1 00:00:01,440 --> 00:00:03,320 Speaker 1: And Amanda jam Nation. 2 00:00:03,840 --> 00:00:07,040 Speaker 2: Today after we finished our show, it seems Johnny ice 3 00:00:07,160 --> 00:00:09,480 Speaker 2: Pipe and his missus decided to miss. 4 00:00:09,360 --> 00:00:13,440 Speaker 3: His ice pipe Missus ice Pipe in the Boston ice Pipes. 5 00:00:14,320 --> 00:00:15,640 Speaker 1: They decided to steal a car. 6 00:00:15,760 --> 00:00:17,159 Speaker 2: You would have seen this, it was all over the 7 00:00:17,239 --> 00:00:20,680 Speaker 2: news and lead the cops on a multi suburb police 8 00:00:20,760 --> 00:00:21,400 Speaker 2: car chase. 9 00:00:21,480 --> 00:00:24,439 Speaker 3: What do you think the psychology is of going on 10 00:00:24,480 --> 00:00:26,520 Speaker 3: a police chase like that? I wonder if it's like 11 00:00:26,560 --> 00:00:30,200 Speaker 3: Film and Luise. Once you set off your rational brain, 12 00:00:30,280 --> 00:00:31,960 Speaker 3: isn't it and you think I'll keep going and let 13 00:00:32,040 --> 00:00:34,040 Speaker 3: the universe decide, which usually means you crash if you 14 00:00:34,080 --> 00:00:34,960 Speaker 3: telegraph pop. 15 00:00:34,880 --> 00:00:37,920 Speaker 1: Ever met anyone on methanphetamine? The rational brain parts that 16 00:00:38,000 --> 00:00:38,639 Speaker 1: of goes. 17 00:00:38,640 --> 00:00:40,360 Speaker 3: Over here, so you just keep driving. 18 00:00:40,400 --> 00:00:41,400 Speaker 2: So you just keep driving. 19 00:00:42,479 --> 00:00:44,519 Speaker 1: Someone who kept us up to speed on this was 20 00:00:44,560 --> 00:00:46,800 Speaker 1: our mate Ray Hadley. And we love Ray. You know, 21 00:00:46,840 --> 00:00:48,360 Speaker 1: in the radio world we're all mates. 22 00:00:48,600 --> 00:00:50,400 Speaker 2: You know, we like to beat each other in ratings 23 00:00:50,400 --> 00:00:52,000 Speaker 2: and stuff like that, but when we all get together 24 00:00:52,280 --> 00:00:55,000 Speaker 2: we're all mates. And Ray like, really, when you look 25 00:00:55,000 --> 00:00:57,680 Speaker 2: at Ray, he is one of the greatest commentators in 26 00:00:57,720 --> 00:01:03,720 Speaker 2: the business. You hear him commentating the footy, you're here 27 00:01:03,800 --> 00:01:05,600 Speaker 2: and commentating the athletic. 28 00:01:05,280 --> 00:01:07,600 Speaker 4: Sally Pearson's there she come for the seventh in front 29 00:01:07,600 --> 00:01:09,760 Speaker 4: of Sally Pearson, just in front of coming through it 30 00:01:09,760 --> 00:01:11,119 Speaker 4: against side Tully Pearson. 31 00:01:11,160 --> 00:01:17,319 Speaker 2: They did, I don't know, gasket yesterday. Ray can add 32 00:01:17,360 --> 00:01:21,119 Speaker 2: this to his ginormous bow. Here is the king at 33 00:01:21,120 --> 00:01:22,559 Speaker 2: calling police car chases. 34 00:01:22,640 --> 00:01:24,560 Speaker 5: I guess observed that fact and pull over to the 35 00:01:24,640 --> 00:01:27,000 Speaker 5: left hand side so the police can continue the chase. 36 00:01:27,040 --> 00:01:29,839 Speaker 5: Now he's back on a single lane road again, heading 37 00:01:29,920 --> 00:01:32,600 Speaker 5: up through North Rocks and just coming up to that 38 00:01:32,640 --> 00:01:35,120 Speaker 5: intersection I spake about with North Rock Shops on his 39 00:01:35,240 --> 00:01:37,120 Speaker 5: right hand side. Yes, I can see it now from 40 00:01:37,120 --> 00:01:39,440 Speaker 5: the air, the North Rock shopping center. 41 00:01:39,840 --> 00:01:40,920 Speaker 1: And where will he go? 42 00:01:41,080 --> 00:01:41,800 Speaker 5: Left or right? 43 00:01:41,959 --> 00:01:42,720 Speaker 1: He's gone left. 44 00:01:43,319 --> 00:01:45,640 Speaker 4: In fact, he's he's hit one of the poles. He's 45 00:01:45,640 --> 00:01:48,640 Speaker 4: stopped the car stop. The car has stopped the car stop. 46 00:01:48,720 --> 00:01:51,160 Speaker 4: Coppers are there now they're gonna get it. He's hit 47 00:01:51,400 --> 00:01:53,920 Speaker 4: a light pole. Here come the coppers, your little beauty. 48 00:01:54,040 --> 00:01:56,640 Speaker 5: Get the bastard, Throw the cuffs on him and keep 49 00:01:56,680 --> 00:02:01,160 Speaker 5: him there the low mangrol anyway. Well under police, well 50 00:02:01,320 --> 00:02:03,760 Speaker 5: under police. He's hit as he tried to turn left 51 00:02:03,760 --> 00:02:06,280 Speaker 5: in the bar Play road. Smack them in the middle 52 00:02:06,280 --> 00:02:08,480 Speaker 5: and there they've got the passenger on the ground their cup. 53 00:02:08,560 --> 00:02:11,320 Speaker 5: They've done, They've finished, you, little beauty. 54 00:02:11,480 --> 00:02:13,720 Speaker 1: We've added some effects underneath that. 55 00:02:13,800 --> 00:02:15,680 Speaker 3: He did make it sound like an arena event. 56 00:02:15,800 --> 00:02:16,959 Speaker 1: There was an arena event. 57 00:02:17,080 --> 00:02:20,160 Speaker 2: God on your TPC. You've done it again, TPC. The 58 00:02:20,160 --> 00:02:21,160 Speaker 2: People's Champa. 59 00:02:21,400 --> 00:02:21,720 Speaker 1: That's right. 60 00:02:21,800 --> 00:02:25,200 Speaker 2: He knows every street in Sydney. Because Jimi Rae was saying, 61 00:02:25,200 --> 00:02:26,200 Speaker 2: what's with you old blacks? 62 00:02:26,240 --> 00:02:28,400 Speaker 3: And every street I'll ask the same question, how do 63 00:02:28,440 --> 00:02:29,640 Speaker 3: you know you know every. 64 00:02:29,480 --> 00:02:32,280 Speaker 1: Street in Sydney? How do you get around maps like 65 00:02:32,360 --> 00:02:33,079 Speaker 1: Google Maps? 66 00:02:33,320 --> 00:02:33,680 Speaker 3: Try it? 67 00:02:33,760 --> 00:02:35,320 Speaker 1: Yeah, but you talk to kids these days, you know 68 00:02:35,400 --> 00:02:36,560 Speaker 1: it's on blah blah straight and they. 69 00:02:36,520 --> 00:02:38,360 Speaker 3: Go, well, they don't, but they don't have to remember. 70 00:02:38,400 --> 00:02:40,200 Speaker 3: It's like you know your old phone number. You don't 71 00:02:40,240 --> 00:02:42,160 Speaker 3: have to remember anything in your own phone number. 72 00:02:42,200 --> 00:02:48,000 Speaker 1: Old phone number, Yeah, what is it? My mum's number? Still? 73 00:02:48,160 --> 00:02:49,120 Speaker 1: What's your password? 74 00:02:49,160 --> 00:02:52,040 Speaker 3: And what's your past code and all of that, all 75 00:02:52,080 --> 00:02:52,640 Speaker 3: that stuff.