in the meantime, guess who's arrived.

604
00:30:42,240 --> 00:30:47,240
Speaker 1: So Richard Clapton. He has podcast.

605
00:30:48,280 --> 00:30:51,160
Speaker 2: Jonesy and Amanda in the Morning one oh one point

606
00:30:51,200 --> 00:30:55,240
Speaker 2: seven WSFM. Hello there, it's Jonesy de Matter. It's eleven

607
00:30:55,280 --> 00:30:55,760
Speaker 2: to eight.

608
00:30:57,080 --> 00:30:59,719
Speaker 1: One of our great mates, Richard Clapton has a new

609
00:30:59,760 --> 00:31:02,920
Speaker 1: album called Music Is a Love. It debuted at number

610
00:31:03,120 --> 00:31:07,440
Speaker 1: three this week, his highest charting ever album, which this

611
00:31:07,480 --> 00:31:08,000
Speaker 1: is amazing.

612
00:31:08,640 --> 00:31:12,160
Speaker 4: Well, I'm told this is true, but I don't know.

613
00:31:13,000 --> 00:31:16,600
Speaker 4: I just thought, yeah, I thought Goodbye Tiger went to

614
00:31:16,680 --> 00:31:19,440
Speaker 4: number one, but that was.

615
00:31:20,080 --> 00:31:21,920
Speaker 2: Back in seventy six. Man, come on the we're in

616
00:31:21,920 --> 00:31:22,800
Speaker 2: twenty twenty one.

617
00:31:22,920 --> 00:31:27,600
Speaker 4: This is you. Weren't even born near music from you?

618
00:31:27,640 --> 00:31:28,440
Speaker 1: This is brilliant.

619
00:31:28,680 --> 00:31:29,240
Speaker 2: Yeah, this is.

620
00:31:29,200 --> 00:31:30,360
Speaker 4: Great, Thank you and thank you.

621
00:31:30,680 --> 00:31:33,160
Speaker 2: We've got an album, the Music is Love album. Here

622
00:31:33,280 --> 00:31:35,000
Speaker 2: look at this, man, I know it's old.

623
00:31:34,840 --> 00:31:35,800
Speaker 1: School actual album.

624
00:31:35,800 --> 00:31:38,080
Speaker 2: We're all right, yellow, We're all sitting cross legged on

625
00:31:38,120 --> 00:31:39,800
Speaker 2: the floor without.

626
00:31:39,520 --> 00:31:40,800
Speaker 1: Recredent the joy of sex?

627
00:31:40,880 --> 00:31:41,080
Speaker 11: Is it?

628
00:31:41,120 --> 00:31:44,400
Speaker 2: No, we're sitting across What track do you want to hear?

629
00:31:44,440 --> 00:31:47,000
Speaker 1: Which one Richard will play?

630
00:31:47,360 --> 00:31:50,320
Speaker 2: Well, you've got you've done for what it's worth. Of course,

631
00:31:50,400 --> 00:31:52,880
Speaker 2: the first lay spill film. Yeah, let's have a listen.

632
00:31:52,960 --> 00:31:55,520
Speaker 2: This is I mean record player, here it is? This

633
00:31:55,560 --> 00:31:57,680
Speaker 2: is you?

634
00:31:57,680 --> 00:32:00,400
Speaker 1: Oh. I do like this song too, A sort of

635
00:32:00,400 --> 00:32:01,760
Speaker 1: songs from the love You.

636
00:32:01,840 --> 00:32:02,360
Speaker 4: Here we go.

637
00:32:02,480 --> 00:32:06,760
Speaker 2: Yeah, oh no, he's not yet. Maybe I should speed

638
00:32:06,760 --> 00:32:07,160
Speaker 2: it up a bit.

639
00:32:07,560 --> 00:32:09,240
Speaker 1: Oh don't. I'd like to hear it. Please don't.

640
00:32:09,440 --> 00:32:09,840
Speaker 2: Here we go.

641
00:32:11,520 --> 00:32:12,400
Speaker 4: Exactly, that's you.

642
00:32:12,560 --> 00:32:13,959
Speaker 2: Hang on, I've mucked that up.

643
00:32:16,760 --> 00:32:17,600
Speaker 1: I'd like to hear it.

644
00:32:18,040 --> 00:32:20,080
Speaker 2: Yeah, we'll go.

645
00:32:21,160 --> 00:32:23,160
Speaker 1: So there's a classic sixties so here he.

646
00:32:23,120 --> 00:32:25,719
Speaker 4: Comes from sixty six to nineteen seventy.

647
00:32:26,200 --> 00:32:26,800
Speaker 2: This is you.

648
00:32:26,880 --> 00:32:36,400
Speaker 4: Oh, I love it exactly in his hand I love it.

649
00:32:37,480 --> 00:32:44,160
Speaker 4: I'm sorry, sorry, folks, Jesus a bit so wow?

650
00:32:45,240 --> 00:32:47,120
Speaker 1: Say it is your blue Light discos? Can I look

651
00:32:47,120 --> 00:32:48,160
Speaker 1: at the album and have a little.

652
00:32:47,960 --> 00:32:49,560
Speaker 2: At the other songs and I'll just pull Richard off.

653
00:32:50,120 --> 00:32:56,000
Speaker 1: I'll say you're in it for that, So get together

654
00:32:56,760 --> 00:32:58,760
Speaker 1: somewhere in the city. Love the one you're with. Can

655
00:32:58,760 --> 00:32:59,600
Speaker 1: we put number four?

656
00:32:59,640 --> 00:33:03,800
Speaker 2: I've gotta flip sides.

657
00:33:04,640 --> 00:33:06,840
Speaker 1: For track four for four flipping side.

658
00:33:07,800 --> 00:33:10,360
Speaker 4: I haven't had a much fun for about forty years.

659
00:33:11,080 --> 00:33:11,480
Speaker 12: Here we go.

660
00:33:15,560 --> 00:33:24,280
Speaker 1: Oh, oh so good, I'm loving it. These will be

661
00:33:24,320 --> 00:33:27,719
Speaker 1: amazing songs to see live. Are you touring with this?

662
00:33:28,320 --> 00:33:31,880
Speaker 4: I'm going to start a national tour on Dune the eighteenth, Britain.

663
00:33:33,440 --> 00:33:35,040
Speaker 1: I don't think you can replicate.

664
00:33:34,600 --> 00:33:38,080
Speaker 4: The Yeah, you know, the record sounds a bit better

665
00:33:38,080 --> 00:33:38,720
Speaker 4: than the way Jones.

666
00:33:39,200 --> 00:33:41,400
Speaker 2: Yes, I must apologize. I've left it in the window

667
00:33:41,480 --> 00:33:43,640
Speaker 2: of our office and the sun has melted it so

668
00:33:43,680 --> 00:33:46,160
Speaker 2: it's warped. So sorry.

669
00:33:47,720 --> 00:33:50,560
Speaker 1: What a serious note you were with Mushroom Records. What

670
00:33:50,640 --> 00:33:53,120
Speaker 1: a tragic loss, Michael Kitinski.

671
00:33:52,720 --> 00:33:59,600
Speaker 4: Was really tragic loss because Michael, Michael took on this

672
00:33:59,680 --> 00:34:04,080
Speaker 4: album because Terry blame me, who's Carl Himoxec's manager befriended

673
00:34:04,200 --> 00:34:07,120
Speaker 4: me a few years ago. Terry took it to Michael.

674
00:34:07,200 --> 00:34:11,080
Speaker 4: I think at first Michael thought, wow. I think he

675
00:34:11,160 --> 00:34:13,719
Speaker 4: was unsure about this idea Richard Clapton doing an album

676
00:34:13,760 --> 00:34:16,400
Speaker 4: of Hippi anthems. But then the more he warmed to it,

677
00:34:17,000 --> 00:34:21,960
Speaker 4: the more hands on he became. So quite frankly, my

678
00:34:22,200 --> 00:34:25,399
Speaker 4: last conversation ever with Michael, because when he gets really

679
00:34:25,440 --> 00:34:28,800
Speaker 4: hands on, he just phones. He used to sorry phone

680
00:34:28,840 --> 00:34:31,239
Speaker 4: randomly any hour of the night of the day. So

681
00:34:31,680 --> 00:34:34,400
Speaker 4: one night I had to get up really early in

682
00:34:34,440 --> 00:34:36,839
Speaker 4: the morning for some reason, and I'd gone to bed

683
00:34:37,520 --> 00:34:40,040
Speaker 4: and the phone went off about eleven fifteen, and it's like, so,

684
00:34:40,120 --> 00:34:42,160
Speaker 4: what shirre do you wear in tomorrow? And I went what?

685
00:34:42,920 --> 00:34:45,919
Speaker 4: And he went, whatever, shir do you got? I don't

686
00:34:46,000 --> 00:34:48,920
Speaker 4: know what every shirt you got? I said, well, I

687
00:34:48,960 --> 00:34:51,640
Speaker 4: don't know the Grateful Dead one. Yeah, we're that that air.

688
00:34:51,680 --> 00:34:54,040
Speaker 4: But he'd beit long and he never said goodbye.

689
00:34:54,320 --> 00:34:55,080
Speaker 8: Was just that was it.

690
00:34:55,400 --> 00:34:55,759
Speaker 4: That was it.

691
00:34:56,000 --> 00:34:56,680
Speaker 2: That was the director.

692
00:34:56,760 --> 00:35:00,239
Speaker 4: And then four mornings later people are saying, Michael Didn'ty's dead. No,

693
00:35:00,640 --> 00:35:01,080
Speaker 4: he can't be.

694
00:35:01,280 --> 00:35:02,040
Speaker 2: I just spoke to him.

695
00:35:02,200 --> 00:35:04,560
Speaker 4: Yeah, he was just shouting at me at eleven at night.

696
00:35:05,239 --> 00:35:07,359
Speaker 1: But you've taken the advice your hair is getting long?

697
00:35:07,800 --> 00:35:10,920
Speaker 4: Oh yeah, I mean look long may he rain and

698
00:35:11,960 --> 00:35:12,799
Speaker 4: I'll abide by.

699
00:35:13,000 --> 00:35:16,800
Speaker 1: His vision was always amazing.

700
00:35:17,080 --> 00:35:18,600
Speaker 4: Yeah, so here I am.

701
00:35:18,960 --> 00:35:21,720
Speaker 2: You know what genre I think is due is maybe?

702
00:35:21,920 --> 00:35:24,120
Speaker 2: Like so, if this has been covered, what about the

703
00:35:24,520 --> 00:35:28,880
Speaker 2: boy band craze of the nineties. I don't think Richard

704
00:35:29,160 --> 00:35:32,600
Speaker 2: Clapton a commander of boy band. I've got a idea

705
00:35:33,440 --> 00:35:34,080
Speaker 2: human nature?

706
00:35:35,040 --> 00:35:36,680
Speaker 1: How about novelty songs?

707
00:35:36,760 --> 00:35:37,160
Speaker 4: Shut up?

708
00:35:38,080 --> 00:35:42,920
Speaker 2: Yes disco? Richard Clapton sing zaga, do this?

709
00:35:44,400 --> 00:35:45,360
Speaker 4: This is thank you?

710
00:35:46,120 --> 00:35:51,319
Speaker 2: Copyright Michaelsky's God, Amanda, thank you so.

711
00:35:51,440 --> 00:35:52,279
Speaker 8: Much for you.

712
00:35:52,960 --> 00:35:54,440
Speaker 1: You'll keep your career going forever.

713
00:35:54,719 --> 00:35:59,840
Speaker 2: But in the meantime you can cash in. Richard Clapton's

714
00:35:59,880 --> 00:36:01,080
Speaker 2: new album Music is Love.

715
00:36:01,239 --> 00:36:02,200
Speaker 1: It's available now.

716
00:36:02,320 --> 00:36:03,120
Speaker 2: It's that cool.

717
00:36:03,200 --> 00:36:04,839
Speaker 1: Play a bit more of the album. Let me give

718
00:36:04,880 --> 00:36:10,880
Speaker 1: the song, let me put young, Let's go with writers

719
00:36:10,920 --> 00:36:12,200
Speaker 1: on the storm number five.

720
00:36:12,080 --> 00:36:13,080
Speaker 2: And he's gone the doors.

721
00:36:13,320 --> 00:36:15,120
Speaker 4: Now you'd have to go a little bit in. Go

722
00:36:15,200 --> 00:36:17,000
Speaker 4: about a minute in if you want to vocal.

723
00:36:20,239 --> 00:36:26,400
Speaker 1: I have to buy a bean bag. Oh, I like it.

724
00:36:26,719 --> 00:36:28,680
Speaker 1: I'm always looking for something, Richard. I love to bake

725
00:36:28,760 --> 00:36:31,719
Speaker 1: every weekend and I go into a zone. You're my

726
00:36:31,920 --> 00:36:32,760
Speaker 1: zone this weekend.

727
00:36:32,880 --> 00:36:34,560
Speaker 4: Oh beautiful, I love it is.

728
00:36:34,520 --> 00:36:40,640
Speaker 2: Going to be baking a special cookies. Yeah, enjoying this, Richard.

729
00:36:40,760 --> 00:36:41,800
Speaker 2: Don't be a stranger.

730
00:36:42,600 --> 00:36:43,840
Speaker 1: Don't be any stranger than you are.

731
00:36:43,960 --> 00:36:45,080
Speaker 4: A stranger with you two.

732
00:36:46,560 --> 00:36:52,719
Speaker 1: Thank you. I want you to get on right now.

733
00:36:52,920 --> 00:36:54,440
Speaker 4: I'm taking pleasing.

734
00:36:54,600 --> 00:36:57,440
Speaker 8: Now go to your windows, stick.

735
00:36:57,239 --> 00:36:59,759
Speaker 1: Your head on a yell as hell.

736
00:37:02,400 --> 00:37:04,920
Speaker 2: It's Friday and there's no criitting place to be than

737
00:37:04,960 --> 00:37:07,480
Speaker 2: the Jonesy demand her arms for the pub test. This

738
00:37:07,680 --> 00:37:10,560
Speaker 2: is a curious story. A dad has demanded a babysitter

739
00:37:10,640 --> 00:37:13,600
Speaker 2: pay two thousand dollars for the guitar his child broke

740
00:37:13,960 --> 00:37:16,279
Speaker 2: while he The child was in her care.

741
00:37:16,640 --> 00:37:19,600
Speaker 1: So the babysitter was nineteen years old, had babysat for

742
00:37:19,600 --> 00:37:23,280
Speaker 1: the family a couple of times, but wasn't being paid.

743
00:37:24,480 --> 00:37:29,120
Speaker 1: The babysitter took a phone call outside Halloween's phone call

744
00:37:29,200 --> 00:37:31,800
Speaker 1: twenty minutes. It's a long time, particularly when you're babysitting

745
00:37:31,800 --> 00:37:34,440
Speaker 1: a three year old kid. That isn't great. But the

746
00:37:34,520 --> 00:37:38,839
Speaker 1: three year old damaged dad's guitar. He wants the babysitter

747
00:37:39,000 --> 00:37:41,360
Speaker 1: to pay, not just for a repair, but for a

748
00:37:41,520 --> 00:37:45,600
Speaker 1: new guitar. He put this to Reddit, and most people

749
00:37:45,640 --> 00:37:48,120
Speaker 1: are saying, I don't think your babysitter is responsible. Other

750
00:37:48,200 --> 00:37:50,960
Speaker 1: people are saying she's responsible. She took a phone call

751
00:37:51,000 --> 00:37:52,399
Speaker 1: for twenty minutes, so to be much more.

752
00:37:52,360 --> 00:37:55,919
Speaker 2: Many people than on the babysitter's side on this. Most

753
00:37:55,960 --> 00:37:59,319
Speaker 2: people on the dad's side, I should say, a couple.

754
00:37:59,120 --> 00:38:01,040
Speaker 1: Are saying the baby said it was negligent.

755
00:38:02,600 --> 00:38:04,400
Speaker 2: It's a long way time to be away from a

756
00:38:04,440 --> 00:38:04,959
Speaker 2: little three.

757
00:38:05,040 --> 00:38:07,640
Speaker 1: Row it is, but does she have to financially front

758
00:38:07,719 --> 00:38:08,440
Speaker 1: up for the guitar?

759
00:38:09,000 --> 00:38:12,000
Speaker 2: Making the babysitter pay? Does this pass the pub test?

760
00:38:12,440 --> 00:38:15,040
Speaker 17: I was a babysitter. You can't control what those little

761
00:38:15,120 --> 00:38:16,000
Speaker 17: terrans do at times.

762
00:38:16,080 --> 00:38:18,520
Speaker 15: They maybe daddy and mummy is a little angel, but

763
00:38:18,640 --> 00:38:20,600
Speaker 15: those little pair is once mummy and daddy are gone,

764
00:38:20,920 --> 00:38:22,279
Speaker 15: can't do whatever the heck they want.

765
00:38:22,520 --> 00:38:23,320
Speaker 5: Absolutely not.

766
00:38:24,040 --> 00:38:27,719
Speaker 17: The shouldn't have left it where the child could get

767
00:38:27,800 --> 00:38:32,319
Speaker 17: to us if it was that valuable. No, absolutely ridiculous.

768
00:38:32,680 --> 00:38:36,680
Speaker 17: I mean he didn't even pay her for babysitting. I mean, oh,

769
00:38:37,360 --> 00:38:41,520
Speaker 17: it just frustrates me anyway. No, people are very strange.

770
00:38:42,040 --> 00:38:45,680
Speaker 12: Wow, there's story in twenty minutes. Things a long time

771
00:38:45,800 --> 00:38:47,880
Speaker 12: to be on the phone. But either way, it's not

772
00:38:48,239 --> 00:38:49,160
Speaker 12: an absolute.

773
00:38:49,320 --> 00:38:52,160
Speaker 8: Two is enough as a risk you take.

774
00:38:52,680 --> 00:38:55,080
Speaker 12: No, she didn't have to play for us.

775
00:38:55,239 --> 00:38:56,319
Speaker 8: It's just a white car.

776
00:38:57,640 --> 00:38:59,759
Speaker 2: I think he's just in it for the abuse. Which

777
00:38:59,800 --> 00:39:00,680
Speaker 2: is that up?

778
00:39:00,719 --> 00:39:00,879
Speaker 7: Then?

779
00:39:00,960 --> 00:39:03,680
Speaker 1: Have my nicely? Did you see Master Chef last night?

780
00:39:03,800 --> 00:39:04,919
Speaker 2: I missed Master Chef.

781
00:39:05,080 --> 00:39:07,560
Speaker 1: Well, I'll talk you the foot because there was big

782
00:39:07,760 --> 00:39:12,319
Speaker 1: hoo ha about the strange flavored chicken. We'll discuss it next.

783
00:39:13,880 --> 00:39:18,680
Speaker 1: So there was a big discussion or a big promo push,

784
00:39:18,719 --> 00:39:21,520
Speaker 1: I should say, for Master Chef for last night's show

785
00:39:22,400 --> 00:39:26,880
Speaker 1: about Eric's strange flavored chicken. Well, they said someone, it

786
00:39:27,120 --> 00:39:30,680
Speaker 1: is going to serve up strange flavored chicken, And why

787
00:39:30,760 --> 00:39:32,919
Speaker 1: would you do that in an elimination round.

788
00:39:33,000 --> 00:39:35,120
Speaker 2: Did he leave it in the sun for a while,

789
00:39:35,160 --> 00:39:37,160
Speaker 2: because that's when chicken go strange flavored?

790
00:39:37,320 --> 00:39:39,840
Speaker 1: Well, I thought maybe he'd smeared it with toothpaste and

791
00:39:39,960 --> 00:39:44,680
Speaker 1: fecal matter and a lifesaver on top. What's the strange flavors? Well,

792
00:39:44,719 --> 00:39:46,400
Speaker 1: I've got the recipe in front of me. None of

793
00:39:46,440 --> 00:39:49,480
Speaker 1: it's strange. It's highly detailed, but he's Eric describing it.

794
00:39:50,400 --> 00:39:54,040
Speaker 18: So today I've made a strange flavor chicken. The idea

795
00:39:54,360 --> 00:39:57,960
Speaker 18: of it is that it's a coalescing of the various

796
00:39:58,080 --> 00:40:01,520
Speaker 18: canonical seasonings in classic Cituanese focal crep.

797
00:40:01,800 --> 00:40:03,040
Speaker 4: You've got like the nutty.

798
00:40:02,880 --> 00:40:07,320
Speaker 18: Sesame paste, a spice soy which is aromatic and sweet

799
00:40:07,400 --> 00:40:11,560
Speaker 18: and salty, sour from the black vinegar, numbing from the

800
00:40:11,719 --> 00:40:14,719
Speaker 18: citron papa, and some broth as well to give it

801
00:40:14,800 --> 00:40:16,120
Speaker 18: a better than Hermami.

802
00:40:15,760 --> 00:40:19,160
Speaker 1: Left no other words, chicken nuggets. Did you make that

803
00:40:19,280 --> 00:40:22,840
Speaker 1: regularly for missus Eric and the kids? Maybe strange flavored

804
00:40:23,000 --> 00:40:28,640
Speaker 1: chicken to nut Not Surprisingly, everybody loved it. They said

805
00:40:28,680 --> 00:40:30,880
Speaker 1: I want to eat this up and watching it it

806
00:40:31,000 --> 00:40:35,200
Speaker 1: looked delicious. Everyone had to make chicken, but there came

807
00:40:35,280 --> 00:40:41,080
Speaker 1: some drama with Justin he'd made charcoal chicken. Here's what happened.

808
00:40:41,480 --> 00:40:44,160
Speaker 2: Oh my god, what's that?

809
00:40:44,320 --> 00:40:44,480
Speaker 9: Man?

810
00:40:48,200 --> 00:40:48,799
Speaker 8: Oh my god?

811
00:40:51,800 --> 00:40:53,759
Speaker 14: Do you want to come and have a look what

812
00:40:53,920 --> 00:41:02,600
Speaker 14: you did or what you didn't do? What you didn't

813
00:41:02,640 --> 00:41:06,359
Speaker 14: do was a or under coquette bloody perfect ah.

814
00:41:08,160 --> 00:41:10,520
Speaker 1: I wondered if Jock started that sentence do you want

815
00:41:10,520 --> 00:41:12,200
Speaker 1: to see what you did or didn't do? And then

816
00:41:12,200 --> 00:41:14,520
Speaker 1: he's thinking, oh, hang on, I've painted myself into it.

817
00:41:14,600 --> 00:41:16,400
Speaker 2: Quite don't believe. I felt for that. He's gone the

818
00:41:16,440 --> 00:41:17,040
Speaker 2: full Preston.

819
00:41:17,200 --> 00:41:18,399
Speaker 1: Yes, he's got the full press.

820
00:41:18,600 --> 00:41:22,880
Speaker 2: Actually not the full Matt Preston remembered, disgustingly good that

821
00:41:26,000 --> 00:41:33,399
Speaker 2: he's disgusting. Come on, disgustingly good.

822
00:41:33,560 --> 00:41:36,000
Speaker 1: Now, come on, come on, Jock's got to try a

823
00:41:36,040 --> 00:41:36,520
Speaker 1: bit harder.

824
00:41:36,600 --> 00:41:39,480
Speaker 2: Yes, my strange fleet a chicken tonate.

825
00:41:41,280 --> 00:41:43,520
Speaker 1: Comcast. When I woke up this morning, I heard the

826
00:41:43,600 --> 00:41:46,880
Speaker 1: news that lesmiecewen, lead singer of the Basity Rollers, had

827
00:41:46,920 --> 00:41:49,840
Speaker 1: passed away. I was never a massive Rollers fan, but

828
00:41:49,920 --> 00:41:53,280
Speaker 1: I was absolutely in the drop zone of roller frenzy,

829
00:41:53,440 --> 00:41:57,120
Speaker 1: my friends, everyone at school. Sure, it was everywhere.

830
00:41:57,440 --> 00:41:59,719
Speaker 2: Barry Manelee would have taken up a lot of your time.

831
00:42:00,239 --> 00:42:02,200
Speaker 1: I don't even know if I was into Barry at

832
00:42:02,239 --> 00:42:02,760
Speaker 1: this point.

833
00:42:03,280 --> 00:42:06,560
Speaker 2: You were cool, Oh so cool, so cool. It would

834
00:42:06,560 --> 00:42:08,000
Speaker 2: have been. The Tufts would have run.

835
00:42:07,920 --> 00:42:12,040
Speaker 1: A mile for everyone loved the ba City Rollers. Do

836
00:42:12,040 --> 00:42:13,960
Speaker 1: you know they sold one hundred and twenty million records

837
00:42:14,000 --> 00:42:15,360
Speaker 1: in nineteen seventy five alone.

838
00:42:15,600 --> 00:42:15,839
Speaker 2: Wow.

839
00:42:16,480 --> 00:42:20,880
Speaker 1: They conquered the US, the UK, Australia, Japan. At the

840
00:42:20,960 --> 00:42:23,240
Speaker 1: height of their success, they were the biggest pop sensation

841
00:42:23,400 --> 00:42:25,960
Speaker 1: Scotland had ever seen and they were often referred to

842
00:42:26,040 --> 00:42:28,240
Speaker 1: as the New Beatles. They really were. They were everywhere,

843
00:42:28,520 --> 00:42:31,879
Speaker 1: But these kids were so young. The youngest of them,

844
00:42:32,760 --> 00:42:35,959
Speaker 1: Woody member Stuart would he was sixteen when he joined

845
00:42:35,960 --> 00:42:38,719
Speaker 1: the band. Wow, he's still performing as part of the

846
00:42:38,880 --> 00:42:42,239
Speaker 1: remaining members of Basity Rollers. He's sixty one now. I

847
00:42:42,280 --> 00:42:44,040
Speaker 1: remember when I was working as a segment producer on

848
00:42:44,080 --> 00:42:46,479
Speaker 1: the midday show with Ray Martin, we had the bas

849
00:42:46,480 --> 00:42:48,800
Speaker 1: City Rollers on the show. They would have been in

850
00:42:48,880 --> 00:42:52,319
Speaker 1: there like twenty in their early thirties. Probably by then.

851
00:42:52,920 --> 00:42:55,319
Speaker 1: They had a really tough time of it when they

852
00:42:55,360 --> 00:42:59,399
Speaker 1: were young. Their manager Tom Payton, who I think went

853
00:42:59,440 --> 00:43:03,160
Speaker 1: to prison after this, was working them so hard. He

854
00:43:03,239 --> 00:43:07,560
Speaker 1: gives them amphetamines. They were constantly drugged. They were two

855
00:43:07,600 --> 00:43:11,480
Speaker 1: of the world pretty much as prisoners, sometimes sexual prisoners

856
00:43:11,960 --> 00:43:15,480
Speaker 1: of him and other people. They have said that he

857
00:43:15,680 --> 00:43:17,680
Speaker 1: urged the band to have sex with a pedophil radio

858
00:43:17,760 --> 00:43:19,920
Speaker 1: DJ in the seventies, telling them we'll get more airplay.

859
00:43:21,640 --> 00:43:25,080
Speaker 1: It's a very dark story for the Bay City Rollers.

860
00:43:27,239 --> 00:43:29,960
Speaker 1: Les McEwen struggled to periods of drug and alcohol addiction

861
00:43:30,400 --> 00:43:32,879
Speaker 1: in the late seventies, so their fame disappeared as quickly

862
00:43:32,920 --> 00:43:34,960
Speaker 1: as it came, and that left they were young men.

863
00:43:36,480 --> 00:43:38,160
Speaker 2: How long did they last in the spotlight?

864
00:43:38,480 --> 00:43:40,520
Speaker 1: I don't know, what do you reckon? Three four years

865
00:43:40,600 --> 00:43:44,240
Speaker 1: something like that, I think so. They had a string

866
00:43:44,320 --> 00:43:46,320
Speaker 1: of hits though. How familiar are these songs?

867
00:43:56,640 --> 00:43:56,839
Speaker 8: Yeah?

868
00:44:00,320 --> 00:44:02,680
Speaker 1: Oh wow?

869
00:44:06,520 --> 00:44:06,960
Speaker 17: I mean.

870
00:44:09,880 --> 00:44:24,920
Speaker 2: A very thin sing are Yesterday's Hero?

871
00:44:25,080 --> 00:44:25,279
Speaker 14: Yeah?

872
00:44:26,719 --> 00:44:27,440
Speaker 2: For for JP?

873
00:44:27,680 --> 00:44:30,399
Speaker 1: Why it would have been, wouldn't it? JP?

874
00:44:30,520 --> 00:44:33,080
Speaker 2: Why Yesterday's Hero came out in nineteen seventy nine.

875
00:44:33,600 --> 00:44:35,960
Speaker 1: I was seventy six or maybe around the same time.

876
00:44:36,120 --> 00:44:39,120
Speaker 2: But there was a time when the overseas here Australian

877
00:44:39,360 --> 00:44:42,080
Speaker 2: acts would record because the Overseas AX couldn't get here,

878
00:44:42,320 --> 00:44:45,160
Speaker 2: so Australian AX would record the songs that were hits

879
00:44:45,200 --> 00:44:46,160
Speaker 2: overseas well.

880
00:44:46,160 --> 00:44:48,000
Speaker 1: They did a number of tours here. I'll tell you

881
00:44:48,080 --> 00:44:49,640
Speaker 1: what's happened to the other members as well.

882
00:44:49,640 --> 00:44:49,799
Speaker 4: Well.

883
00:44:50,080 --> 00:44:53,440
Speaker 1: As I said, Les struggle with drug and alcohol problems.

884
00:44:53,880 --> 00:44:56,719
Speaker 1: He went on one of those TV shows about like

885
00:44:56,920 --> 00:44:59,279
Speaker 1: Rehab and he confessed that he'd had a string of

886
00:44:59,280 --> 00:45:03,560
Speaker 1: homosexualationships that his wife didn't know about. Alan Longmuell do

887
00:45:03,560 --> 00:45:06,120
Speaker 1: remember Alan. He was the bass guitarist. He passed away

888
00:45:06,160 --> 00:45:09,200
Speaker 1: at the age of seventy in twenty eighteen. His brother

889
00:45:09,360 --> 00:45:13,760
Speaker 1: Derek was the drama. He was sentenced to three hundred

890
00:45:13,760 --> 00:45:16,719
Speaker 1: hours of community service for admitting to possessing child pornography.

891
00:45:17,120 --> 00:45:19,279
Speaker 1: God Eric who had I always thought he had a

892
00:45:19,320 --> 00:45:21,640
Speaker 1: head like a watermelon. He was the lead guitarist. He

893
00:45:21,800 --> 00:45:25,560
Speaker 1: almost died in twenty fifteen. He had viral in kephalitis yep.

894
00:45:25,960 --> 00:45:28,680
Speaker 1: He was left with posting kevlitis syndrome and hasn't played

895
00:45:28,719 --> 00:45:33,000
Speaker 1: in public since. Stuart wood Woody is the only original

896
00:45:33,280 --> 00:45:37,640
Speaker 1: member who still performs today, not as I think they

897
00:45:37,719 --> 00:45:43,440
Speaker 1: still and even recently they were doing shows as basity rollers,

898
00:45:44,000 --> 00:45:47,320
Speaker 1: but that you know, when they famous so young, and

899
00:45:47,440 --> 00:45:51,160
Speaker 1: that hard beginning has really affected all of them, hasn't it.

900
00:45:51,719 --> 00:45:53,440
Speaker 1: But to hear that, you know, such a chunk of

901
00:45:53,520 --> 00:45:56,680
Speaker 1: your childhood just gone magazines. Everything you picked up was

902
00:45:56,719 --> 00:45:59,440
Speaker 1: all about the basity rollers. Everyone had the outfits. This

903
00:45:59,600 --> 00:46:01,560
Speaker 1: is the will be a lot of people very sad

904
00:46:01,640 --> 00:46:03,879
Speaker 1: today to hear this news. Can we play a basic

905
00:46:03,920 --> 00:46:05,160
Speaker 1: y roll of sode cost Weekend?

906
00:46:05,200 --> 00:46:07,200
Speaker 2: What would you like? What about this one?

907
00:46:07,320 --> 00:46:15,280
Speaker 1: Bye Bye baby fail list? Jonesy and Amanda Gamation podcast.

908
00:46:16,880 --> 00:46:22,239
Speaker 10: We're giving your credit card Bill Bomber with WSFMS one

909
00:46:22,400 --> 00:46:25,440
Speaker 10: hundred thousand dollars credit card CRAD.

910
00:46:25,640 --> 00:46:28,120
Speaker 2: That's what we do. Chris is in Dallichill. Hello, Chris,

911
00:46:28,200 --> 00:46:28,919
Speaker 2: you ready to play?

912
00:46:29,960 --> 00:46:30,160
Speaker 9: Yeah?

913
00:46:30,280 --> 00:46:30,480
Speaker 8: Sure?

914
00:46:30,520 --> 00:46:33,080
Speaker 2: And we are great.

915
00:46:33,160 --> 00:46:35,160
Speaker 1: Well, well, and I hope you know how this works

916
00:46:35,239 --> 00:46:37,520
Speaker 1: because you're going to hear the number go up and

917
00:46:37,600 --> 00:46:40,440
Speaker 1: up and up. You have to say stop before the

918
00:46:40,520 --> 00:46:42,960
Speaker 1: credit card gets declined. You don't want to hear this noise.

919
00:46:43,520 --> 00:46:47,919
Speaker 1: You don't want to hear that. Okay, Chris, you're ready, Yeah,

920
00:46:47,960 --> 00:46:49,560
Speaker 1: I am, let's do it. Put your ears on.

921
00:46:49,719 --> 00:46:50,080
Speaker 2: Here we go.

922
00:46:53,520 --> 00:46:57,360
Speaker 1: Sixty four dollars seventy seven dollars.

923
00:47:03,520 --> 00:47:06,280
Speaker 2: One hundred and twelve dollars picked up on one hundred

924
00:47:06,280 --> 00:47:08,120
Speaker 2: and twelve dollars and twelve dollars.

925
00:47:08,440 --> 00:47:11,480
Speaker 1: Well, that's not bad week, that's a nice learn.

926
00:47:12,680 --> 00:47:13,520
Speaker 8: That's not bad at all.

927
00:47:13,920 --> 00:47:16,640
Speaker 1: How far I would have it gone that, Chris, Let's

928
00:47:16,680 --> 00:47:18,799
Speaker 1: see one hundred and.

929
00:47:18,880 --> 00:47:23,239
Speaker 7: Twenty eight dollars, one hundred and eighty three dollars, two

930
00:47:23,400 --> 00:47:29,400
Speaker 7: hundred and twelve dollars, two hundred and fifty eight dollars and.

931
00:47:29,440 --> 00:47:33,520
Speaker 19: Four dollars and fifteen dollars and nineteen dollars and twenty

932
00:47:33,600 --> 00:47:43,120
Speaker 19: one dollars, one hundred and seven dollars, five hundred and

933
00:47:43,280 --> 00:47:47,840
Speaker 19: twelve dollars, six hundred and twelve dollars, six hundred and

934
00:47:47,920 --> 00:47:51,440
Speaker 19: twenty two dollars, six hundred and thirty two.

935
00:47:51,440 --> 00:47:56,280
Speaker 7: Dollars, Very good, forty two dollars, six hundred and fifty

936
00:47:56,360 --> 00:48:00,720
Speaker 7: two dollars, six hundred and sixty two dollars, six.

937
00:48:06,200 --> 00:48:07,040
Speaker 12: Twelve dollars.

938
00:48:08,520 --> 00:48:12,640
Speaker 1: This is excruciator outrageous, is crazy?

939
00:48:15,239 --> 00:48:16,920
Speaker 2: Sure, still going.

940
00:48:20,040 --> 00:48:22,880
Speaker 1: Oh five, but you don't need to think about that.

941
00:48:23,000 --> 00:48:25,320
Speaker 1: You've got one hundred and twelve dollars before.

942
00:48:26,280 --> 00:48:28,200
Speaker 15: Right, I was going to stop at like two fifty

943
00:48:28,239 --> 00:48:29,719
Speaker 15: and then I started stressing out and just.

944
00:48:29,960 --> 00:48:32,279
Speaker 2: Stop, Chris. You did the wise thing. One hundred and

945
00:48:32,320 --> 00:48:35,240
Speaker 2: twelve dollars is because that's two cartons of beer.

946
00:48:36,120 --> 00:48:37,160
Speaker 3: Yeah, yeah, definitely.

947
00:48:37,320 --> 00:48:39,720
Speaker 2: Actually that's too. You on special and you've got twelve

948
00:48:39,760 --> 00:48:40,840
Speaker 2: dollars to spare.

949
00:48:42,680 --> 00:48:44,440
Speaker 4: What are Amanda?

950
00:48:44,560 --> 00:48:44,880
Speaker 8: I love you?

951
00:48:45,400 --> 00:48:45,680
Speaker 1: Aren't you?

952
00:48:45,880 --> 00:48:46,200
Speaker 8: Sweet?

953
00:48:46,239 --> 00:48:46,600
Speaker 2: Awesome?

954
00:48:46,800 --> 00:48:47,000
Speaker 15: Oh?

955
00:48:47,280 --> 00:48:47,480
Speaker 1: Chris?

956
00:48:47,680 --> 00:48:50,080
Speaker 2: So for Amanda's picks on five for your flashback, Chris.

957
00:48:51,800 --> 00:48:52,879
Speaker 1: I did win today open.

958
00:48:53,239 --> 00:48:53,520
Speaker 2: Thanks.

959
00:48:53,719 --> 00:48:55,480
Speaker 1: We'll have another chance for you to play credit card

960
00:48:55,520 --> 00:48:57,919
Speaker 1: crush with us on Monday. Would you like a clue

961
00:48:57,960 --> 00:49:01,120
Speaker 1: to help you? Head to iHeartRadio at Message Center, little

962
00:49:01,160 --> 00:49:02,600
Speaker 1: clue about what might happen on Monday?

963
00:49:02,680 --> 00:49:07,520
Speaker 2: Chris is saying, now you tell me, Sorry, Chris, the

964
00:49:07,760 --> 00:49:09,440
Speaker 2: living Room is back on the Telly tonight. What what

965
00:49:09,719 --> 00:49:10,560
Speaker 2: Footy's on tonight?

966
00:49:11,960 --> 00:49:13,080
Speaker 1: It doesn't matter because.

967
00:49:14,480 --> 00:49:16,759
Speaker 2: I've got of course I will be watching the living

968
00:49:16,840 --> 00:49:19,680
Speaker 2: Room will I like nothing more than watching Taylor. That's

969
00:49:19,680 --> 00:49:21,680
Speaker 2: what people in the no call it TL they do.

970
00:49:23,080 --> 00:49:26,200
Speaker 1: We look at an Afghani family who had an Afghani

971
00:49:26,920 --> 00:49:30,440
Speaker 1: restaurant and then COVID came along and all the implications

972
00:49:30,480 --> 00:49:31,920
Speaker 1: of that. So we're helping them get back on you

973
00:49:32,960 --> 00:49:35,600
Speaker 1: restaurant well this is Miguil made these beautiful dumplings. Well

974
00:49:35,640 --> 00:49:37,880
Speaker 1: that's the sort of stuff they have. They come back

975
00:49:37,920 --> 00:49:40,279
Speaker 1: for us well, a whole lot of beautiful curries and

976
00:49:40,520 --> 00:49:44,680
Speaker 1: pastries and just absolutely I thought that there was well

977
00:49:44,719 --> 00:49:48,480
Speaker 1: almost like almost it was like garlic gioza in.

978
00:49:48,560 --> 00:49:50,719
Speaker 2: A way Yosa beautiful Japanese.

979
00:49:51,160 --> 00:49:53,480
Speaker 1: What's not Japanese? It's Afghany. I'm trying to describe what

980
00:49:53,600 --> 00:49:55,760
Speaker 1: the duty I had just make up anything.

981
00:49:55,960 --> 00:49:58,359
Speaker 2: Oh yeah, this is from Afghanistan.

982
00:49:59,280 --> 00:50:01,719
Speaker 1: But the food was delicious, of course, but you know

983
00:50:01,800 --> 00:50:05,040
Speaker 1: what I mean. For the Hacks tonight, Chris makes a

984
00:50:05,120 --> 00:50:10,120
Speaker 1: pizza hambag, Miguel makes a milkshake with a drill. I

985
00:50:10,200 --> 00:50:13,160
Speaker 1: mean BARRYE does, of course, and Miguel does something very

986
00:50:13,280 --> 00:50:17,520
Speaker 1: unusual with an umbrella. That's all I'm saying, what are

987
00:50:17,560 --> 00:50:21,239
Speaker 1: you doing? I judge it. I judge it harshly. But

988
00:50:21,320 --> 00:50:23,040
Speaker 1: that's seven thirty to night, Channel ten. It's a really

989
00:50:23,040 --> 00:50:23,640
Speaker 1: good episode.

990
00:50:24,400 --> 00:50:26,200
Speaker 2: You don't need to be people are watching it. The

991
00:50:26,280 --> 00:50:27,760
Speaker 2: show is just it speaks for itself.

992
00:50:27,800 --> 00:50:28,440
Speaker 1: Oh doesn't it?

993
00:50:28,719 --> 00:50:40,319
Speaker 2: Just it does TLR It's sixteen to nine, especially when

994
00:50:40,600 --> 00:50:43,759
Speaker 2: that Jonesy Jones on It's always good when he comes on.

995
00:50:43,880 --> 00:50:44,200
Speaker 1: It's good.

996
00:50:44,239 --> 00:50:46,200
Speaker 2: When he comes back on again, he was great.

997
00:50:46,480 --> 00:50:48,520
Speaker 1: Well, when he learns to cook out ginny food, maybe

998
00:50:48,600 --> 00:50:49,319
Speaker 1: get a crack out.

999
00:50:49,400 --> 00:50:53,319
Speaker 2: I dear what I'll make some ginny food. Come on, sure, great,

1000
00:50:53,400 --> 00:50:55,680
Speaker 2: I'll get a camel out. And because they need a

1001
00:50:55,719 --> 00:50:57,440
Speaker 2: lot of camel with I don't think so are they

1002
00:50:57,480 --> 00:50:57,960
Speaker 2: at camel?

1003
00:50:58,520 --> 00:51:00,759
Speaker 1: Sure they do well, it's not all they not the

1004
00:51:00,840 --> 00:51:02,960
Speaker 1: Australian restaurant Rots wouldn't have camels.

1005
00:51:03,000 --> 00:51:04,680
Speaker 2: We've got a lot of camel in Australia. We could

1006
00:51:04,680 --> 00:51:05,279
Speaker 2: certainly eat it.

1007
00:51:05,840 --> 00:51:08,040
Speaker 1: Our favorite goolie of the year wins ten thousand dollars

1008
00:51:08,160 --> 00:51:10,560
Speaker 1: cash and a brand new Spinally's match is valued over

1009
00:51:10,800 --> 00:51:12,960
Speaker 1: sixteen thousand dollars.

1010
00:51:13,200 --> 00:51:13,759
Speaker 4: What have we got?

1011
00:51:14,920 --> 00:51:20,800
Speaker 5: What gets my golies is speed fine being obstructured by plants.

1012
00:51:21,440 --> 00:51:23,400
Speaker 5: Therefore you get a ticket and you didn't know what

1013
00:51:23,640 --> 00:51:25,960
Speaker 5: speed limit it was, but you couldn't see it because

1014
00:51:26,000 --> 00:51:28,640
Speaker 5: they won't keep the bushes trimmed.

1015
00:51:29,000 --> 00:51:29,480
Speaker 12: That gets my.

1016
00:51:29,560 --> 00:51:30,760
Speaker 2: Gurly trimmer bushes.

1017
00:51:31,080 --> 00:51:32,279
Speaker 1: That's all you heard, wasn't it.

1018
00:51:32,360 --> 00:51:32,719
Speaker 4: What else?

1019
00:51:33,680 --> 00:51:36,560
Speaker 9: What gets my goolies is when you're at a campground

1020
00:51:36,640 --> 00:51:40,520
Speaker 9: and people leave their fire pits going overnight, and when

1021
00:51:40,560 --> 00:51:42,719
Speaker 9: they leave the next morning. They don't put it out.

1022
00:51:43,040 --> 00:51:44,280
Speaker 9: That's what gets my goolies.

1023
00:51:44,360 --> 00:51:45,120
Speaker 1: That's dangerous.

1024
00:51:45,239 --> 00:51:46,840
Speaker 2: It isous. You going to put your fire out? I

1025
00:51:46,840 --> 00:51:48,240
Speaker 2: always do because I was in Scots.

1026
00:51:48,960 --> 00:51:49,320
Speaker 1: We are you?

1027
00:51:49,520 --> 00:51:49,680
Speaker 13: Yep?

1028
00:51:49,920 --> 00:51:51,640
Speaker 1: So did you have you put your fire out bad?

1029
00:51:51,800 --> 00:51:52,000
Speaker 9: I did?

1030
00:51:52,040 --> 00:51:54,279
Speaker 2: I'm good. I'm always putting out fires around here after

1031
00:51:54,360 --> 00:51:55,080
Speaker 2: you leave this place?

1032
00:51:55,239 --> 00:51:57,720
Speaker 1: Or did you have your putting out badge? Brown?

1033
00:51:57,840 --> 00:51:58,000
Speaker 17: Ow?

1034
00:51:58,840 --> 00:51:59,680
Speaker 1: Is there a brown out?

1035
00:52:00,200 --> 00:52:00,439
Speaker 7: Brown?

1036
00:52:00,520 --> 00:52:00,640
Speaker 13: Now?

1037
00:52:00,840 --> 00:52:01,239
Speaker 5: What is that?

1038
00:52:01,960 --> 00:52:02,760
Speaker 2: There's our kayla?

1039
00:52:03,840 --> 00:52:05,799
Speaker 1: Was that a sheer or a heat? There could be both?

1040
00:52:06,280 --> 00:52:10,160
Speaker 2: And there was a meaning? Wasn't it transgender?

1041
00:52:10,320 --> 00:52:12,080
Speaker 1: So they both sides had that?

1042
00:52:12,280 --> 00:52:14,040
Speaker 2: Yeah, you had a woman wine or a man win?

1043
00:52:14,320 --> 00:52:14,520
Speaker 4: Meaning?

1044
00:52:14,719 --> 00:52:15,279
Speaker 6: Know who what?

1045
00:52:15,600 --> 00:52:18,040
Speaker 2: Parents wanted to do? Ality to do it? I don't

1046
00:52:18,080 --> 00:52:21,799
Speaker 2: know where you're getting brown out from? There was there

1047
00:52:21,880 --> 00:52:25,080
Speaker 2: was skip skip because I was in Sea Scouts and.

1048
00:52:25,160 --> 00:52:28,520
Speaker 1: The captain was a skip skipper. How far did you go?

1049
00:52:29,320 --> 00:52:31,840
Speaker 2: I got up to Sea Scouts? Well how old is

1050
00:52:31,880 --> 00:52:33,880
Speaker 2: that about twelve thirteen?

1051
00:52:34,360 --> 00:52:34,400
Speaker 9: What?

1052
00:52:34,680 --> 00:52:36,200
Speaker 1: And maybe see what your badges?

1053
00:52:36,600 --> 00:52:37,320
Speaker 2: I got him somewhere.

1054
00:52:37,400 --> 00:52:43,760
Speaker 1: Mum's gone, Mum's gone. On't you and your biking mates

1055
00:52:43,800 --> 00:52:46,120
Speaker 1: go and see can find the badges?

1056
00:52:46,160 --> 00:52:48,359
Speaker 2: They're just they're just like grown up scouts. That's all

1057
00:52:49,440 --> 00:52:50,920
Speaker 2: out with the battom with a goody video. Bet you

1058
00:52:50,920 --> 00:52:52,560
Speaker 2: can always call us nine O six, one, seven, nine

1059
00:52:52,560 --> 00:52:54,400
Speaker 2: and eighty four. Forgetst my gollies. It's fourteen to nine

1060
00:52:54,400 --> 00:52:56,640
Speaker 2: and the week that was Jimbo's jibbijabber is coming up

1061
00:52:58,400 --> 00:53:01,560
Speaker 2: one on one points w SM. Hello there, it's Jonesy Demanda.

1062
00:53:01,600 --> 00:53:03,920
Speaker 2: You know, Jim Dolan has been working harder than Amanda,

1063
00:53:04,000 --> 00:53:07,440
Speaker 2: adding bass and he rollers to her Spotify playlist.

1064
00:53:07,000 --> 00:53:08,759
Speaker 1: For the weekend you got on You're gonna have a

1065
00:53:08,880 --> 00:53:11,520
Speaker 1: Lesbie and he's come up with this, Jim.

1066
00:53:15,400 --> 00:53:17,919
Speaker 20: We lost a lot of iconic individuals over the past

1067
00:53:17,960 --> 00:53:21,640
Speaker 20: few weeks. Prince Philip, Tommy Rodonicas, Carla's and Patty and

1068
00:53:21,719 --> 00:53:22,920
Speaker 20: why you may not know you.

1069
00:53:22,960 --> 00:53:28,759
Speaker 1: Know who else we lost. No, that's Cousin It from

1070
00:53:28,800 --> 00:53:32,320
Speaker 1: the Adams Family. Felix Silla, the actor who played Cousin It,

1071
00:53:32,920 --> 00:53:36,120
Speaker 1: passed away. He worked as a body double, often for

1072
00:53:36,320 --> 00:53:40,279
Speaker 1: children in movies like The Towering Inferno Battlestar Galactica.

1073
00:53:40,560 --> 00:53:43,160
Speaker 2: He played an e Wok because they chuck a you know,

1074
00:53:43,200 --> 00:53:45,319
Speaker 2: if they check someone off the burning building and they're

1075
00:53:45,360 --> 00:53:46,480
Speaker 2: chack a kid off fair.

1076
00:53:46,840 --> 00:53:51,840
Speaker 1: They say, where's Felix? But he was best known for

1077
00:53:51,920 --> 00:53:54,840
Speaker 1: his role as a creepy Adams family was cousin it

1078
00:53:55,080 --> 00:54:02,120
Speaker 1: In the body Length Hairpiece, wrote from Richard Wilkins, veil.

1079
00:54:03,719 --> 00:54:06,040
Speaker 20: Elanas Morris said, is back with a new musical and

1080
00:54:06,120 --> 00:54:08,840
Speaker 20: she's so happy about it she can't even articulate it.

1081
00:54:09,040 --> 00:54:11,120
Speaker 1: I know it had a limited run in the States

1082
00:54:11,160 --> 00:54:13,399
Speaker 1: only because of COVID. It was set up for this big,

1083
00:54:13,480 --> 00:54:16,520
Speaker 1: long run and COVID got in the way. So where's ruled?

1084
00:54:16,600 --> 00:54:19,680
Speaker 1: Australia is the only other place this has been performed. Yes,

1085
00:54:19,800 --> 00:54:20,200
Speaker 1: this is the.

1086
00:54:20,239 --> 00:54:23,720
Speaker 11: First time we're stepping out of America and I couldn't

1087
00:54:23,719 --> 00:54:24,640
Speaker 11: be more excited, are you?

1088
00:54:26,160 --> 00:54:26,319
Speaker 17: Yeah?

1089
00:54:26,320 --> 00:54:28,040
Speaker 1: I'm sorry my brain phonot there.

1090
00:54:28,040 --> 00:54:31,000
Speaker 2: I don't even know when my house does that all

1091
00:54:31,080 --> 00:54:31,359
Speaker 2: the time.

1092
00:54:31,440 --> 00:54:32,719
Speaker 1: Surprise, you couldn't smell out.

1093
00:54:35,080 --> 00:54:36,520
Speaker 17: Eventually the internet will yield.

1094
00:54:38,440 --> 00:54:40,480
Speaker 1: It will gets my gholies had to call that.

1095
00:54:40,560 --> 00:54:44,279
Speaker 20: Amanda could certainly relate to what gets my.

1096
00:54:44,480 --> 00:54:47,920
Speaker 17: Girlies is when you have a beautiful new bottle of

1097
00:54:48,040 --> 00:54:50,600
Speaker 17: your favorite expensive perfume.

1098
00:54:50,680 --> 00:54:53,480
Speaker 15: And you drop it on the bathroom floor and it

1099
00:54:53,719 --> 00:54:55,759
Speaker 15: smashes and goes everywhere.

1100
00:54:55,960 --> 00:54:58,320
Speaker 1: I had a very expensive face cream that I dropped

1101
00:54:58,360 --> 00:55:00,040
Speaker 1: on the floor and it just smashed when everywhere, and

1102
00:55:00,040 --> 00:55:02,960
Speaker 1: they were so expensive. I scooped it up and kept

1103
00:55:03,080 --> 00:55:05,080
Speaker 1: using it even though it had grit and toenails and

1104
00:55:05,160 --> 00:55:08,279
Speaker 1: pubes in it face. This is my law firm.

1105
00:55:09,040 --> 00:55:11,720
Speaker 20: On a there was the story of Bert, the horrible

1106
00:55:11,760 --> 00:55:13,960
Speaker 20: criminal who robbed a poor, defenseless lady.

1107
00:55:14,239 --> 00:55:16,240
Speaker 1: We will point out though Bert's an emu.

1108
00:55:16,640 --> 00:55:21,480
Speaker 4: Anyway, what is known is the offender de camped in

1109
00:55:21,560 --> 00:55:25,920
Speaker 4: a westerly direction shortly after the vicious assaultants.

1110
00:55:25,400 --> 00:55:26,280
Speaker 1: Swallowed the earring.

1111
00:55:26,400 --> 00:55:27,239
Speaker 2: Swallowed the ear ring.

1112
00:55:27,400 --> 00:55:27,960
Speaker 1: How weird.

1113
00:55:28,200 --> 00:55:30,959
Speaker 2: But they found him. They found him and they locked

1114
00:55:31,000 --> 00:55:33,760
Speaker 2: him up. And then it's a bit of a waiting

1115
00:55:33,880 --> 00:55:37,960
Speaker 2: game because Bert has to pass this lady's earring if

1116
00:55:37,960 --> 00:55:40,200
Speaker 2: I'd wanted back, so the guards had to wait for

1117
00:55:40,320 --> 00:55:43,759
Speaker 2: him to do this. They are waiting for Bird to

1118
00:55:43,880 --> 00:55:45,200
Speaker 2: pass the Tiffany ear ring.

1119
00:55:45,800 --> 00:55:48,719
Speaker 1: In fact, we were right there for this day's three

1120
00:55:48,800 --> 00:55:49,799
Speaker 1: pm poop check.

1121
00:55:50,840 --> 00:55:53,359
Speaker 2: Three pm poop check? Isn't that a show on Kiss?

1122
00:55:55,040 --> 00:55:57,360
Speaker 2: That's great to see Leo Sayer back touring.

1123
00:55:57,600 --> 00:55:59,160
Speaker 1: He got a little fruity though.

1124
00:55:59,120 --> 00:56:01,000
Speaker 20: When he was telling us about the time he stood

1125
00:56:01,080 --> 00:56:02,400
Speaker 20: up John Lennon and.

1126
00:56:02,600 --> 00:56:04,840
Speaker 15: Something went pear shaped and I had an interview to

1127
00:56:04,920 --> 00:56:06,880
Speaker 15: do or something like that. I couldn't make it, so

1128
00:56:07,000 --> 00:56:09,719
Speaker 15: he said, it's John on the phone. We're in the

1129
00:56:09,760 --> 00:56:12,279
Speaker 15: lobby of the hotel, no mobiles in those gates, and

1130
00:56:12,400 --> 00:56:14,280
Speaker 15: John says, where are the guyer?

1131
00:56:14,800 --> 00:56:15,480
Speaker 8: Sorry? I said that.

1132
00:56:18,360 --> 00:56:21,520
Speaker 1: It's John the potty mouth, not you. But wait, there's more.

1133
00:56:21,920 --> 00:56:24,400
Speaker 20: What about the time he had fancy dressed with George

1134
00:56:24,440 --> 00:56:28,160
Speaker 20: Harrison to race card driver Damon Hill's birthday parties.

1135
00:56:28,000 --> 00:56:30,720
Speaker 15: To go motor racing with George Harrison and George became

1136
00:56:31,200 --> 00:56:33,240
Speaker 15: I think my closest friend were the Beatles.

1137
00:56:33,560 --> 00:56:36,239
Speaker 11: In fact, the last time that George played a gig,

1138
00:56:37,640 --> 00:56:38,320
Speaker 11: we were both.

1139
00:56:38,880 --> 00:56:42,719
Speaker 15: We put together a band for Damon Hill's fortieth birthday.

1140
00:56:43,000 --> 00:56:45,600
Speaker 8: It was a very secret geek and we all went

1141
00:56:45,760 --> 00:56:48,040
Speaker 8: in disguise. You're not going to believe this.

1142
00:56:48,200 --> 00:56:50,560
Speaker 11: I went as a Nazi at General.

1143
00:56:53,640 --> 00:56:54,640
Speaker 8: It was hilarious.

1144
00:56:54,840 --> 00:56:55,839
Speaker 11: What did you do with the fro?

1145
00:56:56,080 --> 00:56:57,200
Speaker 2: What did you do with your fro?

1146
00:56:58,360 --> 00:56:59,279
Speaker 8: Well? I tucked it in.

1147
00:56:59,480 --> 00:57:03,600
Speaker 11: I had it all chilled back and hence the cap in.

1148
00:57:03,719 --> 00:57:07,840
Speaker 17: You're right And I was giving first most politically increased

1149
00:57:08,280 --> 00:57:09,200
Speaker 17: no no.

1150
00:57:09,520 --> 00:57:11,320
Speaker 11: Press around, no video.

1151
00:57:12,640 --> 00:57:16,000
Speaker 15: When I went to Bowman and laths the costumers and

1152
00:57:16,040 --> 00:57:18,200
Speaker 15: they said, I want a Hitler costume.

1153
00:57:19,080 --> 00:57:24,840
Speaker 11: They went there, Yes.

1154
00:57:25,160 --> 00:57:27,200
Speaker 2: Yes, I wonder wild ship.

1155
00:57:29,160 --> 00:57:32,680
Speaker 1: We're trying to save you here seventy three months.

1156
00:57:32,720 --> 00:57:33,840
Speaker 2: Career can be over now.

1157
00:57:34,080 --> 00:57:39,320
Speaker 1: It's you mentioned it once, but I think he got

1158
00:57:39,360 --> 00:57:44,440
Speaker 1: away with it. This has been Jimbo's I say call

1159
00:57:44,520 --> 00:57:47,640
Speaker 1: it email of Facebook friend winsor Family Thunder Thrill thirty

1160
00:57:47,640 --> 00:57:50,919
Speaker 1: minute ultimate jet boat adventure around Sydney Harbor. Thunder jet

1161
00:57:50,960 --> 00:57:52,600
Speaker 1: Boat a thrilling ride for the whole family.

1162
00:57:52,640 --> 00:57:55,160
Speaker 2: You're also at the Jonesy de Mata ttail and branded bobblehead.

1163
00:57:55,200 --> 00:57:57,080
Speaker 2: We had five few flashback. It was a tribute to

1164
00:57:57,160 --> 00:58:00,600
Speaker 2: songwriter Jim Steinman, who wrote a cavalcade of song many

1165
00:58:00,720 --> 00:58:01,360
Speaker 2: for meat Life.

1166
00:58:01,520 --> 00:58:05,600
Speaker 1: The category was Jim Steinmann Songs without the Meat, a

1167
00:58:05,680 --> 00:58:09,439
Speaker 1: plant based alternative. I won with this celenion or coming

1168
00:58:09,480 --> 00:58:14,160
Speaker 1: back to me. Ah, yeah, so good.

1169
00:58:14,280 --> 00:58:17,000
Speaker 2: Because beat air supply. I can't believe it making love

1170
00:58:17,080 --> 00:58:20,880
Speaker 2: out of nothing at all, But you know what.

1171
00:58:20,960 --> 00:58:23,200
Speaker 1: Your song and a lot to some of the callers,

1172
00:58:23,320 --> 00:58:25,040
Speaker 1: especially Kim from Plumpton.

1173
00:58:25,280 --> 00:58:28,000
Speaker 11: Sorry, I got to go with Jonesy today. Air Supply.

1174
00:58:28,560 --> 00:58:31,720
Speaker 1: My wedding song was their supply, which song, Which one?

1175
00:58:31,760 --> 00:58:34,680
Speaker 17: Did you have it? Even the nights were better?

1176
00:58:34,920 --> 00:58:37,560
Speaker 1: Oh, even the nights were better.

1177
00:58:38,200 --> 00:58:38,720
Speaker 2: Isn't that same?

1178
00:58:38,800 --> 00:58:39,800
Speaker 8: Even the better?

1179
00:58:39,920 --> 00:58:44,400
Speaker 2: Sorry, that's the song you play now.

1180
00:58:44,440 --> 00:58:46,000
Speaker 1: At least you didn't have All out of Love at

1181
00:58:46,040 --> 00:58:47,200
Speaker 1: your wedding. It's unfortunate.

1182
00:58:48,240 --> 00:58:49,040
Speaker 4: That's enough.

1183
00:58:49,520 --> 00:58:52,600
Speaker 1: Wsfm's one hundred thousand dollars credit card crushes back with

1184
00:58:52,720 --> 00:58:55,240
Speaker 1: Ugly Phil Ufter nine o'clock, we will be back from

1185
00:58:55,280 --> 00:58:59,400
Speaker 1: six to night jam Nation. Good day to you, well, thank.

1186
00:58:59,280 --> 00:59:00,160
Speaker 4: God that's over.

1187
00:59:00,240 --> 00:59:03,800
Speaker 8: Hood Bite, good bite, wipe.

1188
00:59:03,640 --> 00:59:05,520
Speaker 1: The two baby from your own.

1189
00:59:05,680 --> 00:59:08,960
Speaker 2: A podcast of today's show is available to download from

1190
00:59:09,000 --> 00:59:10,400
Speaker 2: the iHeartRadio app.

1191
00:59:10,520 --> 00:59:15,520
Speaker 1: All the cool Kids are doing it, Change Change Him?

1192
00:59:17,200 --> 00:59:18,080
Speaker 8: Good Bye.

1193
00:59:21,440 --> 00:59:25,280
Speaker 1: Jonesy and Amanda podcast. Catch up on what you've missed

1194
00:59:25,320 --> 00:59:27,080
Speaker 1: on the free iHeartRadio app